Mihail Sadoveanu - Knowledge

12732: 2573: 3238:. In various episodes of the novel, de Marenne shows himself perplexed by the omnipresent wilderness of underpopulated Moldavia, and in particular by the abundance of resources this provides. In one paragraph, seen by George Călinescu as a key to the book, Sadoveanu writes: " curious eye was permanently satisfied. Here was a desolation of solitudes, one that his friends in France could not even guess existed, no matter how much imagination they had been gifted with; for at the antipode of civilization one occasionally finds such things that have remained unchanged from the onset of creation, preserving their mysterious beauty." 297: 1587: 4755: 3399:, Sadoveanu received much critical acclaim. The boyar Alexandru Filotti falls in love with a miller's daughter, Anuța, whom he educates and introduces to high society. The beautiful young lady is also courted by Filotti's son Costi and by the peasant Vasile Brebu—in the end, overwhelmed by jealousy, Brebu kills the object of his affection. George Călinescu writes that the good reception was not fully deserved, claiming that the novel is "colorless", that it was merely based on the writer's early stories, and that it failed in its goal of depicting "crumbling boyardom". 5657: 12031: 5645: 707: 4061: 675: 5682: 11223: 695: 3523:("Holland"). It provides insight into his preoccupation with the meeting of civilization and wilderness: upset by what he called "the rampancy of cleanliness", the writer confesses his perplexity at coming face to face with a contained and structured natural world, and details his own temptation to go "against the current". One of Sadoveanu's main conclusions is that Holland lacks in "true and lively wonders". Sadoveanu also sporadically wrote memoirs of his early life career, such as 2018: 626: 3000: 40: 1173: 4603:, and that his Humanism was "a light tincture". In one of his columns, Sadoveanu replied to those organizing the acts of vandalism, indicating that, had they actually read the novels they were destroying, they would have found "a burning faith in this nation, for so long mistreated by cunning men". Elsewhere, stating that he was not going to take his detractors into consideration, Sadoveanu defined himself as an adversary of both 2618:. In Călinescu's view, Sadoveanu's outlook on life was even mirrored in his physical aspect, his "large body, voluminous head, his measured shepherd-like gestures, his affluent but prudent and monologic speech feral indifference; his eyes of an unknown race." His assessment of the writer as an archaic figure, bluntly stated in a 1930 article ("I believe him to be very uncultured"), was contrasted by other literary historians: 2749: 3981:, and gave accounts of his renewed journeys in the countryside, where he claimed to have witnessed a "spiritual splendor" supported by "the practice of the new times". He would follow up with hundreds of articles on various subjects, published by the communist press, including two 1953 pieces in which he lamented Stalin's death (one of them referred to the Soviet leader as "the great genius of progressive mankind"). 3309: 3118: 1776: 11204: 2908:("Wizened Flower"), where a simple girl, Tincuța, marries a provincial civil servant, and finds herself deeply unhappy and unable to enrich her life on any level. Tincuța, seen by Călinescu as one of Sadoveanu's "savage" characters, only maintains urban refinement when persuading her husband to return for supper, but, according to Crohmălniceanu, is also a credible witness to the "small-mindedness" of " 2437:. The lifestyle choices were akin to his literary interests: alongside the secluded and rudimentary existence of his main characters (connected by Călinescu with the writer's supposed longing for "regressions to the patriarchal times"), Sadoveanu's work is noted for its imagery of primitive abundance, and in particular for its lavish depictions of ritualistic feasts, hunting parties and fishing trips. 1394: 5582:. Each year, Iași commemorates the writer through a cultural festival known as the "Mihail Sadoveanu Days". In 2004, the 100th anniversary of his debut was marked by a series of exhibits and symposiums, organized by the MLR. Similar events are regularly held in various cities, and include the "In Sadoveanu's Footsteps" colloquy of writers, held during March 2006 in the city of 3381:

tragedies. The same commentator notes a difference between the role nature plays in the first and second volumes: from serene, the landscape becomes hostile, and people are shown fearing earthquakes and droughts, although contemplative depictions of euphoria play a central part in both writings. The meeting between the wider world and the immobile local tradition surfaces in

3217:, is spared persecution on account of his good relations with the Ottomans, but has to live under close watch. Himself a tormented, if cultured and refined, man, Alecu falls in love with Duca's daughter Catrina, whom he attempts to kidnap. The episode, set to coincide with the start of a major social crisis, ends with Alecu's defeat and killing on Duca's orders. 1156:. Nanu wrote of this period: "It is a clerical packed full with men of letters, no work is being done, people smoke, drink coffee, create dreams, poems and prose ." Having interrupted his administrative service, Sadoveanu was again drafted into the Land Forces in 1906, being granted an officer's rank. An already overweight man, he had to march from 878: 3186:", argued that the book lacks "the richness and unpredictable nature of the love intrigue"; he also objected to the depiction of Tudor as indecisive and inadequate for a heroic role. However, Ovid Crohmălniceanu argued that the suddenness of Tudor's sentimental commitments was characteristic for the "peasant soul" as observed by Sadoveanu. 3345:. He goes to her rescue, only to find out that she had preferred suicide to a life of slavery. Călinescu, who believed the volumes show Sadoveanu's move to the consecrated elements of adventure novels, called them "remarkable", but stressed that the narrative could render "the feeling of stumbling, of a languishing flow", and that the 2581:

overtly sympathetic view of the peasant character, as "a higher type of human, a heroic human". He added: "Simple, in the sense that they are moved by a few devices coincide with the fundamental instincts of mankind, are, in general, mysterious." In this line, Sadoveanu also creates images of folk sages, whose views on life are of a

3501:("The Realm of Waters"). It forms a detailed and contemplative memoir of his journeys as a fisherman, and, according to Crohmălniceanu, one of the most eloquent proofs of Sadoveanu's "permanent and intimate correspondence with nature." Călinescu saw the text as a "fantastic vision of the entire aquatic universe", merging a form of 4097:, is about a monk returning from seclusion into the world of workers, where the landscape is reshaped by large-scale construction works. According to Ungureanu, it also shows Sadoveanu's universe stripped of "all its deep meanings." While their author came to personify the new cultural guidelines, Sadoveanu's previous books, from 3427:. Vitoria's sheer determination is the central aspect of the volume. Călinescu, who ranks the book among Sadoveanu's best, praises its "remarkable artistry" and "unforgettable dialogues", but nonetheless writes that Lipan's "detective-like" search and a "stubbornness" are weak points in the narrative. Crohmălniceanu declares 4057:

Sadoveanu's "mere variations" on old subjects, suggests that it transforms its protagonist "from medieval fighter into political philosopher who announces the rise of a 'new world'." Victor Frunză also notes that, although Sadoveanu returned to old subjects, he "no longer rises to the level he had reached before the war."

2610:. The similarity in vision with Eminescu's "nostalgia, return, protest, demand, aspiration toward a world left" was also proposed by Vianu, while Topîrceanu spoke of "the paradoxical discovery that is our greatest poet since Eminescu." Mihail Sadoveanu also shaped his traditionalist views on literature by investigating 5314:'s piece of the same name, with both authors sketching an affectionate portrait of one another. Topîrceanu also parodied his friend's style in a five-paragraph sketch, part of a series of such fragments, recorded their encounters in various other autobiographical writings, and dedicated him the first version of his poem 3178:

put to death. Unexpectedly warned of this by Magda, Tudor manages to turn the tide: he and his family destroy Stroie's manor, killing the master but allowing Magda to escape unharmed. In Călinescu's view, the novel is "somewhat more consistent from an epic perspective", but fails to respect the conventions of the

2110:, which, in its final form, reflected both Soviet influence and the assimilation of Stalinism into Romanian political discourse. In November 1955, shortly after turning 75, he was granted the title of "Hero of Socialist Labor". After 1956, when the regime announced that it had embarked on a limited version of 3101:, a boyar whose alleged betrayal had led to Prince Ioan's capture, and whose daughter Ilinca becomes the brothers' prisoner. This story as well features several episodes where the focus is on depicting customary feasts, as well as a fragment where the Potcoavăs and their Zaporozhian Cossack allies engage in 2635:, was celebrated for its accomplished style, featuring early drafts of all themes he developed upon later in life. However, Călinescu argued, some of the stories in the volume were still "awkward", and showed that Sadoveanu had problems in outlining epics. The pieces mainly feature episodes in the lives of 2868:

has upset." These views are echoed by Ovid Crohmălniceanu, who believes that, unlike other Romanian Realists, Sadoveanu was able to show a peasant society that was not merely the prey of modern corruption or historical oppression, but rather refusing all contacts with the wider world—even to the point of

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East" is read by some as Sadoveanu's encoded message to other Freemasons, warning them of a Soviet threat to the organization. The historian notes that, for all their possible lack in sincerity, Sadoveanu's statements provided a template for other intellectuals to follow—this, he argues, was the case of

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on the throne. Sadoveanu also invents a love story between Ruxandra and the boyar Bogdan, whose rivalry with Tymofiy ends in the latter's killing. While Călinescu criticized the plot as being over-detailed, and the character studies as incomplete, Crohmălniceanu found the intricate depiction of boyar

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nobleman, scorns his affection. He returns a second time to Orhei, marries into his social group, and plots revenge on Stroie by again rallying with Ștefan Tomșa. Following Tomșa's defeat, he again loses the lands of his ancestors, as Stroie returns home to celebrate his victory and have the Șoimarus

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with nothing more than "wonderment": "Sadoveanu's literature is the highest expression of the savage instinct." In later works, the critic believed, Sadoveanu moved away from depicting isolation as the escape of primitives into their manageable world, but as "the refinement of souls whom civilization

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believes this contrast of regional and social identities played a part in shaping the author, opening him up to a "Romanian universality", but notes that, throughout his career, Sadoveanu was especially connected with his Moldavian roots. Mihail had a brother, also named Alexandru, whose wife was the

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in the absence of actual observation ("You shall write; you shall write and could never stop yourself writing . The readers will grow tired, but you will remain tireless; you shall not known rest, just as you shall not know nature "). George Călinescu was one to object to this portrayal, noting that

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books, again set to the background of primitivism and natural abundance, also feature episodes of intense horror. These, Călinescu proposes, are willingly depicted "with an indolent complacency", as if to underline that the slow pace and monumental scale of history give little importance to personal

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for its depictions of nature, whose purpose is to evoke "the indifferent eternity" of conflicts between the protagonists, and who, at times, relies "on a vast richness of sounds and words." He did however reproach the writer "a certain monotony", arguing that Sadoveanu came to use such techniques in

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described as "a bearded and well-to-do man"; according to the writer's own notes, Alexandru was unhappy in marriage, and his progressive isolation from public life impacted on the entire family. Mihail's mother, Profira née Ursachi (or Ursaki; d. 1895), hailed from a line of Moldavian shepherds, all

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described Sadoveanu as a prominent intellectual figure, while his own private notes show that he was well-read and acquainted with the literatures of many countries. Often seen as a spontaneous writer, Sadoveanu nevertheless took pains to elaborate his plots and research historical context, keeping

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believed that Sadoveanu's work transcended the "more intellectual more artificial" notion of "types", and that "he creates humans." The main topic of his subsequent work, Sandqvist argues, was "an archaic world where the farmers and the landlords were free men with equal rights" (or, according to

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Another unifying element in Sadoveanu's creation is his recourse to literary types. As early as 1904, Maiorescu praised the young raconteur for accurately depicting characters in everyday life and settings. Tudor Vianu stressed that, unlike most of his Realist predecessors, Sadoveanu introduced an

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According to Adrian Cioroianu, Sadoveanu was not necessarily an "apostle of communization", and his role in the process is subject to much debate. Describing the writer's "conversion to philosovietism" as "purely contextual", Cioroianu also points out that the very notion of "light arising in the

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Around that time, he formulated a ruralist and nationalist perspective on life, rejecting what he deemed "the hybrid urban world" for "the world of our national realities". In Călinescu's analysis, this signifies that, like his predecessor, the conservative Eminescu, Sadoveanu believed the cities

5634:. Pașcani hosts a cultural center, a high school and a library named after him. Sadoveanu's memory is also regularly honored in the Republic of Moldova, where, in 2005, the 125th anniversary of his birth was celebrated in an official context. A street in Chișinău and a high school in the town of 4068:

The final part of Sadoveanu's creation also comprises a series of pieces where the narrative approach was, according to Crohmălniceanu, "corrected" to show his favorite recluse type won over by the new society. In essence, Ungureanu argues, the new style that of "reportage and plain information,

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is itself seen as a source for communist-inspired political messages. According to Cornel Ungureanu, this explains why it highlights the brotherhood between Cossacks and Moldavians, supposedly replicating the official view on Soviet-Romanian relations. Cornis-Pope, who considers the novel one of

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nevertheless noted that Sadoveanu "sometimes had the writing skill to make compelling even quite traditional reactions to old-fashioned war". It concluded: "Sadoveanu's sketches have the virtues—and the vices—of old hunting prints and the romantically mannered battle scenes of the 19th century."

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with several of his major themes. Written in just 30 days on the basis of previous drafts, the condensed novel shows Vitoria Lipan, the widow of a murdered shepherd, following in her husband's tracks to discover his killer and avenge his death. Accompanied by her son, and using for a guide the

3282:, the author took significant liberties with the historical facts. In addition to Tymofiy's death at the hands of Bogdan, the latter narrative used invented or incorrect names for some of the personages, and portrays the muscular, mustachioed, Gheorghe Ștefan as thin and bearded; likewise, in 5573:

in Iași, which Sadoveanu had donated to the state in 1950, went through a period of neglect and was finally set up as a museum in 1980. Similar sites were set up in his Fălticeni house, and in his final residence at Voividenia, while the Bradu-Strâmb chalet was controversially granted to the

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Although Sadoveanu continued to be hailed as a major writer during the Ceaușescu years, and the seventy years of his debut were marked with state ceremony, the reaction against Soviet influence affected presentations of his work: his official bibliography no longer included any mention of

4048:, modifying the plot and adding new characters. Noted among the latter is Olimbiada, a female soothsayer and healer through whose words Sadoveanu again dispenses his own perspective on human existence. The focus of the narrative is also changed: from the avenger of his brother's death in 5413:", was pressured by the authorities into accepting the commission or risk a precarious existence. The result of his work was rejected with a similar label, and the sketches were for long not made available to the public. Baba also painted Sadoveanu's portrait, which, in 1958, art critic 2885:

Sadoveanu began his career as a novelist with more in-depth explorations into subjects present in his stories and novellas. At the time, Crohmălniceanu stresses, he was being influenced by the naturalism of Caragiale (minus the comedic effect), and by his own experience growing up in

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was dependent on ideological guidelines. At the time, Sadoveanu was one of the writers from the interwar whose work was still made available to Romanian schoolchildren. In the 1953 Romanian language and literature manual, he represented his generation alongside the communist authors

4973:. Other statements made by Sadoveanu also displayed a possibly studied ambiguity, as is the case with a 1952 lecture he gave in front of young writers attending the Party-controlled School of Literature, where he implicitly denied that one could be created a writer unless by "God or 3050:. It retells the stories of travelers meeting in the eponymous inn. Much of the story deals with statements of culinary tastes and shared recipes, as well as with the overall contrast between civilization and rudimentary ways: in one episode of the book, a merchant arriving from the 2464:, referring to Sadoveanu's poetic nature writing, even declared it to have "surpassed nature." At the other end, the modernist Eugen Lovinescu specifically objected to Sadoveanu's depiction of a primordial landscape, arguing that, despite adopting Realism, his rival was indebted to 641:. During his journeys, Sadoveanu visited peasants, and his impression of the way in which they were relating to authority is credited by critics with having shaped his perspective on society. Shortly after this episode, the young Sadoveanu left to complete his secondary studies in 2274:. Also included among the "national tendency" writers, Gârleanu was for long seen as Sadoveanu's counterpart, and even, Călinescu writes, "undeservedly upstaged" him. Cornis-Pope also writes that Sadoveanu's epic is a continuation of "the national narrative" explored earlier by 3727:("The Demon of Youth"), believed by Călinescu to be "the most charming" in this series, has for its protagonist Natanail, a university dropout who has developed a morbid fear of women since losing the love of his life, and who lives in seclusion as a monk. In the rural-themed 2456:: "One could almost say that Sadoveanu rebuilds in present day Moldavia the Holland of wine jugs and kitchen tables covered in venison and fish." Vianu also argued that Sadoveanu never abandoned himself to purely aesthetic descriptions, and that, although often depicted with 2771:, is a serene place, visited by quiet and subdued customers, whose occasional outburst of violence are, according to Călinescu, "dominated by slow, stereotypical mechanics, as is with people who can only accommodate within them a single drama." The literary critic celebrated 2605:

Thus, Călinescu stresses, Sadoveanu's work seems to be the monolithic creation through which "a single man" reflects "a single, universal nature, inhabited by a single type of man", and which echoes a similar vision of archaic completeness as found in the literature of poet

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on the European theater. Paul-Mihu Sadoveanu was killed in action in Transylvania on 22 September. During the same months, Sadoveanu was a candidate for the Writers' Society presidency, but, in what has been read as proof of a rivalry within the Freemasonry, was defeated by

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of his volumes. The scandal prolonged itself over the following years, with Sadoveanu being supported by his friends in the literary community. Among them was Topîrceanu, who was at the time hospitalized, and whose expression of support was made shortly before his death to

2848:. Lepădatu, an unwanted child, speaks for the entire group: "What could I do wherever there are big fairs and lots of people? I'd have a better time with the cattle; it is with them that I have grown up and with them that I get along." Romanticizing the obscure events of 4834:

Criticism of Sadoveanu's moral choices also focuses on the fact that, while he led a luxurious existence, many of his generation colleagues and fellow intellectuals were being persecuted or jailed in notoriously harsh circumstances. Having tolerated the purge within the

1132:. Vianu also argues that Sadoveanu's contribution to the literary circle was the main original artistic element in its history, and credits Iosif with having accurately predicted that, during a period of literary "crisis", Sadoveanu was the person to provide innovation. 3431:

one of the "capital works" in world literature, proposing that, on its own, it manages to reconstruct "an entire shepherding civilization"; Cornis-Pope, who rates the book as "Sadoveanu's masterpiece", also notes that it "restated the theme of crime and punishment".

1260:'s studies on the genesis of artworks. He resigned his office within the Writers' Society in November 1911, being replaced by Gârleanu, but continued to partake in its administration as a member of its leadership committee and a censor. He was a leading presence at 4539:, as well as non-identified people who sent the writer packages containing shredded copies of his own volumes. In April 1937, the anti-Sadoveanu campaign was met with the indignation of various public figures, who issued an "Appeal of the Intellectuals", signed by 4598:

opposing an archaic peasant civilization to the growing threat of fascism." However, George Călinescu claims, the writer himself had not actually revised his nationalist outlook, that he continued to believe that minorities and foreigners were a risky presence in

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Goga, with Sadoveanu motivating that he wanted to set up a cultural magazine and later spending the money on his personal wardrobe. In contrast, Adrian Cioroianu notes that the People's Party episode, and especially the "mutual wariness" between Sadoveanu and the

2074:(a spelling Sadoveanu is alleged to have already shown preference for in his early works). In March 1953, soon after Stalin's death, he led discussions within the Writers' Union, confronting his fellow writers with the new Soviet cultural directives as listed by 4859:: according to researcher Victor Frunză, he was a willing participant in this, having been upset by the exposure of his personal wealth in the National Peasantist press. Later, Sadoveanu made a reference to his former colleague, the National Peasantist activist 4793:

describes this as "an office assignment" from the ARLUS, at a time when the group was circulating free translated copies of the Soviet constitution. The enthusiasm of his writings also manifested itself in his public behavior: according to his ARLUS colleague

2920:("The Dead Men's Water") is about a Bovaryist woman who discards lovers over imprecise feelings of dissatisfaction, finding refuge in the monotonous countryside. Călinescu noted that such novels were "usually less valuable than direct accounts", and deemed 3843:

Despite the post-1944 change in approach, Sadoveanu's characteristic narrative style remained largely unmodified. In contrast, his choice of themes changed, a transition which reflected political imperatives. At the end of the process, literary historian

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and the communist regime (Tismăneanu also argues that these figures' good relationship with Gheorghiu-Dej was a factor in the process, as was Gheorghiu-Dej's ability to make himself look "harmless"). Others have submitted that Sadoveanu's faction in the

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in Romania. ARLUS would issue the text of his conference as a printed volume later in the year. Also in 1945, Sadoveanu journeyed to the Soviet Union together with some of his fellow ARLUS members—among them biologists Parhon and Săvulescu, sociologist

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He continued to publish at an impressive rate: in 1906, he again handed down for print four separate volumes. In parallel, Sadoveanu pursued his career as a civil servant. In 1905, he was employed as a clerk by the Ministry of Education, headed by the

4255:'s rule over Transylvania. In 1916, he abruptly switched to the Entente camp: his enthusiasm as propaganda officer was touched by controversy once Romania experienced massive defeats; Sadoveanu himself abandoned the Entente cause by 1918, when he was 3109:

and Golia, and the price he has to pay for his rise. Alexandru, who falls in love with Ilinca, unsuccessfully asks for the captured Golia not to be killed. Following the murder, both brothers become embittered and renounce power. Călinescu described

1116:, proclaimed with Iorga its purpose of establishing "a national culture", emancipated from foreign influence. However, according to Călinescu, this ambitious goal was only manifested in a "great cultural influence", as the journal continued to be an 2539:, his books often make little or no dialectal difference between the speech used by the story-teller and the character's voices. According to Călinescu, Sadoveanu displays "an enormous capacity of authentic speech", similar to that of Caragiale and 4810:

of that year. By then, his political partners were making use of his literary fame, and his electoral pamphlet read: "There is no doubt that the thousands of people who have read his works will rush out on to vote for him." After 1948, when the

3553:("The Apprenticeship Years"), where Sadoveanu details some of his earliest experiences. Despite his temptation for destroying all raw personal notes, Sadoveanu wrote and kept a large number of diaries, which were never published in his lifetime. 1049:

award in 1906. In a 1908 essay, Maiorescu was to list Sadoveanu among Romania's greatest writers. According to Vianu, Maiorescu saw in Sadoveanu and other young writers the triumph of his theory on a "popular" form of Realism, a vision which the

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was published in its 15th edition. According to Simuț, the occasion itself was nevertheless marked with "the impression of general indifference", making Sadoveanu seem "a submerged continent, remembered by us only with piousness and confusion".

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needed to partake in politics: "It would seem that what is foremost needed is the contribution of intellectuals, in an epoch when the overall intellectual level is decreasing." His sincerity was doubted by his contemporaries: both his friend

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too, while expressing admiration for Sadoveanu, defined all his disciples and imitators as "mushroom-writers from Sadoveanu's woods" and "butlers who steal in order to wear his blazon". The issue was much later discussed by writer-critic

4203:, informing him on the state of rural education, and, beyond this, of the problems faced by villagers in Moldavia. It read: "The leaseholders and landowners, no matter what their nationality, make a mockery of the Romanians' labors. Every 2939:, although she knows him to be a seducer. Călinescu, who wrote with admiration about how the subject dissimulated pathos into "technical indifference", notes that the erotic rage motivating Haia has drawn "well justified" comparisons with 3993:, which depicts the hardships and eventual triumph of its eponymous peasant protagonist, was officially described as the first Socialist realist writing in local literature, and as a turning point in literary history. Often compared to 3903:. He also notes that such imagery, accompanied by portrayals of Soviet joy and abundance, replicated an ancient "structure of myth", adapting it to a new ideology on the basis of "what could be imagined, not of what could be believed." 3385:

as well: a messenger is shown wondering how the letter he brought could talk to the addressee; when she is supposed to encounter strange men, Marușca requests to be allowed to "shy away" in another room; a secondary character, claiming

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he encountered during his travels. Building on observations made by several critics, who generally praised the poetic qualities of Sadoveanu's prose, Crohmălniceanu spoke in detail about the Moldavian novelist's role in reshaping the

2009:, which was elected by the BPD-dominated legislative. He also kept his seat at the academy, which at the time was undergoing a communist-led purge, and, with several other pro-Soviet intellectuals, was voted in the Academy Presidium. 2667:, Sadoveanu begins to explore the staple technique of his literary contributions, which involves "suggesting the smolder of passions a contemplative breath in which he evokes a static element: landscapes or set pieces from nature." 2196:

Often seen as the leading author of his generation, and generally viewed as one of the most representative Romanian writers, Mihail Sadoveanu was also believed to be a first-class story-teller, and received praise especially for his

637:("Master Trandafir"). While away from school, young Sadoveanu used much of his spare time exploring his native region on foot, hunting, fishing, or just contemplating nature. He was also spending his vacations in his mother's native 5425:, was set up in Fălticeni in 1977. In Bucharest, a memorial plaque was placed on Pitar Moș Street, on a house where he lived for a period. During the 1990s, another bust of Sadoveanu, the work of several sculptors, was unveiled in 4449:, a leftist newspaper owned by Jewish entrepreneurs, Sadoveanu was targeted by right-wing voices, who claimed that he had chosen to abandon his nationalist credentials. Thus, Sadoveanu became the target of a press campaign in the 5292:

and Constantin Mitru, who was Sadoveanu's brother-in-law and personal secretary. The popularity of his writings remained high into the early 21st century: in 2004, when the country marked a hundred years since Sadoveanu's debut,

3519:-induced torpor), and as such illustrating "the great joy of participating in the transformations of matter, of eating and allowing oneself to be eaten." Sadoveanu also contributed an account of his travels into the Netherlands, 3089:. The narrative, whose basic lines had been drawn by Sadoveanu in his adolescent years, focuses on early events in Nicoară's life, building on the story according to which he and his brother Alexandru were the brothers of Prince 1424:

nucleus, while the review often featured samples of his novels (some of which were originally published in full by its publishing venture). His house was by then host to many cultural figures, among whom were writers Topîrceanu,

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describes their activity, altogether focused on depicting the rural world but diverging in bias, as one sign that the Romanian interwar itself was exceptionally effervescent, while Romanian-born American historian of literature

3723:("The Case of Eugenița Costea"), a civil servant kills himself to avoid prosecution, and his end is replicated by that of his daughter, brought to despair by her stepfather's character and by her mother's irrational jealousy. 2916:("The Recordings of Neculai Manea"), where the eponymous character, an educated peasant, experiences two unhappy romantic affairs before successfully courting a married woman who, although grossly uncultured, makes him happy. 1822: 499: 4373:

in pleading for good relations between the two neighbors. As noted by Crohmălniceanu, although Sadoveanu's interwar novels may depict both clashes between polities and benign misunderstandings, they ultimately discourage

3159:, he returns home and helps local boyar Stroie in recovering his daughter, Magda, who had been kidnapped by Cossacks. Șoimaru, who feels for Magda, is however enraged by news that her father has forced his community into 10925:, "Shifting Perspectives and Voices in the Romanian Novel"; "The Search for a Modern, Problematizing Historical Consciousness: Romanian Historical Fiction and Family Cycles", in Marcel Cornis-Pope, John Neubauer (eds.), 3253:("Princess Ruxandra's Wedding"), it shows the Cossacks' brutal celebration of the event around the court in Iași, depicting Tymofiy himself as an uncouth, violent and withdrawn figure. The narrative then focuses on the 2813:

and Moldavia was meant to ensure the supremacy of his class; a young lower-class woman becomes the love interest of a boyar but chooses a life of freedom; and a Rom deserts from the Army after being told to bathe. In

11182: 10459: 4789:. In 1945, claiming to have been "flashed upon" by "Stalin's argumentation", he urged the public to read the document for its "sincerity"; elsewhere, he equated reading the constitution with "a mystical revelation". 8319:

Călinescu, pp. 627-628, 794, 914; Crohmălniceanu, pp. 228-229, 238-240, 253-254. Crohmălniceanu (p. 239) notes that this "bewitching musical synthesis" of modern and ancient language is at times doubled by ironic

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shepherd's dog, Vitoria discovers both the body and the murderer, but, before she can take revenge, her dog jumps on the man and bites into his neck. By means of this plot line, Sadoveanu also builds a fresco of

4904:(1946). At the time, he claimed: "I have never engaged in politics, in the sense that one assigns to this word." He elaborated: "I am a left-wing person, following the line of a Poporanist zeal in the spirit of 7508: 5217:

Tudor Vianu attributes the warm international reception Sadoveanu generally received to his abilities in rendering the Romanians' "own way of sensing and seeing nature and humanity", while literary historian

2355:, who envisaged an urban literature in tune with European tendencies, was one of Sadoveanu's most notorious critics. However, Sadoveanu was well received by Lovinescu's adversaries within the modernist camp: 3333:. Writing in 1941, before its final part was in print, Călinescu argued that the novel was part of Sadoveanu's "most valuable work", and noted "the maturity of its verbal means." In the first volume, titled 1767:. Later that year, the 40th anniversary of Mihail Sadoveanu's debut was celebrated with a special ceremony at the academy and Tudor Vianu's speech, offered as a retrospective of his colleague's entire work. 8807:

Călinescu, p. 627. Although it went through several editions after that date, and was partly revised to cover events in Sadoveanu's later career, Călinescu's book does not include an analysis of the final

4293:

in the late 1920s, when he referred to his contributions as evidence that Romanian culture was successfully returning to its specific originality. In essence, Crohmălniceanu writes, Sadoveanu was tied to

10027:, p. 28. Also according to Cioroianu, Sadoveanu "would have perhaps also wanted to be assimilated into the category of radicalized left-wing sympathizers", but was in effect a "political opportunist" ( 10534: 4052:, the pretender becomes a purveyor of folk identity, aiming to reestablish the Moldavia of Stephen the Great's times. Praised early on by Dumitriu, who believed it was proof of "artistic excellence", 5142:, which postulated that phenomenons within Romanian culture preceded developments in world culture. In this context, Papu spoke of Sadoveanu as "one of the great precursory voices", comparing him to 3864:

materials." In contrast to these retrospective assessments, communist literary critics and cultural promoters of the 1950s regularly described Sadoveanu as the model to follow, both before and after

5417:

as "the synthesis of Baba's art", depicting "a man of letters aware of his mission the leading presence of an active consciousness". Constantin Mitru inherited the painting and passed it on to the

5591: 4827:

to have been a "long interval of organized injustice and crooked development in all areas", he presented the new order as an era of social justice, human dignity, available culture and universal

3337:("Ionuț's Apprenticeship"), the eponymous Jderi brothers, allies of Stephen and friends of his son Alexandru, fight off the enemies of their lord on several occasions. In what is the start of a 2058:

Throughout the period, Sadoveanu was involved in major communist-endorsed cultural campaigns. Thus, in June 1952, he presided over the academy's Scientific Council, charged with modifying the

4575:

and others. Denouncing the campaign as a "moral assassination", it referred to Sadoveanu as the author of "the most Romanian in our literature." Sadoveanu himself defended his fellow writer

4335:. Sadoveanu rejected the notion that ancestral Romanians were religious individuals, stating that their belief was in fact "limited to rituals and customs." He was also a vocal supporter of 11728: 9849: 1938:, an agronomist favored by Stalin. After his return, he wrote other controversial texts and gave lectures which offered ample praise to the Soviet system. That year, the ARLUS enterprise 842:

After that time, he spent much of his home in the country, where he raised a large family. Initially, the Sadoveanus lived in a house previously owned by celebrated Moldavian raconteur

2655:("Nour's Revenge"), a boyar refuses to make his peace with God until his son's death is avenged. Other fragments deal solely with the isolated existence of villagers: for example, in 2565:

for having adapted his writing style to the social environment and the circumstances of his narratives. Vianu however notes that Sadoveanu's late writings tend to leave more room for

2201:

and his depictions of rural landscapes. An exceptionally prolific author by Romanian standards, he published over a hundred individual volumes (120 according to the American magazine

1993:

officially established, Sadoveanu rose to the highest positions ever granted to a Romanian writer, and received significant material benefits. In 1947–1948, he was, alongside Parhon,

596:, provided their chosen surname (lit. "from Sadova"), which was adopted by the family only in 1891. Mihail's father was the lawyer Alexandru Sadoveanu (d. 1921), whom literary critic 7539: 5265:, in 1953. Nine years later, the collected short stories were a tool for cultural exchange between Romania and the United States. Sadoveanu's good standing in the Soviet Union after 1518:, and his 50th anniversary was celebrated at a national level. In 1930, Sadoveanu, Topîrceanu and the schoolteacher T. C. Stan wrote and edited a series of primary school textbooks. 4001:, it is remembered as a controversial epic dictated by ideological requirements, and argued to have been written with assistance from several other authors. Seen by historiographer 3361:, while Simion Jder falls for Marușca, who is supposedly Stephen's illegitimate daughter. The major episodes in the narrative are Marușca's kidnapping by a boyar, her captivity in 3230:

priest and French envoy, who meets and befriends Ruset. Their encounter is another opportunity for Sadoveanu to show the amiable but incomplete exchange between the mentalities of

2818:("At Our Place in Viișoara"), the life of an old man degenerates into bigotry and avarice, to the point where he makes his wife starve to death. Sadoveanu's positive portrayal of 12421: 6268: 5418: 3369:("His Lordship's Men"), the brothers are shown defending their ancestral rights and their lord against the Ottoman invader and ambivalent boyars, and crushing the former at the 2863:

In reference to the stories in this series, Călinescu stresses that Sadoveanu's main interest is in depicting men and women cut away from civilization, who view the elements of

4411: 1699: 1679:

Mihail Sadoveanu withdrew from politics in the late 1930s and early 1940s, as Romania came to be led by successive right-wing dictatorships, he offered a measure of support to

1458: 6540: 2663:("The Apparition") centers on the conjugal conflict between two old people, both of whom attempt to hide the shame of their past. George Călinescu notes that, particularly in 1565:

cabinet of the period, Sadoveanu was President of the Senate. The choice was motivated by his status as "a cultural personality". Around that date, he was affiliated with the

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Reviewing the consequences of these scandals, Ovid Crohmălniceanu suggests that all of what Mihail Sadoveanu wrote from 1938 to 1943 is in some way connected to the cause of

4277:

s chief ideologues, noting that he was nonetheless "rendered notorious by his inconsistency and opportunism." He writes that Sadoveanu and Stere both showed a resentment for

4209: 3615:. Călinescu notes that, in such writings, "the intrigue is a pretext", again serving to depict the vast wilderness confronted with the keen eye of foreign observers. He sees 3395: 3137: 3127: 2496:, "although he has nothing like the power or skill of any of them." For Călinescu and Vianu too, Sadoveanu is a creator with seemingly Romantic tastes, which recall those of 1502: 1303: 1178: 401: 383: 13198: 4207:

in the village, mayors, notaries, paper-pushers, shamelessly mercilessly milk this milk cow. They are joined by the priest—who is in disagreement with the teacher." With

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Sadoveanu's series of minor novels and stories of the interwar years also comprises a set of usually urban-themed writings, which, Călinescu argues, resemble the works of

633:

Beginning in 1887, Sadoveanu attended primary school in Pașcani. His favorite teacher, a Mr. Busuioc, later served as inspiration for one of his best-known short stories,

12300: 7708: 4726:, refused to sign the document. Also according to Zilber, Sadoveanu motivated his refusal by stating that the letter needed to be addressed not to Antonescu, but to King 2639:(members of Moldavia's medieval aristocracy), showing the ways in which they relate to each other, to their servants, and to their country. In one of the stories, titled 3860:

and George Călinescu, although it may have been intended to rally "prestige and depth" to Socialist realism, only succeeded in bring their late works to the level of "

13103: 2836:, and is mostly present in some of the stories through (sometimes recurrent) heroic characters: Vasile the Great, Cozma Răcoare, Liță Florea etc. In the piece titled 914: 4180:. An early cause of his was his attempt to reconcile Iorga with the Poporanists, but his efforts were largely fruitless. In the 1910s, the anti-Iorga traditionalist 2164:, being visited regularly by literary and political friends, among them Alexandru Rosetti. Mihail Sadoveanu died there at 9 AM on 19 October 1961, and was buried at 2045:. Sadoveanu and Beniuc were reelected at the Union's first Congress (1956). In the meanwhile, Sadoveanu published several Socialist realist volumes, among which was 4908:, but one adapted to the new circumstances." Cioroianu sees in such statements evidence that, trying to discard his past, Sadoveanu was including himself among the 13118: 7505: 6960: 5003: 4423: 2409:

Sadoveanu's personality and experience played a major part in shaping his literary style. After his 1901 marriage, Mihail Sadoveanu adopted what Călinescu deemed "

1598:, as first recorded by the organization in 1928, but was probably a member since 1926 or 1927. Reaching the 33rd degree within the organization and overseeing the 10294: 7972: 1939: 11776: 5480:. The film itself was closely supervised for conformity with ideological guidelines, and had to be partly redone because its original version did not meet them. 2413:" lifestyle. The literary historian noted that he took a personal interest in educating his many children, and that this also implied "making use of a whip". An 2134: 10744: 5388: 1735:

in 1942, Sadoveanu again retreated to the countryside, in his beloved Arieș area, where he had built himself a chalet and a church; this seclusion produced his

1246: 11515: 2329: 5392: 4572: 4006: 3573:, "The Nest of Invasions"). This was evidence of his growing interest in exotic subjects, which he later adapted to a series of novels, where the setting is " 13123: 9731: 5289: 4691: 4122: 12511: 11101: 10922: 9988: 5206:

versions of his texts into an anthology designed to promote modern Romanian culture internationally. Also then, some of Sadoveanu's texts were rendered in

5119: 4379: 4289:, they had a form of "humane sympathy" for Jews and foreigners taken individually. The Poporanist aspect of Sadoveanu's literature was also highlighted by 3659: 2221: 11286: 7852: 7501: 2034: 12414: 11438: 11174: 9361: 7021: 5505: 5414: 5118:

became a noted promoter of her father's literature and public image, publishing children's versions of his biography, notably featuring illustrations by

4197: 4014: 943: 11130: 11030: 9176: 5095: 5007: 4010: 1968: 13048: 12355: 12072: 10423: 7031: 6758: 6051: 5786: 5509: 4390:

at a time of sharp political polarization." The same text was described by Vianu as evidence of Sadoveanu's "understanding, gentleness and tolerance".

3962: 3923: 3201: 1619:—splits which ended after some three years, when Sadoveanu marginalized both of his opponents, without however earning legitimate recognition from the 1508: 756: 395: 12456: 12067: 12047: 12020: 6298: 5039:("Letters of a Peasant"), an early work by novelist Cezar Petrescu, are deeply marked by Sadoveanu's influence, and that the same writer's use of the 4505:" motivated by "perversity", and called on the public to harass the writer and beat him with stones. It also protested when the public authorities in 3831:"), both of which, Călinescu objected, lacked in originality. The former, published in 1934, was more noted among critics, for both intimate tone and 2659:("Once, in a Village"), a mysterious man dies in a Moldavian hamlet, and the locals, unable to discover his identity, sell his horse. The prose piece 1615:. There subsequently occurred a split between Bibescu and Sadoveanu's supporters, aggravated by their publicized conflict with a third group, that of 1245:

school (the magazine was no longer in print by 1910). At the time, he became a noted presence among the group of intellectuals meeting in Bucharest's

12804: 10979: 9841: 9450: 5473: 5285: 5242: 5011: 4113:. Various statements contradicting the ideological guidelines were cut out of new editions: the books in general could no longer include mentions of 2694:"perhaps the poorest" of his collections of stories. In Lovinescu's view, Sadoveanu's move toward naturalism did not imply the necessary recourse to 1935: 1881: 1090:

was hypocritical. As he latter recalled, Sadoveanu was himself upset with some of Iorga's critical judgments regarding his own work, noting that the

5826: 4231: 4099: 3325: 1971:, a journalist whose support for fascist regimes had made him undesirable, and who had moved out of Romania. The decision was viewed as evidence of 1635: 389: 13098: 13068: 11982: 11752: 10814: 4489: 1998: 1788: 1202:. Inspired by the bloody outcome of the Revolt, as well as by Haret's moves to educate the peasantry, Sadoveanu reportedly drew suspicion from the 321:; 5 November 1880 – 19 October 1961) was a Romanian novelist, short story writer, journalist and political figure, who twice served as acting 7229: 6884: 6694: 3585:(partly coinciding with present-day Romania). The home of mysterious Asiatic peoples, Sadoveanu's Scythia is notably the background to his novels 2389:

streaks of local folklore. In the larger dispute about national specificity, and partly in response to Vinea's claim, modernist poet and essayist

2242:), George Călinescu also noted that, through several of his stories and novels, Sadoveanu echoed the style of his predecessors and contemporaries 1727:

and established his own fascist regime, the still-apolitical Sadoveanu was more present in public life, and lectured on cultural subjects for the

13128: 12430: 11482: 11391: 11097: 11089: 11051: 10312: 10230: 5656: 5219: 5163: 5099: 4889: 4868: 4484: 4435:, Ovid Crohmălniceanu suggested that, as early as the 1930s, Sadoveanu's attitudes were rather similar to the official line of communist groups. 4415: 3904: 3105:. Glossing over several years in Nicoară's life, and culminating in his seizure of the throne, the narrative shows his victory against pretender 3098: 2504: 2378: 2137:, which again propelled him to a position as titular head of state. His literary stature but also his political allegiance earned him the Soviet 1959:, Sadoveanu was a candidate for the Communist party-organized Bloc of Democratic Parties (BPD) in Bucharest, winning a seat in the newly unified 1877: 1724: 1454: 1301:, he accompanied him and other writers on cultural tours during 1914 and 1915. The series of writings he published at the time includes the 1915 70: 9836: 12407: 11299: 5107: 5103: 1488:

affiliates, he also embarked on a series of hunting trips. He was charmed in particular by the sights he discovered during a 1927 visit to the

1294: 7469: 6455: 2924:"without literary interest"; in Ovid Crohmălniceanu's view, the same story presents relevant detail on professional and intellectual failure. 2473: 2351:. Mihail Sadoveanu's interest in the rural world and his views on tradition were subjects of debate among the modernists. The modernist doyen 1645: 1054:

thinker had advocated in his essays from as early as 1882. Sadoveanu later credited Iorga, Maiorescu, and especially so the cultural promoter

474: 13188: 11279: 11072: 10722: 10571: 10451: 10129: 6893: 6703: 6307: 5049: 4916:", but that he may in reality have been "motivated by fear". Paraphrasing communist vocabulary, Stanomir describes the writer as one of the " 3845: 2440:

Călinescu opined that the value of such descriptions within individual narratives grew with time, and that the author, once he had discarded

2398: 1616: 7330: 4839:, Cioroianu notes, Sadoveanu accepted being colleagues with newly promoted "secondary characters whom the new regime needed", such as poet 4298:

by his advocacy of national specificity, his preference for the large-scale narrative, and his vision of pristine, "natural", human beings.

13238: 13178: 13113: 7536: 5681: 4323:, a stance which led him into open conflict with extreme nationalists. Alongside its Humanism, Sadoveanu's nationalism was noted for being 11272: 10713: 4154:

stances several times in his life. In close connection with his traditionalist views on literature, but in contrast to his career under a

1464:

Despite his health problems, Sadoveanu frequently traveled throughout Romania, notably visiting local sights which inspired his work: the

1019:("Old Man Petcu's Alehouse"). The beginning of a prolific literary career covering more than a half century and of his collaboration with 11975: 9845: 5384: 3739:("Bear's Eye") introduces its hero Culi Ursake, the toughened hunter, into a bizarre scenery that seems to mock a human's understanding. 10881: 10343: 9809: 5380:

made Mihail Sadoveanu the subject of a sociological study investigating his literary contributions in the context of social evolutions.

2343:

In Vianu's assessment, Sadoveanu's work signified an artistic revolution within the local Realist school, comparable to the adoption of

13108: 13063: 11254: 11247: 7146: 5261:

was also among the few English-language editions sanctioned by the Romanian regime, being translated and published, with a preface by

2215:—for all the differences in style between the three figures, the interwar public saw them as the "great novelists" of the day. Critic 1337:. At the time, he was reelected President of the Writers' Society, a provisional mandate which ended in 1918, when Romania signed the 13058: 5250: 11266: 10560: 6569:

Vianu, Vol. III, p. 243. According to Crohmălniceanu (pp. 195-196), Sadoveanu was personally invited to contribute by fellow writer

6535: 5644: 5226:

were exceptional in their generation for taking an active interest in how their texts were translated, edited and published abroad.

13208: 13053: 13013: 11293: 11260: 7705: 7565: 6058: 4133:

removed a character's claim that "the Russian" was by nature "the drunkest of them all, a worthy beggar and singer at the fairs."

3719:, Sadoveanu depicts the cultured but bored boyar Lai Cantacuzin and his growing affection for a modest young woman, Daria Mazu. In 2805:. At times, they confront the morals of barely literate people with the stern authorities: a peasant obstinately believes that the 2224:

sees Sadoveanu and Rebreanu as their country's "two most important novelists of the first half of the twentieth century". In 1944,

12968: 9478: 6337: 3619:

as "the novel of millenarian immobility", and its theme as one of mythological proportions. The narrative pretexts, including the

415:("The Hatchet") and some other works of fiction, Sadoveanu extends his fresco to contemporary history and adapts his style to the 13203: 12973: 11431: 11002: 10765: 6507: 4155: 3875:, the writer built on the opposition between light and darkness, identifying the former with Soviet policies and the latter with 2844:

presided upon by the dark figure of Sandu Faliboga, brigands who flee all public authority and whom commentators have likened to

2460:

means, nature is assigned a specific if discreet role within the plot lines, or serves to render a structure. The traditionalist

1895:

Sadoveanu's literary and political change became known to the general public in March 1945, when he lectured about Soviet leader

1137: 1023:

publishing house, this debut was marked by intense preparation, and drew on literary exercises spanning the previous decade. His

7025: 3460:, primarily showing recluse men in real-life symbiosis with the wilderness, also attention for its sympathetic depiction of the 2856:("Roving Times", 1907), Sadoveanu sketches the improvised self-defense of a refugee community, their last stand against nomadic 13218: 13193: 12988: 6967: 4428: 4159: 2148:

which impaired his speech and left him almost completely blind, Sadoveanu was cared for by a staff of physicians supervised by

1297:, after which he spent a short period on the front. He returned to literary life. Becoming good friends with poet and humorist 988:, Sadoveanu became especially known as the raconteur of hunting trips, but also sparked controversy when a young woman writer, 919: 6462: 2722:("Two Sons"), a boyar comes to feel affection for his illegitimate son, whom he has nonetheless reduced to a lowly condition. 365:

journal. His books, critically acclaimed for their vision of age-old solitude and natural abundance, are generally set in the

11883: 11333: 11152: 11084: 10869: 10804: 9857: 6260: 5594:

and a bookstore in Bucharest are named after him, and streets named after him exist in, among other places, Iași, Fălticeni,

5032: 2845: 2444:, used them as "a means for the senses to enjoy the fleshes and the forms that nature offers man." He added that Sadoveanu's 2247: 1837:

during their late 1944 visits, he soon after became president of the ARLUS "Literary and Philosophical Section" (seconded by

1066:, with having helped him capture the interest of the public and his peers. He was by then facing adversity from opponents of 10590: 10487: 6934: 3421:

and traces its ancestral paths, taking as a source of inspiration one of the best-known poems in local folklore, the ballad

1963:. In its first-ever session (December 1946), the legislative body elected him its president. He was at the time residing in 11520: 4990:

Sadoveanu's prose, in particular his treatment of natural settings, was a direct influence in the works of writers such as

4398: 3674:, whose symbolism it partly reflected. Its protagonist, Kesarion Brebu, is included by Vianu among the images of sages and 3329:, Sadoveanu's fresco of Moldavian history maintains its setting, but moves back in time to the 15th century rule of Prince 3018:("Ancuța's Inn"), described by George Călinescu as a "masterpiece of the jovial idyllicism and barbarian subtlety", and by 1570: 1522: 455: 5114:

was published in 30,000 copies (a number rarely met by the Romanian publishing industry in that context). In later years,

4887:

in spring 1954, and whose work Sadoveanu treasured. He is also reported to have helped George Călinescu publish the novel

4643: 3848:

argues, Sadoveanu became the most influential prose author among Romanian Socialist realists, equaled only by the younger

2168:, in Bucharest. His successor as President of the Writers' Union was Beniuc, elected during the Congress of January 1962. 13008: 12998: 10614: 3353:, "The White Water Spring") intertwines the life of the Jderi brothers with that of Stephen's family: the ruler weds the 2497: 1728: 1625:. By 1934, he was recognized as Grand Master of the United Romanian Freemasonry, which regrouped all major local Lodges. 4221:, most of all the restriction of economic rights, were becoming a background theme in his fiction, which later depicted 2507:

as marked by "volubility", and thus contrasting with his famously taciturn and seemingly embittered nature, the form of

13213: 13133: 13078: 13033: 12993: 12963: 11998: 11462: 11424: 11364: 6628: 4806:, Sadoveanu blamed the old political class in general for the problems faced by Romanian peasants, including the major 4358: 3168: 2767:, where he returns to a depiction of rural life as unchanged by outside factors. Petcu's establishment, located on the 661:, but, having lost interest in schoolwork, he failed to get his remove, before eventually graduating top of his class. 10255: 9728: 7476: 1566: 1500:. His popularity continued to grow: in 1925, 1929 and 1930 respectively, he published his critically acclaimed novels 811:

prose. In 1901, Sadoveanu married Ecaterina Bâlu, with whom he settled in Fălticeni, where he began work on his first

463: 13233: 12983: 11447: 11208: 11117: 11067: 11046: 11023: 11010: 10987: 10969: 10938: 10917: 10822: 10377: 10328: 10056: 4193: 3362: 2779:

However, Sadoveanu's stories of the period often returned to a naturalistic perspective, particularly in a series of

2090:, and led the National Committee for the Defense of Peace at a time when the Soviet Union was seeking to portray its 1530: 1191: 807:

society in the capital, but, following a sudden change in outlook, abandoned poetry and focused his work entirely on

459: 12646: 12621: 5376:

it was merely a "literary device which hardly covers the emptiness of idea." Also during the interwar, philosopher

5150:

toppled communism, Sadoveanu remained an influence on some young authors, who recovered the themes of his work in a

4912:

intellectuals "willing to let themselves be won over by the indescribable charm and the full swing of the communist

2872:-like hostility in front of new objects. Some of the early stories, Crohmălniceanu argues, do follow the moralizing 13228: 13043: 13018: 7311: 4184:

recognized in Sadoveanu one of the Poporanists who promoted "the spiritual healing of our people through culture."

2849: 2029:

in 1949, Sadoveanu became its Honorary President. In 1950, he was named President of the Writers' Union, replacing

1229:, and becoming its president in September of that year. The same year, he, Iosif, and Anghel, together with author 5409:, one of the best-known Romanian visual artists for his generation. Baba, who had been officially criticized for " 3209:, and is seen by Călinescu as "of a superior artistic level." The plot centers on a conflict between Duca and the 2523:. Often borrowing plot lines and means of expression from medieval and early modern Moldavian chroniclers such as 13223: 13163: 12731: 10834:, "Lumina vine de la Răsărit. 'Noua imagine' a Uniunii Sovietice în România postbelică, 1944-1947", p. 21-68 5052:, who likewise described most historical novelists inspired by Sadoveanu as "insignificant" to Romanian letters. 4110: 3205:, Sadoveanu's later historical novel, is set late in the 17th century, during the third rule of Moldavian Prince 2175:, where she set up an informal literary circle and Orthodox prayer group, notably attended by literary historian 1321: 946:'s Board of Schools, returning to Fălticeni two years later. After 1906, he rallied with the group formed around 803:'s Faculty of Law, but withdrew soon after, deciding to dedicate himself to literature. He began frequenting the 13183: 11647: 9985: 1868:

and his cabinet, one in a series of moves to discredit the non-communist Rădescu and make him leave power. With

13173: 13153: 13148: 11467: 8929: 8333:

Călinescu, pp. 627, 631; Vianu, Vol. III, pp. 225-226, 246-247; Crohmălniceanu, pp. 232, 239, 240, 254, 250-252

4803: 4282: 2932: 1956: 1554: 1538: 1534: 345:. An author whose career spanned five decades, Sadoveanu was an early associate of the traditionalist magazine 5446:

of the communist period. However, the first film based on his works was a German production of 1929: based on

4991: 4475:

portrayed Sadoveanu as the victim of Jewish manipulation, and equated his affiliation to the Freemasonry with

2561:. This particular contribution was first described early in the 20th century, when Sadoveanu was acclaimed by 1442: 13038: 12958: 12434: 11717: 11712: 11315: 7006:'s Department of Neo-Latin Languages and Literatures; retrieved 7 April 2008. See also Crohmălniceanu, p. 197 5186:

Mihail Sadoveanu's various works were widely circulated abroad. This phenomenon began as early as 1905, when

5134:, published in 1977. The official revival of nationalist discourse in the 1960s allowed controversial critic 4848: 4840: 3879:. Sadoveanu thus spoke of "the dragon of my own doubts" being vanquished by "the Sun of the East". Historian 3078: 2730: 2183:, and dedicated herself to protecting the community of nuns. She survived Mihail Sadoveanu by over 30 years. 2157: 1408:; he gave his reception speech in front of the cultural forum two years later, structuring it as a praise of 777: 366: 94: 9924:, pp. 50-51. Cioroianu suspects that this episode shows Sadoveanu was copying the behavior of French writer 9765: 4638: 13143: 13028: 13003: 12601: 12571: 12335: 12242: 12162: 12107: 6295: 5284:

Sadoveanu's diaries and notes were collected and edited during the early 2000s, being published in 2006 by

4816: 4679: 4670:

dictatorship, Sadoveanu kept a low profile and was apolitical. However, Cioroianu writes, he supported the

4387: 4021:

that some critics believe was a testimony that Sadoveanu was submitting himself and imposing his public to

2107: 1817: 1755: 1218: 850:("Garden of Quietude"). He was the father of eleven, among whom were three daughters: Despina, Teodora and 528: 13093: 13088: 10739: 4900:

Mihail Sadoveanu provided a definition of his own political transition in conversation with fellow writer

3735:") of 1935, a defeated brigand seeks a dignified end to his wasted life. Written in 1938, the short story 1739:("Bradu-Strâmb Stories"). During those years, the sixty-year-old writer met Valeria Mitru, a much younger 13168: 13158: 13138: 12978: 12566: 12476: 12466: 11310: 5147: 4856: 4815:

was installed, Sadoveanu directed his praise toward the new authorities. In 1952, as Romania adopted its

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also commented that his style was "curiously dated" and recalled not Sadoveanu's generation, but that of

2052: 1976: 1921: 1562: 130:

novelist, short story writer, journalist, essayist, translator, poet, civil servant, activist, politician

10555: 3977:. In a later memoir, Sadoveanu depicted his existence and the destiny of his country as improved by the 2176: 1573:, who stood in opposition to the main National Liberal group. In parallel, he began contributing to the 1318:, Sadoveanu stayed in Moldavia, the only part of Romania's territory still under the state's authority ( 854:, the latter of whom was a poet and a novelist. Of his sons, Dimitrie Sadoveanu became a painter, while 12471: 12461: 12117: 11633: 11628: 11472: 10796: 10596: 6942: 6881: 6691: 5566: 4962: 4876: 4629: 3950: 3086: 2457: 2103: 2026: 1687: 1338: 981: 724: 532: 374: 10891: 10234: 4378:, suggesting that "the gifts and qualities of various kinships" are mutually compatible. According to 3815:("The Blue Crane") is a series of short stories with lyrical themes. Among his early writings are two 3054:

bemuses the other protagonists when he explains the more frugal ways and the technical innovations of

2614:, which he recommended as a source of inspiration to his fellow writers during his 1923 speech at the 2572: 1633:

He was publishing new works at a regular rate, culminating in the first volume of his historical epic

1120:

venue which grouped together ruralist traditionalists of the "national tendency" and adherents to the

1108:

s editors, alongside Iorga and Iosif. The magazine, originally a traditionalist mouthpiece founded by

12275: 11242: 11232: 8007: 5538: 4146:

Sadoveanu's engagement in politics was marked by abrupt changes in convictions, seeing him move from

3269:

force repelled the Moldo-Cossack forces and, turning the tide, entered deep into Moldavia and placed

2476:

notes, was partly justified by the fact that Sadoveanu never truly parted with the traditionalism of

2397:

was tributary to those it had come into contact with, "Sadoveanu's soul can be easily reduced to the

1948: 1862: 12521: 10133: 6548: 5557:

were often paid homage with state celebrations, likened by literary critic Florin Mihăilescu to the

2690:). For Călinescu, this choice of style brought "damaging effects" on Sadoveanu's writings, and made 2369:, the latter of whom, in search for literary authenticity, believed in bridging the gap between the 989: 12399: 12217: 12207: 11816: 11238: 4937: 4884: 4786: 4699: 4568: 4328: 4319:, and, through a reflex, his work." By consequence, Ornea argues, Sadoveanu became a supporter of 4126: 3743: 3608: 2788: 2729:("Stories from the War"), which compose scenes from the lives of Romanian soldiers fighting in the 2695: 2648: 2553: 2038: 2037:, this last appointment was a sign of Stancu's marginalization after he had been excluded from the 1711: 1493: 1465: 788:. In parallel, he founded and printed by hand a short-lived journal, known to researches as either 780:

for which the review spoke. He ultimately began writing pieces for non-Symbolist magazines such as

487: 210: 12809: 12764: 12157: 10886: 10568: 10138: 5397: 4176: 3529: 3090: 2156:

region, where they lived in a villa assigned to them by the state and located near the Voividenia

1274: 1253: 948: 899: 891: 646: 361: 13073: 13023: 10369: 8310:

Călinescu, pp. 625, 627, 628; Crohmălniceanu, pp. 225, 233, 239-240; Vianu, Vol. III, pp. 225-226

5064: 4871:

describes this fragment as one of "intellectual abjection", indicating that Mihalache, already a

4222: 3330: 3312: 3114:

novel as "still awkward", noting that Sadoveanu was only beginning to experiment with the genre.

2953:

to be "perhaps best novella", particularly since the "wild beauty" Haia has to overcome at once

2702:("The Wolf"), an animal is chased and trapped by a group of peasants; the eponymous character in 2679: 2535:

and registers of speech, moving away from a mere imitation of the historical language. Generally

2344: 2228:

spoke of Sadoveanu as "the most significant writer Romanians have, the first among his equals."

1612: 966:, stood for a traditionalist and ruralist approach to art, even though the latter adopted a more 800: 727: 420: 232: 12541: 9818: 5306:

Sadoveanu is an occasional presence in the literary works of his fellow generation members. His

3772: 3490:, "Bessarabian Roads"). He also collected and commented upon the memoirs of other avid hunters ( 2540: 1333:

friends, the stated belief that war was misery and the welcoming of Romania's commitment to the

843: 12716: 12666: 12611: 12290: 11825: 11606: 11384: 10861: 10710: 7304: 7143: 7003: 5993: 5562: 4958: 4942: 4894: 4306: 3671: 3562: 3171:, where he discovers that Stroie is plotting against Tomșa, while Magda, who is in love with a 2687: 2536: 2500:. Unlike Lovinescu, Vianu saw these traits as "not at all detrimental to the balance of art." 2301: 1751: 1657:

press, replying to their attacks in several columns. Affiliates of the radical right organized

1621: 1608: 1595: 1109: 560: 548: 544: 12641: 12596: 12232: 11374: 10943: 10040: 5087: 4929: 4852: 4419: 2426: 2216: 2161: 2106:

for 1951. As a parliamentarian, Sadoveanu stood on the committee charged with elaborating the

2041:, while the Writers' Union was actually controlled by its First Secretary, the communist poet 1899:

at a conference hall in Bucharest. Part of a conference cycle, his speech was famously titled

1438: 1366: 86: 12551: 12536: 12526: 12295: 12257: 11917: 11785: 11737: 9806: 9753: 8099:, p. 259; Vianu, Vol. II, p. 115. According to Vianu, Sadoveanu "worshiped Gane as maestro". 7485: 6471: 5262: 5151: 5086:. At the time, studies of his work were published by prominent communist critics, among them 4995: 4936:

and others, was one of the "non-communist intellectuals" attracted into cooperation with the

4925: 4798:, Sadoveanu was emotional during the 1945 Soviet trip, shedding tears of joy upon visiting a 4278: 4244: 4188:

were victims of the "superimposed category" of foreigners, in particular those administering

3472: 3465: 3409: 3227: 2806: 2095: 1960: 1826: 1792: 1334: 1153: 1078:

review, which published claims that Sadoveanu's volumes, which depicted immoral acts such as

963: 923: 451: 296: 12774: 12092: 10535:"Portretul lui Sadoveanu pictat de Baba intră definitiv în patrimoniul Casei-muzeu din Iași" 5269:

also made him one of the few Romanian writers whose works were still being published in the

4510: 4290: 3907:

writes that Sadoveanu and his fellow ARLUS members use a discourse recalling the theme of a

3341:, the youngest Jder, Ionuț Păr-Negru, consumed by love for Lady Nasta, who was kidnapped by 3147:

centered on the coming of age of one Tudor Șoimaru. The protagonist, born a free peasant in

2461: 2078:, and reacting against young authors who had not discarded the since-condemned doctrines of 1667: 1586: 1417: 1195: 977: 39: 13083: 12953: 12948: 12819: 12350: 12097: 12087: 11887: 11860: 11683: 11622: 10909: 10569:

Suceava County Directorate for Culture, Religious Affairs and National Patrimony Items site

6334: 5452: 5068: 4735: 4727: 4671: 4471:. The former publication deplored his supposed "betrayal" of the nationalist cause. In it, 3908: 3647: 3607:

during the month of June, shows a French intellectual meeting a nomadic tribe of Moldavian

3155:

in the 1612 battles to capture the Moldavian throne. After participating in the capture of

3082: 3046: 2792: 2239: 2006: 1986: 1972: 1780: 1350: 980:, became a personal friend of the young writer after inviting him on an excursion down the 828: 585: 378: 322: 12212: 12197: 11869: 11850: 11122: 9740: 7717: 7517: 7155: 7065: 6346: 6152: 5311: 5060: 4762: 4556: 4523:, even suggested that the writer should use his hunting rifle to commit suicide. In 1937, 3692:. The novel is often interpreted as Sadoveanu's perspective on the Dacian contribution to 3316: 2594: 2172: 1924:

to attend the 220th anniversary of its foundation, they also visited research institutes,

1473: 1298: 776:. Sadoveanu was however dissatisfied with Densusianu's agenda, and critical of the entire 8: 12661: 12330: 12147: 12132: 12102: 11901: 11836: 11806: 11667: 11505: 10348: 10260: 9997: 9487: 8504:

Călinescu, pp. 617-618, 620-621. See also Crohmălniceanu, pp. 195, 196, 201-203, 213-224.

7977: 7570: 7548: 7234: 6976: 6516: 6067: 5794: 5194:

was translated very soon after its original Romanian edition. In 1931, female author and

5179: 5143: 5028: 4754: 4646:, to deem Sadoveanu and his fellow contributors "scoundrels". His renewed mandate in the 4621: 4147: 3853: 3506: 3404: 3246: 2962: 2619: 2569:, mostly present in those parts where the narrator's voice takes distance from the plot. 2374: 2232: 2126: 2099: 1683: 1514: 1412:

in general and folkloric poetry in particular. At the time, he renewed his contacts with

1365:("The House with a Tower"). In the 19th century, it had been the residence of politician 1256:, a position which he filled until 1919. That year, he translated from the French one of 1095: 855: 556: 439: 416: 411: 280: 174: 22: 12706: 12696: 12345: 12137: 12122: 12030: 11038: 10839: 9749: 9388:

Răileanu, pp. 16-17; Vianu, Vol. III, pp. 251-253. See also Crohmălniceanu, pp. 238, 239

6055: 4933: 4924:" of the communists, and argues that Sadoveanu's claim to have always leaned towards a " 3946: 3700: 3456:, "Dobrujan Sights"). Călinescu wrote that they both comprised "pages of great beauty". 2874: 2718:("The Servant") is unable to take revenge on his cruel employer at the right moment; in 2478: 1854: 1806:

in Romania, Sadoveanu supported the new authorities, and turned from his own version of

904: 882: 597: 347: 237: 12686: 12576: 12531: 12506: 12247: 12077: 11590: 11570: 11556: 11540: 9475: 6459: 4954: 4872: 4824: 4659: 4590:. According to Cornis-Pope, Sadoveanu's dislike for the far right can be discovered in 4463: 4394: 4034: 3816: 3755: 3693: 3655: 3639: 3051: 3031: 2801: 2644: 2394: 2267: 2243: 1446: 1222: 1071: 1027:

colleague Iorga deemed 1904 "Sadoveanu's Year", while the influential and aging critic

1003:

1904 was Sadoveanu's effective debut year: he published four separate books, including

194: 166: 12711: 12691: 12561: 12491: 12481: 11967: 11530: 10760: 6780:, pp. 50, 67, 71, 126, 127; Vianu, Vol. I, pp. 334-335, 337, 397-398; Vol. III, p. 207 6504: 4663: 4636:. In 1940, he offered controversial praise to the ruler through the official journal, 3270: 2263: 2180: 1865: 1141: 815:

and decided to make his living as a professional writer. His first draft for a novel,

730:, but his first literary attempts date from the following year. It was in 1897 that a 12784: 12676: 12616: 12586: 12187: 12182: 12152: 12142: 12062: 12002: 11757: 11638: 11218: 11186: 11165: 11148: 11134: 11113: 11080: 11063: 11042: 11019: 11006: 10983: 10965: 10951: 10934: 10913: 10865: 10818: 10800: 10651: 10463: 10427: 10373: 10324: 10052: 9853: 6092:

Călinescu, p. 615; Crohmălniceanu, pp. 192-193, 213-214; Vianu, Vol. III, pp. 233-235

5688: 5493: 5461: 5443: 5131: 5115: 5056: 5040: 4812: 4758: 4695: 4647: 4502: 4375: 4362: 3978: 3803: 3793: 3534: 3441: 3164: 3152: 3027: 2970: 2833: 2611: 2558: 2532: 2508: 2283: 2138: 2122: 2059: 2055:. First published in 1949, it earned Sadoveanu the first-ever State Prize for Prose. 1990: 1846: 1811: 1803: 1747: 1639:, which saw print in 1935. In 1936, the writer accepted the honorary chairmanship of 1603: 1546: 1409: 1282: 1265: 851: 685: 552: 540: 503: 330: 326: 313: 275: 246: 186: 138: 12887: 12872: 12486: 12052: 11935: 11923: 11911: 11033:, "Construcție și semnificație în ficțiunea istorică", preface to Mihail Sadoveanu, 6964: 6570: 5501: 3106: 3062:("The Sun in the Waterhole"), which, Călinescu argues, displays "a trickier style." 2381:, who sees Sadoveanu's main point of contact with modernism was his interest in the 1477: 559:, who also pursued careers as writers, he was the brother-in-law of literary critic 12897: 12799: 12789: 12779: 12769: 12754: 12701: 12651: 12636: 12631: 12626: 12606: 12365: 12202: 12177: 11401: 11227: 10831: 10239: 9787:

Lavinia Betea, " 'Recunoștința' Partidului față de cei care l-au subvenționat", in

9769: 9471: 8012: 7024:, Chapter VII: "Mediul artistic și literar dintre cele două războaie mondiale", in 5664: 5558: 5435: 5327: 5207: 4836: 4828: 4790: 4633: 4615: 4532: 4458: 4260: 4189: 4060: 3918: 3912: 3880: 3468: 3370: 3354: 3070: 3041: 2901: 2615: 2512: 2430: 2390: 2321: 2317: 2309: 2271: 2235:

and among the writers standing for "the national tendency" (as opposed to the more

2149: 2111: 1858: 1834: 1830: 1807: 1496:. The same year, he also visited the Netherlands, which he reached by means of the 1469: 1434: 1405: 1397: 1046: 877: 836: 808: 706: 681: 581: 536: 352: 334: 224: 158: 12814: 12656: 12340: 12310: 11840: 11764: 11322: 10415: 9544:

Călinescu, pp. 661-662. Călinescu notes that this is evident in Sadoveanu's novel

6255: 5615: 5481: 5331: 4880: 4483:, while Crainic himself compared the writer to his own character, the treacherous 3074: 2973:, has a belated and sad revelation of true love. In other sketch stories, such as 2543:. The writer himself recorded his fascination with the "eloquence" of rudimentary 2251: 2121:

to the state in 1950, he moved back to Bucharest, where he owned a house near the

2114:, it continued to recommend Mihail Sadoveanu as one of its prime cultural models. 1994: 1784: 1374: 1230: 1149: 1113: 1063: 935: 674: 619: 12907: 12759: 12591: 12237: 12167: 12057: 11574: 11535: 11337: 10847: 10769: 10717: 10618: 10575: 10564: 10397:

Topîrceanu, Vol. II, pp. 244, 422-423 (Săndulescu, in Topîrceanu, Vol. I, p. 288)

10361: 10299: 9992: 9813: 9789: 9735: 9482: 9366: 7857: 7792: 7712: 7543: 7512: 7480: 7176: 7150: 6992: 6971: 6938: 6929: 6888: 6698: 6632: 6544: 6511: 6466: 6341: 6302: 6264: 6062: 5982: 5579: 5457: 5410: 5361:

himself turns to pure literature, portraying Sadoveanu as a child blessed by the

5358: 5278: 5203: 5187: 5077: 4921: 4855:

of summer 1947, presided over the Chamber sessions which outlawed the opposition

4618: 4600: 4564: 4544: 4472: 4252: 4013:

both as one of "the most harmful books in Romanian literature", and by historian

3985: 3865: 3791:. In 1909, Sadoveanu also published adapted version of two ancient writings: the 3675: 3527:("Recordings from Iași"), which deals with the period during which he worked for 3516: 3254: 3179: 2897: 2735: 2590: 2484: 2352: 2313: 2290:

note that Sadoveanu also took inspiration from the themes and genres explored by

2275: 2255: 2236: 2203: 2075: 1983: 1680: 1481: 1421: 1257: 1238: 1226: 1211: 1203: 1183: 1121: 1055: 1020: 751: 654: 447: 338: 170: 162: 12501: 11214: 8162:

Călinescu, pp. 615, 803; Vianu, Vol. II, p. 115. See also Crohmălniceanu, p. 198

5583: 4509:

refused to withdraw Sadoveanu the title of honorary citizen, and again when the

4370: 4017:

as "a propaganda writing, a failure from a literary point of view". A praise of

3754:("His Highness the Forest Boy", 1931), and a collection of stories adapted from 3007: 2153: 622:). Another one of his brothers, Vasile Sadoveanu, was an agricultural engineer. 90: 12927: 12917: 12902: 12892: 12882: 12877: 12824: 12681: 12556: 12546: 12516: 12496: 12325: 12280: 12112: 12082: 11941: 11929: 11800: 10930: 10611: 9761: 7171: 5623: 5550: 5442:

Sadoveanu's writings also made an impact on film culture, and in particular on

5372: 5254: 5246: 5238: 5223: 5199: 5091: 5073: 5006:; his storytelling techniques were also sometimes borrowed by comedic novelist 4970: 4961:, was a natural partner of the communists, to the point of sanctioning its own 4820: 4719: 4715: 4560: 4552: 4540: 4406: 4344: 4340: 4256: 4248: 4226: 4214: 3900: 3892: 3849: 3358: 3274:

customs to be a relevant part of Sadoveanu's "vast historical fresco." In both

3235: 3231: 3210: 3183: 3102: 3094: 3055: 2893: 2864: 2675: 2607: 2562: 2520: 2333: 2259: 2212: 2208: 2198: 2165: 2130: 2087: 2030: 1917: 1909: 1873: 1764: 1497: 1430: 1426: 1378: 1315: 1028: 761: 424: 342: 228: 190: 104: 12848: 4743: 3703:, but develop into "regressive" texts with "a lyrical intrigue". They include 3365:, and her rescue at the hands of the Jderi. The 1942 conclusion of the cycle, 3286:, Sadoveanu invents the character Guido Celesti, who stands in for the actual 1550: 1217:

Mihail Sadoveanu became a professional writer in 1908–1909, after joining the

819:("The Potcoavă Brothers"), came out in 1902, when fragments were published by 694: 66: 12942: 12922: 12912: 12671: 12581: 12370: 12252: 11844: 11689: 10877: 10793:"Germanofilii". Elita intelectuală românească în anii Primului Război Mondial 7441:

Topîrceanu, Vol. II, pp. 560-562 (Săndulescu, in Topîrceanu, Vol. II, p. 582)

7256:

Topîrceanu, Vol. II, pp. 562-563 (Săndulescu, in Topîrceanu, Vol. II, p. 703)

6692:"Sadoveanu din spatele operei. Part II" (interview with Constantin Ciopraga)" 5669: 5554: 5426: 5406: 5270: 5139: 4999: 4974: 4860: 4844: 4774: 4723: 4667: 4651: 4576: 4515: 4476: 4402: 4181: 4167: 3857: 3732: 3689: 3603: 3413: 3214: 3182:

it sets out to replicate. The critic, who deemed Magda's courtship by Tudor "

3143: 3036: 2981:("The Dog"), Sadoveanu follows Caragiale's close study of suburban banality. 2768: 2753: 2493: 2434: 2361: 2325: 2171:

Following her husband's death, Valeria Sadoveanu settled in proximity to the

2017: 1943: 1896: 1850: 1720: 1672: 1599: 1558: 1526: 1370: 1326: 909: 887: 769: 521: 178: 12305: 11694: 11416: 11340: 9925: 7506:"Propagandă, manipulare, dar și cultură în adevăratul înțeles al cuvântului" 6621: 5996:'s Department of Neo-Latin Languages and Literatures; retrieved 7 April 2008 5532:(tr. "The Bear Eye's Curse"). In 1989, just before the Romanian Revolution, 5488:(with a screenplay co-written by Constantin Mitru) and a 1973 adaptation of 4005:

as an "embarrassing literary fabrication", it was rated by literary critics

3994: 3715:("The Place Where Nothing Happened"), where, in what is a retake on his own 3346: 3097:

they tried to avenge. The text also follows their attempt to seize and kill

2683: 1964: 1716: 1172: 832: 12389: 12320: 12222: 12172: 12127: 11830: 11357: 9757: 9745: 8267:

Călinescu, p. 631; Vianu, Vol. III, p. 218. See also Crohmălniceanu, p. 253

7473: 5834: 5465: 5422: 5288:

and the MLR. The main coordinators of this project were literary historian

5266: 5230: 5082: 5024: 4795: 4707: 4655: 4604: 4587: 4528: 4450: 4354: 4264: 4218: 4118: 4022: 3989: 3934: 3835:

character (recounting Stephen's life on the model of saints' biographies).

3578: 3418: 3387: 3266: 3206: 2954: 2780: 2682:(believed by Călinescu to have been borrowed from either the French writer 2528: 2469: 2414: 2356: 2297: 2279: 2083: 2047: 2042: 1913: 1842: 1707: 1663: 1658: 1542: 1489: 1269: 1032: 773: 731: 658: 593: 508: 491: 483: 214: 206: 11190: 10955: 6296:"Patriarhul cuvîntului românesc se întoarce în amintiri, la Casa din deal" 5627: 5619: 5595: 5183:

magazine listed six of his works as some of the best 150 Romanian novels.

4823:, Sadoveanu made some of his most controversial statements. Declaring the 4765:(front row, left) visiting Sadoveanu's memorial house at Voividenia (1966) 4506: 4431:, underlined the writer's sympathy for the "intellectual Left". Himself a 3957:("Kaleidoscope"). In one of these accounts, he details his encounter with 3937:, Sadoveanu published travelogues and reportage piece, including the 1945 3707:("Miss Margareta"), where a conflict occurs between a young woman and her 2878:

pattern, but part with it when they refuse to present the countryside in "

642: 12315: 12285: 11906: 11896: 11790: 11157: 11138: 11093: 10853: 10788: 10467: 10431: 9476:"Constantin Stere și Nicolae Iorga: antinomiile idealului convergent (I)" 7225: 5525: 5477: 5377: 5170: 5014:. According to Călinescu, Sadoveanu's early hunting stories published by 4950: 4917: 4864: 4781:. In particular, Sadoveanu offered praise to one of the major pillars of 4714:, who took part in this action, Sadoveanu, like his fellow intellectuals 4711: 4703: 4675: 4625: 4580: 4548: 4520: 4240: 4236: 4200: 4163: 4002: 3896: 3832: 3777: 3667: 3242: 3023: 2940: 2841: 2707: 2586: 2524: 2489: 2465: 2370: 2348: 2225: 2152:

and reporting to the Great National Assembly. The Sadoveanus withdrew to

1903:, which soon became synonymous with the attempts to improve the image of 1885: 1838: 1695: 1311: 1199: 1117: 1087: 1000:, a serialized novel which was discontinued and later largely forgotten. 804: 765: 742:("Mihai from Pașcani"), was successfully submitted for publishing to the 606: 431: 406: 11169: 10539: 9455: 8200:

Călinescu, pp. 620, 621, 626, 627, 803; Crohmălniceanu, pp. 207-208, 229

7339: 5533: 5190:

translations were first published, and continued during the 1930s, when

4445: 3662:

places it among Sadoveanu's "mythic-poetic narratives that explored the

2999: 1821:). This was also the start of his association with the Soviet-sponsored 1666:. In September 1937, as a statement of solidarity and appreciation, the 1579: 625: 468: 12794: 12360: 12192: 11742: 10647: 10592:

Inițiativă importantă a U.S.R. Plăci memoriale pentru scriitorii români

10492: 9340: 9338:

Alexandra Olivotto, "Cele mai nocive cărți din cultura românească", in

8483:

Călinescu, p. 616; Crohmălniceanu, p. 202; Vianu, Vol. III, pp. 222-223

6637: 5575: 5347: 5343: 5274: 5135: 4901: 4683: 4468: 4324: 4315: 4171: 4114: 3958: 3884: 3876: 3788: 3483: 3293: 3287: 3241:

In a shorter novel of the period, Sadoveanu explored the late years of

2711: 2445: 2410: 2079: 2002: 1796: 1691: 1290: 993: 972: 719:

In 1896, when he was aged sixteen, Sadoveanu gave thought to writing a

517: 430:

A traditionalist figure whose perspective on life was a combination of

356: 242: 7108:, pp. 104, 299-301, 306, 331-332, 362. See also Crohmălniceanu, p. 197 5245:, among the first wave of Romanian books to have been translated into 5233:

and world audiences became a priority for the communist regime. Thus,

5130:. Among the memoirs dealing with Sadoveanu's late years were those of 3423: 2674:, builds on the latter technique and takes his work into the realm of 1190:

Sadoveanu returned to his administrative job in 1907, the year of the

862:("Like the Flower of the Field...") which was published posthumously. 638: 577: 62: 11059: 9744:, 12 July 2005. The other figures cited in this context are Arghezi, 5586:. Since 2003, in tribute to Sadoveanu's love for the game, an annual 5569:

club, commonly known as "The Writers' House", bore Sadoveanu's name.

5367: 5159: 5044: 4909: 4782: 4536: 4332: 4320: 4151: 3888: 3828: 3784: 3776:

story, considered "somewhat highbrow" by George Călinescu, while the

3708: 3612: 3502: 3476: 3262: 2909: 2829: 2810: 2796: 2566: 2449: 2386: 2366: 1904: 1650: 1611:

of the National Union of Lodges in 1932, thus replacing the vacating

1574: 1450: 1342: 1207: 967: 846:, before they commissioned a new building, famed for its surrounding 743: 720: 615: 495: 479: 443: 202: 198: 148: 108: 12429: 10692: 10686: 9850:

Elie Wiesel National Institute for Studying the Holocaust in Romania

8126:

Călinescu, p. 803; Cernat, p. 320; Crohmălniceanu, pp. 34-35, 39, 49

5607: 5603: 5322:, Sadoveanu is a character in the novel and disguised autobiography 4928:" inaugurated "a pattern of chameleonism". In the view of historian 4734:

was noted as one of the few prose works of the 1940s to mention the

3887:

came to be widely used by various Romanian authors who rallied with

3852:. Historian Bogdan Ivașcu writes that Sadoveanu's affiliation with " 3666:

and symbolics of history." The writer himself acknowledged that the

2945: 2892:(somewhat similar to the aesthetic of boredom, adopted in poetry by 2698:. The pieces focus on dramatic moments of individual existences. In 799:

Sadoveanu left for Bucharest in 1900, intending to study law at the

21:"Sadoveanu" redirects here. For other persons of the same name, see 11486: 10992: 10317:

Pentru Europa. Integrarea României: Aspecte ideologice și culturale

8321: 7990:

Cornis-Pope, p. 500; Crohmălniceanu, pp. 137, 192, 196-198, 582-584

5631: 5195: 4946: 4799: 4687: 4438: 4310: 4302: 4286: 4105: 4086: 3970: 3926:

stresses that Sadoveanu's texts of the period frequently quote the

3861: 3680: 3663: 3651: 3598: 3542: 3444:. His contributions notably include accounts of his hunting trips: 3245:'s rule over Moldavia, centering on the marriage of Cossack leader 3173: 3019: 2958: 2582: 2516: 2441: 2382: 2287: 2091: 1931: 1759: 1750:

toppled Antonescu and switched sides in the war, rallying with the

1740: 1286: 1161: 1079: 902:

in 1903, Sadoveanu contributed works to the traditionalist journal

865: 602: 435: 370: 10904:

Pe umerii lui Marx. O introducere în istoria comunismului românesc

5933:

Călinescu, p. 615; Crohmălniceanu, p. 192; Vianu, Vol. III, p. 233

4879:, the aging writer is credited by some with having protected poet 4875:

of the regime, was to die in captivity. However, as leader of the

4069:

adapted to orders coming from above". Such works include the 1951

3601:

officer. In the latter, titled after the ancestral celebration of

2748: 2417:, the writer was a homemaker, an avid hunter and fisherman, and a 2300:. In his youth, Sadoveanu also admired and collected the works of 1521:

In 1926, after a period of indecision, Sadoveanu rallied with the

11451: 11109: 10933:, Amsterdam & Philadelphia, 2004, p. 441-456, 499–505. 10320: 10048: 9379:

Cornis-Pope, p. 501; Răileanu, p. 5; Vianu, Vol. III, pp. 251-253

9364:, "1952. Filmul românesc la raport în Consiliul de Miniștri", in 9297:, p. 72; Selejan, pp. 152, 224, 319. See also Vasile, pp. 98, 244 7635:, pp. 22-23; Frunză, pp. 189-190. See also Vasile, pp. 59-60, 244 6763: 5673: 5635: 5611: 5430: 5020: 4807: 4595: 4480: 4454: 4432: 4366: 3974: 3685: 3624: 3574: 3566: 3461: 3449: 3258: 3160: 2869: 2784: 2544: 2453: 2422: 2305: 2292: 1869: 1654: 1649:. During that time, he was involved in a public dispute with the 1349:. He was joined by Topîrceanu, who had just been released from a 1157: 1145: 1098:(one of Iorga's protegés, and viewed as overrated by Sadoveanu). 1037: 939: 812: 653:. While in Fălticeni, he was in the same class as future authors 589: 112: 10773: 8700:

Călinescu, p. 622; Crohmălniceanu, pp. 208, 240; Răileanu, p. 11

8531:

Crohmălniceanu, pp. 203-204, 209-210, 225, 226-227, 243, 247-248

3448:("The Land beyond the Fog"), and one dedicated to the region of 3308: 3222: 3156: 3117: 2984: 2888: 2763:

Sadoveanu renounces this grim perspective on life in his volume

1775: 1694:

from power. He was personally appointed a member of the reduced

1457:, whose work he helped promote, to the aristocrat and memoirist 1373:. During that period, he collaborated with leftist intellectual 650: 506:. Many of his texts and speeches, including the political novel 11203: 11077:

Literatura în totalitarism. Vol. II: Bătălii pe frontul literar

10894: 8068:

Călinescu, pp. 501, 575, 581, 617, 618, 620, 631, 672, 822, 835

6757:

Radu Cernătescu, "Sadoveanu și francmasoneria" (with a note by

5599: 5362: 5211: 5155: 4913: 4773:

lecture, Sadoveanu became noted for his positive portrayals of

4608: 3942: 3594: 3342: 3189: 2857: 2825: 2820: 2599: 2549: 2145: 1926: 1706:("Works"). Sadoveanu kept a low profile under the Iron Guard's 1388: 664: 584:. His father's family hailed from the southwestern part of the 182: 10612:"Busturi / Sculptură și pictură monumentală: Mihail Sadoveanu" 6996: 6179:

Crohmălniceanu, pp. 193, 213-214; Vianu, Vol. III, pp. 237-238

5986: 5391:

society. Sadoveanu was also the subject of a 1929 painting by

4579:, who stood accused by the far right press of having written " 3670:

nature of the book was inspired by his own affiliation to the

3561:

Also during that time, he retold and prefaced the journeys of

1888:, Sadoveanu edited the association's weekly literary magazine 610:

Swiss-educated literary critic Izabela Morțun (later known as

5587: 4501:, a dismissive term for "Jew"), depicted him as an agent of " 4251:'s national policies in Bessarabia as far more barbaric than 3966: 3927: 3763: 3684:", is a treasurer of ancient secret sciences mastered by the 3582: 3148: 3122: 2882:" fashion, or when they adopt a specific "mythical realism". 2879: 2799:

women who playfully seduce adolescents, or of the provincial

2636: 2418: 2328:. Both Sadoveanu and Gane were also indirectly influenced by 1358: 1357:. Sadoveanu subsequently settled in the Iași neighborhood of 1182:

in the original 1915 edition "with illustrations by Stoica" (

1128:

was, for a large part, a promoter of older guidelines set by

9076:

Călinescu, p. 629; Crohmălniceanu, p. 215; Răileanu, pp. 5-6

5326:("On the Eve of the Revolution"), authored by his colleague 4867:

approach to politics had made him a "ridiculous character".

2961:

and shame, before dying "in terrible pain" during a botched

2623:

most records of his investigations confined to his diaries.

1529:, was a prominent activist. He then rallied with Goga's own 835:, and inspired by the experience to write some of his first 4883:, a disillusioned communist who had been excluded from the 3511: 2840:(roughly, "The Mud-hut Dwellers"), he shows eccentrics and 2429:, as a man of refined culinary tastes, Sadoveanu cherished 1393: 1124:

currents such as Symbolism. Călinescu and Vianu agree that

1083: 926:—beginning December of the same year, the paper serialized 10762:

Festivalul Internațional de Șah Mihail Sadoveanu, ediția I

10622: 8360:

Călinescu, p. 413; Vianu, Vol. I, p. 337; Vol. III, p. 207

5031:, and paved the way for its predilect use in the works of 4847:. In his official capacity, Sadoveanu even signed several 3611:, who, the reader learns, are actually the descendants of 2207:). His contemporaries tended to place Sadoveanu alongside 2070: 2064: 1979:, whose press deemed Sadoveanu the "Count of Ciorogârla". 10774:

Romanian Central Commission for Correspondence Chess site

10624:

Patrimoniul istoric și arhitectural al Republicii Moldova

9397:

Răileanu, pp. 7-10. See also Crohmălniceanu, pp. 234, 235

9006: 9004: 8834: 8832: 8619:

Călinescu, pp. 620-621; Crohmălniceanu, pp. 215, 216, 219

7941:

Cioroianu, p. 283; Crohmălniceanu, p. 199; Frunză, p. 374

7706:"Comunism - Iscusitele condeie din slujba 'democrației' " 6359:

Vianu, Vol. III, p. 205. See also Crohmălniceanu, p. 194.

6158: 4851:

declared by communist tribunals, and, in the wake of the

4698:

toppled the regime, he was approached by the clandestine

4642:, which caused Carol's political adversary, psychologist 3565:, an English architect and stonemason who spent years in 2969:("Tranquillity Pond"), where Alexandrina, pushed into an 2936: 1361:, purchasing and redecorating the villa known locally as 11129:, Vols. I-II (preface, chronological table and notes by 10858:

Avangarda românească și complexul periferiei: primul val

10844:

Istoria literaturii române de la origini pînă în prezent

9019:

Crohmălniceanu, pp. 203, 204, 242, 245-246, 247-248, 249

8008:" 'Ceahlăul literaturii române', sărbătorit la Chișinău" 6604: 6602: 6056:"Mihail Sadoveanu - secțiuni dintr-o geografie literară" 5496:). In 1969, Romanian studios produced a film version of 5468:. The series of Romanian-made films began with the 1952 4285:, whom they saw as agents of exploitation, but that, as 3471:-speaking population, as an ancient tribe threatened by 3349:

was "rather depressing". The second book in the series (

3058:. Sadoveanu applied the same narrative technique in his 3010:, taking its inspiration from 17th century Cossack raids 2377:. This opinion was shared by Swedish literary historian 1845:). In February 1945, he joined Parhon, Enescu, linguist 760:

in 1898. His contributions, featured alongside those of

18:

Romanian writer, journalist and politician (1880 - 1961)

11997: 10927:

History of the Literary Cultures of East-Central Europe

10488:"Corneliu Baba: autoportretul din dosarul de cadre PCR" 6998:

Cronologia della letteratura rumena moderna (1780-1914)

6154:

Sadoveanu în ultimul an de viață - Neverosimila vacanță

5988:

Cronologia della letteratura rumena moderna (1780-1914)

5549:

During the early decades of communist rule, Sadoveanu,

3965:, and claims to have tasted bread made from a brand of 3482:("People and Places") and an account of his trips into 2886:

characteristically underdeveloped Moldavian cities and

1198:, he served under the reform-minded Education Minister 10828:

Lucian Boia, "Un nou Eminescu: A. Toma", p. 71-81

9001: 8829: 2733:. Objecting to a series of exaggerations in the book, 1770: 1690:, which attempted to block the more radically fascist 952:, which was also joined by his sister-in-law Izabela. 10366:

The Oxford Guide to Literature in English Translation

6599: 6197:

Crohmălniceanu, pp. 193, 194; Vianu, Vol. III, p. 238

5405:

was supposed to feature a series of drawings made by

5346:

which alludes to Sadoveanu's prose, and the other, a

5318:("Ballad of the Priest from Rudeni"). Under the name 5027:, helped establish the genre within the framework of 4382:, this cooperative vision is the background theme to 4270:

Călinescu sees Sadoveanu, alongside Stere, as one of

3220:

In the background, the story depicts the visit of an

3022:

as the first evidence of Sadoveanu's "new age", is a

2643:("The Love Song"), Sadoveanu touches on the issue of 1823:

Romanian Society for Friendship with the Soviet Union

1743:

journalist, whom he married after a brief courtship.

1698:

Senate by Carol. In 1940, the official establishment

827:. The following year, Sadoveanu was drafted into the 516:("The Light Arises in the East"), are also viewed as 13199:

Romanian military personnel of the Second Balkan War

11145:

Literatura și artele în România comunistă. 1948-1953

9189:

Selejan, pp. 21, 93, 95, 152, 172, 175, 331-332, 347

7206: 7204: 5383:

A portrait of Sadoveanu was drawn by graphic artist

3077:, a late 16th-century Moldavian nobleman who became 2670:

Sadoveanu's subsequent collection of short stories,

2651:

slave who is killed by his jealous master, while in

2231:

While underlining his originality in the context of

1829:. Having served as a host to official Soviet envoys 1758:

began at home, Romanian troops fought alongside the

1404:

In 1921, Sadoveanu was elected a full member of the

1194:. Kept in office by the National Liberal cabinet of 938:. In 1904, he regained Bucharest, where he became a 858:, the youngest (born 1920), was author of the novel 10948:

Literatura română între cele două războaie mondiale

9085:

Călinescu, pp. 629-630; Crohmălniceanu, pp. 215-216

8847:

Crohmălniceanu, pp. 228, 230-231, 233-234, 238, 247

8725:

Călinescu, p. 623; Crohmălniceanu, pp. 230, 231-232

7840:, p. 283; Crohmălniceanu, p. 199; Vasile, pp. 81-82 4819:and the authorities intensified repression against 4746:as "our shame", and commends those who opposed it. 4527:congratulated ultra-nationalists who had organized 4239:activity, Sadoveanu also followed the Poporanists' 4077:("Iron Bucktooth"), alongside an unfinished piece, 4040:With his final published work, the 1951-1952 novel 3577:", seen as an ancestral area of culture connecting 3440:Before the 1940s, Sadoveanu also became known as a 3435: 2912:" environments. A rather similar plot is built for 2743: 2025:After the Writers' Society was restructured as the 1353:in Bulgaria, and with whom he founded the magazine 1345:, edited the Entente's regional propaganda outlet, 10406:Călinescu, p. 761. See also Crohmălniceanu, p. 379 4749: 3646:("The Golden Bow") takes partial inspiration from 3213:boyars: the young Alecu Ruset, son of the deposed 2935:woman who throws herself into the arms of a local 1967:, having been awarded a villa previously owned by 1825:(ARLUS), which was led by biologist and physician 1210:guides aimed at industrious ploughmen, a brand of 890:is credited as the editor in chief, Sadoveanu and 10688:Cultural - Muzee. Casa Memorială Mihail Sadoveanu 8409:Vianu, Vol. III, pp. 251-252; Răileanu, pp. 16-17 7201: 7180:, February 2003. See also Crohmălniceanu, p. 196. 4443:During the 1930s, following his stint as head of 4064:An elderly Sadoveanu sitting in front of his desk 3678:in Mihail Sadoveanu's fiction, and, as "the last 3290:leader of Duca's Iași, Bariona da Monte Rotondo. 2336:diplomat and author of the Romanian-themed story 2012: 1989:was overthrown by the BPD-member parties and the 1281:Sadoveanu was again called under arms during the 12940: 11164:, Vols. I-II, Editura Minerva, Bucharest, 1970. 4439:Opposition to fascism and support for King Carol 4401:, Sadoveanu motivated his choice in a letter to 3819:which retell historical events from the source, 3746:. His most significant pieces in this field are 3545:"), and the account of years in primary school, 2593:. Commenting on this aspect, Sadoveanu's friend 2585:nature, and often depicted in contrast with the 1590:Portrait of Sadoveanu by Ștefan Dimitrescu, 1928 486:, Sadoveanu became a political associate of the 13119:Presidents of the Chamber of Deputies (Romania) 11392:President of the Chamber of Deputies of Romania 11062:, Cambridge, Massachusetts & London, 2006. 10462:, Bucharest, 1954, pp. 24-26, illustration 32. 9807:"Norman Manea. Despre literatura Holocaustului" 8761:Călinescu, p. 624; Crohmălniceanu, pp. 229, 230 8301:Crohmălniceanu, p. 198; Vianu, Vol. III, p. 230 7095:Săndulescu, in Topîrceanu, Vol. I, pp. XXI-XXII 6931:Uniunea Scriitorilor din România. Scurt istoric 6873: 6871: 6869: 6867: 6865: 6170:Călinescu, p. 615; Crohmălniceanu, pp. 193, 214 5421:(MLR). A marble bust of Sadoveanu, the work of 4666:, and several other public figures. During the 3742:During the period, Mihail Sadoveanu also wrote 2082:. The author was also becoming involved in the 1148:, and he had for his colleagues the geographer 329:(1947–1948 and 1958). One of the most prolific 12858: 12834: 12740: 12442: 11343:newsreel showing Sadoveanu and other delegates 11237:(includes three of Sadoveanu's works), at the 10902: 10890:, Nr. 3/1912, p. 61-65 (digitized by the 10882:"Vieața literară în 1911 (o privire generală)" 10740:"Zeci de scriitori 'Pe urmele lui Sadoveanu' " 10122: 10120: 10014:, p. 28; partially rendered in Stanomir, p. 25 8877:Călinescu, p. 629; Crohmălniceanu, pp. 204-205 8817:Călinescu, p. 626; Crohmălniceanu, pp. 235-238 7537:"Cabana lui Sadoveanu, rezervată polițiștilor" 6505:"Cu Profira Sadoveanu, în dulcele stil clasic" 6327: 6325: 6323: 6321: 6319: 6317: 6206:Călinescu, p. 615; Crohmălniceanu, pp. 193-194 5010:, and, in later years, by historical novelist 4166:groups of various hues, associating with both 3868:'s views on culture were adopted as the norm. 3593:. The former shows its eponymous character, a 2511:used by Mihail Sadoveanu, particularly in his 2141:, which he received shortly before his death. 1861:in a protest against the cultural policies of 1628: 13104:People's Party (interwar Romania) politicians 12415: 11983: 11446: 11432: 11018:, Vol. II, Editura Minerva, Bucharest, 1998. 10950:, Vol. I, Editura Minerva, Bucharest, 1972. 10661: 10659: 10066: 10064: 9729:"Carol al II-lea - precursorul lui Ceaușescu" 9685: 9683: 9681: 9548:, where the Jewish woman is seen as a victim. 8927:Marian Chiselițe, "Huțulii din Bucovina", in 7697: 7695: 7693: 7091: 7089: 7087: 6953: 6951: 6287: 6285: 6283: 6281: 6279: 6277: 6044: 6042: 6040: 6038: 6036: 6034: 6032: 6030: 6028: 6026: 6024: 6022: 5650:Romanian stamp commemorating Sadoveanu (1980) 5357:In his scientific study of Sadoveanu's work, 4893:, mediating between him and communist leader 3783:consciously recalls the work of 19th century 2965:. Sadoveanu's work of the time also includes 2927:Praised by its commentators, the short novel 2531:, the author creatively intercalates several 2133:were acting Chairmen of the Presidium of the 2094:enemies as warmongers and the sole agents of 13124:Members of the Chamber of Deputies (Romania) 11056:Dada East. The Romanians of Cabaret Voltaire 10703: 10701: 10272: 10270: 9354: 9352: 9350: 9334: 9332: 9180:, Vol. IV, Nr. 9 (48), September 2008, p. 39 9027: 9025: 8000: 7998: 7996: 7786: 7784: 7782: 7780: 7778: 7776: 7774: 7385: 7383: 7369: 7367: 6862: 6838:Călinescu, p. 602; Vianu, Vol. II, pp. 67-69 6802:Vianu, Vol. II, p. 67; Vol. III, pp. 207-209 6750: 6748: 6746: 6744: 6742: 6740: 6738: 6736: 6734: 6683: 6681: 6679: 6677: 6675: 6673: 6671: 6669: 6667: 6528: 6526: 6496: 6494: 6492: 6490: 6448: 6446: 6444: 6442: 6440: 6438: 6436: 6434: 6432: 6430: 6428: 6144: 6142: 6140: 6138: 6136: 6134: 6132: 6130: 6128: 6020: 6018: 6016: 6014: 6012: 6010: 6008: 6006: 6004: 6002: 5565:. For a while after the writer's death, the 5371:with ironic gifts, such as an obstinacy for 5177:. In 2001, a poll carried among literati by 4932:, Sadoveanu, like Parhon, George Călinescu, 4702:and its sympathizers in academia to sign an 3475:. Sadoveanu's other travelogues include the 2576:Sadoveanu on the steps of his house in Copou 2068:was discarded, and replaced everywhere with 1731:. After publishing the final section of his 1389:Creative maturity and early political career 665:First literary attempts, marriage and family 500:Society for Friendship with the Soviet Union 11408:as President of the Great National Assembly 10117: 9928:, who made a similar tour during the 1930s. 9846:Federation of Jewish Communities of Romania 9442: 9440: 9438: 7965: 7963: 7855:, "Ce roman, viața lui Zaharia Stancu", in 7322: 7320: 7230:"Senzaționalul unor amintiri de mare clasă" 7218: 7216: 7066:"Repere Istorice | Regimentul 16 Dorobanți" 7014: 7012: 6665: 6663: 6661: 6659: 6657: 6655: 6653: 6651: 6649: 6647: 6426: 6424: 6422: 6420: 6418: 6416: 6414: 6412: 6410: 6408: 6314: 6248: 6246: 6244: 6242: 6240: 6238: 6236: 6234: 6232: 5456:("Storm Tide of Love"), it notably starred 4162:cabinets, Sadoveanu initially rallied with 4141: 2832:injustice, replicates stereotypes found in 1252:In 1910, he was also appointed head of the 12422: 12408: 11990: 11976: 11439: 11425: 11234:Roumanian Stories. Translated by Lucy Byng 10656: 10643: 10641: 10639: 10637: 10635: 10633: 10479: 10477: 10475: 10061: 9780: 9778: 9678: 9416: 9414: 9412: 9174:Bogdan Ivașcu, "Mimetismul totalitar", in 8743:Crohmălniceanu, pp. 225-226, 229, 232, 233 8046: 8044: 8042: 8040: 8034:Crohmălniceanu, pp. 19, 189, 255, 262, 298 7690: 7432:, pp. 462-465; Topîrceanu, Vol. II, p. 561 7198:Crohmălniceanu, pp. 114, 137, 198, 582-583 7135: 7133: 7131: 7129: 7127: 7084: 6948: 6274: 6230: 6228: 6226: 6224: 6222: 6220: 6218: 6216: 6214: 6212: 5330:. Sadoveanu is honored in two writings by 4802:center in the countryside. Running in the 4730:. However, and aside from its main topic, 4129:beliefs. In one such instance, censors of 4085:, the peasant boy Culai follows his hero, 3891:during the late 1940s, citing among these 3838: 3631:with another one of Sadoveanu's writings, 1594:Sadoveanu was by then affiliated with the 908:, led at the time by historian and critic 601:of whom, as the writer recalled, had been 466:, he was editor of the leftist newspapers 38: 13049:19th-century Romanian short story writers 11960:indicates incumbent/current officeholder. 11183:Editura de stat pentru literatură și artă 10999:Anii treizeci. Extrema dreaptă românească 10698: 10460:Editura de stat pentru literatură și artă 10267: 9822:, Nr. 256-257 (1056-1057), June–July 2006 9509:Crohmălniceanu, pp. 226, 229-234, 247-248 9428: 9426: 9347: 9329: 9022: 8989:Călinescu, p. 830; Crohmălniceanu, p. 197 8976: 8974: 8972: 8970: 8968: 8958: 8956: 8954: 8952: 8950: 8948: 8896: 8894: 8892: 8886:Călinescu, p. 629; Crohmălniceanu, p. 205 8855: 8853: 8785: 8783: 8781: 8779: 8769: 8767: 8712: 8710: 8708: 8706: 8638: 8636: 8634: 8583:Crohmălniceanu, pp. 199-212, 248-253, 540 8570: 8568: 8566: 8564: 8540:Călinescu, p. 619; Crohmălniceanu, p. 201 8491: 8489: 8461: 8459: 8457: 8455: 8453: 8451: 8254: 8252: 8250: 8248: 8220: 8218: 8216: 8214: 8212: 8210: 8208: 8206: 8187: 8185: 8183: 8181: 8179: 8177: 8082: 8080: 8078: 8076: 8074: 7993: 7949: 7947: 7771: 7529: 7527: 7462: 7460: 7380: 7364: 7353: 7351: 7349: 7283: 7281: 7279: 6922: 6920: 6918: 6916: 6914: 6912: 6731: 6724: 6722: 6551:calendar page; retrieved 30 December 2010 6523: 6487: 6484:Călinescu, p. 615; Crohmălniceanu, p. 196 6125: 5999: 5975: 5973: 5971: 5969: 5967: 5965: 5387:, within a larger work which depicts the 4632:, saw his participation in the monarch's 4418:recount how, in 1926–1927, Sadoveanu and 4044:, Sadoveanu retells the narrative of his 2791:employees, of young men drafted into the 2186: 1545:, in Transylvania, holding a seat in the 1293:, he was stationed in Fălticeni with the 1214:which even resulted in a formal inquiry. 333:writers, he is remembered mostly for his 11777:Presidium of the Great National Assembly 9435: 9318: 9316: 9236: 9234: 8288: 8286: 8284: 8282: 7960: 7806: 7804: 7802: 7764: 7762: 7760: 7737: 7735: 7733: 7731: 7729: 7727: 7317: 7213: 7042: 7040: 7009: 6855: 6853: 6644: 6592: 6590: 6588: 6405: 6389: 6387: 6385: 6383: 6373: 6371: 6369: 6367: 6365: 5433:(the former Moldavian SSR), part of the 5080:, and was introduced mainly through his 4753: 4650:was a favor from Carol, also granted to 4059: 3623:celebration and the Rom people's social 3307: 3116: 2998: 2931:(1908) shows the eponymous character, a 2904:). Among his first works of the kind is 2747: 2571: 2125:. From 7 to 11 January 1958, Sadoveanu, 2016: 1774: 1670:conferred Sadoveanu the title of doctor 1585: 1480:. After 1923, together with Topîrceanu, 1392: 1221:, created in the previous year by poets 1171: 1167: 898:After receiving an invitation from poet 876: 624: 13099:Titular members of the Romanian Academy 13069:Romanian theatre managers and producers 11079:, Cartea Românească, Bucharest, 2008. 10630: 10472: 10297:, "Ultima locuință a scriitorului", in 9775: 9409: 8752:Călinescu, pp. 623-624; Răileanu, p. 13 8691:Călinescu, p. 622; Vianu, Vol. I, p. 25 8037: 7888:Selejan, pp. 147, 151-152, 156, 163-164 7124: 6209: 6118: 6116: 6079: 6077: 5955: 5953: 5951: 5949: 5947: 5945: 5943: 5941: 5939: 5229:Later, publicizing Sadoveanu's work to 4331:imagery favored by nationalists on the 3556: 2547:, and in particular with the speech of 1461:, and to a satirist named Radu Cosmin. 1369:, and, during the war, hosted composer 1264:newspaper, alongside Anghel and critic 1101:The same year, Sadoveanu became one of 1086:, showed that Iorga's program of moral 962:, having comparable influence over the 912:. He was by then also a contributor to 886:logo, issue no. 20, dated 14 May 1906. 13129:Members of the Great National Assembly 12941: 9986:"Straniul destin al lui Nicolae Labiș" 9423: 8965: 8945: 8889: 8850: 8776: 8764: 8703: 8631: 8561: 8486: 8448: 8245: 8203: 8174: 8071: 7944: 7524: 7457: 7346: 7276: 6909: 6719: 5962: 4710:. According to the communist activist 4614:Sadoveanu's subsequent endorsement of 4117:(a region first incorporated into the 3823:("The Life of Stephen the Great") and 3249:and Lupu's daughter, Ruxandra. Titled 2304:, a prolific and successful author of 2286:, while literary historians Vianu and 1802:After the Soviet-backed advent of the 1400:, one of Sadoveanu's favorite retreats 1164:, which caused him intense suffering. 930:("The Hawks"), an extended variant of 12403: 11971: 11729:Provisional Presidium of the Republic 11420: 11243:DXARTS/CARTAH Electronic Text Archive 11133:), Editura Minerva, Bucharest, 1983. 9557:Crohmălniceanu, pp. 123, 129-130, 142 9313: 9231: 9103:Crohmălniceanu, pp. 203, 209-210, 227 8628:Crohmălniceanu, pp. 218-219, 224, 447 8279: 8233:Vianu, Vol. III, pp. 212-218, 248-249 7799: 7757: 7724: 7037: 6850: 6585: 6380: 6362: 4694:). In spring 1944, months before the 4682:, seeing in this a chance to recover 4519:, and, through the voice of novelist 4386:, a book "demonstrating the value of 3856:" and "its masquerade", like that of 2098:. He also represented Romania to the 1325:). The writer oscillated between the 1094:doyen had once declared him equal to 1045:, and successfully proposed it for a 772:, include another sketch story and a 738:("Miss M from Fălticeni") and signed 535:, Sadoveanu was also a member of the 399:("Under the Sign of the Crab"). With 312: 13189:20th-century Romanian civil servants 10976:De la proletcultism la postmodernism 10364:, "Romania", in Peter France (ed.), 8933:Romanian edition, August 2009, p. 56 8601:Crohmălniceanu, pp. 213-215, 223-224 8351:Crohmălniceanu, p. 139, 192, 228-254 6113: 6074: 5936: 5492:(with contributions by Mitru and by 5237:was, together with similar works by 4736:wartime deportation of Romanian Jews 4467:and the journals connected with the 4393:In 1926, the year of his entry into 2320:was also inspired by his reading of 976:. The leading Poporanist ideologue, 934:, with an introduction by historian 680:Sadoveanu's daughters, portraits by 373:, building on themes from Romania's 13239:Collaborators with the Soviet Union 13179:Recipients of the Lenin Peace Prize 13114:Presidents of the Senate of Romania 12381: 10134:"Oamenii, ca pietrele din Bistrița" 9852:, Bucharest, 2008, pp. 74-75, 182. 5687:Sadoveanu's portrait on a Moldovan 5520:, followed by a 1980 adaptation of 5508:as Vitoria Lipan. Ten years later, 5476:(who also starred in the film) and 5338:("Sadovenians"). The first, titled 5310:was partly written as a tribute to 4674:and Romania's cooperation with the 3638:According to Tudor Vianu, the 1933 3497:A noted writing in this series was 2005:, a member of the Presidium of the 1771:Communist system and political rise 13: 11365:President of the Senate of Romania 11224:Works by or about Mihail Sadoveanu 11003:Editura Fundației Culturale Române 7306:Partidul Național Liberal-Brătianu 7174:, "Între socialiști, la Iași", in 5401:figures. In its original edition, 5277:, had previously been a region of 5067:and accommodated nationalism, the 4339:, particularly among countries in 4259:, and resumed his flirtation with 2787:which portray the modest lives of 2725:In 1905, Sadoveanu also published 2519:and the inventive approach to the 2404: 1942:also published his translation of 1702:published the first volume of his 1420:and several others, he joined its 1381:, founded and edited the magazine 1237:, a monthly directed against both 539:since 1921 and a recipient of the 478:, and was the target of a violent 14: 13250: 13109:20th-century Romanian politicians 13064:Romanian male short story writers 11196: 10557:Monumente de for din Jud. Suceava 10105:Călinescu, pp. 674, 675, 725, 932 9837:Demnitate în vremuri de restriște 8558:Crohmălniceanu, pp. 225, 234, 247 6460:"Centenarul debutului sadovenian" 5696: 5544:Locul unde nu s-a întâmplat nimic 5173:when constructing his 2004 novel 4706:condemning Romania's alliance to 4405:, indicating his belief that the 4305:, Sadoveanu's affiliation to the 4196:, Sadoveanu sent a report to his 4170:and, in 1906, with the left-wing 3713:Locul unde nu s-a întâmplat nimic 2421:aficionado. Recognized, like his 2144:After a long illness marked by a 2062:, at the end of which the letter 2021:Photograph of the aging Sadoveanu 1310:In 1916–1917, as Romania entered 1285:of 1913, when Romania confronted 1144:. His direct supervisor was poet 984:. With his subsequent pieces for 13059:20th-century short story writers 12730: 12029: 11956:indicate interim officeholders. 11483:United Principalities of Romania 11288:The Place Where Nothing Happened 11202: 11106:Explorări în comunismul românesc 10962:Istoria stalinismului în România 10751: 10729: 10677: 10668: 10602: 10581: 10546: 10525: 10512: 10499: 10445: 10436: 10409: 10400: 10391: 10382: 10355: 10344:"Manifestare culturală la Praga" 10333: 10306: 10288: 10279: 10246: 10221: 10212: 10203: 10194: 10185: 10176: 10163: 10154: 10145: 10108: 10099: 10090: 10077: 10034: 10017: 10004: 9975: 9966: 9953: 9940: 9931: 9914: 9901: 9888: 9875: 9872:, pp. 34-35; Stanomir, pp. 24-25 9862: 9825: 9796: 9718: 9705: 9696: 9665: 9652: 9639: 9626: 9613: 9604: 9591: 9582: 9569: 9560: 9551: 9538: 9525: 9512: 9503: 9494: 9462: 9400: 9391: 9382: 9373: 9300: 9287: 9278: 9269: 9256: 9243: 9218: 9205: 9192: 9183: 9168: 9159: 9142: 9139:Topîrceanu, Vol. II, pp. 336-338 9133: 9124: 9115: 9106: 9097: 9088: 9079: 9070: 9061: 9052: 9043: 9034: 9013: 8998:Crohmălniceanu, pp. 193, 213-214 8992: 8983: 8936: 8921: 8912: 8903: 8880: 8871: 8862: 8841: 8820: 8811: 8801: 8792: 8755: 8746: 8737: 8734:Crohmălniceanu, pp. 205-206, 208 8728: 8719: 8694: 8685: 8672: 8663: 8660:Crohmălniceanu, pp. 216-218, 219 8654: 8645: 8622: 8613: 8604: 8595: 8586: 8577: 8552: 8543: 8534: 8525: 8516: 8507: 8498: 8477: 8468: 8439: 8430: 8421: 8412: 8403: 8394: 8385: 8382:, p. 50; Vianu, Vol. III, p. 207 8372: 8363: 8354: 8345: 8336: 8327: 8313: 8304: 8295: 8270: 8261: 8236: 8227: 8194: 8165: 8156: 8147: 8138: 8129: 8120: 8111: 8102: 8089: 8062: 8053: 8028: 8019: 7984: 7935: 7926: 7923:, p. 283; Crohmălniceanu, p. 199 7913: 7900: 7891: 7882: 7873: 7864: 7312:Lucian Blaga University of Sibiu 6965:"Secolul breslei scriitoricești" 5680: 5655: 5643: 5590:tournament is held in Iași. The 5043:is a "pastiche" from Sadoveanu. 5033:Ioan Alexandru Brătescu-Voinești 4607:and any form of advocacy for a " 4594:, which doubles as "a political 4327:, and thus in contrast with the 3825:Lacrimile ieromonahului Veniamin 3549:. They were followed in 1944 by 3436:Main travel writings and memoirs 2744:Early selections of major themes 2515:, was noted for both its use of 2248:Ioan Alexandru Brătescu-Voinești 1569:, a right-wing party inside the 705: 693: 673: 551:during the 1930s. The father of 446:political forces throughout the 295: 13209:Romanian people of World War II 13054:19th-century Romanian novelists 13014:20th-century Romanian novelists 12383: 11147:, Humanitas, Bucharest, 2010. 10964:, Humanitas, Bucharest, 1990. 9451:"Caracatița cenzurii comuniste" 7843: 7830: 7817: 7748: 7677: 7664: 7651: 7638: 7625: 7612: 7599: 7596:, pp. 121-123, 126-128, 145-146 7586: 7577: 7555: 7492: 7444: 7435: 7422: 7415:Crohmălniceanu, p. 198; Ornea, 7409: 7402:Crohmălniceanu, p. 198; Ornea, 7396: 7294: 7259: 7250: 7241: 7192: 7183: 7162: 7111: 7098: 7058: 7049: 7027:Însemnările unui amator de artă 6983: 6900: 6841: 6832: 6829:Călinescu, pp. 601-602, 974-975 6823: 6814: 6805: 6796: 6783: 6770: 6710: 6611: 6576: 6563: 6554: 6478: 6396: 6353: 6200: 6191: 6182: 6173: 6164: 5222:points out that, Sadoveanu and 4750:Partnership with the communists 4309:shaped not only his political " 4033:, a novel which also idealizes 3770:is itself an adaptation of the 3750:("The Enchanted Grove", 1926), 3650:, and is evidence of a form of 3597:, exposed to the scrutiny of a 3006:by 19th century Polish painter 2776:virtually all his later works. 2706:leaves his village to become a 2472:. Lovinescu's attitude, critic 1723:overthrew the Guard during the 1567:National Liberal Party-Brătianu 1449:. He was also close to a minor 918:, a newspaper published by the 464:National Liberal Party-Brătianu 405:("A Mill Was Floating down the 13204:Romanian people of World War I 12974:Romanian crime fiction writers 12647:Constantin Cantacuzino-Pașcanu 12622:Constantin Cantacuzino-Pașcanu 12435:Chamber of Deputies of Romania 10811:Miturile comunismului românesc 10627:database; retrieved 7 May 2011 10426:, Bucharest, 1985, pp. 21-24. 10388:Topîrceanu, Vol. II, pp. 20-29 10173:, pp. 71-72; Mihăilescu, p. 87 7790:"Rural Life in Ruritania", in 7566:" 'Femeile între ele' în 1937" 6882:"Sadoveanu din spatele operei" 6104: 6095: 6086: 5927: 5847: 5055:Under the early stages of the 4817:second republican constitution 4281:, particularly members of the 3933:Following his return from the 2498:François-René de Chateaubriand 2013:Final years, illness and death 1934:centers, notably meeting with 1737:Povestirile de la Bradu-Strâmb 571: 355:writer and an adherent to the 317:; occasionally referred to as 122:Mihai din Pașcani, M. S. Cobuz 1: 13219:20th-century Romanian writers 13194:Romanian Land Forces officers 12989:Romanian historical novelists 11718:Socialist Republic of Romania 11112:, Iași, 2004, p. 13-45. 10895:Transsylvanica Online Library 10782: 10711:"Iași. Un secol de Sadoveanu" 10372:, Oxford etc., 2000, p. 215. 9950:, pp. 283-284; Frunză, p. 374 8369:Vianu, Vol. III, pp. 227, 236 8135:Cernat, pp. 143, 144-145, 320 7308:(rezumatul tezei de doctorat) 6847:Vianu, Vol. III, pp. 209, 244 6716:Vianu, Vol. III, pp. 205, 243 6269:Museum of Romanian Literature 5728:Însemnările lui Neculai Manea 5516:("Tragic Holiday"), based on 5419:Museum of Romanian Literature 5253:. Alongside similar works by 2922:Însemnările lui Neculai Manea 2914:Însemnările lui Neculai Manea 2347:by the visual artists of the 1525:, where his friend, the poet 1453:poet and short story author, 1339:peace with the Central Powers 1289:. Having reached the rank of 823:magazine under the pseudonym 351:, before becoming known as a 264:Ecaterina Bâlu; Valeria Mitru 12602:Gheorghe Grigore Cantacuzino 12572:Gheorghe Grigore Cantacuzino 12243:Constantin Dimitriu-Dovlecel 12163:Gheorghe Grigore Cantacuzino 12108:Gheorghe Grigore Cantacuzino 10599:site; retrieved 7 April 2008 10509:, illustrations 10-12, 35-40 10442:Vianu, Vol. III, pp. 147-148 9112:Crohmălniceanu, pp. 204, 241 8342:Vianu, Vol. III, pp. 224-225 8117:Vianu, Vol. III, pp. 211-212 7583:Vianu, Vol. III, pp. 205-230 6945:site; retrieved 5 April 2008 6573:, but felt closest to Iosif. 6402:Crohmălniceanu, pp. 195, 214 6257:Mihail Sadoveanu. Cronologie 6188:Crohmălniceanu, pp. 193, 194 5138:to formulate his version of 5035:. Călinescu also notes that 4985: 4920:" personalities who became " 4672:invasion of the Soviet Union 4457:press, and in particular in 4422:requested public funds from 4225:as the original champion of 4089:Alecuțu, into factory life. 3827:("The Tears of Veniamin the 3581:with the European region of 3412:and a pretext borrowed from 3390:, prepares his own funeral. 2977:("A Day like Any Other") or 2714:; the indentured laborer in 2448:could be said to recall the 2051:, a controversial praise of 1957:rigged election of that year 1818:Socialist realism in Romania 1268:, and also published in the 1041:, gave a positive review to 894:are two of the other editors 831:, stationed as a guard near 566: 314:[mihaˈilsadoˈve̯anu] 7: 12969:Romanian children's writers 12477:Manolache Costache Epureanu 12467:Manolache Costache Epureanu 11311:Romanian Cultural Institute 10209:Crohmălniceanu, pp. 586-587 10045:Stalinism pentru eternitate 9702:Crohmălniceanu, pp. 198-199 9610:Crohmălniceanu, pp. 15, 166 9588:Crohmălniceanu, pp. 234-235 8942:Crohmălniceanu, pp. 244-245 8669:Crohmălniceanu, pp. 221-224 8651:Crohmălniceanu, pp. 219-221 8610:Crohmălniceanu, pp. 214-215 8592:Crohmălniceanu, pp. 195-196 8513:Călinescu, pp. 618-619, 620 8445:Topîrceanu, Vol. II, p. 336 8436:Vianu, Vol. II, pp. 213-214 8418:Topîrceanu, Vol. II, p. 337 8144:Sandqvist, pp. 228, 248-249 5484:directed a 1965 version of 5301: 5162:, who, according to critic 4963:state-organized suppression 4957:, and officially supported 4742:also speaks about the 1941 4347:. Writing for the magazine 4136: 4093:, an ideologized retake on 2647:, depicting the death of a 2108:new republican constitution 1629:Late 1930s and World War II 1377:and, together with him and 1152:and the short story writer 778:Romanian Symbolist movement 531:and later President of the 490:. He wrote in favor of the 393:("The Jderi Brothers") and 387:("The Șoimărești Family"), 10: 13255: 13009:Romanian newspaper editors 12999:Romanian magazine founders 12472:Nicolae Calimachi-Catargiu 12462:Alexandru Emanoil Florescu 12118:Dimitrie Alexandru Sturdza 11713:Romanian People's Republic 9766:Constantin Rădulescu-Motru 9619:Călinescu, p. 661; Ornea, 7303:Victoria Gabriela Gruber, 7034:; retrieved 21 August 2009 7030:, published and hosted by 6906:Crohmălniceanu, p. 196-197 5702: 5638:are also named after him. 5110:, while a 1953 reissue of 4639:Revista Fundațiilor Regale 4630:National Renaissance Front 4412:Gheorghe Jurgea-Negrilești 4073:("The Flowers' Lure") and 3984:Upon its publication, the 3163:. Trying to deal with his 3121:View from the area around 2949:. Crohmălniceanu believes 2631:The writer's debut novel, 2191: 1922:Soviet Academy of Sciences 1746:In August 1944, Romania's 1700:Editura Fundațiilor Regale 1688:National Renaissance Front 1459:Gheorghe Jurgea-Negrilești 922:and managed by politician 746:-based satirical magazine 736:Domnișoara M din Fălticeni 438:, Sadoveanu moved between 95:Romanian People's Republic 20: 13214:Burials at Bellu Cemetery 13134:Heads of state of Romania 13079:Socialist realism writers 13034:Romanian textbook writers 12994:Romanian magazine editors 12964:Romanian male biographers 12857: 12833: 12746:(Grand National Assembly) 12739: 12728: 12441: 12379: 12266: 12038: 12027: 12009: 11951: 11882: 11859: 11815: 11775: 11727: 11711: 11676: 11660: 11615: 11599: 11583: 11569: 11549: 11514: 11498: 11481: 11463:Heads of state of Romania 11458: 11398: 11389: 11381: 11371: 11362: 11354: 11349: 11215:Works by Mihail Sadoveanu 10323:, Iași, 2005, pp. 66-67. 10264:, Nr. 45-46, January 2001 10191:Selejan, pp. 137, 320-324 10085:Lumina vine de la Răsărit 10072:Lumina vine de la Răsărit 10025:Lumina vine de la Răsărit 10012:Lumina vine de la Răsărit 9922:Lumina vine de la Răsărit 9909:Lumina vine de la Răsărit 9896:Lumina vine de la Răsărit 9883:Lumina vine de la Răsărit 9870:Lumina vine de la Răsărit 9310:, p. 282; Selejan, p. 152 9264:Lumina vine de la Răsărit 9251:Lumina vine de la Răsărit 9226:Lumina vine de la Răsărit 9213:Lumina vine de la Răsărit 9200:Lumina vine de la Răsărit 9156:, p. 282; Stanomir, p. 26 9150:Lumina vine de la Răsărit 7672:Lumina vine de la Răsărit 7659:Lumina vine de la Răsărit 7646:Lumina vine de la Răsărit 7633:Lumina vine de la Răsărit 7620:Lumina vine de la Răsărit 7359:Lumina vine de la Răsărit 7289:Lumina vine de la Răsărit 7267:Lumina vine de la Răsărit 6335:"Calendar. Click istoric" 6061:26 September 2008 at the 5885:Țara de dincolo de negură 5773:Venea o moară pe Siret... 5539:The Last Ball in November 5308:Țara de dincolo de negură 5192:Venea o moară pe Siret... 5018:, together with those of 4980: 4813:Romanian communist regime 4771:Lumina vine de la Răsărit 4686:and the northern part of 4493:often referred to him as 4337:international cooperation 4019:collectivization policies 3883:notes that this literary 3873:Lumina vine de la Răsărit 3821:Viața lui Ștefan cel Mare 3446:Țara de dincolo de negură 3408:(1930), Sadoveanu merged 3396:Venea o moară pe Siret... 3299:Venea o moară pe Siret... 3093:, whose execution by the 2756:, setting of Sadoveanu's 2316:. Later, his approach to 2104:International Peace Prize 2053:collectivization policies 1982:In 1948, after Romania's 1901:Lumina vine de la Răsărit 1643:and its morning edition, 1503:Venea o moară pe Siret... 1219:Romanian Writers' Society 1015:("Suppressed Pains") and 750:. He started writing for 629:A young Sadoveanu in 1898 592:. Their place of origin, 529:Romanian Writers' Society 527:A founding member of the 514:Lumina vine de la Răsărit 450:, while serving terms in 402:Venea o moară pe Siret... 294: 289: 268: 260: 252: 220: 154: 144: 134: 126: 118: 100: 76: 49: 37: 30: 13234:20th-century translators 12984:Romanian fantasy writers 12218:Constantin I. Nicolaescu 12208:Constantin I. Nicolaescu 11336:25 February 2010 at the 11239:University of Washington 10776:; retrieved 5 April 2008 10695:; retrieved 6 April 2008 10578:; retrieved 6 April 2008 10235:"Momeala povestitorului" 9898:, p. 35; Stanomir, p. 24 9481:7 September 2011 at the 9202:, p. 27; Stanomir, p. 24 9067:Cornis-Pope, pp. 500-501 7704:Paula Mihailov Chiciuc, 7144:"Casa cu turn din Copou" 6301:22 February 2012 at the 6271:; retrieved 6 April 2008 6161:; retrieved 6 April 2008 5921: 5561:reserved for Stalin and 5251:Communist Czechoslovakia 4938:Romanian Communist Party 4857:National Peasants' Party 4841:Dumitru Theodor Neculuță 4787:1936 Soviet Constitution 4700:Romanian Communist Party 4611:regime in our country". 4569:Alexandru Al. Philippide 4531:of Sadoveanu's works in 4353:in 1935, 17 years after 4142:Nationalism and Humanism 4081:("Song of the Ewe"). In 3862:propaganda and agitation 3410:psychological techniques 3073:, the main character is 2846:settlers of the Americas 2824:as fundamentally honest 2626: 2503:Seen by literary critic 2385:elements and occasional 2177:Zoe Dumitrescu-Bușulenga 2039:Romanian Communist Party 1977:National Peasants' Party 1607:of Iași, he was elected 1563:National Peasants' Party 1535:general election of 1927 1272:traditionalist journal, 992:, accused him of having 614:, she was the cousin of 488:Romanian Communist Party 13229:20th-century memoirists 13044:Romanian travel writers 13019:Romanian male novelists 12742:Marea Adunare Națională 12336:Călin Popescu-Tăriceanu 11861:President of SR Romania 11325:Peace Partisans Meeting 10892:Babeș-Bolyai University 10597:Romanian Writers' Union 10370:Oxford University Press 10276:Vianu, Vol. III, p. 229 9649:, pp. 460-461, 463, 465 9535:, pp. 237, 300-301, 362 9253:, pp. 23, 25, 55-56, 62 9049:Vianu, Vol. III, p. 253 9031:Vianu, Vol. III, p. 227 8474:Călinescu, pp. 616, 803 8400:Vianu, Vol. III, p. 221 8391:Vianu, Vol. III, p. 220 8276:Vianu, Vol. III, p. 219 8059:Vianu, Vol. III, p. 206 7932:Mihăilescu, pp. 97, 101 7711:2 November 2014 at the 7121:, pp. 123, 237, 300-301 7070:jandarmeriafalticeni.ro 6943:Romanian Writers' Union 6887:7 February 2012 at the 6697:7 February 2012 at the 6641:, Nr. 1067, August 2010 6582:Vianu, Vol. III, p. 244 6263:7 November 2007 at the 6151:Mihail Constantineanu, 6110:Vianu, Vol. III, p. 235 6101:Vianu, Vol. III, p. 233 5985:, biographical note in 5909:Istorisiri de vânătoare 5802:Nunta Domniței Ruxandra 5316:Balada popii din Rudeni 5063:engendered a series of 4877:Romanian Writers' Union 4863:, arguing that his old 4738:by Antonescu's regime; 4365:, Sadoveanu joined the 4361:and 15 years after the 3911:, analogous to that of 3839:Socialist realism years 3492:Istorisiri de vânătoare 3280:Nunta Domniței Ruxandra 3251:Nunta Domniței Ruxandra 3195:Nunta Domniței Ruxandra 3151:area, fights alongside 2537:third-person narratives 2393:argued that, as a sign 2135:Great National Assembly 2027:Romanian Writers' Union 1810:to officially-endorsed 1613:George Valentin Bibescu 1537:, he won a seat in the 1531:National Agrarian Party 1445:, as well as conductor 1314:and was invaded by the 1241:'s eclecticism and the 1160:in Central Moldavia to 533:Romanian Writers' Union 460:National Agrarian Party 359:current represented by 13224:20th-century essayists 13164:Romanian propagandists 12859: 12840:(Assembly of Deputies) 12835: 12741: 12717:Alexandru Vaida-Voevod 12667:Alexandru Vaida-Voevod 12567:Constantin Grădișteanu 12522:Constantin N. Brăiloiu 12448:(Assembly of Deputies) 12443: 12291:Mircea Ionescu-Quintus 11826:Gheorghe Gheorghiu-Dej 11385:Alexandru Vaida-Voevod 11309:, translations in the 11092:, "Facerea lumii", in 11041:, 1990, p. 5-17. 10903: 10114:Crohmălniceanu, p. 371 10051:, Iași, 2005, p. 161. 9662:, pp. 461-462, 464-465 9566:Crohmălniceanu, p. 198 9432:Crohmălniceanu, p. 212 9094:Călinescu, pp. 630-631 9010:Călinescu, pp. 628-629 8918:Crohmălniceanu, p. 206 8909:Crohmălniceanu, p. 205 8868:Crohmălniceanu, p. 207 8838:Călinescu, pp. 626-627 8798:Crohmălniceanu, p. 229 8242:Crohmălniceanu, p. 192 8108:Călinescu, pp. 452-453 7897:Crohmălniceanu, p. 199 7574:, Nr.290, October 2005 7542:4 October 2012 at the 7474:"A fost sau n-a fost?" 7238:, Nr. 130, August 2002 7046:Crohmălniceanu, p. 584 7004:University of Florence 6961:Cassian Maria Spiridon 6811:Călinescu, pp. 601-602 6608:Călinescu, pp. 575-576 6596:Crohmălniceanu, p. 197 6549:Radio România Cultural 6543:15 August 2011 at the 6393:Crohmălniceanu, p. 195 6377:Crohmălniceanu, p. 194 6083:Crohmălniceanu, p. 193 5994:University of Florence 5873:44 de zile în Bulgaria 5563:Gheorghe Gheorghiu-Dej 5395:, part of a series on 5334:, collectively titled 5158:manner. Among them is 5004:Al. Lascarov-Moldovanu 4992:Dimitrie D. Pătrășcanu 4959:evolutionary socialism 4895:Gheorghe Gheorghiu-Dej 4766: 4692:1940 Soviet occupation 4388:intercultural dialogue 4235:). During most of his 4065: 3768:Măria-sa Puiul Pădurii 3752:Măria-sa Puiul Pădurii 3721:Cazul Eugeniței Costea 3563:Thomas Witlam Atkinson 3539:44 de zile în Bulgaria 3494:, "Hunting Stories"). 3320: 3132: 3011: 3004:Return of the Cossacks 2850:early medieval history 2760: 2602:of archaic heroism"). 2577: 2302:N. D. Popescu-Popnedea 2187:Literary contributions 2033:. According to writer 2022: 1949:A Sportsman's Sketches 1799: 1622:Grand Orient de France 1591: 1443:Dimitrie D. Pătrășcanu 1401: 1295:16th Infantry Regiment 1187: 990:Constanța Marino-Moscu 970:perspective, known as 920:National Liberal Party 895: 860:Ca floarea câmpului... 630: 576:Sadoveanu was born in 561:Izabela Sadoveanu-Evan 543:for 1961. He was also 512:and the famous slogan 482:press campaign. After 13174:Censorship in Romania 13154:Romanian nationalists 13149:Masonic grand masters 12864:(Chamber of Deputies) 12810:Constantin Pîrvulescu 12765:Constantin Pârvulescu 12552:Constantin A. Rosetti 12537:Constantin A. Rosetti 12527:Constantin A. Rosetti 12258:Constantin Argetoianu 12158:Constantin Budișteanu 11786:Constantin Ion Parhon 11738:Constantin Ion Parhon 11698:between 1940 and 1944 11468:Presidents of Romania 11016:Junimea și junimismul 10574:28 March 2008 at the 10352:, Nr.332, August 2006 10303:, October 1977, p. 19 9754:Constantin Daicoviciu 8380:Junimea și junimismul 8097:Junimea și junimismul 7870:Mihăilescu, pp. 97-98 7511:27 March 2008 at the 7149:16 March 2014 at the 6937:22 March 2008 at the 6791:Junimea și junimismul 6778:Junimea și junimismul 6620:Bianca Burța-Cernat, 6465:13 March 2016 at the 6340:15 March 2014 at the 5592:Sadoveanu High School 5439:sculptural ensemble. 5324:În preajma revoluției 5059:, before the rise of 5037:Scrisorile unui răzeș 4996:Nicolae N. Beldiceanu 4885:Union of Worker Youth 4757: 4198:Minister of Education 4194:1907 Peasants' Revolt 4063: 3951:Mitiță Constantinescu 3744:children's literature 3473:cultural assimilation 3311: 3120: 3091:Ioan Vodă cel Cumplit 3002: 2751: 2686:or from the Romanian 2575: 2450:art of the Golden Age 2096:nuclear proliferation 2020: 1961:Parliament of Romania 1827:Constantin Ion Parhon 1793:Constantin Ion Parhon 1778: 1589: 1396: 1254:National Theater Iași 1175: 1168:1910s and World War I 1154:Nicolae N. Beldiceanu 964:literature of Romania 944:Ministry of Education 900:Ștefan Octavian Iosif 892:Ștefan Octavian Iosif 880: 628: 605:. Literary historian 341:, as well as for his 211:children's literature 13039:Romanian translators 12959:Romanian biographers 12836:Adunarea Deputaților 12820:Miron Constantinescu 12542:Dimitrie C. Brătianu 12444:Adunarea Deputaților 12276:Alexandru Bârlădeanu 12098:Ion Emanoil Florescu 12088:Ion Emanoil Florescu 11888:President of Romania 11643:Constantin Sărăţeanu 11516:Princely Lieutenancy 11211:at Wikimedia Commons 10910:Editura Curtea Veche 10799:, Bucharest, 2010. 10716:22 June 2008 at the 10617:19 July 2011 at the 9991:22 June 2008 at the 9834:Liviu Rotman (ed.), 9819:Realitatea Evreiască 9812:13 June 2011 at the 9734:7 April 2014 at the 9284:Selejan, pp. 351-352 9121:Vianu, Vol. I, p. 12 7879:Selejan, pp. 116-117 7479:28 July 2011 at the 7269:, p. 28; Cioroianu, 6970:19 July 2011 at the 6631:2 April 2012 at the 6510:7 March 2009 at the 5867:Priveliști dobrogene 5765:Neamul Șoimăreștilor 5662:Sadoveanu's bust on 5486:Neamul Șoimăreștilor 4210:Neamul Șoimăreștilor 4111:communist censorship 3997:'s ideologized poem 3969:which yielded 4,000 3945:", co-authored with 3909:religious conversion 3813:Cocostârcul albastru 3773:Geneviève de Brabant 3648:Byzantine literature 3557:Other early writings 3454:Priveliști dobrogene 3138:Neamul Șoimăreștilor 3128:Neamul Șoimăreștilor 3083:Zaporozhian Cossacks 3069:, Sadoveanu's first 2994:Neamul Șoimăreștilor 2793:Romanian Land Forces 2773:Crâșma lui Moș Petcu 2765:Crâșma lui Moș Petcu 2758:Crâșma lui Moș Petcu 2727:Povestiri din război 2641:Cântecul de dragoste 2330:Wilhelm von Kotzebue 2160:and the locality of 1973:political corruption 1916:, and mathematician 1783:in 1948. From left: 1304:Neamul Șoimăreștilor 1179:Neamul Șoimăreștilor 1017:Crâșma lui Moș Petcu 829:Romanian Land Forces 647:National High School 549:Romanian Freemasonry 384:Neamul Șoimăreștilor 379:early modern history 13184:People from Pașcani 13144:Romanian Freemasons 13029:Romanian male poets 13004:Romanian memoirists 12662:Constantin Meissner 12642:Constantin Olănescu 12597:Constantin Olănescu 12331:Cristian Dumitrescu 12233:Neculai Costăchescu 12148:Constantin Boerescu 12133:Constantin Boerescu 12103:Constantin Boerescu 11902:Emil Constantinescu 11837:Ion Gheorghe Maurer 11807:Ion Gheorghe Maurer 11506:Alexandru Ioan Cuza 11375:Neculai Costăchescu 11281:The Enchanted Grove 11185:, Bucharest, 1958. 11005:, Bucharest, 1995. 10982:, Constanța, 2002. 10974:Florin Mihăilescu, 10944:Ovid Crohmălniceanu 10912:, Bucharest, 2005. 10864:, Bucharest, 2007. 10817:, Bucharest, 1998. 10809:Lucian Boia (ed.), 10768:5 July 2008 at the 10665:Vasile, pp. 244-247 10563:27 May 2008 at the 10496:, 28 September 2007 10349:Observator Cultural 10295:Cristian Popișteanu 10261:Observator Cultural 10041:Vladimir Tismăneanu 9972:Frunză, pp. 302-303 9937:Stanomir, pp. 26-27 9488:Convorbiri Literare 9420:Cornis-Pope, p. 501 9040:Cornis-Pope, p. 500 8930:National Geographic 8050:Cornis-Pope, p. 447 7978:Observator Cultural 7571:Observator Cultural 7235:Observator Cultural 7189:Cernat, pp. 144-145 6977:Convorbiri Literare 6880:Constantin Coroiu, 6690:Constantin Coroiu, 6517:Convorbiri Literare 6068:Convorbiri Literare 5820:Nopțile de Sânziene 5734:La noi, la Viișoara 5578:, and later to the 5453:Sturmflut der Liebe 5431:Republic of Moldova 5290:Constantin Ciopraga 5273:(which, as part of 5180:Observator Cultural 5144:Rabindranath Tagore 5088:Ovid Crohmălniceanu 5069:Romanian curriculum 5029:Romanian literature 4930:Vladimir Tismăneanu 4420:Păstorel Teodoreanu 4243:and dislike of the 3854:proletarian culture 3817:biographical novels 3617:Nopțile de Sânziene 3591:Nopțile de Sânziene 3533:, a book about the 3507:Arthur Schopenhauer 3367:Oamenii Măriei-sale 3247:Tymofiy Khmelnytsky 3028:medieval allegories 2816:La noi, la Viișoara 2653:Răzbunarea lui Nour 2620:Alexandru Paleologu 2427:Păstorel Teodoreanu 2332:, the 19th century 2233:Romanian literature 2217:Ovid Crohmălniceanu 2127:Ion Gheorghe Maurer 2102:, and received its 2100:World Peace Council 1940:Editura Cartea Rusă 1781:Romanian Presidency 1725:Legionary Rebellion 1439:Păstorel Teodoreanu 1367:Mihail Kogălniceanu 1070:, primarily critic 557:Paul-Mihu Sadoveanu 417:psychological novel 175:psychological novel 23:Sadoveanu (surname) 13169:Romanian humanists 13159:Romanian pacifists 13139:Romanian activists 12979:Romanian essayists 12860:Camera Deputaților 12775:Alexandru Drăghici 12687:Petre P. Negulescu 12577:Gheorghe Rosnovanu 12532:George D. Vernescu 12507:Gheorghe Costaforu 12301:Doru-Ioan Tǎrǎcilǎ 12248:Alexandru Lapedatu 12093:Nicolae Crețulescu 12078:Constantin Bosianu 11571:Kingdom of Romania 11541:Nicolae Haralambie 11350:Political offices 11262:His Majesty's Mare 11102:Angelo Mitchievici 10923:Marcel Cornis-Pope 10900:Adrian Cioroianu, 10745:Monitorul de Neamț 10738:Dominica Vasiliu, 10243:, 7 September 2007 10218:Mihăilescu, p. 153 10182:Mihăilescu, p. 313 10029:Pe umerii lui Marx 9984:Adrian Bucurescu, 9961:Pe umerii lui Marx 9948:Pe umerii lui Marx 9623:, pp. 245, 458-465 9599:Pe umerii lui Marx 9459:, 27 December 2006 9449:Teodor Vârgolici, 9308:Pe umerii lui Marx 9154:Pe umerii lui Marx 7981:, Nr.167, May 2003 7955:Pe umerii lui Marx 7921:Pe umerii lui Marx 7908:Pe umerii lui Marx 7838:Pe umerii lui Marx 7825:Pe umerii lui Marx 7812:Pe umerii lui Marx 7743:Pe umerii lui Marx 7685:Pe umerii lui Marx 7661:, pp. 50-51, 55-56 7607:Pe umerii lui Marx 7594:Pe umerii lui Marx 7521:, 28 February 2004 7406:, pp. 435, 458-465 7343:, 30 December 2008 7331:"Scriitorii de la 7314:, 2006, Chapter II 7271:Pe umerii lui Marx 7055:Chendi, pp. 61, 64 6537:22 Septembrie 2010 5983:"Mihail Sadoveanu" 5879:Drumuri basarabene 5740:Vremuri de bejenie 5536:produced his film 5389:Kübler Coffeehouse 5175:Paradisul găinilor 5120:Mac Constantinescu 4955:Alexandru Claudian 4926:people's democracy 4873:political prisoner 4767: 4644:Nicolae Mărgineanu 4609:National-Socialist 4513:made him a doctor 4511:University of Iași 4414:and the communist 4395:Alexandru Averescu 4380:Marcel Cornis-Pope 4376:ethnic stereotypes 4359:union with Romania 4291:Garabet Ibrăileanu 4156:Conservative Party 4109:, were subject to 4066: 4035:collective farming 3756:Persian literature 3729:Paștele blajinilor 3660:Marcel Cornis-Pope 3656:Eastern philosophy 3569:(a book he titled 3488:Drumuri basarabene 3458:Țara de dincolo... 3335:Ucenicia lui Ionuț 3321: 3261:, through which a 3167:, he travels into 3133: 3087:Prince of Moldavia 3052:Leipzig Trade Fair 3032:Giovanni Boccaccio 3012: 2854:Vremuri de bejenie 2802:petite bourgeoisie 2761: 2710:, and succumbs to 2578: 2462:Garabet Ibrăileanu 2268:I. A. Bassarabescu 2244:Ion Luca Caragiale 2222:Marcel Cornis-Pope 2023: 1975:by the opposition 1857:and mathematician 1800: 1712:National Legionary 1668:University of Iași 1592: 1447:Sergiu Celibidache 1418:Garabet Ibrăileanu 1402: 1355:Însemnări Literare 1247:Kübler Coffeehouse 1223:Cincinat Pavelescu 1206:when he published 1196:Ion I. C. Brătianu 1188: 1138:Conservative Party 1072:Henric Sanielevici 978:Garabet Ibrăileanu 896: 873:and literary debut 631: 327:communist republic 167:biographical novel 71:Kingdom of Romania 12936: 12935: 12785:Constantin Doncea 12677:Duiliu Zamfirescu 12617:Grigore Trandafil 12612:Ștefan C. Șendrea 12587:Petre S. Aurelian 12397: 12396: 12213:Constantin Coandă 12198:Constantin Coandă 12188:Dimitrie Dobrescu 12183:Emanoil Porumbaru 12153:Petre S. Aurelian 12143:Petre S. Aurelian 12063:Alexandru Plagino 12012:(Moderating Body) 12010:Corpul Ponderator 12003:Senate of Romania 11965: 11964: 11884:Post–1989 Romania 11878: 11877: 11870:Nicolae Ceaușescu 11851:Nicolae Ceaușescu 11707: 11706: 11639:Gheorghe Buzdugan 11565: 11564: 11473:Romanian monarchs 11415: 11414: 11411: 11399:Succeeded by 11372:Succeeded by 11219:Project Gutenberg 11207:Media related to 11175:Krikor Zambaccian 11153:978-973-50-2773-5 11143:Cristian Vasile, 11123:George Topîrceanu 11104:, Ioan Stanomir, 11085:978-973-23-1961-1 10870:978-973-23-1911-6 10862:Cartea Românească 10850:, Bucharest, 1986 10805:978-973-50-2635-6 10726:, 6 November 2004 10674:Mihăilescu, p. 89 10456:Ștefan Dimitrescu 10151:Călinescu, p. 765 9858:978-973-630-189-6 9741:Jurnalul Național 9344:, 19 October 2005 8980:Călinescu, p. 661 8962:Călinescu, p. 628 8900:Călinescu, p. 629 8859:Călinescu, p. 627 8826:Călinescu, p. 626 8789:Călinescu, p. 625 8773:Călinescu, p. 624 8716:Călinescu, p. 623 8682:, pp. 16, 458-459 8642:Călinescu, p. 630 8574:Călinescu, p. 620 8549:Călinescu, p. 619 8522:Călinescu, p. 618 8495:Călinescu, p. 617 8465:Călinescu, p. 616 8427:Sandqvist, p. 252 8258:Călinescu, p. 803 8224:Călinescu, p. 621 8191:Călinescu, p. 622 8171:Călinescu, p. 778 8086:Călinescu, p. 631 8025:Călinescu, p. 766 8016:, 9 November 2005 7718:Jurnalul Național 7552:, 30 January 2008 7518:Curierul Național 7329:Florentina Tone, 7247:Călinescu, p. 727 7210:Călinescu, p. 598 7159:, 28 October 2005 7156:Jurnalul Național 7022:Krikor Zambaccian 6897:, 14 January 2006 6859:Călinescu, p. 646 6820:Călinescu, p. 601 6707:, 10 October 2005 6560:Călinescu, p. 967 6350:, 19 October 2007 6347:Jurnalul Național 6311:, 5 November 2004 6122:Călinescu, p. 667 5959:Călinescu, p. 615 5689:postal stationery 5522:Dumbrava minunată 5506:Sidonia Manolache 5494:Profira Sadoveanu 5472:, co-directed by 5462:Alexandru Giugaru 5415:Krikor Zambaccian 5393:Ștefan Dumitrescu 5350:piece, is titled 5320:Nicolae Pădureanu 5312:George Topîrceanu 5249:and published in 5166:, alluded to the 5132:Alexandru Rosetti 5116:Profira Sadoveanu 5061:Nicolae Ceaușescu 5041:Moldavian dialect 4945:, which included 4763:Nicolae Ceaușescu 4759:Communist Romania 4696:King Michael Coup 4573:Constantin Balmuș 4557:George Topîrceanu 4479:, and mocked his 4429:National Liberals 4424:Interior Minister 4363:Treaty of Trianon 4329:Romanian Orthodox 4313:", but also his " 4279:ethnic minorities 4247:, describing the 4223:Stephen the Great 4213:, the burdens of 4190:leasehold estates 4127:Romanian Orthodox 4095:Demonul tinereții 4007:Dan C. Mihăilescu 3999:Lazăr de la Rusca 3811:). His 1921 book 3794:Alexander Romance 3748:Dumbrava minunată 3725:Demonul tinereții 3690:Ancient Egyptians 3571:Cuibul invaziilor 3535:Second Balkan War 3331:Stephen the Great 3317:Voroneț Monastery 3313:Stephen the Great 3257:and the siege of 3165:internal conflict 2971:arranged marriage 2834:Romanian folklore 2789:Romanian Railways 2688:Alexandru Vlahuță 2657:Într-un sat odată 2612:Romanian folklore 2595:George Topîrceanu 2559:literary language 2513:historical novels 2310:historical novels 2284:Duiliu Zamfirescu 2173:Văratec Monastery 2139:Lenin Peace Prize 2123:Zambaccian Museum 2060:Romanian alphabet 2007:People's Republic 1920:. Invited by the 1892:after June 1946. 1847:Alexandru Rosetti 1812:Socialist realism 1756:Soviet occupation 1748:King Michael Coup 1604:Dimitrie Cantemir 1466:Romanian Orthodox 1410:Romanian folklore 1383:Răvașul Poporului 1322:Romanian Campaign 1299:George Topîrceanu 1283:Second Balkan War 1266:Dumitru Karnabatt 1110:Alexandru Vlahuță 1035:literary society 996:her works in his 852:Profira Sadoveanu 740:Mihai din Pașcani 728:Stephen the Great 541:Lenin Peace Prize 504:Socialist realism 381:. Among them are 367:historical region 331:Romanian-language 303: 302: 253:Years active 247:Socialist realism 221:Literary movement 187:travel literature 13246: 13094:Adevărul writers 13089:Adevărul editors 12898:Roberta Anastase 12862: 12838: 12800:Gheorghe Apostol 12790:Gheorghe Apostol 12780:Dumitru Petrescu 12770:Dumitru Petrescu 12755:Gheorghe Apostol 12744: 12734: 12722:Mihail Sadoveanu 12707:Ștefan Cicio Pop 12702:Dimitrie Pompeiu 12697:Ștefan Cicio Pop 12652:Mihail Pherekyde 12637:Mihail Pherekyde 12632:Basile M. Missir 12627:Mihail Pherekyde 12607:Mihail Pherekyde 12512:Nicolae Păcleanu 12446: 12424: 12417: 12410: 12401: 12400: 12387: 12356:Robert Cazanciuc 12346:Teodor Meleșcanu 12296:Nicolae Văcăroiu 12228:Mihail Sadoveanu 12203:Mihail Pherekyde 12178:Basile M. Missir 12138:Eugeniu Stătescu 12123:Eugeniu Stătescu 12073:Calinic Miclescu 12033: 11992: 11985: 11978: 11969: 11968: 11918:Nicolae Văcăroiu 11797:Mihail Sadoveanu 11761: 11748:Mihail Sadoveanu 11725: 11724: 11651: 11581: 11580: 11524: 11496: 11495: 11441: 11434: 11427: 11418: 11417: 11405: 11402:Gheorghe Apostol 11382:Preceded by 11355:Preceded by 11347: 11346: 11319:(various issues) 11274:Master Trandafir 11228:Internet Archive 11209:Mihail Sadoveanu 11206: 11162:Scriitori români 11039:Editura Militară 11035:Nicoară Potcoavă 10906: 10876: 10840:George Călinescu 10832:Adrian Cioroianu 10777: 10759: 10755: 10749: 10737: 10733: 10727: 10709: 10705: 10696: 10685: 10681: 10675: 10672: 10666: 10663: 10654: 10648:Mihail Sadoveanu 10645: 10628: 10610: 10606: 10600: 10589: 10585: 10579: 10554: 10550: 10544: 10533: 10529: 10523: 10516: 10510: 10503: 10497: 10485: 10481: 10470: 10449: 10443: 10440: 10434: 10424:Editura Albatros 10413: 10407: 10404: 10398: 10395: 10389: 10386: 10380: 10359: 10353: 10342:Eugenia Bojoga, 10341: 10337: 10331: 10310: 10304: 10292: 10286: 10283: 10277: 10274: 10265: 10254: 10250: 10244: 10240:Ziarul Financiar 10229: 10225: 10219: 10216: 10210: 10207: 10201: 10198: 10192: 10189: 10183: 10180: 10174: 10167: 10161: 10158: 10152: 10149: 10143: 10128: 10124: 10115: 10112: 10106: 10103: 10097: 10094: 10088: 10081: 10075: 10068: 10059: 10038: 10032: 10021: 10015: 10008: 10002: 9983: 9979: 9973: 9970: 9964: 9957: 9951: 9944: 9938: 9935: 9929: 9918: 9912: 9905: 9899: 9892: 9886: 9879: 9873: 9866: 9860: 9833: 9829: 9823: 9804: 9800: 9794: 9786: 9782: 9773: 9770:Ionel Teodoreanu 9750:George Călinescu 9727:Paula Mihailov, 9726: 9722: 9716: 9709: 9703: 9700: 9694: 9687: 9676: 9669: 9663: 9656: 9650: 9643: 9637: 9630: 9624: 9617: 9611: 9608: 9602: 9595: 9589: 9586: 9580: 9573: 9567: 9564: 9558: 9555: 9549: 9542: 9536: 9529: 9523: 9516: 9510: 9507: 9501: 9498: 9492: 9470: 9466: 9460: 9448: 9444: 9433: 9430: 9421: 9418: 9407: 9404: 9398: 9395: 9389: 9386: 9380: 9377: 9371: 9360: 9356: 9345: 9336: 9327: 9320: 9311: 9304: 9298: 9291: 9285: 9282: 9276: 9273: 9267: 9260: 9254: 9247: 9241: 9238: 9229: 9222: 9216: 9209: 9203: 9196: 9190: 9187: 9181: 9172: 9166: 9163: 9157: 9146: 9140: 9137: 9131: 9128: 9122: 9119: 9113: 9110: 9104: 9101: 9095: 9092: 9086: 9083: 9077: 9074: 9068: 9065: 9059: 9056: 9050: 9047: 9041: 9038: 9032: 9029: 9020: 9017: 9011: 9008: 8999: 8996: 8990: 8987: 8981: 8978: 8963: 8960: 8943: 8940: 8934: 8925: 8919: 8916: 8910: 8907: 8901: 8898: 8887: 8884: 8878: 8875: 8869: 8866: 8860: 8857: 8848: 8845: 8839: 8836: 8827: 8824: 8818: 8815: 8809: 8805: 8799: 8796: 8790: 8787: 8774: 8771: 8762: 8759: 8753: 8750: 8744: 8741: 8735: 8732: 8726: 8723: 8717: 8714: 8701: 8698: 8692: 8689: 8683: 8676: 8670: 8667: 8661: 8658: 8652: 8649: 8643: 8640: 8629: 8626: 8620: 8617: 8611: 8608: 8602: 8599: 8593: 8590: 8584: 8581: 8575: 8572: 8559: 8556: 8550: 8547: 8541: 8538: 8532: 8529: 8523: 8520: 8514: 8511: 8505: 8502: 8496: 8493: 8484: 8481: 8475: 8472: 8466: 8463: 8446: 8443: 8437: 8434: 8428: 8425: 8419: 8416: 8410: 8407: 8401: 8398: 8392: 8389: 8383: 8376: 8370: 8367: 8361: 8358: 8352: 8349: 8343: 8340: 8334: 8331: 8325: 8317: 8311: 8308: 8302: 8299: 8293: 8290: 8277: 8274: 8268: 8265: 8259: 8256: 8243: 8240: 8234: 8231: 8225: 8222: 8201: 8198: 8192: 8189: 8172: 8169: 8163: 8160: 8154: 8151: 8145: 8142: 8136: 8133: 8127: 8124: 8118: 8115: 8109: 8106: 8100: 8093: 8087: 8084: 8069: 8066: 8060: 8057: 8051: 8048: 8035: 8032: 8026: 8023: 8017: 8006: 8002: 7991: 7988: 7982: 7973:"Revista presei" 7971: 7967: 7958: 7951: 7942: 7939: 7933: 7930: 7924: 7917: 7911: 7904: 7898: 7895: 7889: 7886: 7880: 7877: 7871: 7868: 7862: 7861:, September 1998 7851: 7847: 7841: 7834: 7828: 7821: 7815: 7808: 7797: 7788: 7769: 7766: 7755: 7752: 7746: 7739: 7722: 7703: 7699: 7688: 7681: 7675: 7674:, pp. 23, 25, 34 7668: 7662: 7655: 7649: 7642: 7636: 7629: 7623: 7616: 7610: 7603: 7597: 7590: 7584: 7581: 7575: 7563: 7559: 7553: 7535: 7531: 7522: 7500: 7496: 7490: 7486:România Literară 7468: 7464: 7455: 7448: 7442: 7439: 7433: 7426: 7420: 7413: 7407: 7400: 7394: 7387: 7378: 7371: 7362: 7355: 7344: 7328: 7324: 7315: 7302: 7298: 7292: 7285: 7274: 7263: 7257: 7254: 7248: 7245: 7239: 7224: 7220: 7211: 7208: 7199: 7196: 7190: 7187: 7181: 7170: 7166: 7160: 7141: 7137: 7122: 7115: 7109: 7102: 7096: 7093: 7082: 7081: 7079: 7077: 7062: 7056: 7053: 7047: 7044: 7035: 7032:Editura LiterNet 7020: 7016: 7007: 6991: 6987: 6981: 6959: 6955: 6946: 6928: 6924: 6907: 6904: 6898: 6879: 6875: 6860: 6857: 6848: 6845: 6839: 6836: 6830: 6827: 6821: 6818: 6812: 6809: 6803: 6800: 6794: 6787: 6781: 6774: 6768: 6759:Cornel Ungureanu 6756: 6752: 6729: 6726: 6717: 6714: 6708: 6689: 6685: 6642: 6624:Mariana Vidrașcu 6619: 6615: 6609: 6606: 6597: 6594: 6583: 6580: 6574: 6567: 6561: 6558: 6552: 6534: 6530: 6521: 6503:Antonio Patraș, 6502: 6498: 6485: 6482: 6476: 6472:România Literară 6454: 6450: 6403: 6400: 6394: 6391: 6378: 6375: 6360: 6357: 6351: 6333: 6329: 6312: 6293: 6289: 6272: 6254: 6250: 6207: 6204: 6198: 6195: 6189: 6186: 6180: 6177: 6171: 6168: 6162: 6150: 6146: 6123: 6120: 6111: 6108: 6102: 6099: 6093: 6090: 6084: 6081: 6072: 6052:Cornel Ungureanu 6050: 6046: 5997: 5981: 5977: 5960: 5957: 5934: 5931: 5915:Anii de ucenicie 5903:Însemnări ieșene 5891:Împărăția apelor 5861:Oameni și locuri 5842:Nicoară Potcoavă 5787:Zodia Cancerului 5684: 5665:Aleea Clasicilor 5659: 5647: 5559:personality cult 5510:Constantin Vaeni 5448:Venea o moară... 5436:Aleea Clasicilor 5398:Viața Românească 5340:Mihail Sadoveanu 5328:Constantin Stere 5122:(1955 edition). 5057:communist regime 5016:Viața Românească 4934:Traian Săvulescu 4922:fellow travelers 4906:Viața Românească 4837:Romanian Academy 4829:public education 4791:Adrian Cioroianu 4779:collectivization 4634:personality cult 4533:Southern Dobruja 4503:Judaeo-communism 4459:Nichifor Crainic 4296:Viața Românească 4283:Jewish community 4276: 4272:Viața Românească 4261:Constantin Stere 4192:. Following the 4177:Viața Românească 4160:National Liberal 4079:Cântecul mioarei 4054:Nicoară Potcoavă 4042:Nicoară Potcoavă 4029:was preceded by 3979:communist system 3963:Nikolay Tsistsin 3947:Traian Săvulescu 3924:Cornel Ungureanu 3919:Road to Damascus 3913:Paul the Apostle 3881:Adrian Cioroianu 3705:Duduia Margareta 3701:Honoré de Balzac 3694:Romanian culture 3551:Anii de ucenicie 3530:Viața Românească 3525:Însemnări ieșene 3509:'s with a "calm 3499:Împărăția apelor 3480:Oameni și locuri 3371:Battle of Vaslui 3363:Jagiellon Poland 3284:Zodia Cancerului 3276:Zodia Cancerului 3202:Zodia Cancerului 3191:Zodia Cancerului 3169:Poland–Lithuania 3125:, where much of 3075:Nicoară Potcoavă 3071:historical novel 3060:Soarele în baltă 3047:Canterbury Tales 3042:Geoffrey Chaucer 2902:Benjamin Fondane 2692:Dureri înăbușite 2672:Dureri înăbușite 2616:Romanian Academy 2431:Romanian cuisine 2395:Romanian culture 2391:Benjamin Fondane 2334:Imperial Russian 2322:Gustave Flaubert 2314:adventure novels 2272:Ionel Teodoreanu 2150:Nicolae Gh. Lupu 2112:De-Stalinization 1991:communist regime 1859:Dimitrie Pompeiu 1855:Traian Săvulescu 1835:Vladimir Kemenov 1831:Andrey Vyshinsky 1804:Communist system 1509:Zodia Cancerului 1486:Viața Românească 1414:Viața Românească 1406:Romanian Academy 1398:Agapia Monastery 1331:Viața Românească 1192:Peasants' Revolt 1107: 1047:Romanian Academy 1031:, leader of the 1013:Dureri înăbușite 998:Mariana Vidrașcu 986:Viața Românească 960:Viața Românească 949:Viața Românească 924:Vintilă Brătianu 915:Voința Națională 871:Viața Românească 848:Grădina Liniștii 837:social criticism 725:Moldavian Prince 709: 697: 677: 598:George Călinescu 582:western Moldavia 537:Romanian Academy 454:. Rallying with 396:Zodia Cancerului 362:Viața Românească 339:adventure novels 316: 311: 306:Mihail Sadoveanu 299: 159:historical novel 83: 59: 57: 42: 32:Mihail Sadoveanu 28: 27: 13254: 13253: 13249: 13248: 13247: 13245: 13244: 13243: 12939: 12938: 12937: 12932: 12908:Florin Iordache 12865: 12863: 12853: 12841: 12839: 12829: 12805:Gheorghe Stoica 12760:Constantin Agiu 12747: 12745: 12735: 12726: 12712:Nicolae Săveanu 12692:Nicolae Săveanu 12592:Dimitrie Gianni 12562:Lascăr Catargiu 12492:Ion C. Brătianu 12482:Lascăr Catargiu 12449: 12447: 12437: 12428: 12398: 12393: 12375: 12351:Titus Corlățean 12268: 12262: 12238:Leonte Moldovan 12168:Theodor Rosetti 12058:Nicolae Golescu 12040: 12034: 12025: 12013: 12011: 12005: 11996: 11966: 11961: 11947: 11886: 11874: 11855: 11811: 11771: 11755: 11720: 11716: 11703: 11672: 11656: 11645: 11629:Prince Nicholas 11611: 11595: 11575:King of Romania 11573: 11561: 11545: 11536:Nicolae Golescu 11531:Lascăr Catargiu 11518: 11510: 11485: 11477: 11454: 11445: 11404: 11395: 11387: 11377: 11368: 11360: 11338:Wayback Machine 11316:Plural Magazine 11303:(fragment from 11295:The Vesper Bell 11199: 10980:Editura Pontica 10960:Victor Frunză, 10874: 10848:Editura Minerva 10785: 10780: 10770:Wayback Machine 10757: 10756: 10752: 10735: 10734: 10730: 10718:Wayback Machine 10707: 10706: 10699: 10683: 10682: 10678: 10673: 10669: 10664: 10657: 10646: 10631: 10619:Wayback Machine 10608: 10607: 10603: 10587: 10586: 10582: 10576:Wayback Machine 10565:Wayback Machine 10552: 10551: 10547: 10531: 10530: 10526: 10517: 10513: 10504: 10500: 10486:Alina Purcaru, 10483: 10482: 10473: 10450: 10446: 10441: 10437: 10414: 10410: 10405: 10401: 10396: 10392: 10387: 10383: 10362:Dennis Deletant 10360: 10356: 10339: 10338: 10334: 10311: 10307: 10300:Magazin Istoric 10293: 10289: 10284: 10280: 10275: 10268: 10256:"150 de romane" 10252: 10251: 10247: 10227: 10226: 10222: 10217: 10213: 10208: 10204: 10200:Selejan, p. 236 10199: 10195: 10190: 10186: 10181: 10177: 10171:Un nou Eminescu 10168: 10164: 10159: 10155: 10150: 10146: 10126: 10125: 10118: 10113: 10109: 10104: 10100: 10095: 10091: 10082: 10078: 10069: 10062: 10039: 10035: 10022: 10018: 10009: 10005: 9993:Wayback Machine 9981: 9980: 9976: 9971: 9967: 9958: 9954: 9945: 9941: 9936: 9932: 9919: 9915: 9906: 9902: 9893: 9889: 9880: 9876: 9867: 9863: 9842:Editura Hasefer 9831: 9830: 9826: 9814:Wayback Machine 9802: 9801: 9797: 9790:Magazin Istoric 9784: 9783: 9776: 9736:Wayback Machine 9724: 9723: 9719: 9710: 9706: 9701: 9697: 9688: 9679: 9670: 9666: 9657: 9653: 9644: 9640: 9631: 9627: 9618: 9614: 9609: 9605: 9596: 9592: 9587: 9583: 9574: 9570: 9565: 9561: 9556: 9552: 9543: 9539: 9530: 9526: 9517: 9513: 9508: 9504: 9499: 9495: 9483:Wayback Machine 9468: 9467: 9463: 9446: 9445: 9436: 9431: 9424: 9419: 9410: 9405: 9401: 9396: 9392: 9387: 9383: 9378: 9374: 9367:Magazin Istoric 9358: 9357: 9348: 9337: 9330: 9324:Un nou Eminescu 9321: 9314: 9305: 9301: 9295:Un nou Eminescu 9292: 9288: 9283: 9279: 9275:Stanomir, p. 27 9274: 9270: 9261: 9257: 9248: 9244: 9240:Stanomir, p. 25 9239: 9232: 9223: 9219: 9210: 9206: 9197: 9193: 9188: 9184: 9173: 9169: 9165:Selejan, p. 211 9164: 9160: 9147: 9143: 9138: 9134: 9129: 9125: 9120: 9116: 9111: 9107: 9102: 9098: 9093: 9089: 9084: 9080: 9075: 9071: 9066: 9062: 9058:Răileanu, p. 14 9057: 9053: 9048: 9044: 9039: 9035: 9030: 9023: 9018: 9014: 9009: 9002: 8997: 8993: 8988: 8984: 8979: 8966: 8961: 8946: 8941: 8937: 8926: 8922: 8917: 8913: 8908: 8904: 8899: 8890: 8885: 8881: 8876: 8872: 8867: 8863: 8858: 8851: 8846: 8842: 8837: 8830: 8825: 8821: 8816: 8812: 8806: 8802: 8797: 8793: 8788: 8777: 8772: 8765: 8760: 8756: 8751: 8747: 8742: 8738: 8733: 8729: 8724: 8720: 8715: 8704: 8699: 8695: 8690: 8686: 8677: 8673: 8668: 8664: 8659: 8655: 8650: 8646: 8641: 8632: 8627: 8623: 8618: 8614: 8609: 8605: 8600: 8596: 8591: 8587: 8582: 8578: 8573: 8562: 8557: 8553: 8548: 8544: 8539: 8535: 8530: 8526: 8521: 8517: 8512: 8508: 8503: 8499: 8494: 8487: 8482: 8478: 8473: 8469: 8464: 8449: 8444: 8440: 8435: 8431: 8426: 8422: 8417: 8413: 8408: 8404: 8399: 8395: 8390: 8386: 8377: 8373: 8368: 8364: 8359: 8355: 8350: 8346: 8341: 8337: 8332: 8328: 8318: 8314: 8309: 8305: 8300: 8296: 8292:Stanomir, p. 26 8291: 8280: 8275: 8271: 8266: 8262: 8257: 8246: 8241: 8237: 8232: 8228: 8223: 8204: 8199: 8195: 8190: 8175: 8170: 8166: 8161: 8157: 8152: 8148: 8143: 8139: 8134: 8130: 8125: 8121: 8116: 8112: 8107: 8103: 8094: 8090: 8085: 8072: 8067: 8063: 8058: 8054: 8049: 8038: 8033: 8029: 8024: 8020: 8004: 8003: 7994: 7989: 7985: 7969: 7968: 7961: 7952: 7945: 7940: 7936: 7931: 7927: 7918: 7914: 7905: 7901: 7896: 7892: 7887: 7883: 7878: 7874: 7869: 7865: 7858:Magazin Istoric 7853:Valeriu Râpeanu 7849: 7848: 7844: 7835: 7831: 7822: 7818: 7809: 7800: 7789: 7772: 7767: 7758: 7753: 7749: 7740: 7725: 7713:Wayback Machine 7701: 7700: 7691: 7682: 7678: 7669: 7665: 7656: 7652: 7643: 7639: 7630: 7626: 7617: 7613: 7604: 7600: 7591: 7587: 7582: 7578: 7561: 7560: 7556: 7544:Wayback Machine 7533: 7532: 7525: 7513:Wayback Machine 7502:Valeriu Râpeanu 7498: 7497: 7493: 7481:Wayback Machine 7466: 7465: 7458: 7449: 7445: 7440: 7436: 7427: 7423: 7414: 7410: 7401: 7397: 7388: 7381: 7372: 7365: 7356: 7347: 7326: 7325: 7318: 7300: 7299: 7295: 7286: 7277: 7264: 7260: 7255: 7251: 7246: 7242: 7222: 7221: 7214: 7209: 7202: 7197: 7193: 7188: 7184: 7177:Magazin Istoric 7168: 7167: 7163: 7151:Wayback Machine 7139: 7138: 7125: 7116: 7112: 7103: 7099: 7094: 7085: 7075: 7073: 7064: 7063: 7059: 7054: 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6000: 5979: 5978: 5963: 5958: 5937: 5932: 5928: 5924: 5919: 5855:Domnu Trandafir 5850: 5710:Frații Potcoavă 5705: 5699: 5692: 5685: 5676: 5660: 5651: 5648: 5580:Romanian Police 5514:Vacanță tragică 5474:Marietta Sadova 5458:Marcella Albani 5444:Romanian cinema 5359:Eugen Lovinescu 5304: 5286:Editura Junimea 5279:Greater Romania 5243:Eusebiu Camilar 5204:French-language 5188:German-language 5148:1989 Revolution 5078:Alexandru Sahia 5065:rehabilitations 5012:Dumitru Vacariu 4988: 4983: 4849:death sentences 4825:defunct kingdom 4821:anti-communists 4752: 4664:Iuliu Hațieganu 4601:Greater Romania 4565:Demostene Botez 4545:Eugen Lovinescu 4529:public burnings 4473:Ovidiu Papadima 4441: 4384:Divanul persian 4274: 4253:Austria-Hungary 4144: 4139: 4123:1940 occupation 3986:political novel 3953:) and the 1946 3895:and the former 3866:Georgy Malenkov 3841: 3781:Divanul persian 3762:, "The Persian 3760:Divanul persian 3559: 3547:Domnu Trandafir 3438: 3306: 3271:Gheorghe Ștefan 3255:Battle of Finta 3198: 3180:adventure novel 3026:in the line of 2997: 2898:Demostene Botez 2828:standing up to 2746: 2629: 2591:Western culture 2458:Impressionistic 2407: 2405:Characteristics 2353:Eugen Lovinescu 2338:Laskar Vioresku 2324:and especially 2276:Nicolae Filimon 2264:Calistrat Hogaș 2256:Demostene Botez 2194: 2189: 2181:Ștefana Velisar 2117:Having donated 2076:Georgy Malenkov 2035:Valeriu Râpeanu 2015: 1936:Nikolay Tsitsin 1882:Octav Livezeanu 1866:Nicolae Rădescu 1779:The collective 1773: 1659:public burnings 1631: 1571:liberal current 1482:Demostene Botez 1468:monasteries of 1391: 1341:, and, as Army 1258:Hippolyte Taine 1239:Ovid Densusianu 1227:Dimitrie Anghel 1212:social activism 1184:Editura Minerva 1170: 1142:Mihail Vlădescu 1105: 1056:Constantin Banu 1021:Editura Minerva 932:Frații Potcoavă 875: 817:Frații Potcoavă 786:Pagini Literare 752:Ovid Densusianu 717: 716: 715: 714: 713: 710: 702: 701: 698: 690: 689: 678: 667: 655:Eugen Lovinescu 635:Domnu Trandafir 574: 569: 448:interwar period 319:Mihai Sadoveanu 309: 285: 171:political novel 163:adventure novel 85: 81: 80:19 October 1961 61: 60:5 November 1880 55: 53: 45: 44:1949 photograph 33: 26: 19: 12: 11: 5: 13252: 13242: 13241: 13236: 13231: 13226: 13221: 13216: 13211: 13206: 13201: 13196: 13191: 13186: 13181: 13176: 13171: 13166: 13161: 13156: 13151: 13146: 13141: 13136: 13131: 13126: 13121: 13116: 13111: 13106: 13101: 13096: 13091: 13086: 13081: 13076: 13074:Social realism 13071: 13066: 13061: 13056: 13051: 13046: 13041: 13036: 13031: 13026: 13024:Romanian poets 13021: 13016: 13011: 13006: 13001: 12996: 12991: 12986: 12981: 12976: 12971: 12966: 12961: 12956: 12951: 12934: 12933: 12931: 12930: 12928:Marcel Ciolacu 12925: 12920: 12918:Marcel Ciolacu 12915: 12910: 12905: 12903:Valeriu Zgonea 12900: 12895: 12893:Bogdan Olteanu 12890: 12888:Adrian Năstase 12885: 12883:Valer Dorneanu 12880: 12878:Ion Diaconescu 12875: 12873:Adrian Năstase 12869: 12867: 12855: 12854: 12852: 12851: 12845: 12843: 12831: 12830: 12828: 12827: 12825:Nicolae Giosan 12822: 12817: 12812: 12807: 12802: 12797: 12792: 12787: 12782: 12777: 12772: 12767: 12762: 12757: 12751: 12749: 12737: 12736: 12729: 12727: 12725: 12724: 12719: 12714: 12709: 12704: 12699: 12694: 12689: 12684: 12682:Mihail Orleanu 12679: 12674: 12669: 12664: 12659: 12654: 12649: 12644: 12639: 12634: 12629: 12624: 12619: 12614: 12609: 12604: 12599: 12594: 12589: 12584: 12579: 12574: 12569: 12564: 12559: 12557:Dimitrie Lecca 12554: 12549: 12547:Dimitrie Lecca 12544: 12539: 12534: 12529: 12524: 12519: 12517:Dimitrie Ghica 12514: 12509: 12504: 12499: 12497:Costache Negri 12494: 12489: 12487:Anastasie Fătu 12484: 12479: 12474: 12469: 12464: 12459: 12453: 12451: 12439: 12438: 12427: 12426: 12419: 12412: 12404: 12395: 12394: 12380: 12377: 12376: 12374: 12373: 12368: 12363: 12358: 12353: 12348: 12343: 12338: 12333: 12328: 12326:Crin Antonescu 12323: 12318: 12313: 12308: 12303: 12298: 12293: 12288: 12283: 12281:Oliviu Gherman 12278: 12272: 12270: 12264: 12263: 12261: 12260: 12255: 12250: 12245: 12240: 12235: 12230: 12225: 12220: 12215: 12210: 12205: 12200: 12195: 12190: 12185: 12180: 12175: 12170: 12165: 12160: 12155: 12150: 12145: 12140: 12135: 12130: 12125: 12120: 12115: 12113:Dimitrie Ghica 12110: 12105: 12100: 12095: 12090: 12085: 12083:Dimitrie Ghica 12080: 12075: 12070: 12065: 12060: 12055: 12053:Ștefan Golescu 12050: 12044: 12042: 12036: 12035: 12028: 12026: 12024: 12023: 12017: 12015: 12007: 12006: 11995: 11994: 11987: 11980: 11972: 11963: 11962: 11952: 11949: 11948: 11946: 11945: 11942:Klaus Iohannis 11938: 11936:Traian Băsescu 11933: 11930:Crin Antonescu 11926: 11924:Traian Băsescu 11921: 11914: 11912:Traian Băsescu 11909: 11904: 11899: 11893: 11891: 11890:(1989–present) 11880: 11879: 11876: 11875: 11873: 11872: 11866: 11864: 11857: 11856: 11854: 11853: 11848: 11833: 11828: 11822: 11820: 11813: 11812: 11810: 11809: 11804: 11801:Anton Moisescu 11793: 11788: 11782: 11780: 11773: 11772: 11770: 11769: 11768: 11767: 11762: 11753:Gheorghe Stere 11750: 11745: 11734: 11732: 11722: 11709: 11708: 11705: 11704: 11702: 11701: 11700: 11699: 11680: 11678: 11674: 11673: 11671: 11670: 11664: 11662: 11658: 11657: 11655: 11654: 11653: 11652: 11636: 11631: 11627:under regents 11619: 11617: 11613: 11612: 11610: 11609: 11603: 11601: 11597: 11596: 11594: 11593: 11587: 11585: 11578: 11567: 11566: 11563: 11562: 11560: 11559: 11553: 11551: 11547: 11546: 11544: 11543: 11538: 11533: 11527: 11525: 11512: 11511: 11509: 11508: 11502: 11500: 11493: 11479: 11478: 11476: 11475: 11470: 11465: 11459: 11456: 11455: 11448:Heads of state 11444: 11443: 11436: 11429: 11421: 11413: 11412: 11400: 11397: 11388: 11383: 11379: 11378: 11373: 11370: 11361: 11356: 11352: 11351: 11345: 11344: 11331:" (Rome, 1949) 11320: 11245: 11230: 11221: 11212: 11198: 11197:External links 11195: 11194: 11193: 11172: 11155: 11141: 11131:Al. Săndulescu 11120: 11087: 11070: 11049: 11031:Petre Răileanu 11028: 11027: 11026: 11013: 10990: 10972: 10958: 10941: 10931:John Benjamins 10920: 10898: 10872: 10851: 10837: 10836: 10835: 10829: 10815:Editura Nemira 10807: 10784: 10781: 10779: 10778: 10750: 10748:, 9 March 2006 10728: 10697: 10676: 10667: 10655: 10629: 10601: 10580: 10545: 10524: 10511: 10498: 10471: 10444: 10435: 10408: 10399: 10390: 10381: 10354: 10332: 10305: 10287: 10285:Cernat, p. 221 10278: 10266: 10245: 10220: 10211: 10202: 10193: 10184: 10175: 10162: 10160:Cernat, p. 145 10153: 10144: 10116: 10107: 10098: 10096:Vasile, p. 279 10089: 10076: 10060: 10033: 10016: 10003: 10001:, 3 April 2008 9998:România Liberă 9974: 9965: 9952: 9939: 9930: 9913: 9900: 9887: 9874: 9861: 9824: 9805:Boris Marian, 9795: 9774: 9762:Camil Petrescu 9717: 9704: 9695: 9677: 9664: 9651: 9638: 9625: 9612: 9603: 9590: 9581: 9568: 9559: 9550: 9537: 9533:"Germanofilii" 9524: 9520:"Germanofilii" 9511: 9502: 9493: 9461: 9434: 9422: 9408: 9406:Selejan, p. 95 9399: 9390: 9381: 9372: 9370:, January 1998 9346: 9328: 9312: 9299: 9286: 9277: 9268: 9255: 9242: 9230: 9217: 9204: 9191: 9182: 9177:Idei în Dialog 9167: 9158: 9141: 9132: 9130:Răileanu, p. 7 9123: 9114: 9105: 9096: 9087: 9078: 9069: 9060: 9051: 9042: 9033: 9021: 9012: 9000: 8991: 8982: 8964: 8944: 8935: 8920: 8911: 8902: 8888: 8879: 8870: 8861: 8849: 8840: 8828: 8819: 8810: 8800: 8791: 8775: 8763: 8754: 8745: 8736: 8727: 8718: 8702: 8693: 8684: 8671: 8662: 8653: 8644: 8630: 8621: 8612: 8603: 8594: 8585: 8576: 8560: 8551: 8542: 8533: 8524: 8515: 8506: 8497: 8485: 8476: 8467: 8447: 8438: 8429: 8420: 8411: 8402: 8393: 8384: 8371: 8362: 8353: 8344: 8335: 8326: 8312: 8303: 8294: 8278: 8269: 8260: 8244: 8235: 8226: 8202: 8193: 8173: 8164: 8155: 8153:Cernat, p. 209 8146: 8137: 8128: 8119: 8110: 8101: 8088: 8070: 8061: 8052: 8036: 8027: 8018: 7992: 7983: 7959: 7943: 7934: 7925: 7912: 7899: 7890: 7881: 7872: 7863: 7842: 7829: 7816: 7798: 7796:, 22 June 1962 7770: 7768:Frunză, p. 374 7756: 7754:Frunză, p. 303 7747: 7723: 7721:, 17 July 2007 7689: 7687:, pp. 282, 289 7676: 7663: 7650: 7637: 7624: 7611: 7598: 7585: 7576: 7564:Bianca Burța, 7554: 7549:România Liberă 7523: 7491: 7456: 7443: 7434: 7421: 7408: 7395: 7379: 7363: 7345: 7316: 7293: 7275: 7258: 7249: 7240: 7212: 7200: 7191: 7182: 7172:Arthur Gorovei 7161: 7142:Adrian Pârvu, 7123: 7119:"Germanofilii" 7110: 7106:"Germanofilii" 7097: 7083: 7057: 7048: 7036: 7008: 6982: 6947: 6908: 6899: 6861: 6849: 6840: 6831: 6822: 6813: 6804: 6795: 6782: 6769: 6730: 6728:Răileanu, p. 5 6718: 6709: 6643: 6610: 6598: 6584: 6575: 6571:Zaharia Bârsan 6562: 6553: 6522: 6486: 6477: 6404: 6395: 6379: 6361: 6352: 6313: 6273: 6208: 6199: 6190: 6181: 6172: 6163: 6124: 6112: 6103: 6094: 6085: 6073: 5998: 5961: 5935: 5925: 5923: 5920: 5918: 5917: 5911: 5905: 5899: 5893: 5887: 5881: 5875: 5869: 5863: 5857: 5849: 5846: 5845: 5844: 5838: 5830: 5822: 5816: 5814:Creanga de aur 5810: 5804: 5798: 5790: 5782: 5776: 5768: 5760: 5754: 5748: 5746:Balta liniștii 5742: 5736: 5730: 5724: 5722:Floare ofilită 5718: 5712: 5704: 5701: 5700: 5698: 5697:Selected works 5695: 5694: 5693: 5686: 5679: 5677: 5661: 5654: 5652: 5649: 5642: 5624:Miercurea Ciuc 5567:Writers' Union 5551:Alexandru Toma 5502:Mircea Mureșan 5500:, directed by 5373:nature writing 5303: 5300: 5255:Petru Dumitriu 5239:Zaharia Stancu 5224:Liviu Rebreanu 5200:Sarina Cassvan 5096:Traian Șelmaru 5092:Paul Georgescu 5074:Alexandru Toma 5008:Damian Stănoiu 4987: 4984: 4982: 4979: 4971:Cezar Petrescu 4853:Tămădău Affair 4843:and historian 4769:Following his 4751: 4748: 4720:Simion Stoilow 4716:Dimitrie Gusti 4654:, philosopher 4592:Creanga de aur 4561:Zaharia Stancu 4553:Victor Eftimiu 4541:Liviu Rebreanu 4525:Porunca Vremii 4490:Porunca Vremii 4440: 4437: 4407:intelligentsia 4399:People's Party 4345:Central Europe 4316:Weltanschauung 4257:decommissioned 4249:Russian Empire 4227:social justice 4215:feudal society 4143: 4140: 4138: 4135: 4011:Luminița Marcu 3949:and economist 3922:), and critic 3893:Cezar Petrescu 3850:Petru Dumitriu 3840: 3837: 3804:Aesop's Fables 3644:Creanga de aur 3558: 3555: 3541:, "44 Days in 3437: 3434: 3359:Mary of Mangop 3305: 3292: 3236:Eastern Europe 3228:Roman Catholic 3226:de Marenne, a 3215:Prince Antonie 3197: 3188: 3107:Petru Șchiopul 3103:binge drinking 3056:Western Europe 2996: 2983: 2975:O zi ca altele 2967:Balta liniștii 2906:Floare ofilită 2894:George Bacovia 2865:Westernization 2781:sketch stories 2769:Moldova Valley 2754:Moldova Valley 2745: 2742: 2676:social realism 2628: 2625: 2608:Mihai Eminescu 2563:Titu Maiorescu 2533:local dialects 2521:Romanian lexis 2406: 2403: 2260:Otilia Cazimir 2213:Cezar Petrescu 2209:Liviu Rebreanu 2199:nature writing 2193: 2190: 2188: 2185: 2166:Bellu cemetery 2162:Vânători-Neamț 2131:Anton Moisescu 2088:peace movement 2031:Zaharia Stancu 2014: 2011: 1999:Gheorghe Stere 1969:Pamfil Șeicaru 1918:Simion Stoilow 1910:Dimitrie Gusti 1874:Gala Galaction 1789:Gheorghe Stere 1772: 1769: 1765:Victor Eftimiu 1729:Romanian Radio 1714:regime. After 1630: 1627: 1523:People's Party 1498:Orient Express 1478:Neamț Fortress 1431:Otilia Cazimir 1427:Gala Galaction 1390: 1387: 1379:Arthur Gorovei 1335:Entente Powers 1316:Central Powers 1176:Title page of 1169: 1166: 1029:Titu Maiorescu 874: 864: 762:Gala Galaction 711: 704: 703: 699: 692: 691: 679: 672: 671: 670: 669: 668: 666: 663: 612:Sadoveanu-Evan 573: 570: 568: 565: 456:People's Party 425:Social realism 343:nature writing 301: 300: 292: 291: 287: 286: 284: 283: 278: 272: 270: 266: 265: 262: 258: 257: 254: 250: 249: 229:Social realism 222: 218: 217: 191:nature writing 156: 152: 151: 146: 142: 141: 136: 132: 131: 128: 124: 123: 120: 116: 115: 105:Bellu Cemetery 102: 98: 97: 87:Vânători-Neamț 84:(aged 80) 78: 74: 73: 51: 47: 46: 43: 35: 34: 31: 17: 9: 6: 4: 3: 2: 13251: 13240: 13237: 13235: 13232: 13230: 13227: 13225: 13222: 13220: 13217: 13215: 13212: 13210: 13207: 13205: 13202: 13200: 13197: 13195: 13192: 13190: 13187: 13185: 13182: 13180: 13177: 13175: 13172: 13170: 13167: 13165: 13162: 13160: 13157: 13155: 13152: 13150: 13147: 13145: 13142: 13140: 13137: 13135: 13132: 13130: 13127: 13125: 13122: 13120: 13117: 13115: 13112: 13110: 13107: 13105: 13102: 13100: 13097: 13095: 13092: 13090: 13087: 13085: 13082: 13080: 13077: 13075: 13072: 13070: 13067: 13065: 13062: 13060: 13057: 13055: 13052: 13050: 13047: 13045: 13042: 13040: 13037: 13035: 13032: 13030: 13027: 13025: 13022: 13020: 13017: 13015: 13012: 13010: 13007: 13005: 13002: 13000: 12997: 12995: 12992: 12990: 12987: 12985: 12982: 12980: 12977: 12975: 12972: 12970: 12967: 12965: 12962: 12960: 12957: 12955: 12952: 12950: 12947: 12946: 12944: 12929: 12926: 12924: 12923:Ludovic Orban 12921: 12919: 12916: 12914: 12913:Liviu Dragnea 12911: 12909: 12906: 12904: 12901: 12899: 12896: 12894: 12891: 12889: 12886: 12884: 12881: 12879: 12876: 12874: 12871: 12870: 12868: 12861: 12856: 12850: 12847: 12846: 12844: 12837: 12832: 12826: 12823: 12821: 12818: 12816: 12815:Ștefan Voitec 12813: 12811: 12808: 12806: 12803: 12801: 12798: 12796: 12793: 12791: 12788: 12786: 12783: 12781: 12778: 12776: 12773: 12771: 12768: 12766: 12763: 12761: 12758: 12756: 12753: 12752: 12750: 12743: 12738: 12733: 12723: 12720: 12718: 12715: 12713: 12710: 12708: 12705: 12703: 12700: 12698: 12695: 12693: 12690: 12688: 12685: 12683: 12680: 12678: 12675: 12673: 12672:Nicolae Iorga 12670: 12668: 12665: 12663: 12660: 12658: 12657:Vasile Morțun 12655: 12653: 12650: 12648: 12645: 12643: 12640: 12638: 12635: 12633: 12630: 12628: 12625: 12623: 12620: 12618: 12615: 12613: 12610: 12608: 12605: 12603: 12600: 12598: 12595: 12593: 12590: 12588: 12585: 12583: 12582:Gheorghe Manu 12580: 12578: 12575: 12573: 12570: 12568: 12565: 12563: 12560: 12558: 12555: 12553: 12550: 12548: 12545: 12543: 12540: 12538: 12535: 12533: 12530: 12528: 12525: 12523: 12520: 12518: 12515: 12513: 12510: 12508: 12505: 12503: 12500: 12498: 12495: 12493: 12490: 12488: 12485: 12483: 12480: 12478: 12475: 12473: 12470: 12468: 12465: 12463: 12460: 12458: 12457:Nifon Rusailă 12455: 12454: 12452: 12445: 12440: 12436: 12432: 12425: 12420: 12418: 12413: 12411: 12406: 12405: 12402: 12391: 12386: 12385: 12378: 12372: 12371:Alina Gorghiu 12369: 12367: 12364: 12362: 12359: 12357: 12354: 12352: 12349: 12347: 12344: 12342: 12341:Șerban Valeca 12339: 12337: 12334: 12332: 12329: 12327: 12324: 12322: 12319: 12317: 12314: 12312: 12311:Mircea Geoană 12309: 12307: 12304: 12302: 12299: 12297: 12294: 12292: 12289: 12287: 12284: 12282: 12279: 12277: 12274: 12273: 12271: 12265: 12259: 12256: 12254: 12253:Nicolae Iorga 12251: 12249: 12246: 12244: 12241: 12239: 12236: 12234: 12231: 12229: 12226: 12224: 12221: 12219: 12216: 12214: 12211: 12209: 12206: 12204: 12201: 12199: 12196: 12194: 12191: 12189: 12186: 12184: 12181: 12179: 12176: 12174: 12171: 12169: 12166: 12164: 12161: 12159: 12156: 12154: 12151: 12149: 12146: 12144: 12141: 12139: 12136: 12134: 12131: 12129: 12126: 12124: 12121: 12119: 12116: 12114: 12111: 12109: 12106: 12104: 12101: 12099: 12096: 12094: 12091: 12089: 12086: 12084: 12081: 12079: 12076: 12074: 12071: 12069: 12068:Nifon Rusailă 12066: 12064: 12061: 12059: 12056: 12054: 12051: 12049: 12048:Nifon Rusailă 12046: 12045: 12043: 12037: 12032: 12022: 12021:Nifon Rusailă 12019: 12018: 12016: 12008: 12004: 12000: 11993: 11988: 11986: 11981: 11979: 11974: 11973: 11970: 11959: 11955: 11950: 11944: 11943: 11939: 11937: 11934: 11932: 11931: 11927: 11925: 11922: 11920: 11919: 11915: 11913: 11910: 11908: 11905: 11903: 11900: 11898: 11895: 11894: 11892: 11889: 11885: 11881: 11871: 11868: 11867: 11865: 11862: 11858: 11852: 11849: 11847: 11846: 11845:Avram Bunaciu 11842: 11841:Ștefan Voitec 11838: 11834: 11832: 11829: 11827: 11824: 11823: 11821: 11818: 11817:State Council 11814: 11808: 11805: 11803: 11802: 11798: 11794: 11792: 11789: 11787: 11784: 11783: 11781: 11778: 11774: 11766: 11765:Ștefan Voitec 11763: 11759: 11754: 11751: 11749: 11746: 11744: 11741: 11740: 11739: 11736: 11735: 11733: 11730: 11726: 11723: 11719: 11714: 11710: 11697: 11696: 11691: 11690:Ion Antonescu 11687: 11686: 11685: 11682: 11681: 11679: 11675: 11669: 11666: 11665: 11663: 11659: 11649: 11644: 11640: 11637: 11635: 11634:Miron Cristea 11632: 11630: 11626: 11625: 11624: 11621: 11620: 11618: 11614: 11608: 11605: 11604: 11602: 11598: 11592: 11589: 11588: 11586: 11582: 11579: 11576: 11572: 11568: 11558: 11555: 11554: 11552: 11548: 11542: 11539: 11537: 11534: 11532: 11529: 11528: 11526: 11522: 11517: 11513: 11507: 11504: 11503: 11501: 11497: 11494: 11491: 11489: 11484: 11480: 11474: 11471: 11469: 11466: 11464: 11461: 11460: 11457: 11453: 11449: 11442: 11437: 11435: 11430: 11428: 11423: 11422: 11419: 11410: 11409: 11403: 11394: 11393: 11386: 11380: 11376: 11367: 11366: 11359: 11353: 11348: 11342: 11341:British-Pathé 11339: 11335: 11332: 11330: 11329:Peace Meeting 11326: 11321: 11318: 11317: 11312: 11308: 11306: 11302: 11301:Vitoria Lipan 11297: 11296: 11291: 11289: 11284: 11282: 11277: 11275: 11270: 11269: 11264: 11263: 11258: 11257: 11256:A Worried Man 11252: 11250: 11249:A Boyar's Sin 11246: 11244: 11240: 11236: 11235: 11231: 11229: 11225: 11222: 11220: 11216: 11213: 11210: 11205: 11201: 11200: 11192: 11188: 11184: 11180: 11179:Corneliu Baba 11176: 11173: 11171: 11167: 11163: 11159: 11156: 11154: 11150: 11146: 11142: 11140: 11136: 11132: 11128: 11124: 11121: 11119: 11118:973-681-817-9 11115: 11111: 11107: 11103: 11099: 11098:Ion Manolescu 11095: 11091: 11090:Ioan Stanomir 11088: 11086: 11082: 11078: 11074: 11071: 11069: 11068:0-262-19507-0 11065: 11061: 11057: 11053: 11052:Tom Sandqvist 11050: 11048: 11047:973-32-0114-6 11044: 11040: 11036: 11032: 11029: 11025: 11024:973-21-0562-3 11021: 11017: 11014: 11012: 11011:973-9155-43-X 11008: 11004: 11000: 10997: 10996: 10994: 10991: 10989: 10988:973-9224-63-6 10985: 10981: 10977: 10973: 10971: 10970:973-28-0177-8 10967: 10963: 10959: 10957: 10953: 10949: 10945: 10942: 10940: 10939:90-272-3452-3 10936: 10932: 10928: 10924: 10921: 10919: 10918:973-669-175-6 10915: 10911: 10907: 10905: 10899: 10896: 10893: 10889: 10888: 10883: 10879: 10878:Ilarie Chendi 10875:(in Romanian) 10873: 10871: 10867: 10863: 10859: 10855: 10852: 10849: 10845: 10841: 10838: 10833: 10830: 10827: 10826: 10824: 10823:973-569-209-0 10820: 10816: 10812: 10808: 10806: 10802: 10798: 10794: 10790: 10787: 10786: 10775: 10771: 10767: 10764: 10763: 10758:(in Romanian) 10754: 10747: 10746: 10741: 10736:(in Romanian) 10732: 10725: 10724: 10719: 10715: 10712: 10708:(in Romanian) 10704: 10702: 10694: 10690: 10689: 10684:(in Romanian) 10680: 10671: 10662: 10660: 10653: 10649: 10644: 10642: 10640: 10638: 10636: 10634: 10626: 10625: 10620: 10616: 10613: 10609:(in Romanian) 10605: 10598: 10594: 10593: 10588:(in Romanian) 10584: 10577: 10573: 10570: 10566: 10562: 10559: 10558: 10553:(in Romanian) 10549: 10543:, 8 June 2002 10542: 10541: 10536: 10532:(in Romanian) 10528: 10521: 10520:Corneliu Baba 10515: 10508: 10507:Corneliu Baba 10502: 10495: 10494: 10489: 10484:(in Romanian) 10480: 10478: 10476: 10469: 10465: 10461: 10457: 10453: 10448: 10439: 10433: 10429: 10425: 10421: 10417: 10416:Nicolae Labiș 10412: 10403: 10394: 10385: 10379: 10378:0-19-818359-3 10375: 10371: 10367: 10363: 10358: 10351: 10350: 10345: 10340:(in Romanian) 10336: 10330: 10329:973-681-819-5 10326: 10322: 10318: 10314: 10313:Adrian Marino 10309: 10302: 10301: 10296: 10291: 10282: 10273: 10271: 10263: 10262: 10257: 10253:(in Romanian) 10249: 10242: 10241: 10236: 10232: 10231:Andrei Terian 10228:(in Romanian) 10224: 10215: 10206: 10197: 10188: 10179: 10172: 10166: 10157: 10148: 10142:, Nr. 10/2011 10141: 10140: 10135: 10131: 10127:(in Romanian) 10123: 10121: 10111: 10102: 10093: 10086: 10080: 10073: 10067: 10065: 10058: 10057:973-681-899-3 10054: 10050: 10046: 10042: 10037: 10030: 10026: 10020: 10013: 10007: 10000: 9999: 9994: 9990: 9987: 9982:(in Romanian) 9978: 9969: 9962: 9956: 9949: 9943: 9934: 9927: 9923: 9917: 9910: 9904: 9897: 9891: 9884: 9878: 9871: 9865: 9859: 9855: 9851: 9847: 9843: 9839: 9838: 9832:(in Romanian) 9828: 9821: 9820: 9815: 9811: 9808: 9803:(in Romanian) 9799: 9793:, August 1997 9792: 9791: 9785:(in Romanian) 9781: 9779: 9771: 9767: 9763: 9759: 9755: 9751: 9747: 9743: 9742: 9737: 9733: 9730: 9725:(in Romanian) 9721: 9714: 9713:Anii treizeci 9708: 9699: 9692: 9691:Anii treizeci 9686: 9684: 9682: 9675:, pp. 460-461 9674: 9673:Anii treizeci 9668: 9661: 9660:Anii treizeci 9655: 9648: 9647:Anii treizeci 9642: 9636:, pp. 463-464 9635: 9634:Anii treizeci 9629: 9622: 9621:Anii treizeci 9616: 9607: 9600: 9594: 9585: 9578: 9577:Anii treizeci 9572: 9563: 9554: 9547: 9541: 9534: 9528: 9522:, pp. 299-300 9521: 9515: 9506: 9500:Chendi, p. 62 9497: 9490: 9489: 9484: 9480: 9477: 9473: 9469:(in Romanian) 9465: 9458: 9457: 9452: 9447:(in Romanian) 9443: 9441: 9439: 9429: 9427: 9417: 9415: 9413: 9403: 9394: 9385: 9376: 9369: 9368: 9363: 9359:(in Romanian) 9355: 9353: 9351: 9343: 9342: 9335: 9333: 9325: 9319: 9317: 9309: 9303: 9296: 9290: 9281: 9272: 9265: 9259: 9252: 9246: 9237: 9235: 9227: 9221: 9214: 9208: 9201: 9195: 9186: 9179: 9178: 9171: 9162: 9155: 9151: 9145: 9136: 9127: 9118: 9109: 9100: 9091: 9082: 9073: 9064: 9055: 9046: 9037: 9028: 9026: 9016: 9007: 9005: 8995: 8986: 8977: 8975: 8973: 8971: 8969: 8959: 8957: 8955: 8953: 8951: 8949: 8939: 8932: 8931: 8924: 8915: 8906: 8897: 8895: 8893: 8883: 8874: 8865: 8856: 8854: 8844: 8835: 8833: 8823: 8814: 8804: 8795: 8786: 8784: 8782: 8780: 8770: 8768: 8758: 8749: 8740: 8731: 8722: 8713: 8711: 8709: 8707: 8697: 8688: 8681: 8680:Anii treizeci 8675: 8666: 8657: 8648: 8639: 8637: 8635: 8625: 8616: 8607: 8598: 8589: 8580: 8571: 8569: 8567: 8565: 8555: 8546: 8537: 8528: 8519: 8510: 8501: 8492: 8490: 8480: 8471: 8462: 8460: 8458: 8456: 8454: 8452: 8442: 8433: 8424: 8415: 8406: 8397: 8388: 8381: 8375: 8366: 8357: 8348: 8339: 8330: 8323: 8316: 8307: 8298: 8289: 8287: 8285: 8283: 8273: 8264: 8255: 8253: 8251: 8249: 8239: 8230: 8221: 8219: 8217: 8215: 8213: 8211: 8209: 8207: 8197: 8188: 8186: 8184: 8182: 8180: 8178: 8168: 8159: 8150: 8141: 8132: 8123: 8114: 8105: 8098: 8092: 8083: 8081: 8079: 8077: 8075: 8065: 8056: 8047: 8045: 8043: 8041: 8031: 8022: 8015: 8014: 8009: 8005:(in Romanian) 8001: 7999: 7997: 7987: 7980: 7979: 7974: 7970:(in Romanian) 7966: 7964: 7956: 7950: 7948: 7938: 7929: 7922: 7916: 7909: 7903: 7894: 7885: 7876: 7867: 7860: 7859: 7854: 7850:(in Romanian) 7846: 7839: 7833: 7827:, pp. 286-289 7826: 7820: 7813: 7807: 7805: 7803: 7795: 7794: 7787: 7785: 7783: 7781: 7779: 7777: 7775: 7765: 7763: 7761: 7751: 7744: 7738: 7736: 7734: 7732: 7730: 7728: 7720: 7719: 7714: 7710: 7707: 7702:(in Romanian) 7698: 7696: 7694: 7686: 7680: 7673: 7667: 7660: 7654: 7647: 7641: 7634: 7628: 7621: 7615: 7608: 7602: 7595: 7589: 7580: 7573: 7572: 7567: 7562:(in Romanian) 7558: 7551: 7550: 7545: 7541: 7538: 7534:(in Romanian) 7530: 7528: 7520: 7519: 7514: 7510: 7507: 7503: 7499:(in Romanian) 7495: 7488: 7487: 7482: 7478: 7475: 7471: 7467:(in Romanian) 7463: 7461: 7454:, pp. 464-465 7453: 7452:Anii treizeci 7447: 7438: 7431: 7430:Anii treizeci 7425: 7419:, pp. 460-461 7418: 7417:Anii treizeci 7412: 7405: 7404:Anii treizeci 7399: 7392: 7391:Anii treizeci 7386: 7384: 7376: 7375:Anii treizeci 7370: 7368: 7360: 7354: 7352: 7350: 7342: 7341: 7336: 7334: 7327:(in Romanian) 7323: 7321: 7313: 7309: 7307: 7301:(in Romanian) 7297: 7290: 7284: 7282: 7280: 7272: 7268: 7262: 7253: 7244: 7237: 7236: 7231: 7227: 7223:(in Romanian) 7219: 7217: 7207: 7205: 7195: 7186: 7179: 7178: 7173: 7169:(in Romanian) 7165: 7158: 7157: 7152: 7148: 7145: 7140:(in Romanian) 7136: 7134: 7132: 7130: 7128: 7120: 7114: 7107: 7101: 7092: 7090: 7088: 7072:(in Romanian) 7071: 7067: 7061: 7052: 7043: 7041: 7033: 7029: 7028: 7023: 7019:(in Romanian) 7015: 7013: 7005: 7001: 6999: 6994: 6986: 6979: 6978: 6973: 6969: 6966: 6962: 6958:(in Romanian) 6954: 6952: 6944: 6940: 6936: 6933: 6932: 6927:(in Romanian) 6923: 6921: 6919: 6917: 6915: 6913: 6903: 6896: 6895: 6890: 6886: 6883: 6878:(in Romanian) 6874: 6872: 6870: 6868: 6866: 6856: 6854: 6844: 6835: 6826: 6817: 6808: 6799: 6792: 6786: 6779: 6773: 6766: 6765: 6760: 6755:(in Romanian) 6751: 6749: 6747: 6745: 6743: 6741: 6739: 6737: 6735: 6725: 6723: 6713: 6706: 6705: 6700: 6696: 6693: 6688:(in Romanian) 6684: 6682: 6680: 6678: 6676: 6674: 6672: 6670: 6668: 6666: 6664: 6662: 6660: 6658: 6656: 6654: 6652: 6650: 6648: 6640: 6639: 6634: 6630: 6627: 6625: 6618:(in Romanian) 6614: 6605: 6603: 6593: 6591: 6589: 6579: 6572: 6566: 6557: 6550: 6546: 6542: 6539: 6538: 6533:(in Romanian) 6529: 6527: 6519: 6518: 6513: 6509: 6506: 6501:(in Romanian) 6497: 6495: 6493: 6491: 6481: 6475:, Nr. 41/2004 6474: 6473: 6468: 6464: 6461: 6457: 6453:(in Romanian) 6449: 6447: 6445: 6443: 6441: 6439: 6437: 6435: 6433: 6431: 6429: 6427: 6425: 6423: 6421: 6419: 6417: 6415: 6413: 6411: 6409: 6399: 6390: 6388: 6386: 6384: 6374: 6372: 6370: 6368: 6366: 6356: 6349: 6348: 6343: 6339: 6336: 6332:(in Romanian) 6328: 6326: 6324: 6322: 6320: 6318: 6310: 6309: 6304: 6300: 6297: 6292:(in Romanian) 6288: 6286: 6284: 6282: 6280: 6278: 6270: 6266: 6262: 6259: 6258: 6253:(in Romanian) 6249: 6247: 6245: 6243: 6241: 6239: 6237: 6235: 6233: 6231: 6229: 6227: 6225: 6223: 6221: 6219: 6217: 6215: 6213: 6203: 6194: 6185: 6176: 6167: 6160: 6156: 6155: 6149:(in Romanian) 6145: 6143: 6141: 6139: 6137: 6135: 6133: 6131: 6129: 6119: 6117: 6107: 6098: 6089: 6080: 6078: 6070: 6069: 6064: 6060: 6057: 6053: 6049:(in Romanian) 6045: 6043: 6041: 6039: 6037: 6035: 6033: 6031: 6029: 6027: 6025: 6023: 6021: 6019: 6017: 6015: 6013: 6011: 6009: 6007: 6005: 6003: 5995: 5991: 5989: 5984: 5976: 5974: 5972: 5970: 5968: 5966: 5956: 5954: 5952: 5950: 5948: 5946: 5944: 5942: 5940: 5930: 5926: 5916: 5912: 5910: 5906: 5904: 5900: 5898: 5894: 5892: 5888: 5886: 5882: 5880: 5876: 5874: 5870: 5868: 5864: 5862: 5858: 5856: 5852: 5851: 5843: 5839: 5837: 5836: 5831: 5829: 5828: 5823: 5821: 5817: 5815: 5811: 5809: 5805: 5803: 5799: 5797: 5796: 5791: 5789: 5788: 5783: 5781: 5777: 5775: 5774: 5769: 5767: 5766: 5761: 5759: 5755: 5753: 5749: 5747: 5743: 5741: 5737: 5735: 5731: 5729: 5725: 5723: 5719: 5717: 5713: 5711: 5707: 5706: 5690: 5683: 5678: 5675: 5671: 5667: 5666: 5658: 5653: 5646: 5641: 5640: 5639: 5637: 5633: 5629: 5625: 5621: 5617: 5613: 5609: 5605: 5601: 5597: 5593: 5589: 5585: 5581: 5577: 5572: 5568: 5564: 5560: 5556: 5555:Tudor Arghezi 5552: 5547: 5545: 5541: 5540: 5535: 5531: 5527: 5523: 5519: 5518:Nada Florilor 5515: 5511: 5507: 5503: 5499: 5495: 5491: 5487: 5483: 5482:Mircea Drăgan 5479: 5475: 5471: 5467: 5463: 5459: 5455: 5454: 5449: 5445: 5440: 5438: 5437: 5432: 5428: 5424: 5420: 5416: 5412: 5408: 5407:Corneliu Baba 5404: 5400: 5399: 5394: 5390: 5386: 5381: 5379: 5374: 5370: 5369: 5364: 5360: 5355: 5353: 5352:Cozma Răcoare 5349: 5345: 5341: 5337: 5333: 5332:Nicolae Labiș 5329: 5325: 5321: 5317: 5313: 5309: 5299: 5296: 5291: 5287: 5282: 5280: 5276: 5272: 5271:Moldavian SSR 5268: 5264: 5260: 5256: 5252: 5248: 5244: 5240: 5236: 5232: 5227: 5225: 5221: 5220:Adrian Marino 5215: 5213: 5209: 5205: 5201: 5197: 5193: 5189: 5184: 5182: 5181: 5176: 5172: 5169: 5165: 5164:Andrei Terian 5161: 5157: 5153: 5149: 5145: 5141: 5140:Protochronism 5137: 5133: 5129: 5123: 5121: 5117: 5113: 5109: 5105: 5101: 5100:Mihai Novicov 5097: 5093: 5089: 5085: 5084: 5079: 5075: 5070: 5066: 5062: 5058: 5053: 5051: 5046: 5042: 5038: 5034: 5030: 5026: 5023: 5022: 5017: 5013: 5009: 5005: 5001: 4997: 4993: 4978: 4976: 4975:Mother Nature 4972: 4966: 4964: 4960: 4956: 4952: 4948: 4944: 4939: 4935: 4931: 4927: 4923: 4919: 4915: 4911: 4907: 4903: 4898: 4896: 4892: 4891: 4890:Scrinul negru 4886: 4882: 4881:Nicolae Labiș 4878: 4874: 4870: 4869:Ioan Stanomir 4866: 4862: 4861:Ion Mihalache 4858: 4854: 4850: 4846: 4845:Mihail Roller 4842: 4838: 4832: 4830: 4826: 4822: 4818: 4814: 4809: 4805: 4804:1946 election 4801: 4797: 4792: 4788: 4784: 4780: 4776: 4775:communization 4772: 4764: 4760: 4756: 4747: 4745: 4741: 4737: 4733: 4729: 4725: 4724:Horia Hulubei 4721: 4717: 4713: 4709: 4705: 4701: 4697: 4693: 4690:(lost to the 4689: 4685: 4681: 4680:Eastern Front 4677: 4673: 4669: 4668:Ion Antonescu 4665: 4661: 4660:Emil Racoviță 4658:, scientists 4657: 4653: 4652:George Enescu 4649: 4645: 4641: 4640: 4635: 4631: 4627: 4623: 4620: 4617: 4616:authoritarian 4612: 4610: 4606: 4602: 4597: 4593: 4589: 4584: 4582: 4578: 4577:Tudor Arghezi 4574: 4570: 4566: 4562: 4558: 4554: 4550: 4546: 4542: 4538: 4534: 4530: 4526: 4522: 4518: 4517: 4516:honoris causa 4512: 4508: 4504: 4500: 4496: 4492: 4491: 4486: 4485:Ieremia Golia 4482: 4478: 4477:devil worship 4474: 4470: 4466: 4465: 4464:Sfarmă-Piatră 4460: 4456: 4452: 4448: 4447: 4436: 4434: 4430: 4425: 4421: 4417: 4416:Petre Pandrea 4413: 4408: 4404: 4403:Octavian Goga 4400: 4396: 4391: 4389: 4385: 4381: 4377: 4372: 4368: 4364: 4360: 4356: 4352: 4351: 4346: 4342: 4338: 4334: 4330: 4326: 4322: 4318: 4317: 4312: 4308: 4304: 4301:According to 4299: 4297: 4292: 4288: 4284: 4280: 4273: 4268: 4266: 4262: 4258: 4254: 4250: 4246: 4242: 4238: 4234: 4233: 4228: 4224: 4220: 4216: 4212: 4211: 4206: 4202: 4199: 4195: 4191: 4185: 4183: 4182:Ilarie Chendi 4179: 4178: 4173: 4169: 4168:Nicolae Iorga 4165: 4161: 4157: 4153: 4149: 4134: 4132: 4128: 4124: 4120: 4116: 4112: 4108: 4107: 4102: 4101: 4096: 4092: 4091:Clonț-de-fier 4088: 4084: 4080: 4076: 4075:Clonț-de-fier 4072: 4071:Nada Florilor 4062: 4058: 4055: 4051: 4047: 4043: 4038: 4036: 4032: 4028: 4024: 4020: 4016: 4012: 4008: 4004: 4000: 3996: 3992: 3991: 3987: 3982: 3980: 3976: 3973:of grain per 3972: 3968: 3964: 3960: 3956: 3952: 3948: 3944: 3940: 3936: 3931: 3929: 3925: 3921: 3920: 3914: 3910: 3906: 3905:Ioan Stanomir 3902: 3898: 3894: 3890: 3886: 3882: 3878: 3874: 3869: 3867: 3863: 3859: 3858:Tudor Arghezi 3855: 3851: 3847: 3836: 3834: 3830: 3826: 3822: 3818: 3814: 3810: 3806: 3805: 3800: 3796: 3795: 3790: 3786: 3782: 3779: 3775: 3774: 3769: 3765: 3761: 3757: 3753: 3749: 3745: 3740: 3738: 3734: 3733:Thomas Sunday 3730: 3726: 3722: 3718: 3714: 3710: 3706: 3702: 3697: 3695: 3691: 3687: 3683: 3682: 3677: 3673: 3669: 3665: 3661: 3657: 3653: 3649: 3645: 3641: 3636: 3635:("June 24"). 3634: 3630: 3626: 3622: 3618: 3614: 3610: 3606: 3605: 3600: 3596: 3592: 3588: 3584: 3580: 3576: 3572: 3568: 3564: 3554: 3552: 3548: 3544: 3540: 3536: 3532: 3531: 3526: 3522: 3518: 3514: 3513: 3508: 3504: 3500: 3495: 3493: 3489: 3485: 3481: 3478: 3474: 3470: 3467: 3463: 3459: 3455: 3451: 3447: 3443: 3442:travel writer 3433: 3430: 3426: 3425: 3420: 3415: 3414:crime fiction 3411: 3407: 3406: 3400: 3398: 3397: 3393:For the 1925 3391: 3389: 3384: 3379: 3374: 3372: 3368: 3364: 3360: 3356: 3352: 3348: 3344: 3340: 3339:Bildungsroman 3336: 3332: 3328: 3327: 3318: 3314: 3310: 3304: 3300: 3296: 3291: 3289: 3285: 3281: 3277: 3272: 3268: 3267:Transylvanian 3264: 3260: 3256: 3252: 3248: 3244: 3239: 3237: 3233: 3229: 3225: 3224: 3218: 3216: 3212: 3208: 3207:Gheorghe Duca 3204: 3203: 3196: 3192: 3187: 3185: 3181: 3176: 3175: 3170: 3166: 3162: 3158: 3154: 3150: 3146: 3145: 3144:Bildungsroman 3140: 3139: 3130: 3129: 3124: 3119: 3115: 3113: 3108: 3104: 3100: 3099:Ieremia Golia 3096: 3092: 3088: 3084: 3080: 3076: 3072: 3068: 3063: 3061: 3057: 3053: 3049: 3048: 3043: 3039: 3038: 3033: 3029: 3025: 3021: 3017: 3009: 3005: 3001: 2995: 2991: 2987: 2982: 2980: 2976: 2972: 2968: 2964: 2960: 2956: 2952: 2948: 2947: 2942: 2938: 2934: 2930: 2925: 2923: 2919: 2915: 2911: 2907: 2903: 2899: 2895: 2891: 2890: 2883: 2881: 2877: 2876: 2871: 2866: 2861: 2859: 2855: 2851: 2847: 2843: 2839: 2835: 2831: 2827: 2823: 2822: 2817: 2812: 2808: 2804: 2803: 2798: 2794: 2790: 2786: 2782: 2777: 2774: 2770: 2766: 2759: 2755: 2750: 2741: 2738: 2737: 2732: 2728: 2723: 2721: 2717: 2713: 2709: 2705: 2701: 2697: 2693: 2689: 2685: 2681: 2677: 2673: 2668: 2666: 2662: 2658: 2654: 2650: 2646: 2642: 2638: 2634: 2624: 2621: 2617: 2613: 2609: 2603: 2601: 2596: 2592: 2588: 2584: 2574: 2570: 2568: 2564: 2560: 2555: 2552: 2551: 2546: 2542: 2538: 2534: 2530: 2526: 2522: 2518: 2514: 2510: 2506: 2505:Ioan Stanomir 2501: 2499: 2495: 2494:Ivan Turgenev 2491: 2487: 2486: 2481: 2480: 2475: 2471: 2467: 2463: 2459: 2455: 2451: 2447: 2443: 2438: 2436: 2435:Romanian wine 2432: 2428: 2424: 2420: 2416: 2412: 2402: 2400: 2396: 2392: 2388: 2384: 2380: 2379:Tom Sandqvist 2376: 2372: 2368: 2364: 2363: 2362:Contimporanul 2358: 2354: 2350: 2346: 2341: 2339: 2335: 2331: 2327: 2326:Nikolai Gogol 2323: 2319: 2315: 2311: 2307: 2303: 2299: 2295: 2294: 2289: 2285: 2281: 2277: 2273: 2269: 2265: 2261: 2257: 2253: 2252:Emil Gârleanu 2249: 2245: 2241: 2238: 2234: 2229: 2227: 2223: 2218: 2214: 2210: 2206: 2205: 2200: 2184: 2182: 2178: 2174: 2169: 2167: 2163: 2159: 2155: 2151: 2147: 2142: 2140: 2136: 2132: 2128: 2124: 2120: 2115: 2113: 2109: 2105: 2101: 2097: 2093: 2089: 2085: 2081: 2077: 2073: 2072: 2067: 2066: 2061: 2056: 2054: 2050: 2049: 2044: 2040: 2036: 2032: 2028: 2019: 2010: 2008: 2004: 2000: 1996: 1995:Ștefan Voitec 1992: 1988: 1985: 1980: 1978: 1974: 1970: 1966: 1962: 1958: 1953: 1951: 1950: 1945: 1944:Ivan Turgenev 1941: 1937: 1933: 1929: 1928: 1923: 1919: 1915: 1911: 1906: 1902: 1898: 1897:Joseph Stalin 1893: 1891: 1887: 1883: 1879: 1878:Horia Deleanu 1875: 1871: 1867: 1864: 1860: 1856: 1852: 1851:George Enescu 1848: 1844: 1840: 1836: 1832: 1828: 1824: 1820: 1819: 1813: 1809: 1805: 1798: 1794: 1790: 1787:, Sadoveanu, 1786: 1785:Ștefan Voitec 1782: 1777: 1768: 1766: 1761: 1757: 1753: 1749: 1744: 1742: 1738: 1734: 1730: 1726: 1722: 1721:Ion Antonescu 1719: 1718: 1713: 1709: 1705: 1701: 1697: 1693: 1689: 1685: 1682: 1677: 1675: 1674: 1673:honoris causa 1669: 1665: 1660: 1656: 1652: 1648: 1647: 1642: 1638: 1637: 1626: 1624: 1623: 1618: 1614: 1610: 1606: 1605: 1601: 1600:Masonic Lodge 1597: 1588: 1584: 1582: 1581: 1576: 1572: 1568: 1564: 1560: 1559:Nicolae Iorga 1556: 1555:1931 suffrage 1552: 1548: 1544: 1540: 1536: 1533:. During the 1532: 1528: 1527:Octavian Goga 1524: 1519: 1517: 1516: 1511: 1510: 1505: 1504: 1499: 1495: 1491: 1490:Transylvanian 1487: 1483: 1479: 1475: 1471: 1467: 1462: 1460: 1456: 1455:Ioan N. Roman 1452: 1448: 1444: 1440: 1436: 1432: 1428: 1423: 1419: 1415: 1411: 1407: 1399: 1395: 1386: 1384: 1380: 1376: 1375:Vasile Morțun 1372: 1371:George Enescu 1368: 1364: 1360: 1356: 1352: 1348: 1344: 1340: 1336: 1332: 1328: 1327:Germanophilia 1324: 1323: 1317: 1313: 1308: 1306: 1305: 1300: 1296: 1292: 1288: 1284: 1279: 1277: 1276: 1271: 1270:Transylvanian 1267: 1263: 1259: 1255: 1250: 1248: 1244: 1240: 1236: 1232: 1231:Emil Gârleanu 1228: 1224: 1220: 1215: 1213: 1209: 1205: 1201: 1197: 1193: 1185: 1181: 1180: 1174: 1165: 1163: 1159: 1155: 1151: 1150:George Vâlsan 1147: 1143: 1139: 1133: 1131: 1127: 1123: 1119: 1115: 1114:George Coșbuc 1111: 1104: 1099: 1097: 1093: 1089: 1085: 1081: 1077: 1073: 1069: 1065: 1064:George Coșbuc 1061: 1057: 1053: 1048: 1044: 1040: 1039: 1034: 1030: 1026: 1022: 1018: 1014: 1011:("Stories"), 1010: 1006: 1001: 999: 995: 991: 987: 983: 979: 975: 974: 969: 965: 961: 957: 953: 951: 950: 945: 941: 937: 936:Vasile Pârvan 933: 929: 925: 921: 917: 916: 911: 910:Nicolae Iorga 907: 906: 901: 893: 889: 888:Nicolae Iorga 885: 884: 879: 872: 868: 863: 861: 857: 853: 849: 845: 840: 838: 834: 830: 826: 822: 818: 814: 810: 806: 802: 797: 795: 791: 787: 783: 779: 775: 771: 770:Tudor Arghezi 767: 763: 759: 758: 753: 749: 745: 741: 737: 733: 729: 726: 722: 708: 696: 687: 683: 676: 662: 660: 656: 652: 648: 644: 640: 636: 627: 623: 621: 620:Vasile Morțun 617: 613: 608: 604: 599: 595: 591: 587: 583: 579: 564: 562: 558: 554: 550: 546: 542: 538: 534: 530: 525: 523: 522:communization 519: 515: 511: 510: 505: 501: 498:, joined the 497: 493: 489: 485: 481: 477: 476: 471: 470: 465: 461: 457: 453: 449: 445: 441: 437: 433: 428: 426: 422: 418: 414: 413: 408: 404: 403: 398: 397: 392: 391: 386: 385: 380: 376: 372: 368: 364: 363: 358: 354: 350: 349: 344: 340: 336: 332: 328: 324: 323:head of state 320: 315: 307: 298: 293: 288: 282: 279: 277: 274: 273: 271: 267: 263: 259: 255: 251: 248: 244: 240: 239: 234: 230: 226: 223: 219: 216: 212: 208: 204: 200: 196: 192: 188: 184: 180: 179:crime fiction 176: 172: 168: 164: 160: 157: 153: 150: 147: 143: 140: 137: 133: 129: 125: 121: 117: 114: 110: 106: 103: 101:Resting place 99: 96: 92: 88: 79: 75: 72: 68: 64: 52: 48: 41: 36: 29: 24: 16: 12721: 12502:Grigore Balș 12388:ad interim ( 12382: 12321:Vasile Blaga 12227: 12223:Traian Bratu 12173:Ion Lahovari 12128:Nicolae Gane 11957: 11953: 11940: 11928: 11916: 11835: 11831:Chivu Stoica 11796: 11795: 11747: 11693: 11487: 11407: 11406: 11390: 11363: 11358:Traian Bratu 11328: 11324: 11314: 11304: 11300: 11294: 11287: 11280: 11273: 11267: 11261: 11255: 11248: 11233: 11178: 11161: 11144: 11126: 11105: 11076: 11055: 11034: 11015: 10998: 10975: 10961: 10947: 10926: 10901: 10885: 10857: 10843: 10810: 10792: 10761: 10753: 10743: 10731: 10721: 10693:falticeni.ro 10687: 10679: 10670: 10623: 10604: 10591: 10583: 10556: 10548: 10538: 10527: 10519: 10518:Zambaccian, 10514: 10506: 10505:Zambaccian, 10501: 10491: 10455: 10447: 10438: 10419: 10411: 10402: 10393: 10384: 10365: 10357: 10347: 10335: 10316: 10308: 10298: 10290: 10281: 10259: 10248: 10238: 10223: 10214: 10205: 10196: 10187: 10178: 10170: 10165: 10156: 10147: 10137: 10110: 10101: 10092: 10084: 10079: 10071: 10044: 10036: 10028: 10024: 10019: 10011: 10006: 9996: 9977: 9968: 9960: 9955: 9947: 9942: 9933: 9921: 9916: 9908: 9903: 9895: 9890: 9882: 9877: 9869: 9864: 9835: 9827: 9817: 9798: 9788: 9758:Perpessicius 9746:Lucian Blaga 9739: 9720: 9712: 9707: 9698: 9690: 9672: 9667: 9659: 9654: 9646: 9641: 9633: 9628: 9620: 9615: 9606: 9598: 9593: 9584: 9576: 9571: 9562: 9553: 9545: 9540: 9532: 9527: 9519: 9514: 9505: 9496: 9486: 9464: 9454: 9402: 9393: 9384: 9375: 9365: 9362:Ioan Lăcustă 9339: 9323: 9307: 9302: 9294: 9289: 9280: 9271: 9263: 9258: 9250: 9245: 9225: 9220: 9212: 9207: 9199: 9194: 9185: 9175: 9170: 9161: 9153: 9149: 9144: 9135: 9126: 9117: 9108: 9099: 9090: 9081: 9072: 9063: 9054: 9045: 9036: 9015: 8994: 8985: 8938: 8928: 8923: 8914: 8905: 8882: 8873: 8864: 8843: 8822: 8813: 8803: 8794: 8757: 8748: 8739: 8730: 8721: 8696: 8687: 8679: 8674: 8665: 8656: 8647: 8624: 8615: 8606: 8597: 8588: 8579: 8554: 8545: 8536: 8527: 8518: 8509: 8500: 8479: 8470: 8441: 8432: 8423: 8414: 8405: 8396: 8387: 8379: 8374: 8365: 8356: 8347: 8338: 8329: 8315: 8306: 8297: 8272: 8263: 8238: 8229: 8196: 8167: 8158: 8149: 8140: 8131: 8122: 8113: 8104: 8096: 8091: 8064: 8055: 8030: 8021: 8011: 7986: 7976: 7954: 7937: 7928: 7920: 7915: 7907: 7902: 7893: 7884: 7875: 7866: 7856: 7845: 7837: 7832: 7824: 7819: 7811: 7791: 7750: 7742: 7716: 7684: 7679: 7671: 7666: 7658: 7653: 7645: 7640: 7632: 7627: 7619: 7614: 7606: 7601: 7593: 7588: 7579: 7569: 7557: 7547: 7516: 7494: 7489:, Nr. 7/2007 7484: 7451: 7446: 7437: 7429: 7424: 7416: 7411: 7403: 7398: 7390: 7374: 7358: 7338: 7332: 7305: 7296: 7288: 7270: 7266: 7261: 7252: 7243: 7233: 7194: 7185: 7175: 7164: 7154: 7118: 7113: 7105: 7100: 7076:25 September 7074:. Retrieved 7069: 7060: 7051: 7026: 6997: 6990:(in Italian) 6985: 6980:, April 2008 6975: 6930: 6902: 6892: 6843: 6834: 6825: 6816: 6807: 6798: 6790: 6785: 6777: 6772: 6767:, Nr. 6/2010 6762: 6712: 6702: 6636: 6623: 6613: 6578: 6565: 6556: 6536: 6515: 6480: 6470: 6398: 6355: 6345: 6306: 6294:Alex Mitru, 6256: 6202: 6193: 6184: 6175: 6166: 6153: 6106: 6097: 6088: 6066: 5987: 5980:(in Italian) 5929: 5914: 5908: 5902: 5896: 5890: 5884: 5878: 5872: 5866: 5860: 5854: 5841: 5840:1951-1952 - 5835:Mitrea Cocor 5833: 5827:Frații Jderi 5825: 5824:1935-1942 - 5819: 5813: 5807: 5801: 5793: 5785: 5780:Hanu Ancuței 5779: 5771: 5763: 5758:Apa morților 5757: 5751: 5745: 5739: 5733: 5727: 5721: 5715: 5709: 5663: 5584:Piatra Neamț 5571:Casa cu turn 5570: 5548: 5543: 5537: 5529: 5521: 5517: 5513: 5497: 5490:Frații Jderi 5489: 5485: 5470:Mitrea Cocor 5469: 5466:Ion Brezeanu 5451: 5447: 5441: 5434: 5423:Ion Irimescu 5403:Mitrea Cocor 5402: 5396: 5382: 5366: 5356: 5351: 5339: 5335: 5323: 5319: 5315: 5307: 5305: 5294: 5283: 5267:World War II 5263:Jack Lindsay 5259:Mitrea Cocor 5258: 5235:Mitrea Cocor 5234: 5231:Eastern Bloc 5228: 5216: 5191: 5185: 5178: 5174: 5168:Hanu Ancuței 5167: 5146:. 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Dragoslav 634: 632: 611: 575: 545:Grand Master 526: 520:in favor of 513: 509:Mitrea Cocor 507: 502:and adopted 492:Soviet Union 484:World War II 473: 467: 429: 410: 400: 394: 390:Frații Jderi 388: 382: 360: 346: 318: 305: 304: 236: 215:lyric poetry 207:sketch story 91:Neamț County 82:(1961-10-19) 15: 13084:Poporanists 12954:1961 deaths 12949:1880 births 12849:Marțian Dan 12366:Florin Cîțu 12316:Petru Filip 12286:Petre Roman 11907:Ion Iliescu 11897:Ion Iliescu 11863:(1974–1989) 11819:(1961–1974) 11791:Petru Groza 11779:(1948–1961) 11756: [ 11731:(1947–1948) 11646: [ 11607:Ferdinand I 11577:(1881–1947) 11519: [ 11492:(1862–1881) 11158:Tudor Vianu 11094:Paul Cernat 11073:Ana Selejan 10854:Paul Cernat 10789:Lucian Boia 10723:Evenimentul 10621:, entry in 10452:Ionel Jianu 10130:Ioan Holban 10083:Cioroianu, 10074:, pp. 22-23 10070:Cioroianu, 10023:Cioroianu, 10010:Cioroianu, 9959:Cioroianu, 9946:Cioroianu, 9920:Cioroianu, 9911:, pp. 34-35 9907:Cioroianu, 9894:Cioroianu, 9881:Cioroianu, 9868:Cioroianu, 9597:Cioroianu, 9491:, June 2006 9472:Ion Hadârcă 9306:Cioroianu, 9266:, pp. 55-56 9262:Cioroianu, 9249:Cioroianu, 9228:, pp. 62-63 9224:Cioroianu, 9215:, pp. 26-27 9211:Cioroianu, 9198:Cioroianu, 9148:Cioroianu, 7953:Cioroianu, 7919:Cioroianu, 7906:Cioroianu, 7836:Cioroianu, 7823:Cioroianu, 7810:Cioroianu, 7741:Cioroianu, 7683:Cioroianu, 7670:Cioroianu, 7657:Cioroianu, 7644:Cioroianu, 7631:Cioroianu, 7618:Cioroianu, 7605:Cioroianu, 7592:Cioroianu, 7357:Cioroianu, 7287:Cioroianu, 7265:Cioroianu, 7226:Paul Cernat 6894:Evenimentul 6704:Evenimentul 6308:Evenimentul 5848:Non-fiction 5542:, based on 5530:Ochi de urs 5526:Stere Gulea 5478:Victor Iliu 5450:and titled 5378:Mihai Ralea 5336:Sadoveniene 5171:frame story 5050:Ioan Holban 4951:Mihai Ralea 4943:Freemasonry 4865:Agrarianist 4744:Iași pogrom 4740:Caleidoscop 4712:Belu Zilber 4704:open letter 4676:Axis Powers 4628:force, the 4626:corporatist 4581:pornography 4549:Petru Groza 4521:N. 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Cocea 1849:, composer 1839:Mihai Ralea 1696:corporatist 1617:Ioan Pangal 1596:Freemasonry 1551:Iași County 1312:World War I 1200:Spiru Haret 1126:Sămănătorul 1103:Sămănătorul 1088:didacticism 1068:Sămănătorul 1060:Sămănătorul 1025:Sămănătorul 994:plagiarized 982:Râșca River 956:Sămănătorul 905:Sămănătorul 883:Sămănătorul 867:Sămănătorul 844:Ion Creangă 825:M. S. Cobuz 766:N. D. 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Ornea 4205:surtucar 4137:Politics 4131:Baltagul 4106:Baltagul 4087:tinsmith 3688:and the 3681:Deceneus 3668:esoteric 3664:ontology 3652:Humanism 3633:24 iunie 3621:Sânziene 3604:Sânziene 3543:Bulgaria 3517:cannabis 3466:minority 3429:Baltagul 3405:Baltagul 3303:Baltagul 3174:szlachta 3095:Ottomans 3030:such as 3020:Z. Ornea 2963:abortion 2959:endogamy 2809:between 2785:novellas 2704:Ion Ursu 2583:Humanist 2509:Romanian 2442:lyricism 2306:almanacs 2293:Junimist 2288:Z. Ornea 2092:Cold War 1932:day care 1890:Veac Nou 1760:Red Army 1741:feminist 1710:-allied 1686:and his 1684:Carol II 1641:Adevărul 1580:Adevărul 1557:. Under 1515:Baltagul 1492:area of 1422:interwar 1351:POW camp 1287:Bulgaria 1243:Junimist 1162:Bukovina 1118:eclectic 1080:adultery 1074:and his 1052:Junimist 942:for the 813:novellas 805:bohemian 712:Theodora 469:Adevărul 436:Humanism 412:Baltagul 375:medieval 371:Moldavia 325:for the 269:Children 149:Romanian 139:Romanian 135:Language 119:Pen name 12433:of the 12001:of the 11954:Italics 11591:Carol I 11557:Carol I 11452:Romania 11226:at the 11170:7431692 11127:Scrieri 11110:Polirom 10567:at the 10522:, p. 16 10321:Polirom 10087:, p. 22 10049:Polirom 9885:, p. 34 9711:Ornea, 9689:Ornea, 9671:Ornea, 9658:Ornea, 9645:Ornea, 9632:Ornea, 9575:Ornea, 9326:, p. 72 8808:volume. 8678:Ornea, 8378:Ornea, 8095:Ornea, 7648:, p. 50 7622:, p. 25 7450:Ornea, 7428:Ornea, 7389:Ornea, 7373:Ornea, 7361:, p. 23 7291:, p. 28 6789:Ornea, 6776:Ornea, 6764:Orizont 5913:1944 - 5907:1937 - 5901:1936 - 5895:1928 - 5889:1928 - 5883:1926 - 5877:1921 - 5871:1916 - 5865:1914 - 5859:1908 - 5853:1907 - 5832:1949 - 5818:1934 - 5812:1933 - 5806:1932 - 5800:1932 - 5792:1930 - 5784:1929 - 5778:1928 - 5770:1925 - 5762:1915 - 5756:1911 - 5750:1908 - 5744:1908 - 5738:1907 - 5732:1907 - 5726:1906 - 5720:1905 - 5714:1904 - 5708:1902 - 5703:Fiction 5674:Moldova 5636:Cupcini 5612:Suceava 5342:, is a 5208:Chinese 5156:parodic 4808:drought 4678:on the 4596:parable 4535:and in 4481:obesity 4455:fascist 4433:Marxist 4369:author 4350:Familia 4341:Eastern 4325:secular 4267:lobby. 4083:Nada... 3975:hectare 3939:Moscova 3899:writer 3871:In his 3787:writer 3686:Dacians 3640:fantasy 3625:atavism 3599:Russian 3575:Scythia 3567:Tartary 3462:Hutsuls 3450:Dobruja 3424:Miorița 3259:Suceava 3232:Western 3161:serfdom 3081:of the 2979:Câinele 2937:Gentile 2889:târguri 2880:idyllic 2870:Luddite 2826:outlaws 2821:hajduks 2645:slavery 2545:orality 2454:Holland 2365:editor 2318:Realism 2296:author 2192:Context 1927:kolhozy 1870:Ion Pas 1863:Premier 1808:Realism 1754:. 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