227:
216:
44:
291:. In these works, Goya strips the surrounding elements to force the audience to focus on the shocking nature of the subject. The etchings don't appear to have a narrative, as each one depicts a scene independent of others. Goya has become known for his depictions of these subjects of violence and suffering due to his willingness to leave out the beauty of art and instead create pieces that shock and disturb the viewer.
680:
203:, stating that he found himself "sometimes raving with a mood that I myself cannot stand." Around this time, he also experienced the death of his brother-in-law from illness. This period of Goya's life inspired a change in the composition of his works towards darker compositions than early in his life. Speaking of the set of paintings that
163:
hat, another makes a gesture of blessing to the viewer, whilst many of the others are naked. Some of the figures can also be interpreted allegorically, as a gallery of parodies of powerful figures in society, such as the clergy or the army (represented by the man in the tricorne). It develops the
194:
patients. The mentally ill were seen as possessed and often found themselves subjects of public entertainment. Goya had firsthand experience with insanity, as an aunt and uncle of his had suffered from it. He was also familiar with suffering from illness, as he had fallen extremely ill in 1792,
268:
by placing the subjects in a dingy room, while portraying them as people who are suffering, as opposed to people who need to be restrained for their own good. These two works depicting asylums were not Goya's only exploration of suffering. Over the period of 1810-1820, he created eighty-three
1699:
253:
depicts the manic patients being let out into the asylum yard, where the central figures wrestle while the guard attempts to restrain them. This work would have been composed around the time that Goya was recovering from his illness.
195:
struggling to keep his balance and walk as well as suffering partial blindness and deafness. While he eventually recovered, he remained deaf for the rest of his life, and it has been speculated that he had been suffering from
307:). Some have argued that it exemplifies how Goya lost touch with the public (as it is not a work that one would typically hang in a home setting), while others have said that it fits in the same market as pieces that
760:
155:, claustrophobic architecture, the painting's only light source being a barred window high up on the wall, meant to repress the figures below. These figures are distinct characters and borderline
1974:
775:
258:
is unique for its time due to its depiction of the inhabitants, straying from the stereotypical depictions of the insane and instead portraying more realistic behaviors and actions.
207:
concluded, Goya said; "I have succeeded in making observations for which there is normally no opportunity in commissioned works, which give no scope for fantasy and invention."
745:
1790:
1296:
143:. The creation came after a tumultuous period of Goya's life in which he suffered from serious illness and experienced hardships within his family.
1125:
814:
283:). Not published until 1863, thirty-five years after his death, the series shows the atrocities committed by Napoleon's forces during both the
1363:
88:
323:), and if it was even attempting to cause change or was instead affirming the belief that the mentally ill should be confined and shackled.
1288:
821:
1304:
1280:
954:
159:, all engaged in grotesque and pitiable behaviour – one wears what seems to be a wild-feathered headdress, another is fighting in a
1557:
712:
1508:
1838:
1626:
1356:
1177:
1132:
684:
654:
498:
152:
1954:
196:
1272:
1964:
1256:
1224:
1117:
628:
523:
1232:
548:
566:"Insanity and the Sublime: Aesthetics and Theories of Mental Illness in Goya's Yard with Lunatics and Related Works"
1336:
1240:
877:
853:
1193:
730:
332:
1328:
43:
1501:
1090:
1010:
705:
1458:
1041:
226:
1619:
1515:
1216:
1830:
1780:
1320:
1153:
1098:
1026:
783:
1969:
1878:
1700:
Unfortunate events in the front seats of the ring of Madrid, and the death of the mayor of Torrejón
1578:
1494:
1344:
1264:
1248:
986:
1959:
1543:
1312:
970:
962:
946:
938:
791:
698:
1912:
1450:
1169:
1161:
994:
807:
131:. He produced it between 1812 and 1819 based on a scene he had witnessed at the then-renowned
1822:
1743:
1404:
1396:
1002:
1846:
1656:
1638:
908:
284:
275:
246:
Goya had already touched on the issues of mental illnesses and suffering his 1794 painting
20:
8:
1434:
1018:
199:, though it is unknown what it truly was. During his recovery, he suffered from bouts of
187:
1770:
1550:
923:
861:
845:
829:
601:
593:
248:
215:
465:
311:. It has also been debated how effective, if at all, this work was in the movement to
1907:
1208:
1185:
869:
650:
624:
605:
585:
544:
519:
494:
444:
439:
394:
386:
200:
183:
1923:
1902:
1870:
1854:
1412:
1071:
1056:
577:
434:
378:
1931:
1723:
1476:
900:
885:
837:
312:
308:
670:
382:
1712:
1687:
1585:
1564:
721:
316:
288:
170:
128:
124:
54:
366:
1948:
1667:
1608:
1442:
1373:
589:
448:
390:
136:
1862:
1896:
1420:
398:
320:
799:
1917:
1800:
1784:
1774:
1536:
1529:
1522:
1381:
422:
156:
80:
46 cm × 73 cm (18 in × 29 in)
597:
565:
776:
The
Victorious Hannibal Seeing Italy from the Alps for the First Time
649:, Madrid, Tf, 2005, 2 vols. (Aficiones, 5-6), vol. 2, pages 171-172.
299:
Critics have not reached a consensus about the meaning or purpose of
191:
1794:
581:
160:
140:
132:
1804:
1571:
690:
270:
19:
This article is about a painting. For the T.J. Benson novel, see
679:
92:
1975:
Paintings in the Real
Academia de Bellas Artes de San Fernando
1879:
The
Ministry of Time – Episode 25: Time of the Enlightened
746:
Consecration of
Aloysius Gonzaga as Patron Saint of Youth
621:
190:
around this time, especially their practices, such as
182:
Psychiatric institutions were a popular topic in the
1791:
Museo Goya - Colección
Ibercaja - Museo Camón Aznar
1946:
1126:The Duke and Duchess of Osuna and their Children
815:Paintings for the alameda of the Dukes of Osuna
570:Journal of the Warburg and Courtauld Institutes
168:') and is related to Goya's engravings series
706:
516:Goya: The Origins of the Modern Temper in Art
89:Real Academia de Bellas Artes de San Fernando
761:The Holy Family with Saints Joachim and Anne
822:Saint Bernard of Clairvaux Curing a Cripple
713:
699:
164:topic of 'the world of dreams' (Spanish: '
42:
438:
139:and the inhabitants in various states of
1558:Pilgrimage to the Fountain of San Isidro
466:"Francisco Goya | Biography & Facts"
225:
214:
538:
367:"Yard With Madmen (El Corral de Locos)"
1947:
955:Still Life of a Lamb's Head and Flanks
488:
364:
1839:Goya or the Hard Way to Enlightenment
1627:The Sleep of Reason Produces Monsters
694:
563:
513:
460:
458:
420:
416:
414:
412:
410:
408:
360:
358:
356:
354:
352:
350:
348:
294:
1509:Witches' Sabbath (The Great He-Goat)
618:
13:
1257:Charles IV of Spain and His Family
1118:The Family of the Infante Don Luis
720:
455:
405:
345:
14:
1986:
1233:Charles IV in his Hunting Clothes
661:
1134:Manuel Osorio Manrique de Zúñiga
854:The Duchess of Alba and la Beata
678:
440:10.1046/j.1474-7766.2003.09150.x
423:"The Madhouse by Francisco Goya"
421:Emery, Alan E. H. (2003-06-01).
210:
365:Harris, James C. (2003-11-01).
333:List of works by Francisco Goya
612:
557:
532:
507:
482:
371:Archives of General Psychiatry
177:
151:The painting is marked by its
146:
1:
1728:
1672:
1481:
1386:
1329:Self-Portrait with Dr Arrieta
1281:The Marchioness of Santa Cruz
1198:
1143:
1061:
1046:
1031:
928:
913:
890:
765:
750:
541:Goya: In Pursuit of Patronage
493:. Farrar, Straus and Giroux.
338:
197:Vogt-Koyanagi-Harada syndrome
1091:Adoration of the Name of God
1011:The Junta of the Philippines
491:Regarding the Pain of Others
135:mental asylum. It depicts a
7:
1955:Paintings by Francisco Goya
1337:Portrait of Don Ramón Satué
1042:A Procession of Flagellants
647:Francisco Goya, vida y obra
489:Sontag, Susan (2003). "3".
383:10.1001/archpsyc.60.11.1068
326:
273:that became a series named
10:
1991:
1620:And So Was His Grandfather
1516:A Pilgrimage to San Isidro
281:Los Desastres de la Guerra
18:
16:Painting by Francisco Goya
1965:Works about mental health
1889:
1831:Goya, a Story of Solitude
1814:
1781:Museo del Grabado de Goya
1763:
1741:
1710:
1685:
1654:
1636:
1606:
1599:
1475:
1355:
1321:Self-Portrait at 69 years
1178:The Marquise de la Solana
1154:Self-Portrait at an Easel
1109:
1082:
1027:The Burial of the Sardine
737:
728:
84:
76:
68:
60:
50:
41:
33:
28:
1579:Two Old Ones Eating Soup
1495:Saturn Devouring His Son
1345:The Milkmaid of Bordeaux
1249:The Countess of Chinchon
987:The Inquisition Tribunal
564:Klein, Peter K. (1998).
1544:Man Mocked by Two Women
971:Truth, Time and History
539:Symmons, Sarah (1988).
470:Encyclopedia Britannica
1913:Rosario Weiss Zorrilla
1305:The Duke of Wellington
1225:Ferdinand Guillemardet
995:The Second of May 1808
674:on «Artehistoria.com».
518:. Palgrave Macmillan.
243:
223:
1744:The Bulls of Bordeaux
1502:Judith and Holofernes
1405:Children in a Chariot
1397:Boys Playing Soldiers
1273:Doña Isabel de Porcel
1003:The Third of May 1808
229:
218:
188:Spanish Enlightenment
1847:Goya: A Life in Song
1657:The Disasters of War
1241:Maria Luisa of Parma
909:Allegory of Industry
687:at Wikimedia Commons
685:Casa de locos (Goya)
619:Held, Jutta (1980).
514:Licht, Fred (1979).
285:Dos de Mayo Uprising
276:The Disasters of War
251:. Yard with Lunatics
21:The Madhouse (novel)
1435:The Threshing Floor
1297:Doña Antonia Zárate
1289:Doña Antonia Zárate
1217:Bernardo de Iriarte
1019:A Village Bullfight
427:Practical Neurology
1771:Casa natal de Goya
1551:Fight with Cudgels
1099:Life of the Virgin
924:Majas on a Balcony
846:Assault of Thieves
830:Yard with Lunatics
784:The Rape of Europa
645:BOZAL, Valeriano,
305:Yard with Lunatics
295:Critical reception
266:Yard with Lunatics
256:Yard with Lunatics
249:Yard with Lunatics
244:
224:
220:Yard with Lunatics
1942:
1941:
1908:Leocadia Zorrilla
1759:
1758:
1595:
1594:
1459:Blind Man's Bluff
1428:The Grape Harvest
1209:The Black Duchess
1186:The White Duchess
870:The Bewitched Man
683:Media related to
655:978-84-96209-39-8
500:978-0-374-24858-1
98:
97:
1982:
1903:Quinta del Sordo
1855:Goya in Bordeaux
1733:
1730:
1702:
1677:
1674:
1604:
1603:
1486:
1485: 1819–1823
1483:
1391:
1388:
1203:
1200:
1148:
1145:
1080:
1079:
1066:
1063:
1051:
1048:
1036:
1033:
947:The Knifegrinder
939:The Water Bearer
933:
932: 1808–1812
930:
918:
915:
895:
894: 1797–1800
892:
878:Witches' Sabbath
792:Christ Crucified
770:
767:
755:
752:
715:
708:
701:
692:
691:
682:
669:
644:
635:
634:
616:
610:
609:
561:
555:
554:
536:
530:
529:
511:
505:
504:
486:
480:
479:
477:
476:
462:
453:
452:
442:
418:
403:
402:
362:
232:Disasters of War
46:
26:
25:
1990:
1989:
1985:
1984:
1983:
1981:
1980:
1979:
1970:Medicine in art
1945:
1944:
1943:
1938:
1885:
1810:
1755:
1737:
1731:
1724:A way of flying
1706:
1698:
1681:
1675:
1650:
1632:
1591:
1484:
1479:
1477:Black Paintings
1471:
1451:The Drunk Mason
1389:
1361:
1358:
1351:
1201:
1146:
1105:
1078:
1064:
1049:
1034:
931:
916:
901:La maja vestida
893:
886:La maja desnuda
862:Witches' Flight
838:Prison Interior
808:The Drunk Mason
800:The Greasy Pole
768:
753:
733:
724:
719:
667:
664:
642:
639:
638:
631:
617:
613:
562:
558:
551:
537:
533:
526:
512:
508:
501:
487:
483:
474:
472:
464:
463:
456:
419:
406:
363:
346:
341:
329:
309:depict violence
297:
213:
180:
149:
24:
17:
12:
11:
5:
1988:
1978:
1977:
1972:
1967:
1962:
1960:1819 paintings
1957:
1940:
1939:
1937:
1936:
1928:
1920:
1915:
1910:
1905:
1900:
1893:
1891:
1887:
1886:
1884:
1883:
1875:
1867:
1859:
1851:
1843:
1835:
1827:
1823:The Naked Maja
1818:
1816:
1812:
1811:
1809:
1808:
1798:
1788:
1778:
1767:
1765:
1761:
1760:
1757:
1756:
1754:
1753:
1750:
1748:
1739:
1738:
1736:
1735:
1732: 1815–16
1719:
1717:
1713:Los Disparates
1708:
1707:
1705:
1704:
1694:
1692:
1688:La Tauromaquia
1683:
1682:
1680:
1679:
1676: 1812–13
1663:
1661:
1652:
1651:
1649:
1648:
1645:
1643:
1634:
1633:
1631:
1630:
1623:
1615:
1613:
1601:
1597:
1596:
1593:
1592:
1590:
1589:
1582:
1575:
1568:
1561:
1554:
1547:
1540:
1533:
1526:
1519:
1512:
1505:
1498:
1490:
1488:
1473:
1472:
1470:
1469:
1463:
1455:
1447:
1439:
1431:
1425:
1417:
1409:
1401:
1393:
1378:
1369:
1367:
1353:
1352:
1350:
1349:
1341:
1333:
1325:
1317:
1309:
1301:
1293:
1285:
1277:
1269:
1261:
1253:
1245:
1237:
1229:
1221:
1213:
1205:
1190:
1182:
1174:
1166:
1158:
1157:(c. 1790–1795)
1150:
1130:
1122:
1113:
1111:
1107:
1106:
1104:
1103:
1095:
1086:
1084:
1077:
1076:
1068:
1053:
1038:
1023:
1015:
1007:
999:
991:
983:
975:
967:
959:
951:
943:
935:
920:
905:
897:
882:
874:
866:
858:
850:
842:
834:
826:
818:
812:
804:
796:
788:
780:
772:
757:
741:
739:
735:
734:
729:
726:
725:
722:Francisco Goya
718:
717:
710:
703:
695:
689:
688:
676:
663:
662:External links
660:
659:
658:
637:
636:
630:978-3499502842
629:
611:
582:10.2307/751250
556:
549:
531:
525:978-0876632949
524:
506:
499:
481:
454:
433:(3): 178–183.
404:
343:
342:
340:
337:
336:
335:
328:
325:
317:Philippe Pinel
313:reform asylums
296:
293:
289:Peninsular War
212:
209:
179:
176:
171:Los disparates
166:mundo al revés
148:
145:
129:Francisco Goya
96:
95:
86:
82:
81:
78:
74:
73:
70:
66:
65:
62:
58:
57:
55:Francisco Goya
52:
48:
47:
39:
38:
31:
30:
15:
9:
6:
4:
3:
2:
1987:
1976:
1973:
1971:
1968:
1966:
1963:
1961:
1958:
1956:
1953:
1952:
1950:
1934:
1933:
1929:
1926:
1925:
1921:
1919:
1916:
1914:
1911:
1909:
1906:
1904:
1901:
1898:
1895:
1894:
1892:
1888:
1881:
1880:
1876:
1873:
1872:
1871:Goya's Ghosts
1868:
1865:
1864:
1860:
1857:
1856:
1852:
1849:
1848:
1844:
1841:
1840:
1836:
1833:
1832:
1828:
1825:
1824:
1820:
1819:
1817:
1813:
1806:
1802:
1799:
1796:
1792:
1789:
1786:
1782:
1779:
1776:
1772:
1769:
1768:
1766:
1762:
1752:
1751:
1749:
1746:
1745:
1740:
1726:
1725:
1721:
1720:
1718:
1715:
1714:
1709:
1703:
1701:
1696:
1695:
1693:
1690:
1689:
1684:
1670:
1669:
1668:This is worse
1665:
1664:
1662:
1659:
1658:
1653:
1647:
1646:
1644:
1641:
1640:
1639:The Prisoners
1635:
1629:
1628:
1624:
1622:
1621:
1617:
1616:
1614:
1611:
1610:
1609:Los Caprichos
1605:
1602:
1598:
1588:
1587:
1583:
1581:
1580:
1576:
1574:
1573:
1569:
1567:
1566:
1562:
1560:
1559:
1555:
1553:
1552:
1548:
1546:
1545:
1541:
1539:
1538:
1534:
1532:
1531:
1527:
1525:
1524:
1520:
1518:
1517:
1513:
1511:
1510:
1506:
1504:
1503:
1499:
1497:
1496:
1492:
1491:
1489:
1478:
1474:
1467:
1464:
1461:
1460:
1456:
1453:
1452:
1448:
1445:
1444:
1440:
1437:
1436:
1432:
1429:
1426:
1423:
1422:
1418:
1415:
1414:
1410:
1407:
1406:
1402:
1399:
1398:
1394:
1384:
1383:
1379:
1376:
1375:
1374:The Boar Hunt
1371:
1370:
1368:
1365:
1360:
1354:
1347:
1346:
1342:
1339:
1338:
1334:
1331:
1330:
1326:
1323:
1322:
1318:
1315:
1314:
1310:
1307:
1306:
1302:
1299:
1298:
1294:
1291:
1290:
1286:
1283:
1282:
1278:
1275:
1274:
1270:
1267:
1266:
1262:
1259:
1258:
1254:
1251:
1250:
1246:
1243:
1242:
1238:
1235:
1234:
1230:
1227:
1226:
1222:
1219:
1218:
1214:
1211:
1210:
1206:
1196:
1195:
1191:
1188:
1187:
1183:
1180:
1179:
1175:
1172:
1171:
1167:
1164:
1163:
1159:
1156:
1155:
1151:
1141:
1139:
1135:
1131:
1128:
1127:
1123:
1120:
1119:
1115:
1114:
1112:
1108:
1101:
1100:
1096:
1093:
1092:
1088:
1087:
1085:
1081:
1074:
1073:
1069:
1059:
1058:
1054:
1044:
1043:
1039:
1029:
1028:
1024:
1021:
1020:
1016:
1013:
1012:
1008:
1005:
1004:
1000:
997:
996:
992:
989:
988:
984:
981:
980:
976:
973:
972:
968:
965:
964:
960:
957:
956:
952:
949:
948:
944:
941:
940:
936:
926:
925:
921:
911:
910:
906:
903:
902:
898:
888:
887:
883:
880:
879:
875:
872:
871:
867:
864:
863:
859:
856:
855:
851:
848:
847:
843:
840:
839:
835:
832:
831:
827:
824:
823:
819:
816:
813:
810:
809:
805:
802:
801:
797:
794:
793:
789:
786:
785:
781:
778:
777:
773:
763:
762:
758:
748:
747:
743:
742:
740:
736:
732:
731:List of works
727:
723:
716:
711:
709:
704:
702:
697:
696:
693:
686:
681:
677:
675:
673:
672:Casa de locos
666:
665:
656:
652:
648:
641:
640:
632:
626:
622:
615:
607:
603:
599:
595:
591:
587:
583:
579:
575:
571:
567:
560:
552:
550:9780860920755
546:
542:
535:
527:
521:
517:
510:
502:
496:
492:
485:
471:
467:
461:
459:
450:
446:
441:
436:
432:
428:
424:
417:
415:
413:
411:
409:
400:
396:
392:
388:
384:
380:
376:
372:
368:
361:
359:
357:
355:
353:
351:
349:
344:
334:
331:
330:
324:
322:
318:
314:
310:
306:
302:
292:
290:
286:
282:
278:
277:
272:
267:
264:differs from
263:
259:
257:
252:
250:
241:
237:
233:
228:
221:
217:
211:Related works
208:
206:
202:
198:
193:
189:
185:
175:
173:
172:
167:
162:
158:
154:
144:
142:
138:
137:mental asylum
134:
130:
126:
122:
121:
116:
115:
110:
109:
108:Casa de locos
104:
103:
94:
90:
87:
83:
79:
75:
71:
67:
63:
59:
56:
53:
49:
45:
40:
37:
36:Casa de locos
32:
27:
22:
1930:
1927:(1915 opera)
1922:
1897:Josefa Bayeu
1877:
1869:
1861:
1853:
1850:(1989 album)
1845:
1837:
1829:
1821:
1742:
1722:
1711:
1697:
1686:
1666:
1655:
1637:
1625:
1618:
1607:
1600:Print series
1584:
1577:
1570:
1563:
1556:
1549:
1542:
1535:
1528:
1521:
1514:
1507:
1500:
1493:
1465:
1457:
1449:
1441:
1433:
1427:
1421:La novillada
1419:
1411:
1403:
1395:
1380:
1372:
1343:
1335:
1327:
1319:
1313:Josefa Bayeu
1311:
1303:
1295:
1287:
1279:
1271:
1265:Manuel Godoy
1263:
1255:
1247:
1239:
1231:
1223:
1215:
1207:
1192:
1184:
1176:
1168:
1160:
1152:
1137:
1133:
1124:
1116:
1097:
1089:
1070:
1055:
1040:
1025:
1017:
1009:
1001:
993:
985:
979:The Madhouse
978:
977:
969:
966:(after 1808)
963:The Colossus
961:
953:
945:
937:
922:
907:
899:
884:
876:
868:
860:
852:
844:
836:
828:
820:
806:
798:
790:
782:
774:
759:
744:
671:
668:(in Spanish)
646:
643:(in Spanish)
620:
614:
573:
569:
559:
540:
534:
515:
509:
490:
484:
473:. Retrieved
469:
430:
426:
377:(11): 1068.
374:
370:
321:William Tuke
304:
303:(as well as
301:The Madhouse
300:
298:
280:
274:
265:
262:The Madhouse
261:
260:
255:
247:
245:
239:
235:
231:
219:
205:The Madhouse
204:
181:
169:
165:
150:
127:painting by
125:oil on panel
119:
118:
113:
112:
107:
106:
102:The Madhouse
101:
100:
99:
72:Oil on panel
35:
29:The Madhouse
1935:(1942 film)
1918:Goya Awards
1874:(2006 film)
1866:(1999 film)
1858:(1999 film)
1842:(1971 film)
1834:(1971 film)
1826:(1958 film)
1801:Goya Museum
1785:Fuendetodos
1775:Fuendetodos
1716:(1815–1823)
1660:(1810–1820)
1642:(1810–1815)
1537:Men Reading
1530:Two Old Men
1523:La Leocadia
1466:The Wedding
1454:(1786–1787)
1390: 1777
1382:The Parasol
1348:(1825–1827)
1316:(1814–1816)
1300:(1810–1811)
1276:(1804–1805)
1244:(1799–1800)
1228:(1798–1799)
1202: 1795
1147: 1788
1138:The Red Boy
1065: 1817
1050: 1816
1035: 1816
1022:(1815–1819)
990:(1812–1819)
982:(1812–1819)
974:(1812–1814)
958:(1808–1812)
950:(1808–1812)
942:(1808–1812)
917: 1805
904:(1800–1805)
873:(1797–1798)
865:(1797–1798)
849:(1793–1794)
841:(1793–1794)
833:(1793–1794)
817:(1786–1787)
811:(1786–1787)
779:(1770–1771)
769: 1769
754: 1763
623:. Rowohlt.
576:: 198–252.
230:Plate 3 of
178:Inspiration
157:caricatures
147:Composition
1949:Categories
1863:Volavérunt
1815:Depictions
1194:Charles IV
543:. Fraser.
475:2020-11-17
339:References
279:(Spanish:
201:depression
153:Piranesian
117:(Spanish:
105:(Spanish:
77:Dimensions
1747:(1824–25)
1691:(1815–16)
1612:(1797–98)
1468:(1791–92)
1446:(1786–87)
1413:The Swing
1400:(1778–79)
1260:(1800–18)
1170:La Tirana
1162:La Tirana
1129:(1787–88)
1121:(1783–84)
1110:Portraits
1072:Bullfight
1057:The Forge
803:(1786–87)
738:Paintings
606:191948731
590:0075-4390
449:1474-7758
391:0003-990X
192:manacling
120:Manicomio
64:1812–1819
34:Spanish:
1932:Goyescas
1924:Goyescas
1795:Zaragoza
1359:cartoons
1357:Tapestry
399:14609881
327:See also
315:(led by
287:and the
271:etchings
240:The same
236:Lo mismo
161:tricorne
133:Zaragoza
123:) is an
85:Location
1890:Related
1805:Castres
1764:Museums
1586:The Dog
1572:Asmodea
1565:Atropos
222:c. 1794
186:of the
141:madness
1899:(wife)
1882:(2017)
1462:(1789)
1443:Summer
1438:(1786)
1430:(1786)
1424:(1780)
1416:(1779)
1408:(1779)
1377:(1775)
1340:(1823)
1332:(1820)
1324:(1815)
1308:(1812)
1292:(1805)
1284:(1805)
1268:(1801)
1252:(1800)
1236:(1799)
1220:(1797)
1212:(1797)
1189:(1795)
1181:(1795)
1173:(1794)
1165:(1792)
1102:(1774)
1094:(1772)
1083:Murals
1075:(1824)
1014:(1815)
1006:(1814)
998:(1814)
881:(1798)
857:(1795)
825:(1787)
795:(1780)
787:(1772)
653:
627:
604:
598:751250
596:
588:
547:
522:
497:
447:
397:
389:
184:salons
114:Asylum
93:Madrid
69:Medium
51:Artist
602:S2CID
594:JSTOR
111:) or
1364:list
651:ISBN
625:ISBN
586:ISSN
545:ISBN
520:ISBN
495:ISBN
445:ISSN
395:PMID
387:ISSN
319:and
61:Year
578:doi
435:doi
379:doi
1951::
1729:c.
1673:c.
1482:c.
1387:c.
1199:c.
1144:c.
1062:c.
1047:c.
1032:c.
929:c.
914:c.
891:c.
766:c.
751:c.
600:.
592:.
584:.
574:61
572:.
568:.
468:.
457:^
443:.
429:.
425:.
407:^
393:.
385:.
375:60
373:.
369:.
347:^
242:).
234::
174:.
91:,
1807:)
1803:(
1797:)
1793:(
1787:)
1783:(
1777:)
1773:(
1734:)
1727:(
1678:)
1671:(
1487:)
1480:(
1392:)
1385:(
1366:)
1362:(
1204:)
1197:(
1149:)
1142:(
1140:)
1136:(
1067:)
1060:(
1052:)
1045:(
1037:)
1030:(
934:)
927:(
919:)
912:(
896:)
889:(
771:)
764:(
756:)
749:(
714:e
707:t
700:v
657:.
633:.
608:.
580::
553:.
528:.
503:.
478:.
451:.
437::
431:3
401:.
381::
238:(
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
