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162:(When) the cartoon of Michelangelo in the Council Hall ("Battle of Cascina" at Palazzo Vecchio) was uncovered, and all the artists ran to copy it, and Baccio (most frequently) among (them),... having counterfeited the key of the chamber. In... 1512, Piero Soderini was deposed and the... Medici reinstated. In the tumult, therefore, Baccio, being by himself, secretly cut the cartoon into several pieces. Some said he did it that he might have a piece of the cartoon always near him, and others that he wanted to prevent other youths from making use of it; others again say that he did it out of affection for Leonardo da Vinci, or from the hatred he bore to Michelangelo. The loss anyhow to the city was no small one, and Baccio's fault very great.
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488:. When Carrara was lost for a short while to the Genoese Republic, Bandinelli was commissioned to sculpt Andrea Doria. But after the city was retaken by the Florentine Republic, being such a symbol of Genoese dominion was impermissible, the statue was renamed Neptune, the Roman sea divinity, a rechristening suggested by the fountain sea creatures at the statue's base.
216:
and finished little", and modern commentators have remarked on the vitality of
Bandinelli's terracotta models contrasted with the finished marbles: "all the freshness of his first approach to a subject was lost in the laborious execution in marble... A brilliant draughtsman and excellent small-scale
235:
marble was not big enough to execute
Bandinelli's wax model. He had to make new wax models, one of which was chosen by the pope as the final draft. Bandinelli had already carved the sculpture as far as the abdomen of Hercules, when during the 1527
189:) shows the decisive inspiration of Donatello's emotional pitch and intensity; Bandinelli made several drawings of the Donatello reliefs, though later in life he disparaged them in a letter to Cosimo I de' Medici.
573:
Michelangelo de
Viviano de Brandini of Gaiuole and his noble wife Catarina, a daughter of Taddeo Ugolino. Bandinelli produced a falsified genealogy connecting him with the noble Bandinelli of
217:
sculptor, he had a morbid fascination for colossi which he was ill-equipped to execute. His failure as a sculptor on a grand scale was accentuated by his desire to imitate
Michelangelo."
264:
compared the ponderous group to 'a sack full of melons'. Afterwards, the
Bandinelli tried to sabotage Cellini's career. The statue was restored between February and April 1994.
445:
now in the crypt of Santa Croce; much-praised bas-reliefs made for the enclosure of the choir, designed by the architect
Giuliano di Baccio d'Angnolo (1555), now in the
267:
Bandinelli's drawings, which have in the past masqueraded as
Michelangelos in connoisseurs' collections, have come into their own in the later twentieth century.
69:
253:
367:, Florence, where Bandinelli portrayed himself in the figure of Joseph of Arimathea. Bandinelli is buried in the chapel, with his wife Giacoma Doni.
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394:
364:
791:, exhibition catalog fully online as PDF from The Metropolitan Museum of Art, which contains material on Bartolommeo Bandinelli (see index)
252:
as duke of
Tuscany. Bandinelli then returned to Florence and continue work on the statue till completed in 1534, and transported from the
693:, Oxford, is actually a self-portrait. Izabella Galicka and Hanna Sygietyńska, "A Newly Discovered Self-Portrait by Baccio Bandinelli"
720:
446:
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192:
His sculptures have never inspired the admiration given those of
Michelangelo, especially the colossal (5.05 m) marble group of
839:
824:
786:
240:, the pope was taken prisoner. Meanwhile, in Florence, republican enemies of the Medici took advantage of the chaos to exile
834:
302:. Bandinelli boasted that he would exceed the original, and when he was finished, after a hiatus during the pontificate of
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174:
774:
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210:, which both stand within sight of some of Michelangelo's masterworks. Vasari said of him "He did nothing but make
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347:, acc. no. 1987.280) This had been locked away in a vault in a Swiss bank until a dealer's tip led the curator
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Bandinelli's penchant for self-portraits, both hidden and overt, is well documented. Bandinelli's terracotta
39:
578:
245:
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could not bear to part with it, sent some antiquities to the King of France in its stead, and sent Baccio's
104:
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169:
Bandinelli was a leader in the group of
Florentine Mannerists who were inspired by the revived interest in
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859:
617:
Christopher Fulton, "Present at the Inception: Donatello and the Origins of Sixteenth-Century Mannerism"
854:
344:
125:
17:
334:
182:
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Bandinelli's lifelong obsession with Michelangelo is a recurring theme in assessments of his career.
274:. His sons Clemente, a collaborator in his studio, and Michelangelo Bandinelli were also sculptors.
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769:. (Cambridge: Fitzwilliam Museum) 1988. Exhibition catalogue of seventy-four Bandinelli drawings.
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retook Florence after a long siege. Pope Clement VII subsequently installed his illegitimate son
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Kathleen Weil-Garris, "Bandinelli and Michelangelo: A Problem of Artist's Identity", in
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357:(1540–54), a seated figure on a magnificent pedestal, in piazza San Lorenzo, Florence
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to Charles V at Genoa in 1529; though the relief has been lost, a bronze from it by
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attendant on the installation of Donatello's bas-relief panels for the pulpit in
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Baccio Bandinelli and Art at the Medici Court: A Corpus of Early Modern Sources
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414:
303:
147:
798:
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Leonardo da Vinci: anatomical drawings from the Royal Library, Windsor Castle
495:(bas-relief), portrait busts of Eleonora di Toledo and Cosimo I de' Medici,
643:
Kurz, Otto (November 1944). "A Model for Bandinelli's Statue of Cosimo I".
155:
86:
727:
Baccio Bandinelli. The classic brief anecdotal account of Baccio's career.
453:, one of eight apostles by various sculptors in the piers of the crossing.
244:. Bandinelli, a supporter of the Medici, was also exiled. In 1530 Emperor
577:
in preparation for his induction into the chivalric Order of St James by
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228:
124:, and first apprenticed in his shop. As a boy, he was apprenticed under
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The paintings that may be attributed to Bandinelli are only a handful.
73:
Baccio Bandinelli – Drawing of monument for Pope Leo X and Clement VII
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758:. (Milan: Ricciardi, 1974. (pp. 1359–1411: Baccio Bandinelli:
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Baccio Bandinelli, 1493-1560: Drawings from British Collections
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315:
224:
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57:; 12 November 1493 – shortly before 7 February 1560), was an
260:. But from the moment it was unveiled, it faced ridicule;
592:"Web Gallery of Art, searchable fine arts image database"
231:, who had been shown a wax model. The supplied block of
606:
Art the Ape of Nature: Studies in Honor of H.W. Jansen
748:(Philadelphia: American Philosophical Society, 2004).
700:, No. 1077 (December 1992, pp. 805–807) p. 805 note.
669:"Olga Raggio, a Scholar and Art Curator, Dies at 82"
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ed. by M. Barasch and L.F. Sandler (New York) 1981.
491:In the Bargello are also a number of lesser works:
30:"Bandinelli" redirects here. For the surname, see
422:for Palazzo Vecchio, now in the courtyard of the
796:
538:by Botticelli (portrait of Baccio's grandmother)
536:Portrait of a Lady known as Smeralda Bandinelli
460:, including, in the Audience Hall, a statue of
177:, 1515. The artist presented his relief of the
433:, Florence, including the high altar and its
647:. Vol. 85, no. 500. p. 280.
270:Among Bandinelli's pupils were Vasari and
624:.2 (1997, pp. 166–199) p. 174 and fig. 9.
645:The Burlington Magazine for Connoisseurs
409:(1552–1556) for niches in the façade of
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426:. One of Bandinelli's few signed works.
46:of Bartolommeo Bandinelli, 16th century
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797:
514:and a portrait bust of an unknown man.
468:(finished after Bandinelli's death by
117:Bandinelli was the son of a prominent
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355:Monument to Giovanni delle Bande Nere
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395:Basilica della Santissima Annunziata
365:Basilica della Santissima Annunziata
666:
282:Baccio Bandinelli's works include:
24:
738:
25:
871:
667:Fox, Margalit (5 February 2009).
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272:Francesco de' Rossi (Il Salviati)
132:. Among his earliest works was a
140:, identified as Bandinelli's by
679:
619:Zeitschrift für Kunstgeschichte
314:to Florence. It remains at the
845:16th-century Italian sculptors
756:Scritti d'arte del Cinquecento
660:
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478:(1549) in Santa Croce cloister
462:Grand Duke Cosimo I de' Medici
378:, now in the courtyard of the
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1:
840:Italian Renaissance sculptors
825:16th-century Italian painters
707:
521:c. 1517 is conserved at the
64:
61:, draughtsman, and painter.
59:Italian Renaissance sculptor
7:
835:Italian Mannerist sculptors
529:
341:Bust of Cosimo I de' Medici
206:in the Museo Nazionale del
198:(completed in 1534) in the
10:
876:
447:Museo dell'Opera del Duomo
345:Metropolitan Museum of Art
126:Giovanni Francesco Rustici
29:
27:Italian artist (1493–1560)
335:Santa Maria sopra Minerva
108:Bandinelli’s copy of the
542:
223:was commissioned by the
730:Touring Club Italiano,
695:The Burlington Magazine
633:Fulton 1997:178 note 15
555:The date of his burial.
517:A youthful portrait by
482:Andrea Doria as Neptune
424:Palazzo Medici-Riccardi
380:Palazzo Medici-Riccardi
128:, a sculptor friend of
850:Italian male sculptors
723:14 August 2014 at the
398:
393:by Baccio Bandinelli,
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256:to its present marble
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89:
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830:Italian male painters
815:Artists from Florence
389:
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292:Cortile del Belvedere
290:, at the time in the
250:Alessandro de' Medici
200:Piazza della Signoria
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158:; and recounts that:
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32:Bandinelli (surname)
820:Italian draughtsmen
466:Pope Leo X blessing
437:(1551), now in the
351:to its rediscovery.
242:Ippolito de' Medici
138:Giuliano de' Medici
81:The cartoon of the
55:Bartolomeo Brandini
860:Catholic sculptors
781:Exhibition catalog
744:Louis A. Waldman,
732:Firenze e Dintorni
687:Head of Saint Paul
673:The New York Times
655:Wallace Collection
470:Vincenzo de' Rossi
399:
384:
294:, commissioned by
221:Hercules and Cacus
195:Hercules and Cacus
142:John Pope-Hennessy
115:
102:
98:Hercules and Cacus
90:
75:
48:
855:Catholic painters
486:Carrara Cathedral
413:'s grotto in the
152:Benvenuto Cellini
136:in wax, made for
130:Leonardo da Vinci
83:Battle of Cascina
51:Baccio Bandinelli
16:(Redirected from
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714:Giorgio Vasari,
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691:Ashmolean Museum
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519:Andrea del Sarto
308:Pope Clement VII
202:, Florence, and
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739:Further reading
725:Wayback Machine
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649:The terracotta
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187:Musée du Louvre
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429:Works for the
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415:Boboli Gardens
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343:(c. 1539–40) (
338:
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278:Selected works
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183:Antonio Susini
148:Giorgio Vasari
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321:Tombs of the
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306:, the Medici
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298:as a gift to
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293:
289:
288:Laocoön group
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53:(also called
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44:Self-portrait
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37:
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19:
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765:Roger Ward,
760:Il Memoriale
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734:(1922) 1964.
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435:Adam and Eve
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286:copy of the
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238:Sack of Rome
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204:Adam and Eve
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156:Michelangelo
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134:Saint Jerome
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87:Michelangelo
82:
54:
50:
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43:
36:
810:1560 deaths
805:1493 births
464:and one of
451:Saint Peter
411:Buontalenti
349:Olga Raggio
331:Clement VII
229:Clement VII
175:San Lorenzo
799:Categories
708:References
653:is at the
484:, outside
397:, Florence
382:, Florence
337:(1536–41).
300:François I
296:Pope Leo X
179:Deposition
119:Florentine
18:Bandinelli
657:, London.
579:Charles V
512:Cleopatra
456:Works in
304:Adrian VI
246:Charles V
185:in 1600 (
171:Donatello
122:goldsmith
65:Biography
721:Archived
651:bozzetto
530:See also
505:Hercules
439:Bargello
258:pedestal
213:bozzetti
208:Bargello
716:Vite...
509:Bacchus
420:Orpheus
376:Orpheus
363:in the
312:Laocoön
262:Cellini
233:Carrara
773:
754:, ed.
523:Uffizi
407:Apollo
391:Pietà
325:popes
323:Medici
316:Uffizi
225:Medici
575:Siena
543:Notes
497:Venus
443:Pietà
431:Duomo
403:Ceres
361:Pietà
327:Leo X
227:pope
771:ISBN
501:Leda
493:Noah
441:and
405:and
329:and
154:and
698:134
333:in
85:by
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689:,
671:.
622:60
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