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review said that "Mr. Glover has found choreographic equivalents for the black experience in the days of plantations, urban industrialization, the Harlem
Renaissance and latter-day race riots...This sense of flaming individuality is finally what the evening is about: not just the collective history
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The show is "an explosive and bravely literal-minded chronicle of the genre's history from slavery to the present. The music is beautiful and the dancing exuberant, but Funk is serious business, with vicious, funny send-ups of Uncle Tomism in
Hollywood."
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is a musical revue telling the story, through tap, of black history from slavery to the present. The musical numbers are presented along with supertitles, projected images and videotapes and with continuing commentary.
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on
Broadway, opening there on April 25, 1996. The show closed after 1135 performances on January 10, 1999. The opening night cast included
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The musical made an "extraordinary political statement ... as well as the equally significant growth in dance this show launched."
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Wolfe took the rap words of Reg E. Gaines and turned them into "tap/rap (tap dancing informed by hip-hop and funk rhythms)."
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wrote: "as dance, as musical, as theater, as art, as history and entertainment, there's nothing
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Hill, Errol. "A History of
African American Theatre" (2003). Cambridge University Press,
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of a race but the diverse and specific forms of expression that one tradition embraces."
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The
Original Broadway Cast recording was issued by RCA Victor (09026-68565-2).
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with costumes by Karen Perry, set design by
Ricardo Hernandez, lighting by
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and Ann
Duquesnay; and a book by Reg E. Gaines. The choreography was by
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675:"Bring in 'Da Noise, Bring in 'Da Funk – Broadway Musical – Original"
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173:, and Production Managed by Bonnie Metzgar. The cast included
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888:Bring in 'da Noise, Bring in 'da Funk
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804:"THEATER REVIEW; Story of Tap as the Story of Blacks"
741:"Bring In Da Noise, Bring In Da Soundtrack CD Album"
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photos and
Original Broadway Cast Recording details
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729:on 4 February 2011 – via findarticles.com.
443:Best Performance by a Leading Actor in a Musical
126:in 1996. The show was conceived and directed by
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316:Bring in 'da Noise Bring in 'da Funk (Reprise)
351:cannot and should not do." (Margo Jefferson)
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802:Brantley, Ben (16 November 1995).
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567:Outstanding Director of a Musical
717:Collins, Karyn D. (April 2003).
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283:Now That's Tap Grin & Flash
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552:Outstanding Actor in a Musical
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116:New York Shakespeare Festival
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363:Original Broadway production
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951:Tony Award-winning musicals
597:Outstanding Lighting Design
473:Best Direction of a Musical
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138:; lyrics by Reg E. Gaines,
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286:The Uncle Huck-a-Buck Song
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941:Plays by George C. Wolfe
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582:Outstanding Choreography
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130:, and featured music by
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406:Best Book of a Musical
358:Awards and nominations
241:The Door to Isle Goree
946:Off-Broadway musicals
122:in 1995 and moved to
834:Entertainment Weekly
518:Best Lighting Design
295:1956, Them Conkheads
265:The Chicago Riot Rag
703:, December 30, 1998
542:Outstanding Musical
503:Best Costume Design
419:Best Original Score
292:The Lost Beat Swing
271:The Whirligig Stomp
24:Bring in 'da Noise,
808:The New York Times
434:and Reg E. Gaines
345:The New York Times
334:The New York Times
253:The Lynching Blues
186:Ambassador Theatre
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631:1990s portal
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396:Best Musical
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684:January 13,
244:Slave Ships
150:Productions
84:Productions
915:Categories
852:References
839:16 January
813:16 January
656:16 January
576:Nominated
561:Nominated
546:Nominated
512:Nominated
452:Nominated
437:Nominated
413:Nominated
400:Nominated
391:Tony Award
349:Noise/Funk
49:Zane Mark
376:Category
179:Dulé Hill
379:Nominee
329:Response
307:Drummin'
124:Broadway
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382:Result
289:Kid Go!
206:Concept
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373:Award
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58:Lyrics
617:Notes
387:1996
370:Year
278:Act 2
233:Act 1
221:Songs
106:is a
92:1996
87:1995
42:Music
859:ISBN
841:2022
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789:2010
752:2010
686:2010
658:2022
610:Won
604:and
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482:Won
467:Won
310:Taxi
169:and
75:Book
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