5266:) Although commonly thought to mean a scissor step, sissonnes are in fact named after the originator of the step. There are many types of sissonne, but all push off the floor with two feet and land on one. A sissone simple/ ordinaire devant starts in fifth position, shows fifth position in the air and lands in cou-de-pied devant. A sissonne fermée (close) has the dancer perform a medium to large jump from two feet, springing in any direction and leaving an extended leg behind, the ‘fermé’ is then a fast closing of the extended leg back into fifth position. A sissonne ouverte (open) will finish in the extended position. Advanced dancers can often be seen splitting their legs in a sissonne fermée and ouverte, this has perhaps led to some believing sissonne to be a ‘scissor step’. For reference, ‘scissors’ in French is ‘Ciseaux’ . Pas de ciseaux - a scissor step, is in advanced step in which following a temps levé from the left leg with the right leg devant, the legs pass each other at the height of the jump and the left leg is then immediately thrust backwards to land on the right leg with the left leg in arabesque (en fondue).
977:
4347:, (in first, second, fourth, and fifth position) While doing a grand-plié position one must remember to have proper alignment. Head over shoulders, shoulders over hips over knees and knees over feet. When initiating a grand-plié one must pull up and resist against going down. Lengthening from the center and back of the head and pressing down through the floor through the balls of the feet. As you are bending your knees you have to maintain the proper alignment and make sure that the knees are going over the big toe. Heels come off the ground past demi-plié with the feet ending in a demi-pointe at the bottom of the bend. Making sure to create proper turn out by rotating the inner thighs forward and you go down. Making sure to keep the pelvis in line as you go down and up so that you do not release your seat and stick your chest forward, and at the same time engaging your core(stomach) by pressing your navel towards your spine. As soon as the bottom of the bend is reached, the bend is reversed and the legs are straightened. *Note: Heels do not come up off the floor in a second position.
4340:, (in a first, second, fourth, and fifth position) a dancer bends the knees while maintaining turnout. While in a demi-plié position one must remember to have proper alignment. Head over shoulders, shoulders over hips over knees and knees over feet. When initiating a demi-plié one must pull up and resist against going down. Lengthening from the center and back of the head and pressing down through the floor through the balls of the feet. As you are bending your knees you have to maintain the proper alignment and make sure that the knees are going over the big toe. Creating proper turn out by rotating the inner thighs forward and you go down. Making sure to keep the pelvis in line as you go down and up so that you do not release your seat and stick your chest forward. at the same time engaging your core (stomach) by pressing your naval towards your spine. The knees bending directly above the line of the toes without releasing the heels from the floor. As soon as the bottom of the bend is reached, the bend is reversed and the legs are straightened.
3220:
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1833:
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956:; meaning 'caper.') An allegro step in which the extended legs are beaten in the air. Cabrioles are divided into two categories: petite, which are executed at 45 degrees, and grande, which are executed at 90 degrees. The working leg is thrust into the air, the underneath leg follows and beats against the first leg, sending it higher. The landing is then made on the underneath leg. Cabriole may be done devant, derrière and à la seconde in any given position of the body such as croisé, effacé, écarté, and so on.
4088:
5676:
2265:('six'), three changes of the feet are made in the air, ultimately changing which foot is in front. Even-numbered entrechats indicate the number of times the legs cross in and out in the air: a regular changement is two (one out, one in), entrechat quatre is two outs, two ins; six is three and three; huit is four and four. Odd-numbered entrechats refer to the previous number, but done landing on one foot with the other in cou-de-pied: for example, an
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2443:. E.g. From croisé, the upstage leg opens behind on the sissonne as the body changes direction in the air to land ouverte effacé; the back leg which is now downstage slides through in a chassé passé to fourth in front, ending the dancer croisé the corner opposite the original. This chassé passé is the (pas) failli. An assemblé (dessus/over) to the opposite corner would reorient the body back to its original position.
454:
3767:.') A quick sequence of movements beginning with extension of the first leg while demi-plié, closing the first leg to the second as both transition to relevé (demi-pointe or pointe), extending the second leg to an open position while relevé, and closing the first leg to the second in demi-plié (or optionally with legs straight if performed quickly or as the final step of an enchainement). Variants include:
800:
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3535:, a jump initiated with a grand battement en avant of the leading leg while pushing off the trailing leg from plié (usually led into by some moving step such as chassé, glissade en avant, or pas couru), the trailing leg brushing to grand battement derrière while in the air, the jump ultimately landing on the leading leg. Resembles the splits (en l'air).
3545:('turn'/'interlaced') is a grand jeté done turning: a jump initiated with a grand battement en avant of the leading leg, followed by a fouetté turning the direction of the body 180 degrees and the trailing leg brushing through to a grand battement derrière, the jump landing arabesque with the leading leg now the standing (landing) leg.
705:(Italian) A principal female ballet dancer in a ballet company. Ballerinas get more lead roles, which are referred to as principal roles as they are generally danced by principal dancers. Soloists also often dance in principal roles, but most of the time not in the first cast of the show (i.e. the cast that performs the most shows)
2663:, in an en dehors turn, the working leg extends forward and then whips around to the side as the working foot is retracted to the supporting knee in retiré, creating the impetus to rotate one turn. The working leg returns out of retiré nearing the end of a single rotation to restart the entire leg motion for successive rotations.
3803:
2714:
the
Russian school, a pointed foot at cou-de-pied extends directly out to dégagé height without brushing through the floor. On demi-pointe, Cecchetti employs the Russian style of non-brushed pointed foot directly out. Other schools may use a flexed foot without the strike or a non-brushed pointed foot on demi-pointe.
5341:, stepping onto that leg en pointe/demi-pointe (making it the standing leg), then bringing the other leg to fifth position in front of the standing leg and finally turning (effectively, an unwinding motion). At the end of the rotation, the originally crossed-over foot in front should now be in fifth position behind.
5241:
5402:; literally 'on the neck of the foot.') The arched working foot is placed wrapped at the part of the leg between the base of the calf and the beginning of the ankle. On the accent devant (front), the heel of the working foot is placed in front of the leg, while the toes point to the back, allowing the instep (
4963:) A position of the working leg in which the leg is raised turned out and bent at the knee to the side so that the toe is located directly in front of (retiré devant) or behind (retiré derrière) the supporting knee. This is commonly used in pirouettes and as an intermediate position in other movements such as
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Pulling up is critical to the simple act of rising up on balance and involves the use of the entire body. The feeling of being simultaneously grounded and "pulled up" is necessary for many steps in ballet. To pull up, a dancer must lift the ribcage and sternum but keep the shoulders down, relaxed and
2620:
itself refers to a move where a quick pivot on the supporting leg changes the orientation of the body and the working leg. E.g. A 180-degree or 90-degree fouetté could involve a working leg beginning extended elevated in front; the supporting leg rising onto demi-pointe or pointe quickly executing a
2726:
A posture in which the feet are turned outward. With one foot in the front and one in the back, you will make fifth position. The front foot is usually facing horizontal while the back foot is diagonal. It does not matter which foot is in the front or back, as long as they are turned out. You can do
2261:('four'), starting from fifth position, right foot front, a dancer will jump up with legs crossed, execute a changement beating the right thigh at the back of the left thigh, then bring the right leg in front again beating the front of the left thigh, and land in the same position as started. In an
615:
423:
In dance (particularly ballet), arabesque (French: ; literally, "in Arabic fashion") is a body position in which a dancer stands on one leg (the supporting leg) with the other leg (the working leg) extended, straight, behind the body. The arm positions can vary and are generally allongé. The foot of
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Frappés are commonly done in singles, doubles, or triples. Double and triple frappés involve tapping the foot (flexed or pointed) at both cou-de-pied devant (or wrapped) and derrière before extending out. (E.g. Double frappé front would be cou-de-pied back, cou-de-pied front, dégagé front. Double
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traveling either forward (en avant) or backward (en arrière), with an extra beat that "breaks" the jump in its travel. To execute a brisé en avant, the dancer demi-pliés in fifth position and brushes the back leg (through first position) to the front, then springs into the air and brings the second
5005:
jump in which one lands on the leg from which one pushes off after that leg travels around the other leg which is lifted to a level that is parallel with the floor. There are several variants, the passing leg may pass around the lifted leg in a passé position, or it may be extended and parallel to
2713:
Action of extending the working foot out from cou-de-pied. In
Cecchetti, RAD, and American ballet, on flat, this action involves brushing a flexed (or non-pointed relaxed) foot from cou-de-pied through the floor, the ball of the foot (lightly) striking as extending out pointed through dégagé. In
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Quick movement of the feet, can be performed on pointe or on demi-pointe. The dancer straightens one leg (the leg in back) and bends a leg and picks it up(the leg in front). Then the bent leg is straighted on the floor and the straight leg is picked off the floor and bent. These steps are repeated
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There are two basic positions of the arms. In one, the dancer keeps the fingers of both arms almost touching to form an oval/round shape, either near the hips, at navel level, or raised above the dancer's head. In the other, the arms are extended to the sides with the elbows slightly bent. These
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is used in some schools and parts of the world to indicate a bending forward, backward, or circularly of the body at the waist, generally to be followed by bringing the upper body back to center/upright again, e.g. "port de bras forward", "port de bras back", "circular port de bras/grand port de
2070:
A small traveling step (en avant or en arrière) where each leg is alternately brought to cou-de-pied, passing the previous standing leg in doing so. Both legs shoot straight downward in the air, and land on one foot in cou-de-pied. This step is often done turning ("en tournant"), where each jump
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or bending of the knees. Throughout the movement, the pelvis should be kept neutral, the back straight and aligned with the heels, the legs turned out, and the knees over the feet. From standing to bent this should be fluid. A purpose of the grand plié is to warm up the ankles and stretch the
2088:
A variation on the typical tour piqué/piqué turn, where the dancer does 1/2 piqué turn as usual, then, without coming off relevé, steps onto the previously working leg and lifts the previously supporting leg to retiré to finish the turn. This can be done several times in succession. (See "Piqué
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or piqué turn is a traveling turn executed by the leg stepping out onto an en pointe or demi-pointe foot becoming the supporting leg while the working leg moves from plié to retiré derrière, if an en dedans turn, or retiré devant, if an en dehors turn. In fast piqué turns, petit retiré may be
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with a beating of the legs preceding the foot change. Example: with the right foot in front in fifth position, plié, jump, beat the right thigh against the left (back thigh) and continue with a changement moving the right leg to behind the left, landing fifth position left foot front.
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A sturdy horizontal bar, approximately waist height, used during ballet warm-up exercises and training. Fixed barres are typically mounted on -covered walls; portable barres can be relocated as needed. Used for balance, not support. A barre is a tool, not a necessary item to dance.
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Usually, manèges will be a repetition of one or two steps, but can also be a combination of several. For example, a coupé jeté manèges is typically done by a male dancer in a coda of a classical pas de deux. Ballerinas will often do piqué manèges in a variation or also in a coda.
3740:
5493:; literally 'time raised.') A term from the Cecchetti school indicating a hop on one foot while the other is raised in any position. The instep is fully arched when leaving the ground and the spring must come from the pointing of the toe and the extension of the leg after the
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3510:), weight being transferred via a jump propelled by pushing off the standing leg from plié, the leading leg landing tombé and the foot of the other/former standing leg ending cou-de-pied (derrière). Some schools (including ABT at one point) may still refer to this as a
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leg) is raised and turned out with knee bent to form an angle of approximately 90° between the thigh and the lower leg. The height of the knee versus the foot and the angle of the knee flexion will vary depending on the techniques. The working leg can be held behind
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Dancing performed by a pair of dancers, typically a male and a female, in which the pair strives to achieve a harmony of coordinated movements so that the audience remains unaware of the mechanics. A dance that is focused on a single pair of partnering dancers is a
457:
4984:; 'reverence, bow.') A bow, curtsy, or grand gesture of respect to acknowledge the teacher and the pianist after class or the audience and orchestra after a performance. After a classical ballet, a bow or choreographed révérence may be performed in character.
1403:; meaning 'in the shape of a cross.') Term often used during barre exercises to indicate that a step is done to the front, to the side, to the back, and then again to the side (as in the shape of a cross), finishing closed in either first or fifth position.
489:, brushing out. The dancer launches into a jump, with the second foot then meeting the first foot before landing. A petit assemblé is when a dancer is standing on one foot with the other extended. The dancer then does a small jump to meet the first foot.
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First position holds the arms round or oval in front of the body somewhere between the naval and breastbone (depending on the school and movement), the fingertips of the hands approaching each other. In
Cecchetti, the hands stay a little lower at tutu
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3439:"A male dancer's step in which the dancer jumps into the air with the legs drawn up, one in front of the other, then reverses their position several times before landing with the feet apart again." This step can look akin to swimming in air.
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may refer to positions (the second and fourth positions of the feet are positions ouvertes), limbs, directions, or certain exercises or steps. In the French School, this term is used to indicate a position or direction of the body similar to
3811:
1348:. Facing one of the corners of the stage, the body presents at an oblique angle to the audience, such that the audience can see still both shoulders and hips. The working leg may be crossed to the front (devant) or to the back (derrière).
5406:
in French) of the working foot to hug the lower leg. On the accent derrière (back), the heel of the working leg is placed behind the leg with the toes pointing to the back. The action of alternating between devant and derrière is seen in a
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779:
In classical ballet, the term ballonné is a step where the leg is extended (can be front, side, or back) at 45 degrees. The knee is then bent and the foot brought to a sur le cou-de-pied position. This can also be done as a relevé or jump.
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Second position in all schools holds the arms extended out to the side, the inner part of the upper arm parallel to the ground with the forearms and palms facing the audience. The roundness and shoulder height of the arms varies by
2380:; 'shouldering.') Rotation of the shoulders and head relative to the hips in a pose or a step. This term relates only to the movement of the body from the waist up. The head generally looks over shoulder that is forward (downstage).
1916:; literally 'spread,' as in 'separated.') One of the basic positions of the body facing the audience at an oblique angle and with the downstage leg open to the side of the body, along the other diagonal, either touching the floor or
5645:
through second starts with a dégagé of the leading leg to second position, the leading foot coming to the floor with the leg in plié, and the trailing leg lifting off the floor in dégagé to (the opposite-side) second position. A
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foot to meet it in the back before switching to the front to land, creating a beating action with the legs. In a brisé en arrière, the process is reversed, with the front leg brushing to the back and beating to land in front.
1230:: arch of the foot wrapped around the ankle with the heel in front of the ankle and the toes behind, often interchangeable with the devant/conditional position), depending on the activity and the school/method of ballet.
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A ballotté is a jumping step in classical ballet that consists of coupé dessous and small developpés performed with a rocking and swinging movement. The step can be performed with the leg extensions at 45 or 90 degrees.
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centered over the hips, which requires use of the abdominal muscles. In addition, the dancer must stabilize the pelvis, maintaining a neutral position, and keep the back straight to avoid arching and going off balance.
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A sliding movement forward, backward, or sideways with both legs bent, then springing into the air with legs straight and together. It can be done either in a gallop or by pushing the leading foot along the floor in a
5640:
to fourth position devant, the extended foot coming down to the floor with the leg en plié, shifting the weight of the body onto the front leg and lifting the back leg off the floor in dégagé (to fourth derrière). A
1488:). Small, very quick half-turns performed by stepping onto one leg, and completing the turn by stepping onto the other, performed on the balls of the feet or high on the toes, with the legs held very close together.
3239:) A long horizontal jump, starting from one leg and landing on the other. Known as a split in the air. It is most often done forward and usually involves doing full leg splits in mid-air. It consists basically of a
4426:; literally 'fish.') A body position in which the back is arched and legs are crossed in fifth position or the working leg is held retiré. This position may be assumed while jumping or in partnering lifts, as in a
3808:
2085:); the dancer stands in sous-sus and brushes one leg to the side, then closes it in the opposite position (front or back) of where it started, and repeats this motion several times in succession, alternating legs.
5223:
A term that refers to the reverse of a winging, indicating a foot where the heel is too far back so the toes are in front of the ankle and heel, breaking the line of the leg at the ankle. If a dancer sickles an
2629:).) A fouetté could also change the leg/body orientation from, for example, en face à la seconde to épaulé (second) arabesque/croisé first arabesque or effacé devant, if outside/en dehors, via a 45-degree turn.
2480:; 'closed.') Converse of ouvert(e) ('open'). Fermé may refer to positions (the first, fifth, and third positions of the feet are positions fermées), limbs, directions, or certain exercises or steps. Example: a
1099:; meaning 'like a bell.') Refers to brushing through first position from fourth devant or fourth derrière to the opposite fourth with the upper body held upright. Can be done continuously, as is often done with
1509:
Circular movement where a leg that starts at the back or the side moves towards the front. For the right leg, this is a counter-clockwise circle. For the left leg, this is a clockwise circle. For example, in a
1358:
if at a 45 angle to the audience, the downstage leg (closest to the audience) is working to the front and the arms are open in third or fourth with the downstage arm being the one in second. A dancer is in
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An alternating side-to-side movement of the working (non-supporting) leg. Typically performed in multiples, quickly and in rapid succession so that the working foot appears to be fluttering or vibrating.
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Different schools, such as
Vaganova, French, and Cecchetti, Russian often use different names for similar arm positions. The Russian school names three arm positions while the other schools name five.
1057:
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A sliding movement as described above, but without the jump aspect. Instead, the leading foot is pushed along the floor in plié as described above, as a transition into another movement or position.
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3887:
A jump where the legs are successively brought to attitude derrière instead of retiré. This variant of the pas de chat appears in several Petipa ballets (e.g. the fourth variation in
Paquita).
403:; meaning 'elongated.') Refers to a foot and leg position when the toes and knees are extended and elongated, rather than forming the usual soft curve. Can also refer to a similar arm position.
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slightly rounded, fingertips approaching each other. This is called third position in the
Russian school, which does not designate a fifth (or fourth) position. Cecchetti also recognizes a
2574:, a lowering of the body made by bending the knee of the supporting leg, the working leg extending out à terre or in the air. Saint-Léon wrote, "Fondu is on one leg what a plié is on two."
3716:
to the opposite corner while the body turns to face that corner. Weight is quickly transferred to that brushed leg, now upstage, allowing the dancer to pass the newly downstage leg through
2621:"half" turn inside/en dedans, leading to the working leg ending in arabesque and the body now facing the opposite direction or stage direction. (This brand of action can be seen in both
976:
535:) of the body. The alignment of the thigh compared to the midline in Attitude derrière will vary depending on the techniques. The foot of the supporting leg may be flat on the floor, en
896:; literally 'crossed arms') Arm placement in which one arm is extended in second position away from the audience while the other is curved in first position (Cecchetti fourth position
233:) (Literally "to second") If a step is done "à la seconde", it is done to the side. 'Second position'. It can also be a balance extending one foot off the ground in ‘Second Position’.
2012:(when starting from first position) or fourth (when starting from fifth) with knees straight. The dancer may or may not return to the initial position, depending on the choreography.
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1004:, a series of quick, 360 degree turns that alternate the feet while traveling along a straight line or in a circular path. Each foot performs a half turn, with feet held in a tight
5074:), with movement being limited to below the knee. If the thigh is held at 90 degrees from the body, the toe draws a circle approximately between the knee of the supporting leg and
5567:
5205:
A rise, from flat to demi-pointe (from the balls to the tips of both feet), usually done multiple times in quick succession where the legs are turned out in a grand pas position.
1673:) A pivoted half turn executed on both feet. For example, if starting right foot front in fifth position, demi-plié and relevé onto demi-pointe while pivoting a half turn inwards/
1597:; 'outwards.') Circular movement where a leg that starts at the front or the side moves towards the back. For a right working leg, this is a clockwise circle. For example, in a
3807:
2582:, where the supporting leg begins fondu with the foot of the working leg at cou-de-pied; the working leg extends out through a petit développé as the supporting leg straightens.
1386:: the front leg is the right leg and the dancer is facing the front-left corner of the stage; or the front leg is the left, and the dancer is facing his/her front-right corner.
3267:(turning en dedans). The dancer must remember to hit the fullest split at the height of the jump, with weight pushed slightly forward, giving the dancer a gliding appearance.
4230:
5525:; literally 'time raised jumped.') A term from the Russian school. This can be executed with both feet from first, second, third, fourth, or fifth position starting with a
3506:) refers to a jump initiated en plié, with the pointed working foot brushing out in dégagé from cou-de-pied (derrière) to seconde (action similar to a non-Russian-style flat
5245:
2541:. A step where the foot of the working leg sweeps flexed across the floor from pointed à la seconde (en l'air, as in dégagé) to pointed at cou-de-pied devant or derrière.
1167:
The ensemble of a ballet company, especially the ensemble apart from the featured dancers. Being a part of the corps means one is neither a soloist nor a principal dancer.
5283:) A sudden spring or small jump from both feet, traveling forward in either first, third, or fifth position and landing on both feet in the same position as they started.
3555:('in a circle'), of a coupé (changing the supporting foot) initiating the first quarter of a turn leading into a grand jeté completing the 360-degree rotation of the turn.
4558:
Bras bas ('arms low') (RAD)/bras au repos ('at rest') (French), preparatory position (Rus.), or fifth en bas (Cecc.) holds the arms low and slightly rounded near the hip.
5583:; literally 'turn in the air.') A jump, typically done by males, with a full rotation in the air. The landing can be on both feet, on one leg with the other extended in
5558:; 'time linked.') A term indicating the transfer of weight from one leg to another by shifting through to the position without any sort of gliding or sliding movement.
5098:: the leg is extended and sustained off the ground while moving from fourth devant or derrière to second or vice versa, thus drawing only half of the full semi-circle.
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There are eight to eleven positions of the body in ballet, eight in
Cecchetti and RAD and ten or eleven in the Russian and French schools. The general positions are
3828:; 'step of the cat.') A traveling sideways jump where while mid-air the legs are successively bent, brought to retiré, feet as high up as possible, knees apart. The
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When done at the barre en demi-pointe to switch sides, only half a turn is done instead of a full turn, and the foot does not extend out into tendu. Differs from a
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in the air. If the thigh is held lower (e.g. 45 degrees), the circle is drawn to the calf of the supporting leg. This is commonly done in singles, doubles, and/or
4148:; meaning 'pricked.') A movement in which the raised, pointed foot of the working leg is lowered so that it pricks the floor and then either rebounds upward (as in
2847:
as weight bears on the trailing leg, weight is shifted to the leading leg via a jump and the trailing foot extends out of plié into degagé. The leading foot lands
4048:
may initiate or complete by sliding the working foot up or down the supporting leg from or to the floor, may be executed directly from an open position such as in
1939:
differs in having the working leg in second being on the same side as the corner the body is facing, i.e. the upstage leg is the working leg; the upstage arm is
1184:) In some systems, a dancer of higher rank than a member of the corps de ballet, performing in small ensembles and small solo roles but not ranked as a soloist.
385:
A category of exercises found in a traditional ballet class, e.g. petit allegro (small, generally fast jumps) and grand allegro (large, generally slower jumps).
5304:, or rise, into a tight fifth position, feet touching and ankles crossed, giving the appearance of one foot with two heels. A term from the Cecchetti school,
481:. A jump that takes off from one foot and lands on two feet. When initiated with two feet on the ground (e.g. from fifth position) the working leg performs a
5031:; meaning 'leg circle.') Half-circle made by the pointed foot, from fourth front or back through second position to the opposite fourth and returning through
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foot, the ankle could collapse to the outside, resulting in a sprain. A working foot should be straight to the side and mildly winged to the front or back.
6155:
3461:; 'thrown.') A leap in which one leg appears to be thrown in the direction of the movement (en avant, en arrière, or sideways). There are several kinds of
1032:; literally 'change, changing.') A jump in which the feet change positions in the air. For example, beginning in fifth position with the right foot front,
836:) A general term for jumps in which the legs open slightly sideways and close (crossed in fifth position) multiple times, alternating feet. (See "Battu.)
3774:
pas de bourrée dessus – 'over,' initially closing the working foot in front / pas de bourrée dessous – 'under,' initially closing the working foot behind
4447:; 'carriage of the arms.') An exercise for the movement of the arms (and in some schools, the upper body) to different positions. For example, a basic
1363:
if at a 45 degree angle to the audience, the upstage leg (farthest from the audience) is working to the back and the arms are open in third, fourth, or
5177:
3637:. For a male dancer, partnering may involve lifting, catching, and carrying a partner, and providing assistance and support for leaps, promenades and
1298:; 'run,' past participle, as in 'making small quick steps.') In most cases, this holds the calves together and the feet in a tight fifth position en
4152:) or becomes a supporting foot. In the latter case, it may be used to transfer a stance from one leg to the other by stepping out directly onto an
2074:
A traveling series of jumps where each leg is alternately brought to attitude devant in the air, each foot passing the previous one in alternating.
4583:
Third position in the
Russian school holds both arms slightly rounded overhead. This is equivalent to fifth position (en haut) in other schools.
4044:, indicating passing the foot of the working leg past the knee of the supporting leg (on, below, or above) from back to front or front to back.
1960:; literally 'escaped.') A movement done from a closed (first or fifth) position to an open (second or fourth) position. There are two kinds of
917:) A flashy, showy and elaborate style of dance that involves a lot of elaborate steps and style to similar music. Usually during a key solo.
5537:.) This can also be performed from one foot, while the other maintains the same position it had before starting the jump (i.e. the same as
5359:
in that there is a repositioning of the feet on finishing (and a crossing action, if not initiated in fifth) vs. just a pivot to half turn.
1677:
towards the direction of the back foot (here left). The feet will have now changed position with the left foot in front in fifth position.
1569:
pointed in the air 45 degrees or lower. Dégagé is part of the (initiating) execution of jumps such as jeté, assemblé, brisé, and glissade.
6940:
1773:; literally 'over.') Used to indicate that the back leg should be brought to close in front of the other leg during a step. For example,
723:
French word meaning a ballet performance, a ballet work, a ballet company and possibly the ballet dance genre, although the expression
3582:
Manèges is a classical ballet term meaning “circular.” It describes when a dancer does steps in a circular pattern around the stage.
1736:; literally 'under.') Used to indicate that the front leg should be brought to close behind the other leg during a step. For example,
4569:
Third position in the French/RAD schools holds one arm in second with the other arm in first. The
Russian equivalent of this may be
3947:
and then jumps arching the back with straight legs behind, so that the body is curved like a fish jumping out of water. Also called
2257:, 'intertwined.') "A step of beating in which the dancer jumps into the air and rapidly crosses the legs before and behind." In an
3561:
in RAD and the French school refers to a one-footed changement passing through cou-de-pied and is what other schools refer to as a
424:
the supporting leg may be flat on the floor, on the ball of the foot (demi-pointe/relevé), or on the tips of the toes (en pointe).
298:
One of the typical exercises of a traditional ballet class, done both at barre and in center, featuring slow, controlled movements.
4215:
executed instead (i.e. working foot at cou-de-pied). Most commonly done en dedans, piqué turns en dehors are also referred to as
2453:
indicates the brushed follow-through of an arabesqued leg from elevated behind to fourth in front as lead-in to a following step.
6133:
5209:
5075:
4751:
4743:
4652:
Demi-bras ('half arms') holds the arms between first and second position, outstretched with palms presented towards the audience.
4104:; 'tilted'.) Tilting the body forward about the hip of the supporting leg so that the head is lower than the working leg, as in
2009:
649:
6222:
Grant, Gail. Technical Manual and
Dictionary of Classical Ballet, Third Revised Edition, Dover Publications, Inc., 1982, p. 101.
5680:
5060:: the leg is swung around from front to side and into attitude position behind as the supporting foot goes en pointe. (See also
5032:
4755:
4747:
4739:
3717:
2457:
1985:
1602:
1515:
1005:
682:
1446:) A male ballet dancer who excels in refined classical roles, often playing the prince or other royalty in a classical ballet.
5476:
Most ballet dancers wear tights in practices and performances unless in some contemporary and character dances or variations.
5006:
the lifted leg, or it may be extended and close to perpendicular to the lifted leg. This last variant is also known as a 540.
727:
also exists for the latter meaning, is less equivocal and is more commonly used when referring to the learning of this dance.
6207:
6180:
1036:, jump switching the right leg to the back, and land in fifth position with the left foot front. In the Vaganova vocabulary,
6351:(2nd ed.). London (Hightstown, NJ): Royal Academy of Dancing (distributed in the U.S.A. and Canada by Princeton Book).
6961:
5529:, leading to a jump in the air that lands with the feet in the same position as they started. (Otherwise known as simply a
1218:; 'neck of the foot.') Position of the arched working foot raised to, and resting on, the ankle. This could be in front (
3304:
3180:
3092:
3005:
2910:
2791:
664:). The second foot in the sequence (in any direction) assembles behind the first to relevé in fifth or fourth position.
4779:
is when a ballet dancer swiftly moves his/her leg in front then behind their calf. This motion is normally done at the
4738:
The standard, basic placements of feet on the floor. Modern-day classical ballet employs five positions, known as the
4040:; literally 'passed.') Passing the working foot through from back to front or vice versa. Generally used to refer to
6356:
6317:
6290:
6263:
6045:
5992:
3330:
3206:
3118:
3031:
2936:
2817:
3312:
3219:
3188:
3100:
3013:
2918:
2799:
6413:
2359:
in front and the downstage shoulder appears prominent to the audience as the downstage leg works to the back (e.g.
6107:
3780:
pas be bourrée en tournant en dedans – 'turning inward' / pas de bourrée en tournant en dehors – 'turning outward'
1379:
in the Russian school alternatively has the upstage leg working to the back, but the downstage arm out to second.
6698:
6692:
4732:
2423:'given way', past participle.) A slide or brush-through transition step following a preceding jump or position.
4409:, a structurally reinforced type of shoe designed specifically for this purpose. Most often performed by women.
2585:
A term used to modify any one-legged position in order to indicate a bent supporting leg (e.g. arabesque fondu).
1270:
except as the preparation for specific allegros. Rather, "tombé through fifth position" is more commonly used.
1078:
to cause an upward spring. It is typically performed in a series or as part of a combination of other movements.
5697:
A classic ballet skirt, typically flat at the waist or hip level, made of several layers of tulle or tarlatan.
4923:, in which the leg brushes out propulsively from a high position through tendu to elevated off the ground, and
4535:
3308:
3184:
3096:
3009:
2914:
2795:
5054:: ('on the ground.') The extended leg with pointed toe remains on the ground to sweep around in a semi-circle.
7002:
5624:; literally 'fallen.') The action of falling, typically used as a lead-in movement to a traveling step, e.g.
4655:
Demi-seconde ('half second') holds the arms low out to the side as if grazing the tutu, palms generally down.
4333:; literally 'bent.') A smooth and continuous bending of the knees outward with the upper body held upright.
7012:
6846:
6380:
5500:
In the Cecchetti method, the specifically indicates a spring from fifth position while raising one foot to
5180:
differing in that the front leg extends through a développé instead of a grand battement. This is called a
3383:), variations for demi-soloists, variations for lead ballerina and danseur, or some combinations of these.
497:
343:
Brisk, lively motion. An attribute of many movements, including those in which a dancer is airborne (e.g.,
3053:; literally "big gap".) Opening the legs to 180°, front or sideways. Known as 'spagat' in German or 'the
6997:
6477:
417:
5451:), side, or back, passing from flat to demi-pointe to point where only the toes are touching the floor (
1924:
and the other arm is in second position. The gaze is directed to the raised arm along the same diagonal
5369:
A configuration of the legs in which the legs are extended in opposite directions, either to the side (
4290:
4600:
in Cecchetti. The Russian school does not designate a fourth position; the Russian equivalent may be
4379:) Supporting one's body weight on the tips of the toes, usually while wearing structurally reinforced
4690:
croisé devant, à la quatrième devant, effacé (devant), à la seconde, croisé derrière, écarté, épaulé,
4304:
In other genres of dance, such as jazz or modern, it is common to see pirouettes performed with legs
4246:) A non-traveling turn on one leg, of one or more rotations, often starting with one or both legs in
4160:
foot and often immediately precedes a movement that entails elevating the new working leg, such as a
2596:
17:
4293:
is employed to help maintain balance. A pirouette may return to its starting position or finish in
2718:
frappé back would be front, back, back. Triple frappé front would be front, back, front, front.)
7017:
6956:
6759:
5215:
Legs turned out with feet pointing in opposite directions and heels at least shoulder-width apart.
3354:
3293:
3169:
3081:
2994:
2899:
2780:
973:; literally 'arched.') A bending at the waist in any direction, forward, backward, or to the side.
4289:
turns clockwise (to the right) if the right leg is working and the left leg supporting/standing.)
3904:; 'step of the horse.') A movement of the leg (when extended) through first or fifth position, to
6976:
6966:
6836:
5926:
4127:; 'small jump.') A small jump, in which the feet do not change positions in mid-air; also called
3829:
3694:
3297:
3251:(or an unfolding motion). The back leg follows making the splits in the air. It can be performed
3173:
3085:
2998:
2903:
2784:
1537:, the dancer would turn to their right if their left leg was lifted, or vice versa. Opposite of
3777:
pas de bourrée en arriere – 'traveling backward' / pas be bourrée en avant – 'traveling forward'
6935:
6517:
3955:
1984:
followed by a jump in which the legs "escape" into either second (usually when initiating from
6527:
1135:); literally 'tail'). The concluding segment of a performance or suite of dances comprising a
4475:('high', i.e. overhead) and back down. Port de bras movements vary by school and by action.
3693:); it can be done moving toward the front or toward the back. This step can also be found in
3145:
calves. In a grande plié the heels come off the ground in first, fourth, and fifth position.
1694:) Supporting one's body weight on the balls of one or both feet, heels raised off the floor.
4783:
during warm-up. A more advanced dancer would only move their knee, to complete this action.
1480:); literally 'hurtled,' as in 'with great speed.') Another name denoting the same move as a
693:
and involving seesaw like shifting of the upper body in opposition to the legs. Similar to
7007:
6672:
6406:
6339:
5687:
Rotation of the legs at the hips, resulting in knees and feet facing away from each other.
5035:
again to repeat, in effect tracing out the letter "D". Starting front going back is called
5014:
4110:. Doing a split while standing on one foot. The dancer lifts the leg more than 90 degrees.
3992:(down, up, up)—always advancing (like a march), done in three counts to music generally in
6069:
5333:
turn is a turn usually done in multiples in quick succession. The dancer first executes a
3790:
pas de bourrée piqué – 'pricked,' with working leg quickly lifted after pricking the floor
3375:, which brings the suite to a conclusion. After the adage, it may include a dance for the
644:(down, up, down)—executed in three counts. Before the first count, one foot extends in a
8:
6893:
6677:
6608:
6588:
2851:
and the trailing foot slides in to meet the leading foot in fifth position demi-plié. A
1832:
1111:, which additionally allows seesaw like upper-body shifting in counterpoint to the legs.
6502:
5946:
2327:
2304:
681:; "swing ") Swinging the working leg between front (devant) and back (derrière) through
6925:
6634:
6558:
6542:
6456:
6310:
The Ballet Companion: A Dancer's Guide to the Technique, Traditions, and Joys of Ballet
6256:
A Manual of the Theory and Practice of Classical Theatrical Dancing (Méthode Cecchetti)
5921:
5706:
5592:
5363:
4427:
4106:
3054:
4946:
4596:('high,' i.e. raised overhead) and the other open to second position. This is called
2692:
2037:
from straight legs and flat feet. This term is used in some schools in contrast with
771:
will appear to spring effortlessly, float in mid-air, and land softly like a balloon.
254:), arms in second position, with one leg extended either to fourth position in front (
6900:
6886:
6446:
6362:
6352:
6323:
6313:
6296:
6286:
6269:
6259:
6248:
6203:
6176:
6149:
6051:
6041:
6035:
5998:
5988:
5982:
5424:
4856:
4716:
are the converse of Cecchetti/RAD's. In addition, the French school further divides
4405:
Performing steps while on the tips of the toes, with feet fully extended and wearing
4023:
3406:
2549:
1142:
309:
31:
6749:
6583:
4644:, arms rounded between naval/chest height, known as first position in other schools.
4576:
Third position in Cecchetti holds one arm in a Cecchetti first and the other arm in
3943:, or a jump without a change of feet. From fifth position, a dancer executes a deep
2319:
6841:
6745:
6740:
6687:
6682:
6664:
6603:
6578:
6537:
6532:
5669:
4504:
4463:) to first arm position, to second arm position, back down to fifth en bas. A full
4394:
4387:
3626:
2296:, which serves as an introduction for the suite of dances comprising the grand pas.
1131:
913:
745:
A ballet fan or enthusiast. The word is of Russian origin c. 1930, with the suffix
731:
413:
The apparent elegance and precision exhibited by a confident, accomplished dancer.
335:
318:
926:
over and over again. The dancer looks as if he or she is flying across the floor.
564:, which is conversely a movement towards the back. For example, a step travelling
6971:
6815:
6768:
6730:
6725:
6704:
6618:
6598:
6568:
6482:
6399:
6197:
6170:
5620:
5600:
5579:
5554:
5521:
5489:
5440:
5398:
5321:
5296:
5279:
5262:
5168:
5143:
5112:
5027:
4997:
4980:
4959:
4901:
4872:
4844:
4822:
4801:
4499:
4443:
4422:
4375:
4329:
4242:
4144:
4123:
4100:
4036:
3984:
3935:
3900:
3824:
3759:
3677:
3654:
3604:
3457:
3235:
3136:
3049:
2954:
2835:
2705:
2676:
2612:
2562:
2533:
2476:
2419:
2398:
2376:
2347:
2282:
2249:
2107:; meaning 'in.') A preposition used in description of a dancer's position (e.g.,
2103:
2077:
A series of small walks done on pointe or demi-pointe, traveling either forward (
2062:
2025:
1956:
1920:. The arm on the same side as the working leg (i.e. the downstage arm) is raised
1912:
1886:
1845:
1806:
1769:
1732:
1707:
1690:
1669:
1644:
1593:
1557:
1501:
1476:
1459:
1442:
1421:
1399:
1340:
1294:
1243:
1214:
1197:
1180:
1161:
1095:
1028:
996:
969:
952:
892:
870:
853:; meaning 'beaten') A movement with an extra beating of the feet included, as in
849:
832:
761:
677:
628:
588:
556:
510:
473:
437:
399:
275:
246:
229:
39:
6613:
4011:). The feet do not assemble (or "cross each other") on any step as occurs in a
3922:('Step of two.') A dance duet, usually performed by a female and a male dancer.
2323:
1247:; meaning 'cut.') Coupé is both a step and action. It is commonly executed from
6862:
6654:
6649:
6639:
6573:
6497:
6487:
6451:
6436:
5429:
4861:
4780:
2463:
Turned out legs with the feet pointing in opposite directions, heels touching.
2315:
2311:
1000:; 'chained', plural.) Also known as "chaînés turns", a common abbreviation for
793:
6386:
4909:. Term from the Russian school indicating raising the leg slowly from pointe
3522:
2299:
The initial appearance of a lead character or characters of a ballet on stage.
1988:) or fourth position (usually when initiating from fifth position) landing in
1354:
is used in the third, fourth, and fifth positions of the legs. A dancer is in
6991:
6917:
6879:
6764:
6753:
6720:
6644:
6002:
4279:, turning outwards in the direction of the working leg, but can also be done
4087:
3728:
the new corner, and finishing by bringing the upstage leg in to close fifth.
3682:
3344:
1426:
6366:
6327:
5675:
5444:; literally 'stretched.') Gradually extending the working leg to the front (
2355:
where the body is at an oblique angle to the audience, the downstage arm is
2119:) or holding the meaning 'towards' when describing direction of a movement (
1656:, and other movements or positions to indicate a smaller or lesser version.
803:
Exercising at a portable barre. A fixed barre can be seen in the background.
6930:
6735:
6593:
6563:
6522:
6300:
6273:
6055:
3965:
3401:, classical ballet technique prevails and no character dances are included.
1255:
back or vice versa. It may also be done from an extended leg position into
985:
5665:
One big step, followed by two little steps, that can be done in a circle.
3343:
A suite of individual dances that serves as a showpiece for lead dancers,
6805:
6785:
6512:
5736:
5691:
5308:('over-under') is the equivalent term in the French and Russian schools.
4406:
4380:
4364:
3916:
3634:
2513:
441:; meaning 'rounded') A position of the hand. Rounded, in contrast with
6108:"MoveTube: Anthony Dowell dances the Prince's solo from Swan Lake Act I"
4527:. This can be done in any direction or turning (the later also known as
2756:
A complicated jump involving a pas de chat with a double rond de jambe.
2269:(five) is the same as an entrechat-quatre, but done landing on one leg.
1621:, the body turns in the direction of the working leg (the leg raised in
543:(tips of the toes). The standing leg can be straight or bent ("fondu").
6795:
6790:
3747:
2839:; literally 'glide.') A traveling step starting in fifth position from
2732:
2648:
2509:
2045:(bent knees). In other schools (French, Russian, textbook Cecchetti),
5746:
5147:; literally 'jumped.') Used to indicate a step executed jumping, e.g.
3764:
2590:
1565:
the foot of the working leg sharply brushes through the floor through
767:
Showing lightness of movement in leaps and jumps. A dancer exhibiting
737:
The foundational principles of body movement and form used in ballet.
45:
6507:
6492:
4776:
4223:
4052:
from fourth, or may transition from knee to another position such as
3834:
3660:
3638:
3414:
for the principal male and female characters of a full-length ballet.
3271:
3243:
with a moving jump. The front leg brushes straight into the air in a
2728:
2292:
2238:
2135:= 'to the front,' 'to the back', 'to the inside,' 'to the outside').
1137:
812:
303:
3771:
pas de bourrée derrière – 'behind' / pas de bourrée devant – 'front'
3282:
3158:
3070:
2983:
2888:
2769:
1854:
1048:
5716:
5650:
can also be initiated with a small sliding hop instead of a coupé.
4265:('front')—when initiated from fourth, this would be a retiré
2331:
939:
4523:, so that if the step is repeated, the working leg will execute a
3845:
In the Cecchetti and French schools, this may be referred to as a
592:; meaning 'backwards') A movement towards the back, as opposed to
560:; meaning 'forwards') A movement towards the front, as opposed to
6820:
6800:
4285:, turning inwards in the direction of the supporting leg. (e.g.
1273:
In the United States, "coupé" may be used to denote the position
5566:
2652:
2041:(in effect, 'relifted'), which is taken to indicate a rise from
713:
An informal term for male dancers in a ballet company in Italy.
6810:
6472:
6422:
5070:: ('in the air.') The leg is lifted and sustained to the side (
4541:
4355:
2227:
1943:
and the gaze is directed down the length of the arm in second.
799:
717:
407:
28:
6235:
Third Revised Edition, Dover Publications, Inc., 1982, p. 113.
5984:
Basic Principles of Classical Ballet: Russian Ballet Technique
4930:, in which the leg passes through retiré (or petit retiré) to
1263:). Coupé can only be performed through a closed leg position.
6387:
French Ballet terms pronunciation in video with illustrations
5971:
Barker/Kostrovitskaya: 101 Lessons in Classical Ballet - 1977
4397:
that concerns pointe work (dancing on the tips of the toes).
3793:
pas de bourrée couru – 'running,' also 'flowing like a river'
3386:
Various types of "grand pas" are found in ballet, including:
2496:
2406:
indicates facing something directly, generally the audience.
754:
4640:, the preparatory/bras bas position in other schools, and a
4316:
4229:
2488:
which lands on one leg with the other (generally) extended.
2439:), and this is often done in conjunction with an assemblé:
1533:
Turning motion in the direction of the supporting leg. In a
1371:
with the upstage arm being the one out towards second, e.g.
3685:.') Halfway between a step and a leap, taken on the floor (
2962:
generally done leading into a following step, such as with
1810:; literally 'front.') Facing or moving to the front, as in
5377:
split). This is employed in various movements, including
4308:(i.e. sixth position) instead of turned out as in ballet.
3842:
performed by four dancers holding hands, arms interlaced.
2330:, which brings together several dancers in and out of the
1853:. A movement in which the leg is lifted to cou-de-pied or
1344:; meaning 'crossed.') One of the positions of the body or
382:
Used in ballet to refer to all jumps, regardless of tempo.
6391:
4269:—but could also be held in other positions such as
3658:; literally 'step.') A dance, or a suite of dances as in
1711:; literally 'behind.') At or to the back. For example, a
4913:
to 45 degrees or higher off the ground. Contrasts with
2435:) with the back foot then sliding through to the front (
1145:). A particularly large or complex coda may be called a
5987:. Trans. Anatole Chujoy. New York: Dover Publications.
1306:
and travels forward, backward, or to either side. E.g.
1259:
or directly through fifth position (as in concluding a
6040:(3rd revised ed.). New York: Dover Publications.
5504:. In the Russian and French schools, this is known as
514:) A position in which a dancer stands on one leg (the
250:) One of the directions of body, facing the audience (
3859:
A jump where the leading leg extends forward through
2351:; 'shouldered.') One of the positions of the body or
2196:
Movement of the leg in an inwards rotation direction
1605:, the foot (either left or right) would first extend
1281:
in addition to the action of passing through retiré.
1149:. If a large group of dancers participate, the terms
6233:
Technical Manual and Dictionary of Classical Ballet,
2516:, in which the male dancer supports the female in a
2241:, a secret communication system closed down in 2020.
6254:Beaumont, Cyril W.; Idzikowski, Stanislas (1975) .
6094:
Technical Manual and Dictionary of Classical Ballet
6037:
Technical Manual and Dictionary of Classical Ballet
5373:
split) or with one leg forward and the other back (
4550:positions may be combined to give other positions.
4483:bras". Bending at the waist is otherwise known as
4007:
time, traveling in any direction or while turning (
3750:pas de bourrée, which differs slightly from ballet
1118:as "passé la jambe" or "battement passé la jambe".
6253:
6249:American Ballet Theatre's Online Ballet Dictionary
4545:Arms held in Cecchetti's "Spanish fourth" position
3882:
1890:; 'double.') Making two of a movement, such as in
1277:not unlike "passé" is used to denote the position
6285:(3rd revised ed.). New York: Da Capo Press.
6096:, Third Edition, Dover Publications, 1982, p. 62.
5722:A dancer with great technical ability and skill.
3417:A grand pas danced by three or four dancers is a
2182:Front side back side ( in the shape of a cross )
1857:and then fully extended outward, passing through
1572:Primarily a Cecchetti/RAD term, this is known as
1201:; 'sideways.') A movement traveling to the side.
295:Slow movements performed with fluidity and grace.
6989:
6154:: CS1 maint: bot: original URL status unknown (
6136:. Archived from the original on October 16, 2011
4950:Working leg in retiré devant and retiré derrière
4068:can also pass through from back to front as in (
2431:indicating a jump from two feet landing on one (
1617:back, and back in again to first position. In a
632:; "balanced") A rocking sequence of three steps—
6280:
6019:University of South Florida Press, 1989, p. 15.
5155:performed while jumping on the supporting leg.
4619:and the other held in first position/Cecchetti
5039:while starting back and going front is called
4258:. The non-supporting leg is generally held in
3551:is a compound step, usually done in multiples
874:; literally 'broken') A jump consisting of an
6407:
4706:effacé devant, effacé derrière, épaulé devant
4628:Fifth position in the French/RAD schools and
4511:, a dancer steps with a straight leg onto an
3971:('Step of three.') A dance by three dancers.
2871:(leading back foot ends front), or without a
6941:Western stereotype of the male ballet dancer
4876:; 'raised, lifted.') Rising onto the balls (
3394:is one that contributes to a ballet's story.
6172:Rumba Dance Encyclopedi: And Related Dances
5735:A sequence of steps performed in sync with
3988:; 'waltz step.') A sequence of three steps—
3961:('Step of four.') A dance by four dancers.
3311:. Unsourced material may be challenged and
3187:. Unsourced material may be challenged and
3099:. Unsourced material may be challenged and
3012:. Unsourced material may be challenged and
2917:. Unsourced material may be challenged and
2798:. Unsourced material may be challenged and
1530:front, and back in again to first position.
568:moves forwards towards the audience, as in
6414:
6400:
6349:Dictionary of Classical Ballet Terminology
6195:
5458:), or only the pointed toes are elevated (
980:Group of ballet students performing Cambre
5653:In the Vaganova school, the full term is
5591:, or down on one knee as at the end of a
5208:
3331:Learn how and when to remove this message
3207:Learn how and when to remove this message
3119:Learn how and when to remove this message
3032:Learn how and when to remove this message
2937:Learn how and when to remove this message
2818:Learn how and when to remove this message
1561:; 'disengaged.') Common abbreviation for
1266:The Vaganova School rarely uses the term
6105:
5980:
5674:
5565:
5423:
5239:
5092:height to draw a semi-circle in the air.
5013:
4945:
4855:
4731:
4659:
4540:
4534:
4354:
4315:
4228:
4086:
4022:
3801:
3735:
3708:while brushing the downstage leg out to
3521:
3218:
2691:
2655:. As the supporting foot transitions to
2595:
2548:
2495:
2456:
1831:
1053:
975:
938:
798:
607:
496:
477:; literally 'assembled') Sometimes also
452:
6281:Kersley, Leo; Sinclair, Janet (1981) .
6099:
6029:
6027:
6025:
5974:
5088:: the leg is extended and sustained at
3357:of a ballet. It usually consists of an
2651:that begins with the supporting leg in
2484:ends with closed legs, as opposed to a
1044:where the feet barely leave the floor.
14:
6990:
6307:
6168:
5599:is a 360° rotation, a double is 720°.
5311:
4696:. The Russian school further divides
4273:. Pirouettes are most often executed
2878:
6395:
6346:
6134:"Ballet glossary - Royal Opera House"
6033:
5619:
5578:
5553:
5520:
5488:
5439:
5397:
5388:
5320:
5295:
5278:
5261:
5187:In the French and Cecchetti schools,
5167:
5142:
5111:
5026:
4996:
4979:
4958:
4900:
4871:
4843:
4821:
4800:
4519:foot, then brings the working leg to
4498:
4442:
4421:
4374:
4328:
4241:
4143:
4122:
4099:
4035:
4015:; each step instead passes the last.
3983:
3934:
3899:
3823:
3758:
3676:
3653:
3603:
3456:
3234:
3135:
3048:
2953:
2834:
2743:, and much more with fifth position.
2704:
2675:
2611:
2561:
2532:
2475:
2418:
2397:
2375:
2346:
2281:
2248:
2102:
2061:
2024:
1955:
1911:
1885:
1844:
1805:
1768:
1731:
1706:
1689:
1668:
1643:
1592:
1556:
1500:
1475:
1458:
1441:
1420:
1398:
1339:
1293:
1242:
1213:
1196:
1179:
1130:
1094:
1027:
1018:
995:
968:
951:
912:
891:
869:
848:
831:
676:
627:
587:
555:
509:
472:
436:
398:
334:
274:
245:
228:
6022:
4905:; 'lifted slowly.') Abbreviation of
4688:. Cecchetti and RAD's eight include
4673:
4665:
3854:
3491:(Rus.), or the common compound step
3349:
3309:adding citations to reliable sources
3276:
3185:adding citations to reliable sources
3152:
3097:adding citations to reliable sources
3064:
3010:adding citations to reliable sources
2977:
2915:adding citations to reliable sources
2882:
2796:adding citations to reliable sources
2763:
445:('stretched out', as in arabesque).
279:) Touching the floor; on the floor.
6106:Jennings, Luke (10 November 2011).
5905:
5511:
5337:while extending the leading leg in
5096:Demi-grand rond de jambe (en l'air)
4848:) An attitude presented on a turn.
4712:, and the Russian arm positions on
4669:
4386:
3875:") and the trailing leg remains in
3783:pas de bourrée ouvert – 'open,' an
2843:. The leading foot brushes out to
2303:
1994:échappé sur le pointes/demi-pointes
1308:
730:
204:
24:
6242:
4770:
4233:Pirouette supported by male dancer
3594:
2958:; "precipitated glide".) A quick
1320:
1160:
25:
7029:
6374:
5561:
4884:) of one or both feet. See also
4677:
4615:in Cecchetti consists of one arm
3939:; 'step of the fish.') A type of
3925:
3847:
3731:
2721:
2637:fouetté rond de jambe en tournant
2427:is often used as shorthand for a
1114:The Vaganova system may refer to
236:
34:in France, a significant part of
6312:. New York: Simon and Schuster.
6258:. New York: Dover Publications.
5193:
5009:
4938:, i.e. elevated off the ground.
3954:
3908:and then energetically out to a
3890:
3712:front. The downstage leg does a
3667:
3281:
3157:
3069:
2982:
2887:
2867:(leading front foot ends back),
2768:
2466:
2155:
2029:; 'raised, lifted.') Rising to
1659:
1432:
1303:
1012:
536:
6225:
6216:
6189:
6162:
5900:
5749:
5378:
5300:; literally 'under-under.') A
5158:
5121:
4451:exercise could move from fifth
4433:
4281:
4275:
4170:In Cecchetti and RAD, the term
3974:
3964:
3608:; 'open, opened.') Converse of
3531:
3475:
3057:' or 'jump splits' in English.
2872:
2751:
2666:
2512:, often performed as part of a
2429:sissonne (ouverte +pas) failli,
2205:
2191:
2166:
1861:. It can be done to the front (
1627:
1539:
1505:; 'inwards.') Inside movement.
1299:
1108:
1008:
900:or RAD/French third position).
694:
540:
374:
350:
219:
199:
48:
6126:
6086:
6062:
6009:
5965:
5939:
5660:
5463:
5408:
5382:
5191:refers to what RAD/ABT call a
5176:refers to a jump similar to a
5172:) In RAD and American ballet,
5086:Grand rond de jambe (en l'air)
4926:
4891:
4400:
4163:
3915:
3797:
2973:
2709:; 'struck.') Abbreviation of
2449:
2360:
2177:
2144:
1680:
1648:; meaning 'half.') Applied to
1375:or Russian fourth arabesque.
1368:
1204:
1100:
882:
740:
685:, usually in conjunction with
578:
356:
13:
1:
6308:Minden, Eliza Gaynor (2005).
6199:Dance Anatomy and Kinesiology
6196:Clippinger, Karen S. (2007).
5895:
5712:A dance typically done solo.
5479:
5462:). A common abbreviation for
5348:(Cecc.). This is known as a
5269:
5061:
4761:
4592:('open') consists of one arm
4350:
4205:
4113:
3625:
3148:
3060:
2635:is also common shorthand for
2602:Fouetté en tournant en dehors
2578:at the barre often refers to
2366:
2216:
2149:
1931:, such as the French school,
1927:In schools that recognize an
1892:double rond de jambe en l'air
1819:
1583:
1491:
1104:
1085:
667:
570:
368:
344:
291:, meaning 'slowly, at ease.'
258:) or fourth position behind (
194:
6847:Telstra Ballet Dancer Awards
6283:A Dictionary of Ballet Terms
6070:"Definition of GARGOUILLADE"
5981:Vaganova, Agrippina (1969).
5932:
5748:
5705:
5603:was known to perform triple
5544:
5454:
5346:assemblé soutenu en tournant
5286:
5049:
5002:
4987:
4970:
4812:
4632:in Cecchetti holds the arms
4222:
4131:in the Vaganova vocabulary.
4012:
3564:
3434:
3270:
2680:) A leap that begins with a
2523:
2517:
2491:
2232:
2221:
2199:
2185:
2160:
2049:covers both these concepts.
1996:a dancer begins with a deep
1827:
1518:, the foot first extends to
1481:
1389:
1364:
1314:
811:
708:
700:
546:
416:
47:
7:
6381:Ballet Terms and Vocabulary
6017:Classical Ballet Technique,
5915:
5715:
5637:
5447:
5325:; 'sustained.') Similar to
5301:
5235:
4919:
4834:
4809:(a dance by four dancers).
4805:) Four of something, as in
4685:
4681:
4484:
4260:
4073:
4065:
3912:through a petit développé.
3700:Starting in fifth position
3507:
3365:
3359:
2844:
2759:
2736:
2537:) Familiar French term for
2388:
2171:
2138:
2038:
1697:
1466:
1449:
1187:
1170:
934:
822:
783:
774:
492:
448:
10:
7034:
6421:
6169:Nelson, Thomas L. (2009).
5668:
5200:
5079:
4910:
4885:
4588:Fourth position or fourth
4528:
4412:
4266:
4200:posé turn/posé en tournant
4178:outside of the battement:
3577:
3379:(often referred to as the
2848:
2589:
2441:(sissonne) failli assemblé
2402:; 'facing, in front of.')
2236:
2210:
2052:
1946:
1849:) Common abbreviation for
1812:
1722:
1566:
1486:les tours chaînés déboulés
1463:) A female ballet dancer.
1411:
984:
920:
903:
603:
518:leg) while the other leg (
427:
389:
362:
325:
265:
6949:
6910:
6871:
6855:
6829:
6778:
6713:
6663:
6627:
6551:
6465:
6429:
6347:Ryman, Rhonda S. (1998).
5636:to the front moving to a
5471:
5218:
5102:
4941:
4851:
4791:
4171:
4082:
3724:to fourth devant, ending
3371:
3353:. Often regarded as the
2955:[ɡlisadpʁesipite]
2740:
2687:
2622:
2616:; literally 'whipped.')
2580:battement fondu développé
2539:battement fouetté à terre
2409:
2337:
2272:
2042:
1902:
1876:
1796:
1759:
1576:in the Russian School or
1547:
1047:
1038:petit changement de pieds
959:
943:Double cabriole derrière.
760:
716:
406:
282:
6760:Prima ballerina assoluta
5756:
5741:pas de waltz en tournant
5730:
5610:
5419:
5362:
5327:tours chaînés (déboulés)
5133:
4134:
4018:
3785:open->closed->open
3493:coupé jeté (en tournant)
3347:, and in some cases the
2627:pas de valse en tournant
2544:
2237:Not to be confused with
2015:
1980:, a dancer takes a deep
1935:is described above, and
1713:battement tendu derrière
1284:
1233:
860:
839:
792:
313:), often referred to as
55:
6837:Prix Benois de la Danse
6336:Glossary of Dance Terms
6074:www.merriam-webster.com
6015:Warren, Gretchen Ward.
5927:Glossary of dance moves
5690:
5655:sissonne ouverte tombée
5522:[tɑ̃l(ə)vesote]
5352:in the Russian school.
5344:Common abbreviation of
5322:[sutnyɑ̃tuʁnɑ̃]
5041:rond de jambe en dedans
5037:rond de jambe en dehors
4694:à la quatrième derrière
4490:
4311:
3695:Scottish highland dance
3504:jeté ordinaire/pas jeté
3447:
2566:; literally 'melted.')
2310:An autonomous scene of
1970:échappé sur les pointes
1634:
1599:rond de jambe en dehors
1512:rond de jambe en dedans
1121:
1069:(Literally 'chased.')
539:(ball of the foot), or
6936:Royal Academy of Dance
5886:
5881:
5876:
5871:
5866:
5861:
5856:
5851:
5846:
5841:
5836:
5831:
5826:
5821:
5816:
5811:
5806:
5801:
5796:
5791:
5786:
5781:
5776:
5771:
5766:
5761:
5684:
5571:
5432:
5399:[syʁləkudəpje]
5254:
5210:Second position (feet)
5068:Rond de jambe en l'air
5058:Rond de jambe attitude
5019:
4951:
4915:(battement) tendu jeté
4864:
4546:
4393:The part of classical
4367:
4321:
4234:
4092:
4028:
3816:
3751:
3704:, a dancer executes a
3644:
3549:Coupé jeté en tournant
3527:
3485:grand jeté en tournant
3227:
2697:
2604:
2554:
2505:
2290:The initial part of a
1837:
1613:to the side, and then
1580:in the French School.
1526:to the side, and then
1128:Italian pronunciation:
1066:
1002:tours chaînés déboulés
981:
944:
910:Italian pronunciation:
804:
620:
502:
465:
332:Italian pronunciation:
185:
180:
175:
170:
165:
160:
155:
150:
145:
140:
135:
130:
125:
120:
115:
110:
105:
100:
95:
90:
85:
80:
75:
70:
65:
60:
6714:Occupations and ranks
5678:
5617:French pronunciation:
5576:French pronunciation:
5569:
5551:French pronunciation:
5518:French pronunciation:
5486:French pronunciation:
5437:French pronunciation:
5427:
5395:French pronunciation:
5318:French pronunciation:
5293:French pronunciation:
5276:French pronunciation:
5259:French pronunciation:
5252:
5182:grande jété développé
5165:French pronunciation:
5140:French pronunciation:
5109:French pronunciation:
5028:[ʁɔ̃d(ə)ʒɑ̃b]
5024:French pronunciation:
5017:
4994:French pronunciation:
4977:French pronunciation:
4956:French pronunciation:
4949:
4907:battement relevé lent
4898:French pronunciation:
4869:French pronunciation:
4860:Relevé exercise at a
4859:
4841:French pronunciation:
4819:French pronunciation:
4798:French pronunciation:
4733:Positions of the feet
4660:Positions of the body
4544:
4536:Positions of the arms
4496:French pronunciation:
4440:French pronunciation:
4419:French pronunciation:
4372:French pronunciation:
4358:
4326:French pronunciation:
4319:
4239:French pronunciation:
4232:
4184:piqué turn/tour piqué
4141:French pronunciation:
4120:French pronunciation:
4097:French pronunciation:
4090:
4033:French pronunciation:
4026:
3981:French pronunciation:
3932:French pronunciation:
3901:[pɑdəʃ(ə)val]
3897:French pronunciation:
3883:"Russian" pas de chat
3851:('jump of the cat').
3821:French pronunciation:
3814:
3756:French pronunciation:
3746:
3674:French pronunciation:
3651:French pronunciation:
3601:French pronunciation:
3525:
3467:jeté / jeté ordinaire
3454:French pronunciation:
3247:, as opposed to from
3232:French pronunciation:
3222:
3133:French pronunciation:
3046:French pronunciation:
2951:French pronunciation:
2832:French pronunciation:
2702:French pronunciation:
2695:
2673:French pronunciation:
2609:French pronunciation:
2599:
2559:French pronunciation:
2552:
2530:French pronunciation:
2499:
2473:French pronunciation:
2458:First position (feet)
2416:French pronunciation:
2395:French pronunciation:
2373:French pronunciation:
2344:French pronunciation:
2279:French pronunciation:
2246:French pronunciation:
2100:French pronunciation:
2093:
2059:French pronunciation:
2022:French pronunciation:
1953:French pronunciation:
1909:French pronunciation:
1883:French pronunciation:
1842:French pronunciation:
1835:
1803:French pronunciation:
1785:can be designated as
1766:French pronunciation:
1748:can be designated as
1729:French pronunciation:
1704:French pronunciation:
1687:French pronunciation:
1670:[dəmidetuʁne]
1666:French pronunciation:
1641:French pronunciation:
1590:French pronunciation:
1554:French pronunciation:
1498:French pronunciation:
1473:French pronunciation:
1456:French pronunciation:
1439:French pronunciation:
1418:French pronunciation:
1396:French pronunciation:
1337:French pronunciation:
1291:French pronunciation:
1240:French pronunciation:
1211:French pronunciation:
1194:French pronunciation:
1177:French pronunciation:
1092:French pronunciation:
1064:
1025:French pronunciation:
993:French pronunciation:
979:
966:French pronunciation:
949:French pronunciation:
942:
889:French pronunciation:
867:French pronunciation:
846:French pronunciation:
829:French pronunciation:
802:
674:French pronunciation:
625:French pronunciation:
618:
585:French pronunciation:
553:French pronunciation:
507:French pronunciation:
500:
470:French pronunciation:
463:
434:French pronunciation:
396:French pronunciation:
272:French pronunciation:
247:[alakatʁijɛm]
243:French pronunciation:
226:French pronunciation:
7003:Ballet-related lists
6340:New York City Ballet
6034:Grant, Gail (1982).
5725:
5700:
5580:[tuʁzɑ̃lɛːʁ]
5428:Tendu exercise at a
5414:
5128:
4829:
4826:) Meaning 'fourth'.
4786:
4461:preparatory position
4444:[pɔʁd(ə)bʁa]
3990:fondu, relevé, elevé
3985:[pɑd(ə)vals]
3936:[pɑdəpwasɔ̃]
3830:Dance of the Cygnets
3760:[pɑd(ə)buʁe]
3678:[pɑd(ə)bask]
3620:
3589:
3572:
3442:
3429:
3305:improve this section
3181:improve this section
3093:improve this section
3006:improve this section
2911:improve this section
2792:improve this section
2746:
2383:
1897:
1574:battement tendu jeté
1522:back, then moves to
1443:[dɑ̃sœʁnɔbl]
1406:
929:
598:
339:; meaning 'happy')
214:
7013:Glossaries of dance
6894:Dance International
6430:General information
5951:merriam-webster.com
5490:[tɑ̃l(ə)ve]
5350:glissade en tourant
5312:Soutenu en tournant
5116:) Another name for
4823:[katʁijɛːm]
4174:is used instead of
3423:grand pas de quatre
3412:pièce de résistance
3399:grand pas classique
3355:pièce de résistance
3137:[ɡʁɑ̃plije]
3050:[ɡʁɑ̃tekaʁ]
2879:Glissade précipitée
2677:[fwɛteʒəte]
2008:, ending in either
1869:), or to the back (
1691:[dəmipwɛ̃t]
1619:pirouette en dehors
1535:pirouette en dedans
1155:grand coda générale
914:[braˈvuːra]
893:[bʁakʁwaze]
678:[balɑ̃swaʁ]
656:) or to the front (
589:[ɑ̃naʁjɛːʁ]
531:), or to the side (
336:[alˈleːɡro]
287:Italian, or French
230:[alasəɡɔ̃d]
6998:Ballet terminology
6926:Ballet and fashion
6921:(documentary film)
6202:. Human Kinetics.
5922:Dance basic topics
5685:
5572:
5502:sur le cou-de-pied
5433:
5389:Sur le cou-de-pied
5255:
5184:in other schools.
5020:
4998:[ʁəvɔltad]
4981:[ʁeveʁɑ̃s]
4952:
4902:[ʁəlvelɑ̃]
4865:
4845:[ʁɑ̃vɛʁse]
4547:
4368:
4322:
4235:
4124:[p(ə)tiso]
4093:
4029:
3825:[pɑd(ə)ʃa]
3817:
3752:
3714:demi rond de jambe
3689:) or with a jump (
3528:
3419:grand pas de trois
3392:grand pas d'action
3236:[ɡʁɑ̃ʒəte]
3228:
2698:
2605:
2600:Dancer performing
2555:
2534:[flikflak]
2506:
1838:
1228:sur le cou-de-pied
1067:
1019:Changement de pied
982:
953:[kabʁijɔl]
945:
805:
662:balancé en arrière
621:
503:
466:
260:quatrième derrière
36:ballet terminology
6985:
6984:
6887:Dance and Dancers
6842:Prix de Lausanne
6726:Character dancers
6209:978-0-88011-531-5
6182:978-1-4389-0100-8
5383:arabesque penchée
5280:[subʁəso]
5250:
5118:changement battu.
4507:and RAD. From a
4376:[ɑ̃pwɛ̃t]
3855:Grand pas de chat
3838:involves sixteen
3812:
3744:
3605:[uvɛʁ(t)]
3407:grand pas de deux
3341:
3340:
3333:
3217:
3216:
3209:
3129:
3128:
3121:
3042:
3041:
3034:
2968:glissade assemblé
2947:
2946:
2939:
2828:
2827:
2820:
2711:battement frappé.
2625:and waltz turns (
2570:Abbreviation for
2486:sissonne ouverte,
2377:[epolmɑ̃]
2250:[ɑ̃tʁəʃa]
2071:rotates 1/2 turn.
2063:[ɑ̃bwate]
1846:[devlɔpe]
1708:[dɛʁjɛːʁ]
1563:battement dégagé,
1502:[ɑ̃dədɑ̃]
1373:arabesque croisée
1215:[kudəpje]
1143:grand pas de deux
1101:grands battements
1062:
1029:[ʃɑ̃ʒmɑ̃]
687:grands battements
629:[balɑ̃se]
616:
557:[ɑ̃navɑ̃]
501:Attitude derrière
474:[asɑ̃ble]
461:
310:grand pas de deux
301:The section of a
32:became formalized
16:(Redirected from
7025:
6911:Related articles
6746:Principal dancer
6688:Pointe technique
6628:Ballet by region
6604:Narrative ballet
6528:Pièce d'occasion
6503:Entrée de ballet
6416:
6409:
6402:
6393:
6392:
6370:
6343:
6331:
6304:
6277:
6236:
6229:
6223:
6220:
6214:
6213:
6193:
6187:
6186:
6166:
6160:
6159:
6153:
6145:
6143:
6141:
6130:
6124:
6123:
6121:
6119:
6103:
6097:
6090:
6084:
6083:
6081:
6080:
6066:
6060:
6059:
6031:
6020:
6013:
6007:
6006:
5978:
5972:
5969:
5963:
5962:
5960:
5958:
5943:
5751:
5623:
5618:
5582:
5577:
5557:
5555:[tɑ̃lje]
5552:
5524:
5519:
5512:Temps levé sauté
5492:
5487:
5443:
5438:
5401:
5396:
5324:
5319:
5299:
5294:
5282:
5277:
5265:
5260:
5251:
5171:
5169:[sodəʃa]
5166:
5146:
5141:
5115:
5113:[ʁwajal]
5110:
5030:
5025:
5000:
4995:
4983:
4978:
4962:
4960:[ʁətiʁe]
4957:
4904:
4899:
4875:
4870:
4847:
4842:
4825:
4820:
4804:
4799:
4607:Fourth position
4505:Cecchetti school
4503:; A term of the
4502:
4497:
4467:could move from
4446:
4441:
4425:
4423:[pwasɔ̃]
4420:
4395:ballet technique
4388:Pointe technique
4378:
4373:
4332:
4327:
4250:and rising onto
4245:
4243:[piʁwɛt]
4240:
4147:
4142:
4129:temps levé sauté
4126:
4121:
4107:arabesque penché
4103:
4098:
4091:Arabesque penché
4039:
4034:
4006:
4005:
4004:
4003:
3987:
3982:
3949:temps de poisson
3938:
3933:
3903:
3898:
3827:
3822:
3813:
3762:
3757:
3745:
3680:
3675:
3657:
3652:
3607:
3602:
3543:jeté en tournant
3460:
3455:
3336:
3329:
3325:
3322:
3316:
3285:
3277:
3263:(backward), and
3238:
3233:
3212:
3205:
3201:
3198:
3192:
3161:
3153:
3139:
3134:
3124:
3117:
3113:
3110:
3104:
3073:
3065:
3052:
3047:
3037:
3030:
3026:
3023:
3017:
2986:
2978:
2957:
2952:
2942:
2935:
2931:
2928:
2922:
2891:
2883:
2838:
2836:[ɡlisad]
2833:
2823:
2816:
2812:
2809:
2803:
2772:
2764:
2708:
2703:
2679:
2674:
2615:
2610:
2565:
2560:
2536:
2531:
2479:
2474:
2422:
2417:
2401:
2396:
2379:
2374:
2361:second arabesque
2350:
2345:
2328:tragédie lyrique
2305:Entrée de ballet
2285:
2280:
2259:entrechat quatre
2252:
2247:
2106:
2101:
2065:
2060:
2028:
2023:
1959:
1954:
1915:
1913:[ekaʁte]
1910:
1889:
1884:
1865:), to the side (
1848:
1843:
1809:
1804:
1772:
1767:
1735:
1730:
1710:
1705:
1693:
1688:
1672:
1667:
1647:
1642:
1625:). Opposite of
1601:, starting from
1596:
1594:[ɑ̃dəɔʁ]
1591:
1578:battement glissé
1560:
1558:[deɡaʒe]
1555:
1514:, starting from
1504:
1499:
1479:
1477:[debule]
1474:
1462:
1460:[dɑ̃søz]
1457:
1445:
1440:
1424:
1422:[dɑ̃sœʁ]
1419:
1402:
1400:[ɑ̃kʁwɑ]
1397:
1343:
1341:[kʁwɑze]
1338:
1331:
1330:
1325:
1324:
1297:
1292:
1246:
1241:
1217:
1212:
1200:
1198:[dəkote]
1195:
1183:
1181:[kɔʁife]
1178:
1134:
1132:[ˈkoːda]
1129:
1098:
1096:[ɑ̃klɔʃ]
1093:
1063:
1031:
1026:
999:
994:
972:
970:[kɑ̃bʁe]
967:
955:
950:
916:
911:
895:
890:
873:
868:
852:
847:
835:
830:
732:Ballet technique
680:
675:
658:balancé en avant
631:
626:
617:
591:
586:
559:
554:
513:
511:[atityd]
508:
483:battement glissé
476:
471:
462:
440:
438:[aʁɔ̃di]
435:
402:
400:[alɔ̃ʒe]
397:
338:
333:
319:dance partnering
317:, that features
278:
273:
256:quatrième devant
249:
244:
232:
227:
50:
21:
7033:
7032:
7028:
7027:
7026:
7024:
7023:
7022:
7018:Human positions
6988:
6987:
6986:
6981:
6945:
6906:
6867:
6851:
6825:
6774:
6731:Corps de ballet
6709:
6659:
6623:
6619:Romantic ballet
6599:Grotesque dance
6569:Ballets de cour
6559:Ballet d'action
6552:Ballet by genre
6547:
6461:
6425:
6420:
6377:
6359:
6334:
6320:
6293:
6266:
6245:
6243:General sources
6240:
6239:
6230:
6226:
6221:
6217:
6210:
6194:
6190:
6183:
6175:. AuthorHouse.
6167:
6163:
6147:
6146:
6139:
6137:
6132:
6131:
6127:
6117:
6115:
6104:
6100:
6091:
6087:
6078:
6076:
6068:
6067:
6063:
6048:
6032:
6023:
6014:
6010:
5995:
5979:
5975:
5970:
5966:
5956:
5954:
5945:
5944:
5940:
5935:
5918:
5913:
5912:
5911:
5910:
5752:
5733:
5728:
5720:
5710:
5703:
5695:
5673:
5663:
5621:[tɔ̃be]
5616:
5613:
5601:Vaslav Nijinsky
5575:
5570:Tours en l'air.
5564:
5550:
5547:
5517:
5514:
5506:sissonne simple
5485:
5482:
5474:
5465:battement tendu
5441:[tɑ̃dy]
5436:
5422:
5417:
5409:petit battement
5394:
5391:
5367:
5317:
5314:
5292:
5289:
5275:
5272:
5263:[sisɔn]
5258:
5240:
5238:
5221:
5213:
5203:
5164:
5161:
5149:sauté arabesque
5139:
5136:
5131:
5108:
5105:
5090:grand battement
5076:second position
5023:
5012:
4993:
4990:
4976:
4973:
4955:
4944:
4897:
4894:
4873:[ʁəlve]
4868:
4854:
4840:
4837:
4832:
4818:
4815:
4797:
4794:
4789:
4773:
4771:Petit Battement
4764:
4752:fourth position
4744:second position
4736:
4726:écarté derrière
4714:croisé derrière
4710:épaulé derrière
4662:
4611:('crossed') or
4539:
4525:petit développé
4495:
4493:
4439:
4436:
4418:
4415:
4403:
4391:
4371:
4353:
4330:[plije]
4325:
4314:
4238:
4227:
4208:
4180:piqué arabesque
4150:battement piqué
4140:
4137:
4119:
4116:
4101:[pɑ̃ʃe]
4096:
4085:
4032:
4021:
4002:
3997:
3996:
3995:
3994:
3993:
3980:
3977:
3969:
3959:
3931:
3928:
3920:
3896:
3893:
3885:
3879:until landing.
3861:grand battement
3857:
3820:
3802:
3800:
3755:
3736:
3734:
3681:; 'step of the
3673:
3670:
3650:
3647:
3630:
3623:
3600:
3597:
3595:Ouvert, ouverte
3592:
3580:
3575:
3453:
3450:
3445:
3437:
3432:
3425:, respectively.
3377:corps de ballet
3350:corps de ballet
3337:
3326:
3320:
3317:
3302:
3286:
3275:
3259:(to the side),
3245:grand battement
3231:
3213:
3202:
3196:
3193:
3178:
3162:
3151:
3132:
3125:
3114:
3108:
3105:
3090:
3074:
3063:
3045:
3038:
3027:
3021:
3018:
3003:
2987:
2976:
2950:
2943:
2932:
2926:
2923:
2908:
2892:
2881:
2831:
2824:
2813:
2807:
2804:
2789:
2773:
2762:
2754:
2749:
2724:
2706:[fʁape]
2701:
2690:
2672:
2669:
2639:(pictured here
2613:[fwɛte]
2608:
2594:
2572:battement fondu
2563:[fɔ̃dy]
2558:
2547:
2529:
2526:
2494:
2482:sissonne fermée
2477:[fɛʁme]
2472:
2469:
2461:
2415:
2412:
2399:[ɑ̃fas]
2394:
2391:
2386:
2372:
2369:
2348:[epole]
2343:
2340:
2308:
2283:[ɑ̃tʁe]
2278:
2275:
2253:; from Italian
2245:
2242:
2235:
2224:
2213:
2202:
2188:
2174:
2163:
2152:
2141:
2099:
2096:
2081:) or backward (
2058:
2055:
2021:
2018:
2010:second position
2000:, springs onto
1957:[eʃape]
1952:
1949:
1937:écarté derrière
1929:écarté derrière
1908:
1905:
1900:
1882:
1879:
1851:temps développé
1841:
1830:
1807:[dəvɑ̃]
1802:
1799:
1765:
1762:
1728:
1725:
1717:battement tendu
1703:
1700:
1686:
1683:
1665:
1662:
1640:
1637:
1609:front, move to
1589:
1586:
1553:
1550:
1497:
1494:
1472:
1469:
1455:
1452:
1438:
1435:
1417:
1414:
1409:
1395:
1392:
1377:Croisé derrière
1361:croisé derrière
1336:
1333:
1328:
1327:
1322:
1321:
1290:
1287:
1239:
1236:
1226:), or wrapped (
1210:
1207:
1193:
1190:
1176:
1173:
1165:
1162:Corps de ballet
1127:
1124:
1091:
1088:
1054:
1052:
1024:
1021:
992:
989:
965:
962:
948:
937:
932:
923:
909:
906:
888:
885:
871:[bʁize]
866:
863:
845:
842:
833:[batʁi]
828:
825:
816:
797:
786:
777:
765:
743:
735:
725:danse classique
721:
711:
703:
673:
670:
654:balancé de côté
650:second position
624:
608:
606:
601:
584:
581:
552:
549:
506:
495:
469:
453:
451:
433:
430:
421:
411:
395:
392:
331:
328:
285:
271:
268:
242:
239:
225:
222:
217:
212:
211:
210:
209:
51:
40:French language
23:
22:
15:
12:
11:
5:
7031:
7021:
7020:
7015:
7010:
7005:
7000:
6983:
6982:
6980:
6979:
6974:
6969:
6964:
6959:
6954:
6950:
6947:
6946:
6944:
6943:
6938:
6933:
6928:
6923:
6914:
6912:
6908:
6907:
6905:
6904:
6897:
6890:
6883:
6875:
6873:
6869:
6868:
6866:
6865:
6863:Ballet Society
6859:
6857:
6853:
6852:
6850:
6849:
6844:
6839:
6833:
6831:
6827:
6826:
6824:
6823:
6818:
6813:
6808:
6803:
6798:
6793:
6788:
6782:
6780:
6779:Ballet apparel
6776:
6775:
6773:
6772:
6762:
6757:
6750:Danseur Étoile
6743:
6738:
6733:
6728:
6723:
6717:
6715:
6711:
6710:
6708:
6707:
6702:
6696:
6690:
6685:
6680:
6675:
6669:
6667:
6661:
6660:
6658:
6657:
6652:
6647:
6642:
6637:
6631:
6629:
6625:
6624:
6622:
6621:
6616:
6611:
6606:
6601:
6596:
6591:
6586:
6584:Comédie-ballet
6581:
6576:
6574:Chamber ballet
6571:
6566:
6561:
6555:
6553:
6549:
6548:
6546:
6545:
6540:
6535:
6530:
6525:
6520:
6515:
6510:
6505:
6500:
6498:Divertissement
6495:
6490:
6485:
6480:
6475:
6469:
6467:
6463:
6462:
6460:
6459:
6454:
6449:
6444:
6439:
6433:
6431:
6427:
6426:
6419:
6418:
6411:
6404:
6396:
6390:
6389:
6384:
6376:
6375:External links
6373:
6372:
6371:
6357:
6344:
6332:
6318:
6305:
6291:
6278:
6264:
6251:
6244:
6241:
6238:
6237:
6224:
6215:
6208:
6188:
6181:
6161:
6125:
6098:
6085:
6061:
6046:
6021:
6008:
5993:
5973:
5964:
5937:
5936:
5934:
5931:
5930:
5929:
5924:
5917:
5914:
5909:
5908:
5906:External links
5903:
5898:
5890:
5889:
5884:
5879:
5874:
5869:
5864:
5859:
5854:
5849:
5844:
5839:
5834:
5829:
5824:
5819:
5814:
5809:
5804:
5799:
5794:
5789:
5784:
5779:
5774:
5769:
5764:
5759:
5753:
5747:
5745:
5732:
5729:
5727:
5724:
5719:
5714:
5709:
5704:
5702:
5699:
5694:
5689:
5681:first position
5672:
5667:
5662:
5659:
5648:tombé en avant
5632:begins with a
5630:tombé en avant
5626:pas de bourrée
5612:
5609:
5605:tours en l'air
5563:
5562:Tours en l'air
5560:
5546:
5543:
5513:
5510:
5481:
5478:
5473:
5470:
5421:
5418:
5416:
5413:
5390:
5387:
5366:
5361:
5313:
5310:
5297:[susu]
5288:
5285:
5271:
5268:
5237:
5234:
5220:
5217:
5212:
5207:
5202:
5199:
5160:
5157:
5144:[sote]
5135:
5132:
5130:
5127:
5104:
5101:
5100:
5099:
5093:
5083:
5065:
5055:
5048:Rond de jambe
5033:first position
5011:
5008:
4989:
4986:
4972:
4969:
4943:
4940:
4893:
4890:
4853:
4850:
4836:
4833:
4831:
4828:
4814:
4811:
4802:[katʁ]
4793:
4790:
4788:
4785:
4772:
4769:
4763:
4760:
4756:fifth position
4748:third position
4740:first position
4735:
4730:
4670:à la quatrième
4661:
4658:
4657:
4656:
4653:
4648:Additionally:
4646:
4645:
4642:fifth en avant
4626:
4625:
4624:
4621:fifth en avant
4613:Spanish fourth
4598:fourth en haut
4586:
4585:
4584:
4581:
4567:
4563:
4559:
4538:
4533:
4500:[poze]
4492:
4489:
4455:('low') (i.e.
4435:
4432:
4414:
4411:
4402:
4399:
4390:
4385:
4352:
4349:
4313:
4310:
4226:
4221:
4207:
4204:
4196:posé arabesque
4145:[pike]
4136:
4133:
4115:
4112:
4084:
4081:
4037:[pɑse]
4020:
4017:
3998:
3976:
3973:
3968:
3963:
3958:
3953:
3927:
3926:Pas de poisson
3924:
3919:
3914:
3892:
3889:
3884:
3881:
3856:
3853:
3799:
3796:
3795:
3794:
3791:
3788:
3781:
3778:
3775:
3772:
3733:
3732:Pas de bourrée
3730:
3718:first position
3669:
3666:
3646:
3643:
3629:
3624:
3622:
3619:
3596:
3593:
3591:
3588:
3579:
3576:
3574:
3571:
3570:
3569:
3556:
3546:
3536:
3515:
3489:jeté entrelacé
3487:(Fr./Cecc.) /
3458:[ʒəte]
3449:
3446:
3444:
3441:
3436:
3433:
3431:
3428:
3427:
3426:
3415:
3410:serves as the
3402:
3395:
3339:
3338:
3289:
3287:
3280:
3274:
3269:
3215:
3214:
3165:
3163:
3156:
3150:
3147:
3127:
3126:
3077:
3075:
3068:
3062:
3059:
3040:
3039:
2990:
2988:
2981:
2975:
2972:
2945:
2944:
2895:
2893:
2886:
2880:
2877:
2826:
2825:
2776:
2774:
2767:
2761:
2758:
2753:
2750:
2748:
2745:
2723:
2722:Fifth position
2720:
2689:
2686:
2668:
2665:
2593:
2588:
2587:
2586:
2583:
2546:
2543:
2525:
2522:
2493:
2490:
2468:
2465:
2460:
2455:
2420:[faji]
2411:
2408:
2390:
2387:
2385:
2382:
2368:
2365:
2339:
2336:
2320:comédie-ballet
2316:divertissement
2312:ballet de cour
2307:
2302:
2301:
2300:
2297:
2274:
2271:
2267:entrechat cinq
2234:
2231:
2223:
2220:
2212:
2209:
2201:
2198:
2187:
2184:
2173:
2170:
2162:
2159:
2151:
2148:
2140:
2137:
2095:
2092:
2091:
2090:
2086:
2075:
2072:
2054:
2051:
2026:[elve]
2017:
2014:
1986:first position
1948:
1945:
1904:
1901:
1899:
1896:
1887:[dubl]
1878:
1875:
1829:
1826:
1798:
1795:
1779:pas de bourrée
1770:[dəsy]
1761:
1758:
1742:pas de bourrée
1733:[dəsu]
1724:
1721:
1699:
1696:
1682:
1679:
1661:
1658:
1645:[dəmi]
1636:
1633:
1603:first position
1585:
1582:
1549:
1546:
1545:
1544:
1531:
1516:first position
1493:
1490:
1468:
1465:
1451:
1448:
1434:
1431:
1413:
1410:
1408:
1405:
1391:
1388:
1332:
1319:
1309:pas de bourrée
1295:[kuʁy]
1286:
1283:
1244:[kupe]
1235:
1232:
1206:
1203:
1189:
1186:
1172:
1169:
1164:
1159:
1123:
1120:
1107:. Similar to
1087:
1084:
1083:
1082:
1079:
1051:
1046:
1020:
1017:
1006:first position
997:[ʃɛne]
988:
983:
961:
958:
936:
933:
931:
928:
922:
919:
905:
902:
884:
881:
862:
859:
850:[baty]
841:
838:
824:
821:
815:
810:
796:
791:
785:
782:
776:
773:
764:
759:
742:
739:
734:
729:
720:
715:
710:
707:
702:
699:
683:first position
669:
666:
605:
602:
600:
597:
580:
577:
548:
545:
494:
491:
450:
447:
429:
426:
420:
415:
410:
405:
391:
388:
387:
386:
383:
380:
327:
324:
323:
322:
299:
296:
284:
281:
276:[atɛʁ]
267:
264:
238:
237:À la quatrième
235:
221:
218:
216:
213:
208:
207:
205:External links
202:
197:
189:
188:
183:
178:
173:
168:
163:
158:
153:
148:
143:
138:
133:
128:
123:
118:
113:
108:
103:
98:
93:
88:
83:
78:
73:
68:
63:
58:
52:
46:
44:
9:
6:
4:
3:
2:
7030:
7019:
7016:
7014:
7011:
7009:
7006:
7004:
7001:
6999:
6996:
6995:
6993:
6978:
6975:
6973:
6970:
6968:
6965:
6963:
6960:
6958:
6955:
6952:
6951:
6948:
6942:
6939:
6937:
6934:
6932:
6929:
6927:
6924:
6922:
6920:
6916:
6915:
6913:
6909:
6903:
6902:
6898:
6896:
6895:
6891:
6889:
6888:
6884:
6882:
6881:
6880:Ballet Review
6877:
6876:
6874:
6870:
6864:
6861:
6860:
6858:
6856:Organisations
6854:
6848:
6845:
6843:
6840:
6838:
6835:
6834:
6832:
6828:
6822:
6819:
6817:
6814:
6812:
6809:
6807:
6804:
6802:
6799:
6797:
6794:
6792:
6789:
6787:
6784:
6783:
6781:
6777:
6770:
6766:
6765:Ballet master
6763:
6761:
6758:
6755:
6754:Danseur noble
6751:
6747:
6744:
6742:
6739:
6737:
6734:
6732:
6729:
6727:
6724:
6722:
6721:Ballet dancer
6719:
6718:
6716:
6712:
6706:
6703:
6700:
6697:
6694:
6691:
6689:
6686:
6684:
6681:
6679:
6676:
6674:
6671:
6670:
6668:
6666:
6662:
6656:
6653:
6651:
6648:
6646:
6643:
6641:
6638:
6636:
6633:
6632:
6630:
6626:
6620:
6617:
6615:
6612:
6610:
6607:
6605:
6602:
6600:
6597:
6595:
6592:
6590:
6587:
6585:
6582:
6580:
6577:
6575:
6572:
6570:
6567:
6565:
6562:
6560:
6557:
6556:
6554:
6550:
6544:
6541:
6539:
6536:
6534:
6531:
6529:
6526:
6524:
6521:
6519:
6518:Pas de quatre
6516:
6514:
6511:
6509:
6506:
6504:
6501:
6499:
6496:
6494:
6491:
6489:
6486:
6484:
6481:
6479:
6476:
6474:
6471:
6470:
6468:
6464:
6458:
6455:
6453:
6450:
6448:
6445:
6443:
6440:
6438:
6435:
6434:
6432:
6428:
6424:
6417:
6412:
6410:
6405:
6403:
6398:
6397:
6394:
6388:
6385:
6382:
6379:
6378:
6368:
6364:
6360:
6358:0-9524848-0-3
6354:
6350:
6345:
6341:
6337:
6333:
6329:
6325:
6321:
6319:0-7432-6407-X
6315:
6311:
6306:
6302:
6298:
6294:
6292:0-306-80094-2
6288:
6284:
6279:
6275:
6271:
6267:
6265:0-486-23223-9
6261:
6257:
6252:
6250:
6247:
6246:
6234:
6231:Grant, Gail.
6228:
6219:
6211:
6205:
6201:
6200:
6192:
6184:
6178:
6174:
6173:
6165:
6157:
6151:
6135:
6129:
6113:
6109:
6102:
6095:
6092:Grant, Gail.
6089:
6075:
6071:
6065:
6057:
6053:
6049:
6047:0-486-21843-0
6043:
6039:
6038:
6030:
6028:
6026:
6018:
6012:
6004:
6000:
5996:
5994:0-486-22036-2
5990:
5986:
5985:
5977:
5968:
5952:
5948:
5947:"Balletomane"
5942:
5938:
5928:
5925:
5923:
5920:
5919:
5907:
5904:
5902:
5899:
5897:
5894:
5893:
5892:
5888:
5885:
5883:
5880:
5878:
5875:
5873:
5870:
5868:
5865:
5863:
5860:
5858:
5855:
5853:
5850:
5848:
5845:
5843:
5840:
5838:
5835:
5833:
5830:
5828:
5825:
5823:
5820:
5818:
5815:
5813:
5810:
5808:
5805:
5803:
5800:
5798:
5795:
5793:
5790:
5788:
5785:
5783:
5780:
5778:
5775:
5773:
5770:
5768:
5765:
5763:
5760:
5758:
5755:
5754:
5744:
5742:
5738:
5723:
5718:
5713:
5708:
5698:
5693:
5688:
5682:
5677:
5671:
5666:
5658:
5656:
5651:
5649:
5644:
5639:
5635:
5631:
5627:
5622:
5608:
5606:
5602:
5598:
5594:
5590:
5586:
5581:
5568:
5559:
5556:
5542:
5540:
5536:
5532:
5528:
5523:
5509:
5507:
5503:
5498:
5496:
5491:
5477:
5469:
5467:
5466:
5461:
5457:
5456:
5450:
5449:
5442:
5431:
5426:
5412:
5410:
5405:
5400:
5386:
5384:
5380:
5376:
5372:
5365:
5360:
5358:
5353:
5351:
5347:
5342:
5340:
5336:
5332:
5328:
5323:
5309:
5307:
5303:
5298:
5284:
5281:
5267:
5264:
5233:
5231:
5227:
5216:
5211:
5206:
5198:
5196:
5195:
5190:
5185:
5183:
5179:
5175:
5170:
5156:
5154:
5150:
5145:
5126:
5123:
5119:
5114:
5097:
5094:
5091:
5087:
5084:
5081:
5077:
5073:
5069:
5066:
5063:
5059:
5056:
5053:
5051:
5046:
5045:
5044:
5042:
5038:
5034:
5029:
5018:Rond de jambe
5016:
5010:Rond de jambe
5007:
5004:
4999:
4985:
4982:
4968:
4966:
4961:
4948:
4939:
4937:
4933:
4929:
4928:
4922:
4921:
4916:
4912:
4908:
4903:
4889:
4887:
4883:
4879:
4874:
4863:
4858:
4849:
4846:
4827:
4824:
4810:
4808:
4807:pas de quatre
4803:
4784:
4782:
4778:
4768:
4759:
4757:
4753:
4749:
4745:
4741:
4734:
4729:
4727:
4723:
4722:écarté devant
4719:
4715:
4711:
4707:
4703:
4699:
4695:
4691:
4687:
4683:
4679:
4675:
4671:
4667:
4654:
4651:
4650:
4649:
4643:
4639:
4635:
4631:
4630:fifth en haut
4627:
4622:
4618:
4614:
4610:
4606:
4605:
4603:
4599:
4595:
4591:
4587:
4582:
4579:
4575:
4574:
4572:
4568:
4564:
4560:
4557:
4556:
4555:
4551:
4543:
4537:
4532:
4530:
4526:
4522:
4518:
4514:
4510:
4506:
4501:
4488:
4486:
4481:
4476:
4474:
4470:
4466:
4462:
4458:
4454:
4450:
4445:
4431:
4429:
4424:
4410:
4408:
4398:
4396:
4389:
4384:
4382:
4377:
4366:
4362:
4357:
4348:
4346:
4341:
4339:
4334:
4331:
4318:
4309:
4307:
4302:
4300:
4296:
4292:
4288:
4284:
4283:
4278:
4277:
4272:
4268:
4264:
4262:
4257:
4253:
4249:
4244:
4231:
4225:
4220:
4218:
4213:
4203:
4201:
4197:
4193:
4189:
4185:
4181:
4177:
4173:
4168:
4166:
4165:
4159:
4155:
4151:
4146:
4132:
4130:
4125:
4111:
4109:
4108:
4102:
4089:
4080:
4079:
4078:chassé passé.
4075:
4071:
4067:
4063:
4059:
4055:
4051:
4047:
4043:
4038:
4025:
4016:
4014:
4010:
4001:
3991:
3986:
3972:
3967:
3962:
3957:
3956:Pas de quatre
3952:
3950:
3946:
3942:
3937:
3923:
3918:
3913:
3911:
3910:pointe tendue
3907:
3902:
3891:Pas de cheval
3888:
3880:
3878:
3874:
3871:(an "Italian
3870:
3866:
3862:
3852:
3850:
3849:
3843:
3841:
3837:
3836:
3831:
3826:
3792:
3789:
3786:
3782:
3779:
3776:
3773:
3770:
3769:
3768:
3766:
3761:
3749:
3729:
3727:
3723:
3719:
3715:
3711:
3707:
3703:
3698:
3696:
3692:
3688:
3684:
3679:
3668:Pas de basque
3665:
3663:
3662:
3656:
3642:
3640:
3636:
3628:
3618:
3615:
3612:('closed').
3611:
3606:
3587:
3583:
3567:
3566:
3560:
3557:
3554:
3550:
3547:
3544:
3540:
3537:
3534:
3533:
3524:
3519:
3516:
3513:
3509:
3505:
3501:
3498:
3497:
3496:
3494:
3490:
3486:
3482:
3478:
3477:
3472:
3468:
3464:
3459:
3440:
3424:
3420:
3416:
3413:
3409:
3408:
3403:
3400:
3396:
3393:
3389:
3388:
3387:
3384:
3382:
3378:
3374:
3373:
3368:
3367:
3362:
3361:
3356:
3352:
3351:
3346:
3345:demi-soloists
3335:
3332:
3324:
3314:
3310:
3306:
3300:
3299:
3295:
3290:This section
3288:
3284:
3279:
3278:
3273:
3268:
3266:
3262:
3258:
3254:
3250:
3246:
3242:
3237:
3226:
3221:
3211:
3208:
3200:
3190:
3186:
3182:
3176:
3175:
3171:
3166:This section
3164:
3160:
3155:
3154:
3146:
3143:
3138:
3123:
3120:
3112:
3102:
3098:
3094:
3088:
3087:
3083:
3078:This section
3076:
3072:
3067:
3066:
3058:
3056:
3051:
3036:
3033:
3025:
3015:
3011:
3007:
3001:
3000:
2996:
2991:This section
2989:
2985:
2980:
2979:
2971:
2969:
2965:
2964:glissade jeté
2961:
2956:
2941:
2938:
2930:
2920:
2916:
2912:
2906:
2905:
2901:
2896:This section
2894:
2890:
2885:
2884:
2876:
2874:
2870:
2866:
2862:
2858:
2854:
2850:
2846:
2842:
2837:
2822:
2819:
2811:
2801:
2797:
2793:
2787:
2786:
2782:
2777:This section
2775:
2771:
2766:
2765:
2757:
2744:
2742:
2738:
2734:
2730:
2719:
2715:
2712:
2707:
2694:
2685:
2683:
2678:
2664:
2662:
2658:
2654:
2650:
2646:
2642:
2638:
2634:
2630:
2628:
2624:
2619:
2614:
2603:
2598:
2592:
2584:
2581:
2577:
2573:
2569:
2568:
2567:
2564:
2551:
2542:
2540:
2535:
2521:
2519:
2515:
2511:
2508:A partnering
2503:
2498:
2489:
2487:
2483:
2478:
2467:Fermé, fermée
2464:
2459:
2454:
2452:
2451:
2447:phrased with
2446:
2442:
2438:
2434:
2430:
2426:
2421:
2407:
2405:
2400:
2381:
2378:
2364:
2362:
2358:
2354:
2349:
2335:
2333:
2329:
2325:
2321:
2317:
2313:
2306:
2298:
2295:
2294:
2289:
2288:
2287:
2284:
2270:
2268:
2264:
2263:entrechat six
2260:
2256:
2251:
2240:
2230:
2229:
2219:
2218:
2208:
2207:
2197:
2194:
2193:
2183:
2180:
2179:
2169:
2168:
2158:
2157:
2147:
2146:
2136:
2134:
2130:
2126:
2122:
2118:
2114:
2110:
2105:
2087:
2084:
2080:
2076:
2073:
2069:
2068:
2067:
2064:
2050:
2048:
2044:
2040:
2036:
2032:
2027:
2013:
2011:
2007:
2003:
1999:
1995:
1991:
1987:
1983:
1979:
1978:échappé sauté
1975:
1971:
1967:
1966:échappé sauté
1963:
1958:
1944:
1942:
1938:
1934:
1933:écarté devant
1930:
1925:
1923:
1919:
1914:
1895:
1893:
1888:
1874:
1872:
1868:
1864:
1860:
1856:
1852:
1847:
1834:
1825:
1823:
1821:
1816:
1814:
1808:
1794:
1792:
1788:
1784:
1780:
1776:
1771:
1757:
1755:
1751:
1747:
1743:
1739:
1734:
1720:
1719:to the rear.
1718:
1714:
1709:
1695:
1692:
1678:
1676:
1671:
1660:Demi-détourné
1657:
1655:
1651:
1646:
1632:
1630:
1629:
1624:
1620:
1616:
1612:
1608:
1604:
1600:
1595:
1581:
1579:
1575:
1570:
1568:
1564:
1559:
1542:
1541:
1536:
1532:
1529:
1525:
1521:
1517:
1513:
1508:
1507:
1506:
1503:
1489:
1487:
1483:
1478:
1464:
1461:
1447:
1444:
1433:Danseur noble
1430:
1428:
1427:ballet dancer
1423:
1404:
1401:
1387:
1385:
1380:
1378:
1374:
1370:
1366:
1362:
1357:
1356:croisé devant
1353:
1349:
1347:
1342:
1318:
1316:
1313:(also called
1312:
1310:
1305:
1301:
1296:
1282:
1280:
1276:
1271:
1269:
1264:
1262:
1258:
1254:
1250:
1245:
1231:
1229:
1225:
1221:
1216:
1202:
1199:
1185:
1182:
1168:
1163:
1158:
1157:may be used.
1156:
1152:
1151:coda générale
1148:
1144:
1140:
1139:
1133:
1119:
1117:
1112:
1110:
1106:
1102:
1097:
1080:
1077:
1072:
1071:
1070:
1050:
1045:
1043:
1039:
1035:
1030:
1016:
1014:
1010:
1007:
1003:
998:
987:
978:
974:
971:
957:
954:
941:
927:
918:
915:
901:
899:
894:
880:
877:
872:
858:
856:
851:
837:
834:
820:
814:
809:
801:
795:
790:
781:
772:
770:
763:
758:
756:
752:
748:
738:
733:
728:
726:
719:
714:
706:
698:
696:
692:
688:
684:
679:
665:
663:
659:
655:
651:
647:
643:
639:
635:
630:
596:
595:
590:
576:
574:
572:
567:
563:
558:
544:
542:
538:
534:
530:
527:), in front (
526:
521:
517:
512:
499:
490:
488:
484:
480:
475:
446:
444:
439:
425:
419:
414:
409:
404:
401:
384:
381:
378:
377:
372:
371:
366:
365:
360:
359:
354:
353:
348:
347:
342:
341:
340:
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320:
316:
312:
311:
306:
305:
300:
297:
294:
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280:
277:
263:
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257:
253:
248:
234:
231:
206:
203:
201:
198:
196:
193:
192:
191:
187:
184:
182:
179:
177:
174:
172:
169:
167:
164:
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159:
157:
154:
152:
149:
147:
144:
142:
139:
137:
134:
132:
129:
127:
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122:
119:
117:
114:
112:
109:
107:
104:
102:
99:
97:
94:
92:
89:
87:
84:
82:
79:
77:
74:
72:
69:
67:
64:
62:
59:
57:
54:
53:
43:
41:
37:
33:
30:
19:
6931:Choreography
6918:
6899:
6892:
6885:
6878:
6872:Publications
6736:Demi-soloist
6678:Bournonville
6614:Opéra-ballet
6609:Neoclassical
6594:Comic ballet
6589:Contemporary
6564:Ballet blanc
6523:Pas de trois
6441:
6348:
6338:. New York:
6335:
6309:
6282:
6255:
6232:
6227:
6218:
6198:
6191:
6171:
6164:
6138:. Retrieved
6128:
6116:. Retrieved
6114:. London, UK
6111:
6101:
6093:
6088:
6077:. Retrieved
6073:
6064:
6036:
6016:
6011:
5983:
5976:
5967:
5957:December 23,
5955:. Retrieved
5950:
5941:
5891:
5740:
5734:
5721:
5711:
5696:
5686:
5664:
5654:
5652:
5647:
5642:
5633:
5629:
5625:
5614:
5604:
5596:
5588:
5584:
5573:
5548:
5538:
5534:
5530:
5526:
5515:
5505:
5501:
5499:
5494:
5483:
5475:
5464:
5459:
5452:
5445:
5434:
5403:
5392:
5374:
5370:
5368:
5356:
5354:
5349:
5345:
5343:
5338:
5334:
5330:
5326:
5315:
5305:
5290:
5273:
5256:
5229:
5225:
5222:
5214:
5204:
5192:
5189:saut de chat
5188:
5186:
5181:
5174:saut de chat
5173:
5162:
5159:Saut de chat
5152:
5148:
5137:
5117:
5106:
5095:
5089:
5085:
5072:à la seconde
5071:
5067:
5057:
5047:
5040:
5036:
5021:
4991:
4974:
4964:
4953:
4936:demi-hauteur
4935:
4932:à la hauteur
4931:
4924:
4918:
4914:
4906:
4895:
4881:
4877:
4866:
4838:
4816:
4806:
4795:
4774:
4765:
4737:
4725:
4721:
4717:
4713:
4709:
4705:
4701:
4697:
4693:
4689:
4678:à la seconde
4663:
4647:
4641:
4638:fifth en bas
4637:
4633:
4629:
4620:
4616:
4612:
4608:
4601:
4597:
4593:
4589:
4578:demi-seconde
4577:
4570:
4552:
4548:
4524:
4520:
4516:
4512:
4508:
4494:
4480:port de bras
4479:
4477:
4472:
4468:
4465:port de bras
4464:
4460:
4456:
4452:
4449:port de bras
4448:
4437:
4434:Port de bras
4416:
4407:pointe shoes
4404:
4392:
4381:pointe shoes
4369:
4360:
4344:
4342:
4337:
4335:
4323:
4305:
4303:
4298:
4294:
4286:
4280:
4274:
4270:
4259:
4255:
4251:
4247:
4236:
4216:
4211:
4209:
4199:
4195:
4194:= RAD/Cecc.
4191:
4187:
4183:
4179:
4175:
4169:
4161:
4157:
4153:
4149:
4138:
4128:
4117:
4105:
4094:
4077:
4069:
4061:
4057:
4053:
4049:
4046:Retiré passé
4045:
4042:retiré passé
4041:
4030:
4008:
3999:
3989:
3978:
3975:Pas de valse
3970:
3966:Pas de trois
3960:
3948:
3944:
3940:
3929:
3921:
3909:
3905:
3894:
3886:
3876:
3872:
3868:
3864:
3860:
3858:
3848:saut de chat
3846:
3844:
3839:
3833:
3818:
3784:
3753:
3725:
3722:chassé passé
3721:
3713:
3709:
3705:
3701:
3699:
3690:
3686:
3671:
3659:
3655:[pɑ]
3648:
3631:
3613:
3609:
3598:
3584:
3581:
3562:
3558:
3552:
3548:
3542:
3538:
3530:
3517:
3511:
3503:
3499:
3492:
3488:
3484:
3480:
3474:
3470:
3466:
3465:, including
3462:
3451:
3438:
3422:
3418:
3411:
3405:
3398:
3391:
3385:
3380:
3376:
3370:
3364:
3358:
3348:
3342:
3327:
3321:January 2022
3318:
3303:Please help
3291:
3264:
3260:
3257:à la seconde
3256:
3252:
3248:
3244:
3240:
3229:
3224:
3203:
3197:January 2022
3194:
3179:Please help
3167:
3141:
3130:
3115:
3109:January 2022
3106:
3091:Please help
3079:
3043:
3028:
3022:January 2022
3019:
3004:Please help
2992:
2967:
2963:
2959:
2948:
2933:
2927:January 2022
2924:
2909:Please help
2897:
2868:
2864:
2860:
2856:
2855:can be done
2852:
2840:
2829:
2814:
2808:January 2022
2805:
2790:Please help
2778:
2755:
2752:Gargouillade
2725:
2716:
2710:
2699:
2681:
2670:
2667:Fouetté jeté
2660:
2656:
2645:fouetté turn
2644:
2640:
2636:
2632:
2631:
2626:
2617:
2606:
2601:
2579:
2575:
2571:
2556:
2538:
2527:
2507:
2501:
2485:
2481:
2470:
2462:
2448:
2444:
2440:
2437:chassé passé
2436:
2432:
2428:
2424:
2413:
2403:
2392:
2370:
2356:
2352:
2341:
2324:opéra-ballet
2309:
2291:
2276:
2266:
2262:
2258:
2254:
2243:
2225:
2214:
2203:
2195:
2189:
2181:
2175:
2164:
2153:
2142:
2132:
2128:
2124:
2120:
2116:
2112:
2108:
2104:[ɑ̃]
2097:
2082:
2078:
2056:
2046:
2034:
2030:
2019:
2006:demi-pointes
2005:
2001:
1997:
1993:
1989:
1981:
1977:
1974:demi-pointes
1973:
1969:
1965:
1961:
1950:
1940:
1936:
1932:
1928:
1926:
1921:
1917:
1906:
1891:
1880:
1870:
1867:à la seconde
1866:
1862:
1858:
1850:
1839:
1818:
1811:
1800:
1790:
1786:
1782:
1778:
1774:
1763:
1753:
1749:
1745:
1741:
1737:
1726:
1716:
1712:
1701:
1684:
1674:
1663:
1653:
1649:
1638:
1626:
1623:retiré passé
1622:
1618:
1614:
1610:
1606:
1598:
1587:
1577:
1573:
1571:
1562:
1551:
1538:
1534:
1527:
1523:
1519:
1511:
1495:
1485:
1470:
1453:
1436:
1415:
1393:
1383:
1382:Examples of
1381:
1376:
1372:
1360:
1355:
1351:
1350:
1345:
1334:
1317:for short).
1307:
1288:
1278:
1275:cou-de-pied,
1274:
1272:
1267:
1265:
1260:
1256:
1252:
1248:
1237:
1227:
1223:
1219:
1208:
1191:
1174:
1166:
1154:
1150:
1146:
1136:
1125:
1115:
1113:
1089:
1075:
1068:
1041:
1040:indicates a
1037:
1033:
1022:
1001:
990:
963:
946:
924:
907:
897:
886:
875:
864:
854:
843:
826:
817:
806:
787:
778:
768:
766:
750:
749:coming from
746:
744:
736:
724:
722:
712:
704:
690:
686:
671:
661:
657:
653:
645:
641:
637:
633:
622:
593:
582:
569:
565:
561:
550:
533:à la seconde
532:
528:
524:
519:
515:
504:
486:
482:
479:pas assemblé
478:
467:
442:
431:
422:
412:
393:
375:
369:
363:
357:
351:
345:
329:
314:
308:
302:
288:
286:
269:
259:
255:
251:
240:
223:
220:À la seconde
190:
35:
26:
7008:Dance moves
6806:Pointe shoe
6786:Ballet shoe
6635:Azerbaijani
6513:Pas de deux
6466:Terminology
5737:waltz music
5683:of the feet
5679:Turnout in
5661:Triple Runs
5595:. A single
5404:cou-de-pied
5230:demi-pointe
5194:pas de chat
5178:grande jété
4892:Relevé lent
4880:) or toes (
4878:demi-pointe
4521:cou-de-pied
4517:demi-pointe
4478:The phrase
4401:Pointe work
4365:pointe shoe
4252:demi-pointe
4192:tour dégagé
4158:demi-pointe
4009:en tournant
3917:Pas de deux
3906:cou-de-pied
3873:pas de chat
3865:pas de chat
3863:(a "French
3840:pas de chat
3815:Pas de chat
3798:Pas de chat
3763:; 'step of
3635:pas de deux
3563:changement
3526:Grand jeté.
3366:grand adage
3265:en tournant
3255:(forward),
3241:grand écart
2974:Grand écart
2733:changements
2657:demi-pointe
2514:pas de deux
2255:intrecciata
2035:demi-pointe
2002:les pointes
1681:Demi-pointe
1304:demi-pointe
1253:cou-de-pied
1249:cou-de-pied
1222:), behind (
1205:Cou-de-pied
1013:demi-pointe
883:Bras croisé
741:Balletomane
660:) or rear (
579:Arrière, en
537:demi-pointe
315:grand adage
6992:Categories
6962:Characters
6796:Leg warmer
6791:Dance belt
6769:Répétiteur
6673:Balanchine
6383:at Esmeree
6140:August 13,
6079:2021-01-13
5901:References
5539:temps levé
5480:Temps levé
5379:grand jeté
5270:Soubresaut
5122:changement
5052:/par terre
4762:Pulling Up
4602:grand bras
4571:petit bras
4529:tour piqué
4363:foot in a
4351:Pointe, en
4345:grand plié
4217:lame ducks
4212:tour piqué
4206:Piqué turn
4114:Petit saut
3941:soubresaut
3748:Jazz dance
3639:pirouettes
3627:Partnering
3559:Petit jeté
3532:grand jeté
3518:Grand jeté
3512:petit jeté
3476:grand jeté
3261:en arrière
3225:grand jeté
3149:Grand jeté
3061:Grand plié
2873:changement
2861:en arrière
2729:pirouettes
2623:tour jetés
2520:position.
2510:dance lift
2367:Épaulement
2353:épaulement
2150:En arrière
2125:en arrière
2083:en arrière
1584:Dehors, en
1492:Dedans, en
1346:épaulement
1147:grand coda
1109:Balançoire
1086:Cloche, en
1042:changement
855:jeté battu
668:Balançoire
562:en arrière
516:supporting
376:soubresaut
352:changement
200:References
38:is in the
6967:Companies
6699:Positions
6693:Positions
6683:Cecchetti
6665:Technique
6579:Classical
6543:Variation
6508:Grand pas
6493:Battement
6478:Arabesque
6003:439604642
5933:Citations
5707:Variation
5593:variation
5589:arabesque
5545:Temps lié
5527:demi-plié
5495:demi-plié
5335:demi-plié
5287:Sous-sous
5253:Sissonnes
5226:en pointe
5153:arabesque
4988:Revoltade
4971:Révérence
4965:développé
4927:développé
4813:Quatrième
4777:battement
4513:en pointe
4428:fish dive
4361:en pointe
4338:demi-plié
4320:Demi-plié
4295:arabesque
4287:En dehors
4282:en dedans
4276:en dehors
4224:Pirouette
4190:) / Rus.
4188:en dedans
4164:arabesque
4154:en pointe
4062:développé
4054:arabesque
4050:pirouette
3945:demi-plié
3869:développé
3835:Swan Lake
3661:grand pas
3553:en manège
3539:Tour jeté
3481:tour jeté
3435:Hortensia
3381:ballabile
3292:does not
3272:Grand pas
3249:développé
3168:does not
3140:) A full
3080:does not
2993:does not
2898:does not
2875:of feet.
2841:demi-plié
2779:does not
2641:en dehors
2524:Flic flac
2502:fish dive
2492:Fish dive
2450:arabesque
2293:grand pas
2239:EncroChat
2233:Entrechat
2222:En pointe
2200:En dehors
2186:En dedans
2161:En cloche
2133:en dehors
2129:en dedans
2117:en pointe
2113:en relevé
1990:demi-plié
1836:Développé
1828:Développé
1675:en dedans
1628:en dedans
1540:en dehors
1425:) A male
1390:Croix, en
1369:arabesque
1251:front to
1138:grand pas
1116:en cloche
1105:attitudes
1009:en pointe
813:Battement
709:Ballerino
701:Ballerina
695:en cloche
691:attitudes
594:en avant.
547:Avant, en
541:en pointe
418:Arabesque
358:entrechat
304:grand pas
18:En dedans
6705:Vaganova
6457:Timeline
6442:Glossary
6367:39625207
6328:58831597
6150:cite web
6112:Guardian
5916:See also
5896:See also
5750:Contents
5739:, as in
5717:Virtuoso
5585:attitude
5460:en l'air
5371:straddle
5357:détourné
5306:sus-sous
5236:Sissonne
5062:attitude
4925:(temps)
4835:Renversé
4457:bras bas
4306:parallel
4299:attitude
4291:Spotting
4182:and ABT
4070:sissonne
4058:attitude
3787:sequence
3610:fermé(e)
3483:(ABT) /
3473:(Rus.),
3471:pas jeté
3469:(RAD) /
3369:, and a
3253:en avant
2960:glissade
2857:en avant
2853:glissade
2760:Glissade
2433:sissonne
2389:Face, en
2332:scenario
2172:En croix
2139:En avant
2121:en avant
2079:en avant
1976:. In an
1962:échappés
1941:en haut,
1918:en l'air
1871:derrière
1859:attitude
1820:attitude
1783:glissade
1775:assemblé
1746:glissade
1738:assemblé
1698:Derrière
1467:Déboulés
1450:Danseuse
1224:derrière
1188:Côté, de
1171:Coryphée
935:Cabriole
898:en avant
876:assemblé
823:Batterie
784:Ballotté
775:Ballonné
573:en avant
571:sissonne
566:en avant
525:derrière
493:Attitude
464:Assemblé
449:Assemblé
370:sissonne
346:assemblé
195:See also
49:Contents
27:Because
6977:Schools
6972:Dancers
6957:Ballets
6821:Unitard
6801:Leotard
6741:Soloist
6655:Russian
6650:Italian
6640:British
6538:Turnout
6447:History
6437:Company
6342:. 2010.
6301:4515340
6274:2304002
6118:12 June
6056:8756882
5670:Turnout
5455:à terre
5331:soutenu
5201:Scáfuri
5050:à terre
5003:bravura
4967:front.
4634:en haut
4617:en haut
4594:en haut
4566:school.
4562:height.
4473:en haut
4413:Poisson
4271:seconde
4060:(as in
4013:balancé
3765:bourrée
3683:Basques
3578:Manèges
3565:emboîté
3313:removed
3298:sources
3189:removed
3174:sources
3101:removed
3086:sources
3014:removed
2999:sources
2919:removed
2904:sources
2865:dessous
2800:removed
2785:sources
2737:frappés
2682:fouetté
2633:Fouetté
2618:Fouetté
2591:Fouetté
2518:poisson
2404:En face
2357:allongé
2326:, even
2211:En face
2156:Arrière
2109:en plié
2089:turn.")
2053:Emboîté
1947:Échappé
1922:en haut
1754:dessous
1723:Dessous
1412:Danseur
1365:allongé
1329:croisée
1315:bourrée
1141:(e.g.,
986:Chaînés
921:Bourrée
904:Bravura
619:Balancé
604:Balancé
520:working
443:allongé
428:Arrondi
390:Allongé
326:Allegro
307:(e.g.,
266:À terre
252:en face
6919:Ballet
6901:Pointe
6830:Awards
6811:Tights
6701:(feet)
6695:(arms)
6645:French
6533:Pointe
6483:Ballon
6473:Aplomb
6423:Ballet
6365:
6355:
6326:
6316:
6299:
6289:
6272:
6262:
6206:
6179:
6054:
6044:
6001:
5991:
5953:. 2011
5638:dégagé
5472:Tights
5453:tendu
5448:devant
5446:tendu
5302:relevé
5219:Sickle
5151:is an
5103:Royale
4942:Retiré
4920:dégagé
4917:, aka
4911:tendue
4882:pointe
4852:Relevé
4792:Quatre
4775:Petit
4754:, and
4718:écarté
4708:, and
4702:épaulé
4698:effacé
4686:épaulé
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1877:Double
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