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236:. His studio became a center for members of the artistic community of Montreal and visitors from elsewhere. In 1867 Fraser, Sandham, and Fraser's brother William Lewis Fraser were charter members of the Society of Canadian Artists, which was organized in Notman's studio. In May 1868 Fraser was elected a member of the New York-based
320:
In
February 1877 Fraser again became a member of the OSA, and in summer of 1877 went by rail on a sketching trip to New Brunswick. In May 1878 he submitted a large number of oils and watercolors from his sketches to the OSA exhibition, where he received much praise for his work. That year he first
441:
gave Fraser's Rocky
Mountain watercolours high praise for their uniquely Canadian qualities. In June 1886 Fraser was sent on a sketching trip along the CPR line from Montreal to Vancouver Island and back. He arrived back in Toronto on 19 October 1886 with many watercolours, including sketches and
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painters popular in
Britain at the time. They have strong and original composition and colour, with photographic clarity and detail. His 1878 New Brunswick landscapes are larger and more original both in composition and in use of colour than his earlier landscape. Most of Fraser's paintings were
445:
In the spring on 1888 Fraser returned to
Britain, visited Scotland and Kent, then worked on his pictures in London until his health failed in the summer of 1889. The Royal Academy of Arts accepted one of his Scottish watercolours for their 1889 exhibition. Fraser and his wife then settled in
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Over time Fraser's art department grew to employ a large staff that coloured photographs, retouched negatives and painted backgrounds. Painted photographs were made from the carte-de-visite size, 3.5 by 2.25 inches (89 by 57 mm), or the cabinet photograph size, 5 by 3.5 inches (127 by
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89 mm). The negatives were projected onto sensitized paper and processed in the normal way. The paper was then pasted onto canvas on a stretcher frame, or onto cardboard, and after the artist had done their work was place in an ornamental guilt frame by Notman's framing department.
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of the CPR. In
November 1884 Van Horne invited Fraser to illustrate a proposed guidebook for the CPR. After some delay, Fraser accepted the commission in October 1885. Van Horne was demanding, and felt free to give Fraser criticism and advice. For example, he said of a sketch of
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to join his wife and daughters, leaving his sons to run the photographic business. He became a member of the Boston Art Club and was one of the founders of the Boston Water Color
Society. He found steady work making illustrations for New York magazines such as
168:, describing himself as an artist on his marriage certificate. They had three sons and three daughters. Very soon after his marriage he moved with his wife and parents to Stanstead, Lower Canada, where his grandmother had lost her husband two years earlier.
372:(CPR) was an art connoisseur, and gave commissions to professional artists including Fraser and Lucius Richard O'Brien to make paintings of the Rockies for exhibitions promoting the CPR. In 1883 Fraser made a trip on the newly-completed CPR line to
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larger more complete pictures. By the end of
November he was back in Boston with his family. The CPR helped Fraser with an exhibition of his CPR pictures at the Canadian Club in New York in March 1887, and with a dealer in London in May 1887.
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art editor, Lucius O’Brien, president of the Royal
Canadian Academy of Arts. Fraser was often involved in bitter arguments with other artists. In the summer of 1883 Fraser was employed by a Chicago publisher to make a 2-week trip to northern
184:
John Arthur had moved to
Montreal by 1860, looking for work as a decorative painter. His father also moved to Montreal and worked as a book agent while writing on politics until his death in 1872. Fraser became a photograph tinter with
298:, and on 2 July 1872 Fraser was elected vice-president. The society held its first exhibition on 14 April 1873 at the Notman and Fraser premises, recently built for the firm. The press paid most attention to the work of Fraser,
306:. Fraser was reelected vice-president of the OSA in 1873, but drew criticism for the way he dealt with the treasurer, who had embezzled funds. O'Brien replaced him in June 1874, and in December 1874 he resigned from the OSA.
231:
Fraser also exhibited oil paintings of New
Hampshire and Eastern Township landscapes with the Art Association of Montreal, and sold these paintings through dealers. Notman was a charter member and ongoing supporter of the
361:
to make sketches that illustrated an article that he wrote about his expedition. The Notman and Fraser partnership was wound up in 1883 and in June 1884 Fraser and Sons was launched as a photographic firm in Toronto.
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Fraser's early work as a tinter of small head and shoulders studies for Notman is skillful and sensitive, giving the impression of miniature paintings. One his first known landscapes was the picturesque and romantic
228:. The text by Thomas Davies King said that the artist "has not had more opportunity of following a branch of art in which he would be successful", an allusion to Fraser's work supervising Notman's art department.
325:. In October 1876 the Government of Ontario agreed to give the OSA a grant of $ 1,000 to open the first art school in Ontario at 14 King Street West in Toronto. Fraser was elected to the council of the
865:
Canada's Entrepreneurs: From the Fur Trade to the 1929 Stock Market Crash : Portraits from the Dictionary of Canadian Biography Under the Direction of John English and Réal Bélanger
385:
that it "will hardly answer our purpose, the mountain not being sufficiently imposing...". Fraser was willing to accept this advice, and maintained a good relationship with Van Horne.
259:
Fraser left Notman's firm in Montreal in October 1868 and in November 1868 opened the partnership of Notman and Fraser in Toronto. In Toronto, Fraser employed young painters such as
498:(1866), which showed that he was already an accomplished artist. It has a dramatic sky and lighting, and meticulous detail in the foreground. Two of his oils from 1873,
271:
to provide high-quality artistic work. In 1876 Notman and Edward Wilson formed the Centennial Photographic Company, which obtained a monopoly on photography at the 1876
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974:
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352:, but the publishers rejected his submissions. Fraser publicly accused them in October 1880 of using the work of non-Canadian artists. He also attacked the
282:(OSA). On 25 June 1872 he arranged a meeting at his home with six other artists who decided to form the OSA. The founders were Fraser, J. W. Bridgman,
275:
in Philadelphia. Fraser was employed as art supervisor by the company, which had 100 employees working in a large building on the exhibition grounds.
437:. The critics were more interested in the work of younger Canadian figure painters, but the report on the exhibition by the librarian of the
462:. He mostly showed his British watercolours but included a few American subjects. He also exhibited in Boston and Canada, and in 1891 at the
237:
407:
115:(9 January 1838 – 1 January 1898) was an English artist, photography entrepreneur and teacher. He undertook various paintings for the
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watercolours. His work was praised for its photographic realism, attention to detail and mastery of colour and light.
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on commission, but was not satisfied with his work. He engaged Fraser in 1860 as his main artist, with the young
434:
341:
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in 1878, and in September that year became general supervisor of paintings at the school. His pupils included
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Early in 1886 Van Horne gave Fraser a commission to paint three large watercolours from photographs of the
433:. They were to be included with other paintings by Fraser in the display of Canadian art in London at the
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144:, Scotland, and Isabella Warren of London. His father was a tailor and an outspoken supporter of the
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119:. He is known for his highly realistic landscapes of Canada and the United States, many of them
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164:", but neither school has any record of him. On 4 April 1858 he married Anne Maria Sayer in
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in 1894–95. Some of his work was auctioned in Toronto in October 1897. Fraser died in
156:(Quebec) as pioneers in 1831. Fraser may have taken evening classes in drawing at the
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John Arthur Fraser (1887), "An artist's experiences in the Canadian Rockies",
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in 1880. In the summer he returned to the east coast to make sketches for the
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471:
466:. He was on the board of the New York Watercolor Club in 1893–94, and of the
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72:
953:
Lerner, Loren (2012), "William Notman's "Photographic Selections" (1863)",
908:
Klinkhoff, Alan; Klinkhoff, Craig; Potter-Bienvenu, Karen (28 March 2015),
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153:
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Relatively few of Fraser's paintings have survived. Some are held by the
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979:(From the AGO catalogue), AGO: Art Gallery of Ontario, archived from
376:, and after his return sold paintings from the trip to Van Horne and
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213:
29:
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Ruggles, Mervyn (Spring 1985), "Paintings on a Photographic Base",
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The work of Fraser and Sandham was included in Notman's first book
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painting of a pond with children in the foreground was entitled
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Summit Lake near Lenchoile, Bow River, Canadian Pacific Railway
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as his assistant. Fraser was paid a salary of $ 125 per month.
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53:
404:. Fraser and Sons and all its assets was sold by March 1886.
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208:(1863), which also included work by Montreal artists such as
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Alice Starr Chipman Tilley (1868) watercolour over photograph
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From Telegrapher to Titan: The Life of William C. Van Horne
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around 1852, and later he was described as "a pupil of the
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John Arthur Fraser (1884), "A scamper in the Nor'-west",
1060:, vol. II, Toronto: University Associates of Canada
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La Traversée de la glace de la Pointe de Lévy à Québec
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518:(Ottawa), and smaller collections are held by the
496:Crossing the ice at Pointe de Lévy in Quebec City
136:John Arthur Fraser was born on 9 January 1838 in
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976:Ontario Society of Artists: 100 Years, 1872-1972
834:Klinkhoff, Klinkhoff & Potter-Bienvenu 2015
617:John Arthur Fraser – The Canadian Encyclopedia
1098:Members of the Royal Canadian Academy of Arts
278:Fraser was the driving force in creating the
238:American Society of Painters in Water Colors
914:, Galerie Alan Klinkhoff, GGKEY:PJUNDQ108XQ
911:2014 Year In Review: Galerie Alan Klinkhoff
140:, England. His parents were John Fraser of
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28:
1003:, Springer Science & Business Media,
450:, and in 1890 he began to exhibit at the
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253:September Afternoon, Eastern Townships
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148:. His father's parents had moved to
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401:Century Illustrated Monthly Magazine
340:Fraser was a charter member of the
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14:
1109:
1052:Wallace, W. Stewart, ed. (1948),
999:, in Francess G. Halpenny (ed.),
926:Knowles, Valerie (1 March 2004),
1001:Dictionary of Canadian Biography
189:'s firm. Notman had been paying
955:Journal of Canadian Art History
868:, University of Toronto Press,
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504:A shot in the dawn, Lake Scugog
92:Artist, businessman and teacher
435:Colonial and Indian Exhibition
393:Early in 1885 Fraser moved to
342:Royal Canadian Academy of Arts
1:
294:. The honorary president was
290:, Charles Stuart Millard and
524:Montreal Museum of Fine Arts
321:exhibited his work with the
152:in the Eastern Townships of
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468:American Watercolor Society
452:Society of American Artists
366:William Cornelius Van Horne
323:American Watercolor Society
234:Art Association of Montreal
10:
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1058:The Encyclopedia of Canada
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542:(London, Ontario) and the
516:National Gallery of Canada
460:National Academy of Design
280:Ontario Society of Artists
894:The Canadian Encyclopedia
536:Toronto Reference Library
506:resemble the work of the
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39:
27:
20:
576:
456:New York Watercolor Club
370:Canadian Pacific Railway
162:South Kensington Schools
117:Canadian Pacific Railway
559:Outing and the Wheelman
528:Art Gallery of Hamilton
520:Beaverbrook Art Gallery
477:
304:Frederick Arthur Verner
269:Frederick Arthur Verner
218:Robert Stuart Duncanson
206:Photographic selections
132:Early years (1838–1860)
126:
862:English, John (2011),
532:Art Gallery of Ontario
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389:Last years (1885–1898)
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300:Lucius Richard O'Brien
296:William Holmes Howland
256:
181:
997:"FRASER, JOHN ARTHUR"
995:Reid, Dennis (1990),
973:Murray, Joan (1972),
530:(Hamilton, Ontario),
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439:Royal Academy of Arts
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335:Ernest Thompson Seton
327:Ontario School of Art
314:Coast Scene, Tide Out
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273:Centennial Exposition
251:
179:
158:Royal Academy Schools
1054:"John Arthur Fraser"
890:"John Arthur Fraser"
210:Otto Reinhold Jacobi
172:Montreal (1860–1869)
121:watercolor paintings
474:on 1 January 1898.
292:Thomas Mower Martin
244:Toronto (1868–1885)
226:Sunshine and Shower
166:Forest Hill, London
896:, Historica Canada
491:
427:
414:. (1886) Possibly
354:Picturesque Canada
350:George Monro Grant
348:project edited by
346:Picturesque Canada
318:
288:Marmaduke Matthews
257:
182:
99:John Arthur Fraser
22:John Arthur Fraser
1010:978-0-8020-3460-1
983:on 2 October 2013
939:978-1-4597-1460-1
875:978-1-4426-4478-6
665:, pp. 95–96.
331:George Agnew Reid
284:Robert Ford Gagen
146:Chartist movement
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544:Glenbow Museum
508:Pre-Raphaelite
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286:, James Hoch,
261:Horatio Walker
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187:William Notman
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103:John A. Fraser
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69:(aged 59)
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50:9 January 1838
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34:Fraser c. 1875
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38:
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26:
19:
16:
1062:, retrieved
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985:, retrieved
981:the original
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961:(1): 16–45,
958:
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943:, retrieved
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916:, retrieved
910:
898:, retrieved
893:
879:, retrieved
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841:
829:
822:Knowles 2004
805:English 2011
800:
774:Wallace 1948
742:English 2011
737:
730:English 2011
725:
682:
675:Ruggles 1985
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663:Ruggles 1985
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651:Ruggles 1985
636:English 2011
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154:Lower Canada
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107:J. A. Fraser
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98:
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67:(1898-01-01)
15:
1088:1898 deaths
1083:1838 births
932:, Dundurn,
757:Murray 1972
687:Lerner 2012
546:(Calgary).
464:Paris Salon
220:. Fraser's
81:Nationality
1077:Categories
561:(5): 83–90
416:Paget Peak
46:1838-01-09
846:Reid 1990
793:Reid 1990
718:Reid 1990
598:Reid 1990
570:: 233–246
359:Wisconsin
214:C. J. Way
150:Stanstead
56:, England
967:42616579
458:and the
1064:13 June
1046:3179450
1016:15 June
987:14 June
945:15 June
918:15 June
900:13 June
881:15 June
855:Sources
374:Calgary
368:of the
142:Portsoy
84:English
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1007:
965:
936:
872:
489:(1866)
454:, the
395:Boston
316:(1877)
255:(1873)
138:London
54:London
1042:JSTOR
963:JSTOR
577:Notes
222:genre
75:, USA
1066:2018
1018:2018
1005:ISBN
989:2018
947:2018
934:ISBN
920:2018
902:2018
883:2018
870:ISBN
502:and
478:Work
418:and
333:and
302:and
267:and
216:and
127:Life
105:and
62:Died
40:Born
1034:doi
422:in
112:RCA
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44:(
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