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in 1932 and after this he largely retired from active camera operation. However, he continued to be involved in the film industry, taking over the management of
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and in 1909 directed his first film. His pioneering work as a cinematographer from this time on laid the foundations which other cameramen of German
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techniques), his use of perspective and skillful contrasts between light and dark are noteworthy. His main collaborators were the directors
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and therefore Seeber had experience with photography from an early age. In the summer of 1896, he saw the first films of the
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Seeber continued to work into the sound era, but his work from this period is less significant. He had suffered a
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and became fascinated by this new technology. He bought a film camera and devoted himself to the development of
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142:(1923), which can be seen as anticipating the so-called "unchained camera" of
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of 1913 and the moving camera shots in the films of Lupu Pick, particularly
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In addition to his technical talents with the camera (he developed several
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Seeber created several animated works, including an advertisement entitle
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department in 1935 and publishing several books for amateur filmmakers.
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596:. Highly interesting the relationship between Skladanowsky and Seeber.
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and among his most important accomplishments are the shots of the
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Max
Skladanowsky oder der Beginn einer deutschen Filmgeschichte.
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167:) for a film and photography exhibition in Berlin in 1925.
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In 1908 he became technical manager of the film company
570:pp. 15–41 in C. Müller und H. Segeberg (ed.)
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579:Das wandernde Bild. Der Filmpionier Guido Seeber.
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530:Cartoons: One hundred years of cinema animation
534:. Translated by Anna Taraboletti-Segre.
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26:
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577:Stiftung Deutsche Kinemathek (publ.)
281:In the Valleys of the Southern Rhine
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473:Three from the Unemployment Office
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641:People from the Kingdom of Saxony
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63:Seeber's father, Clemens, was a
572:Die Modellierung des Kinofilms.
526:Bendazzi, Giannalberto (1994).
656:German animated film directors
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497:A Woman With Power of Attorney
313:Rhenish Girls and Rhenish Wine
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60:and pioneer of early cinema.
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505:Don't Lose Heart, Suzanne!
377:Gentlemen Among Themselves
441:The Woman They Talk About
165:You Must Go to Kino-Photo
31:Grave of Guido Seeber in
536:Indiana University Press
481:Distorting at the Resort
144:Friedrich Wilhelm Murnau
651:Film people from Berlin
449:My Heart Longs for Love
345:Darling of the Dragoons
134:(The Student of Prague)
646:German cinema pioneers
433:Storm in a Water Glass
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16:German cinematographer
369:Youth of the Big City
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636:People from Chemnitz
305:A Girl of the People
186:Selected filmography
132:Der Student von Prag
102:were able to build.
588:, Stuttgart, 1995.
201:The Wandering Image
119:Georg Wilhelm Pabst
33:Friedhof Heerstraße
457:The Beggar Student
361:The Insurmountable
337:Robert and Bertram
161:Du musst zur Kipho
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584:Castan, Joachim.
489:Two Good Comrades
417:Foolish Happiness
297:Secrets of a Soul
96:Fritz Arno Wagner
49:– 2 July 1940 in
45:(22 June 1879 in
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566:Herbst, Helmut.
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409:Hungarian Nights
401:Queen of Fashion
385:The Black Domino
329:Circle of Lovers
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69:Lumière Brothers
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631:1940 deaths
626:1879 births
92:Karl Freund
88:silent film
77:sound films
620:Categories
538:. p.
513:References
273:Wood Love
180:animation
139:Sylvester
115:Lupu Pick
111:Urban Gad
265:Garragan
209:Impostor
152:(1924).
90:such as
53:) was a
47:Chemnitz
561:Sources
75:and of
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508:(1935)
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196:(1911)
172:stroke
55:German
51:Berlin
157:Kipho
611:IMDb
590:ISBN
544:ISBN
121:und
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176:UFA
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