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When
Mendelssohn became conductor of the orchestra in 1835 he was so impressed that he promised to write Queisser a concerto. Owing to his busy schedule and new lover, he persuaded his orchestra's leader
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He was
Principal Viola of the Gewandhaus Orchestra from 1820 until 1843, where he also appeared as soloist on 27 occasions (playing trombone?). He was also the violist in the Gewandhaus String Quartet.
61:(and 1st violinist in the Gewandhaus String Quartet) to write him a piece. This Concertino remains the most popular 19th-century solo piece for trombone and is dedicated to Queisser.
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It has been suggested that
Queisser was responsible for annoying Mendelssohn by putting a 'turn' in the opening trombone phrase of the 'Lobgesang' 2nd Symphony.
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Queisser was known throughout
Germany and performed at many music festivals where other virtuosi included
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Krause, Sebastian: "Der
Posaunengott"/"God of the Trombone," Brass Bulletin 117 (2002), pp. 68–80
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41:) played trombone and viola in Germany as a member of the
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147:19th-century German male musicians
137:19th-century classical trombonists
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117:People from the Kingdom of Saxony
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142:19th-century German musicians
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122:German classical trombonists
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132:German classical violists
27:Karl Traugott Queisser
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43:Gewandhaus Orchestra
35:Electorate of Saxony
112:People from Grimma
29:(11 January 1800,
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47:Felix Mendelssohn
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127:Male trombonists
37:– 12 June 1846,
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74:Nicolò Paganini
59:Ferdinand David
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107:1846 deaths
102:1800 births
66:Franz Liszt
96:Categories
83:References
39:Leipzig
45:under
31:Döben
72:and
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68:,
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33:,
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