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1011:. Poor investments resulted in the loss of much of their wealth, and Albani was forced to give musical lessons to earn income. Her husband died in 1925, compounding the situation, but benefit concerts arranged by friends provided sufficient income for Albani. She died on 3 April 1930, aged 82, at her home on Tregunter Road, Kensington and was buried with her husband at
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wrote: "The Senta of Mlle. Albani was not vocally perfect, yet it had so many excellences that her hearers must have been inclined to forgive the departures from the pitch which seem to have become an inseparable accompaniment of her singing of late. She did much to atone for them by the intelligence
908:. All the operas in which she appeared were sung in Italian. In total she had performed 29 times with the company. As the season progressed, some critics remarked on the wear and tear that was becoming evident in her voice, but praised her artistry and experience. Of her last performance at the Met,
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in 1865. Her father was unable to give her the training which her very fine voice deserved, but she obtained a place in the cathedral choir, where her singing attracted much attention, as it did in concerts, in which she not only sang but played on both the piano and harp. There she became a popular
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I was literally loaded with flowers, presents, and poetry, the detached sheets of which were sent fluttering down in every direction on the heads of the audience; and among the numberless bouquets of every shape was a basket in which was concealed a live dove. They had painted it red, and the dear
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Albani married Ernest Gye on 6 August 1878. She became pregnant, but continued to tour and perform until shortly before the birth of her son, Frederick Ernest Gye on 4 June 1879. He was to be the couple's only child. In the fall of 1879, after singing at the
Hereford and Bristol Festivals, she
311:. She was also awarded a gold medal for musical composition from that convent. However, she was ultimately unable to finance a musical education in Quebec, where singing and acting were considered unsavoury careers for a woman, and her family moved to
436:
in London. He was impressed by her talent and signed her to a five-year contract. She was scheduled to make her London debut in the spring of 1872. Before her London contract began, she returned to Italy to study with
Lamperti at
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says 1 November 1851, and Albani's memoir says 1852. She began her musical studies with her mother, and at age five her father took over her musical lessons. Her father was a proficient musician who was skilled with the
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Her funds began to run low, and although her training was not yet complete, she began to look for work to help support her schooling. She found a position in
Messina, and her operatic debut was on 30 March 1870, in
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conducting. There were a total of four performances, all of which sold out despite the higher than normal ticket prices and the oddity that the opera was sung in German. On 24 July she sang
Valentine in
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Further performances in New York included four appearances as
Valentine (a role she also performed on tour in Louisville, Albany, Brooklyn, Philadelphia, and Boston), three as Donna Elvira in Mozart's
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After retiring from Covent Garden in 1896, Albani departed for a tour of Canada, performing in venues across the country. In 1898, she toured
Australia. .She also was active in oratorio in Britain.
479:. Critics and audience members alike were impressed with her strong performance in the role, and her admirers presented her with flowers and jewellery. At Covent Garden, she developed an interest in
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Even in Albani's final season at Covent Garden in 1896, she continued to receive strongly positive reviews. The greatest triumph of her career came on 26 June 1896, when she sang Isolde in Wagner's
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where her father had obtained the position of Music Master. This afforded her a better education than she might otherwise receive, and additional musical instruction. On 24 August 1860 she and
845:, a performance which took place while the company was on tour in Chicago. Her second appearance in Chicago on 23 November was as Desdemona in the company's first ever performance of Verdi's
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956:. There had been no announcement, and few people would have realized it was the last time they were to hear her in opera. Her career at Covent Garden had lasted for twenty-four years.
382:
She returned to Milan after her contract in
Messina had expired, to resume her instruction by Lamperti. Additional work offers began to pour in. She soon accepted the role of Gilda in
1004:, recounting stories of her youth, travels and career, and impressions of fellow performers and the royalty she met over her life, as well as providing some useful advice on singing.
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978:
In 1907, Albani toured
Australia and New Zealand . In spring 1908, the veteran Albani toured the English provinces as part of a company containing two budding talents: pianist
769:. She agreed to appear in the role of Elsa, which she had previously sung in Italian, and relearned the part in German. The performance was attended by the German Emperor,
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851:, and she also sang the role there at a gala performance of Act 4 on 9 December. Other appearances with the Met in Chicago included another as Valentine, Gilda in
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She returned to London for her fourth season at Covent Garden in 1875. After the season, she performed at the
Norwich Festival, where she sang in Mendelssohn's
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491:, who encouraged her to explore it. Her first opportunity to present a piece came in October 1872, when she performed "Angels, ever bright and fair" from
2809:
599:. The competition in the opera world of London was very stiff, and it was common for performers to be possessive of their roles. After her third season,
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honoring her on the 50th anniversary of her death. The stamp was designed by artist
Huntley Brown, portraying her in costume as Violetta from the opera
2769:
2263:
2824:
1046:
975:"Madam Albani gave her farewell concert" at the Albert Hall in London, in 1900. (The London Encyclopedia, First published 1983 by Macmillan London).
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In 1883, she gave three recitals in Montreal. More than ten thousand people showed up to greet her upon her arrival, and at a reception the poet
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Throughout the 1880s, Albani toured Europe and North America, garnering praise wherever she travelled. In 1881, she was invited to perform in
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of her work and by the dramatic earnestness with which she imbued all her singing. She earned a fair share of the honors of the evening."
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1990:
902:. She also sang Donna Elvira and Eva on tour in Boston. Her final appearance with the Met was in New York on 31 March 1892, as Senta in
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of the 19th and early 20th century, the first Canadian singer to become an international star. Her repertoire focused on the operas of
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read a poem that he had written in her honour. Her first operatic performance in Canada came on 13 February 1883 in Toronto, at the
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1935:
674:. She was accompanied by Frederick Gye's son, Ernest Gye, who was acting on his father's behalf. She learned the role of Elsa in
327:. She spent six months in Paris, training with Duprez. She then travelled to Italy, where she studied Italian opera singing with
627:". The Queen was suitably impressed by her performance and would call Albani back to perform other pieces, by composers such as
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1973:
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Dideriksen, Gabriella; Ringel, Matthew (Summer 1995). "Frederick Gye and "The Dreadful Business of Opera Management"".
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243:. Her date of birth is usually given as 1 November 1847, but other authors have placed her birth in 1848 or 1850,
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Cloutier, Éric (28 September 1999). "Ex-maire de Chambly–Bassin et figure dominante du hockey amateur au pays".
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272:. He kept her on a strong practice regimen, with as much as four hours a day of lessons on the harp and piano.
703:. In her fifth season in London (1876) she performed the role of Elisabeth in the London premiere of Wagner's
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896:, one more as Gilda, one as Desdemona, one as Elsa, as well as a single appearance as Marguerite in Gounod's
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1071:, was dedicated in 1912. It disappeared when road construction merged it with another street. The second,
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In her third season in London, she performed in mostly the same roles she had in her first two seasons:
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331:. Under the guidance of her elocution instructor, Signor Delorenzi, she changed her name to the simpler
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1968:
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debut. Albani gave her last public performance on 14 October 1911. That same year she released a book,
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Albani arrived in London in the spring, and made her professional debut on 2 April 1872 as Amina in
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in 1897, often known as the "Beethoven Medal". Madame Selitsky, the prima donna who performs in
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Chitty, Alexis; Potvin, Gilles (2001). "Albani , Dame Emma (opera) (Marie Louise CĂ©cile)".
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455:, a part she studied with the composer in Paris prior to her making her debut in the role.
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singer, an organist and teacher of singing and saved enough money to continue her studies.
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in Florence, giving one last series of nine performances in ten days in the title role of
8:
2687:(old web site) Theater "Vittorio Emanuele" of Messina, the Theater of Emma Albani's debut
2682:(new web site) Theater "Vittorio Emanuele" of Messina, the Theater of Emma Albani's debut
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335:, which sounded more European. She made her debut at Messina using the surname Albani.
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2536:"Lajeunesse, Emma (also called Marie-Louise-CĂ©cile-Emma) (Gye), known as Emma Albani"
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1041:(1908) was inspired by Albani. Montgomery later wrote a profile of the singer for
688:. The opera was performed in Italian, which was also the custom at Covent Garden.
428:. After spending the winter of 1870–1871 performing in Malta, she auditioned for
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183:; 1 November 1847 – 3 April 1930) was a Canadian-British operatic
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Types of Canadian Women and of Women who are or have been Connected with Canada
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Several streets and places have been named after her in Quebec. Two streets in
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2121:"Constructions of Identity in the Life Stories of Emma Albani and Glenn Gould"
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Her second season in London included performances in the roles of Ophelia in
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For the 1872–1873 winter season she performed with the Italian Opera at the
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2043:"Dame Emma Albani (Emma Marie Louise Cécile Lajeunesse) of Chambly, Québec"
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735:, 17 September 1881: "MADAME ALBANI. A Thing of Beauty is a Gye for ever!"
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In the fall of 1874, she undertook a tour of the United States, visiting
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2009:
877:. Her first appearance with the company in New York was as Gilda in
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at Covent Garden, a production that was mounted especially for her.
367:. Her debut performance was very well received. She later recalled:
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2281:"The Jubilee of the Royal Albert Hall and the Royal Choral Society"
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mounted a plaque at her birthplace in 1939. It was replaced with a
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This article incorporates text from a publication now in the
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2593:. Vol. 1. Boston: American Biographical Society. p. 67.
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2646:, "Archives of Emma Albani at the National Library of Canada",
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798:. On 15 July 1884 in London she sang the role of Brunehild in
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requested a private performance from Albani, who travelled to
463:
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in Montreal which was performed in honour of the visit of the
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in his first London Tristan, Louise Meisslinger as Brangäne,
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The Virtual Gramophone: Canadian Historical Sound Recordings
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1285:. McMaster University, 1975. via Library and Archives Canada
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Canadian Dames Commander of the Order of the British Empire
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donated the Emma Albani fund for musical arts to the town.
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1075:, was named 19 March 1969 by the city's council. In 1980
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In 1868, she travelled to Paris, where she studied with
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1045:(1934), a non-fiction work. In 1925, Albani was made a
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in Brussels. On 26 June 1880 she performed Isabella in
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1861:
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2199:"Emma Albani, soprano and voice teacher (1847–1930)"
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1089:. It is a colourised version of the adjacent image.
639:, as well as traditional French and Scottish tunes.
2427:"Reviewed Work: Forty Years of Song by Emma Albani"
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827:Emma Albani in costume for the role of Violetta in
740:returned to Florence. In January 1880, she sang in
2805:Persons of National Historic Significance (Canada)
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1879:
1790:
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1047:Dame Commander of the Order of the British Empire
773:. The reception was very positive, earning three
512:in Paris, where she made her debut as Amina with
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215:. She performed across Europe and North America.
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2040:
1934:
1918:
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924:
839:on 20 November 1891 as Valentine in Meyerbeer's
1099:Albani is depicted in a stained-glass mural by
818:Performances with New York's Metropolitan Opera
777:. In 1882, the Kaiser awarded her the title of
372:little bird rose and flew all over the theatre.
2544:. Vol. XV (1921–1930) (online ed.).
2475:Rosselli, John (2004). "Albani , Dame Emma ".
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2008:
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2067:"Der Fliegende Holländer (includes a copy of
1906:
1896:(in French). Chambly, Quebec. pp. 10–11.
1832:
1678:
1651:
347:Emma Albani at the time of her debut as Amina
2481:(online ed.). Oxford University Press.
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1844:
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1054:Historic Sites and Monuments Board of Canada
712:Afterward she went to Paris and sang at the
2609:Character Parts: Who's Really Who in CanLit
2278:
1808:
1760:. Vol. XXIX, no. 6241. p. 5.
1092:In the 1990s, the former mayor of Chambly,
2810:Royal Philharmonic Society Gold Medallists
2538:. In Cook, Ramsay; BĂ©langer, RĂ©al (eds.).
2356:"The Canadian Opera Career of Emma Albani"
2261:
1741:
1067:have been named in her honour. The first,
990:, who only months before had made his own
982:, who two years later would become one of
41:
16:Canadian-British opera soprano (1847–1930)
2770:19th-century Canadian women opera singers
2457:
1967:
1867:
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1283:"Montreal's musical life under the Union"
1180:
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275:
2825:20th-century British women opera singers
2474:
1891:
1885:
1496:
963:
915:
821:
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567:
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2579:
2478:Oxford Dictionary of National Biography
2460:Two Centuries of Opera at Covent Garden
2221:
1855:10.1093/gmo/9781561592630.article.00416
1693:
1184:
871:'s sang Santuzza) and Elsa in Wagner's
670:. The tour was under the management of
351:
299:were soloists in the world premiere of
141: 1878; died 1925)
2752:
2590:The Biographical Dictionary of America
2533:
2311:
2164:Famous Canadian Women on Postal Stamps
1963:. Toronto, Ontario: The Copp Clark Co.
1956:
1604:
1588:
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835:Albani made her debut with New York's
377:Emma Albani, on her debut performance.
246:The Biographical Dictionary of America
2501:
1989:
1796:
1729:
1275:
1018:
959:
808:and the role of Juliette in Gounod's
249:puts her birth on 18 September 1851,
2321:. Toronto: Williams Briggs. p.
2041:Blythe, Christine (10 August 2014).
1351:Dideriksen, Ringel & Summer 1995
483:after being introduced to it by Sir
2243:"Histoire de la musique à Montréal"
684:in two weeks, performing it at the
233:Marie-Louise-Emma-CĂ©cile Lajeunesse
181:Marie-Louise-Emma-CĂ©cile Lajeunesse
54:Marie-Louise-Emma-CĂ©cile Lajeunesse
13:
2650:, Vol. 25, no. 12 (December 1993).
2598:
2400:Potvin, Gilles (29 January 2008).
861:(on a double bill with Mascagni's
607:in July 1874 to perform the aria "
338:
14:
2836:
2785:French-language singers of Canada
2654:
2611:(Toronto: Vintage Canada, 2004).
2508:The New Grove Dictionary of Opera
2249:(in French). Le métro de Montréal
2231:Canadian Broadcasting Corporation
1974:Commission de toponymie du Québec
744:, and from there she went to the
693:"Hymn of Praise" Symphony-Cantata
2737:
2725:
2713:
2701:
2567:
2541:Dictionary of Canadian Biography
162:
2223:"Great Canadian Wagner Singers"
1838:
1778:. 14 September 1907. p. 14
1764:
1747:
1007:She and her husband retired to
855:, Violetta in Act 1 of Verdi's
765:, which was being given at the
138:
2330:"Obituary: Dame Emma Albani".
2119:Elliott, Robin (Spring 2005).
2104:10.1525/ncm.1995.19.1.02a00010
893:Die Meistersinger von NĂĽrnberg
459:Move to London's Covent Garden
1:
2585:Albani, Marie Emma LaJeunesse
1991:"Biography of John McCormack"
1936:"Amusements, General Mention"
1114:
1000:. The book was effectively a
925:Final season at Covent Garden
218:
2815:Burials at Brompton Cemetery
2495:UK public library membership
1706:MetOpera & 31 March 1892
1149:Potvin & 29 January 2008
686:Academy of Music in New York
392:. Further roles followed in
7:
2820:Singers awarded knighthoods
2800:People from Chambly, Quebec
2623:Emma Albani: Victorian Diva
2546:University of Toronto Press
2437:(825): 725. November 1911.
2207:Library and Archives Canada
2125:Journal of Canadian Studies
1919:Blythe & 10 August 2014
1849:. Oxford University Press.
1664:NY Times & 16 July 1884
890:, three as Eva in Wagner's
441:, and then appeared at the
10:
2841:
2790:Canadian operatic sopranos
2625:(Toronto, Dundurn, 1984).
2458:Rosenthal, Harold (1958).
2279:Klein, Herman (May 1921).
2262:Hurst, P. G. (June 1942).
2020:(824): 663. October 1911.
1029:Royal Philharmonic Society
2407:The Canadian Encyclopedia
2381:The Canadian Encyclopedia
1270:Potvin & 29 July 2007
1218:Elliott & Spring 2005
1205:, 1901-1902 edition; via
701:The Legend of St. Cecilia
623:", and the popular song "
565:viewed her performances.
161:
156:
148:
121:
102:
83:
72:United Province of Canada
49:
40:
23:
2678:in the Royal Collection.
2676:Emma Albani's photograph
1652:Potvin & Spring 1980
2671:Pictures of Emma Albani
2534:Vachon, Pierre (2005).
2338:(1047): 463. May 1930.
1307:Obituary & May 1930
794:where she performed in
572:Albani as Elisabeth in
2487:10.1093/ref:odnb/30362
2264:"The Record Collector"
1995:John McCormack Society
1772:"Dramatic and Musical"
986:'s last students, and
969:
921:
832:
788:Louis-Honoré Fréchette
736:
576:
536:The Marriage of Figaro
470:
380:
348:
325:Conservatoire de Paris
276:Emigration and tuition
228:
2648:National Library News
2511:. London: Macmillan.
2137:10.1353/jcs.2006.0017
1957:Albani, Emma (1911).
1894:Le Journal de Chambly
1880:Famous Canadian Women
1742:Hurst & June 1942
967:
919:
825:
746:Théâtre de la Monnaie
730:
571:
466:
419:The Barber of Seville
369:
346:
301:Charles Wugk Sabatier
282:Plattsburgh, New York
226:
2661:Works by Emma Albani
2270:: 12. Archived from
1202:Who's Who in America
1038:Anne of Green Gables
1033:Lucy Maud Montgomery
1023:Albani received the
864:Cavalleria rusticana
814:in the same season.
714:Théâtre des Italiens
619:", the Bach/Gounod "
529:and the Countess in
443:Teatro della Pergola
352:Development in Italy
293:Dames du Sacré-Coeur
291:-school, run by the
280:The family moved to
252:Who's Who in America
227:Emma Albani at age 5
2795:Singers from Quebec
2410:(online ed.).
2384:(online ed.).
2313:Morgan, Henry James
2247:metrodemontreal.com
2047:Empty Nest Ancestry
1960:Forty Years of Song
1821:Books Received 1911
1720:, pp. 271–272.
997:Forty Years of Song
984:Theodor Leschetizky
968:Emma Albani in 1899
947:as King Marke, and
920:Albani as Desdemona
905:The Flying Dutchman
796:Lucia di Lammermoor
615:, the folk ballad "
585:Lucia di Lammermoor
557:. She then went to
555:Lucia di Lammermoor
407:Lucia di Lammermoor
388:, performing it in
361:, playing Amina in
2621:Cheryl MacDonald,
2462:. London: Putnam.
2402:"Dame Emma Albani"
2092:19th-Century Music
2069:The New York Times
1941:The New York Times
1847:Grove Music Online
1833:Reviewed Work 1911
1636:Virtual Gramophone
1509:Virtual Gramophone
1398:Virtual Gramophone
1235:Virtual Gramophone
1133:Virtual Gramophone
1019:Honours and legacy
970:
960:Post Covent Garden
932:Tristan und Isolde
922:
910:The New York Times
837:Metropolitan Opera
833:
767:Berlin Royal Opera
737:
590:Linda di Chamounix
577:
471:
349:
329:Francesco Lamperti
229:
185:coloratura soprano
108:coloratura soprano
2581:Johnson, Rossiter
2518:978-1-56159-228-9
2493:(Subscription or
2431:The Musical Times
2332:The Musical Times
2285:The Musical Times
2274:on 2 August 2012.
2184:MetOpera Database
2075:MetOpera Database
2014:The Musical Times
1907:Metro de Montreal
1757:New Zealand Times
1754:"Madame Albani".
1679:MetOpera Database
1107:metro station in
1013:Brompton Cemetery
945:Édouard de Reszke
811:Roméo et Juliette
792:Grand Opera House
780:Hofkammersängerin
755:Le pré aux clercs
722:Maréchal MacMahon
672:Maurice Strakosch
625:Home! Sweet Home!
563:Tsar Alexander II
432:, the manager of
170:
169:
2832:
2775:British sopranos
2742:
2741:
2740:
2730:
2729:
2728:
2718:
2717:
2706:
2705:
2704:
2697:
2594:
2573:
2571:
2570:
2556:
2554:
2552:
2530:
2498:
2490:
2471:
2454:
2422:
2420:
2418:
2412:Historica Canada
2396:
2394:
2392:
2386:Historica Canada
2374:(29 July 2007).
2367:
2347:
2326:
2308:
2291:(939): 313–320.
2275:
2258:
2256:
2254:
2238:
2237:on 11 June 2008.
2233:. Archived from
2218:
2216:
2214:
2194:
2192:
2190:
2175:
2173:
2171:
2166:. Dawn E. Monroe
2155:
2153:
2151:
2115:
2086:
2084:
2082:
2062:
2060:
2058:
2049:. Archived from
2037:
2010:"Books Received"
2005:
2003:
2001:
1986:
1984:
1982:
1964:
1953:
1951:
1949:
1922:
1916:
1910:
1904:
1898:
1897:
1889:
1883:
1877:
1871:
1865:
1859:
1858:
1842:
1836:
1830:
1824:
1818:
1812:
1806:
1800:
1794:
1788:
1787:
1785:
1783:
1768:
1762:
1761:
1751:
1745:
1739:
1733:
1732:, vol. 1, p. 49.
1727:
1721:
1715:
1709:
1703:
1697:
1691:
1682:
1676:
1667:
1661:
1655:
1649:
1643:
1633:
1624:
1618:
1612:
1602:
1596:
1586:
1580:
1570:
1564:
1554:
1548:
1538:
1532:
1522:
1516:
1506:
1500:
1494:
1485:
1475:
1469:
1459:
1453:
1443:
1437:
1427:
1421:
1411:
1405:
1395:
1386:
1376:
1370:
1360:
1354:
1348:
1342:
1332:
1326:
1316:
1310:
1304:
1298:
1292:
1286:
1279:
1273:
1267:
1242:
1232:
1221:
1215:
1209:
1197:"ALBANI, Madame"
1194:
1188:
1182:
1167:
1161:
1152:
1146:
1140:
1130:
1043:Courageous Women
949:Luigi Mancinelli
881:on 23 December.
771:Kaiser Wilhelm I
750:Ferdinand HĂ©rold
731:Caricature from
660:Washington, D.C.
503:Norwich Festival
413:Robert le diable
400:, with parts in
378:
313:Albany, New York
241:French-Canadians
231:Albani was born
193:dramatic soprano
173:Dame Emma Albani
166:
142:
140:
116:dramatic soprano
90:
63:
61:
45:
21:
20:
2840:
2839:
2835:
2834:
2833:
2831:
2830:
2829:
2750:
2749:
2748:
2738:
2736:
2726:
2724:
2712:
2702:
2700:
2692:
2657:
2601:
2599:Further reading
2583:, ed. (1906). "
2568:
2566:
2550:
2548:
2519:
2492:
2416:
2414:
2390:
2388:
2354:(Spring 1980).
2252:
2250:
2212:
2210:
2188:
2186:
2169:
2167:
2149:
2147:
2080:
2078:
2077:. 31 March 1892
2056:
2054:
2053:on 6 April 2020
1999:
1997:
1980:
1978:
1969:"Avenue Albani"
1947:
1945:
1926:
1925:
1917:
1913:
1905:
1901:
1890:
1886:
1878:
1874:
1866:
1862:
1843:
1839:
1831:
1827:
1819:
1815:
1809:Klein, May 1921
1807:
1803:
1795:
1791:
1781:
1779:
1770:
1769:
1765:
1753:
1752:
1748:
1740:
1736:
1728:
1724:
1716:
1712:
1704:
1700:
1692:
1685:
1677:
1670:
1662:
1658:
1650:
1646:
1634:
1627:
1619:
1615:
1603:
1599:
1587:
1583:
1571:
1567:
1555:
1551:
1539:
1535:
1523:
1519:
1507:
1503:
1495:
1488:
1476:
1472:
1460:
1456:
1444:
1440:
1428:
1424:
1412:
1408:
1396:
1389:
1377:
1373:
1361:
1357:
1349:
1345:
1333:
1329:
1317:
1313:
1305:
1301:
1293:
1289:
1281:Slemon, Peter,
1280:
1276:
1268:
1245:
1233:
1224:
1216:
1212:
1195:
1191:
1183:
1170:
1162:
1155:
1147:
1143:
1131:
1127:
1117:
1079:commissioned a
1021:
1005:
962:
927:
831:
820:
697:Julius Benedict
521:Ambroise Thomas
510:Salle Ventadour
485:Julius Benedict
469:
461:
447:Ambroise Thomas
379:
376:
354:
341:
339:Operatic career
309:Prince of Wales
278:
237:Chambly, Quebec
221:
144:
136:
132:
129:
128:
98:
92:
88:
79:
76:Chambly, Quebec
65:
64:1 November 1847
59:
57:
56:
55:
36:
31:
28:
17:
12:
11:
5:
2838:
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2797:
2792:
2787:
2782:
2777:
2772:
2767:
2762:
2747:
2746:
2734:
2722:
2710:
2690:
2689:
2684:
2679:
2673:
2668:
2656:
2655:External links
2653:
2652:
2651:
2644:Stephen Willis
2641:
2619:
2600:
2597:
2596:
2595:
2558:
2557:
2531:
2517:
2505:, ed. (1992).
2503:Sadie, Stanley
2499:
2472:
2455:
2443:10.2307/906456
2423:
2397:
2372:Potvin, Gilles
2368:
2352:Potvin, Gilles
2348:
2327:
2315:, ed. (1903).
2309:
2297:10.2307/910562
2276:
2259:
2239:
2219:
2209:. 15 July 2010
2195:
2176:
2156:
2131:(2): 105–126.
2116:
2087:
2063:
2038:
2026:10.2307/906536
2006:
1987:
1965:
1954:
1944:. 16 July 1884
1924:
1923:
1911:
1899:
1884:
1872:
1860:
1837:
1825:
1823:, p. 663.
1813:
1801:
1789:
1763:
1746:
1734:
1722:
1718:Rosenthal 1958
1710:
1698:
1683:
1668:
1656:
1644:
1625:
1623:, p. 200.
1621:Rosenthal 1958
1613:
1597:
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1549:
1533:
1517:
1501:
1486:
1470:
1454:
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1387:
1371:
1355:
1343:
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1311:
1299:
1297:, p. 140.
1287:
1274:
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1189:
1168:
1153:
1141:
1124:
1123:
1116:
1113:
1105:Place-des-Arts
1020:
1017:
988:John McCormack
977:
961:
958:
937:Jean de Reszke
926:
923:
826:
819:
816:
605:Windsor Castle
601:Queen Victoria
559:St. Petersburg
489:Josiah Pittman
467:
460:
457:
374:
353:
350:
340:
337:
321:Gilbert Duprez
277:
274:
220:
217:
189:spinto soprano
168:
167:
159:
158:
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150:
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145:
134:
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126:
125:
123:
119:
118:
112:spinto soprano
104:
100:
99:
93:
91:(aged 82)
85:
81:
80:
66:
53:
51:
47:
46:
38:
37:
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24:
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2639:0-919670-74-1
2636:
2632:
2631:0-919670-75-X
2628:
2624:
2620:
2618:
2617:0-676-97579-8
2614:
2610:
2606:
2603:
2602:
2592:
2591:
2586:
2582:
2577:
2576:public domain
2565:
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2514:
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2473:
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2456:
2452:
2448:
2444:
2440:
2436:
2432:
2428:
2424:
2413:
2409:
2408:
2403:
2398:
2387:
2383:
2382:
2377:
2376:"Emma Albani"
2373:
2369:
2365:
2361:
2357:
2353:
2349:
2345:
2341:
2337:
2333:
2328:
2324:
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2240:
2236:
2232:
2228:
2224:
2220:
2208:
2204:
2200:
2196:
2185:
2181:
2180:"Emma Albani"
2177:
2165:
2161:
2160:"Emma Albani"
2157:
2146:
2142:
2138:
2134:
2130:
2126:
2122:
2117:
2113:
2109:
2105:
2101:
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2088:
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2072:
2070:
2064:
2052:
2048:
2044:
2039:
2035:
2031:
2027:
2023:
2019:
2015:
2011:
2007:
1996:
1992:
1988:
1976:
1975:
1970:
1966:
1962:
1961:
1955:
1943:
1942:
1937:
1933:
1932:
1931:
1930:
1920:
1915:
1908:
1903:
1895:
1888:
1881:
1876:
1869:
1868:Avenue Albani
1864:
1856:
1852:
1848:
1841:
1834:
1829:
1822:
1817:
1810:
1805:
1798:
1793:
1777:
1773:
1767:
1759:
1758:
1750:
1744:, p. 12.
1743:
1738:
1731:
1726:
1719:
1714:
1707:
1702:
1695:
1690:
1688:
1680:
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1569:
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1558:
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1546:
1542:
1537:
1530:
1526:
1521:
1514:
1513:Concert Tours
1510:
1505:
1498:
1497:Rosselli 2004
1493:
1491:
1483:
1479:
1474:
1467:
1463:
1458:
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1125:
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1112:
1110:
1106:
1102:
1101:Frédéric Back
1097:
1095:
1090:
1088:
1087:
1082:
1081:postage stamp
1078:
1074:
1073:avenue Albani
1070:
1066:
1061:
1059:
1055:
1050:
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1044:
1040:
1039:
1034:
1030:
1026:
1016:
1014:
1010:
1003:
999:
998:
993:
992:Covent Garden
989:
985:
981:
980:Marie Novello
976:
973:
966:
957:
955:
954:Les Huguenots
950:
946:
943:as Kurwenal,
942:
941:David Bispham
938:
934:
933:
918:
914:
911:
907:
906:
901:
900:
895:
894:
889:
888:
882:
880:
876:
875:
870:
866:
865:
860:
859:
854:
850:
849:
844:
843:
842:Les Huguenots
838:
830:
824:
815:
813:
812:
807:
806:
801:
797:
793:
789:
784:
782:
781:
776:
775:curtain calls
772:
768:
764:
759:
757:
756:
751:
747:
743:
734:
729:
725:
723:
719:
718:Élysée Palace
715:
710:
708:
707:
702:
698:
694:
689:
687:
683:
682:
677:
673:
669:
665:
661:
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635:, Handel and
634:
630:
626:
622:
618:
614:
610:
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586:
582:
581:La sonnambula
575:
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560:
556:
552:
548:
547:
542:
541:La sonnambula
538:
537:
532:
528:
527:
522:
517:
515:
514:Victor Capoul
511:
506:
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500:
499:
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490:
486:
482:
478:
477:
476:La sonnambula
465:
456:
454:
453:
448:
444:
440:
435:
434:Covent Garden
431:
430:Frederick Gye
427:
426:
421:
420:
415:
414:
409:
408:
403:
402:La sonnambula
399:
395:
391:
387:
386:
373:
368:
366:
365:
364:La sonnambula
360:
345:
336:
334:
330:
326:
322:
317:
314:
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306:
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298:
297:Adelina Patti
294:
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147:
124:
120:
117:
113:
109:
105:
103:Occupation(s)
101:
96:
86:
82:
77:
74:(present-day
73:
69:
52:
48:
44:
39:
35:
27:
22:
19:
2647:
2622:
2608:
2588:
2560:
2559:
2549:. Retrieved
2539:
2507:
2476:
2459:
2434:
2430:
2415:. Retrieved
2405:
2389:. Retrieved
2379:
2363:
2359:
2335:
2331:
2317:
2288:
2284:
2272:the original
2267:
2251:. Retrieved
2246:
2235:the original
2226:
2211:. Retrieved
2202:
2187:. Retrieved
2183:
2168:. Retrieved
2163:
2148:. Retrieved
2128:
2124:
2095:
2091:
2079:. Retrieved
2074:
2068:
2055:. Retrieved
2051:the original
2046:
2017:
2013:
1998:. Retrieved
1994:
1979:. Retrieved
1972:
1959:
1946:. Retrieved
1939:
1929:Bibliography
1928:
1927:
1914:
1902:
1893:
1887:
1875:
1863:
1846:
1840:
1828:
1816:
1804:
1792:
1780:. Retrieved
1775:
1766:
1755:
1749:
1737:
1725:
1713:
1701:
1659:
1647:
1640:Later Career
1616:
1600:
1584:
1568:
1552:
1536:
1520:
1504:
1473:
1457:
1441:
1425:
1409:
1402:Early Career
1374:
1358:
1346:
1330:
1314:
1302:
1290:
1277:
1213:
1200:
1192:
1187:, p. 67
1185:Johnson 1906
1144:
1128:
1119:
1118:
1098:
1094:Robert Lebel
1091:
1084:
1072:
1068:
1062:
1051:
1042:
1036:
1022:
1006:
995:
974:
971:
953:
930:
928:
909:
903:
897:
891:
887:Don Giovanni
885:
883:
878:
872:
862:
856:
852:
846:
840:
834:
828:
809:
803:
800:Ernest Reyer
795:
785:
779:
762:
760:
753:
738:
732:
711:
704:
700:
699:'s oratorio
690:
679:
652:Philadelphia
641:
612:
594:
588:
584:
580:
578:
573:
561:, where the
554:
550:
544:
540:
534:
524:
518:
507:
496:
474:
472:
450:
423:
417:
411:
405:
401:
383:
381:
370:
362:
355:
332:
318:
304:
279:
250:
244:
232:
230:
180:
172:
171:
89:(1930-04-03)
87:3 April 1930
18:
2765:1930 deaths
2760:1847 births
2605:Brian Busby
2561:Attribution
2227:CBC Radio 2
2098:(1): 3–30.
2057:24 February
1977:(in French)
1694:CBC Radio 2
1605:Albani 1911
1589:Albani 1911
1573:Albani 1911
1559:, pp.
1557:Albani 1911
1543:, pp.
1541:Albani 1911
1525:Albani 1911
1480:, pp.
1478:Albani 1911
1464:, pp.
1462:Albani 1911
1446:Albani 1911
1430:Albani 1911
1414:Albani 1911
1381:, pp.
1379:Albani 1911
1363:Albani 1911
1335:Albani 1911
1321:, pp.
1319:Albani 1911
1295:Morgan 1903
1207:Archive.org
1164:Vachon 2005
1086:La Traviata
1077:Canada Post
867:, in which
858:La traviata
829:La Traviata
637:Mendelssohn
617:Robin Adair
516:as Elvino.
468:Emma Albani
425:L'Africaine
333:Emma Albani
30:Emma Albani
2754:Categories
2665:Faded Page
2551:17 January
2497:required.)
2417:17 January
2391:17 January
2268:Gramophone
2170:17 January
1776:Free Lance
1730:Sadie 1992
1607:, p.
1591:, p.
1575:, p.
1527:, p.
1448:, p.
1432:, p.
1416:, p.
1365:, p.
1337:, p.
1115:References
1069:rue Albani
1025:gold medal
1009:Kensington
869:Emma Eames
706:Tannhäuser
574:Tannhäuser
219:Early life
127:Ernest Gye
95:Kensington
60:1847-11-01
2708:Biography
2527:614233624
2253:8 October
2145:145438501
1797:McCormack
1239:Childhood
1137:Biography
1120:Citations
1060:in 1977.
879:Rigoletto
874:Lohengrin
853:Rigoletto
802:'s opera
763:Lohengrin
681:Lohengrin
656:Baltimore
621:Ave Maria
613:Rigoletto
609:Caro nome
546:Rigoletto
439:Lake Como
385:Rigoletto
205:Donizetti
157:Signature
106:Operatic
97:, England
2667:(Canada)
2071:review)"
1109:Montreal
1065:Montreal
644:New York
498:Theodora
481:oratorio
394:Florence
375:—
286:Montreal
187:, later
149:Children
2694:Portals
2578::
2213:16 July
2189:16 July
2150:16 July
2081:16 July
2000:17 July
1948:16 July
1782:3 April
1577:147–150
1561:119–120
1545:104–105
1103:in the
1027:of the
935:, with
664:Chicago
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501:at the
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323:at the
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668:Albany
648:Boston
629:Brahms
596:Martha
553:, and
551:Hamlet
531:Mozart
526:Hamlet
493:Handel
452:Mignon
258:violin
213:Wagner
197:Mozart
179:(born
122:Spouse
2720:Opera
2447:JSTOR
2340:JSTOR
2301:JSTOR
2141:S2CID
2108:JSTOR
2030:JSTOR
1482:89–94
1466:80–83
1383:61–62
1323:34–35
1058:stele
899:Faust
733:Punch
633:Grieg
398:Malta
390:Cento
270:organ
266:piano
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2635:ISBN
2627:ISBN
2613:ISBN
2553:2012
2523:OCLC
2513:ISBN
2464:OCLC
2419:2012
2393:2012
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2360:Aria
2255:2013
2215:2015
2191:2015
2172:2012
2152:2015
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2059:2014
2002:2015
1983:2011
1950:2015
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720:for
695:and
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