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Dog Days (opera)

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290:"It might all amount to mere provocation had Mr. Little and Mr. Vavrek not delivered a taut, nuanced work that clawed beneath the surface of every situation. Profanities pop like a string of firecrackers in Mr. Vavrek's libretto, yet its poetry is indelible and affecting. Mr. Little responded with music of emotional insight and charm, suggesting pop-music modes at times without ever resorting to pastiche. Harsh, angular lines and abrasive textures cede to wistful melodies and touches of hymnody; unorthodox instrumental techniques enhance mood without distracting." (Steve Smith, 306:"The work seamlessly melds emerging and veteran artists with distinctive viewpoints and serious craft. Little's rhythmically driven score is stylistically diverse but cogent, fusing impeccable classical vocal writing, heavy metal, and musical theater. Royce Vavrek's libretto shifts from coarse, plainspoken banter to poetic musings." (Ronni Reich, 577: 145:
in New York as "a fine document...captured with pristine clarity...(a) valuable addition to the 21st-century discography". It was subsequently named one of the "Best 50 Albums of 2016" by
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The opera follows an American family in the near future who slowly starve as war rages. One day, a man in a dog suit arrives on their property howling for scraps.
297:"This gripping two-hour opera wastes no time: A taut libretto and varied, original music deliver its grim story like a punch in the stomach." (Heidi Waleson, 657: 241: 202: 256: 624: 420: 353: 739: 602: 436: 114: 332: 141:
during the Los Angeles Opera presentation of the Beth Morrison Projects' production, the album was praised upon its release by
493: 55:(New Jersey) in association with Beth Morrison Projects, and had its world premiere run from September 29 to October 7, 2012. 367: 677: 552: 458: 573: 71:
was the production's Musical Director and conductor, with new music ensemble Newspeak serving as the on-stage band.
67:. Scenic and video design was created by Jim Findlay, costume design by Vita Tzykun, and sound design by Matt Frey. 729: 432: 396: 269: 64: 400: 113:
with the original cast from the world premiere in Montclair. The work saw its New York City premiere at the
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Young Artists Concert. Three arias from the opera-in-progress were subsequently presented by
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was released on VIA Records on September 9, 2016. Recorded live at
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Opera Grows In Brooklyn Returns To Galapagos Art Center 7/17
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at Galapagos Arts Space, including the world premiere of
574:"WQXR | New York's Classical Music Radio Station" 456: 716: 121:. The work's European premiere took place at 128: 105:In 2015, the work was staged at both the 115:Skirball Center for the Performing Arts 717: 352:: CS1 maint: archived copy as title ( 43: 622: 457:Willard Spiegelman (April 26, 2015). 59:directed the production that starred 368:"Peak Performances - Performances - 372:(David T. Little and Royce Vavrek)" 51:was produced by Peak Performances @ 13: 475:from the original on July 21, 2015 14: 751: 700: 168:Premiere cast, September 29, 2012 655:"A Future Red in Tooth and Claw" 740:Operas set in the United States 671: 648: 637:from the original on 2016-12-23 623:Smith, Steve (3 October 2012). 616: 605:from the original on 2016-12-22 591: 580:from the original on 2005-11-11 566: 555:from the original on 2016-10-23 530:from the original on 2017-04-25 133:The original cast recording of 82:on May 9, 2009, as part of the 541: 516: 487: 450: 433:"New Amsterdam Records - Home" 425: 414: 397:"New Amsterdam Records - Home" 389: 360: 321: 1: 524:"DogDays - Theater Bielefeld" 315: 285: 78:premiered at Zankel Hall at 7: 664:, review by Heidi Waleson, 277: 10: 756: 549:"Dog Days - VisionIntoArt" 36:after the short story by 711:, Beth Morrison Projects 599:"Best 50 Albums of 2016" 152: 16:Opera by David T. Little 730:English-language operas 666:The Wall Street Journal 300:The Wall Street Journal 129:Original cast recording 92:American Opera Projects 63:and performance artist 681:: Opera's savage side" 125:on February 27, 2016. 510:The New York Observer 98:performed by soprano 216:Marnie Breckenridge 44:Performance history 32:, to a libretto by 686:2013-08-23 at the 660:2016-04-09 at the 630:The New York Times 499:2016-01-22 at the 292:The New York Times 149:, ranking at #19. 119:Prototype Festival 513:, 14 January 2016 275: 274: 230:Michael Marcotte 111:Los Angeles Opera 747: 695: 694:, 2 October 2012 675: 669: 668:, 2 October 2012 652: 646: 645: 643: 642: 620: 614: 613: 611: 610: 595: 589: 588: 586: 585: 570: 564: 563: 561: 560: 545: 539: 538: 536: 535: 520: 514: 491: 485: 484: 482: 480: 454: 448: 447: 445: 444: 435:. Archived from 429: 423: 418: 412: 411: 409: 408: 399:. Archived from 393: 387: 386: 384: 383: 374:. Archived from 364: 358: 357: 351: 343: 341: 340: 331:. Archived from 325: 194:Father (Howard) 157: 156: 117:during the 2016 107:Fort Worth Opera 755: 754: 750: 749: 748: 746: 745: 744: 715: 714: 703: 698: 692:The Star-Ledger 688:Wayback Machine 676: 672: 662:Wayback Machine 653: 649: 640: 638: 621: 617: 608: 606: 597: 596: 592: 583: 581: 572: 571: 567: 558: 556: 547: 546: 542: 533: 531: 522: 521: 517: 501:Wayback Machine 492: 488: 478: 476: 455: 451: 442: 440: 431: 430: 426: 419: 415: 406: 404: 395: 394: 390: 381: 379: 366: 365: 361: 345: 344: 338: 336: 329:"Archived copy" 327: 326: 322: 318: 309:The Star-Ledger 288: 280: 169: 155: 131: 123:Bielefeld Opera 88:Osvaldo Golijov 57:Robert Woodruff 53:Montclair State 46: 30:David T. Little 17: 12: 11: 5: 753: 743: 742: 737: 732: 727: 713: 712: 702: 701:External links 699: 697: 696: 670: 647: 615: 590: 565: 540: 515: 486: 449: 424: 413: 388: 359: 319: 317: 314: 312:, New Jersey) 287: 284: 279: 276: 273: 272: 267: 266:non-sung role 264: 260: 259: 254: 249: 245: 244: 242:Peter Tantsits 239: 236: 232: 231: 228: 223: 219: 218: 213: 210: 206: 205: 200: 195: 191: 190: 188:Lauren Worsham 185: 180: 176: 175: 166: 161: 154: 151: 130: 127: 100:Lauren Worsham 96:Mirror, Mirror 61:Lauren Worsham 45: 42: 15: 9: 6: 4: 3: 2: 752: 741: 738: 736: 733: 731: 728: 726: 723: 722: 720: 710: 709: 705: 704: 693: 689: 685: 682: 680: 674: 667: 663: 659: 656: 651: 636: 632: 631: 626: 619: 604: 600: 594: 579: 575: 569: 554: 550: 544: 529: 525: 519: 512: 511: 506: 502: 498: 495: 490: 474: 470: 469: 464: 463:: Fort Worth" 462: 453: 439:on 2010-01-17 438: 434: 428: 422: 417: 403:on 2010-01-17 402: 398: 392: 378:on 2013-03-28 377: 373: 371: 363: 355: 349: 335:on 2009-06-05 334: 330: 324: 320: 313: 311: 310: 304: 302: 301: 295: 293: 283: 271: 268: 265: 262: 261: 258: 255: 253: 252:mezzo-soprano 250: 247: 246: 243: 240: 237: 234: 233: 229: 227: 224: 221: 220: 217: 214: 211: 208: 207: 204: 201: 199: 196: 193: 192: 189: 186: 184: 181: 178: 177: 173: 167: 165: 162: 159: 158: 150: 148: 144: 140: 136: 126: 124: 120: 116: 112: 108: 103: 101: 97: 93: 89: 85: 81: 80:Carnegie Hall 77: 72: 70: 66: 62: 58: 54: 50: 41: 39: 35: 31: 27: 23: 22: 707: 691: 678: 673: 665: 650: 639:. 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Index

opera
David T. Little
Royce Vavrek
Judy Budnitz
Montclair State
Robert Woodruff
Lauren Worsham
John Kelly
Alan Pierson
Carnegie Hall
Dawn Upshaw
Osvaldo Golijov
American Opera Projects
Lauren Worsham
Fort Worth Opera
Los Angeles Opera
Skirball Center for the Performing Arts
Prototype Festival
Bielefeld Opera
REDCAT
WQXR
NPR Music
Voice type
Alan Pierson
soprano
Lauren Worsham
baritone
James Bobick
Marnie Breckenridge
tenor

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