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Upon retirement in 1973 she took up teaching. She also continues to work with the
Cunningham company as an artistic consultant. She is a member of the Cunningham Dance Foundation Board of Directors, and has worked as a freelance choreographer, filmmaker, writer, lecturer, and teacher. She has been
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in North
Carolina in the summer of 1953. She was the most important female dancer in Cunningham's company for the next twenty years and danced in 40 of his works, often collaborating with Cunningham and
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105:, in Fitchburg, Massachusetts, who was a student and performer with Ted Shawn at the Boston-Braggiotti Denishawn School in Boston. Brown was a product of the
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After attending a masterclass with
Cunningham in Denver in 1951, she pursued dance full-time and moved to New York to continue her studies at the
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85:(born September 26, 1927) is an American dancer, choreographer, and writer. She is best known for her work as a founding member of the
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141:(1963). A dancer of great purity and virtuosity, she was considered the ideal Cunningham interpreter.
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251:"RandomHouse.ca | Books | Chance and Circumstance by Carolyn Brown"
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Archive film of
Carolyn Brown performing Banjo in 1955 at Jacob's Pillow
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Dance
Company, and was Cunningham's leading dancer for twenty years.
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Chance and
Circumstance: Twenty Years with Cage and Cunningham
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In the early days of the company, she was married to composer
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in the creative process. She created a role in Cage's
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101:, Carolyn (Rice) Brown studied with her mother,
109:and graduated with honors in philosophy from
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16:American dancer and writer (born 1927)
179:(Ballet-Théâtre Contemporain, 1976).
229:In 2007, Brown published her memoir
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193:John Simon Guggenheim Fellowship
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122:Black Mountain College
165:Bunkered for a Bogey
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203:Dance Perspectives
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157:As I Remember It
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261:2008-07-21
237:References
211:, and the
177:Balloon II
35:1927-09-26
219:Millbrook
163:, 1972),
127:John Cage
113:in 1950.
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171:(1974),
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155:(1968),
173:Circles
153:Car Lot
139:Pelican
225:Memoir
71:Dancer
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