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he only ever took on short term work. For a time he also lived off occasional royalties from his publications and the periodic generosity of his friends. While only part of Klíma's work was published before his death, many manuscripts were edited posthumously, among which were his stories and
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Klíma rejected the norms of contemporary Czech society in both the way he lived and in what he wrote. Culture, moral values and the world itself are all rejected and reality is subjected to the will of the individual. Much of Klíma's philosophy is expressed in
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of Prince
Sternenhoch, who moves from the life of a nobleman to a life filled with suffering, eccentricity, bouts of madness and self-torment. Having sunk to the lowest level, he eventually attains an ultimate state of bliss and salvation.
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Klíma's individuality lies not only in his conception of philosophy, but also in his attempt to conform to it in his personal life. His autobiographical writings illustrate his attempts to grasp his own power and to shout his
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letters. Many manuscripts he destroyed himself. Klíma spent the later part of his life living in a hotel, shining shoes for a living, drinking spirits and eating vermin. Klíma died of
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is the man who denied his will, Klíma conversely suggests that the realization of one’s own will is the primary achievement. This brings Klíma close to
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131:('The Sufferings of Prince Sternenhoch': Prague 1928) is his most famous novel. In a series of journal entries, the book chronicles the descent into
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with his will to power liberating itself from the bounds of the bourgeois world and affirming itself.
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