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Marquee Club

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264: 768: 272: 40: 666: 680:. The Wardour Street site was sold for redevelopment (it is now Meza and Floridita with a cigar retail shop, Spanish restaurant and Cuban restaurant and some flats), and the Marquee Club was forced to move again, this time to a larger venue at the former Cambridge Circus Cinematograph Theatre, 105 443:
representatives visiting the venue on a daily basis, often talent spotting. The venue also attracted many famous musicians and recording artists who simply used the VIP Bar to socialise in. The Marquee staff became an integral part of the club as much as the bands that performed there.
427:. Jethro Tull named the B-side of their second single, "A Song For Jeffrey", a jazz-flavoured instrumental, "One for John Gee". Gee introduced the bands to the audience before they appeared on stage. He left the Marquee Club in 1970 to take a job in the offices of 1007: 764:. Both MTV and the club closed with the Marquee citing licensing problems with Westminster Council. It continued as a pop up in St Martin's Lane for another year until closing in 2008. Lowry continues to hold the brand rights. 396:" single, which shot to No. 1 at Christmas 1964, and filmed for it the first ever UK pop promo video. The development of Marquee Studios was largely financed by profits from this record. The studio was later used by 684:. The location was opened on 16 August 1988 by Kiss, who played a warm up gig ahead of their second headliner slot at The Monsters of Rock festival at Donnington. During this period, American progressive metal band 293:
The Marquee in Wardour Street did not have an alcohol licence until 1970, hence, Simon White (manager of the Marquee Studio) and music agent Kenny Bell came up with the idea of opening a private bar called
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performed at the club three times in the beginning of their career. First on 8 January 1971, then on 20 December 1972, and on 9 April 1973, as their first gig after signing with the
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played their first show on the Pyromania World Tour here, and included a different setlist from the rest of the shows on that tour. There was a glam revival spearheaded by
698:: A Tribute to the JAM, drew the largest ever crowd at this location in October 1993. This site was subsequently bought for redevelopment and the club closed in 1996. A 1095: 263: 478:
at the Marquee for the American NBC TV late night show The Midnight Special. NBC used the Marquee Studios (housed beside the venue) as dressing rooms for the cast.
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and others. The Rolling Stones, who first appeared at the club in July 1962, returned there on 26 March 1971 after a nine-year hiatus to film a television special.
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John Gee, a former accountant and journalist, became the manager of the Marquee Club during the 1960s and was a pivotal part of helping create what the
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The Marquee was relocated in 2001 by Billy Gaff and entrepreneur Doug Palfreeman to Angel, Islington, in a purpose-built space. It was then sold on to
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gave their first performance there in 1967. To find out who was playing on any given night, you could just call in at the 'Ship' pub a few doors away.
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took to the stage with a blistering set, including "Paper Plane", the video for which was filmed during this gig. On 18, 19 & 20 October 1973,
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who would in later years become leading lights of the neo-prog scene. Other progressive bands regularly playing the Marquee at this time included
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exhibition ran for three months featuring a large collection of original guitars and unseen footage at the club, before being auctioned by
290:, and the actual music venue housed over two buildings. Almost every major rock band played on the tiny stage here over the next 25 years. 267:
Richmond Mews, Soho (2018), where the back loading entrance to the Marquee Club was located and also where the Marquee Studios were housed.
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had led him to become secretary of the National Jazz Federation. Originally it was located in the Marquee Ballroom in the basement of the
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s "band contests". New wave and indie bands appeared, including "Two Pints of Lager and a Packet of Crisps Please" one-hit wonders
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at the Marquee Club. (The album also includes two new studio tracks and an extended 10-minute version of "Bridge of Sighs".)
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termed "the most important venue in the history of pop music". Gee championed certain groups that played at the club such as
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re-opened the club. The opening night was called the Breakthrough Weekender featuring dozens of new and unsigned artists. A
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Under new owner entrepreneur Nathan Lowry, the Marquee Club re-opened in 2004 in Leicester Square above MTV's TRL studio.
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venue, the club nevertheless embraced the burgeoning punk rock movement of the late 1970s and regularly promoted punk and
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The Marquee Club also nurtured a large social scene based around the record industry, with record company heads and their
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The Marquee was the central venue of the progressive rock revival of the early 1980s. It was here that the then-unsigned
736:'s auction company Fleetwood Owen. The club featured over 500 new and established bands during its time here, including 1500: 578:
began to gain a wider fan base and press interest by playing frequent two-night residencies to a sold-out crowd. Other
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In March 1964, the club moved a short distance to what became its most famous venue, with an entrance at 90
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pub named "The Montagu Pyke" now occupies the building. In 1992, Marquee Club also used by
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appeared frequently throughout the mid-70's, often supported by future star bands such as
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used a homemade studio in the garage at the back of the club to produce the classic "
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played a string of the dates at the club in 1980 and were filmed performing for
1684: 1669: 1654: 1468:"Queen Concerts – 20.12.1972 – Queen live at the The Marquee Club, London, UK" 733: 669: 646: 486: 401: 287: 196: 45: 191:, where dances had been held since the early 1950s. Its decor was designed by 1724: 1573: 1156: 895:"The Rolling Stones 40 years anniversary Marquee Club, London, July 12, 1962" 843: 820:
The Safest Place in the World: A Personal History of British Rhythm and blues
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In 1988, Harold Pendleton sold the club to Billy Gaff, the former manager of
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performed their first UK show at the venue on 27 March 1984. In April 1985
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During the early to mid-1980s the Marquee became an important venue to the
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acts. It was a small and relatively cheap club, in the heart of London's
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became the watering hole of many musicians and operated until 1973.
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night that occasionally featured visiting American musicians such as
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Former entrance to the Marquee Club on Upper Saint Martin’s Lane
199:. Pendleton took over management of the ballroom, and the first 1613: 904:, The Rolling Stones Fan Club of Europe. It's Only Rock'n Roll. 650: 440: 393: 228: 227:
were also regular performers. In 1962 the club began a regular
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acts of the time regularly headlining at the club included
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Former buildings and structures in the City of Westminster
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Blowing The Blues – Fifty Years Playing The British Blues
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Final location, closure and subsequent re-use of the name
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in London, England, which opened in 1958 with a range of
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During this period the club held heats and the final of
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club). Another band that made regular appearances was
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It was the location of the first live performance by
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Long John Baldry and the Birth of the British Blues
1448:"Marquee Club returns with Leicester Square venue" 1429:"Marquee Club returns with Leicester Square venue" 298:at 100 Wardour Street, which Jack Barrie managed. 1722: 649:also performed at the Marquee during their 1982 365:(who played on Sunday afternoons as part of the 305:Band residencies during the late 1960s included 1207:. Moscow, Russia: Mir Vokrug Nas. p. 336. 775: 634:and the almost-cult band the Hummers. In 1985, 541:, Silverwing and Praying Mantis were regulars. 706:for their Halfway to Heaven song's videoclip. 1501: 450:performed at The Marquee on 7 December 1970. 653:Encore tour. At the Marquee, they signed as 1515: 377:, who first played there in November 1964. 1508: 1494: 992: 990: 988: 913: 38: 977:Solly, Bob (April 2014). "The Crucible". 642:there, clearly showing the Marquee name. 1202: 1116: 766: 664: 565:recorded the majority of his live album 270: 262: 258: 1388: 1179: 985: 972: 970: 968: 966: 964: 44:The former site of the Marquee Club in 14: 1723: 1489: 1147: 976: 926:from the original on 21 December 2013 672:at the Marquee Club on 13 August 2005 489:nights into the 1980s. Bands such as 1269:from the original on 15 January 2008 1239:from the original on 12 October 2017 1117:Thompson, Howard (5 November 2008). 961: 219:were early resident performers, and 27:Former music club in London, England 1182:"Interview with Peter Banks of Yes" 1065:from the original on 26 August 2023 944: 809:, Omnibus Press, 2004, foreword by 470:appeared on the same bill in 1974, 195:with a striped canopy to imitate a 24: 1129:from the original on 3 August 2020 594:, often supported by acts such as 521:and others. NWOBHM bands, such as 25: 1767: 1315: 1299:from the original on 18 June 2015 1098:from the original on 12 July 2024 688:recorded their first live album, 203:night was held on 19 April 1958. 1614:Proud2 (The O2 Arena, Greenwich) 1389:Kennedy, Maev (11 August 2004). 1352:"Marquee Club Returns To London" 1010:from the original on 3 July 2018 788:, London: Helter Skelter, 2002. 243:; this was the precursor to the 1289:"The Bioscope: the cinema king" 1281: 1251: 1221: 1196: 1173: 1141: 981:. No. 426. pp. 38–46. 947:"Marquee Promotions' Festivals" 507:new wave of British heavy metal 1746:Music venues completed in 1958 1731:1958 establishments in England 1110: 1080: 1061:. 14 August 2023. p. 42. 1045: 1022: 938: 907: 888: 235:. Pendleton also launched the 179:, an accountant whose love of 13: 1: 1741:Former music venues in London 786:Blues: The British Connection 1371:"London's Marquee Goes Live" 1180:Barroso, K. (January 2007). 881: 875:Alexis Korner: The Biography 776:General and cited references 553:(introduced by a very young 500: 434: 175:The club was established by 7: 1229:"Queen Concerts 20.12.1972" 914:Jim Farber (12 July 1962). 379:Peter Green's Fleetwood Mac 359:the Jimi Hendrix Experience 282:playing at the Marquee Club 245:Reading and Leeds Festivals 10: 1772: 1452:Leisureopportunities.co.uk 170: 1647: 1521: 1203:Rassadyn, Andrey (1994). 481:Although never a seminal 458:record company. In 1972, 130: 122: 114: 104: 65: 57: 53: 37: 1516:London nightclub venues 870:: GreyStone Books, 2007 807:Story: Rumours and Lies 367:Spontaneous Underground 1751:Music venues in London 1624:Shepherd's Bush Empire 772: 673: 283: 268: 237:National Jazz Festival 89:51.513444°N 0.133806°W 1053:"Kenny Bell obituary" 1035:5 August 2023 at the 770: 668: 638:filmed the video for 347:Mabel Greer's Toyshop 274: 266: 259:The 1960s: Rock roots 1756:Nightclubs in London 1295:. 19 November 2008. 816:Dick Heckstall-Smith 719:O2 Academy Islington 94:51.513444; -0.133806 1192:on 28 October 2007. 1094:. 30 January 2015. 920:New York Daily News 900:20 May 2012 at the 691:Live at the Marquee 517:, the Babysitters, 476:The 1980 Floor Show 468:String Driven Thing 201:Jazz at the Marquee 85: /  34: 1675:Hammersmith Palais 1594:Kentish Town Forum 1186:TheMarqueeClub.net 951:TheMarqueeClub.net 852:, Jawbone (2007). 836:Christopher Hjort 773: 682:Charing Cross Road 674: 632:Splodgenessabounds 491:Doctors of Madness 323:the Rolling Stones 284: 269: 165:the Rolling Stones 32: 1718: 1717: 1604:Ministry of Sound 1589:Islington Academy 1559:Electric Ballroom 1539:Camden Underworld 1472:Queenconcerts.com 1336:Independent.co.uk 1233:QueenConcerts.com 830:. First Edition: 746:the Magic Numbers 388:manager/producer 167:on 12 July 1962. 138: 137: 16:(Redirected from 1763: 1609:HERE at Outernet 1569:Electric Brixton 1510: 1503: 1496: 1487: 1486: 1482: 1480: 1478: 1463: 1461: 1459: 1454:. 11 August 2004 1443: 1441: 1439: 1424: 1422: 1420: 1405: 1403: 1401: 1385: 1383: 1381: 1366: 1364: 1362: 1347: 1345: 1343: 1327: 1326: 1324:Official website 1309: 1308: 1306: 1304: 1285: 1279: 1278: 1276: 1274: 1255: 1249: 1248: 1246: 1244: 1225: 1219: 1218: 1200: 1194: 1193: 1188:. Archived from 1177: 1171: 1170: 1145: 1139: 1138: 1136: 1134: 1123:North Fork Sound 1114: 1108: 1107: 1105: 1103: 1084: 1078: 1077: 1072: 1070: 1049: 1043: 1026: 1020: 1019: 1017: 1015: 1006:. 26 July 2014. 994: 983: 982: 979:Record Collector 974: 959: 958: 953:. Archived from 942: 936: 935: 933: 931: 911: 905: 892: 629: 551:20th Century Box 429:Radio Luxembourg 425:1967 debut album 205:Johnny Dankworth 177:Harold Pendleton 100: 99: 97: 96: 95: 90: 86: 83: 82: 81: 78: 42: 35: 31: 21: 1771: 1770: 1766: 1765: 1764: 1762: 1761: 1760: 1721: 1720: 1719: 1714: 1643: 1544:Corsica Studios 1534:Brixton Academy 1517: 1514: 1476: 1474: 1466: 1457: 1455: 1446: 1437: 1435: 1433:Spabusiness.com 1427: 1418: 1416: 1408: 1399: 1397: 1395:Theguardian.com 1379: 1377: 1369: 1360: 1358: 1350: 1341: 1339: 1338:. 7 August 2004 1330: 1322: 1321: 1318: 1313: 1312: 1302: 1300: 1293:Thebioscope.net 1287: 1286: 1282: 1272: 1270: 1257: 1256: 1252: 1242: 1240: 1227: 1226: 1222: 1215: 1201: 1197: 1178: 1174: 1167: 1146: 1142: 1132: 1130: 1115: 1111: 1101: 1099: 1086: 1085: 1081: 1068: 1066: 1051: 1050: 1046: 1037:Wayback Machine 1027: 1023: 1013: 1011: 1003:The Independent 996: 995: 986: 975: 962: 957:on 2 July 2013. 943: 939: 929: 927: 912: 908: 902:Wayback Machine 893: 889: 884: 846:boom, 1965–1970 822:, Clear Books, 778: 663: 627: 568:Beyond the Mist 503: 437: 417:Ten Years After 371:the Manish Boys 261: 173: 93: 91: 87: 84: 79: 76: 74: 72: 71: 49: 28: 23: 22: 18:Marquee Studios 15: 12: 11: 5: 1769: 1759: 1758: 1753: 1748: 1743: 1738: 1733: 1716: 1715: 1713: 1712: 1707: 1702: 1697: 1692: 1687: 1682: 1677: 1672: 1667: 1662: 1657: 1655:London Astoria 1651: 1649: 1645: 1644: 1642: 1641: 1636: 1631: 1626: 1621: 1616: 1611: 1606: 1601: 1596: 1591: 1586: 1581: 1576: 1571: 1566: 1561: 1556: 1551: 1546: 1541: 1536: 1531: 1525: 1523: 1519: 1518: 1513: 1512: 1505: 1498: 1490: 1484: 1483: 1464: 1444: 1425: 1406: 1386: 1367: 1348: 1328: 1317: 1316:External links 1314: 1311: 1310: 1280: 1250: 1220: 1213: 1195: 1172: 1165: 1153:In the Sixties 1140: 1109: 1092:Thequietus.com 1079: 1044: 1040:La Chasse Club 1028:Article about 1021: 984: 960: 937: 906: 886: 885: 883: 880: 879: 878: 873:Harry Shapiro 871: 860: 848:, foreword by 838:Strange Brew: 834: 813: 796: 777: 774: 734:Mick Fleetwood 662: 659: 640:"I'm Your Man" 502: 499: 436: 433: 402:the Groundhogs 296:La Chasse Club 288:Wardour Street 278:commemorating 260: 257: 185:Academy Cinema 172: 169: 136: 135: 132: 128: 127: 124: 120: 119: 116: 112: 111: 106: 102: 101: 69: 63: 62: 59: 55: 54: 51: 50: 46:Wardour Street 43: 26: 9: 6: 4: 3: 2: 1768: 1757: 1754: 1752: 1749: 1747: 1744: 1742: 1739: 1737: 1734: 1732: 1729: 1728: 1726: 1711: 1708: 1706: 1703: 1701: 1698: 1696: 1693: 1691: 1688: 1686: 1683: 1681: 1678: 1676: 1673: 1671: 1668: 1666: 1663: 1661: 1658: 1656: 1653: 1652: 1650: 1646: 1640: 1637: 1635: 1632: 1630: 1627: 1625: 1622: 1620: 1617: 1615: 1612: 1610: 1607: 1605: 1602: 1600: 1597: 1595: 1592: 1590: 1587: 1585: 1582: 1580: 1577: 1575: 1572: 1570: 1567: 1565: 1562: 1560: 1557: 1555: 1552: 1550: 1547: 1545: 1542: 1540: 1537: 1535: 1532: 1530: 1527: 1526: 1524: 1520: 1511: 1506: 1504: 1499: 1497: 1492: 1491: 1488: 1473: 1469: 1465: 1453: 1449: 1445: 1434: 1430: 1426: 1415: 1411: 1407: 1396: 1392: 1387: 1376: 1375:Billboard.com 1372: 1368: 1357: 1356:Billboard.com 1353: 1349: 1337: 1333: 1329: 1325: 1320: 1319: 1298: 1294: 1290: 1284: 1268: 1264: 1260: 1254: 1238: 1234: 1230: 1224: 1216: 1210: 1206: 1199: 1191: 1187: 1183: 1176: 1168: 1166:9780224062404 1162: 1158: 1157:Jonathan Cape 1154: 1150: 1144: 1128: 1124: 1120: 1113: 1097: 1093: 1089: 1083: 1076: 1064: 1060: 1059: 1054: 1048: 1041: 1038: 1034: 1031: 1025: 1009: 1005: 1004: 999: 993: 991: 989: 980: 973: 971: 969: 967: 965: 956: 952: 948: 941: 925: 921: 917: 910: 903: 899: 896: 891: 887: 876: 872: 869: 865: 861: 859: 858:1-906002-00-2 855: 851: 847: 845: 844:British blues 841: 835: 833: 829: 828:0-7043-2696-5 825: 821: 817: 814: 812: 808: 806: 805:Fleetwood Mac 800: 797: 795: 794:1-900924-41-2 791: 787: 783: 780: 779: 769: 765: 763: 759: 755: 751: 747: 743: 739: 735: 731: 727: 722: 720: 716: 712: 707: 705: 701: 697: 693: 692: 687: 686:Dream Theater 683: 679: 671: 667: 658: 656: 652: 648: 643: 641: 637: 633: 626: 625: 619: 617: 613: 609: 605: 601: 597: 593: 589: 585: 584:Twelfth Night 581: 577: 572: 570: 569: 564: 560: 556: 552: 548: 544: 540: 536: 532: 528: 524: 520: 519:the Quireboys 516: 512: 508: 498: 496: 492: 488: 484: 479: 477: 473: 469: 465: 464:Be-Bop Deluxe 461: 457: 453: 449: 445: 442: 432: 430: 426: 422: 418: 414: 409: 407: 403: 399: 395: 391: 387: 382: 380: 376: 372: 368: 364: 360: 356: 352: 348: 344: 340: 336: 332: 328: 327:the Yardbirds 324: 320: 316: 312: 308: 307:Alexis Korner 303: 301: 297: 291: 289: 281: 277: 273: 265: 256: 254: 250: 246: 242: 238: 234: 230: 226: 222: 218: 214: 213:Alexis Korner 210: 206: 202: 198: 194: 190: 189:Oxford Street 186: 182: 178: 168: 166: 161: 159: 155: 151: 147: 143: 133: 129: 126:19 April 1958 125: 121: 117: 113: 110: 107: 103: 98: 70: 68: 64: 60: 56: 52: 47: 41: 36: 30: 19: 1680:Marquee Club 1679: 1564:Electrowerkz 1475:. 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Index

Marquee Studios

Wardour Street
Coordinates
51°30′48.4″N 0°8′1.7″W / 51.513444°N 0.133806°W / 51.513444; -0.133806
Nightclub
music venue
jazz
skiffle
West End
the Rolling Stones
Harold Pendleton
jazz
Academy Cinema
Oxford Street
Angus McBean
marquee
Johnny Dankworth
Chris Barber
Alexis Korner
Cyril Davies
Tubby Hayes
Joe Harriott
R&B
Muddy Waters
National Jazz Festival
Richmond
Reading and Leeds Festivals
Brian Auger
Manfred Mann

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