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court in early 12th century, and both his grandfather Ma Xingzu and his father Ma
Shirong held the same position at the Southern Song court in Hangzhou. At some point after 1189, Ma Yuan received the same position under
335:), etc. Many album leaves survive that can attributed to Ma Yuan, but his authorship is disputed for all but a few of them, since Ma's popularity in his day led to numerous painters imitating his style.
203:, formed the basis of the so-called Ma-Xia (馬夏) school of painting, and are considered among the finest from the period. His works has inspired both Chinese artists of the
585:, an exhibition catalog from The Metropolitan Museum of Art Libraries (fully available online as PDF), which contains material on Ma Yuan (see list of paintings)
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Aside from landscapes, Ma's surviving oeuvre includes many different types of works. These include a number of delicate
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341:(National Palace Museum) is among the album leaves with secure attribution, as are two leaves in the collection of
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Little, Stephen; Eichman, Shawn; Shipper, Kristofer; Ebrey, Patricia
Buckley (2000-01-01).
288:. Southern Song dynasty, early 13th century. Hanging scroll; ink and light colors on silk.
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Although a very versatile painter, Ma is known today primarily for his
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554:Landscape Painting: Ma Yüan to Picasso
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115:Walking on a mountain path in spring
44:Walking on a Mountain Path in Spring
556:. London: Seeley, Service & Co.
199:. His works, together with that of
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