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Kristallnacht (album)

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said "Here are the seeds of what was to be a wholesale engagement - or re-engagement - with Jewish musical culture, most clearly represented in the Masada project of future years, but retroactively evident throughout the work of the previous decade and more. A key moment, even if the man himself
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has to come to grips with the holocaust in some kind of way and that was my statement, that’s how I did it. I do not need to do it again (…) it meant a lot to me. It was like a whole lifetime of denying my Jewish heritage coming out in one piece -- "John Zorn on
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review by Joslyn Layne stated: "John Zorn has created a musical work that powerfully represents the different stages of this historical event... Zorn's forceful undertaking is realized through the expert and passionate musicianship". The
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Zorn's compositions for the album were based around the events before, during, and following the infamous
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Studies in Jewish Musical Traditions: Insights from the Harvard Collection of Judacea Sound Recordings
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49 Acts Of Unspeakable Depravity In The Abominable Life And Times Of Gilles De Rais
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Free Improvisation: John Zorn and the Construction of Jewish Identity Through Music
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and represented his first musical exploration of his Jewish cultural heritage.
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On the Torment of Saints, the Casting of Spells and the Evocation of Spirits
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Recorded and mixed on November 9 & 10 1992 at RPM Studio, New York City
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Notes on Marie Menken/Ray Bandar: A Life with Skulls
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It’s tied together with passion and research. Every
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Index


Studio album
John Zorn
Genre
Avant-garde
Label
Tzadik
Producer
John Zorn
John Zorn
Leng Tch'e
Rituals: Live in Japan
John Zorn
Japanese
Tzadik Records
Night of Broken Glass
Jew
BBC
AllMusic
The Penguin Guide to Jazz
AllMusic
Penguin Guide to Jazz
Anthony Coleman
Mark Dresser
Mark Feldman
David Krakauer
Frank London
Marc Ribot
William Winant
Tzadik catalogue

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