John Ruskin - Knowledge

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the Vice-Chancellor and his attendants as they forced a passage. All the young women in Oxford and all the girls' schools had got in before us and filled the semi-circular auditorium. Every inch was crowded, and still no lecturer; and it was not apparent how he could arrive. Presently there was a commotion in the doorway, and over the heads and shoulders of tightly packed young men, a loose bundle was handed in and down the steps, till on the floor a small figure was deposited, which stood up and shook itself out, amused and good humoured, climbed on to the dais, spread out papers and began to read in a pleasant though fluting voice. Long hair, brown with grey through it; a soft brown beard, also streaked with grey; some loose kind of black garment (possibly to be described as a frock coat) with a master's gown over it; loose baggy trousers, a thin gold chain round his neck with glass suspended, a lump of soft tie of some finely spun blue silk; and eyes much bluer than the tie: that was Ruskin as he came back to Oxford.

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the hall had been lent for a lecture on art and would certainly not have been made available for preaching Socialism. He stammered a little at all times, and now, finding the ungracious words literally stick in his throat, sat down, leaving the remonstrance incomplete but clearly indicated. The situation was most unpleasant. Morris at any time was choleric and his face flamed red over his white shirt front: he probably thought he had conceded enough by assuming against his usage a conventional garb. There was a hubbub, and then from the audience Ruskin rose and instantly there was quiet. With a few courteous well chosen sentences he made everybody feel that we were an assembly of gentlemen, that Morris was not only an artist but a gentleman and an Oxford man, and had said or done nothing which gentlemen in Oxford should resent; and the whole storm subsided before that gentle authority.

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architecture in which intellect is idle, invention impossible, but in which all luxury is gratified and all insolence fortified." Rejection of mechanisation and standardisation informed Ruskin's theories of architecture, and his emphasis on the importance of the Medieval Gothic style. He praised the Gothic for what he saw as its reverence for nature and natural forms; the free, unfettered expression of artisans constructing and decorating buildings; and for the organic relationship he perceived between worker and guild, worker and community, worker and natural environment, and between worker and God. Attempts in the 19th century to reproduce Gothic forms (such as pointed arches), attempts he had helped inspire, were not enough to make these buildings expressions of what Ruskin saw as true Gothic feeling, faith, and organicism.

5344: 1070:(published April 1846). The volume concentrated on Renaissance and pre-Renaissance artists rather than on Turner. It was a more theoretical work than its predecessor. Ruskin explicitly linked the aesthetic and the divine, arguing that truth, beauty and religion are inextricably bound together: "the Beautiful as a gift of God". In defining categories of beauty and imagination, Ruskin argued that all great artists must perceive beauty and, with their imagination, communicate it creatively by means of symbolic representation. Generally, critics gave this second volume a warmer reception, although many found the attack on the aesthetic orthodoxy associated with 3274: 5249: 8158:, 37.15Ruskin, in a letter to Charles Eliot Norton, 20 August 1870: "I have not yet received so much encouragement from anything as from what you tell me respecting the feelings of other workmen. For up to the present time I have literally felt that, as Carlyle once wrote to me—'We are in a minority of two,' and that, whatever sympathy here and there people might feel either with his genius or with my poor little art-gift, there was no one who would or could believe a word of what we said touching the vital laws and mortal violations of them which regulate and ruin states, and are not doing the first for us in England." 2929:. A communitarian protest against nineteenth-century industrial capitalism, it had a hierarchical structure, with Ruskin as its Master, and dedicated members called "Companions". Ruskin wished to show that contemporary life could still be enjoyed in the countryside, with land being farmed by traditional means, in harmony with the environment, and with the minimum of mechanical assistance. He also sought to educate and enrich the lives of industrial workers by inspiring them with beautiful objects. Toward this end, with a tithe (or personal donation) of £7,000, Ruskin acquired land and a collection of art treasures. 5235: 2635:, are essentially concerned with education and ideal conduct. "Of Kings' Treasuries" (in support of a library fund) explored issues of reading practice, literature (books of the hour vs. books of all time), cultural value and public education. "Of Queens' Gardens" (supporting a school fund) focused on the role of women, asserting their rights and duties in education, according them responsibility for the household and, by extension, for providing the human compassion that must balance a social order dominated by men. This book proved to be one of Ruskin's most popular, and was regularly awarded as a 4482:(1862), Ruskin recommended that the state should underwrite standards of service and production to guarantee social justice. This included the recommendation of government youth-training schools promoting employment, health, and 'gentleness and justice'; government manufactories and workshops; government schools for the employment at fixed wages of the unemployed, with idlers compelled to toil; and pensions provided for the elderly and the destitute, as a matter of right, received honourably and not in shame. Many of these ideas were later incorporated into the 5207: 855: 13207: 13020: 3369: 5382: 3067: 5265: 2658: 4631:"—a statement about the relationships of price and quality as they pertain to manufactured goods, and often summarised as: "The common law of business balance prohibits paying a little and getting a lot." This is the core of a longer statement usually attributed to Ruskin, although Ruskin's authorship is disputed among Ruskin scholars. Fred Shapiro maintains that the statement does not appear anywhere in Ruskin's works, and George Landow is likewise sceptical of the claim of Ruskin's authorship. In a posting of the 494: 3930: 314: 5366: 13352: 5293: 13088: 5328: 624: 4272: 3181: 4672: 5279: 3449: 2551:. Mill formed the Jamaica Committee for the purpose of holding Governor Eyre accountable for what they perceived to be his unlawful, inhumane, and unnecessary quelling of the insurrection. In response, the Eyre Defence and Aid Fund was formed to support Eyre for having fulfilled his duty to defend order and save the white population from danger; Carlyle served as the chairman. Ruskin allied with the Defence, writing a letter which appeared in the 5221: 14913: 5307: 14896: 14930: 2613: 477: 13107: 1278: 3549: 3961:, which traces its origins to the Cambridge School of Art, at the foundation of which Ruskin spoke in 1858. Also, the Ruskin Literary and Debating Society, (founded in 1900 in Toronto, Ontario, Canada), the oldest surviving club of its type, and still promoting the development of literary knowledge and public speaking today; and the Ruskin Art Club in Los Angeles, which still exists. In addition, there is the 14879: 4611:. However, there is no evidence that Ruskin ever engaged in any sexual activity with anyone at all. According to one interpretation, what Ruskin valued most in pre-pubescent girls was their innocence; the fact that they were not (yet) fully sexually developed. However, James L. Spates describes Ruskin's erotic life as simply "idiosyncratic" and concludes that he "was physically and emotionally normal". The 3305:), and he altered the house (adding a dining room, a turret to his bedroom to give him a panoramic view of the lake, and he later extended the property to accommodate his relatives). He built a reservoir and redirected the waterfall down the hills, adding a slate seat that faced the tumbling stream and craggy rocks rather than the lake, so that he could closely observe the fauna and flora of the hillside. 2376:). The reaction of the national press was hostile, and Ruskin was, he claimed, "reprobated in a violent manner". Ruskin's father also strongly disapproved. Others were enthusiastic, including Carlyle, who wrote, "I have read your Paper with exhilaration… Such a thing flung suddenly into half a million dull British heads… will do a great deal of good", declaring that they were "henceforth in a minority of 4627:, he wrote: "So far as I know, there is not in history record of anything so disgraceful to the human intellect as the modern idea that the commercial text, 'Buy in the cheapest market and sell in the dearest,' represents, or under any circumstances could represent, an available principle of national economy." Perhaps due to such passages, Ruskin is frequently identified as the originator of the " 47: 747:, under the pen name "Kata Phusin" (Greek for "According to Nature"). It was a study of cottages, villas, and other dwellings centred on a Wordsworthian argument that buildings should be sympathetic to their immediate environment and use local materials. It anticipated key themes in his later writings. In 1839, Ruskin's "Remarks on the Present State of Meteorological Science" was published in 473:

contrast to his father, took on all debts, settling the last of them in 1832. John James and Margaret were engaged in 1809, but opposition to the union from John Thomas, and the problem of his debts, delayed the couple's wedding. They finally married, without celebration, in 1818. John James died on 3 March 1864 and is buried in the churchyard of St John the Evangelist, Shirley, Croydon.

14476: 1624:. In these lectures, Ruskin spoke about how to acquire art, and how to use it, arguing that England had forgotten that true wealth is virtue, and that art is an index of a nation's well-being. Individuals have a responsibility to consume wisely, stimulating beneficent demand. The increasingly critical tone and political nature of Ruskin's interventions outraged his father and the 3494:, "The Advancement of All". In Japan, Ryuzo Mikimoto actively collaborated in Ruskin's translation. He commissioned sculptures and sundry commemorative items, and incorporated Ruskinian rose motifs in the jewellery produced by his cultured pearl empire. He established the Ruskin Society of Tokyo and his children built a dedicated library to house his Ruskin collection. 372:. He also made detailed sketches and paintings of rocks, plants, birds, landscapes, architectural structures and ornamentation. The elaborate style that characterised his earliest writing on art gave way in time to plainer language designed to communicate his ideas more effectively. In all of his writing, he emphasised the connections between nature, art and society. 1787:, to whom he acknowledged that he "owed more than to any other living writer", Ruskin shifted his emphasis in the late 1850s from art towards social issues. Nevertheless, he continued to lecture on and write about a wide range of subjects including art and, among many other matters, geology (in June 1863 he lectured on the Alps), art practice and judgement ( 4663:

the statement, but the signs gave no information on where or when Ruskin was supposed to have written, spoken, or published the statement. Due to the statement's widespread use as a promotional slogan, and despite questions of Ruskin's authorship, it is likely that many people who are otherwise unfamiliar with Ruskin now associate him with this statement.

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about his first marriage. Ruskin repeated his marriage proposal when Rose became 21, and legally free to decide for herself. She was willing to marry if the union would remain unconsummated, because her doctors had told her she was unfit for marriage; but Ruskin declined to enter another such marriage for fear of its effect on his reputation.

1373:", a charge Ruskin later disputed. Ruskin wrote, "I can prove my virility at once." The annulment was granted in July. Ruskin did not even mention it in his diary. Effie married Millais the following year. The complex reasons for the non-consummation and ultimate failure of the Ruskin marriage are a matter of enduring speculation and debate. 979:. Suddenly Ruskin had found his métier, and in one leap helped redefine the genre of art criticism, mixing a discourse of polemic with aesthetics, scientific observation and ethics. It cemented Ruskin's relationship with Turner. After the artist died in 1851, Ruskin catalogued nearly 20,000 sketches that Turner gave to the British nation. 1205:, because he feared that they would be destroyed by the occupying Austrian troops. One of these troops, Lieutenant Charles Paulizza, became friendly with Effie, apparently with Ruskin's consent. Her brother, among others, later claimed that Ruskin was deliberately encouraging the friendship to compromise her, as an excuse to separate. 843:). A work of Christian sacrificial morality and charity, it is set in the Alpine landscape Ruskin loved and knew so well. It remains the most translated of all his works. Back at Oxford, in 1842 Ruskin sat for a pass degree, and was awarded an uncommon honorary double fourth-class degree in recognition of his achievements. 2814:(1871–84). (The letters were published irregularly after the 87th instalment in March 1878.) These letters were personal, dealt with every subject in his oeuvre, and were written in a variety of styles, reflecting his mood and circumstances. From 1873, Ruskin had full control over all his publications, having established 3301:, paying £1500 for it. Brantwood was Ruskin's main home from 1872 until his death. His estate provided a site for more of his practical schemes and experiments: he had an ice house built, and the gardens comprehensively rearranged. He oversaw the construction of a larger harbour (from where he rowed his boat, the 779:, he enjoyed equal status with his aristocratic peers. Ruskin was generally uninspired by Oxford and suffered bouts of illness. Perhaps the greatest advantage of his time there was in the few, close friendships he made. His tutor, the Rev Walter Lucas Brown, always encouraged him, as did a young senior tutor, 1492:) — which is the closest thing to a model of this style, but still failed to satisfy Ruskin completely. The many twists and turns in the Museum's development, not least its increasing cost, and the University authorities' less than enthusiastic attitude towards it, proved increasingly frustrating for Ruskin. 4643:), an anonymous library staff member briefly mentions the statement and its widespread use, saying that, "This is one of many quotations ascribed to Ruskin, without there being any trace of them in his writings – although someone, somewhere, thought they sounded like Ruskin." In an issue of the journal 4304:

Art is not a matter of taste, but involves the whole man. Whether in making or perceiving a work of art, we bring to bear on it feeling, intellect, morals, knowledge, memory, and every other human capacity, all focused in a flash on a single point. Aesthetic man is a concept as false and dehumanising

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continues to thrive as an educational charity, and has an international membership. The Ruskin Society organises events throughout the year. A series of public celebrations of Ruskin's multiple legacies took place in 2000, on the centenary of his death, and events are planned throughout 2019, to mark

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distanced Ruskin from the modern art world, his ideas on the social utility of art contrasting with the doctrine of "l'art pour l'art" or "art for art's sake" that was beginning to dominate. His later writings were increasingly seen as irrelevant, especially as he seemed to be more interested in book

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There is no wealth but life. Life, including all its powers of love, of joy, and of admiration. That country is the richest which nourishes the greatest number of noble and happy human beings; that man is richest who, having perfected the functions of his own life to the utmost, has always the widest

1745:, "I hear the chink of them at the end of every cadence of the Bible verses." This "loss of faith" precipitated a considerable personal crisis. His confidence undermined, he believed that much of his writing to date had been founded on a bed of lies and half-truths. He later returned to Christianity. 1529:(1857). He had taught several women drawing, by means of correspondence, and his book represented both a response and a challenge to contemporary drawing manuals. The WMC was also a useful recruiting ground for assistants, on some of whom Ruskin would later come to rely, such as his future publisher, 1218:

represented Ruskin's opinion of contemporary England. It served as a warning about the moral and spiritual health of society. Ruskin argued that Venice had degenerated slowly. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of

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Ruskin's health was poor and he never became independent from his family during his time at Oxford. His mother took lodgings on High Street, where his father joined them at weekends. He was devastated to hear that his first love, Adèle Domecq, the second daughter of his father's business partner, had

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John James had hoped to practise law, and was articled as a clerk in London. His father, John Thomas Ruskin, described as a grocer (but apparently an ambitious wholesale merchant), was an incompetent businessman. To save the family from bankruptcy, John James, whose prudence and success were in stark

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ice cream parlours prominently displayed a section of the statement in framed signs: "There is hardly anything in the world that someone cannot make a little worse and sell a little cheaper, and the people who consider price alone are that man's lawful prey." The signs listed Ruskin as the author of

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He alleged various reasons, hatred of children, religious motives, a desire to preserve my beauty, and finally this last year he told me his true reason… that he had imagined women were quite different to what he saw I was, and that the reason he did not make me his Wife was because he was disgusted

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Ruskin argued that one remedy would be to pay work at a fixed rate of wages, because human need is consistent and a given quantity of work justly demands a certain return. The best workmen would remain in employment because of the quality of their work (a focus on quality growing out of his writings

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Ruskin's belief in preservation of ancient buildings had a significant influence on later thinking about the distinction between conservation and restoration. His position at the beginning of his career was very radical and he believed that if no conservation had been done on a building it should be

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by confining women to the domestic sphere. Although indeed subscribing to the Victorian belief in "separate spheres" for men and women, Ruskin was however unusual in arguing for parity of esteem, a case based on his philosophy that a nation's political economy should be modelled on that of the ideal

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in May. Ruskin's own work was very distinctive, and he occasionally exhibited his watercolours: in the United States in 1857–58 and 1879, for example; and in England, at the Fine Art Society in 1878, and at the Royal Society of Painters in Watercolour (of which he was an honorary member) in 1879. He

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We want one man to be always thinking, and another to be always working, and we call one a gentleman, and the other an operative; whereas the workman ought often to be thinking, and the thinker often to be working, and both should be gentlemen, in the best sense. As it is, we make both ungentle, the

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Will you – (it's all for your own good – !) make her stand up and then draw her for me without a cap – and, without her shoes, – (because of the heels) and without her mittens, and without her – frock and frills? And let me see exactly how tall she is – and – how – round. It will be so good of

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Ruskin is not known to have had any sexually intimate relationships. During an episode of mental derangement after Rose died, he wrote a letter in which he insisted that Rose's spirit had instructed him to marry a girl who was visiting him at the time. It is also true that in letters from Ruskin to

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Nay, but I choose my physician and my clergyman, thus indicating my sense of the quality of their work. By all means, also, choose your bricklayer; that is the proper reward of the good workman, to be "chosen." The natural and right system respecting all labour is, that it should be paid at a fixed

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For Ruskin, the "age" of a building was crucially significant as an aspect in its preservation: "For, indeed, the greatest glory of a building is not in its stones, not in its gold. Its glory is in its Age, and in that deep sense of voicefulness, of stern watching, of mysterious sympathy, nay, even

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William Morris had come to lecture on "Art and plutocracy" in the hall of University College. The title did not suggest an exhortation to join a Socialist alliance, but that was what we got. When he ended, the Master of University, Dr Bright, stood up and instead of returning thanks, protested that

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but now occupies premises on High Street. Ruskin endowed the drawing mastership with £5000 of his own money. He also established a large collection of drawings, watercolours and other materials (over 800 frames) that he used to illustrate his lectures. The School challenged the orthodox, mechanical

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to a larger-than-expected audience. It was here that he said, "The art of any country is the exponent of its social and political virtues… she must found colonies as fast and as far as she is able, formed of her most energetic and worthiest men;—seizing every piece of fruitful waste ground she can

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Ruskin's biographers disagree about the allegation of "paedophilia". Tim Hilton, in his two-volume biography, asserts that Ruskin "was a paedophile", alluding by way of explanation to a sensual description by Ruskin of a half-naked girl he saw in Italy and quoting Ruskin's own statements about his

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has written, further, that, "The anthologising of short purple passages, removed from their intended contexts something which Ruskin himself detested and which has bedevilled his reputation from the start." Nevertheless, some aspects of Ruskin's theory and criticism require further consideration.

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election to the second term of the Slade professorship took place in 1884, and he was announced to lecture at the Science Schools, by the park. I went off, never dreaming of difficulty about getting into any professorial lecture; but all the accesses were blocked, and finally I squeezed in between

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For Mr Whistler's own sake, no less for the protection of the purchaser, Sir Coutts Lindsay ought not to have omitted works into the gallery in which the ill-educated conceit of the artist so nearly approached the aspect of wilful imposture. I have seen, and heard, much of cockney impudence before

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Ruskin's sense of politics was not confined to theory. On his father's death in 1864, he inherited an estate worth between £120,000 and £157,000 (the exact figure is disputed). This considerable fortune, inherited from the father he described on his tombstone as "an entirely honest merchant", gave

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in 1852. Suffering increasingly from physical illness and acute mental anxiety, Effie was arguing fiercely with her husband and his intense and overly protective parents, and sought solace with her own parents in Scotland. The Ruskin marriage was already undermined as she and Millais fell in love,

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favoured pictorial convention, and not "truth to nature". He explained that he meant "moral as well as material truth". The job of the artist is to observe the reality of nature and not to invent it in a studio—to render imaginatively on canvas what he has seen and understood, free of any rules of

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I to: "go to Nature in all singleness of heart… rejecting nothing, selecting nothing and scorning nothing." By the 1850s. Ruskin was celebrating the Pre-Raphaelites, whose members, he said, had formed "a new and noble school" of art that would provide a basis for a thoroughgoing reform of the art

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The centenary of Ruskin's birth was keenly celebrated in 1919, but his reputation was already in decline and sank further in the fifty years that followed. The contents of Ruskin's home were dispersed in a series of sales at auction, and Brantwood itself was bought in 1932 by the educationist and

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in 1869 was one of the few occasions they came into personal contact. After a long illness, she died on 25 May 1875, at the age of 27. These events plunged Ruskin into despair and led to increasingly severe bouts of mental illness involving breakdowns and delirious visions. The first of these had

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Early in the 20th century, this statement appeared—without any authorship attribution—in magazine advertisements, in a business catalogue, in student publications, and, occasionally, in editorial columns. Later in the 20th century, however, magazine advertisements, student publications, business

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began on 3 January 1858, when she was 10 years old and he was about to turn 39. He was her private art tutor, and the two maintained an educational relationship through correspondence until she was 18. Around that time he asked her to marry him. However, Rose's parents forbade it, after learning

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Ruskin authored several works on political economy. Ruskin's social view broadened from concerns about the dignity of labour to consider issues of citizenship and notions of the ideal community. Just as he had questioned aesthetic orthodoxy in his earliest writings, he now dissected the orthodox

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For Ruskin, the Gothic style in architecture embodied the same moral truths he sought to promote in the visual arts. It expressed the 'meaning' of architecture—as a combination of the values of strength, solidity and aspiration—all written, as it were, in stone. For Ruskin, creating true Gothic

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If there be any one point insisted on throughout my works more frequently than another, that one point is the impossibility of Equality. My continual aim has been to show the eternal superiority of some men to others, sometimes even of one man to all others; and to show also the advisability of

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Ruskin believed in a hierarchical social structure. He wrote "I was, and my father was before me, a violent Tory of the old school." He believed in man's duty to God, and while he sought to improve the conditions of the poor, he opposed attempts to level social differences and sought to resolve

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IV presents the geology of the Alps in terms of landscape painting, and their moral and spiritual influence on those living nearby. The contrasting final chapters, "The Mountain Glory" and "The Mountain Gloom" provide an early example of Ruskin's social analysis, highlighting the poverty of the

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Theoria: Ruskin's 'theoretic' faculty – theoretic, as opposed to aesthetic – enables a vision of the beautiful as intimating a reality deeper than the everyday, at least in terms of the kind of transcendence generally seen as immanent in things of this world. For an example of the influence of

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to allow him to work on the Turner Bequest of nearly 20,000 individual artworks left to the nation by the artist. This involved Ruskin in an enormous amount of work, completed in May 1858, and involved cataloguing, framing and conserving. Four hundred watercolours were displayed in cabinets of

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Ruskin was greatly influenced by the extensive and privileged travels he enjoyed in his childhood. It helped to establish his taste and augmented his education. He sometimes accompanied his father on visits to business clients at their country houses, which exposed him to English landscapes,

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typifies the inextricable mix of aesthetics and morality in his thought: "Pagan in its origin, proud and unholy in its revival, paralysed in its old age… an architecture invented, as it seems, to make plagiarists of its architects, slaves of its workmen, and sybarites of its inhabitants; an

1545:(1866), an imagined conversation with Winnington's girls in which he cast himself as the "Old Lecturer". On the surface a discourse on crystallography, it is a metaphorical exploration of social and political ideals. In the 1880s, Ruskin became involved with another educational institution, 4308:

Even the most superior mind and the most powerful imagination must found itself on facts, which must be recognised for what they are. The imagination will often reshape them in a way which the prosaic mind cannot understand; but this recreation will be based on facts, not on formulas or

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has been seen as foreshadowing environmentalism and related concerns in the 20th and 21st centuries. Ruskin's prophetic writings were also tied to his emotions, and his more general (ethical) dissatisfaction with the modern world with which he now felt almost completely out of sympathy.

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in a plain way." Through the Museum, Ruskin aimed to bring to the eyes of the working man many of the sights and experiences otherwise reserved for those who could afford to travel across Europe. The original Museum has been digitally recreated online. In 1890, the Museum relocated to

4425:... the art of becoming "rich," in the common sense, is not absolutely nor finally the art of accumulating much money for ourselves, but also of contriving that our neighbours shall have less. In accurate terms, it is "the art of establishing the maximum inequality in our own favour." 4441:

rate, but the good workman employed, and the bad workman unemployed. The false, unnatural, and destructive system is when the bad workman is allowed to offer his work at half-price, and either take the place of the good, or force him by his competition to work for an inadequate sum.

4169:. He believed that all great art should communicate an understanding and appreciation of nature. Accordingly, inherited artistic conventions should be rejected. Only by means of direct observation can an artist, through form and colour, represent nature in art. He advised artists in 1175:(1849). It contained 14 plates etched by the author. The title refers to seven moral categories that Ruskin considered vital to and inseparable from all architecture: sacrifice, truth, power, beauty, life, memory and obedience. All would provide recurring themes in his future work. 1231:

one envying, the other despising, his brother; and the mass of society is made up of morbid thinkers and miserable workers. Now it is only by labour that thought can be made healthy, and only by thought that labour can be made happy, and the two cannot be separated with impunity.

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In principle, Ruskin worked out a scheme for different grades of "Companion", wrote codes of practice, described styles of dress and even designed the Guild's own coins. Ruskin wished to see St George's Schools established, and published various volumes to aid its teaching (his

4527:, whom he met when she was 12 and he was 21, and Gray's family encouraged a match between the two when she had matured. The marriage was annulled after six years owing to non-consummation. Effie, in a letter to her parents, claimed that Ruskin found her "person" repugnant: 1540:

in Cheshire. A frequent visitor, letter-writer, and donor of pictures and geological specimens to the school, Ruskin approved of the mixture of sports, handicrafts, music and dancing encouraged by its principal, Miss Bell. The association led to Ruskin's sub-Socratic work,

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It may be thought strange that I could abstain from a woman who to most people was so attractive. But though her face was beautiful, her person was not formed to excite passion. On the contrary, there were certain circumstances in her person which completely checked it.

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understood. It means the most total destruction which a building can suffer: a destruction out of which no remnants can be gathered: a destruction accompanied with false description of the thing destroyed. Do not let us deceive ourselves in this important matter; it is

1063:, but he was alarmed by the combined effects of decay and modernisation on the city: "Venice is lost to me", he wrote. It finally convinced him that architectural restoration was destruction, and that the only true and faithful action was preservation and conservation. 4563:

said to his daughter Mary, "should you ever hear anyone blame Millais or his wife, or Mr. Ruskin , remember that there is no fault; there was misfortune, even tragedy. All three were perfectly blameless." Ruskins' marriage is the subject of a book by Robert Brownell.

4704:: Ruskin gave this title to a series of letters he wrote "to the workmen and labourers of Great Britain" (1871–84). The name was intended to signify three great powers that fashion human destiny, as Ruskin explained at length in Letter 2 (February 1871). These were: 4111: 3022:

The Guild's most conspicuous and enduring achievement was the creation of a remarkable collection of art, minerals, books, medieval manuscripts, architectural casts, coins and other precious and beautiful objects. Housed in a cottage museum high on a hill in the

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III Ruskin argued that all great art is "the expression of the spirits of great men". Only the morally and spiritually healthy are capable of admiring the noble and the beautiful, and transforming them into great art by imaginatively penetrating their essence.

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Ruskin's work has been translated into numerous languages including, in addition to those already mentioned (Russian, French, Japanese): German, Italian, Catalan, Spanish, Portuguese, Hungarian, Polish, Romanian, Swedish, Danish, Dutch, Czech, Chinese, Welsh,

3918:. All three mount regular exhibitions open to the public all the year round. Barony House in Edinburgh is home to a descendant of John Ruskin. She has designed and hand painted various friezes in honour of her ancestor and it is open to the public. Ruskin's 379:. After a period of relative decline, his reputation has steadily improved since the 1960s with the publication of numerous academic studies of his work. Today, his ideas and concerns are widely recognised as having anticipated interest in environmentalism, 1197:, staying at the Hotel Danieli. Their different personalities are revealed by their contrasting priorities. For Effie, Venice provided an opportunity to socialise, while Ruskin was engaged in solitary studies. In particular, he made a point of drawing the 960:

composition. For Ruskin, modern landscapists demonstrated superior understanding of the "truths" of water, air, clouds, stones, and vegetation, a profound appreciation of which Ruskin demonstrated in his own prose. He described works he had seen at the

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James Spates has written about the effects of this, based on the research work of Helen Viljoen. See James L. Spates, 'John Ruskin's Dark Star: New Lights on His Life Based on the Unpublished Biographical Materials and Research of Helen Gill Viljoen',

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in London and move to Venice. The episode tarnished Ruskin's reputation and may have accelerated his mental decline. It did nothing to mitigate Ruskin's exaggerated sense of failure in persuading his readers to share in his own keenly felt priorities.

4299:, and perhaps owe to this fact a part of their value." Ruskin's accounts of art are descriptions of a superior type that conjure images vividly in the mind's eye. Clark neatly summarises the key features of Ruskin's writing on art and architecture: 3085:

was ten. His first meeting came at a time when Ruskin's own religious faith was under strain. This always caused difficulties for the staunchly Protestant La Touche family who at various times prevented the two from meeting. A chance meeting at the

1741:. He had, however, doubted his Evangelical Christian faith for some time, shaken by Biblical and geological scholarship that was claimed to have undermined the literal truth and absolute authority of the Bible: "those dreadful hammers!" he wrote to 1226:. Praising Gothic ornament, Ruskin argued that it was an expression of the artisan's joy in free, creative work. The worker must be allowed to think and to express his own personality and ideas, ideally using his own hands, rather than machinery. 3317:, according to his wishes. As he had grown weaker, suffering prolonged bouts of mental illness, he had been looked after by his second cousin, Joan(na) Severn (formerly "companion" to Ruskin's mother) and she and her family inherited his estate. 7330: 2940:, but the agricultural scheme established there by local communists met with only modest success after many difficulties. Donations of land from wealthy and dedicated Companions eventually placed land and property in the Guild's care: in the 2754:, instigated by Ruskin in 1874, and continuing into 1875, which involved undergraduates in a road-mending scheme. The scheme was motivated in part by a desire to teach the virtues of wholesome manual labour. Some of the diggers, who included 1607:

In addition to leading more formal teaching classes, from the 1850s Ruskin became an increasingly popular public lecturer. His first public lectures were given in Edinburgh, in November 1853, on architecture and painting. His lectures at the

3376:

In middle age, and at his prime as a lecturer, Ruskin was described as slim, perhaps a little short, with an aquiline nose and brilliant, piercing blue eyes. Often sporting a double-breasted waistcoat, a high collar and, when necessary, a

4549:

speculated that he rejected Effie because he was horrified by the sight of her pubic hair. Lutyens argued that Ruskin must have known the female form only through Greek statues and paintings of nudes which lacked pubic hair. However,

4597:

I like my girls from ten to sixteen—allowing of 17 or 18 as long as they're not in love with anybody but me.—I've got some darlings of 8—12—14—just now, and my Pigwiggina here—12—who fetches my wood and is learning to play my bells.

2731:). His lectures ranged through myth, ornithology, geology, nature-study and literature. "The teaching of Art…", Ruskin wrote, "is the teaching of all things." Ruskin was never careful about offending his employer. When he criticised 1698:

Ruskin's own design. Recent scholarship has argued that Ruskin did not, as previously thought, collude in the destruction of Turner's erotic drawings, but his work on the Bequest did modify his attitude towards Turner. (See below,

3875:(1941) identified Ruskin as a thinker who made Nazism possible, and one 1930s German headmaster told his students that "Carlyle and Ruskin were the first National Socialists." More recently, Ruskin's works have also influenced 9166: 8799: 1525:. Although Ruskin did not share the founders' politics, he strongly supported the idea that through education workers could achieve a crucially important sense of (self-)fulfilment. One result of this involvement was Ruskin's 723:

Ruskin's journeys also provided inspiration for writing. His first publication was the poem "On Skiddaw and Derwent Water" (originally entitled "Lines written at the Lakes in Cumberland: Derwentwater" and published in the

4176:

world. For Ruskin, art should communicate truth above all things. However, this could not be revealed by mere display of skill, and must be an expression of the artist's whole moral outlook. Ruskin rejected the work of

3308:

Although Ruskin's 80th birthday was widely celebrated in 1899 (various Ruskin societies presenting him with an elaborately illuminated congratulatory address), Ruskin was scarcely aware of it. He died at Brantwood from

1504:

was part of a wider plan to improve science provision at Oxford, something the University initially resisted. Ruskin's first formal teaching role came about in the mid-1850s, when he taught drawing classes (assisted by

4558:

and John Batchelor also took the view that menstruation was the more likely explanation, though Batchelor also suggests that body-odour may have been the problem. There is no evidence to support any of these theories.

1121:, once the residence of the Ruskin family. It was the site of the suicide of John Thomas Ruskin (Ruskin's grandfather). Owing to this association and other complications, Ruskin's parents did not attend. The European 9989: 4761:

Modern Atheism: Ruskin applied this label to "the unfortunate persistence of the clerks in teaching children what they cannot understand and employing young consecrated persons to assert in pulpits what they do not

4654:

In the 21st century, and based upon the statement's applicability of the issues of quality and price, the statement continues to be used and attributed to Ruskin—despite the questionable nature of the attribution.

1015:. In 1845, at the age of 26, he undertook to travel without his parents for the first time. It provided him with an opportunity to study medieval art and architecture in France, Switzerland and especially Italy. In 14275: 4144:, the environmental effects of pollution, mythology, travel, political economy and social reform. After his death Ruskin's works were collected in the 39-volume "Library Edition", completed in 1912 by his friends 3155:

was revised, edited and issued in a new "Travellers' Edition" in 1879. Ruskin directed his readers, the would-be traveller, to look with his cultural gaze at the landscapes, buildings and art of France and Italy:

1445:

created many careful studies of natural forms, based on his detailed botanical, geological and architectural observations. Examples of his work include a painted, floral pilaster decoration in the central room of

4647:, Kenneth Bell quotes the statement and mentions that it has been attributed to Ruskin. While Bell believes in the veracity of its content, he adds that the statement does not appear in Ruskin's published works. 4210:. Even its crude and "savage" aspects were proof of "the liberty of every workman who struck the stone; a freedom of thought, and rank in scale of being, such as no laws, no charters, no charities can secure." 3231:

The period from the late 1880s was one of steady and inexorable decline. Gradually it became too difficult for him to travel to Europe. He suffered a complete mental collapse on his final tour, which included

687:. His early notebooks and sketchbooks are full of visually sophisticated and technically accomplished drawings of maps, landscapes and buildings, remarkable for a boy of his age. He was profoundly affected by 11595: 9361: 3344:, the last volume of which, an index, attempts to demonstrate the complex interconnectedness of Ruskin's thought. They all acted together to guard, and even control, Ruskin's public and personal reputation. 822:

become engaged to a French nobleman. In April 1840, whilst revising for his examinations, he began to cough blood, which led to fears of consumption and a long break from Oxford travelling with his parents.

4321:

This fulfilment of function depends on all parts of an organism cohering and co-operating. This was what he called the 'Law of Help,' one of Ruskin's fundamental beliefs, extending from nature and art to

4018:

has argued that Ruskin's understanding of the Gothic as a combination of two types of variation, rough savageness and smooth changefulness, opens up a new way of thinking leading to digital and so-called

7370:

The relation between Ruskin, his art and criticism, was explored in the exhibition Ruskin, Turner and the Pre-Raphaelites (Tate Britain, 2000), curated by Robert Hewison, Stephen Wildman and Ian Warrell.

12702: 8700: 4325:

Good art is done with enjoyment. The artist must feel that, within certain reasonable limits, he is free, that he is wanted by society, and that the ideas he is asked to express are true and important.

544:

She read alternate verses with me, watching at first, every intonation of my voice, and correcting the false ones, till she made me understand the verse, if within my reach, rightly and energetically.

2540:

clean and tidy. Modest as these practical schemes were, they represented a symbolic challenge to the existing state of society. Yet his greatest practical experiments would come in his later years.

891:(whose son, Arthur Severn, later married Ruskin's cousin, Joan). He was galvanised into writing a defence of J. M. W. Turner when he read an attack on several of Turner's pictures exhibited at the 2898:

that was successful, but also acknowledged that he saw marks of great labour and artistic skill in the painting. In the end, Whistler won the case, but the jury awarded damages of only a derisory

540:

from beginning to end, and then to start all over again, committing large portions to memory. Its language, imagery and parables had a profound and lasting effect on his writing. He later wrote:

2520:

who had a well-established interest in literary and artistic matters. In these letters, Ruskin promoted honesty in work and exchange, just relations in employment and the need for co-operation.

2639:

prize. Its reception over time, however, has been more mixed, and twentieth-century feminists have taken aim at "Of Queens' Gardens" in particular, as an attempt to "subvert the new heresy" of

12033: 9846: 9392: 4214:, in contrast, expressed a morally vacuous and repressive standardisation. Ruskin associated Classical values with modern developments, in particular with the demoralising consequences of the 3224:(1885–1889) (meaning, 'Of Past Things'), a highly personalised, selective, eloquent but incomplete account of aspects of his life, the preface of which was written in his childhood nursery at 1140:, secured for them by Ruskin's father (later addresses included nearby 6 Charles Street, and 30 Herne Hill). Effie was too unwell to undertake the European tour of 1849, so Ruskin visited the 4318:

Beauty of form is revealed in organisms which have developed perfectly according to their laws of growth, and so give, in his own words, 'the appearance of felicitous fulfilment of function.'

3474:

described him as "one of the most remarkable men not only of England and of our generation, but of all countries and times" and quoted extensively from him, rendering his ideas into Russian.

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Excrescence: Ruskin defined an "excrescence" as an outgrowth of the main body of a building that does not harmonise well with the main body. He originally used the term to describe certain

4328:

Great art is the expression of epochs where people are united by a common faith and a common purpose, accept their laws, believe in their leaders, and take a serious view of human destiny.

1634:. As the Ruskin scholar Helen Gill Viljoen noted, Ruskin was increasingly critical of his father, especially in letters written by Ruskin directly to him, many of them still unpublished. 4554:

wrote, "It has been said that he was frightened on the wedding night by the sight of his wife's pubic hair; more probably, he was perturbed by her menstrual blood." Ruskin's biographers

4222:, which he criticised. Although Ruskin wrote about architecture in many works over the course of his career, his much-anthologised essay "The Nature of Gothic" from the second volume of 11092: 1661:. (For other addresses and letters, Cook and Wedderburn, vol. 16, pp. 427–87.) The year 1859 also marked his last tour of Europe with his ageing parents, during which they visited 10225: 1336:

during May 1851. Providing Millais with artistic patronage and encouragement, in the summer of 1853 the artist (and his brother) travelled to Scotland with Ruskin and Effie where, at

11360: 2601:

Town Hall, to which he had been invited because of a local debate about the style of a new Exchange building. "I do not care about this Exchange", Ruskin told his audience, "because

9164: 8797: 3151:

Ruskin embraced the emerging literary forms, the travel guide (and gallery guide), writing new works, and adapting old ones "to give", he said, "what guidance I may to travellers…"

4694:

III (1856) to describe the ascription of human emotions to inanimate objects and impersonal natural forces, as in "Nature must be gladsome when I was so happy" (Charlotte Brontë,

4257: 3679: 9691:, "'The masses are much more sensitive to the perfection of the whole than to any separate details': The Influence of John Ruskin's Political Economy on Pierre de Coubertin", in 2890:

also agreed to give evidence for Whistler, but in the end could not attend as he had to go to Windsor to be knighted. Edward Burne-Jones, representing Ruskin, also asserted that

2409:

social inequalities by abandoning capitalism in favour of a co-operative structure of society based on obedience and benevolent philanthropy, rooted in the agricultural economy.

4603:

liking for young girls, while John Batchelor argues that the term is inappropriate because Ruskin's behaviour does not "fit the profile". Others point to a definite pattern of "

2557:

in December 1865 ("they are for Liberty, and I am for Lordship; they are Mob's men, and I am a King's man"), donating £100 to the Fund, and giving a speech at Waterloo Place on

2454:. Ruskin asserted that the components of the greatest artworks are held together, like human communities, in a quasi-organic unity. Competitive struggle is destructive. Uniting 2266: 3799:, cited Ruskin's principles of beautification, asserting that the games should be "Ruskinised" to create an aesthetic identity that transcended mere championship competitions. 2996:'s publication of some of her tales of peasant life.) In reality, the Guild, which still exists today as a charitable education trust, has only ever operated on a small scale. 2719:

below). He lectured on a wide range of subjects at Oxford, his interpretation of "Art" encompassing almost every conceivable area of study, including wood and metal engraving (

683:

These tours gave Ruskin the opportunity to observe and record his impressions of nature. He composed elegant, though mainly conventional poetry, some of which was published in

15119: 14774: 12480: 10313: 512:. His childhood was shaped by the contrasting influences of his father and mother, both of whom were fiercely ambitious for him. John James Ruskin helped to develop his son's 12138: 2923:, in 1871 (although originally it was called St George's Fund, and then St George's Company, before becoming the Guild in 1878). Its aims and objectives were articulated in 15129: 13189: 11994: 6017:

Laws of Fésole: A Familiar Treatise on the Elementary Principles and Practice of Drawing and Painting as Determined by the Tuscan Masters (arranged for the use of schools)

4315:

The greatest artists and schools of art have believed it their duty to impart vital truths, not only about the facts of vision, but about religion and the conduct of life.

4148:

and Alexander Wedderburn. The range and quantity of Ruskin's writing, and its complex, allusive and associative method of expression, cause certain difficulties. In 1898,

2532:

to aid her philanthropic housing scheme. But Ruskin's endeavours extended to the establishment of a shop selling pure tea in any quantity desired at 29 Paddington Street,

4098:. The centre educates adolescents with developmental differences using Ruskin's "land and craft" ideals, transitioning them so they will succeed as adults in an evolving 6987: 4405:

principally on the grounds that it failed to acknowledge complexities of human desires and motivations (broadly, "social affections"). He began to express such ideas in

3095:, a town and a county that he knew from his boyhood travels, whose flora, fauna, and minerals helped to form and reinforce his appreciation and understanding of nature. 1783:… the central work of my life" the break was not so dramatic or final. Following his crisis of faith, and urged to political and economic work by his professed "master" 10355: 4736:. These three powers (the "fors") together represent human talents and abilities to choose the right moment and then to strike with energy. The concept is derived from 4231:

Ruskin's theories indirectly encouraged a revival of Gothic styles, but Ruskin himself was often dissatisfied with the results. He objected that forms of mass-produced

5343: 2414:

appointing such persons or person to guide, to lead, or on occasion even to compel and subdue, their inferiors, according to their own better knowledge and wiser will.

1943: 1421:

published the lines (24 May 1856), "I paints and paints,/hears no complaints/And sells before I'm dry,/Till savage Ruskin/He sticks his tusk in/Then nobody will buy."

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Ruskin's lectures were often so popular that they had to be given twice—once for the students, and again for the public. Most of them were eventually published (see

1681:

death in 1851. Being named an executor to Turner's will was an honour that Ruskin respectfully declined, but later took up. Ruskin's book in celebration of the sea,

905:

in 1836, which had prompted Ruskin to write a long essay. John James had sent the piece to Turner, who did not wish it to be published. It finally appeared in 1903.

859: 10406:

Cook and Wedderburn 12.417–32. Cynthia J. Gamble, "John Ruskin: conflicting responses to Crystal Palace" in Françoise Dassy and Catherine Hajdenko-Marshall (eds.),

3204:(1880) in which, as Seth Reno argues, he describes the devastating effects on the landscape caused by industrialization, a vision Reno sees as a realization of the 15114: 14513: 11629: 8262:

entry for Ruskin, however, states £157,000 plus £10,000 in pictures (section: "A Mid-Life Crisis"). The National Probate Calendar states simply, 'under £200,000.

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and Ruskin had claimed that in 1858 Ruskin burned bundles of erotic paintings and drawings by Turner to protect Turner's posthumous reputation. Ruskin's friend

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A Marriage of Inconvenience: John Ruskin, Effie Gray, John Everett Millais and the surprising truth about the most notorious marriage of the nineteenth century

971:

Although critics were slow to react and the reviews were mixed, many notable literary and artistic figures were impressed with the young man's work, including

11003: 8692: 14325: 11279: 10659:

Marriage of Inconvenience: John Ruskin, Effie Gray, John Everett Millais and the surprising truth about the most notorious marriage of the nineteenth century

2343:

to demonstrate the communal and sometimes sacrificial nature of true economics. For Ruskin, all economies and societies are ideally founded on a politics of

1733:. He would later claim (in April 1877) that the discovery of this painting, contrasting starkly with a particularly dull sermon that he had listened to at a 879:

For much of the period from late 1840 to autumn 1842, Ruskin was abroad with his parents, mainly in Italy. His studies of Italian art were chiefly guided by

13041: 6388: 4243:, freehand stone carvers chosen to revive the creative "freedom of thought" of Gothic craftsmen, disappointed him by their lack of reverence for the task. 3381:, he also wore his trademark blue neckcloth. From 1878 he cultivated an increasingly long beard, and took on the appearance of an "Old Testament" prophet. 2902:(the smallest coin of the realm) to the artist. Court costs were split between the two parties. Ruskin's were paid by public subscription organised by the 2524:

him the means to engage in personal philanthropy and practical schemes of social amelioration. One of his first actions was to support the housing work of

1831:

underpinning it. He repudiated his sometimes grandiloquent style, writing now in plainer, simpler language, to communicate his message straightforwardly.

428:(1871–1884). In the course of this complex and deeply personal work, he developed the principles underlying his ideal society. As a result, he founded the 364:, which he considered as "the only book of any value on architecture". Ruskin's writing styles and literary forms were equally varied. He wrote essays and 6566: 4471:

to the alienation of the worker not merely from the process of work itself, but from his fellow workmen and other classes, causing increasing resentment.

14764: 11804: 9698: 2861: 2259: 1949: 13179: 1317:

in 1848. The Pre-Raphaelite commitment to 'naturalism' – "paint from nature only", depicting nature in fine detail, had been influenced by Ruskin.

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Government and cooperation are in all things and eternally the laws of life. Anarchy and competition, eternally, and in all things, the laws of death.

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For an exploration of Ruskin's rejection of dominant artistic trends in his later life, see Clive Wilmer, "Ruskin and the Challenge of Modernity" in

4453:

At the root of his theory, was Ruskin's dissatisfaction with the role and position of the worker, and especially the artisan or craftsman, in modern

1150:. He was struck by the contrast between the Alpine beauty and the poverty of Alpine peasants, stirring his increasingly sensitive social conscience. 12107: 11084: 4152:

observed that in attempting to summarise Ruskin's thought, and by extracting passages from across his work, "the spell of his eloquence is broken".

1799:). He continued to draw and paint in watercolours, and to travel extensively across Europe with servants and friends. In 1868, his tour took him to 13504: 13121: 8676: 5773:(1865) (i.e., "Of Queens' Gardens" and "Of Kings' Treasuries" to which was added, in a later edition of 1871, "The Mystery of Life and Its Arts") ( 5036: 3642:

No true disciple of mine will ever be a "Ruskinian"! – he will follow, not me, but the instincts of his own soul, and the guidance of its Creator.

2565:. In addition to this, Ruskin "threw himself into" personal work for the Defence, "enlisting recruits, persuading waverers, combating objections." 1392:

for her medical care). Other artists influenced by the Pre-Raphaelites also received both critical and financial assistance from Ruskin, including

9182: 8510: 6596: 4265: 2335:

failed to consider the social affections that bind communities together. He articulated an extended metaphor of household and family, drawing on

9028: 5876:(1871–84) ("Works" 27–29) (originally collected in 8 vols., vols. 1–7 covering annually 1871–1877, and vol. 8, Letters 85–96, covering 1878–84) 1404:, who became a good friend (he called him "Brother Ned"). His father's disapproval of such friends was a further cause of tension between them. 15124: 14673: 12848: 12618: 10255: 3755:, an educational establishment in Oxford originally intended for working men, was named after him by its American founders, Walter Vrooman and 2878:

represented him. The trial took place on 25 and 26 November, and many major figures of the art world at the time appeared at the trial. Artist

2785:

In 1879, Ruskin resigned from Oxford, but resumed his Professorship in 1883, only to resign again in 1884. He gave his reason as opposition to

2252: 1863: 12313: 6113: 4511:, was said to have colluded in the alleged destruction of Turner's works. In 2005, these works, which form part of the Turner Bequest held at 1214:(1851–53). Developing from a technical history of Venetian architecture from the Byzantine to the Renaissance, into a broad cultural history, 7703: 7590: 10217: 7725: 7714: 4140:

Ruskin wrote over 250 works, initially art criticism and history, but expanding to cover topics ranging over science, geology, ornithology,

445:

Ruskin was the only child of first cousins. His father, John James Ruskin (1785–1864), was a sherry and wine importer, founding partner and

14754: 14255: 7915: 7884: 7391: 4750:: Used by Ruskin as the antithesis of wealth, which he defined as life itself; broadly, where wealth is 'well-being', illth is "ill-being". 15014: 10903: 9615:

and see specifically, Robert Hewison, "'You are doing some of the work that I ought to do': Octavia Hill and Ruskinian values", pp. 57–66.

3823:. Ruskin was discussed in university extension classes, and in reading circles and societies formed in his name. He helped to inspire the 15139: 15084: 14769: 14506: 12071: 11746: 11626:

Proceedings of the 23rd Annual ARCOM Conference, 3-5 September 2007, Belfast, U.K., Association of Researchers in Construction Management

11162: 11127: 10948: 4612: 4236: 3987:—is named after John Ruskin. There is a mural of Ruskin titled "Head, Heart and Hands" on a building across from the Ruskin Post Office. 2372:, was forced to abandon the series by the outcry of the magazine's largely conservative readership and the fears of a nervous publisher ( 1987: 1501: 1485: 12754: 12750: 11781: 6270:) ed. Na Ding, foreword by Tim Kavi, brief literary bio by Kelli M. Webert (TiLu Press, 2013 electronic book version, paper forthcoming) 1330:(1849–50), a painting that was considered blasphemous at the time, but Ruskin wrote letters defending the Pre-Raphaelite Brotherhood to 695:(1830), a copy of which was given to him as a 13th birthday present; in particular, he deeply admired the accompanying illustrations by 14994: 12426: 11029:

Bell, Kenneth J. (1992). "Go Figure: Some Reflections on John Ruskin, Bid Evaluation, and the Accidental Triumph of Good Engineering".

10978: 8194: 6618: 5997:

Proserpina: Studies of Wayside Flowers, While the Air was Yet Pure Among the Alps, and in the Scotland and England Which My Father Knew

5706:

The Elements of Perspective, Arranged for the Use of Schools and Intended to be Read in Connection with the First Three Books of Euclid

2742:

Most controversial, from the point of view of the University authorities, spectators and the national press, was the digging scheme on

10534: 8892: 8251:(Sutton Publishing, 1999) p. 62 as does James S. Dearden (who adds that property, including paintings, was valued at £3000), in idem, 15034: 14989: 12519: 12470: 12365: 10309: 8342: 7341: 5234: 2704: 576:. He had few friends of his own age, but it was not the friendless and joyless experience he later said it was in his autobiography, 12335: 7110: 4651:

books, technical publications, scholarly journals, and business catalogues often included the statement with attribution to Ruskin.

3702:

called Ruskin an inspiration and invoked his ideas in justification of their own social interventions; likewise the founders of the

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Barringer, T. J.; Contractor, Tara; Hepburn, Victoria; Stapleton, Judith; Long, Courtney Skipton; Levy Haskell, Gavriella (2019).

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Alexander MacEwen, who attended Ruskin's lectures at Oxford, reported that the papers described him thus. See David Smith Cairns,

5248: 939:'s critics. Ruskin controversially argued that modern landscape painters—and in particular Turner—were superior to the so-called " 12223: 15149: 5686:

A Joy Forever' and Its Price in the Market: being the substance (with additions) of two lectures on The Political Economy of Art

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For the address itself, see Cook and Wedderburn 16.177–206, and for the wider context: Clive Wilmer, "Ruskin and Cambridge" in

6878: 6753: 3670:. Ruskin's ideas on the preservation of open spaces and the conservation of historic buildings and places inspired his friends 3188:

In the 1880s, Ruskin returned to some literature and themes that had been among his favourites since childhood. He wrote about

1838: 1074:

difficult to accept. In the summer, Ruskin was abroad again with his father, who still hoped his son might become a poet, even

11498:"Chloroform and Halothane in a Precision System: Comparison of Some Cardiovascular, Respiratory and Metabolic Effects in Dogs" 7723:

Ruskin in Milan, 1862": A Chapter from Dark Star, Helen Gill Viljoen's Unpublished Biography of John Ruskin by James L. Spates

7009: 6979: 4385:. Ruskins radical position on restoration was nuanced at the end of his life as he wrote in his last book Preateria in which " 15134: 15059: 13275: 12824: 12780: 12716: 12594: 10703: 10347: 9608: 9544: 4475:

on art and architecture). The best workmen could not, in a fixed-wage economy, be undercut by an inferior worker or product.

3782: 2767: 15154: 10800: 9051:

Plantation of Renown: The Story of the La Touche Family of Harristown and the Baptist Church at Brannockstown in Co. Kildare

6528: 6498: 2494:

Ruskin's next work on political economy, redefining some of the basic terms of the discipline, also ended prematurely, when

15029: 13537: 9981: 7563:"Be Like Daisies": John Ruskin and the Cultivation of Beauty at Whitelands College (Guild of St George Ruskin Lecture 1992) 7441: 4051: 3016: 1179:

promoted the virtues of a secular and Protestant form of Gothic. It was a challenge to the Catholic influence of architect

9807: 2866:, and accused Whistler of asking two hundred guineas for "flinging a pot of paint in the public's face". Whistler filed a 14867: 14794: 14668: 10019: 9663: 4956: 4790: 1873: 11885:"illth, n." OED Online, Oxford University Press, December 2021, www.oed.com/view/Entry/91518. Accessed 17 February 2022. 4381:, who promoted the view that "if no conservation had been done a building it should be restored". In fact Ruskin never 1023:, which Ruskin considered the exemplar of Christian sculpture (he later associated it with the then object of his love, 15069: 12395: 11698:

The Complexity Crisis: Why Too Many Products, Markets, and Customers Are Crippling Your Company and What to Do About It

10740: 10144: 7824:

Alan Davis, "Misinterpreting Ruskin: New light on the 'dark clue' in the basement of the National Gallery, 1857–58" in

7463: 4905: 4882: 4844: 3122:

Ruskin continued to travel, studying the landscapes, buildings and art of Europe. In May 1870 and June 1872 he admired

1326: 736:

were published. They show early signs of his skill as a close "scientific" observer of nature, especially its geology.

11618: 7802:

For the catalogues, Cook and Wedderburn 19.187–230 and 351–538. For letters, see 13.329-50 and further notes, 539–646.

6824:

James S. Dearden, "The King of the Golden River: A Bio-Bibliographival Study" in Robert E. Rhodes and Del Ivan Janik,

5949:

Val d'Arno: Ten Lectures on the Tuscan Art, directly antecedent to the Florentine Year of Victories, given before the

3389:

The following description of Ruskin as a lecturer was written by an eyewitness, who was a student at the time (1884):

3081:. Maria La Touche, a minor Irish poet and novelist, asked Ruskin to teach her daughters drawing and painting in 1858. 15044: 15039: 13015: 12027: 11740: 11706: 11589: 11385: 10942: 10822: 10794: 10557: 10429: 9951: 9876: 9790: 7044: 4863: 3273: 1153:

The marriage was unhappy, with Ruskin reportedly being cruel to Effie and distrustful of her. The marriage was never

11435: 11057: 10848: 9493:

Masami Kimura, "Japanese Interest in Ruskin: Some Historical Trends" in Robert E. Rhodes and Del Ivan Janik (eds.),

3789:. The Museum has promoted Ruskin's art teaching, utilising the collection for in-person and online drawing courses. 3561:

Theorists and practitioners in a broad range of disciplines acknowledged their debt to Ruskin. Architects including

2828:

now, but never expected to hear a coxcomb ask two hundred guineas for flinging a pot of paint in the public's face.

829:, whom he later married: the twelve-year-old Effie had asked him to write a fairy story. During a six-week break at 15144: 15094: 12643: 12168: 11210: 11007: 10120: 9536: 8258: 7538:

The Winnington Letters: John Ruskin's correspondence with Margaret Alexis Bell and the children at Winnington Hall,

4043: 3078: 2590: 1637:

Ruskin gave the inaugural address at the Cambridge School of Art in 1858, an institution from which the modern-day

1415:(1855–1859, 1875). They were highly influential, capable of making or breaking reputations. The satirical magazine 422:. In 1871, he began his monthly "letters to the workmen and labourers of Great Britain", published under the title 12867: 6161:

The Winnington Letters: John Ruskin's correspondence with Margaret Alexis Bell and the children at Winnington Hall

4615:

was 12 for females until 1875 and then raised to 16 in 1885, having been 13 in Great Britain between those dates.

4417:), but he gave them full expression in the influential and at the time of publication, very controversial essays, 4374:

of approval or condemnation, which we feel in walls that have long been washed by the passing waves of humanity."

14156: 13849: 13315: 13082: 9330: 8580: 6040: 5559: 4341: 3991: 1171: 833:

to undergo Dr Jephson's (1798–1878) celebrated salt-water cure, Ruskin wrote his only work of fiction, the fable

680:

for the first time, that 'Paradise of cities' that provided the subject and symbolism of much of his later work.

400:

in which he argued that the principal role of the artist is "truth to nature". From the 1850s, he championed the

133: 12909:, sixth edition (1905).) – Note that the title was slightly changed for the 1900 2nd edition and later editions. 5793:(1866) (to a later edition was added a fourth lecture (delivered 1869), called "The Future of England") (1866) ( 4515:, were re-appraised by Turner Curator Ian Warrell, who concluded that Ruskin and Wornum had not destroyed them. 4358:, as impossible as to raise the dead, to restore anything that has ever been great or beautiful in architecture. 3990:

Since 2000, scholarly research has focused on aspects of Ruskin's legacy, including his impact on the sciences;

3739:, and opened it as a permanent Ruskin memorial. Inspired by Ruskin's educational ideals, Whitehouse established 2886:

appeared for Ruskin. Frith said "the nocturne in black in gold is not in my opinion worth two hundred guineas".

607:, where Dale was the first Professor of English Literature. Ruskin went on to enrol and complete his studies at 15079: 14703: 13375: 12708: 10766:, p. 553, "absolutely under her orders I have asked Tenny Watson to marry me and come abroad with her father." 9634: 8735: 8475: 6558: 5206: 4993: 4947: 4628: 4228:(1853) is widely considered to be one of his most important and evocative discussions of his central argument. 2331:

as dehumanising (separating the labourer from the product of his work), and argued that the false "science" of

1898: 1625: 1320:

Ruskin became acquainted with Millais after the artists made an approach to Ruskin through their mutual friend

12202: 11819: 9692: 8998: 2894:

was not a serious work of art. When asked to give reasons, Burne-Jones said he had never seen one painting of

2808:, he began his series of 96 (monthly) "letters to the workmen and labourers of Great Britain" under the title 15109: 15089: 14522: 13834: 13759: 13176: 11732:

Consumer Republic: Using Brands to Get What You Want, Make Corporations Behave, and Maybe Even Save the World

11466: 5264: 4740:'s phrase "There is a tide in the affairs of men/ Which, taken at the flood, leads on to fortune" (Brutus in 4398: 4261: 4010:

argues that Ruskin's notions of craft can be felt today in online communities such as YouTube and throughout

3007:, producing cloth goods. The Guild also encouraged independent but allied efforts in spinning and weaving at 2352: 1846: 1758:

Whenever I look or travel in England or abroad, I see that men, wherever they can reach, destroy all beauty.

1630: 936: 864: 346: 231: 9711: 6750:"Christ Church, Oxford by John Ruskin :: ArtMagick Illustrated Poetry Collection :: Artmagick.com" 5696:

The Two Paths: being Lectures on Art, and Its Application to Decoration and Manufacture, Delivered in 1858–9

2536:(giving employment to two former Ruskin family servants) and crossing-sweepings to keep the area around the 1480:. Such buildings created what has been called a distinctive "Ruskinian Gothic". Through his friendship with 15064: 14458: 14385: 13299: 12860: 7090:

Young Mrs. Ruskin in Venice: Unpublished Letters of Mrs. John Ruskin written from Venice, between 1849–1852

6167:

The Ruskin Family Letters: The Correspondence of John James Ruskin, his wife, and their son John, 1801–1843

5466: 4349:

Neither by the public, nor by those who have the care of public monuments, is the true meaning of the word

4059: 2696:

cherished a long-hand copy of the lecture, believing that it supported his own view of the British Empire.

1972: 1109: 835: 369: 13149: 13137: 11410: 9924: 9898: 9291: 4235:

Gothic did not exemplify his principles, but showed disregard for the true meaning of the style. Even the

15099: 15049: 14779: 13323: 13047: 12093: 7383:, private publication August 2002 & April 2006, for viewing Fareham Library reference Section or the 7132: 6461: 5571: 4224: 4189: 3891:

In 2019, Ruskin200 was inaugurated as a year-long celebration marking the bicentenary of Ruskin's birth.

3868: 2988:), but the schools themselves were never established. (In the 1880s, in a venture loosely related to the 2771: 2676: 2369: 1957: 1219:

revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness.

1209: 840: 411: 141: 13244: 13214: 8665: 7699:

Most of Viljoen's work remains unpublished, but has been explored by Van Akin Burd and James L. Spates.

6943: 5801:

Time and Tide, by Weare and Tyne: Twenty-five Letters to a Working Man of Sunderland on the Laws of Work

4769:

features also for later additions to cathedrals and various other public buildings, especially from the

3666:(of the Guild of Handicraft) were keen disciples, and through them Ruskin's legacy can be traced in the 2735:

in a lecture in June 1871 it was seen as an attack on the large collection of that artist's work in the

15074: 15024: 13984: 13814: 13469: 13391: 13165: 13117: 12758: 12695: 11268: 10672: 8499: 8451: 6588: 5381: 5365: 5128: 5043: 5024: 3421: 1314: 589: 509: 401: 13011: 11446:. Berkeley, Ca.: University of California, College of Agriculture, Agricultural Experiment Station: 43 8427: 4744:). Ruskin believed that the letters were inspired by the Third Fors: striking out at the right moment. 3617:, knew Ruskin's work well. Admirers ranged from the British-born American watercolourist and engraver 2999:

Ruskin also wished to see traditional rural handicrafts revived. St. George's Mill was established at

2789:, but he had increasingly been in conflict with the University authorities, who refused to expand his 1569:, which he visited regularly, and was similarly generous to other educational institutions for women. 14622: 13691: 13268: 12808: 10786: 8143: 4962: 4935: 3942: 3812: 3720:'s community in Millthorpe, Derbyshire was partly inspired by Ruskin, and John Kenworthy's colony at 3518: 3514: 2667: 2517: 2012: 1522: 1518: 1208:

Meanwhile, Ruskin was making the extensive sketches and notes that he used for his three-volume work

880: 13969: 9020: 7908:"The Aesthetic and Critical Beliefs of John Ruskin. Chapter Four, Section III. The Return to Belief" 4198:

architecture involved the whole community, and expressed the full range of human emotions, from the

3781:

Ruskin's Drawing Collection, a collection of 1470 works of art he gathered as learning aids for the

2870:

suit against Ruskin, but Ruskin was ill when the case went to trial in November 1878, so the artist

480:

The grave of John James Ruskin, father of John Ruskin, in the churchyard of St John the Evangelist,

14759: 14345: 14129: 13530: 13433: 13239: 13050:

in the Baldwin Library of Historical Children's Literature Digital Collection. Retrieved 2010-10-19

12726: 12305: 10070:

Making Is Connecting: The social meaning of creativity from DIY and knitting to YouTube and Web 2.0

4997:(1967), Ken Russell's biopic for television of Rossetti, in which Ruskin is played by Clive Goodwin 4799: 4590: 4253: 3974: 3950: 3767: 3763: 3667: 3506: 3409: 3321:

was the eloquent final chapter of Ruskin's memoir, which he dedicated to her as a fitting tribute.

2815: 2790: 2616:"For all books are divisible into two classes: the books of the hour, and the books of all time" – 2062: 2002: 1638: 1609: 1530: 1510: 1262: 1258: 1202: 608: 604: 469:. She had joined the Ruskin household when she became companion to John James's mother, Catherine. 419: 106: 13884: 11872:

For a full and concise introduction to the work, see Dinah Birch, "Introduction", in John Ruskin,

7700: 7594: 5372: 4378: 627:

10 Rose Terrace, Perth (on the right), where Ruskin spent boyhood holidays with Scottish relatives

404:, who were influenced by his ideas. His work increasingly focused on social and political issues. 353: 15104: 14825: 14784: 14405: 14355: 13779: 7722: 7711: 6323: 5292: 4823: 4804: 4560: 4099: 3629:, Ruskin's editor and biographer, other leading British journalists influenced by Ruskin include 3099: 2578: 2227: 1967: 1125:

meant that the newlyweds' earliest travels together were restricted, but they were able to visit

965: 901: 707:(1833) he also admired. His artistic skills were refined under the tutelage of Charles Runciman, 265: 214: 13909: 11329: 10893:

See James L. Spates, "Ruskin's Sexuality: Correcting Decades of Misperception and Mislabelling"

10846:

Pigwiggina is a nickname Ruskin used for the girl as she looked after (lambs and) piglets; c.f.

7907: 7876: 7388: 4523:

Ruskin's sexuality has been the subject of a great deal of speculation. He was married once, to

15054: 14335: 14285: 14042: 13744: 13610: 13367: 13234: 12227: 10895: 10528: 10247: 6277: 5925:

Ariadne Florentina': Six Lectures on Wood and Metal Engraving, with Appendix, Given before the

4504: 4211: 4177: 4130:

Middle: Ruskin in middle-age, as Slade Professor of Art at Oxford (1869–1879). From 1879 book.

3832: 3732: 3695: 3355:

Brantwood was opened in 1934 as a memorial to Ruskin and remains open to the public today. The

3349: 2853: 1888: 1658: 1506: 1381: 1345: 1310: 1282: 1028: 712: 239: 13240:

Finding aid to John Ruskin letters at Columbia University. Rare Book & Manuscript Library.

12059: 11730: 11696: 11150: 11115: 10932: 10683:. Vol. 35. London: George Allen; New York: Longmans, Green, and Co. pp. lxvi–lxvii. 8788:

For the Guild's original constitution and articles of association: Cook and Wedderburn 30.3–12

14919: 14835: 14561: 14463: 14037: 14012: 13990: 13899: 13724: 13697: 13671: 13605: 13196: 12507: 11769: 10576: 7877:"The Aesthetic and Critical Beliefs of John Ruskin. Chapter Four, Section II. Loss of Belief" 7384: 5072: 4463: 4215: 4095: 3748: 2899: 2373: 2282:

helpful influence, both personal, and by means of his possessions, over the lives of others.

2237: 2177: 1654: 1397: 932: 918:

and Turner. Both painters were among occasional guests of the Ruskins at Herne Hill, and 163

796: 772: 585: 581: 101: 20: 13078: 12444: 10974: 10556: 9779: 8202: 6626: 5781:

The Ethics of the Dust: Ten Lectures to Little Housewives on the Elements of Crystallisation

4788:

Ruskin was the inspiration for either the Drawling Master or the Gryphon in Lewis Carroll's

4604: 4387:

he regretted that no one in England had done the work that Viollet le Duc had done in France

806:

His most noteworthy success came in 1839 when, at the third attempt, he won the prestigious

15019: 14984: 14979: 14974: 14845: 14739: 14425: 14305: 14295: 14203: 14176: 14079: 13600: 13494: 13261: 13125: 12873: 8884: 6100: 6072: 6009:(i.e., 'Shepherd's Library', consisting ofmultiple volumes) (ed. John Ruskin) (1876–1888) ( 5964: 5950: 5926: 5908: 5864: 5844: 5822: 5739: 4640: 4240: 3899: 3808: 3703: 3329: 3212:(1884), describing the apparent effects of industrialisation on weather patterns. Ruskin's 3055: 2883: 2548: 2501: 2496: 2389:

in particular, later proved highly influential. The essays were praised and paraphrased in

1562: 1514: 1353: 1302: 1291: 1020: 768: 729: 612: 600: 415: 14607: 13859: 12527: 12373: 10541:

Also see Warrell "Exploring the 'Dark Side': Ruskin and the Problem of Turner's Erotica",

7410:, ed. John Dixon Hunt and Faith M. Holland (Manchester University Press, 1982), pp. 65–93. 7349: 5278: 3114:, both for himself and his loved ones, helped to revive his Christian faith in the 1870s. 2804:

In January 1871, the month before Ruskin started to lecture the wealthy undergraduates at

2364:

between August and November 1860 (and published in a single volume in 1862). However, the

825:

Before he returned to Oxford, Ruskin responded to a challenge that had been put to him by

8: 14815: 14810: 14678: 14642: 14617: 14468: 14435: 14410: 14245: 14198: 14193: 14007: 13964: 13954: 13904: 13789: 13641: 13595: 13590: 13585: 13580: 13523: 13407: 13399: 12343: 8859:'Treasuring things of the least': Mary Hope Greg, John Ruskin and Westmill, Hertfordshire 8334: 7636:

Francis O'Gorman, "Ruskin's Mountain Gloom", in Rachel Dickinson and Keith Hanley (eds),

7102: 6301: 6291: 5388: 5220: 5119: 5079: 4770: 4623:

Ruskin was not a fan of buying low and selling high. In the "Veins of Wealth" section of

4246:

Ruskin's distaste for oppressive standardisation led to later works in which he attacked

3946: 3824: 3792: 3526: 3417: 3092: 2993: 2879: 2775: 2582: 2552: 2172: 2167: 2127: 1868: 1816: 1477: 1393: 1377: 1306: 1254: 1130: 1122: 1060: 13924: 13206: 13019: 11896:"The Fortnightly Review › Ruskin and the distinction between Aesthesis and Theoria" 10099: 7701:

An Introduction to Helen Gill Viljoen's Unpublished Biography of Ruskin by Van Akin Burd

6126:

Dilecta: Correspondence, Diary Notes, and Extracts from Books, Illustrating 'Praeterita'

3313:

on 20 January 1900 at the age of 80. He was buried five days later in the churchyard at

972: 536:

Christian, more cautious and restrained than her husband, taught young John to read the

14955: 14789: 14430: 14420: 14390: 14365: 14151: 14089: 13949: 13879: 13749: 13656: 13575: 13560: 13449: 13003: 12842: 12740: 12677: 12667: 12653: 12630: 12612: 12265: 11903: 11677: 10563: 9215: 9187: 8321: 8071: 8024: 7181: 6225: 6086: 5062: 4733: 4468: 4219: 4141: 3919: 3864: 3775: 3675: 3570: 3368: 3356: 3245: 3197: 2920: 2871: 2743: 2688: 2328: 2192: 2187: 1997: 1982: 1685:, revolving around Turner's drawings, was published in 1856. In January 1857, Ruskin's 1566: 1558: 1546: 1462: 1437: 1401: 1246: 815: 811: 776: 652:. Their continental tours became increasingly ambitious in scope: in 1833 they visited 429: 325:(8 February 1819 – 20 January 1900) was an English writer, philosopher, art historian, 224: 14602: 10129:

The Economic Symposium. John Ruskin and the Modern World: Art and Economics, 1860–2010

8614:

Stuart Eagles, "Ruskin the Worker: Hinksey and the Origins of Ruskin Hall, Oxford" in

8460:

The History of the University of Oxford: Volume VII: Nineteenth-Century Oxford, Part 2

7955: 4580:

he asked her to draw her "girlies" (as he called her child figures) without clothing:

2082: 14480: 14440: 14315: 14208: 14182: 13824: 13784: 13719: 13676: 13651: 13570: 13565: 13415: 13073: 13029: 12896: 12830: 12820: 12776: 12712: 12600: 12590: 12436: 12269: 12023: 11736: 11702: 11628:. Edinburgh, UK: Association of Researchers in Construction Management. p. 578. 11585: 11560: 11519: 10938: 10790: 10736: 10684: 10568: 10425: 10124: 9786: 9630: 9540: 9511: 8731: 8481: 8471: 8090:

John Ruskin or The Ambiguities of Abundance: A Study in Social and Economic Criticism

8063: 8016: 7985:

On the importance of words and language: Cook and Wedderburn 18.65, 18.64, and 20.75.

7811:

Ian Warrell "Exploring the 'Dark Side': Ruskin and the Problem of Turner's Erotica",

7040: 6329: 6317: 6257: 5723: 5327: 5159: 5139: 4943: 4901: 4878: 4859: 4840: 4402: 4252:

capitalism, which he thought was at its root. His ideas provided inspiration for the

4133: 4031: 4020: 3911: 3852: 3836: 3820: 3618: 3614: 3522: 3325: 3314: 3278: 3123: 2887: 2857: 2805: 2763: 2680: 2640: 2558: 2402: 2390: 2360: 2332: 2232: 2032: 1828: 1688: 1489: 1450: 976: 270: 86: 14652: 12244:

Johnson, Chloe (2010). "Presenting the Pre-Raphaelites: From Radio Reminiscences to

11681: 9530: 9074:

Cook and Wedderburn 23.293. For further study, see Keith Hanley and John K. Walton,

8644:, vol. 35, no. 1 (Spring 2008) (Guest Editor, Sharon Aronofsky Weltman), pp. 200–22. 6870: 4833: 3066: 3031:, it opened in 1875, and was curated by Henry and Emily Swan. Ruskin had written in 2774:. It helped to foster a public service ethic that was later given expression in the 2142: 854: 14885: 14850: 14830: 14647: 14627: 14577: 14536: 13944: 13894: 13839: 13754: 13739: 13686: 13464: 13092: 12912: 12257: 12055: 11667: 11550: 11509: 11248:(17). Manhattan, Kansas: Kansas State College of Agriculture and Applied Science: 4 11038: 10676: 10558:"A Censorship Story Goes Up in Smoke – No Bonfire Devoured J.M.W. Turner's Erotica" 8455: 8055: 8008: 7638:

Ruskin's Struggle for Coherence: Self-Representation through Art, Place and Society

7253:

The Order of Release, the story of John Ruskin, Effie Gray and John Everett Millais

7013: 6393: 6311: 6296: 4929: 4687: 4508: 4280: 4145: 4067: 4055: 4006:); the other focuses on Ruskin and the theatre. The sociologist and media theorist 3999: 3934: 3840: 3786: 3771: 3756: 3740: 3717: 3582: 3111: 2906:, but Whistler was bankrupt within six months, and was forced to sell his house on 2903: 2819: 2736: 2708: 2657: 2544: 2358:

The essays were originally published in consecutive monthly instalments of the new

2302: 2092: 2087: 2042: 1923: 1878: 1730: 1694: 1536:

From 1859 until 1868, Ruskin was involved with the progressive school for girls at

1417: 1385: 1321: 961: 792: 529: 505: 375:

Ruskin was hugely influential in the latter half of the 19th century and up to the

288: 12901: 9602: 9053:. Revised and enlarged edition, 1982; "Ruskin's "Wild Rose of Kildare", pp. 29–41. 8907: 8088:

For the sources of Ruskin's social and political analysis: James Clark Sherburne,

7577:

Breaking New Ground: A History of Somerville College as seen through its Buildings

7389:

The stained glass window of the Church of St. Francis. Funtley, Fareham, Hampshire

6405: 5963:

The Aesthetic and Mathematic School of Art in Florence: Lectures Given before the

5417:. The volume in which the following works can be found is indicated in the form: ( 5306: 1657:, Ruskin argued that a 'vital law' underpins art and architecture, drawing on the 672:, places to which Ruskin frequently returned. He developed a lifelong love of the 14637: 14612: 14276:

A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful

13829: 13769: 13646: 13484: 13383: 13307: 13247:. General Collection, Beinecke Rare Book and Manuscript Library, Yale University. 13183: 13156: 13144: 13064: 12957: 12786: 11989: 10928: 10829: 10780: 10730: 10538: 10066: 9746:

After Ruskin: The social and political legacies of a Victorian prophet, 1870–1920

9718: 9702: 9612: 9266:

After Ruskin: The Social and Political Legacies of a Victorian Prophet, 1870–1920

9170: 8803: 8680: 8603:

After Ruskin: The Social and Political Legacies of a Victorian Prophet, 1870–1920

8467: 8173:

After Ruskin: The Social and Political Legacies of a Victorian Prophet, 1870–1920

7729: 7718: 7707: 7395: 6536: 6506: 5904: 5848: 5754: 5478: 5355: 5144: 5001: 4870: 4608: 4500: 4239:, a building designed with Ruskin's collaboration, met with his disapproval. The 4171: 4166: 4087: 4078: 4035: 4007: 3984: 3980: 3923: 3707: 3538: 3502: 3498: 3047: 3033: 2965: 2662: 2478: 2456: 2451: 2434: 2394: 2212: 1913: 1808: 1766: 1678: 1585: 1537: 1446: 1425: 1407:

During this period Ruskin wrote regular reviews of the annual exhibitions at the

1198: 1146: 1118: 1113:. The couple were engaged in October. They married on 10 April 1848 at her home, 1091: 1071: 927: 910: 807: 760: 708: 696: 641: 498: 493: 481: 397: 392: 376: 125: 14491: 13060: 8290: 7433: 4922:(1999), Ruskin and the Hinksey diggings form the backdrop to Ann Harries' novel. 4866:, is about two cousins who pursue their interest in Ruskin to his Coniston home. 3501:

attempted to put his political ideals into practice. These communities included

3037:

III (1856) that, "the greatest thing a human soul ever does in this world is to

2432:

Ruskin's explorations of nature and aesthetics in the fifth and final volume of

1553:

festival that endures today. (It was also replicated in the 19th century at the

935:

under the anonymous authority of "A Graduate of Oxford", was Ruskin's answer to

580:(1885–89). He was educated at home by his parents and private tutors, including 14729: 14688: 14597: 14587: 14546: 14415: 14395: 14265: 14022: 13974: 13934: 13869: 13819: 13799: 13734: 13479: 13474: 13339: 13331: 12981: 12879: 12732: 12704:

Ruskin’s Ecologies: Figures of Relation from Modern Painters to The Storm-Cloud

12102: 10580: 10444:

Kenneth Clark, "A Note on Ruskin's Writings on Art and Architecture", in idem,

10394: 10276: 10158: 9667: 9427: 8816:

The Lost Companions and John Ruskin's Guild of St George, a revisionary history

6660: 6397: 6383: 5871: 5716: 5176: 5168: 5152: 5061:

about Ruskin's attempt to revive Gothic architecture and his connection to the

5010: 5006: 4766: 4701: 4683:

credits Ruskin with the first quotation in 152 separate entries. Some include:

4659: 4636: 4577: 4568: 4296: 4149: 4015: 3962: 3929: 3895: 3844: 3752: 3699: 3691: 3659: 3634: 3602: 3586: 3574: 3566: 3484: 3479: 3457: 3452: 3413: 3294: 3262: 3254: 3140: 3135: 3082: 2925: 2848: 2836: 2810: 2779: 2537: 2484: 2462: 2443: 2422: 2398: 2385: 2348: 2344: 2323: 2318: 2290: 2207: 2137: 2132: 2052: 2007: 1883: 1824: 1784: 1779: 1738: 1725: 1719: 1287: 1266: 1180: 1166: 1024: 1004: 952: 948: 839:(not published until December 1850 (but imprinted 1851), with illustrations by 830: 788: 424: 406: 380: 357: 157: 149: 14902: 13351: 13069: 12834: 12604: 12501: 12261: 11846:

s III (see Part VI, "Of Many Things", c. XII, "Of the Paethetic Fallacy") see

11042: 10688: 10011: 9688: 6787:

For his winning poem, "Salsette and Elephanata", Cook and Wedderburn 2.90–100.

1253:

in general. This chapter had a profound effect, and was reprinted both by the

532:, in 1838, but Ruskin was disappointed by its appearance. Margaret Ruskin, an 14968: 14820: 14683: 14556: 14445: 14235: 14094: 14017: 13959: 13874: 13854: 13714: 13666: 13489: 12440: 11555: 11538: 10572: 9766:. Madison and Teaneck, NJ: Fairleigh Dickinson University Press. p. 223. 9435: 8727: 8485: 8067: 8020: 6305: 5977:

Mornings in Florence: Simple Studies of Christian Art, for English Travellers

5180: 5164: 5132: 5112: 5102: 4951: 4893: 4818: 4483: 4292: 4248: 4027: 3915: 3907: 3876: 3848: 3796: 3744: 3711: 3630: 3510: 3475: 3298: 3249: 3087: 3012: 2759: 2747: 2636: 2597:, on the relation between taste and morality, was delivered in April 1864 at 2314: 2306: 2222: 2217: 2102: 2037: 1903: 1454: 1408: 1358: 1075: 956: 892: 884: 784: 780: 764: 688: 633: 462: 450: 334: 313: 14592: 13636: 13161: 12403: 9515: 9508:

Catalogue of the Ryuzo Mikimoto Collection : Ruskin Library, Tokyo 2004

8320:

Dearden, James S.(2018)."Why are there so few 'Wars'? A John Ruskin Rarity."

7643: 7467: 2112: 1777:

Although in 1877 Ruskin said that in 1860, "I gave up my art work and wrote

410:(1860, 1862) marked the shift in emphasis. In 1869, Ruskin became the first 14708: 14698: 14049: 13914: 13794: 13774: 13626: 13459: 12930: 12475: 12466: 11672: 11655: 11564: 11523: 11514: 11497: 10776: 10292: 10191: 7210: 6796: 6335: 5098: 5090: 5048: 5032: 5028: 4755: 4551: 4546: 4512: 4153: 4083: 4072: 3995: 3966: 3860: 3828: 3816: 3671: 3663: 3606: 3562: 3286: 3205: 3189: 2732: 2712:

methodology of the government art schools (the "South Kensington System").

2693: 2684: 2574: 2525: 2197: 2117: 1819:). Yet increasingly Ruskin concentrated his energies on fiercely attacking 1742: 1481: 1389: 1337: 1295: 1154: 1044: 919: 915: 800: 700: 699:. Much of Ruskin's own art in the 1830s was in imitation of Turner, and of 657: 573: 525: 12773:

Falling Rocket: James Whistler, John Ruskin, and the Battle for Modern Art

12284: 10072:(Polity, 2011), pp. 25–36, 217–19; specifically on YouTube, see pp. 85–87. 9868: 8167:

For the influence of Ruskin's social and political thought: Gill Cockram,

6116:: Outlines of Scenes and Thoughts Perhaps Worthy of Memory in My Past Life 4383:

criticised Viollet le Duc's restoration work, just the idea of restoration

4199: 3605:

was an enthusiastic Ruskin reader. Art historians and critics, among them

2687:. He delivered his inaugural lecture on his 51st birthday in 1870, at the 914:, John James Ruskin had begun collecting watercolours, including works by 14744: 14632: 14218: 14171: 14027: 13979: 13889: 13681: 9239:

John Ruskin's Correspondence with Joan Severn: Sense and Nonsense Letters

6853: 6185:

John Ruskin's Correspondence with Joan Severn: Sense and Nonsense Letters

6085:

The Storm-Cloud of the Nineteenth Century: Two Lectures Delivered at the

5826: 5163:(2014), a biopic about the Ruskin-Gray-Millais love triangle, written by 5083:(1995), a play written by Gregory Murphy, dealing with Ruskin's marriage. 5058: 4986: 4889:

A novel in which Ruskin makes his last visit to Amiens cathedral in 1879.

4737: 4003: 3970: 3594: 3590: 3578: 3471: 3004: 2973: 2941: 2907: 2875: 2786: 2755: 2397:, a wide range of autodidacts cited their positive impact, the economist 2122: 2107: 1962: 1908: 1711: 1666: 1554: 1470: 1144:

with his parents, gathering material for the third and fourth volumes of

1107:, the daughter of family friends. It was for her that Ruskin had written 991:

Ruskin toured the continent with his parents again during 1844, visiting

944: 940: 896: 533: 521: 513: 465:. His wife, Margaret Cock (1781–1871), was the daughter of a publican in 338: 13025: 12164: 11415:(6th ed.). Chicago, Illinois: Mahogany Association, Inc. p. 47 9279:

Ruskin, Bembridge and Brantwood: the Growth of the Whitehouse Collection

8113:

Cook and Wedderburn 4.122n. For the press reaction: J. L. Bradley (ed.)

7661:

Alan Davis, "Ruskin's Dialectic: Mountain Gloom and Mountain Glory", in

6204:

Unto this Last: Four essays on the First Principles of Political Economy

5657:(Annual Reviews of the June Royal Academy Exhibitions) (1855–59, 1875) ( 4377:

It has been thought that he was a strong proponent of his contemporary,

4180:

because he considered it to epitomise a reductive mechanisation of art.

3747:, and ran it along Ruskinian lines. Educationists from William Jolly to 795:. Among his fellow undergraduates, Ruskin's most important friends were 14749: 14713: 14582: 14188: 14166: 14059: 13844: 13804: 13764: 13631: 13546: 13443: 11269:"Advertising in the Barter Basement: Is Pitch More Potent than Payoff?" 10782:

Don't Tell the Grown-Ups: The Subversive Power of Children's Literature

8075: 8043: 8028: 7996: 6682: 6175:

ed. John Lewis Bradley and Ian Ousby (Cambridge University Press, 1987)

6145:

eds. Joan Evans and John Howard Whitehouse (Clarendon Press, 1956–1959)

5467:

The King of the Golden River, or the Black Brothers. A Legend of Stiria

5148: 5014: 4555: 4524: 4458: 4454: 4271: 4184: 4039: 3954: 3941:

Many streets, buildings, organisations and institutions bear his name:

3626: 3598: 3378: 3333: 3237: 3225: 3193: 3107: 2632: 2586: 2533: 2529: 2310: 2147: 2097: 1977: 1918: 1820: 1734: 1710:

In 1858, Ruskin was again travelling in Europe. The tour took him from

1646: 1250: 1114: 1104: 1056: 826: 653: 569: 558: 326: 257: 180: 19:

This article is about the art critic. For the painting by Millais, see

14936: 11876:, ed. Dinah Birch (Edinburgh University Press, 2000), pp. xxxiii–xlix. 9712:

Olympic Perspectives. 3rd International Symposium for Olympic Research

9081: 8576: 8369: 8229: 8217: 7712:

Editor's Introductory Comments on Viljoen's Chapter by James L. Spates

7185: 6806: 5987:

Deucalion: Collected Studies of the Lapse of Waves, and Life of Stones

5189:(2014), is a biographical novel about John Ruskin by Octavia Randolph. 4972:(2014), is a biographical novel about John Ruskin by Octavia Randolph. 4932:

that explores Ruskin's twin obsessions with Venice and Rose La Touche.

4671: 3847:

acknowledged their debt to Ruskin as they helped to found the British

3448: 1557:

High School for Girls.) Ruskin also bestowed books and gemstones upon

1388:, Rossetti's wife, to encourage her art (and paid for the services of 1165:

Ruskin's developing interest in architecture, and particularly in the

623: 14840: 14734: 14541: 14099: 14069: 13864: 13809: 13729: 13661: 13499: 13438: 12940: 12817:

John Ruskin's Continental Tour 1835: The Written Records and Drawings

12431: 11940:

Fors Clavigera: Letters to the Workmen and Labourers of Great Britain

9705:, pp. 25–44; Arnd Krüger, "Coubertin's Ruskianism", in: R. K. Barney 9322: 8381: 8302: 8265: 8095: 7748: 7543: 7220: 7140: 6216:

Fors Clavigera: Letters to the Workmen and Labourers of Great Britain

5912: 5172: 4203: 4047: 3958: 3903: 3856: 3762:

Ruskin's innovative publishing experiment, conducted by his one-time

3736: 3725: 3622: 3610: 3534: 3490: 3310: 3290: 3258: 3110:. Ruskin's increasing need to believe in a meaningful universe and a 3051: 3024: 2961: 2937: 2439: 2202: 2182: 2047: 1992: 1800: 1550: 1441: 1429: 1370: 1366: 1332: 1222:

The chapter, "The Nature of Gothic" appeared in the second volume of

1052: 454: 12190: 10497: 9785:. New York: The Modern Language Association of America. p. 78. 9777:

Tennyson, G. B. (1973). "The Carlyles". In DeLaura, David J. (ed.).

9627:

Designing Utopia: John Ruskin's Urban Vision for Britain and America

9133: 8059: 8012: 7784: 7494: 6871:"the electronic edition of John Ruskin's "Modern Painters" Volume I" 3478:

not only admired Ruskin but helped translate his works into French.

3180: 3103: 3077:

Ruskin had been introduced to the wealthy Irish La Touche family by

1245:

This was both an aesthetic attack on, and a social critique of, the

14400: 14134: 14084: 14064: 13929: 13177:

Birmingham Museums & Art Gallery's online biography and gallery

13101: 12869:

The Work of John Ruskin: Its Influence Upon Modern Thought and Life

12584: 11433: 11064:. Princeton, NJ: Donald C. Stuart, Jr. and Dan D. Coyle. p. 11 10389:

John Unrau, "Ruskin, the Workman and the Savageness of Gothic", in

9733:

Ruskin and Social Reform: Ethics and Economics in the Victorian Age

9108: 8169:

Ruskin and Social Reform: Ethics and Economics in the Victorian Age

7668: 6931: 6730: 6268:

The Queen of the Air: A Study of the Greek Myths of Cloud and Storm

5811:

The Queen of the Air: A Study of the Greek Myths of Cloud and Storm

5094: 4713: 4207: 3998:

admired him. Two major academic projects have looked at Ruskin and

3880: 3721: 3233: 3008: 2969: 2949: 2628: 2598: 2351:", characterised by networks of charitable, co-operative and other 2340: 1650: 1126: 1078:, just one among many factors increasing the tension between them. 1036: 1008: 992: 947:

period. Ruskin maintained that, unlike Turner, Old Masters such as

458: 390:

Ruskin first came to widespread attention with the first volume of

368:, poetry and lectures, travel guides and manuals, letters and even 365: 330: 46: 27: 13097: 12471:"John Ruskin: Mike Leigh and Emma Thompson have got him all wrong" 11340:(8). Ottawa, Ontario, Canada: Carleton College: 6. 12 October 1954 10410:(L'Harmattan et l'Université de Cergy-Pontoise, 2006), pp. 135–49. 9056: 8994: 8647: 8357: 8120: 7772: 7312: 7192: 7066: 6837:

Bradley, Alexander. “Ruskin at Oxford: Pupil and Master”, p. 750,

6718: 6706: 6694: 6670: 3922:

continues his work today, in education, the arts, crafts, and the

3372:

Portrait of John Ruskin, leaning against a wall at Brantwood, 1885

3164:(1880–1885) (a close study of its sculpture and a wider history), 2683:

in August 1869, though largely through the offices of his friend,

2627:(published 1865), delivered in December 1864 at the town halls at 2612: 2543:

In 1865–66, Ruskin became involved in the controversy surrounding

1465:

is reputed to have been designed by him. Originally placed in the

476: 14213: 14161: 14119: 14104: 14074: 10328: 10202:(Hesperus, 2011), pp. vii–xiv. He also appeared on an edition of 10015: 9128:

Ruskin and Environment: The Storm-Cloud of the Nineteenth Century

8975: 8938:

For a short, illustrated history of the Guild: James S. Dearden,

8770: 8544: 8149: 7967: 7943: 7856: 7760: 7482: 6842: 4312:

These facts must be perceived by the senses, or felt; not learnt.

4011: 3548: 3542: 3028: 2953: 2945: 1662: 1277: 1137: 649: 596: 466: 337:. He wrote on subjects as varied as geology, architecture, myth, 11464: 9899:"Museum, Arts Centre & Self Catering Accommodation Coniston" 9649:

For a full discussion of Ruskin and education, see Sara Atwood,

9292:"Museum, Arts Centre & Self Catering Accommodation Coniston" 7831: 6893: 5791:

The Crown of Wild Olive: Three Lectures on Work, Traffic and War

5735:

Munera Pulveris: Six Essays on the Elements of Political Economy

3015:

and elsewhere, producing linen and other goods exhibited by the

1094:. She thought the portrait made her look like "a graceful Doll". 14146: 14124: 14054: 14032: 13190:

Sources for the Study of John Ruskin and the Guild of St George

10515:

Jose Harris, "Ruskin and Social Reform", in Dinah Birch (ed.),

10042:

Constructing Cultural Tourism: John Ruskin and the Tourist Gaze

9928: 9902: 9482:

Proust as Interpreter of Ruskin. The Seven Lamps of Translation

9353: 9299: 9151:

For an illustrated history of Brantwood, see James S. Dearden,

9076:

Constructing Cultural Tourism: John Ruskin and the Tourist Gaze

8463: 7618: 5771:

Sesame and Lilies: Two Lectures delivered at Manchester in 1864

5351: 5334: 4284: 3855:'s earliest MPs acknowledged Ruskin's influence than mentioned 3241: 3145: 3131: 2933: 2751: 2700: 2447: 1812: 1804: 1433: 1341: 1194: 1048: 1040: 1012: 1000: 677: 645: 342: 13253: 13192:. Produced by Sheffield City Council's Libraries and Archives. 9762:

Brockie, Ian (2004). "Hitler, Adolf". In Cumming, Mark (ed.).

9722:(London, Ont.: University of Western Ontario 1996), pp. 31–42. 8640:

Jed Mayer, "Ruskin, Vivisection, and Scientific Knowledge" in

7745:(Newsletter of The Guild of St. George) no.7 (2007), pp.8–10. 3208:. He returned to meteorological observations in his lectures, 14861: 14693: 13919: 13515: 13454: 13042:

UK Museum, Library and Archive collections relating to Ruskin

12165:"Light, Descending, a biographical novel by Octavia Randolph" 11235: 9253:

Bulletin of the John Rylands University Library of Manchester

7172:

Grieve, Alastair (1996). "Ruskin and Millais at Glenfinals".

6191: 4747: 4202:

effects of soaring spires to the comically ridiculous carved

3802: 3000: 2957: 2895: 2867: 2796: 2652: 2336: 1893: 1748: 1715: 1617: 1476:

Ruskin's theories also inspired some architects to adapt the

1016: 996: 888: 669: 665: 661: 584:

preacher Edward Andrews, whose daughters, Mrs Eliza Orme and

537: 517: 384: 293: 12019:

Alice Beyond Wonderland: Essays for the Twenty-first Century

11496:

Dobkin, Allen B.; Harland, John N.; Fedoruk, Sylvia (1961).

9838: 9591:

Ruskin and the Twentieth Century: The modernity of Ruskinism

9384: 7408:

The Ruskin Polygon: Essays on the Imagination of John Ruskin

7381:

The stained glass window of the Little Church of St. Francis

6169:

ed. Van Akin Burd (2 vols.) (Cornell University Press, 1973)

6155:

A Tour of the Lakes in Cumbria. John Ruskin's Diary for 1830

4607:" behaviour with regard to his interactions with girls at a 4545:

The cause of Ruskin's "disgust" has led to much conjecture.

3577:

incorporated his ideas in their work. Writers as diverse as

14775:

An Introduction to the Three Volumes of Karl Marx's Capital

14140: 14114: 12998: 11489: 8533: 8531: 5843:

Six Lectures on the Elements of Sculpture Given before the

5409:

It is the standard scholarly edition of Ruskin's work, the

1424:

Ruskin was an art-philanthropist: in March 1861 he gave 48

1369:, on grounds of "non-consummation" owing to his "incurable 1344:

rock to which, as had always been intended, he later added

1141: 1032: 673: 12815:

Ruskin, John; Hanley, Keith; Hull, Caroline Susan (2016).

11365:. Chicago, Illinois: Mahogany Association, Inc. p. 24 11310:. Philadelphia, Pa.: Lehman Sprayshield Company. p. 4 11303: 10464:("The Lamp of Memory") c. 6; Cook and Wedderburn 8.233–34. 10310:"Was Ruskin the most important man of the last 200 years?" 8872:

Miss Margaret E. Knight and St George's Field, Sheepscombe

6473:

The Blackwell Companion to the Bible in English Literature

6173:

The Correspondence of John Ruskin and Charles Eliot Norton

5719:: Four Essays on the First Principles of Political Economy 4536:

Ruskin told his lawyer during the annulment proceedings:

3517:

in existence from 1894 to 1899. One of Ruskin's students,

2528:(originally one of his art pupils): he bought property in 1340:, he painted the closely observed landscape background of 982: 791:. He became close to the geologist and natural theologian 640:, was an account of his tour in 1830) and to relatives in 632:

architecture and paintings. Family tours took them to the

14109: 13171: 11619:"TQM in Large Northern Ireland Contracting Organizations" 11055: 8668:

A Pot of Paint: Aesthetics on Trial in Whistler v. Ruskin

8432:. New York: National Library Association. pp. 19, 21 8247:

Francis O' Gorman gives the figure as £120,000, in idem,

7092:(Vanguard Press, 1967; new edition: Pallas Athene, 2001). 6250:) ed. Kenneth Clark (Penguin, 1964 and later impressions) 5124: 4680: 4110: 4086:. In 2015, inspired by Ruskin's philosophy of education, 3336:

and Alexander Wedderburn edited the monumental 39-volume

3261:

with increasing violence, although he knew and respected

1549:, a training college for teachers, where he instituted a 1484:, Ruskin supported attempts to establish what became the 818:, who was receiving an honorary degree, at the ceremony. 11278:. Washington, DC: Broadcasting Publications, Inc.: 133. 11276:

Broadcasting: The Businessweekly of Television and Radio

10882:

The Desire of My Eyes: The Life and Work of John Ruskin

10424:. Cambridge, MA: Harvard University Press. p. 245. 10083:

The Sympathy of Things: Ruskin and the Ecology of Design

8528: 5597:

10) – containing the chapter "The Nature of Gothic"

4409:, and increasingly in works of the later 1850s, such as 4279:, 1853. Pen and ink and wash with Chinese ink on paper, 3983:, United States—site of one of the short-lived American 3811:, and his ideas informed the work of economists such as 2766:, were profoundly influenced by the experience: notably 1324:. Initially, Ruskin had not been impressed by Millais's 999:, studying the geology of the Alps and the paintings of 504:

Ruskin was born on 8 February 1819 at 54 Hunter Street,

12646:(1st supplement). London: Smith, Elder & Co., 1901. 10163:

There is no wealth but life: Ruskin in the 21st Century

9748:(Oxford University Press, 2011) and Dinah Birch (ed.), 6320:, home of the first Ruskin College in the United States 6254:

The Genius of John Ruskin: Selections from his Writings

6181:

ed. George Allen Cate (Stanford University Press, 1982)

5874:: Letters to the Workmen and Labourers of Great Britain 5645:

Lectures on Architecture and Painting (Edinburgh, 1853)

4457:

society. Ruskin believed that the economic theories of

4367:("The Lamp of Memory") c. 6; Cook and Wedderburn 8.242. 4114:

Upper: Steel-plate engraving of Ruskin as a young man,

4082:

have both written about Ruskin, as has the broadcaster

4064:

There is no wealth but life: Ruskin in the 21st Century

3363: 2793:. He was also suffering from increasingly poor health. 1944:

August Strindberg's Little Catechism for the Underclass

1136:

Their early life together was spent at 31 Park Street,

11610: 11362:

How to Identify Genuine Mahogany and Avoid Substitutes

11217:. 1938–1939. Sweet Briar, Va.: Sweet Briar College: ii 11208: 7940:(2 vols., 2nd edn., George Allen, 1912), vol. 2, p. 2. 6157:

eds. Van Akin Burd and James S. Dearden (Scolar, 1990)

5675:

The Elements of Drawing, in Three Letters to Beginners

3827:

in Britain and the United States. Resident workers at

2516:(1867), his letters to Thomas Dixon, a cork-cutter in 1384:. He also provided an annuity of £150 in 1855–1857 to 1066:

Drawing on his travels, he wrote the second volume of

15120:

People associated with the Pre-Raphaelite Brotherhood

14326:

The Work of Art in the Age of Mechanical Reproduction

12555:(ODNB) Oxford University Press, 2004; online edition. 11190:. Pittsburgh, Pa.: Pittsburgh Reflector Co. p. 3 11177: 11082: 10519:(Clarendon Press, 1999), pp. 7–33, specifically p. 8. 8833:

Thirteen Acres: John Ruskin and the Totley Communists

8566:(Pocket Biographies) (Sutton Publishing, 1999) p. 78. 6359:. London: The Journal of the Decorative Arts Society. 6200:

ed. Francis O' Gorman (Oxford University Press, 2012)

6103:, During his Second Tenure of the Slade Professorship 6075:, During his Second Tenure of the Slade Professorship 4803:(1878), a novel by one of his Oxford undergraduates, 2512:(1872)). Ruskin further explored political themes in 1705: 1473:, the window depicts the Ascension and the Nativity. 922:(demolished 1947) to which the family moved in 1842. 14953:

Burd, Van Akin, "Frederick James Sharp: 1880-1957."

12791:

Tragedy and Hope: A History of the World in Our Time

11581:

The Past, Present, and Future of the Business School

11495: 11434:

Woods, Baldwin M.; Raber, Benedict F. (March 1935).

11183: 10218:"Autism Transition: Returning To Craft And The Land" 8953:

John Ruskin and the Lakeland Arts Revival, 1880–1920

8255:(Shire Publications, 2004), p. 37. Robert Hewison's 8140:

The Correspondence of Thomas Carlyle and John Ruskin

6179:

The Correspondence of Thomas Carlyle and John Ruskin

6151:

ed. Helen Gill Viljoen (Yale University Press, 1971)

3621:

to the sculptor-designer, printmaker and utopianist

2852:, Ruskin launched a scathing attack on paintings by 2605:

don't!" These last three lectures were published in

449:

business manager of Ruskin, Telford and Domecq (see

396:(1843), an extended essay in defence of the work of 15130:

Slade Professors of Fine Art (University of Oxford)

14765:

A Contribution to the Critique of Political Economy

13138:

Ruskin letter to Brantwood at Mount Holyoke College

12068:

The Historic Note-book: With an Appendix on Battles

11209:Art's Beauty Salon (1938). Sweet Briar YWCA (ed.). 9495:

Studies in Ruskin: Essays in Honor of Van Akin Burd

9153:

Brantwood: The Story of John Ruskin's Coniston Home

9102:

Early Anthropocene Literature in Britain, 1750-1884

8631:(Yale University Press, 2000), pp. 399–400, 509–10. 7540:ed. Van Akin Burd (Harvard University Press, 1969) 6826:

Studies in Ruskin: Essays in Honor of Van Akin Burd

3556: 2699:In 1871, John Ruskin founded his own art school at 1973:

For a Critique of the Political Economy of the Sign

728:) (August 1829). In 1834, three short articles for 588:were later credited with introducing Ruskin to the 12805:The Darkening Glass: A Portrait of Ruskin's Genius 11735:. Toronto: McClelland & Stewart. p. 141. 11377: 11006:. Ruskin Library News. 23 May 2011. Archived from 10998: 10996: 9778: 9415:Life and times of Alexander Robertson MacEwen, D.D 7565:(Brentham Press for The Guild of St George, 1992). 6218:ed. Dinah Birch (Edinburgh University Press, 1999) 6163:ed. Van Akin Burd (Harvard University Press, 1969) 5939:Love's Meinie: Lectures on Greek and English Birds 5903:The Eagle's Nest: Ten Lectures on the Relation of 4832: 3384: 603:(1797–1870). Ruskin heard Dale lecture in 1836 at 14521: 12661:The Production and Distribution of John Ruskin's 12239: 12237: 12235: 12054: 11383: 10937:. New Haven: Yale University Press. p. 657. 9901:. Brantwood.org.uk. 14 April 2017. Archived from 4827:series, and had the protagonist meet John Ruskin. 4618: 4062:were among those to contribute to the symposium, 4002:(investigating, for example, Ruskin's links with 3770:, whose business was eventually merged to become 3552:Cannery operation in the Ruskin Cooperative, 1896 3488:and paraphrased the work in Gujarati, calling it 1699: 1362:and Effie left Ruskin, causing a public scandal. 644:, Scotland. As early as 1825, the family visited 508:, London (demolished 1969), south of what is now 14966: 13505:The Ruskin - Library, Museum and Research Centre 13250:Sharp Collection-manuscripts, letters,artifacts. 13122:The Ruskin - Library, Museum and Research Centre 12814: 12587:Unto This Last: Two Hundred Years of John Ruskin 11616: 11427: 9956:BARONY HOUSE - Edinburgh Hotel Edinburgh B&B 9237:For Ruskin's relationship with Joan Severn, see 8966:Ruskin's Faithful Stewards: Henry and Emily Swan 7905: 7899: 7874: 7690:(Routledge & Kegan Paul, 1984), pp. 202–205. 7615:Respectively, Cook and Wedderburn vols. 5 and 6. 6980:"NPG 5160; Effie Gray (Lady Millais) – Portrait" 6776:John Ruskin, Henry James and the Shropshire Lads 6619:"John Ruskin Biography >> Classic Stories" 4392: 3841:Report … on Social Insurance and Allied Services 3257:than in modern art. He also attacked aspects of 3144:. In 1874, on his tour of Italy, Ruskin visited 2573:Ruskin lectured widely in the 1860s, giving the 1737:church in Turin, led to his "unconversion" from 1193:In November 1849, John and Effie Ruskin visited 1043:, he was particularly impressed by the works of 775:in January of the following year. Enrolled as a 15115:People associated with Anglia Ruskin University 13150:Ruskin letter to Simon at Mount Holyoke College 12876:vol. 78, no. 465 (Feb. 1889), pp. 382–418. 11056:Lewis C. Bowers; Sons, Inc. (9–15 March 1952). 10993: 10927: 10503: 10380:, iii, ch. iv, §35; Cook and Wedderburn 11.227. 10334: 9952:"JOHN RUSKIN my famous ancestor, read my story" 9139: 9114: 9087: 9062: 8981: 8913: 8776: 8653: 8550: 8387: 8375: 8363: 8308: 8296: 8271: 8235: 8223: 8155: 8126: 8117:(Routledge & Kegan Paul, 1984), pp. 273–89. 8101: 7973: 7961: 7949: 7862: 7837: 7790: 7778: 7766: 7754: 7674: 7649: 7624: 7549: 7500: 7488: 7318: 7226: 7198: 7146: 7072: 6986:. National Portrait Gallery. 26 December 2016. 6949: 6937: 6899: 6812: 6778:(New European Publications, 2008) chapters 3–4. 6736: 6724: 6712: 6700: 6688: 6676: 6488:(Brentham Press for Guild of St George, 1990) . 6240:ed. Dinah Birch (Oxford University Press, 2009) 6136: 5547:Of Ideas of Relation (2) Of Invention Spiritual 5402: 4266:Society for the Protection of Ancient Buildings 4165:Ruskin's early work defended the reputation of 4026:Notable Ruskin enthusiasts include the writers 3685: 3324:Joan Severn, together with Ruskin's secretary, 2882:appeared as a witness for Whistler, and artist 2778:, and was keenly celebrated by the founders of 1771:(1860): Ruskin, Cook and Wedderburn, 7.422–423. 1027:). He drew inspiration from what he saw at the 739:From September 1837 to December 1838, Ruskin's 12232: 11805:"Price Competition and Expanding Alternatives" 11465:Charles T. Bainbridge's Sons (February 1965). 10968: 10966: 10704:"John Ruskin's marriage: what really happened" 10679:; Wedderburn, Alexander Dundas Ogilvy (eds.). 9532:Byrdcliffe: An American Arts and Crafts Colony 9100:Reno, Seth. "The Cradle of the Anthropocene". 8044:"Ruskin and the Orthodox Political Economists" 6475:. Vol. 36. John Wiley & Sons, 2010. p. 523 4532:with my person the first evening 10th April . 3894:Admirers and scholars of Ruskin can visit the 3731:The most prolific collector of Ruskiniana was 3348:Ruskin enthusiast, collector and memorialist, 3244:, in 1888. The emergence and dominance of the 2863:Nocturne in Black and Gold: The Falling Rocket 2585:on 'Modern Art', the Working Men's Institute, 1677:Ruskin had been in Venice when he heard about 14507: 13531: 13269: 13212: 12886:. New York: Harcourt Brace and Company, 1950. 12701:Freeman, Kelly; Hughes, Thomas, et al., eds. 12692:Ruskin's Maze: Mastery and Madness in His Art 12396:"Robin Brooks radio drama, plays – Diversity" 12015: 11722: 11688: 11390:. Euclid, Ohio: Shore High School. p. 41 10532:report on the discovery of Turner's drawings. 10408:Sociétés et conflit: enjeux et représentation 8426:Ruskin, John (1887). "Lecture I: Inaugural". 7591:"History of the Library - Somerville College" 7289: 7287: 7217:(Routledge and Kegan Paul, 1949), pp. 137–49. 6969:(Routledge and Kegan Paul, 1984), pp. 88–95. 5039:(Millais). The author played Ruskin's mother. 4639:(a major collection of Ruskiniana located at 3886: 3470:Ruskin's influence reached across the world. 3138:, would haunt him, described in the pages of 2762:and Ruskin's future secretary and biographer 2260: 1572: 557:Ruskin's childhood was spent from 1823 at 28 14755:Economic and Philosophic Manuscripts of 1844 14256:The Literary Mind and the Carving of Dragons 12551:Robert Hewison, "Ruskin, John (1819–1900)", 12128: 11967: 11952: 11202: 11151:"How an Old Masonry Arch Bridge Was Rebuilt" 11049: 9268:(Oxford University Press, 2011), pp. 246–48. 8968:(Ruskin Research Blog, 2024); Janet Barnes, 8818:(Anthem Press, 2014); and Edith Hope Scott, 8605:(Oxford University Press, 2011), pp. 103–09. 7640:(Cambridge Scholars Press, 2006), pp. 76–89. 7059:For the wider context, see Robert Brownell, 6926:Ruskin in Italy: Letters to His Parents 1845 6803:(Routledge and Kegan Paul, 1949), pp. 54–56. 6651:, ed. James S. Dearden (Frank Graham, 1969) 6392:(online ed.). Oxford University Press. 6099:The Pleasures of England: Lectures Given in 5637:on the Pre-Raphaelite Artists (1851, 1854) ( 5543:Of Ideas of Relation (1) Of Invention Formal 4912:A collection of short stories that includes 3751:wrote about and appreciated Ruskin's ideas. 3724:, Essex, which was briefly a refuge for the 3529:, partly inspired by his teacher's beliefs. 3268: 3170:A Guide to the Principal Pictures in… Venice 2948:, Worcestershire, called Ruskin Land today; 2707:. It was originally accommodated within the 1628:, as represented by a hostile review in the 595:From 1834 to 1835 he attended the school in 356:which he taught to all his pupils including 14770:Outlines of a Critique of Political Economy 13197:"Archival material relating to John Ruskin" 12016:Hollingsworth, Cristopher (December 2009). 11942:. Vol. II. George Allen. pp. 6–7. 11656:"Pursuit of Excellence: A Forgotten Quest?" 11647: 11571: 11477:(2). New York: Syndicate Magazines, Inc.: 3 11458: 10963: 10923: 10921: 10127:on Ruskin, 6 February 2010. Stuart Eagles, 9585:Giovanni Cianci and Peter Nicholls (eds.), 9559:Rebecca Daniels and Geoff Brandwood (ed.), 9471:(2nd edn) (Guild of St George, 2016) p. 12. 8763:Cook and Wedderburn 29.469, the passage in 8403:(New York: Doubleday and Co.), 1970, p. 91. 6445: 6443: 6441: 5403:Cook, E. T.; Wedderburn, Alexander (eds.). 5009:series about the Pre-Raphaelites, starring 4494: 4237:Oxford University Museum of Natural History 4160: 3601:felt Ruskin's influence. The American poet 3424:, served to demonstrate Ruskin's charisma: 3220:His last great work was his autobiography, 2692:set her foot on…" It has been claimed that 2675:Ruskin was unanimously appointed the first 2593:on 'War.' Ruskin's widely admired lecture, 2347:. His ideas influenced the concept of the " 1988:Outlines of a Critique of Political Economy 1486:Oxford University Museum of Natural History 1351:Millais had painted a picture of Effie for 846: 14514: 14500: 13538: 13524: 13276: 13262: 13205: 13018: 12847:: CS1 maint: location missing publisher ( 12617:: CS1 maint: location missing publisher ( 11796: 11653: 11148: 11113: 9589:(Palgrave, 2001), and Toni Cerutti (ed.), 9497:(Ohio University Press, 1982), pp. 215–44. 8693:"Turner Whistler Monet: Ruskin v Whistler" 8416:(Yale University Press, 2000), pp. 165–68. 7815:, vol. IV, no. 1 (Spring 2003), pp. 15–46. 7406:J. Mordaunt Crook, "Ruskinian Gothic", in 7284: 6192:Selected editions of Ruskin still in print 5502:Of the Imaginative and Theoretic Faculties 4851:A novel about the marriage of John Ruskin. 3803:Politics and critique of political economy 3482:wrote of the "magic spell" cast on him by 2653:Oxford's first Slade Professor of Fine Art 2267: 2253: 1169:, led to the first work to bear his name, 1157:and was annulled six years later in 1854. 1081: 1019:he saw the Tomb of Ilaria del Carretto by 895:. It recalled an attack by the critic Rev 749:Transactions of the Meteorological Society 488: 352:Ruskin was heavily engaged by the work of 45: 26:. For the Canadian media personality, see 11982: 11671: 11554: 11513: 11322: 10545:, vol. IV, no. 1, Spring 2003, pp. 15–46. 9458:, Thornton Butterworth, 1926, pages 39–41 9450: 9448: 8814:On the origins of the Guild: Mark Frost, 8721: 8618:, vol. 4, no. 3 (Autumn 2008), pp. 19–29. 7579:. Oxford: Somerville College. p. 12. 7342:"Fitzwilliam Museum Collections Explorer" 6828:(Ohio University Press, 1982), pp. 32–59. 6665:Ruskin and Venice: The Paradise of Cities 6222:The Storm-Cloud of the Nineteenth-Century 4950:. A fictionalized account of the life of 4916:, about Ruskin and Effie's wedding night. 4869: 3728:, combined Ruskin's ideas and Tolstoy's. 3654: 3210:The Storm-Cloud of the Nineteenth-Century 2705:The Ruskin School of Drawing and Fine Art 2647: 1098: 883:, to whom the Ruskins were introduced by 516:. They shared a passion for the works of 453:). John James was born and brought up in 435: 16:English writer and art critic (1819–1900) 12890: 12884:The Captain’s Death Bed and Other Essays 12022:. University of Iowa Press. p. 70. 11770:"Paradise Lost Or, Baskin-Robbins Rated" 11694: 10918: 10735:. New York: Haskell House. p. 299. 10648:(George Allen & Unwin, 1950), p. 53. 10348:"Ruskin, Turner and The Pre-Raphaelites" 9776: 9417:(Hodder and Stoughton, 1925), pp. 30–31. 8874:(Guild of St George Publications, 2015). 8861:(Guild of St George Publications, 2017). 8835:(Guild of St George Publications, 2017). 8754:, vol. 38, no. 2 (Fall 2011), pp. 13–34. 8500:"Oxford University Archives | Home" 7828:, vol. 38, no. 2 (Fall 2011), pp. 35–64. 7266:Parallel Lives: Five Victorian Marriages 7037:Parallel Lives: Five Victorian Marriages 6438: 6206:intro. Andrew Hill (Pallas Athene, 2010) 4892: 4830: 4670: 4333: 4270: 4109: 3928: 3785:(which he founded at Oxford), is at the 3547: 3447: 3367: 3272: 3179: 3065: 2919:Ruskin founded his utopian society, the 2716: 2656: 2611: 2568: 2561:in September 1866, also reported in the 1612:, Manchester in 1857, were collected as 1276: 1085: 853: 622: 492: 475: 13113:Liverpool Museums audio files on Ruskin 12923:, vol. 1 of the second edition (1912); 12775:. New York: Pegasus Books, Ltd., 2023. 12553:Oxford Dictionary of National Biography 12424: 12243: 11767: 11701:. Avon, Massachusetts: Platinum Press. 11617:Gunning, J.G.; McCallion, E.M. (2007). 11530: 11436:"Air Conditioning for California Homes" 11402: 11297: 11267:Skoog, Charles V. Jr. (21 April 1958). 11229: 11215:Students' Handbook: Sweet Briar College 11083:Plymouth Cordage, Co. (December 1913). 10823:Ruskin on his sexuality: a lost source. 10701: 9805: 9761: 9255:, vol. 82, no. 1, Spring 2000 , 135–91. 8722:Lambourne, Lionel (1996). "Chapter 5". 8539:Ruskin and Oxford: The Art of Education 8450: 8171:(I.B. Tauris, 2007) and Stuart Eagles, 7994: 7526:Ruskin and Oxford: The Art of Education 6649:Iteriad, or Three Weeks Among the Lakes 6389:Oxford Dictionary of National Biography 6378: 6376: 6374: 6372: 6370: 6368: 6366: 5893:Volume III. Letters 73–96 (1877–1884) ( 5614:Notes on the Construction of Sheepfolds 4777: 4105: 3774:, anticipated the establishment of the 3541:, and several Indian languages such as 3285:In August 1871, Ruskin purchased, from 2309:and competition drawn from the work of 1700:Controversies: Turner's Erotic Drawings 1645:(1859), five lectures given in London, 1495: 1186: 14967: 13054: 13035: 12927:, vol. 2 of the second edition (1912)) 12687:. New York: G. P. Putnam's Sons, 1910. 12282: 12158: 12156: 11937: 11728: 11536: 11260: 10972: 10867:, vol. 1, pp. 253–54; John Batchelor, 10670: 10635:(Chatto & Windus, 1988), pp. 11–12 10488: 10473: 10419: 9605:The Enduring Relevance of Octavia Hill 9445: 9031:from the original on 12 September 2012 8895:from the original on 29 September 2017 8516:from the original on 24 September 2015 8425: 7574: 7421:John Ruskin and Victorian Architecture 7171: 7162:(Faber and Faber, 1994) pp. 69–70, 87. 6990:from the original on 17 September 2017 6841:, 1500-1900 32, no. 4 (1992): 747–64. 6422:(University of Illinois Press, 1956) . 6354: 6071:The Art of England: Lectures Given in 5886:Volume II. Letters 37–72 (1874–1876) ( 5821:Lectures on Art, Delivered before the 5396: 4954:, the inspiration for Lewis Carroll's 3863:, Ruskin was seen as an early British 3050:. The collection is now on display at 2581:in 1867, for example. He spoke at the 2488:: Cook and Wedderburn 7.207 and 17.25. 1803:, and in the following year he was in 1449:in Northumberland, home of his friend 432:, an organisation that endures today. 15125:Romantic critics of political economy 14495: 13519: 13257: 13005:The Eighth Lamp, Ruskin Studies Today 12857:Ruskin's Scottish Heritage: A Prelude 12798:Ruskin's Venice: The Stones Revisited 12465: 12036:from the original on 4 September 2021 11926:Theoria: Art and the Absence of Grace 11802: 11784:from the original on 4 September 2021 11749:from the original on 4 September 2021 11598:from the original on 4 September 2021 11577: 11352: 11285:from the original on 27 December 2014 11266: 11165:from the original on 4 September 2021 11130:from the original on 4 September 2021 11095:from the original on 4 September 2021 11022: 10951:from the original on 4 September 2021 10803:from the original on 4 September 2021 10775: 10728: 10633:Theoria: Art and the Absence of Grace 10554: 10316:from the original on 26 February 2019 10283:(J. Nisbet & Co., 1898), p. viii. 10258:from the original on 4 September 2021 10085:(V2_NAI Publishers, 2011), pp. 65–68. 10055:John Ruskin and the Victorian Theatre 10053:Katherine Newey and Jeffrey Richards 10022:from the original on 4 September 2021 9992:from the original on 4 September 2021 9962:from the original on 26 December 2019 9949: 9849:from the original on 4 September 2021 9818:from the original on 4 September 2021 9528: 9395:from the original on 4 September 2021 9364:from the original on 4 September 2021 9333:from the original on 26 February 2021 9241:ed. Rachel Dickinson (Legenda, 2008). 8703:from the original on 2 September 2021 8184:Cook and Wedderburn 27.167 and 35.13. 7918:from the original on 14 December 2019 7887:from the original on 14 December 2019 7103:"Ruskin's Venetian Notebooks 1849–50" 6435:(University of Illinois Press, 1956) 6420:Ruskin's Scottish Heritage: A Prelude 6105:(delivered 1884, published 1884–85) ( 5458:(written 1840–1845; published 1894) ( 5434:(written 1835–1846; collected 1850) ( 3783:Ruskin School of Drawing and Fine Art 3134:, a vision of which, associated with 2914: 1103:During 1847, Ruskin became closer to 718: 705:Sketches Made in Flanders and Germany 14868: 13131: 12962:The Wider Sea: A Life of John Ruskin 12902:The Life and Work of John Ruskin 1–2 12737:John Ruskin: The Argument of the Eye 12316:from the original on 3 February 2019 12171:from the original on 19 October 2017 12162: 12141:from the original on 19 October 2017 12110:from the original on 3 February 2019 11997:from the original on 3 February 2019 11983:Macdonald, Marianne (25 June 1995). 11408: 11358: 11028: 10906:from the original on 23 January 2019 10587:from the original on 19 October 2017 10228:from the original on 3 December 2020 10146:Omnibus. Ruskin: The Last Visionary 9806:Bunting, Madeleine (30 March 2010). 9781:Victorian Prose: A Guide to Research 9624: 9434:(James Nisbet, 1923), pp. 53–55 and 9130:(Manchester University Press, 1995). 8844:See Peter Wardle and Cedric Quayle, 8583:from the original on 19 October 2017 8454:(2000). "Oxford and the Empire". In 8041: 7853:(Cambridge University Press, 1999) . 7444:from the original on 29 October 2012 7034: 6915:(Yale University Press, 1985) p. 73. 6589:"King's College London – John Keats" 6363: 6264:Athena: Queen of the Air (Annotated) 6187:ed. Rachel Dickinson (Legenda, 2008) 5879:Volume I. Letters 1–36 (1871-1873) ( 5407:. (39 vols.). George Allen, 1903–12. 4856:Brantwood: The Story of an Obsession 4613:age of consent in the United Kingdom 4447:Cook and Wedderburn, 17.V.34 (1860). 4052:Chris Smith, Baron Smith of Finsbury 4014:. Similarly, architectural theorist 3364:Note on Ruskin's personal appearance 3017:Home Arts and Industries Association 1240:vol. II: Cook and Wedderburn 10.201. 968:with extraordinary verbal felicity. 787:) and a private tutor, the Reverend 497:Ruskin as a young child, painted by 14669:Abstract labour and concrete labour 12153: 11985:"Who was who in Alice's Wonderland" 11304:Lehman Sprayshield Company (1938). 11004:"On the present economic situation" 10981:from the original on 8 January 2013 10215: 9808:"Red Tory intrigues and infuriates" 8335:"Moral Taste in Ruskin's "Traffic"" 7137:see Cook and Wedderburn vols. 9–11. 7113:from the original on 8 October 2012 6928:(Clarendon Press, 1972), pp.200–01. 6382: 6280:(Creative Media Partners LLC, 2015) 6224:preface by Clive Wilmer and intro. 5759:1864–64, incorporated (revised) in 4898:The Woman Who Gave Birth to Rabbits 3807:Ruskin was an inspiration for many 3455:was inspired by Ruskin's 1860 work 2932:Ruskin purchased land initially in 2723:), the relation of science to art ( 2380:", a notion which Ruskin seconded. 1599:peasants living in the lower Alps. 1365:During April 1854, Effie filed her 599:run by the progressive evangelical 13: 15140:Critics of work and the work ethic 15085:English people of Scottish descent 13061:Works by John Ruskin in eBook form 12945:John Ruskin: A Passionate Moralist 12723:Ruskin and the Art of the Beholder 12656:(1964) 13 no. 3 (autumn): 335–339. 12573: 12425:Marlowe, Sam (20 September 2003). 12402:. 15 February 2014. Archived from 12205:from the original on 10 March 2007 12074:from the original on 3 August 2020 11972:. Dover Publications. p. 396. 11957:. Dover Publications. p. 210. 11635:from the original on 2 August 2020 11584:. Palgrave Macmillan. p. 92. 10973:Landow, George P. (27 July 2007). 10880:Wolfgang Kemp and Jan Van Heurck, 10702:Prodger, Michael (29 March 2013). 10206:on BBC Radio 4 on 20 January 2019. 10044:(Channel View Publications, 2010). 9879:from the original on 12 March 2013 9442:(Cassell & Co., 1927), p. 192. 9078:(Channel View Publications, 2010). 8345:from the original on 23 March 2011 8001:The Quarterly Journal of Economics 7423:(Thames and Hudson, 1991), p. 127. 7088:(John Murray, 1965); reprinted as 7012:. Perthshire Diary. Archived from 6881:from the original on 18 March 2013 6499:"Edward Andrews (1787–1841) | ERM" 6149:The Brantwood Diary of John Ruskin 5491:Of General Principles and of Truth 5425: 4132:Bottom: John Ruskin in old age by 3831:such as the future civil servants 3328:, and his eminent American friend 3148:, the furthest he ever travelled. 1602: 1327:Christ in the House of His Parents 1272: 14: 15166: 14995:19th-century British philosophers 13118:The Complete Works of John Ruskin 13016:National Portrait Gallery, London 12992: 12483:from the original on 24 June 2015 10710:. Guardian News and Media Limited 10517:Ruskin and the Dawn of the Modern 10448:(John Murray, 1964) (reissued as 10422:The History of English Literature 10358:from the original on 5 April 2017 10297:Unto This Last and Other Writings 10040:Keith Hanley and John K. Walton, 9950:House, Barony (23 January 2019). 9750:Ruskin and the Dawn of the Modern 7997:"Ruskin as a Political Economist" 7906:George P. Landow (25 July 2005). 7875:George P. Landow (25 July 2005). 6599:from the original on 1 April 2020 6569:from the original on 1 April 2020 6210:Unto This Last And Other Writings 5448:1837–38; authorised book, 1893) ( 5241:Self Portrait with Blue Neckcloth 5071:(1995), an opera about Ruskin by 5031:(Ruskin), Bridget McCann (Gray), 4976: 4754:Ruskin's concept of theoria, see 4585:and for you – And to and for me. 4567:Ruskin's later relationship with 4218:, resulting in buildings such as 3843:), and the future Prime Minister 3175: 3061: 2860:. He found particular fault with 1672: 1626:"Manchester School" of economists 15035:Arts and Crafts movement artists 14990:19th-century British journalists 14947: 14928: 14911: 14894: 14877: 14474: 13350: 13217:The Life and Work of John Ruskin 13105: 12670:(1968)17 no 2 (summer): 151–167. 12644:Dictionary of National Biography 12560:John Ruskin (Pocket Biographies) 12512: 12495: 12459: 12418: 12388: 12358: 12328: 12298: 12283:Morgan, Elizabeth (2 May 1983). 12276: 12217: 12183: 12122: 12086: 12048: 12009: 11976: 11961: 11946: 11931: 11918: 11888: 11879: 11866: 11853: 11837: 11761: 11307:Shower Bath Enclosures by Lehman 11142: 11107: 11085:"Mississippi River Improvements" 11076: 10887: 10874: 10857: 10840: 10815: 10769: 10756: 10722: 10695: 10664: 10651: 10638: 10625: 10612: 10599: 10555:Lyall, Sarah (13 January 2005). 10548: 10522: 10509: 10493:. London: George Allen editions. 10482: 10467: 10455: 10438: 10413: 10400: 10383: 10370: 10340: 10302: 10286: 10270: 10240: 10209: 10185: 10182:(Pallas Athene, 2010), pp. 9–16. 10168: 10152: 10138: 10114: 10088: 10075: 10060: 10047: 10034: 10004: 9974: 9943: 9917: 9891: 9861: 9830: 9799: 9770: 9755: 9752:(Oxford University Press, 1999). 9738: 9725: 9682: 9656: 9643: 9618: 9596: 9579: 9566: 9553: 9537:Herbert F. Johnson Museum of Art 9522: 9500: 9487: 9474: 9461: 9420: 9407: 9376: 9345: 9314: 9284: 9271: 9258: 9244: 9231: 9203: 9175: 9158: 9145: 9120: 9099: 9093: 9068: 9043: 9013: 9001:from the original on 6 July 2017 8987: 8958: 8945: 8940:John Ruskin's Guild of St George 8932: 8919: 8877: 8864: 8851: 8838: 8825: 8808: 8791: 8782: 8757: 8744: 8715: 8685: 8674:, January 1993, by Wendy Steiner 8659: 8634: 8621: 8608: 8595: 8569: 8556: 8492: 8444: 8419: 8406: 8393: 8327: 8314: 8277: 8259:Dictionary of National Biography 8241: 8187: 8178: 8175:(Oxford University Press, 2011). 8161: 8138:Cate, George Allen, ed. (1982). 8132: 8107: 8092:(Harvard University Press, 1972 8082: 8035: 7988: 7979: 7665:, no. 25 (January 2001), pp. 6–8 7528:(Clarendon Press, 1996), p. 226. 7379:Malcolm Low & Julie Graham, 6452:(2004) "Childhood and education" 6212:ed. Clive Wilmer (Penguin, 1986) 5470:(written 1841; published 1850) ( 5380: 5364: 5342: 5326: 5305: 5291: 5277: 5263: 5247: 5233: 5219: 5205: 4989:about Ruskin, Effie and Millais. 4957:Alice's Adventures in Wonderland 4797:Ruskin figures as Mr Herbert in 4791:Alice's Adventures in Wonderland 4782: 4499:Until 2005, biographies of both 4489: 4277:Study of Gneiss Rock, Glenfinlas 3557:Art, architecture and literature 3465: 3289:, the then somewhat dilapidated 3117: 3079:Louisa, Marchioness of Waterford 2876:Attorney General Sir John Holker 2591:Royal Military Academy, Woolwich 2401:and many of the founders of the 1693:was published. He persuaded the 1203:Doge's Palace, or Palazzo Ducale 925:What became the first volume of 312: 196: 15015:Alumni of King's College London 15010:Alumni of Christ Church, Oxford 15000:19th-century British economists 14959:44 (no 4) Winter 1995: 543-573. 14795:Who cooked Adam Smith's dinner? 13316:The Seven Lamps of Architecture 13283: 13044:at Cornucopia.org.uk. Retrieved 12976:John Ruskin: No Wealth But Life 12680:(1969) 18.no.1 (spring): 45-56. 11970:The Seven Lamps of Architecture 11955:The Seven Lamps of Architecture 10869:John Ruskin: No Wealth but Life 9927:. Ruskin Museum. Archived from 9298:. 14 April 2017. Archived from 7930: 7868: 7843: 7818: 7805: 7796: 7735: 7693: 7680: 7655: 7630: 7609: 7583: 7568: 7555: 7531: 7518: 7506: 7456: 7426: 7413: 7400: 7373: 7364: 7334: 7324: 7299: 7296:: "Critic of Contemporary Art". 7271: 7258: 7245: 7232: 7204: 7165: 7152: 7125: 7095: 7078: 7053: 7028: 7002: 6972: 6959: 6924:Q. in Harold I. Shapiro (ed.), 6918: 6905: 6863: 6847: 6831: 6818: 6790: 6781: 6768: 6742: 6654: 6641: 6611: 6581: 6551: 6521: 5560:The Seven Lamps of Architecture 5489:Vol. I (1843) (Parts I and II) 5115:dealing with Ruskin's marriage. 4720:titude, symbolised by the key ( 4342:The Seven Lamps of Architecture 3511:Ruskin Commonwealth Association 3385:Ruskin in the eyes of a student 3041:something, and to tell what it 2405:credited them as an influence. 1687:Notes on the Turner Gallery at 1172:The Seven Lamps of Architecture 1160: 192: 134:The Seven Lamps of Architecture 14704:Socially necessary labour time 13545: 13303:(written 1842, published 1851) 13213:Lewin, Walter (15 July 1893). 11902:. 7 April 2009. Archived from 11537:Walker, J. (5 December 2014). 11502:British Journal of Anaesthesia 7964:, 14.288, 24.347, 34.355, 590. 6667:(Yale University Press, 2009) 6491: 6478: 6465: 6455: 6425: 6412: 6386:. "Ruskin, John (1819–1900)". 6357:An appraisal of Viollet le Duc 6348: 6260:(George Allen and Unwin, 1963) 4728:tune, symbolised by the nail ( 4666: 4629:common law of business balance 4619:Common law of business balance 4593:on 15 May 1886, Ruskin wrote: 3795:, the innovator of the modern 3497:A number of utopian socialist 3360:the bicentenary of his birth. 3332:, were executors to his will. 2508:(1862–63) (later collected as 2383:Ruskin's political ideas, and 2353:non-governmental organisations 2301:political economy espoused by 1899:Socially necessary labour time 1: 15005:19th-century English painters 14674:Capitalist mode of production 14523:Critique of political economy 13089:Works by or about John Ruskin 12793:. GSG & Associates, 1966. 12336:"Modern Painters (the Opera)" 11768:Falcone, Marc (3 July 1973). 11187:Permaflector Lighting Catalog 10837:, Fall, 2007 by Van Akin Burd 10452:, Penguin, 1991), pp. 133–34. 9603:Download Samuel Jones (ed.), 9529:Green, Nancy E., ed. (2004). 9456:Experiences of a Literary Man 9440:Life, Journalism and Politics 8201:. 6 July 2002. Archived from 8115:Ruskin: The Critical Heritage 7688:Ruskin: The Critical Heritage 7387:Ref: section Fareham, hants; 6967:Ruskin: The Critical Heritage 6839:Studies in English Literature 6471:Lemon, Rebecca, et al., eds. 6342: 6077:(delivered 1883, book 1884) ( 5867:in , 1871 (1898) ("Works" 22) 5013:(Ruskin), Anne Kidd (Effie), 4690:: Ruskin coined this term in 4635:, a blog associated with the 4589:In a letter to his physician 4399:critique of political economy 4393:Critique of political economy 4291:Ruskin's views on art, wrote 4262:National Art Collections Fund 4183:Ruskin's strong rejection of 4122: 4115: 3436:Experiences of a Literary Man 3401:Experiences of a Literary Man 2294:: Cook and Wedderburn, 17.105 1952:Critique of Political Economy 1864:Capitalist mode of production 1848:Critique of political economy 1631:Manchester Examiner and Times 870: 562: 528:. They visited Scott's home, 461:and a father originally from 457:, Scotland, to a mother from 15135:Critics of political economy 15060:English architecture writers 14386:Aestheticization of politics 13300:The King of the Golden River 12969:John Ruskin: The Later Years 12952:John Ruskin: The Early Years 12937:(Routledge & Kegan Paul) 12861:University of Illinois Press 12306:"The Passion of John Ruskin" 11654:Wertheimer, Mark B. (2018). 11155:Railway Maintenance Engineer 10764:John Ruskin: The Later Years 10644:Q. in J. Howard Whitehouse, 10281:John Ruskin: Social Reformer 9574:Life and Work of John Ruskin 9219:. 26 January 1900. p. 7 9191:. 21 January 1900. p. 7 8972:(Guild of St Georgel, 2018). 8955:(Merton Priory Press, 2004) 8929:(Ashgate, 2011), pp. 151–64. 8629:John Ruskin: The Later Years 8458:; Curthoys, Mark C. (eds.). 8414:John Ruskin: The Later Years 7307:Life and Work of John Ruskin 6913:John Ruskin: The Early Years 6406:UK public library membership 6137:Selected diaries and letters 5198: 4821:, was the first in the 1924 4518: 4411:The Political Economy of Art 4295:, "cannot be made to form a 3686:Society, education and sport 3648:Cook and Wedderburn, 24.357. 3633:, and the war correspondent 2623:The lectures that comprised 1749:Social critic and reformer: 1614:The Political Economy of Art 1376:Ruskin continued to support 1110:The King of the Golden River 836:The King of the Golden River 440: 7: 15030:Architectural theoreticians 14780:Critique of Economic Reason 13104:(public domain audiobooks) 12935:Ruskin: The Great Victorian 12917:The Life of John Ruskin 1–2 11818:(8): 467–76. Archived from 11803:North, Gary (August 1974). 11660:APOS Trends in Orthodontics 11236:F.E.C. (8 February 1933). 10934:The Yale Book of Quotations 10299:(Penguin, 1985), pp. 36–37. 10057:(Palgrave Macmillan, 2010). 9651:Ruskin's Educational Ideals 9484:(Summa Publications, 2002) 8942:(Guild of St George, 2010). 8927:Ruskin's Educational Ideals 8820:Ruskin's Guild of St George 7464:"The Working Men's College" 7281:(John Murray, 1968) p. 192. 7242:(John Murray, 1968) p. 236. 7215:Ruskin: The Great Victorian 7039:. . pp. 52–71, 82–89. 6801:Ruskin: The Great Victorian 6284: 5456:Letters to a College Friend 5319: 5255:River Seine and its Islands 5047:(1994), a film directed by 3945:in Grantham, Lincolnshire; 3869:William Montgomery McGovern 3735:, who saved Ruskin's home, 3019:and similar organisations. 2846:In the July 1877 letter of 2818:as his sole publisher (see 2800:and the Whistler libel case 2772:Alexander Robertson MacEwen 2677:Slade Professor of Fine Art 2506:Essays on Political Economy 2466:is Ruskin's "Law of Help": 2426:: Cook and Wedderburn 17.34 2370:William Makepeace Thackeray 1958:Critique of Economic Reason 1874:Concrete and abstract labor 1589:were published in 1856. In 1583:Both volumes III and IV of 1459:Little Church of St Francis 1129:, where Ruskin admired the 743:was serialised in Loudon's 734:Magazine of Natural History 418:, where he established the 412:Slade Professor of Fine Art 360:, notably Viollet-le-Duc's 10: 15171: 15150:English children's writers 13470:Pre-Raphaelite Brotherhood 13392:The Passion of John Ruskin 12759:Cambridge University Press 12696:Princeton University Press 12578: 12545: 12520:"The Works of John Ruskin" 11928:(Chatto and Windus, 1988). 11695:Mariotti, John L. (2008). 11384:Shore High School (1934). 11238:"Progress of Kansas Press" 11114:Anonymous. (August 1917). 10850:Letters to M. G. and H. G. 10478:. Columbia University, NY. 10149:, tx. BBC1, 13 March 2000. 9593:(Edizioni Mercurio, 2000). 9155:(Ruskin Foundation, 2009). 8616:Ruskin Review and Bulletin 8577:"John Ruskin green plaque" 7434:"John Ruskin on education" 6433:Ruskin's Scottish Heritage 6143:The Diaries of John Ruskin 5929:, in Michaelmas Term, 1872 5511:Vol. III (1856) (Part IV) 5500:Vol. II (1846) (Part III) 5446:The Architectural Magazine 5442:The Poetry of Architecture 5413:, sometimes called simply 5193: 5129:Pre-Raphaelite Brotherhood 5044:The Passion of John Ruskin 4708:, symbolised by the club ( 4401:of orthodox, 19th-century 3887:Ruskin in the 21st century 3422:University College, Oxford 2892:Nocturne in Black and Gold 2500:, under the editorship of 1436:, and a further 25 to the 1354:The Order of Release, 1746 1315:Pre-Raphaelite Brotherhood 741:The Poetry of Architecture 590:Pre-Raphaelite Brotherhood 510:St Pancras railway station 18: 15070:English environmentalists 14803: 14722: 14661: 14570: 14529: 14454: 14378: 14227: 14000: 13707: 13619: 13553: 13426: 13359: 13348: 13291: 12988:(Oxford University Press) 12809:Columbia University Press 12766:The Worlds of John Ruskin 12651:John Ruskin's Bookplates. 12565:James S. Dearden (2004), 12558:Francis O'Gorman (1999), 12262:10.1080/14714780903509847 12250:Visual Culture in Britain 11578:Miles, Edward W. (2016). 11184:Pittsburgh Reflector Co. 11043:10.1080/01457639208939784 11031:Heat Transfer Engineering 10476:The great flaw in the man 10420:Fowler, Alastair (1989). 9664:"The Elements of Drawing" 9625:Lang, Michael H. (1999). 9183:"JOHN RUSKIN PASSES AWAY" 8916:, 28.417–38 and 28.13–29. 8470:. pp. 689–716, 691. 8144:Stanford University Press 8048:Southern Economic Journal 8042:Fain, John Tyree (1943). 7663:Ruskin Programme Bulletin 7394:30 September 2007 at the 6965:See J. L. Bradley (ed.), 6045:1880–81, incorporated in 5907:to Art, Given before the 5151:with Ruskin portrayed by 4963:Through the Looking Glass 4928:(2007), a short story by 4645:Heat Transfer Engineering 3943:The Priory Ruskin Academy 3519:Ralph Radcliffe Whitehead 3515:Dickson County, Tennessee 3443: 3416:had aroused the anger of 3277:Grave of John Ruskin, in 3269:Brantwood and final years 2770:, Leonard Montefiore and 2518:Sunderland, Tyne and Wear 2013:We Have Never Been Modern 1791:), botany and mythology ( 1523:Frederick Denison Maurice 1519:Frederick James Furnivall 1469:Duntisbourne Abbots near 771:, taking up residence at 754: 618: 341:, literature, education, 311: 306: 302: 279: 248: 230: 220: 210: 206: 174: 115: 94: 75: 56: 44: 37: 15155:Artists' Rifles soldiers 15045:British male journalists 15040:British anti-capitalists 14760:The Mirror of Production 13495:Ruskin School of Drawing 13434:Arts and Crafts movement 13235:Leeds University Library 13182:18 November 2009 at the 13155:13 December 2013 at the 13143:13 December 2013 at the 13012:Portraits of John Ruskin 12727:Harvard University Press 12721:Helsinger, Elizabeth K. 12294:– via Archive.org. 11556:10.1038/sj.bdj.2014.1059 11149:Anonymous. (July 1919). 10828:27 November 2021 at the 10681:The works of John Ruskin 10537:4 September 2021 at the 10474:Travis, Kennedy (2018). 10391:New Approaches to Ruskin 10135:no. 10 (2010), pp. 7–10. 10012:"Ruskin Community Mural" 9764:The Carlyle Encyclopedia 9323:"The Guild of St George" 9025:Museums-sheffield.org.uk 8889:Utopia-britannica.org.uk 8752:Nineteenth-Century Prose 8642:Nineteenth-Century Prose 8541:(Clarendon Press, 1996) 8142:. Stanford, California: 7826:Nineteenth-Century Prose 7728:12 February 2011 at the 7717:14 February 2011 at the 7706:14 February 2011 at the 6559:"UCL Bloomsbury Project" 6486:John Ruskin's Camberwell 6089:, 4 and 11 February 1884 6061:Our Fathers Have Told Us 5969:(first published 1906) ( 5967:in Michaelmas Term, 1874 5953:in Michaelmas Term, 1873 5533:Vol. V (1860) (Part VI) 5522:Vol. IV (1856) (Part V) 5405:The Works of John Ruskin 5089:(1998), a radio play by 5057:(1994), a radio play by 5023:(1983), a radio play by 4952:Alice Liddell Hargreaves 4675:John Ruskin in the 1850s 4658:For many years, various 4507:, who was Keeper of the 4495:Turner's erotic drawings 4254:Arts and Crafts Movement 4161:Art and design criticism 3975:University of Pittsburgh 3951:Anglia Ruskin University 3668:Arts and Crafts movement 3507:Ruskin, British Columbia 3293:house, on the shores of 3011:, in other parts of the 2076:20th–21st-century people 2063:Carl Jonas Love Almqvist 2026:18th–19th-century people 2003:The Mirror of Production 1815:(where he was joined by 1807:(studying tombs for the 1739:Evangelical Christianity 1706:Religious "unconversion" 1639:Anglia Ruskin University 1610:Art Treasures Exhibition 611:, where he prepared for 420:Ruskin School of Drawing 15145:English fantasy writers 15095:English watercolourists 14826:Criticism of capitalism 14785:Discourse on Inequality 14406:Evolutionary aesthetics 14356:The Aesthetic Dimension 12971:(Yale University Press) 12954:(Yale University Press) 12925:The Life of John Ruskin 12921:The Life of John Ruskin 12907:The Life of John Ruskin 12751:Encyclopædia Britannica 12193:The Love of John Ruskin 11900:Fortnightlyreview.co.uk 11409:Lamb, George N (1947). 11330:"Don't You be the Goat" 10620:Millais and the Ruskins 10607:Millais and the Ruskins 9576:(Methuen, 1900) p. 260. 9561:Ruskin and Architecture 9211:"BURIAL OF JOHN RUSKIN" 9126:Michael Wheeler (ed.), 8848:(Brentham Press, 2007). 8767:printed in "blood-red". 8324:67 no.1 (spring):79-82. 8299:, 18.xlv–xlvi, 550–554. 7995:Stimson, F. J. (1888). 7938:The Life of John Ruskin 7309:(Methuen, 1900) p. 402. 7279:Millais and the Ruskins 7240:Millais and the Ruskins 7174:The Burlington Magazine 6324:Charles Augustus Howell 6314:, a bridleway in Oxford 6118:(3 vols.) (1885–1889) ( 5665:The Harbours of England 5482:(5 vols.) (1843–1860) ( 5127:drama serial about the 4983:The Love of John Ruskin 4561:William Ewart Gladstone 4345:, (1849) Ruskin wrote: 4100:post-industrial society 4076:and Andrew Hill at the 3073:, as sketched by Ruskin 2607:The Crown of Wild Olive 2579:University of Cambridge 2305:, based on theories of 2228:Post-autistic economics 1968:Discourse on Inequality 1683:The Harbours of England 1082:Middle life (1847–1869) 966:Dulwich Picture Gallery 860:Henry Sigismund Uhlrich 858:Engraving of Ruskin by 615:under Dale's tutelage. 568:), near the village of 489:Childhood and education 215:19th-century philosophy 14336:Avant-Garde and Kitsch 14286:Lectures on Aesthetics 13245:John Ruskin Collection 13186:. Retrieved 2010-10-19 12974:John Batchelor (2000) 12768:. Pallas Athene, 2010. 12228:British Film Institute 11863:27.27–44 and 28.106–7. 11729:Philip, Bruce (2011). 11673:10.4103/apos.apos_3_18 11543:British Dental Journal 10835:Philological Quarterly 10661:(Pallas Athene, 2013). 10165:(Ruskin To-Day, 2006). 9717:19 August 2020 at the 9701:17 August 2020 at the 9327:guildofstgeorge.org.uk 9277:See James S. Dearden, 8724:The Aesthetic Movement 8679:27 August 2006 at the 7063:(Pallas Athene, 2013). 7035:Rose, Phyllis (1984). 6529:"Andrews Family | ERM" 6398:10.1093/ref:odnb/24291 6355:Barker, James (1992). 6278:Mary Augusta Wakefield 6234:(Pallas Athene, 2011) 6037:Fiction, Fair and Foul 6029:(1877–84, book 1884) ( 5131:. Ruskin is played by 4875:The Invention of Truth 4831:McDonald, Eva (1979). 4676: 4600: 4587: 4543: 4534: 4505:Ralph Nicholson Wornum 4443: 4436: 4371: 4331: 4288: 4256:, the founders of the 4212:Classical architecture 4137: 4034:, and the politicians 3938: 3933:John Ruskin Street in 3833:Hubert Llewellyn Smith 3733:John Howard Whitehouse 3696:Thomas Coglan Horsfall 3655:Craft and conservation 3644: 3553: 3462: 3441: 3408:An incident where the 3406: 3373: 3350:John Howard Whitehouse 3282: 3202:Fiction, Fair and Foul 3185: 3074: 2972:in Hertfordshire; and 2854:James McNeill Whistler 2830: 2776:university settlements 2672: 2648:Later life (1869–1900) 2620: 2547:'s suppression of the 2492: 2430: 2374:Smith, Elder & Co. 2327:, Ruskin rejected the 2284: 1760: 1659:labour theory of value 1543:The Ethics of the Dust 1507:Dante Gabriel Rossetti 1311:Dante Gabriel Rossetti 1299: 1298:, Scotland, (1853–54). 1265:pioneer and socialist 1243: 1099:Marriage to Effie Gray 1095: 1090:Effie Gray painted by 933:Smith, Elder & Co. 876: 745:Architectural Magazine 676:, and in 1835 visited 636:(his first long poem, 628: 605:King's College, London 555: 501: 485: 436:Early life (1819–1846) 240:Continental philosophy 15080:English male painters 14836:Economic anthropology 14562:Erik Johan Stagnelius 14481:Philosophy portal 13233:Archival material at 13219:by W. G. Collingwood" 12978:(Chatto & Windus) 12891:Biographies of Ruskin 12855:Viljoen, Helen Gill. 12771:Murphy, Paul Thomas. 12685:Ruskin and His Circle 11968:Ruskin, John (1989). 11953:Ruskin, John (1989). 11938:Ruskin, John (1872). 11120:Northwestern Druggist 10975:"A Ruskin Quotation?" 10671:Ruskin, John (1909). 10657:See Robert Brownell, 10646:Vindication of Ruskin 10489:Ruskin, John (1903). 9169:24 March 2012 at the 8997:. Ruskin at Walkley. 8831:See Sally Goldsmith, 8802:24 March 2012 at the 7686:J. L. Bradley (ed.), 7575:Manuel, Anne (2013). 7385:Westbury Manor Museum 6228:(Pallas Athene, 2012) 5861:Lectures on Landscape 5743:1862–63, book 1872) ( 5373:Aiguille de Blaitière 5271:Falls of Schaffhausen 4854:Peter Hoyle's novel, 4674: 4595: 4582: 4538: 4529: 4467:had led, through the 4464:The Wealth of Nations 4455:industrial capitalist 4438: 4423: 4379:Eugène Viollet-le-Duc 4347: 4334:Historic preservation 4301: 4274: 4216:Industrial Revolution 4113: 4096:Fair Oaks, California 3949:, South Croydon; and 3932: 3873:From Luther to Hitler 3819:, and the positivist 3764:Working Men's College 3749:Michael Ernest Sadler 3640: 3551: 3451: 3426: 3391: 3371: 3276: 3253:illustrators such as 3183: 3069: 2825: 2660: 2615: 2569:Lectures in the 1860s 2468: 2411: 2321:. In his four essays 2279: 2238:Market fundamentalism 2178:Economic anthropology 1950:A Contribution to the 1821:industrial capitalism 1756: 1513:, established by the 1511:Working Men's College 1398:John William Inchbold 1280: 1259:Working Men's College 1251:industrial capitalism 1228: 1105:Euphemia "Effie" Gray 1089: 931:(1843), published by 857: 814:came second). He met 797:Charles Thomas Newton 783:(later the father of 685:Friendship's Offering 626: 586:Emily Augusta Patmore 542: 496: 479: 107:King's College London 102:Christ Church, Oxford 15110:Painters from London 15090:English philosophers 14846:Mainstream economics 14740:The Right to Be Lazy 14426:Philosophy of design 14306:In Praise of Shadows 14296:The Critic as Artist 13324:The Stones of Venice 13201:UK National Archives 13126:Lancaster University 13098:Works by John Ruskin 13079:Works by John Ruskin 13070:Works by John Ruskin 12746:Hugh, Chriholm, ed. 12569:(Shire Publications) 12310:Canadian Film Centre 12201:. 20 February 1912. 11906:on 29 September 2017 11515:10.1093/bja/33.5.239 11359:Lamb, Geo N (1940). 11242:Kansas Industrialist 11116:"Ain't it the Truth" 11058:"Construction Costs" 10729:Evans, Joan (1970). 10378:The Stones of Venice 9670:on 14 September 2017 9629:. Black Rose Books. 9611:18 June 2012 at the 9587:Ruskin and Modernism 9563:(Spire Books, 2003) 9358:theruskinsociety.com 9354:"The Ruskin Society" 8970:Ruskin and Sheffield 8699:. 2 September 2021. 8562:Francis O' Gorman, 8537:See Robert Hewison, 8341:. 13 November 2006. 8285:Octavia Hill: A Life 7652:, 5.385–417, 418–68. 7346:Fitzmuseum.cam.ac.uk 7134:The Stones of Venice 6431:Helen Gill Viljoen, 6418:Helen Gill Viljoen, 6232:The Nature of Gothic 6128:(1886, 1887, 1900) ( 6007:Bibliotheca Pastorum 5965:University of Oxford 5951:University of Oxford 5927:University of Oxford 5909:University of Oxford 5845:University of Oxford 5823:University of Oxford 5751:The Cestus of Aglaia 5572:The Stones of Venice 5143:(2014), a biopic of 5087:The Order of Release 4778:Fictional portrayals 4641:Lancaster University 4407:The Stones of Venice 4225:The Stones of Venice 4190:The Stones of Venice 4106:Theory and criticism 3900:Lancaster University 3853:British Labour Party 3809:Christian socialists 3704:garden city movement 3330:Charles Eliot Norton 3158:Mornings in Florence 3153:The Stones of Venice 3091:occurred in 1871 at 2982:Bibliotheca Pastorum 2884:William Powell Frith 2549:Morant Bay rebellion 2502:James Anthony Froude 2403:British Labour party 1797:The Queen of the Air 1789:The Cestus of Aglaia 1724:Presentation of the 1515:Christian socialists 1496:Ruskin and education 1455:stained glass window 1313:had established the 1303:John Everett Millais 1292:John Everett Millais 1238:The Stones of Venice 1211:The Stones of Venice 1188:The Stones of Venice 1021:Jacopo della Quercia 1011:among others at the 908:Before Ruskin began 902:Blackwood's Magazine 769:University of Oxford 416:University of Oxford 195: 1848; 142:The Stones of Venice 87:Coniston, Lancashire 15065:English art critics 14816:Classical economics 14811:Assume a can opener 14643:Claus Peter Ortlieb 14618:Hans-Georg Backhaus 14436:Philosophy of music 14411:Mathematical beauty 13408:Desperate Romantics 13055:Electronic editions 13036:Library collections 12947:. (Alfred A. Knopf) 12562:(Sutton Publishing) 12163:Randolph, Octavia. 10865:John Ruskin: A Life 10543:British Art Journal 10504:Cook and Wedderburn 10335:Cook and Wedderburn 10248:"Ruskin MP I Notes" 9982:"The Ruskin Museum" 9572:W. G. Collingwood, 9480:Cynthia J. Gamble, 9432:Changes and Chances 9140:Cook and Wedderburn 9115:Cook and Wedderburn 9088:Cook and Wedderburn 9063:Cook and Wedderburn 8995:"Ruskin at Walkley" 8982:Cook and Wedderburn 8914:Cook and Wedderburn 8870:See Stuart Eagles, 8777:Cook and Wedderburn 8654:Cook and Wedderburn 8551:Cook and Wedderburn 8388:Cook and Wedderburn 8376:Cook and Wedderburn 8364:Cook and Wedderburn 8309:Cook and Wedderburn 8297:Cook and Wedderburn 8272:Cook and Wedderburn 8236:Cook and Wedderburn 8224:Cook and Wedderburn 8195:"Ruskin MP I Notes" 8156:Cook and Wedderburn 8127:Cook and Wedderburn 8102:Cook and Wedderburn 7974:Cook and Wedderburn 7962:Cook and Wedderburn 7950:Cook and Wedderburn 7863:Cook and Wedderburn 7838:Cook and Wedderburn 7813:British Art Journal 7791:Cook and Wedderburn 7779:Cook and Wedderburn 7767:Cook and Wedderburn 7755:Cook and Wedderburn 7675:Cook and Wedderburn 7650:Cook and Wedderburn 7625:Cook and Wedderburn 7550:Cook and Wedderburn 7501:Cook and Wedderburn 7489:Cook and Wedderburn 7352:on 3 September 2014 7319:Cook and Wedderburn 7305:W. G. Collingwood, 7251:Sir William James, 7227:Cook and Wedderburn 7199:Cook and Wedderburn 7147:Cook and Wedderburn 7073:Cook and Wedderburn 6950:Cook and Wedderburn 6938:Cook and Wedderburn 6900:Cook and Wedderburn 6813:Cook and Wedderburn 6737:Cook and Wedderburn 6725:Cook and Wedderburn 6713:Cook and Wedderburn 6701:Cook and Wedderburn 6689:Cook and Wedderburn 6677:Cook and Wedderburn 6292:John Henry Devereux 6059:(the first part of 6057:The Bible of Amiens 5575:(3 vols) (1851–53) 5415:Cook and Wedderburn 5397:Select bibliography 5123:(2009), a six-part 5120:Desperate Romantics 4633:Ruskin Library News 4185:Classical tradition 3947:John Ruskin College 3825:settlement movement 3793:Pierre de Coubertin 3527:Woodstock, New York 3184:John Ruskin in 1882 3162:The Bible of Amiens 3093:Matlock, Derbyshire 2994:Francesca Alexander 2976:, Gloucestershire. 2780:Ruskin Hall, Oxford 2717:Select Bibliography 2583:British Institution 2173:Classical economics 2168:Assume a can opener 2128:Claus Peter Ortlieb 1817:William Holman Hunt 1574:Modern Painters III 1527:Elements of Drawing 1357:, exhibited at the 1307:William Holman Hunt 1255:Christian socialist 1249:in particular, and 1131:Gothic architecture 1123:Revolutions of 1848 1061:Scuola di San Rocco 1053:St Mark's Cathedral 167:3 vols. (1885–1889) 145:3 vols. (1851–1853) 129:5 vols. (1843–1860) 15100:Guild of St George 15050:Burials in Cumbria 14956:The Book Collector 14790:The Accursed Share 14431:Philosophy of film 14421:Patterns in nature 14391:Applied aesthetics 14366:Why Beauty Matters 14152:Life imitating art 14013:Art for art's sake 13450:Guild of St George 12967:Tim Hilton (2000) 12950:Tim Hilton (1985) 12678:The Book Collector 12668:The Book Collector 12654:The Book Collector 12649:Dearden, James S. 12508:TCM Movie Database 12469:(7 October 2014). 12447:on 3 February 2019 12376:on 19 October 2017 12346:on 19 October 2017 12131:"Sesame and Roses" 12129:Grace Andreacchi. 10564:The New York Times 10354:. 7 January 2000. 10216:Bernick, Michael. 10204:Broadcasting House 10102:on 12 October 2011 9539:. pp. 16–33. 9469:Ruskin and Tolstoy 9216:The New York Times 9188:The New York Times 8857:See Liz Mitchell, 8846:Ruskin and Bewdley 8322:The Book Collector 8287:(Constable, 1990) 7016:on 19 October 2017 6954:Modern Painters II 6756:on 17 October 2011 6226:Peter Brimblecombe 6087:London Institution 6042:Nineteenth Century 5727:1860, book 1862) ( 5111:(2003), a play by 4914:Come, Gentle Night 4835:John Ruskin's Wife 4724:) of Ulysses; and 4677: 4478:In the preface to 4469:division of labour 4289: 4220:The Crystal Palace 4142:literary criticism 4138: 4054:, Raficq Abdulla, 3939: 3920:Guild of St George 3865:National Socialist 3776:Net Book Agreement 3678:to help found the 3676:Hardwicke Rawnsley 3571:Frank Lloyd Wright 3554: 3463: 3374: 3357:Guild of St George 3283: 3246:Aesthetic movement 3186: 3075: 3056:Millennium Gallery 2986:Shepherd's Library 2921:Guild of St George 2915:Guild of St George 2872:Edward Burne-Jones 2744:Ferry Hinksey Road 2721:Ariadne Florentina 2689:Sheldonian Theatre 2673: 2621: 2589:on "Work" and the 2329:division of labour 2193:Orthodox economics 2188:Feminist economics 1998:The Accursed Share 1983:Hard Times (novel) 1559:Somerville College 1547:Whitelands College 1467:St. Peter's Church 1463:Fareham, Hampshire 1438:Fitzwilliam Museum 1402:Edward Burne-Jones 1300: 1247:division of labour 1096: 985:Modern Painters II 951:(Gaspar Poussin), 877: 816:William Wordsworth 812:Arthur Hugh Clough 777:gentleman-commoner 719:First publications 629: 502: 486: 430:Guild of St George 225:Western philosophy 15075:English essayists 15025:Anti-consumerists 14859: 14858: 14608:Neue Marx-Lektüre 14571:20th–21st-century 14530:18th–19th-century 14489: 14488: 14441:Psychology of art 14316:Art as Experience 13513: 13512: 13411:(2009 miniseries) 13387:(1975 miniseries) 13132:Archival material 13074:Project Gutenberg 13048:John Ruskin texts 12919:. George Allen. ( 12897:W. G. Collingwood 12874:Harper's magazine 12826:978-1-78188-301-3 12803:Rosenberg, J. G. 12781:978-1-63936-491-6 12741:Thames and Hudson 12717:978-1-907485-13-8 12625:Conner, Patrick. 12596:978-0-300-24641-4 12589:. New Haven, CT. 12400:Suttonelms.org.uk 12056:Brewer, E. Cobham 11412:The Mahogany Book 11089:Plymouth Products 10977:. Victorian Web. 10677:Cook, Edward Tyas 10450:Selected Writings 10397:, 1981, pp. 33–50 10125:Art Workers Guild 9546:978-0-9646042-0-9 8765:Sesame and Lilies 8670:. – book review, 8456:Brock, Michael G. 8205:on 8 October 2012 7912:The Victorian Web 7881:The Victorian Web 7849:Michael Wheeler, 7597:on 8 January 2015 7180:(1117): 228–234. 7158:Fiona MacCarthy, 7109:. 20 March 2008. 6629:on 14 August 2017 6404:(Subscription or 6330:The English House 6318:Trenton, Missouri 6258:John D. Rosenberg 6244:Selected Writings 6238:Selected Writings 5740:Fraser's Magazine 5724:Cornhill Magazine 5350:Sunset seen from 5187:Light, Descending 4970:Light, Descending 4940:Alice I Have Been 4936:Benjamin, Melanie 4609:Winnington school 4448: 4403:political economy 4397:Ruskin wielded a 4368: 4134:Frederick Hollyer 4032:Charles Tomlinson 4021:parametric design 3902:, Ruskin's home, 3859:or the Bible. In 3837:William Beveridge 3821:Frederic Harrison 3772:Allen & Unwin 3649: 3619:John William Hill 3615:Wilhelm Worringer 3523:Byrdcliffe Colony 3326:W. G. Collingwood 3297:, in the English 3098:Ruskin turned to 2888:Frederic Leighton 2858:Grosvenor Gallery 2856:exhibited at the 2841: 2820:Allen & Unwin 2806:Oxford University 2764:W. G. Collingwood 2727:) and sculpture ( 2681:Oxford University 2625:Sesame and Lilies 2618:Sesame and Lilies 2497:Fraser's Magazine 2489: 2427: 2361:Cornhill Magazine 2333:political economy 2295: 2277: 2276: 2233:Time-use research 2033:August Strindberg 1829:political economy 1772: 1689:Marlborough House 1490:Benjamin Woodward 1451:Pauline Trevelyan 1346:Ruskin's portrait 1261:and later by the 977:Elizabeth Gaskell 848:Modern Painters I 582:Congregationalist 347:political economy 320: 319: 271:political economy 15162: 14960: 14951: 14941: 14933: 14932: 14931: 14924: 14916: 14915: 14914: 14907: 14899: 14898: 14897: 14890: 14882: 14881: 14880: 14870: 14831:Critique of work 14648:Georges Bataille 14628:Michael Heinrich 14578:Jean Baudrillard 14537:Friedrich Engels 14516: 14509: 14502: 14493: 14492: 14479: 14478: 14477: 14371: 14361: 14351: 14341: 14331: 14321: 14311: 14301: 14291: 14281: 14271: 14261: 14251: 14241: 13540: 13533: 13526: 13517: 13516: 13465:Pathetic fallacy 13354: 13278: 13271: 13264: 13255: 13254: 13230: 13209: 13204: 13109: 13108: 13093:Internet Archive 13022: 13008:. Ruskin journal 12852: 12846: 12838: 12800:. Ashgate, 2000. 12787:Quigley, Carroll 12764:Jackson, Kevin. 12675:Wise and Ruskin. 12622: 12616: 12608: 12540: 12539: 12537: 12535: 12526:. Archived from 12516: 12510: 12499: 12493: 12492: 12490: 12488: 12463: 12457: 12456: 12454: 12452: 12443:. Archived from 12422: 12416: 12415: 12413: 12411: 12392: 12386: 12385: 12383: 12381: 12372:. Archived from 12366:"Gregory Murphy" 12362: 12356: 12355: 12353: 12351: 12342:. Archived from 12340:Victorianweb.org 12332: 12326: 12325: 12323: 12321: 12302: 12296: 12295: 12293: 12291: 12280: 12274: 12273: 12241: 12230: 12221: 12215: 12214: 12212: 12210: 12187: 12181: 12180: 12178: 12176: 12160: 12151: 12150: 12148: 12146: 12135:Sites.google.com 12126: 12120: 12119: 12117: 12115: 12106:. 1 March 1999. 12090: 12084: 12083: 12081: 12079: 12052: 12046: 12045: 12043: 12041: 12013: 12007: 12006: 12004: 12002: 11980: 11974: 11973: 11965: 11959: 11958: 11950: 11944: 11943: 11935: 11929: 11922: 11916: 11915: 11913: 11911: 11892: 11886: 11883: 11877: 11870: 11864: 11857: 11851: 11841: 11835: 11834: 11832: 11830: 11824: 11809: 11800: 11794: 11793: 11791: 11789: 11765: 11759: 11758: 11756: 11754: 11726: 11720: 11719: 11717: 11715: 11692: 11686: 11685: 11675: 11651: 11645: 11644: 11642: 11640: 11634: 11623: 11614: 11608: 11607: 11605: 11603: 11575: 11569: 11568: 11558: 11534: 11528: 11527: 11517: 11493: 11487: 11486: 11484: 11482: 11462: 11456: 11455: 11453: 11451: 11431: 11425: 11424: 11422: 11420: 11406: 11400: 11399: 11397: 11395: 11381: 11375: 11374: 11372: 11370: 11356: 11350: 11349: 11347: 11345: 11326: 11320: 11319: 11317: 11315: 11301: 11295: 11294: 11292: 11290: 11284: 11273: 11264: 11258: 11257: 11255: 11253: 11233: 11227: 11226: 11224: 11222: 11206: 11200: 11199: 11197: 11195: 11181: 11175: 11174: 11172: 11170: 11146: 11140: 11139: 11137: 11135: 11111: 11105: 11104: 11102: 11100: 11080: 11074: 11073: 11071: 11069: 11053: 11047: 11046: 11026: 11020: 11019: 11017: 11015: 11000: 10991: 10990: 10988: 10986: 10970: 10961: 10960: 10958: 10956: 10925: 10916: 10915: 10913: 10911: 10891: 10885: 10878: 10872: 10861: 10855: 10854: 10844: 10838: 10819: 10813: 10812: 10810: 10808: 10779:(20 July 1998). 10773: 10767: 10760: 10754: 10753: 10751: 10749: 10726: 10720: 10719: 10717: 10715: 10699: 10693: 10692: 10668: 10662: 10655: 10649: 10642: 10636: 10629: 10623: 10616: 10610: 10603: 10597: 10596: 10594: 10592: 10560: 10552: 10546: 10526: 10520: 10513: 10507: 10501: 10495: 10494: 10486: 10480: 10479: 10471: 10465: 10459: 10453: 10442: 10436: 10435: 10417: 10411: 10404: 10398: 10387: 10381: 10374: 10368: 10367: 10365: 10363: 10344: 10338: 10332: 10326: 10325: 10323: 10321: 10306: 10300: 10290: 10284: 10274: 10268: 10267: 10265: 10263: 10244: 10238: 10237: 10235: 10233: 10213: 10207: 10198:in John Ruskin, 10189: 10183: 10178:in John Ruskin, 10172: 10166: 10156: 10150: 10142: 10136: 10118: 10112: 10111: 10109: 10107: 10098:. Archived from 10092: 10086: 10081:Lars Spuybroek, 10079: 10073: 10064: 10058: 10051: 10045: 10038: 10032: 10031: 10029: 10027: 10018:. 4 March 2009. 10008: 10002: 10001: 9999: 9997: 9986:www.facebook.com 9978: 9972: 9971: 9969: 9967: 9947: 9941: 9940: 9938: 9936: 9931:on 9 August 2006 9921: 9915: 9914: 9912: 9910: 9895: 9889: 9888: 9886: 9884: 9869:"Ruskin Library" 9865: 9859: 9858: 9856: 9854: 9834: 9828: 9827: 9825: 9823: 9803: 9797: 9796: 9784: 9774: 9768: 9767: 9759: 9753: 9742: 9736: 9729: 9723: 9686: 9680: 9679: 9677: 9675: 9666:. Archived from 9660: 9654: 9653:(Ashgate, 2011). 9647: 9641: 9640: 9622: 9616: 9600: 9594: 9583: 9577: 9570: 9564: 9557: 9551: 9550: 9526: 9520: 9519: 9510:. 1 April 2017. 9504: 9498: 9491: 9485: 9478: 9472: 9465: 9459: 9452: 9443: 9424: 9418: 9411: 9405: 9404: 9402: 9400: 9380: 9374: 9373: 9371: 9369: 9349: 9343: 9342: 9340: 9338: 9318: 9312: 9311: 9309: 9307: 9296:Brantwood.org.uk 9288: 9282: 9275: 9269: 9262: 9256: 9248: 9242: 9235: 9229: 9228: 9226: 9224: 9207: 9201: 9200: 9198: 9196: 9179: 9173: 9162: 9156: 9149: 9143: 9137: 9131: 9124: 9118: 9112: 9106: 9105: 9097: 9091: 9085: 9079: 9072: 9066: 9060: 9054: 9047: 9041: 9040: 9038: 9036: 9017: 9011: 9010: 9008: 9006: 8991: 8985: 8979: 8973: 8962: 8956: 8951:Sara E. Haslam, 8949: 8943: 8936: 8930: 8923: 8917: 8911: 8905: 8904: 8902: 8900: 8881: 8875: 8868: 8862: 8855: 8849: 8842: 8836: 8829: 8823: 8822:(Methuen, 1931). 8812: 8806: 8795: 8789: 8786: 8780: 8774: 8768: 8761: 8755: 8748: 8742: 8741: 8719: 8713: 8712: 8710: 8708: 8689: 8683: 8663: 8657: 8651: 8645: 8638: 8632: 8625: 8619: 8612: 8606: 8599: 8593: 8592: 8590: 8588: 8579:. Open Plaques. 8573: 8567: 8560: 8554: 8548: 8542: 8535: 8526: 8525: 8523: 8521: 8515: 8504: 8496: 8490: 8489: 8452:Symonds, Richard 8448: 8442: 8441: 8439: 8437: 8423: 8417: 8410: 8404: 8397: 8391: 8385: 8379: 8373: 8367: 8361: 8355: 8354: 8352: 8350: 8339:Victorianweb.org 8331: 8325: 8318: 8312: 8306: 8300: 8294: 8288: 8283:Gillian Darley, 8281: 8275: 8269: 8263: 8245: 8239: 8233: 8227: 8221: 8215: 8214: 8212: 8210: 8191: 8185: 8182: 8176: 8165: 8159: 8153: 8147: 8136: 8130: 8124: 8118: 8111: 8105: 8099: 8093: 8086: 8080: 8079: 8039: 8033: 8032: 7992: 7986: 7983: 7977: 7971: 7965: 7959: 7953: 7947: 7941: 7934: 7928: 7927: 7925: 7923: 7903: 7897: 7896: 7894: 7892: 7872: 7866: 7860: 7854: 7847: 7841: 7835: 7829: 7822: 7816: 7809: 7803: 7800: 7794: 7788: 7782: 7776: 7770: 7764: 7758: 7752: 7746: 7739: 7733: 7697: 7691: 7684: 7678: 7672: 7666: 7659: 7653: 7647: 7641: 7634: 7628: 7622: 7616: 7613: 7607: 7606: 7604: 7602: 7593:. Archived from 7587: 7581: 7580: 7572: 7566: 7559: 7553: 7547: 7541: 7535: 7529: 7524:Robert Hewison, 7522: 7516: 7510: 7504: 7498: 7492: 7486: 7480: 7479: 7477: 7475: 7470:on 5 August 2011 7466:. Archived from 7460: 7454: 7453: 7451: 7449: 7430: 7424: 7419:Michael Brooks, 7417: 7411: 7404: 7398: 7377: 7371: 7368: 7362: 7361: 7359: 7357: 7348:. Archived from 7338: 7332: 7328: 7322: 7316: 7310: 7303: 7297: 7291: 7282: 7275: 7269: 7262: 7256: 7249: 7243: 7236: 7230: 7224: 7218: 7208: 7202: 7196: 7190: 7189: 7169: 7163: 7156: 7150: 7144: 7138: 7129: 7123: 7122: 7120: 7118: 7099: 7093: 7082: 7076: 7070: 7064: 7057: 7051: 7050: 7032: 7026: 7025: 7023: 7021: 7006: 7000: 6999: 6997: 6995: 6976: 6970: 6963: 6957: 6947: 6941: 6935: 6929: 6922: 6916: 6909: 6903: 6897: 6891: 6890: 6888: 6886: 6877:. 28 June 2002. 6867: 6861: 6860:(Cassell, 1990) 6858:Ruskin on Turner 6851: 6845: 6835: 6829: 6822: 6816: 6810: 6804: 6794: 6788: 6785: 6779: 6774:Cynthia Gamble, 6772: 6766: 6765: 6763: 6761: 6752:. Archived from 6746: 6740: 6734: 6728: 6722: 6716: 6710: 6704: 6698: 6692: 6686: 6680: 6674: 6668: 6658: 6652: 6645: 6639: 6638: 6636: 6634: 6625:. Archived from 6615: 6609: 6608: 6606: 6604: 6585: 6579: 6578: 6576: 6574: 6555: 6549: 6548: 6546: 6544: 6539:on 19 April 2021 6535:. Archived from 6525: 6519: 6518: 6516: 6514: 6509:on 24 April 2021 6505:. Archived from 6495: 6489: 6482: 6476: 6469: 6463: 6459: 6453: 6447: 6436: 6429: 6423: 6416: 6410: 6409: 6401: 6380: 6361: 6360: 6352: 6302:Ruskin's diggers 6297:Ruskin, Nebraska 5839:Aratra Pentelici 5624:Pre-Raphaelitism 5408: 5384: 5368: 5346: 5330: 5309: 5295: 5281: 5267: 5251: 5237: 5223: 5209: 5171:, and featuring 5055:Parrots and Owls 5035:(Old Mr Ruskin) 5025:Elizabeth Morgan 4930:Grace Andreacchi 4926:Sesame and Roses 4911: 4888: 4871:Morazzoni, Marta 4850: 4838: 4800:The New Republic 4688:Pathetic fallacy 4509:National Gallery 4449: 4446: 4434: 4369: 4363: 4339:left to die. In 4305:as economic man. 4281:Ashmolean Museum 4146:Edward Tyas Cook 4127: 4124: 4120: 4117: 4068:Jonathan Glancey 4056:Jonathon Porritt 4000:cultural tourism 3787:Ashmolean Museum 3757:Charles A. Beard 3741:Bembridge School 3718:Edward Carpenter 3650: 3647: 3583:G. K. Chesterton 3439: 3404: 3259:Darwinian theory 3168:(1877–1884) and 3112:life after death 2904:Fine Art Society 2842: 2833: 2737:Ashmolean Museum 2729:Aratra Pentelici 2725:The Eagle's Nest 2709:Ashmolean Museum 2545:Edward John Eyre 2504:, cut short his 2490: 2475: 2428: 2419: 2303:John Stuart Mill 2296: 2287: 2269: 2262: 2255: 2093:Jean Baudrillard 2088:Georges Bataille 2043:Friedrich Engels 1879:Critique of work 1849: 1834: 1833: 1773: 1763: 1731:Galleria Sabauda 1695:National Gallery 1616:and later under 1567:women's colleges 1428:drawings to the 1386:Elizabeth Siddal 1322:Coventry Patmore 1257:founders of the 1241: 973:Charlotte Brontë 962:National Gallery 875: 872: 868: 793:William Buckland 567: 564: 553: 506:Brunswick Square 316: 289:Pathetic fallacy 200: 198: 194: 118: 82: 66: 64: 49: 35: 34: 15170: 15169: 15165: 15164: 15163: 15161: 15160: 15159: 14965: 14964: 14963: 14952: 14948: 14944: 14934: 14929: 14927: 14923:from Wikisource 14917: 14912: 14910: 14900: 14895: 14893: 14883: 14878: 14876: 14873: 14869:sister projects 14866:at Knowledge's 14860: 14855: 14799: 14718: 14657: 14638:Roman Rozdolsky 14613:Helmut Reichelt 14603:Étienne Balibar 14566: 14525: 14520: 14490: 14485: 14475: 14473: 14450: 14374: 14369: 14359: 14349: 14346:Critical Essays 14339: 14329: 14319: 14309: 14299: 14289: 14279: 14269: 14259: 14249: 14239: 14223: 13996: 13910:Ortega y Gasset 13703: 13615: 13549: 13544: 13514: 13509: 13485:Ruskin Monument 13422: 13384:The Love School 13376:Dante's Inferno 13371:(1854 painting) 13355: 13346: 13308:Modern Painters 13287: 13282: 13195: 13184:Wayback Machine 13157:Wayback Machine 13145:Wayback Machine 13134: 13106: 13065:Standard Ebooks 13057: 13038: 12995: 12964:(Phoenix Giant) 12958:John Dixon Hunt 12893: 12882:, "Ruskin", in 12880:Woolf, Virginia 12840: 12839: 12827: 12733:Hewison, Robert 12673:Dearden, J. S. 12659:Dearden, J. S. 12631:Macmillan Press 12610: 12609: 12597: 12581: 12576: 12574:Further reading 12548: 12543: 12533: 12531: 12530:on 29 July 2013 12518: 12517: 12513: 12500: 12496: 12486: 12484: 12464: 12460: 12450: 12448: 12423: 12419: 12409: 12407: 12406:on 18 July 2017 12394: 12393: 12389: 12379: 12377: 12364: 12363: 12359: 12349: 12347: 12334: 12333: 12329: 12319: 12317: 12304: 12303: 12299: 12289: 12287: 12285:"Dear Countess" 12281: 12277: 12242: 12233: 12224:Dante's Inferno 12222: 12218: 12208: 12206: 12189: 12188: 12184: 12174: 12172: 12161: 12154: 12144: 12142: 12127: 12123: 12113: 12111: 12098:by Ann Harries" 12092: 12091: 12087: 12077: 12075: 12070:. p. 616. 12060:"New Republic ( 12053: 12049: 12039: 12037: 12030: 12014: 12010: 12000: 11998: 11990:The Independent 11981: 11977: 11966: 11962: 11951: 11947: 11936: 11932: 11923: 11919: 11909: 11907: 11894: 11893: 11889: 11884: 11880: 11871: 11867: 11858: 11854: 11842: 11838: 11828: 11826: 11825:on 29 July 2013 11822: 11807: 11801: 11797: 11787: 11785: 11766: 11762: 11752: 11750: 11743: 11727: 11723: 11713: 11711: 11709: 11693: 11689: 11652: 11648: 11638: 11636: 11632: 11621: 11615: 11611: 11601: 11599: 11592: 11576: 11572: 11535: 11531: 11494: 11490: 11480: 11478: 11467:"Advertisement" 11463: 11459: 11449: 11447: 11432: 11428: 11418: 11416: 11407: 11403: 11393: 11391: 11382: 11378: 11368: 11366: 11357: 11353: 11343: 11341: 11328: 11327: 11323: 11313: 11311: 11302: 11298: 11288: 11286: 11282: 11271: 11265: 11261: 11251: 11249: 11234: 11230: 11220: 11218: 11211:"Advertisement" 11207: 11203: 11193: 11191: 11182: 11178: 11168: 11166: 11147: 11143: 11133: 11131: 11112: 11108: 11098: 11096: 11081: 11077: 11067: 11065: 11054: 11050: 11027: 11023: 11013: 11011: 11010:on 15 June 2013 11002: 11001: 10994: 10984: 10982: 10971: 10964: 10954: 10952: 10945: 10929:Fred R. Shapiro 10926: 10919: 10909: 10907: 10900:victoriaweb.com 10894: 10892: 10888: 10879: 10875: 10862: 10858: 10847: 10845: 10841: 10830:Wayback Machine 10820: 10816: 10806: 10804: 10797: 10774: 10770: 10761: 10757: 10747: 10745: 10743: 10727: 10723: 10713: 10711: 10700: 10696: 10669: 10665: 10656: 10652: 10643: 10639: 10630: 10626: 10617: 10613: 10604: 10600: 10590: 10588: 10567:. pp. E1. 10553: 10549: 10539:Wayback Machine 10527: 10523: 10514: 10510: 10502: 10498: 10487: 10483: 10472: 10468: 10460: 10456: 10443: 10439: 10432: 10418: 10414: 10405: 10401: 10388: 10384: 10375: 10371: 10361: 10359: 10346: 10345: 10341: 10333: 10329: 10319: 10317: 10308: 10307: 10303: 10291: 10287: 10275: 10271: 10261: 10259: 10246: 10245: 10241: 10231: 10229: 10214: 10210: 10190: 10186: 10173: 10169: 10157: 10153: 10143: 10139: 10119: 10115: 10105: 10103: 10094: 10093: 10089: 10080: 10076: 10067:David Gauntlett 10065: 10061: 10052: 10048: 10039: 10035: 10025: 10023: 10010: 10009: 10005: 9995: 9993: 9980: 9979: 9975: 9965: 9963: 9948: 9944: 9934: 9932: 9925:"Ruskin Museum" 9923: 9922: 9918: 9908: 9906: 9897: 9896: 9892: 9882: 9880: 9867: 9866: 9862: 9852: 9850: 9837: 9835: 9831: 9821: 9819: 9804: 9800: 9793: 9775: 9771: 9760: 9756: 9744:Stuart Eagles, 9743: 9739: 9735:(Tauris, 2007) 9730: 9726: 9719:Wayback Machine 9703:Wayback Machine 9687: 9683: 9673: 9671: 9662: 9661: 9657: 9648: 9644: 9637: 9623: 9619: 9613:Wayback Machine 9601: 9597: 9584: 9580: 9571: 9567: 9558: 9554: 9547: 9527: 9523: 9506: 9505: 9501: 9492: 9488: 9479: 9475: 9467:Stuart Eagles, 9466: 9462: 9454:Stephen Gwynn, 9453: 9446: 9425: 9421: 9412: 9408: 9398: 9396: 9383: 9381: 9377: 9367: 9365: 9352: 9350: 9346: 9336: 9334: 9321: 9319: 9315: 9305: 9303: 9290: 9289: 9285: 9281:(Ryburn, 1994). 9276: 9272: 9264:Stuart Eagles, 9263: 9259: 9249: 9245: 9236: 9232: 9222: 9220: 9209: 9208: 9204: 9194: 9192: 9181: 9180: 9176: 9171:Wayback Machine 9163: 9159: 9150: 9146: 9138: 9134: 9125: 9121: 9113: 9109: 9098: 9094: 9086: 9082: 9073: 9069: 9061: 9057: 9049:Robert Dunlop, 9048: 9044: 9034: 9032: 9019: 9018: 9014: 9004: 9002: 8993: 8992: 8988: 8980: 8976: 8964:Stuart Eagles, 8963: 8959: 8950: 8946: 8937: 8933: 8924: 8920: 8912: 8908: 8898: 8896: 8883: 8882: 8878: 8869: 8865: 8856: 8852: 8843: 8839: 8830: 8826: 8813: 8809: 8804:Wayback Machine 8796: 8792: 8787: 8783: 8775: 8771: 8762: 8758: 8749: 8745: 8738: 8720: 8716: 8706: 8704: 8691: 8690: 8686: 8681:Wayback Machine 8666:Linda Merrill, 8664: 8660: 8652: 8648: 8639: 8635: 8626: 8622: 8613: 8609: 8601:Stuart Eagles, 8600: 8596: 8586: 8584: 8575: 8574: 8570: 8561: 8557: 8549: 8545: 8536: 8529: 8519: 8517: 8513: 8502: 8498: 8497: 8493: 8478: 8468:Clarendon Press 8449: 8445: 8435: 8433: 8429:Lectures on Art 8424: 8420: 8411: 8407: 8401:Sexual Politics 8398: 8394: 8386: 8382: 8374: 8370: 8362: 8358: 8348: 8346: 8333: 8332: 8328: 8319: 8315: 8307: 8303: 8295: 8291: 8282: 8278: 8270: 8266: 8246: 8242: 8234: 8230: 8222: 8218: 8208: 8206: 8193: 8192: 8188: 8183: 8179: 8166: 8162: 8154: 8150: 8137: 8133: 8125: 8121: 8112: 8108: 8100: 8096: 8087: 8083: 8060:10.2307/1053391 8040: 8036: 8013:10.2307/1879386 7993: 7989: 7984: 7980: 7972: 7968: 7960: 7956: 7948: 7944: 7935: 7931: 7921: 7919: 7904: 7900: 7890: 7888: 7873: 7869: 7861: 7857: 7848: 7844: 7836: 7832: 7823: 7819: 7810: 7806: 7801: 7797: 7789: 7785: 7777: 7773: 7765: 7761: 7753: 7749: 7740: 7736: 7730:Wayback Machine 7719:Wayback Machine 7708:Wayback Machine 7698: 7694: 7685: 7681: 7673: 7669: 7660: 7656: 7648: 7644: 7635: 7631: 7623: 7619: 7614: 7610: 7600: 7598: 7589: 7588: 7584: 7573: 7569: 7560: 7556: 7548: 7544: 7536: 7532: 7523: 7519: 7511: 7507: 7499: 7495: 7487: 7483: 7473: 7471: 7462: 7461: 7457: 7447: 7445: 7432: 7431: 7427: 7418: 7414: 7405: 7401: 7396:Wayback Machine 7378: 7374: 7369: 7365: 7355: 7353: 7340: 7339: 7335: 7329: 7325: 7317: 7313: 7304: 7300: 7292: 7285: 7276: 7272: 7263: 7259: 7250: 7246: 7237: 7233: 7225: 7221: 7209: 7205: 7197: 7193: 7170: 7166: 7157: 7153: 7145: 7141: 7130: 7126: 7116: 7114: 7101: 7100: 7096: 7086:Effie in Venice 7083: 7079: 7071: 7067: 7058: 7054: 7047: 7033: 7029: 7019: 7017: 7008: 7007: 7003: 6993: 6991: 6978: 6977: 6973: 6964: 6960: 6948: 6944: 6936: 6932: 6923: 6919: 6910: 6906: 6898: 6894: 6884: 6882: 6869: 6868: 6864: 6852: 6848: 6836: 6832: 6823: 6819: 6811: 6807: 6795: 6791: 6786: 6782: 6773: 6769: 6759: 6757: 6748: 6747: 6743: 6735: 6731: 6723: 6719: 6711: 6707: 6699: 6695: 6691:, Introduction. 6687: 6683: 6675: 6671: 6659: 6655: 6646: 6642: 6632: 6630: 6623:Pookpress.co.uk 6617: 6616: 6612: 6602: 6600: 6587: 6586: 6582: 6572: 6570: 6557: 6556: 6552: 6542: 6540: 6527: 6526: 6522: 6512: 6510: 6497: 6496: 6492: 6484:J. S. Dearden, 6483: 6479: 6470: 6466: 6460: 6456: 6448: 6439: 6430: 6426: 6417: 6413: 6403: 6384:Hewison, Robert 6381: 6364: 6353: 6349: 6345: 6340: 6287: 6274:Ruskin on Music 6194: 6139: 6047:On the Old Road 5905:Natural science 5863:, Delivered at 5849:Michaelmas term 5761:On the Old Road 5633:Letters to the 5591:The Sea–Stories 5580:The Foundations 5539:Of Cloud Beauty 5524:Mountain Beauty 5479:Modern Painters 5428: 5426:Works by Ruskin 5411:Library Edition 5399: 5392: 5385: 5376: 5369: 5360: 5356:J. M. W. Turner 5347: 5338: 5331: 5322: 5315: 5310: 5301: 5299:Fribourg Suisse 5296: 5287: 5285:Rocks in Unrest 5282: 5273: 5268: 5257: 5252: 5243: 5238: 5229: 5224: 5215: 5210: 5201: 5196: 5145:J. M. W. Turner 5101:) and Millais ( 5069:Modern Painters 5063:O'Shea brothers 5002:The Love School 4994:Dante's Inferno 4979: 4908: 4885: 4847: 4805:William Mallock 4785: 4780: 4692:Modern Painters 4669: 4621: 4521: 4501:J. M. W. Turner 4497: 4492: 4461:, expressed in 4451: 4445: 4435: 4429: 4395: 4370: 4362: 4336: 4241:O'Shea brothers 4172:Modern Painters 4167:J. M. W. Turner 4163: 4131: 4129: 4125: 4118: 4108: 4088:Marc Turtletaub 4079:Financial Times 4060:Nicholas Wright 4036:Patrick Cormack 4008:David Gauntlett 3985:Ruskin Colleges 3981:Ruskin, Florida 3914:in the English 3889: 3839:(author of the 3805: 3708:Ebenezer Howard 3688: 3657: 3652: 3646: 3559: 3503:Ruskin, Florida 3499:Ruskin Colonies 3468: 3446: 3440: 3434:Stephen Gwynn, 3433: 3410:Arts and Crafts 3405: 3399:Stephen Gwynn, 3398: 3387: 3366: 3338:Library Edition 3271: 3178: 3120: 3064: 3048:Meersbrook Park 3034:Modern Painters 2992:, he supported 2966:North Yorkshire 2917: 2844: 2832: 2802: 2663:Adriano Cecioni 2655: 2650: 2571: 2554:Daily Telegraph 2510:Munera Pulveris 2491: 2479:Modern Painters 2474: 2457:Modern Painters 2435:Modern Painters 2429: 2418: 2395:Mohandas Gandhi 2298: 2286: 2273: 2244: 2243: 2242: 2213:Status quo bias 2162: 2154: 2153: 2152: 2083:Étienne Balibar 2077: 2069: 2068: 2067: 2027: 2019: 2018: 2017: 1954: 1951: 1938: 1930: 1929: 1928: 1914:Value criticism 1858: 1847: 1809:Arundel Society 1775: 1767:Modern Painters 1762: 1754: 1718:, where he saw 1708: 1675: 1655:Tunbridge Wells 1605: 1603:Public lecturer 1586:Modern Painters 1581: 1538:Winnington Hall 1498: 1447:Wallington Hall 1411:with the title 1367:suit of nullity 1286:painted by the 1275: 1273:Pre-Raphaelites 1263:Arts and Crafts 1242: 1235: 1191: 1163: 1147:Modern Painters 1101: 1092:Thomas Richmond 1084: 1072:Joshua Reynolds 1068:Modern Painters 989: 928:Modern Painters 911:Modern Painters 881:George Richmond 873: 862: 852: 808:Newdigate Prize 757: 726:Spiritual Times 721: 709:Copley Fielding 697:J. M. W. Turner 621: 565: 554: 548: 524:and especially 499:James Northcote 491: 443: 438: 402:Pre-Raphaelites 398:J. M. W. Turner 393:Modern Painters 377:First World War 298: 282: 275: 251: 244: 202: 199: 1854) 190: 186: 183: 170: 126:Modern Painters 116: 111: 95:Alma mater 90: 84: 80: 79:20 January 1900 71: 70:London, England 68: 67:8 February 1819 62: 60: 52: 40: 31: 17: 12: 11: 5: 15168: 15158: 15157: 15152: 15147: 15142: 15137: 15132: 15127: 15122: 15117: 15112: 15107: 15105:Male essayists 15102: 15097: 15092: 15087: 15082: 15077: 15072: 15067: 15062: 15057: 15052: 15047: 15042: 15037: 15032: 15027: 15022: 15017: 15012: 15007: 15002: 14997: 14992: 14987: 14982: 14977: 14962: 14961: 14945: 14943: 14942: 14925: 14908: 14906:from Wikiquote 14891: 14862: 14857: 14856: 14854: 14853: 14848: 14843: 14838: 14833: 14828: 14823: 14818: 14813: 14807: 14805: 14801: 14800: 14798: 14797: 14792: 14787: 14782: 14777: 14772: 14767: 14762: 14757: 14752: 14747: 14742: 14737: 14732: 14730:Unto This Last 14726: 14724: 14720: 14719: 14717: 14716: 14711: 14706: 14701: 14696: 14691: 14689:Dismal Science 14686: 14681: 14676: 14671: 14665: 14663: 14659: 14658: 14656: 14655: 14653:Katrine Marçal 14650: 14645: 14640: 14635: 14630: 14625: 14620: 14615: 14610: 14605: 14600: 14598:Moishe Postone 14595: 14590: 14588:Mahatma Gandhi 14585: 14580: 14574: 14572: 14568: 14567: 14565: 14564: 14559: 14554: 14549: 14547:Thomas Carlyle 14544: 14539: 14533: 14531: 14527: 14526: 14519: 14518: 14511: 14504: 14496: 14487: 14486: 14484: 14483: 14471: 14466: 14461: 14455: 14452: 14451: 14449: 14448: 14443: 14438: 14433: 14428: 14423: 14418: 14416:Neuroesthetics 14413: 14408: 14403: 14398: 14396:Arts criticism 14393: 14388: 14382: 14380: 14376: 14375: 14373: 14372: 14362: 14352: 14342: 14332: 14322: 14312: 14302: 14292: 14282: 14272: 14266:On the Sublime 14262: 14252: 14242: 14231: 14229: 14225: 14224: 14222: 14221: 14216: 14211: 14206: 14201: 14196: 14191: 14186: 14179: 14174: 14169: 14164: 14159: 14154: 14149: 14144: 14137: 14132: 14130:Interpretation 14127: 14122: 14117: 14112: 14107: 14102: 14097: 14092: 14087: 14082: 14077: 14072: 14067: 14062: 14057: 14052: 14047: 14046: 14045: 14040: 14030: 14025: 14023:Artistic merit 14020: 14015: 14010: 14004: 14002: 13998: 13997: 13995: 13994: 13987: 13982: 13977: 13972: 13967: 13962: 13957: 13952: 13947: 13942: 13937: 13932: 13927: 13922: 13917: 13912: 13907: 13902: 13897: 13892: 13887: 13882: 13877: 13872: 13867: 13862: 13857: 13852: 13847: 13842: 13837: 13832: 13827: 13822: 13817: 13812: 13807: 13802: 13797: 13792: 13787: 13782: 13777: 13772: 13767: 13762: 13757: 13752: 13747: 13742: 13737: 13732: 13727: 13722: 13717: 13711: 13709: 13705: 13704: 13702: 13701: 13694: 13689: 13684: 13679: 13674: 13672:Psychoanalysis 13669: 13664: 13659: 13654: 13649: 13644: 13639: 13634: 13629: 13623: 13621: 13617: 13616: 13614: 13613: 13608: 13603: 13598: 13593: 13588: 13583: 13578: 13573: 13568: 13563: 13557: 13555: 13551: 13550: 13543: 13542: 13535: 13528: 13520: 13511: 13510: 13508: 13507: 13502: 13497: 13492: 13487: 13482: 13480:Ruskin Gallery 13477: 13475:Rose La Touche 13472: 13467: 13462: 13457: 13452: 13447: 13441: 13436: 13430: 13428: 13424: 13423: 13421: 13420: 13412: 13404: 13396: 13388: 13380: 13372: 13363: 13361: 13357: 13356: 13349: 13347: 13345: 13344: 13340:Fors Clavigera 13336: 13332:Unto This Last 13328: 13320: 13312: 13304: 13295: 13293: 13289: 13288: 13281: 13280: 13273: 13266: 13258: 13252: 13251: 13248: 13242: 13237: 13231: 13229:(1106): 45–46. 13210: 13193: 13187: 13174: 13159: 13147: 13133: 13130: 13129: 13128: 13115: 13110: 13095: 13086: 13076: 13067: 13056: 13053: 13052: 13051: 13045: 13037: 13034: 13033: 13032: 13023: 13009: 13001: 12994: 12993:External links 12991: 12990: 12989: 12982:Robert Hewison 12979: 12972: 12965: 12955: 12948: 12938: 12928: 12910: 12892: 12889: 12888: 12887: 12877: 12866:Waldstein, C. 12864: 12853: 12825: 12812: 12801: 12796:Quill, Sarah. 12794: 12784: 12769: 12762: 12744: 12730: 12719: 12699: 12690:Fellows, Jay. 12688: 12683:Earland, Ada. 12681: 12671: 12657: 12647: 12634: 12623: 12595: 12580: 12577: 12575: 12572: 12571: 12570: 12563: 12556: 12547: 12544: 12542: 12541: 12511: 12494: 12458: 12417: 12387: 12357: 12327: 12297: 12275: 12231: 12216: 12182: 12152: 12121: 12103:Kirkus Reviews 12096:Manly Pursuits 12085: 12047: 12028: 12008: 11975: 11960: 11945: 11930: 11924:Peter Fuller, 11917: 11887: 11878: 11874:Fors Clavigera 11865: 11852: 11844:Modern Painter 11836: 11795: 11760: 11741: 11721: 11707: 11687: 11646: 11609: 11590: 11570: 11529: 11488: 11457: 11426: 11401: 11376: 11351: 11321: 11296: 11259: 11228: 11201: 11176: 11141: 11106: 11075: 11048: 11021: 10992: 10962: 10943: 10917: 10896:"victoriaweb0" 10886: 10873: 10856: 10839: 10814: 10795: 10768: 10755: 10742:978-0838310533 10741: 10721: 10694: 10673:"Introduction" 10663: 10650: 10637: 10631:Peter Fuller, 10624: 10611: 10605:Mary Lutyens, 10598: 10547: 10521: 10508: 10496: 10481: 10466: 10454: 10437: 10430: 10412: 10399: 10395:Robert Hewison 10382: 10369: 10339: 10327: 10301: 10285: 10269: 10239: 10208: 10184: 10180:Unto This Last 10167: 10159:Robert Hewison 10151: 10137: 10113: 10087: 10074: 10059: 10046: 10033: 10003: 9973: 9942: 9916: 9905:on 4 July 2017 9890: 9860: 9829: 9798: 9791: 9769: 9754: 9737: 9731:Gill Cockram, 9724: 9681: 9655: 9642: 9635: 9617: 9595: 9578: 9565: 9552: 9545: 9521: 9499: 9486: 9473: 9460: 9444: 9428:H. W. Nevinson 9419: 9406: 9375: 9344: 9313: 9302:on 4 July 2017 9283: 9270: 9257: 9243: 9230: 9202: 9174: 9157: 9144: 9132: 9119: 9107: 9092: 9080: 9067: 9055: 9042: 9012: 8986: 8974: 8957: 8944: 8931: 8918: 8906: 8876: 8863: 8850: 8837: 8824: 8807: 8790: 8781: 8769: 8756: 8743: 8736: 8714: 8684: 8672:Art in America 8658: 8646: 8633: 8620: 8607: 8594: 8568: 8555: 8543: 8527: 8491: 8476: 8443: 8418: 8405: 8399:Kate Millett, 8392: 8380: 8368: 8356: 8326: 8313: 8301: 8289: 8276: 8264: 8240: 8228: 8216: 8186: 8177: 8160: 8148: 8131: 8119: 8106: 8094: 8081: 8034: 8007:(4): 414–445. 7987: 7978: 7966: 7954: 7942: 7929: 7898: 7867: 7855: 7842: 7830: 7817: 7804: 7795: 7783: 7771: 7759: 7747: 7734: 7692: 7679: 7667: 7654: 7642: 7629: 7617: 7608: 7582: 7567: 7561:Malcolm Cole, 7554: 7542: 7530: 7517: 7505: 7493: 7481: 7455: 7425: 7412: 7399: 7372: 7363: 7333: 7323: 7311: 7298: 7283: 7277:Mary Lutyens, 7270: 7264:Phyllis Rose, 7257: 7255:, 1946, p. 237 7244: 7238:Mary Lutyens, 7231: 7219: 7203: 7191: 7164: 7160:William Morris 7151: 7139: 7124: 7094: 7084:Mary Lutyens, 7077: 7065: 7052: 7045: 7027: 7010:"May 7th 1828" 7001: 6971: 6958: 6942: 6930: 6917: 6904: 6892: 6862: 6846: 6830: 6817: 6815:, 1.VI.305-54. 6805: 6789: 6780: 6767: 6741: 6729: 6717: 6705: 6693: 6681: 6669: 6661:Robert Hewison 6653: 6640: 6610: 6580: 6550: 6520: 6490: 6477: 6464: 6454: 6437: 6424: 6411: 6362: 6346: 6344: 6341: 6339: 6338: 6333: 6326: 6321: 6315: 6309: 6299: 6294: 6288: 6286: 6283: 6282: 6281: 6271: 6261: 6251: 6241: 6235: 6229: 6219: 6213: 6207: 6201: 6193: 6190: 6189: 6188: 6182: 6176: 6170: 6164: 6158: 6152: 6146: 6138: 6135: 6134: 6133: 6123: 6110: 6096: 6082: 6068: 6054: 6034: 6027:St Mark's Rest 6024: 6014: 6004: 5994: 5984: 5974: 5960: 5946: 5936: 5922: 5900: 5899: 5898: 5891: 5884: 5872:Fors Clavigera 5868: 5858: 5836: 5818: 5808: 5798: 5788: 5778: 5768: 5748: 5732: 5717:Unto This Last 5713: 5703: 5693: 5688:(1857, 1880) ( 5682: 5672: 5662: 5652: 5642: 5631: 5621: 5611: 5610: 5609: 5598: 5587: 5568: 5556: 5555: 5554: 5535:Of Leaf Beauty 5531: 5520: 5513:Of Many Things 5509: 5498: 5475: 5463: 5453: 5439: 5427: 5424: 5423: 5422: 5398: 5395: 5394: 5393: 5386: 5379: 5377: 5370: 5363: 5361: 5348: 5341: 5339: 5332: 5325: 5321: 5318: 5317: 5316: 5311: 5304: 5302: 5297: 5290: 5288: 5283: 5276: 5274: 5269: 5262: 5259: 5258: 5253: 5246: 5244: 5239: 5232: 5230: 5227:View of Amalfi 5225: 5218: 5216: 5213:Lion's profile 5211: 5204: 5200: 5197: 5195: 5192: 5191: 5190: 5184: 5177:Dakota Fanning 5169:Richard Laxton 5167:, directed by 5156: 5153:Joshua McGuire 5136: 5116: 5106: 5093:about Ruskin ( 5084: 5076: 5066: 5052: 5040: 5037:Michael Fenner 5018: 5011:David Collings 4998: 4990: 4978: 4977:In other media 4975: 4974: 4973: 4967: 4933: 4923: 4920:Manly Pursuits 4917: 4907:978-1860499548 4906: 4894:Donoghue, Emma 4890: 4884:978-0880013765 4883: 4867: 4852: 4846:978-0745113005 4845: 4828: 4808: 4795: 4784: 4781: 4779: 4776: 4775: 4774: 4767:Gothic Revival 4763: 4759: 4751: 4745: 4702:Fors Clavigera 4699: 4668: 4665: 4660:Baskin-Robbins 4637:Ruskin Library 4625:Unto This Last 4620: 4617: 4578:Kate Greenaway 4569:Rose La Touche 4520: 4517: 4496: 4493: 4491: 4488: 4480:Unto This Last 4437: 4432:Unto This Last 4427: 4419:Unto This Last 4415:A Joy for Ever 4394: 4391: 4360: 4335: 4332: 4330: 4329: 4326: 4323: 4319: 4316: 4313: 4310: 4306: 4297:logical system 4275:John Ruskin's 4258:National Trust 4162: 4159: 4150:John A. Hobson 4107: 4104: 4016:Lars Spuybroek 3969:, Croydon and 3963:Ruskin Pottery 3896:Ruskin Library 3888: 3885: 3851:. More of the 3845:Clement Attlee 3804: 3801: 3753:Ruskin College 3700:Patrick Geddes 3687: 3684: 3680:National Trust 3660:William Morris 3656: 3653: 3639: 3635:H. W. Nevinson 3603:Marianne Moore 3587:Hilaire Belloc 3575:Walter Gropius 3567:Louis Sullivan 3558: 3555: 3521:, founded the 3513:, a colony in 3485:Unto This Last 3467: 3464: 3458:Unto This Last 3453:Mahatma Gandhi 3445: 3442: 3431: 3414:William Morris 3396: 3386: 3383: 3365: 3362: 3295:Coniston Water 3270: 3267: 3255:Kate Greenaway 3177: 3176:Final writings 3174: 3166:St Mark's Rest 3136:Rose La Touche 3119: 3116: 3102:. He attended 3083:Rose La Touche 3071:Rose La Touche 3063: 3062:Rose La Touche 3060: 2926:Fors Clavigera 2916: 2913: 2849:Fors Clavigera 2837:Fors Clavigera 2824: 2811:Fors Clavigera 2801: 2798:Fors Clavigera 2795: 2791:Drawing School 2768:Arnold Toynbee 2661:Caricature by 2654: 2651: 2649: 2646: 2641:women's rights 2570: 2567: 2538:British Museum 2485:Unto This Last 2472: 2463:Unto This Last 2423:Unto This Last 2416: 2399:John A. Hobson 2386:Unto This Last 2349:social economy 2345:social justice 2324:Unto This Last 2319:Thomas Malthus 2291:Unto This Last 2278: 2275: 2274: 2272: 2271: 2264: 2257: 2249: 2246: 2245: 2241: 2240: 2235: 2230: 2225: 2220: 2215: 2210: 2208:Socioeconomics 2205: 2200: 2195: 2190: 2185: 2180: 2175: 2170: 2164: 2163: 2161:Related topics 2160: 2159: 2156: 2155: 2151: 2150: 2145: 2143:Katrine Marçal 2140: 2138:Mahatma Gandhi 2135: 2133:Moishe Postone 2130: 2125: 2120: 2115: 2110: 2105: 2100: 2095: 2090: 2085: 2079: 2078: 2075: 2074: 2071: 2070: 2066: 2065: 2060: 2055: 2053:Thomas Carlyle 2050: 2045: 2040: 2035: 2029: 2028: 2025: 2024: 2021: 2020: 2016: 2015: 2010: 2008:Unto This Last 2005: 2000: 1995: 1990: 1985: 1980: 1975: 1970: 1965: 1960: 1948: 1947: 1946: 1940: 1939: 1936: 1935: 1932: 1931: 1927: 1926: 1921: 1916: 1911: 1906: 1901: 1896: 1891: 1886: 1884:Dismal Science 1881: 1876: 1871: 1866: 1860: 1859: 1856: 1855: 1852: 1851: 1843: 1842: 1785:Thomas Carlyle 1780:Unto This Last 1755: 1753: 1751:Unto This Last 1747: 1726:Queen of Sheba 1720:Paolo Veronese 1707: 1704: 1674: 1673:Turner Bequest 1671: 1641:has grown. In 1622:A Joy For Ever 1604: 1601: 1580: 1571: 1497: 1494: 1288:Pre-Raphaelite 1274: 1271: 1267:William Morris 1233: 1190: 1185: 1181:A. W. N. Pugin 1162: 1159: 1100: 1097: 1083: 1080: 1025:Rose La Touche 988: 983:1845 tour and 981: 949:Gaspard Dughet 943:" of the post- 887:, a friend of 851: 845: 831:Leamington Spa 789:Osborne Gordon 756: 753: 720: 717: 620: 617: 609:King's College 546: 490: 487: 442: 439: 437: 434: 425:Fors Clavigera 407:Unto This Last 381:sustainability 358:William Morris 354:Viollet-le-Duc 318: 317: 309: 308: 304: 303: 300: 299: 297: 296: 291: 285: 283: 280: 277: 276: 274: 273: 268: 263: 260: 254: 252: 250:Main interests 249: 246: 245: 243: 242: 236: 234: 228: 227: 222: 218: 217: 212: 208: 207: 204: 203: 188: 184: 179: 178: 176: 172: 171: 169: 168: 162: 158:Fors Clavigera 154: 150:Unto This Last 146: 138: 130: 121: 119: 113: 112: 110: 109: 104: 98: 96: 92: 91: 85: 83:(aged 80) 77: 73: 72: 69: 58: 54: 53: 51:Ruskin in 1863 50: 42: 41: 38: 15: 9: 6: 4: 3: 2: 15167: 15156: 15153: 15151: 15148: 15146: 15143: 15141: 15138: 15136: 15133: 15131: 15128: 15126: 15123: 15121: 15118: 15116: 15113: 15111: 15108: 15106: 15103: 15101: 15098: 15096: 15093: 15091: 15088: 15086: 15083: 15081: 15078: 15076: 15073: 15071: 15068: 15066: 15063: 15061: 15058: 15056: 15055:Conchologists 15053: 15051: 15048: 15046: 15043: 15041: 15038: 15036: 15033: 15031: 15028: 15026: 15023: 15021: 15018: 15016: 15013: 15011: 15008: 15006: 15003: 15001: 14998: 14996: 14993: 14991: 14988: 14986: 14983: 14981: 14978: 14976: 14973: 14972: 14970: 14958: 14957: 14950: 14946: 14940:from Wikidata 14939: 14938: 14926: 14922: 14921: 14909: 14905: 14904: 14892: 14888: 14887: 14875: 14874: 14871: 14865: 14852: 14851:Occam's razor 14849: 14847: 14844: 14842: 14839: 14837: 14834: 14832: 14829: 14827: 14824: 14822: 14821:Chrematistics 14819: 14817: 14814: 14812: 14809: 14808: 14806: 14802: 14796: 14793: 14791: 14788: 14786: 14783: 14781: 14778: 14776: 14773: 14771: 14768: 14766: 14763: 14761: 14758: 14756: 14753: 14751: 14748: 14746: 14743: 14741: 14738: 14736: 14733: 14731: 14728: 14727: 14725: 14723:Written works 14721: 14715: 14712: 14710: 14707: 14705: 14702: 14700: 14697: 14695: 14692: 14690: 14687: 14685: 14684:Chrematistics 14682: 14680: 14677: 14675: 14672: 14670: 14667: 14666: 14664: 14660: 14654: 14651: 14649: 14646: 14644: 14641: 14639: 14636: 14634: 14631: 14629: 14626: 14624: 14621: 14619: 14616: 14614: 14611: 14609: 14606: 14604: 14601: 14599: 14596: 14594: 14591: 14589: 14586: 14584: 14581: 14579: 14576: 14575: 14573: 14569: 14563: 14560: 14558: 14557:Paul Lafargue 14555: 14553: 14550: 14548: 14545: 14543: 14540: 14538: 14535: 14534: 14532: 14528: 14524: 14517: 14512: 14510: 14505: 14503: 14498: 14497: 14494: 14482: 14472: 14470: 14467: 14465: 14462: 14460: 14457: 14456: 14453: 14447: 14446:Theory of art 14444: 14442: 14439: 14437: 14434: 14432: 14429: 14427: 14424: 14422: 14419: 14417: 14414: 14412: 14409: 14407: 14404: 14402: 14399: 14397: 14394: 14392: 14389: 14387: 14384: 14383: 14381: 14377: 14368: 14367: 14363: 14358: 14357: 14353: 14348: 14347: 14343: 14337: 14333: 14327: 14323: 14318: 14317: 14313: 14308: 14307: 14303: 14297: 14293: 14288: 14287: 14283: 14278: 14277: 14273: 14268: 14267: 14263: 14258: 14257: 14253: 14248: 14247: 14243: 14238: 14237: 14236:Hippias Major 14233: 14232: 14230: 14226: 14220: 14217: 14215: 14212: 14210: 14207: 14205: 14202: 14200: 14197: 14195: 14192: 14190: 14187: 14185: 14184: 14180: 14178: 14175: 14173: 14170: 14168: 14165: 14163: 14160: 14158: 14155: 14153: 14150: 14148: 14145: 14143: 14142: 14138: 14136: 14133: 14131: 14128: 14126: 14123: 14121: 14118: 14116: 14113: 14111: 14108: 14106: 14103: 14101: 14098: 14096: 14095:Entertainment 14093: 14091: 14088: 14086: 14083: 14081: 14078: 14076: 14073: 14071: 14068: 14066: 14063: 14061: 14058: 14056: 14053: 14051: 14048: 14044: 14041: 14039: 14036: 14035: 14034: 14031: 14029: 14026: 14024: 14021: 14019: 14018:Art manifesto 14016: 14014: 14011: 14009: 14008:Appropriation 14006: 14005: 14003: 13999: 13993: 13992: 13988: 13986: 13983: 13981: 13978: 13976: 13973: 13971: 13968: 13966: 13963: 13961: 13958: 13956: 13953: 13951: 13948: 13946: 13943: 13941: 13938: 13936: 13933: 13931: 13928: 13926: 13923: 13921: 13918: 13916: 13913: 13911: 13908: 13906: 13903: 13901: 13900:Merleau-Ponty 13898: 13896: 13893: 13891: 13888: 13886: 13883: 13881: 13878: 13876: 13873: 13871: 13868: 13866: 13863: 13861: 13858: 13856: 13853: 13851: 13848: 13846: 13843: 13841: 13838: 13836: 13833: 13831: 13828: 13826: 13823: 13821: 13818: 13816: 13813: 13811: 13808: 13806: 13803: 13801: 13798: 13796: 13793: 13791: 13788: 13786: 13783: 13781: 13778: 13776: 13773: 13771: 13768: 13766: 13763: 13761: 13758: 13756: 13753: 13751: 13748: 13746: 13743: 13741: 13738: 13736: 13733: 13731: 13728: 13726: 13723: 13721: 13718: 13716: 13715:Abhinavagupta 13713: 13712: 13710: 13706: 13700: 13699: 13695: 13693: 13690: 13688: 13685: 13683: 13680: 13678: 13675: 13673: 13670: 13668: 13667:Postmodernism 13665: 13663: 13660: 13658: 13655: 13653: 13650: 13648: 13645: 13643: 13640: 13638: 13635: 13633: 13630: 13628: 13625: 13624: 13622: 13618: 13612: 13609: 13607: 13604: 13602: 13599: 13597: 13594: 13592: 13589: 13587: 13584: 13582: 13579: 13577: 13574: 13572: 13569: 13567: 13564: 13562: 13559: 13558: 13556: 13552: 13548: 13541: 13536: 13534: 13529: 13527: 13522: 13521: 13518: 13506: 13503: 13501: 13498: 13496: 13493: 13491: 13490:Ruskin Museum 13488: 13486: 13483: 13481: 13478: 13476: 13473: 13471: 13468: 13466: 13463: 13461: 13458: 13456: 13453: 13451: 13448: 13445: 13442: 13440: 13437: 13435: 13432: 13431: 13429: 13425: 13418: 13417: 13413: 13410: 13409: 13405: 13402: 13401: 13397: 13394: 13393: 13389: 13386: 13385: 13381: 13378: 13377: 13373: 13370: 13369: 13365: 13364: 13362: 13358: 13353: 13342: 13341: 13337: 13334: 13333: 13329: 13326: 13325: 13321: 13318: 13317: 13313: 13310: 13309: 13305: 13302: 13301: 13297: 13296: 13294: 13290: 13286: 13279: 13274: 13272: 13267: 13265: 13260: 13259: 13256: 13249: 13246: 13243: 13241: 13238: 13236: 13232: 13228: 13224: 13220: 13218: 13211: 13208: 13202: 13198: 13194: 13191: 13188: 13185: 13181: 13178: 13175: 13173: 13169: 13168: 13163: 13160: 13158: 13154: 13151: 13148: 13146: 13142: 13139: 13136: 13135: 13127: 13123: 13119: 13116: 13114: 13111: 13103: 13099: 13096: 13094: 13090: 13087: 13084: 13080: 13077: 13075: 13071: 13068: 13066: 13062: 13059: 13058: 13049: 13046: 13043: 13040: 13039: 13031: 13027: 13024: 13021: 13017: 13013: 13010: 13007: 13006: 13002: 13000: 12999:Ruskin To-Day 12997: 12996: 12987: 12983: 12980: 12977: 12973: 12970: 12966: 12963: 12959: 12956: 12953: 12949: 12946: 12942: 12939: 12936: 12932: 12929: 12926: 12922: 12918: 12914: 12911: 12908: 12904: 12903: 12898: 12895: 12894: 12885: 12881: 12878: 12875: 12871: 12870: 12865: 12862: 12858: 12854: 12850: 12844: 12836: 12832: 12828: 12822: 12819:. Cambridge. 12818: 12813: 12810: 12806: 12802: 12799: 12795: 12792: 12788: 12785: 12782: 12778: 12774: 12770: 12767: 12763: 12760: 12756: 12752: 12749: 12748:Ruskin, John. 12745: 12742: 12738: 12734: 12731: 12728: 12724: 12720: 12718: 12714: 12710: 12709:The Courtauld 12706: 12705: 12700: 12697: 12693: 12689: 12686: 12682: 12679: 12676: 12672: 12669: 12666: 12662: 12658: 12655: 12652: 12648: 12645: 12642: 12640: 12635: 12632: 12628: 12627:Savage Ruskin 12624: 12620: 12614: 12606: 12602: 12598: 12592: 12588: 12583: 12582: 12568: 12564: 12561: 12557: 12554: 12550: 12549: 12529: 12525: 12521: 12515: 12509: 12505: 12504: 12498: 12482: 12478: 12477: 12472: 12468: 12467:Hoare, Philip 12462: 12446: 12442: 12438: 12434: 12433: 12428: 12421: 12405: 12401: 12397: 12391: 12375: 12371: 12367: 12361: 12345: 12341: 12337: 12331: 12315: 12311: 12307: 12301: 12286: 12279: 12271: 12267: 12263: 12259: 12255: 12251: 12247: 12240: 12238: 12236: 12229: 12225: 12220: 12204: 12200: 12196: 12194: 12186: 12170: 12166: 12159: 12157: 12140: 12136: 12132: 12125: 12109: 12105: 12104: 12099: 12097: 12089: 12073: 12069: 12065: 12063: 12057: 12051: 12035: 12031: 12029:9781587298196 12025: 12021: 12020: 12012: 11996: 11992: 11991: 11986: 11979: 11971: 11964: 11956: 11949: 11941: 11934: 11927: 11921: 11905: 11901: 11897: 11891: 11882: 11875: 11869: 11862: 11856: 11849: 11845: 11840: 11821: 11817: 11813: 11806: 11799: 11783: 11779: 11775: 11771: 11764: 11748: 11744: 11742:9780771070068 11738: 11734: 11733: 11725: 11710: 11708:9781605508535 11704: 11700: 11699: 11691: 11683: 11679: 11674: 11669: 11665: 11661: 11657: 11650: 11631: 11627: 11620: 11613: 11597: 11593: 11591:9783319336398 11587: 11583: 11582: 11574: 11566: 11562: 11557: 11552: 11548: 11544: 11540: 11533: 11525: 11521: 11516: 11511: 11508:(5): 239–57. 11507: 11503: 11499: 11492: 11476: 11472: 11468: 11461: 11445: 11441: 11437: 11430: 11414: 11413: 11405: 11389: 11388: 11380: 11364: 11363: 11355: 11339: 11335: 11331: 11325: 11309: 11308: 11300: 11281: 11277: 11270: 11263: 11247: 11243: 11239: 11232: 11216: 11212: 11205: 11189: 11188: 11180: 11164: 11161:(7): 228–30. 11160: 11156: 11152: 11145: 11129: 11125: 11121: 11117: 11110: 11094: 11090: 11086: 11079: 11063: 11059: 11052: 11044: 11040: 11036: 11032: 11025: 11009: 11005: 10999: 10997: 10980: 10976: 10969: 10967: 10950: 10946: 10944:9780300107982 10940: 10936: 10935: 10930: 10924: 10922: 10905: 10901: 10897: 10890: 10883: 10877: 10870: 10866: 10860: 10852: 10851: 10843: 10836: 10832: 10831: 10827: 10824: 10818: 10802: 10798: 10796:9780316246255 10792: 10788: 10787:Little, Brown 10784: 10783: 10778: 10777:Lurie, Alison 10772: 10765: 10759: 10744: 10738: 10734: 10733: 10725: 10709: 10705: 10698: 10690: 10686: 10682: 10678: 10674: 10667: 10660: 10654: 10647: 10641: 10634: 10628: 10621: 10618:Lutyens, M., 10615: 10608: 10602: 10586: 10582: 10578: 10574: 10570: 10566: 10565: 10559: 10551: 10544: 10540: 10536: 10533: 10531: 10525: 10518: 10512: 10505: 10500: 10492: 10485: 10477: 10470: 10463: 10458: 10451: 10447: 10441: 10433: 10431:0-674-39664-2 10427: 10423: 10416: 10409: 10403: 10396: 10392: 10386: 10379: 10373: 10357: 10353: 10349: 10343: 10336: 10331: 10315: 10311: 10305: 10298: 10294: 10289: 10282: 10278: 10273: 10257: 10253: 10249: 10243: 10227: 10223: 10219: 10212: 10205: 10201: 10197: 10193: 10188: 10181: 10177: 10174:Andrew Hill, 10171: 10164: 10160: 10155: 10148: 10147: 10141: 10134: 10133:The Companion 10130: 10126: 10123:spoke at the 10122: 10117: 10101: 10097: 10091: 10084: 10078: 10071: 10068: 10063: 10056: 10050: 10043: 10037: 10021: 10017: 10013: 10007: 9991: 9987: 9983: 9977: 9961: 9957: 9953: 9946: 9930: 9926: 9920: 9904: 9900: 9894: 9878: 9874: 9870: 9864: 9848: 9844: 9843:ruskin200.com 9840: 9833: 9817: 9813: 9809: 9802: 9794: 9792:9780873522502 9788: 9783: 9782: 9773: 9765: 9758: 9751: 9747: 9741: 9734: 9728: 9721: 9720: 9716: 9713: 9708: 9704: 9700: 9697: 9696:, 1996 Vol. V 9695: 9690: 9685: 9669: 9665: 9659: 9652: 9646: 9638: 9632: 9628: 9621: 9614: 9610: 9607: 9606: 9599: 9592: 9588: 9582: 9575: 9569: 9562: 9556: 9548: 9542: 9538: 9534: 9533: 9525: 9517: 9513: 9509: 9503: 9496: 9490: 9483: 9477: 9470: 9464: 9457: 9451: 9449: 9441: 9437: 9436:J. A. Spender 9433: 9429: 9423: 9416: 9410: 9394: 9390: 9389:ruskin200.com 9386: 9379: 9363: 9359: 9355: 9348: 9332: 9328: 9324: 9317: 9301: 9297: 9293: 9287: 9280: 9274: 9267: 9261: 9254: 9247: 9240: 9234: 9218: 9217: 9212: 9206: 9190: 9189: 9184: 9178: 9172: 9168: 9165: 9161: 9154: 9148: 9141: 9136: 9129: 9123: 9116: 9111: 9103: 9096: 9090:, 34.265–397. 9089: 9084: 9077: 9071: 9064: 9059: 9052: 9046: 9030: 9026: 9022: 9016: 9000: 8996: 8990: 8983: 8978: 8971: 8967: 8961: 8954: 8948: 8941: 8935: 8928: 8925:Sara Atwood, 8922: 8915: 8910: 8894: 8890: 8886: 8880: 8873: 8867: 8860: 8854: 8847: 8841: 8834: 8828: 8821: 8817: 8811: 8805: 8801: 8798: 8794: 8785: 8778: 8773: 8766: 8760: 8753: 8747: 8739: 8733: 8729: 8728:Phaidon Press 8725: 8718: 8702: 8698: 8694: 8688: 8682: 8678: 8675: 8673: 8669: 8662: 8655: 8650: 8643: 8637: 8630: 8624: 8617: 8611: 8604: 8598: 8582: 8578: 8572: 8565: 8559: 8552: 8547: 8540: 8534: 8532: 8512: 8508: 8501: 8495: 8487: 8483: 8479: 8473: 8469: 8465: 8461: 8457: 8453: 8447: 8431: 8430: 8422: 8415: 8409: 8402: 8396: 8389: 8384: 8378:, 18.383–533. 8377: 8372: 8365: 8360: 8344: 8340: 8336: 8330: 8323: 8317: 8310: 8305: 8298: 8293: 8286: 8280: 8273: 8268: 8261: 8260: 8254: 8250: 8244: 8238:, 17.309–484. 8237: 8232: 8226:, 17.129–298. 8225: 8220: 8204: 8200: 8196: 8190: 8181: 8174: 8170: 8164: 8157: 8152: 8145: 8141: 8135: 8128: 8123: 8116: 8110: 8103: 8098: 8091: 8085: 8077: 8073: 8069: 8065: 8061: 8057: 8053: 8049: 8045: 8038: 8030: 8026: 8022: 8018: 8014: 8010: 8006: 8002: 7998: 7991: 7982: 7975: 7970: 7963: 7958: 7951: 7946: 7939: 7933: 7917: 7913: 7909: 7902: 7886: 7882: 7878: 7871: 7864: 7859: 7852: 7846: 7839: 7834: 7827: 7821: 7814: 7808: 7799: 7792: 7787: 7780: 7775: 7768: 7763: 7757:, 16.251–426. 7756: 7751: 7744: 7743:The Companion 7738: 7731: 7727: 7724: 7720: 7716: 7713: 7709: 7705: 7702: 7696: 7689: 7683: 7676: 7671: 7664: 7658: 7651: 7646: 7639: 7633: 7626: 7621: 7612: 7596: 7592: 7586: 7578: 7571: 7564: 7558: 7552:, 18.197–372. 7551: 7546: 7539: 7534: 7527: 7521: 7514: 7509: 7502: 7497: 7490: 7485: 7469: 7465: 7459: 7443: 7439: 7435: 7429: 7422: 7416: 7409: 7403: 7397: 7393: 7390: 7386: 7382: 7376: 7367: 7351: 7347: 7343: 7337: 7331: 7327: 7320: 7315: 7308: 7302: 7295: 7290: 7288: 7280: 7274: 7268:, 1983, p. 87 7267: 7261: 7254: 7248: 7241: 7235: 7229:, 12.319–335. 7228: 7223: 7216: 7212: 7207: 7200: 7195: 7187: 7183: 7179: 7175: 7168: 7161: 7155: 7149:, 10.180–269. 7148: 7143: 7136: 7135: 7128: 7112: 7108: 7104: 7098: 7091: 7087: 7081: 7074: 7069: 7062: 7056: 7048: 7046:0-394-52432-2 7042: 7038: 7031: 7015: 7011: 7005: 6989: 6985: 6981: 6975: 6968: 6962: 6955: 6951: 6946: 6939: 6934: 6927: 6921: 6914: 6908: 6901: 6896: 6880: 6876: 6872: 6866: 6859: 6855: 6850: 6844: 6840: 6834: 6827: 6821: 6814: 6809: 6802: 6798: 6793: 6784: 6777: 6771: 6755: 6751: 6745: 6738: 6733: 6726: 6721: 6714: 6709: 6702: 6697: 6690: 6685: 6678: 6673: 6666: 6662: 6657: 6650: 6647:John Ruskin, 6644: 6628: 6624: 6620: 6614: 6598: 6594: 6590: 6584: 6568: 6564: 6560: 6554: 6538: 6534: 6530: 6524: 6508: 6504: 6500: 6494: 6487: 6481: 6474: 6468: 6462: 6458: 6451: 6446: 6444: 6442: 6434: 6428: 6421: 6415: 6407: 6399: 6395: 6391: 6390: 6385: 6379: 6377: 6375: 6373: 6371: 6369: 6367: 6358: 6351: 6347: 6337: 6334: 6332: 6331: 6327: 6325: 6322: 6319: 6316: 6313: 6312:Ruskin's Ride 6310: 6307: 6306:Ferry Hinksey 6303: 6300: 6298: 6295: 6293: 6290: 6289: 6279: 6275: 6272: 6269: 6265: 6262: 6259: 6255: 6252: 6249: 6245: 6242: 6239: 6236: 6233: 6230: 6227: 6223: 6220: 6217: 6214: 6211: 6208: 6205: 6202: 6199: 6196: 6195: 6186: 6183: 6180: 6177: 6174: 6171: 6168: 6165: 6162: 6159: 6156: 6153: 6150: 6147: 6144: 6141: 6140: 6131: 6127: 6124: 6121: 6117: 6115: 6111: 6108: 6104: 6102: 6097: 6094: 6090: 6088: 6083: 6080: 6076: 6074: 6069: 6066: 6063:) (1880–85) ( 6062: 6058: 6055: 6052: 6048: 6044: 6043: 6038: 6035: 6032: 6028: 6025: 6022: 6018: 6015: 6012: 6008: 6005: 6002: 5999:(1875–1886) ( 5998: 5995: 5992: 5989:(1875–1883) ( 5988: 5985: 5982: 5979:(1875–1877) ( 5978: 5975: 5972: 5968: 5966: 5961: 5958: 5954: 5952: 5947: 5944: 5941:(1873–1881) ( 5940: 5937: 5934: 5930: 5928: 5923: 5920: 5916: 5914: 5910: 5906: 5901: 5896: 5892: 5889: 5885: 5882: 5878: 5877: 5875: 5873: 5869: 5866: 5862: 5859: 5856: 5852: 5850: 5846: 5840: 5837: 5834: 5830: 5828: 5824: 5819: 5816: 5812: 5809: 5806: 5802: 5799: 5796: 5792: 5789: 5786: 5782: 5779: 5776: 5772: 5769: 5766: 5762: 5758: 5757: 5752: 5749: 5746: 5742: 5741: 5736: 5733: 5730: 5726: 5725: 5720: 5718: 5714: 5711: 5707: 5704: 5701: 5697: 5694: 5691: 5687: 5683: 5680: 5676: 5673: 5670: 5666: 5663: 5660: 5656: 5655:Academy Notes 5653: 5650: 5646: 5643: 5640: 5636: 5632: 5629: 5625: 5622: 5619: 5615: 5612: 5607: 5603: 5599: 5596: 5592: 5588: 5585: 5581: 5577: 5576: 5574: 5573: 5569: 5566: 5562: 5561: 5557: 5552: 5548: 5544: 5540: 5536: 5532: 5529: 5525: 5521: 5518: 5514: 5510: 5507: 5503: 5499: 5496: 5492: 5488: 5487: 5485: 5481: 5480: 5476: 5473: 5469: 5468: 5464: 5461: 5457: 5454: 5451: 5447: 5443: 5440: 5437: 5433: 5430: 5429: 5420: 5416: 5412: 5406: 5401: 5400: 5391: 5390: 5383: 5378: 5375: 5374: 5367: 5362: 5359: 5357: 5353: 5345: 5340: 5337: 5336: 5329: 5324: 5323: 5314: 5308: 5303: 5300: 5294: 5289: 5286: 5280: 5275: 5272: 5266: 5261: 5260: 5256: 5250: 5245: 5242: 5236: 5231: 5228: 5222: 5217: 5214: 5208: 5203: 5202: 5188: 5185: 5182: 5181:Tom Sturridge 5178: 5174: 5170: 5166: 5165:Emma Thompson 5162: 5161: 5157: 5154: 5150: 5146: 5142: 5141: 5137: 5134: 5133:Tom Hollander 5130: 5126: 5122: 5121: 5117: 5114: 5113:Kim Morrissey 5110: 5107: 5104: 5103:David Tennant 5100: 5096: 5092: 5088: 5085: 5082: 5081: 5077: 5074: 5070: 5067: 5064: 5060: 5056: 5053: 5050: 5046: 5045: 5041: 5038: 5034: 5030: 5026: 5022: 5021:Dear Countess 5019: 5016: 5012: 5008: 5004: 5003: 4999: 4996: 4995: 4991: 4988: 4984: 4981: 4980: 4971: 4968: 4965: 4964: 4959: 4958: 4953: 4949: 4945: 4941: 4937: 4934: 4931: 4927: 4924: 4921: 4918: 4915: 4909: 4903: 4899: 4895: 4891: 4886: 4880: 4876: 4872: 4868: 4865: 4864:9780856356377 4861: 4857: 4853: 4848: 4842: 4837: 4836: 4829: 4826: 4825: 4820: 4819:Edith Wharton 4817:a novella by 4816: 4812: 4809: 4806: 4802: 4801: 4796: 4793: 4792: 4787: 4786: 4783:In literature 4772: 4768: 4764: 4760: 4757: 4752: 4749: 4746: 4743: 4742:Julius Caesar 4739: 4735: 4731: 4727: 4723: 4719: 4715: 4711: 4707: 4703: 4700: 4697: 4693: 4689: 4686: 4685: 4684: 4682: 4673: 4664: 4661: 4656: 4652: 4648: 4646: 4642: 4638: 4634: 4630: 4626: 4616: 4614: 4610: 4606: 4599: 4594: 4592: 4586: 4581: 4579: 4573: 4570: 4565: 4562: 4557: 4553: 4548: 4542: 4537: 4533: 4528: 4526: 4516: 4514: 4510: 4506: 4502: 4490:Controversies 4487: 4485: 4484:welfare state 4481: 4476: 4472: 4470: 4466: 4465: 4460: 4456: 4450: 4442: 4433: 4426: 4422: 4420: 4416: 4412: 4408: 4404: 4400: 4390: 4388: 4384: 4380: 4375: 4366: 4359: 4357: 4352: 4346: 4344: 4343: 4327: 4324: 4320: 4317: 4314: 4311: 4307: 4303: 4302: 4300: 4298: 4294: 4293:Kenneth Clark 4286: 4282: 4278: 4273: 4269: 4267: 4263: 4259: 4255: 4251: 4250: 4249:laissez-faire 4244: 4242: 4238: 4234: 4229: 4227: 4226: 4221: 4217: 4213: 4209: 4205: 4201: 4195: 4192: 4191: 4186: 4181: 4179: 4174: 4173: 4168: 4158: 4155: 4151: 4147: 4143: 4136:. 1894 print. 4135: 4121:, print made 4112: 4103: 4101: 4097: 4093: 4089: 4085: 4081: 4080: 4075: 4074: 4069: 4065: 4061: 4057: 4053: 4049: 4045: 4041: 4037: 4033: 4029: 4028:Geoffrey Hill 4024: 4022: 4017: 4013: 4009: 4005: 4001: 3997: 3993: 3988: 3986: 3982: 3978: 3976: 3972: 3968: 3964: 3960: 3956: 3952: 3948: 3944: 3936: 3931: 3927: 3925: 3924:rural economy 3921: 3917: 3916:Lake District 3913: 3909: 3908:Ruskin Museum 3905: 3901: 3897: 3892: 3884: 3882: 3878: 3877:Phillip Blond 3874: 3870: 3866: 3862: 3858: 3854: 3850: 3849:welfare state 3846: 3842: 3838: 3834: 3830: 3826: 3822: 3818: 3814: 3813:William Smart 3810: 3800: 3798: 3797:Olympic Games 3794: 3790: 3788: 3784: 3779: 3777: 3773: 3769: 3765: 3760: 3758: 3754: 3750: 3746: 3745:Isle of Wight 3742: 3738: 3734: 3729: 3727: 3723: 3719: 3715: 3713: 3712:Raymond Unwin 3709: 3705: 3701: 3697: 3693: 3692:town planning 3683: 3681: 3677: 3673: 3669: 3665: 3661: 3651: 3643: 3638: 3636: 3632: 3631:J. A. Spender 3628: 3625:. Aside from 3624: 3620: 3616: 3612: 3608: 3604: 3600: 3596: 3592: 3588: 3584: 3580: 3576: 3572: 3568: 3564: 3550: 3546: 3544: 3540: 3536: 3530: 3528: 3524: 3520: 3516: 3512: 3508: 3504: 3500: 3495: 3493: 3492: 3487: 3486: 3481: 3477: 3473: 3466:International 3460: 3459: 3454: 3450: 3437: 3430: 3425: 3423: 3419: 3415: 3411: 3402: 3395: 3390: 3382: 3380: 3370: 3361: 3358: 3353: 3351: 3345: 3343: 3339: 3335: 3331: 3327: 3322: 3320: 3319:Joanna's Care 3316: 3312: 3306: 3304: 3303:Jumping Jenny 3300: 3299:Lake District 3296: 3292: 3288: 3280: 3275: 3266: 3264: 3260: 3256: 3251: 3250:Impressionism 3247: 3243: 3239: 3235: 3229: 3227: 3223: 3218: 3215: 3211: 3207: 3203: 3199: 3195: 3191: 3182: 3173: 3171: 3167: 3163: 3160:(1875–1877), 3159: 3154: 3149: 3147: 3143: 3142: 3137: 3133: 3129: 3125: 3118:Travel guides 3115: 3113: 3109: 3105: 3101: 3096: 3094: 3089: 3088:Royal Academy 3084: 3080: 3072: 3068: 3059: 3057: 3053: 3049: 3044: 3040: 3036: 3035: 3030: 3026: 3020: 3018: 3014: 3013:Lake District 3010: 3006: 3002: 2997: 2995: 2991: 2987: 2983: 2977: 2975: 2971: 2967: 2963: 2959: 2956:, north-west 2955: 2951: 2947: 2943: 2939: 2935: 2930: 2928: 2927: 2922: 2912: 2909: 2905: 2901: 2897: 2893: 2889: 2885: 2881: 2877: 2873: 2869: 2865: 2864: 2859: 2855: 2851: 2850: 2843: 2839: 2838: 2834:John Ruskin, 2829: 2823: 2821: 2817: 2813: 2812: 2807: 2799: 2794: 2792: 2788: 2783: 2781: 2777: 2773: 2769: 2765: 2761: 2760:Alfred Milner 2757: 2753: 2749: 2748:North Hinksey 2745: 2740: 2738: 2734: 2730: 2726: 2722: 2718: 2713: 2710: 2706: 2702: 2697: 2695: 2690: 2686: 2682: 2678: 2670: 2669: 2665:published in 2664: 2659: 2645: 2642: 2638: 2637:Sunday School 2634: 2630: 2626: 2619: 2614: 2610: 2608: 2604: 2600: 2596: 2592: 2588: 2584: 2580: 2576: 2566: 2564: 2560: 2556: 2555: 2550: 2546: 2541: 2539: 2535: 2531: 2527: 2521: 2519: 2515: 2514:Time and Tide 2511: 2507: 2503: 2499: 2498: 2487: 2486: 2481: 2480: 2476:John Ruskin, 2471: 2467: 2465: 2464: 2459: 2458: 2453: 2449: 2445: 2441: 2437: 2436: 2425: 2424: 2420:John Ruskin, 2415: 2410: 2406: 2404: 2400: 2396: 2392: 2388: 2387: 2381: 2379: 2375: 2371: 2367: 2363: 2362: 2356: 2354: 2350: 2346: 2342: 2338: 2334: 2330: 2326: 2325: 2320: 2316: 2315:David Ricardo 2312: 2308: 2307:laissez-faire 2304: 2297: 2293: 2292: 2288:John Ruskin, 2283: 2270: 2265: 2263: 2258: 2256: 2251: 2250: 2248: 2247: 2239: 2236: 2234: 2231: 2229: 2226: 2224: 2223:Systemic bias 2221: 2219: 2218:Stylized fact 2216: 2214: 2211: 2209: 2206: 2204: 2201: 2199: 2196: 2194: 2191: 2189: 2186: 2184: 2181: 2179: 2176: 2174: 2171: 2169: 2166: 2165: 2158: 2157: 2149: 2146: 2144: 2141: 2139: 2136: 2134: 2131: 2129: 2126: 2124: 2121: 2119: 2116: 2114: 2111: 2109: 2106: 2104: 2103:David Graeber 2101: 2099: 2096: 2094: 2091: 2089: 2086: 2084: 2081: 2080: 2073: 2072: 2064: 2061: 2059: 2056: 2054: 2051: 2049: 2046: 2044: 2041: 2039: 2038:Paul Lafargue 2036: 2034: 2031: 2030: 2023: 2022: 2014: 2011: 2009: 2006: 2004: 2001: 1999: 1996: 1994: 1991: 1989: 1986: 1984: 1981: 1979: 1976: 1974: 1971: 1969: 1966: 1964: 1961: 1959: 1956: 1955: 1953: 1945: 1942: 1941: 1934: 1933: 1925: 1922: 1920: 1917: 1915: 1912: 1910: 1907: 1905: 1904:Socialization 1902: 1900: 1897: 1895: 1892: 1890: 1887: 1885: 1882: 1880: 1877: 1875: 1872: 1870: 1867: 1865: 1862: 1861: 1854: 1853: 1850: 1845: 1844: 1840: 1836: 1835: 1832: 1830: 1826: 1822: 1818: 1814: 1810: 1806: 1802: 1798: 1794: 1790: 1786: 1782: 1781: 1774: 1770: 1768: 1764:John Ruskin, 1759: 1752: 1746: 1744: 1740: 1736: 1732: 1728: 1727: 1721: 1717: 1713: 1703: 1701: 1696: 1692: 1690: 1684: 1680: 1670: 1668: 1664: 1660: 1656: 1652: 1648: 1644: 1643:The Two Paths 1640: 1635: 1633: 1632: 1627: 1623: 1619: 1615: 1611: 1600: 1597: 1592: 1588: 1587: 1579: 1575: 1570: 1568: 1565:'s first two 1564: 1560: 1556: 1552: 1548: 1544: 1539: 1534: 1532: 1528: 1524: 1520: 1516: 1512: 1508: 1503: 1493: 1491: 1488:(designed by 1487: 1483: 1479: 1474: 1472: 1468: 1464: 1460: 1456: 1452: 1448: 1443: 1439: 1435: 1431: 1427: 1422: 1420: 1419: 1414: 1413:Academy Notes 1410: 1409:Royal Academy 1405: 1403: 1399: 1395: 1391: 1387: 1383: 1379: 1374: 1372: 1368: 1363: 1360: 1359:Royal Academy 1356: 1355: 1349: 1347: 1343: 1339: 1335: 1334: 1329: 1328: 1323: 1318: 1316: 1312: 1308: 1304: 1297: 1293: 1289: 1285: 1284: 1279: 1270: 1268: 1264: 1260: 1256: 1252: 1248: 1239: 1236:John Ruskin, 1232: 1227: 1225: 1220: 1217: 1213: 1212: 1206: 1204: 1200: 1196: 1189: 1184: 1182: 1178: 1174: 1173: 1168: 1158: 1156: 1151: 1149: 1148: 1143: 1139: 1134: 1132: 1128: 1124: 1120: 1116: 1112: 1111: 1106: 1093: 1088: 1079: 1077: 1076:poet laureate 1073: 1069: 1064: 1062: 1058: 1054: 1050: 1046: 1042: 1038: 1034: 1030: 1026: 1022: 1018: 1014: 1010: 1006: 1002: 998: 994: 986: 980: 978: 974: 969: 967: 963: 958: 957:Salvator Rosa 954: 950: 946: 942: 938: 934: 930: 929: 923: 921: 917: 913: 912: 906: 904: 903: 898: 894: 893:Royal Academy 890: 886: 885:Joseph Severn 882: 866: 861: 856: 849: 844: 842: 841:Richard Doyle 838: 837: 832: 828: 823: 819: 817: 813: 809: 804: 802: 798: 794: 790: 786: 785:Alice Liddell 782: 781:Henry Liddell 778: 774: 773:Christ Church 770: 766: 763:1836, Ruskin 762: 752: 750: 746: 742: 737: 735: 731: 727: 716: 714: 713:J. D. Harding 710: 706: 702: 698: 694: 690: 689:Samuel Rogers 686: 681: 679: 675: 671: 667: 663: 659: 655: 651: 647: 643: 639: 635: 634:Lake District 625: 616: 614: 610: 606: 602: 598: 593: 591: 587: 583: 579: 575: 571: 560: 551: 545: 541: 539: 535: 531: 527: 523: 519: 515: 511: 507: 500: 495: 483: 478: 474: 470: 468: 464: 463:Hertfordshire 460: 456: 452: 451:Allied Domecq 448: 433: 431: 427: 426: 421: 417: 413: 409: 408: 403: 399: 395: 394: 388: 386: 382: 378: 373: 371: 367: 363: 359: 355: 350: 348: 344: 340: 336: 335:Victorian era 332: 328: 324: 315: 310: 305: 301: 295: 292: 290: 287: 286: 284: 281:Notable ideas 278: 272: 269: 267: 264: 261: 259: 256: 255: 253: 247: 241: 238: 237: 235: 233: 229: 226: 223: 219: 216: 213: 209: 205: 182: 177: 173: 166: 163: 160: 159: 155: 152: 151: 147: 144: 143: 139: 136: 135: 131: 128: 127: 123: 122: 120: 114: 108: 105: 103: 100: 99: 97: 93: 88: 78: 74: 59: 55: 48: 43: 36: 33: 29: 25: 23: 14954: 14949: 14935: 14918: 14901: 14889:from Commons 14884: 14863: 14709:Valorisation 14699:Law of value 14551: 14364: 14354: 14344: 14314: 14304: 14284: 14274: 14264: 14254: 14244: 14234: 14181: 14157:Magnificence 14139: 13989: 13955:Schopenhauer 13939: 13790:Coomaraswamy 13708:Philosophers 13696: 13627:Aestheticism 13460:Mount Ruskin 13414: 13406: 13400:The Countess 13398: 13390: 13382: 13374: 13366: 13338: 13330: 13322: 13314: 13306: 13298: 13284: 13226: 13222: 13216: 13166: 13004: 12985: 12975: 12968: 12961: 12951: 12944: 12934: 12931:Derrick Leon 12924: 12920: 12916: 12906: 12905:. Methuen. ( 12900: 12883: 12868: 12856: 12816: 12804: 12797: 12790: 12772: 12765: 12747: 12736: 12722: 12703: 12691: 12684: 12674: 12664: 12660: 12650: 12639:Ruskin, John 12637: 12636:Cook, E. T. 12629:. New York: 12626: 12586: 12566: 12559: 12552: 12532:. Retrieved 12528:the original 12523: 12514: 12502: 12497: 12485:. Retrieved 12476:The Guardian 12474: 12461: 12449:. Retrieved 12445:the original 12430: 12427:"Mrs Ruskin" 12420: 12408:. Retrieved 12404:the original 12399: 12390: 12378:. Retrieved 12374:the original 12369: 12360: 12348:. Retrieved 12344:the original 12339: 12330: 12318:. Retrieved 12309: 12300: 12288:. Retrieved 12278: 12253: 12249: 12248:Romantics". 12245: 12219: 12207:. Retrieved 12198: 12192: 12185: 12173:. Retrieved 12143:. Retrieved 12134: 12124: 12112:. Retrieved 12101: 12095: 12088: 12076:. Retrieved 12067: 12061: 12050: 12038:. Retrieved 12018: 12011: 11999:. Retrieved 11988: 11978: 11969: 11963: 11954: 11948: 11939: 11933: 11925: 11920: 11908:. 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Retrieved 6507:the original 6503:erm.selu.edu 6502: 6493: 6485: 6480: 6472: 6467: 6457: 6449: 6432: 6427: 6419: 6414: 6387: 6356: 6350: 6336:Mount Ruskin 6328: 6273: 6267: 6266:(originally 6263: 6253: 6248:Ruskin Today 6247: 6246:(originally 6243: 6237: 6231: 6221: 6215: 6209: 6203: 6197: 6184: 6178: 6172: 6166: 6160: 6154: 6148: 6142: 6129: 6125: 6119: 6112: 6106: 6098: 6092: 6084: 6078: 6070: 6064: 6060: 6056: 6050: 6046: 6041: 6039:(serialised 6036: 6030: 6026: 6020: 6016: 6010: 6006: 6000: 5996: 5990: 5986: 5980: 5976: 5970: 5962: 5956: 5948: 5942: 5938: 5932: 5924: 5918: 5902: 5894: 5887: 5880: 5870: 5860: 5854: 5842: 5838: 5832: 5820: 5814: 5810: 5804: 5800: 5794: 5790: 5784: 5780: 5774: 5770: 5764: 5760: 5755: 5753:(serialised 5750: 5744: 5738: 5737:(serialised 5734: 5728: 5722: 5721:(serialised 5715: 5709: 5705: 5699: 5695: 5689: 5685: 5678: 5674: 5668: 5664: 5658: 5654: 5648: 5644: 5638: 5634: 5627: 5623: 5617: 5613: 5605: 5601: 5594: 5590: 5583: 5579: 5570: 5564: 5558: 5550: 5546: 5542: 5541:(Part VIII) 5538: 5534: 5527: 5523: 5516: 5512: 5505: 5501: 5494: 5490: 5483: 5477: 5471: 5465: 5459: 5455: 5449: 5445: 5444:(serialised 5441: 5435: 5431: 5418: 5414: 5410: 5404: 5389:Lauffenbourg 5387: 5371: 5349: 5333: 5312: 5298: 5284: 5270: 5254: 5240: 5226: 5212: 5186: 5158: 5147:directed by 5138: 5118: 5108: 5099:Sharon Small 5091:Robin Brooks 5086: 5080:The Countess 5078: 5068: 5054: 5049:Alex Chapple 5042: 5033:Timothy West 5029:Derek Jacobi 5020: 5000: 4992: 4987:silent movie 4982: 4969: 4961: 4955: 4939: 4925: 4919: 4913: 4897: 4874: 4855: 4834: 4824:Old New York 4822: 4814: 4810: 4807:(1849–1923). 4798: 4789: 4756:Peter Fuller 4741: 4729: 4725: 4721: 4717: 4709: 4705: 4695: 4691: 4678: 4657: 4653: 4649: 4644: 4632: 4624: 4622: 4605:nympholeptic 4601: 4596: 4588: 4583: 4574: 4566: 4552:Peter Fuller 4547:Mary Lutyens 4544: 4539: 4535: 4530: 4522: 4513:Tate Britain 4498: 4479: 4477: 4473: 4462: 4452: 4444: 4439: 4431: 4424: 4418: 4414: 4410: 4406: 4396: 4386: 4382: 4376: 4372: 4364: 4355: 4350: 4348: 4340: 4337: 4290: 4276: 4247: 4245: 4232: 4230: 4223: 4196: 4188: 4182: 4170: 4164: 4154:Clive Wilmer 4139: 4091: 4084:Melvyn Bragg 4077: 4073:The Guardian 4071: 4063: 4025: 3996:Oliver Lodge 3992:John Lubbock 3989: 3979: 3967:Ruskin House 3940: 3893: 3890: 3872: 3861:Nazi Germany 3829:Toynbee Hall 3817:J. A. Hobson 3806: 3791: 3780: 3768:George Allen 3761: 3730: 3716: 3690:Pioneers of 3689: 3672:Octavia Hill 3664:C. R. Ashbee 3658: 3645: 3641: 3607:Herbert Read 3563:Le Corbusier 3560: 3531: 3496: 3489: 3483: 3469: 3456: 3435: 3427: 3420:, Master of 3407: 3400: 3392: 3388: 3375: 3354: 3346: 3341: 3340:of Ruskin's 3337: 3323: 3318: 3307: 3302: 3287:W. J. Linton 3284: 3265:personally. 3230: 3221: 3219: 3213: 3209: 3206:Anthropocene 3201: 3187: 3169: 3165: 3161: 3157: 3152: 3150: 3139: 3127: 3121: 3100:spiritualism 3097: 3076: 3070: 3042: 3038: 3032: 3027:district of 3021: 2998: 2989: 2985: 2981: 2978: 2931: 2924: 2918: 2891: 2880:Albert Moore 2862: 2847: 2845: 2835: 2831: 2826: 2816:George Allen 2809: 2803: 2797: 2784: 2741: 2733:Michelangelo 2728: 2724: 2720: 2714: 2698: 2694:Cecil Rhodes 2685:Henry Acland 2674: 2666: 2624: 2622: 2617: 2606: 2602: 2594: 2575:Rede lecture 2572: 2562: 2553: 2542: 2526:Octavia Hill 2522: 2513: 2509: 2505: 2495: 2493: 2483: 2477: 2469: 2461: 2455: 2433: 2431: 2421: 2412: 2407: 2384: 2382: 2377: 2365: 2359: 2357: 2322: 2299: 2289: 2285: 2280: 2198:Mercantilism 2118:Bruno Latour 2057: 1889:Exploitation 1827:theories of 1796: 1792: 1788: 1778: 1776: 1765: 1761: 1757: 1750: 1743:Henry Acland 1723: 1709: 1686: 1682: 1676: 1642: 1636: 1629: 1621: 1613: 1606: 1595: 1590: 1584: 1582: 1577: 1573: 1542: 1535: 1531:George Allen 1526: 1499: 1482:Henry Acland 1478:Gothic style 1475: 1466: 1458: 1423: 1416: 1412: 1406: 1390:Henry Acland 1375: 1364: 1352: 1350: 1338:Glen Finglas 1331: 1325: 1319: 1301: 1296:Glen Finglas 1294:standing at 1281: 1244: 1237: 1229: 1223: 1221: 1215: 1210: 1207: 1192: 1187: 1176: 1170: 1164: 1161:Architecture 1152: 1145: 1135: 1108: 1102: 1067: 1065: 1045:Fra Angelico 990: 984: 970: 926: 924: 920:Denmark Hill 916:Samuel Prout 909: 907: 900: 878: 847: 834: 824: 820: 810:for poetry ( 805: 801:Henry Acland 765:matriculated 758: 748: 744: 740: 738: 733: 725: 722: 704: 701:Samuel Prout 692: 684: 682: 658:Schaffhausen 637: 630: 594: 577: 574:South London 561:(demolished 556: 549: 543: 526:Walter Scott 503: 471: 446: 444: 423: 405: 391: 389: 374: 370:a fairy tale 361: 351: 322: 321: 164: 156: 153:(1860, 1862) 148: 140: 132: 124: 117:Notable work 81:(1900-01-20) 32: 21: 15020:Anglo-Scots 14985:1900 deaths 14980:1819 births 14975:John Ruskin 14864:John Ruskin 14745:Das Kapital 14633:Mark Fisher 14623:Robert Kurz 14552:John Ruskin 14250:(c. 335 BC) 14240:(c. 390 BC) 14219:Work of art 14172:Picturesque 14028:Avant-garde 13985:Winckelmann 13860:Kierkegaard 13785:Collingwood 13755:Baudrillard 13682:Romanticism 13652:Historicism 13586:Mathematics 13419:(2014 film) 13403:(1999 play) 13395:(1994 film) 13379:(1967 film) 13368:John Ruskin 13327:(1851–1853) 13311:(1843–1860) 13285:John Ruskin 13223:The Academy 13215:"Review of 13167:In Our Time 13162:John Ruskin 13026:John Ruskin 12986:John Ruskin 12567:John Ruskin 12524:Lancs.ac.uk 12370:Doollee.com 12040:14 November 11812:The Freeman 11549:(11): 612. 11471:Today's Art 11062:Town Topics 10748:20 December 10732:John Ruskin 10714:20 December 10506:, 17.17–24. 10462:Seven Lamps 10352:Tate.org.uk 10320:24 February 10252:Lancs.ac.uk 10121:Frank Field 10096:"Lord Judd" 9996:26 December 9966:26 December 9873:Lancs.ac.uk 9839:"Ruskin200" 9822:11 December 9689:Arnd Krüger 9385:"Ruskin200" 9142:, 35.5-562. 9104:. Palgrave. 8707:2 September 8564:John Ruskin 8253:John Ruskin 8249:John Ruskin 8199:Lancs.ac.uk 8054:(1): 1–13. 7922:15 December 7891:15 December 7677:, 16.9-174. 7474:5 September 7107:Lancs.ac.uk 6940:, 4.25-218. 6875:Lancs.ac.uk 6854:Dinah Birch 6760:5 September 6739:, 1.206-10. 6019:(1877–78) ( 5827:Hilary term 5756:Art Journal 5537:(Part VII) 5179:(Gray) and 5059:John Purser 4877:. Ecco Pr. 4839:. Chivers. 4738:Shakespeare 4667:Definitions 4365:Seven Lamps 4351:restoration 4126: 1895 4119: 1845 4050:. In 2006, 4044:Frank Field 4004:Thomas Cook 3971:Ruskin Hall 3595:W. B. Yeats 3591:T. S. Eliot 3579:Oscar Wilde 3214:Storm-Cloud 3005:Isle of Man 2990:Bibliotheca 2974:Sheepscombe 2942:Wyre Forest 2908:Tite Street 2787:vivisection 2756:Oscar Wilde 2668:Vanity Fair 2644:household. 2438:focused on 2123:Robert Kurz 2108:Mark Fisher 2058:John Ruskin 1963:Das Kapital 1909:Wage labour 1825:utilitarian 1712:Switzerland 1667:Switzerland 1620:'s phrase, 1471:Cirencester 1283:John Ruskin 1177:Seven Lamps 1155:consummated 1029:Campo Santo 945:Renaissance 941:Old Masters 897:John Eagles 874: 1860 863: [ 601:Thomas Dale 566: 1912 534:evangelical 522:Shakespeare 514:Romanticism 339:ornithology 323:John Ruskin 161:(1871–1884) 39:John Ruskin 22:John Ruskin 14969:Categories 14903:Quotations 14750:Grundrisse 14714:Value-form 14593:André Gorz 14583:Guy Debord 14189:Recreation 14167:Perception 14060:Creativity 13760:Baumgarten 13750:Baudelaire 13632:Classicism 13547:Aesthetics 13444:Effie Gray 13416:Effie Gray 13360:Depictions 13083:Faded Page 12913:E. T. Cook 12835:1096234806 12605:1089484724 12503:Effie Gray 12479:. London. 12451:2 February 12320:2 February 12290:2 February 12114:2 February 12078:2 February 12001:2 February 11850:5.201–220. 11829:23 January 11788:22 January 11753:1 February 11714:6 February 11169:23 January 11134:23 January 11014:28 January 10910:23 January 10689:1097357632 10491:Praeterita 9853:21 January 9636:1551641313 9399:23 January 9368:23 January 9337:23 January 9223:17 October 9195:17 October 9117:, 34.7–80. 8737:0714830003 8726:. London: 8477:0191559660 7781:, 13.9–80. 7321:, vol. 14. 7201:, 12.357n. 7075:, 8.3-274. 6984:Npg.org.uk 6727:, 1.4-188. 6715:, 1.191-6. 6703:, 2.265-8. 6679:, 1.453n2. 6408:required.) 6343:References 6198:Praeterita 5600:Vol. III. 5545:(Part IX) 5183:(Millais). 5175:(Ruskin), 5160:Effie Gray 5149:Mike Leigh 5140:Mr. Turner 5109:Mrs Ruskin 5097:), Effie ( 5073:David Lang 5017:(Millais). 5015:Peter Egan 5005:(1975), a 4985:(1912), a 4948:0385344139 4900:. Virago. 4811:False Dawn 4591:John Simon 4556:Tim Hilton 4525:Effie Gray 4459:Adam Smith 4356:impossible 4309:illusions. 4287:, England. 4264:, and the 4204:grotesques 4040:Frank Judd 3955:Chelmsford 3910:, both in 3906:, and the 3883:movement. 3726:Doukhobors 3627:E. T. Cook 3599:Ezra Pound 3379:frock coat 3334:E. T. Cook 3281:churchyard 3238:Sallanches 3226:Herne Hill 3222:Praeterita 3198:Wordsworth 3108:Broadlands 2633:Manchester 2587:Camberwell 2534:Paddington 2530:Marylebone 2368:s editor, 2311:Adam Smith 2148:E. K. Hunt 2113:André Gorz 2098:Guy Debord 1978:Grundrisse 1919:Value-form 1823:, and the 1793:Proserpina 1735:Waldensian 1647:Manchester 1394:John Brett 1115:Bowerswell 1057:Tintoretto 827:Effie Gray 761:Michaelmas 654:Strasbourg 578:Praeterita 570:Camberwell 559:Herne Hill 552:, XXXV, 40 550:Praeterita 530:Abbotsford 362:Dictionary 327:art critic 258:Aesthetics 181:Effie Gray 165:Praeterita 63:1819-02-08 14841:Economics 14735:Sarvodaya 14679:Commodity 14542:Karl Marx 14194:Reverence 14100:Eroticism 14070:Depiction 14043:Masculine 13945:Santayana 13905:Nietzsche 13850:Hutcheson 13840:Heidegger 13825:Greenberg 13780:Coleridge 13745:Balthasar 13730:Aristotle 13692:Theosophy 13687:Symbolism 13662:Modernism 13647:Formalism 13500:Sarvodaya 13439:Brantwood 12941:Joan Abse 12843:cite book 12613:cite book 12441:0140-0460 12432:The Times 12270:194023142 12256:: 67–92. 12246:Desperate 11666:(1): 12. 11481:2 January 11450:2 January 11419:2 January 11394:2 January 11369:2 January 11344:2 January 11314:2 January 11289:2 January 11252:2 January 11221:2 January 11194:2 January 11126:(8): 53. 11099:7 January 11068:2 January 10985:7 January 10955:7 January 10884:, p. 288. 10871:, p. 202. 10573:0362-4331 10232:22 August 10200:On Genius 9065:, 27.344. 9021:"eMuseum" 8656:, 29.160. 8486:893971998 8366:, 18.433. 8129:, 36.415. 8068:0038-4038 8021:0033-5533 7976:, 12.507. 7952:, 17.lxx. 7865:, 36.115. 7769:, 16.251. 7491:, 13.553. 7438:Infed.org 6593:Kcl.ac.uk 6563:Ucl.ac.uk 6114:Præterita 6049:(1885)) ( 5913:Lent term 5589:Vol. II. 5199:Paintings 5173:Greg Wise 4696:Jane Eyre 4519:Sexuality 4208:gargoyles 4048:Tony Benn 3959:Cambridge 3904:Brantwood 3857:Karl Marx 3743:, on the 3737:Brantwood 3623:Eric Gill 3611:Roger Fry 3535:Esperanto 3491:Sarvodaya 3418:Dr Bright 3311:influenza 3291:Brantwood 3128:St Ursula 3124:Carpaccio 3052:Sheffield 3025:Sheffield 2962:Cloughton 2938:Sheffield 2563:Telegraph 2559:Pall Mall 2440:Giorgione 2366:Cornhill' 2203:Mathiness 2183:Economics 2048:Karl Marx 1993:Sarvodaya 1869:Commodity 1801:Abbeville 1561:, one of 1551:May Queen 1509:) at the 1461:Funtley, 1442:Cambridge 1430:Ashmolean 1371:impotency 1333:The Times 1199:Ca' d'Oro 1035:, and in 484:, Croydon 455:Edinburgh 441:Genealogy 366:treatises 307:Signature 266:education 89:, England 24:(Millais) 14662:Concepts 14469:Category 14401:Axiology 14270:(c. 500) 14260:(c. 100) 14135:Judgment 14090:Emotions 14085:Elegance 14065:Cuteness 14038:Feminine 14001:Concepts 13970:Tanizaki 13950:Schiller 13935:Richards 13925:Rancière 13895:Maritain 13830:Hanslick 13770:Benjamin 13642:Feminism 13611:Theology 13591:Medieval 13581:Japanese 13576:Internet 13180:Archived 13153:Archived 13141:Archived 13102:LibriVox 13085:(Canada) 12755:11th ed. 12711:, 2021. 12481:Archived 12314:Archived 12203:Archived 12199:IMDb.com 12169:Archived 12139:Archived 12108:Archived 12072:Archived 12058:(1909). 12034:Archived 11995:Archived 11782:Archived 11774:New York 11747:Archived 11682:79704514 11630:Archived 11596:Archived 11565:25476615 11524:13723251 11440:Bulletin 11280:Archived 11163:Archived 11128:Archived 11093:Archived 11037:(4): 5. 10979:Archived 10949:Archived 10931:(2006). 10904:Archived 10826:Archived 10801:Archived 10708:Guardian 10622:, p. 156 10609:, p. 191 10585:Archived 10581:92999604 10577:ProQuest 10535:Archived 10376:Ruskin, 10356:Archived 10337:, 3.624. 10314:Archived 10256:Archived 10226:Archived 10196:Foreword 10020:Archived 9990:Archived 9960:Archived 9877:Archived 9847:Archived 9816:Archived 9715:Archived 9699:Archived 9694:Olympika 9674:4 August 9609:Archived 9516:56923207 9393:Archived 9362:Archived 9331:Archived 9167:Archived 9029:Archived 8999:Archived 8984:, 5.333. 8893:Archived 8800:Archived 8779:, 27–29. 8701:Archived 8677:Archived 8581:Archived 8553:, 29.86. 8511:Archived 8343:Archived 8146:. p. 89. 7916:Archived 7885:Archived 7840:, 29.89. 7726:Archived 7715:Archived 7704:Archived 7442:Archived 7392:Archived 7111:Archived 6988:Archived 6952:, 4.47 ( 6902:, 3.104. 6879:Archived 6597:Archived 6567:Archived 6543:24 April 6513:24 April 6285:See also 6091:(1884) ( 5955:(1874) ( 5931:(1876) ( 5917:(1872) ( 5853:(1872) ( 5813:(1869) ( 5803:(1867) ( 5783:(1866) ( 5763:(1882) ( 5708:(1859) ( 5698:(1859) ( 5677:(1857) ( 5667:(1856) ( 5647:(1854) ( 5626:(1851) ( 5616:(1851) ( 5604:(1853) ( 5602:The Fall 5593:(1853) ( 5582:(1851) ( 5578:Vol. I. 5563:(1849) ( 5320:Drawings 5095:Bob Peck 4938:(2010), 4896:(2002). 4873:(1995). 4858:(1986), 4734:Lycurgus 4714:Hercules 4430:Ruskin, 4428:— 4361:— 4322:society. 4178:Whistler 4092:Meristem 4090:founded 3937:, London 3935:Walworth 3912:Coniston 3881:Red Tory 3879:and the 3722:Purleigh 3694:such as 3509:and the 3432:— 3397:— 3315:Coniston 3279:Coniston 3234:Beauvais 3172:(1877). 3009:Langdale 2970:Westmill 2950:Barmouth 2900:farthing 2629:Rusholme 2609:(1866). 2599:Bradford 2473:— 2444:Veronese 2417:— 2391:Gujarati 2341:Xenophon 1857:Concepts 1839:a series 1837:Part of 1679:Turner's 1651:Bradford 1382:Rossetti 1234:— 1201:and the 1127:Normandy 1037:Florence 1009:Perugino 1005:Veronese 993:Chamonix 703:, whose 691:'s poem 547:— 459:Glenluce 447:de facto 331:polymath 28:Nardwuar 14804:Related 14464:Outline 14379:Related 14246:Poetics 14214:Tragedy 14204:Sublime 14177:Quality 14162:Mimesis 14120:Harmony 14105:Fashion 14080:Ecstasy 14075:Disgust 13991:more... 13960:Scruton 13885:Lyotard 13820:Goodman 13800:Deleuze 13735:Aquinas 13725:Alberti 13698:more... 13677:Realism 13657:Marxism 13637:Fascism 13620:Schools 13606:Science 13561:Ancient 13427:Related 13343:(1870s) 13170:at the 13091:at the 13014:at the 12984:(2007) 12960:(1998) 12943:(1981) 12933:(1949) 12915:(1911) 12899:(1893) 12863:, 1956. 12811:, 1961. 12761:, 1911. 12743:, 1976. 12633:, 1979. 12579:General 12546:Sources 12534:18 July 12506:at the 12487:24 June 12410:18 July 12380:18 July 12350:18 July 12226:at the 12209:18 July 12175:16 July 12145:18 July 11910:18 July 11387:The Log 10591:18 July 10362:18 July 10295:(ed.), 10262:18 July 10106:22 July 10026:18 July 10016:YouTube 9935:18 July 9909:18 July 9883:18 July 9709:(eds): 9306:18 July 9035:18 July 9005:18 July 8899:18 July 8587:18 July 8520:18 July 8436:14 June 8349:18 July 8257:Oxford 8209:18 July 8076:1053391 8029:1879386 7627:, 5.69. 7448:18 July 7356:18 July 7117:18 July 7020:18 July 6994:18 July 6885:18 July 6633:18 July 6603:18 July 6573:18 July 5354:(after 5313:Zermatt 5194:Gallery 5027:, with 4794:(1865). 4773:period. 4200:sublime 4012:Web 2.0 3973:at the 3543:Kannada 3472:Tolstoy 3412:master 3104:séances 3029:Walkley 2954:Gwynedd 2946:Bewdley 2944:, near 2936:, near 2750:, near 2671:in 1872 2595:Traffic 2577:at the 1729:at the 1663:Germany 1457:in the 1290:artist 1138:Mayfair 1059:in the 767:at the 650:Belgium 638:Iteriad 597:Peckham 482:Shirley 467:Croydon 414:at the 333:of the 201: 189: 185: 14370:(2009) 14360:(1977) 14350:(1946) 14340:(1939) 14330:(1935) 14320:(1934) 14310:(1933) 14300:(1891) 14290:(1835) 14280:(1757) 14147:Kitsch 14125:Humour 14055:Comedy 14033:Beauty 13975:Vasari 13965:Tagore 13940:Ruskin 13880:Lukács 13870:Langer 13815:Goethe 13740:Balázs 13720:Adorno 13601:Nature 13566:Africa 13446:(wife) 13335:(1860) 13319:(1849) 12833: 12823: 12779: 12729:, 1982 12715: 12698:, 1981 12603: 12593: 12439: 12268: 12026: 11780:(27). 11739: 11705: 11680: 11639:10 May 11602:10 May 11588: 11563: 11522: 11091:(21). 10941: 10793: 10739: 10687: 10579: 10571: 10428: 10222:Forbes 10161:(ed.) 9789: 9707:et al. 9633: 9543: 9514: 8734: 8484: 8474: 8464:Oxford 8074: 8066: 8027: 8019: 7186:886970 7184: 7043: 6856:(ed.) 6402: 6308:(1874) 6101:Oxford 6073:Oxford 6013:31–32) 5915:, 1872 5865:Oxford 5851:, 1870 5829:, 1870 5352:Goldau 5335:Naples 5007:BBC TV 4946: 4904: 4881: 4862: 4843: 4813:(1924) 4771:Gothic 4762:know." 4730:clavus 4722:clavis 4285:Oxford 4260:, the 3766:pupil 3539:Gikuyu 3480:Gandhi 3476:Proust 3444:Legacy 3438:(1926) 3403:(1926) 3263:Darwin 3242:Venice 3146:Sicily 3132:Venice 2934:Totley 2840:(1877) 2752:Oxford 2701:Oxford 2482:V and 2460:V and 2452:Turner 2448:Titian 1813:Venice 1811:) and 1805:Verona 1691:, 1856 1563:Oxford 1502:Museum 1453:. 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