Knowledge

Pungmul

Source 📝

269: 273: 1028:
group at Harvard. He also provided reading and teaching materials on Pungmul, Minyo, and Movement Songs. A normal college p'ungmul group has between 15 and 20 members on average, while some organizations have persisted with less than 10 and as many as 30 to 35 members. Hanoolim (University of California/Los Angeles), Karakmadang (University of Illinois), Hansori (Massachusetts Institute of Technology), NyuRi (New York University), and Loose Roots (University of Chicago) are just a few of the early 1990s groups. Other forms of special-interest clubs have emerged in the United States, bringing more variety to the community of p'ungmul students. Groups have been founded by and for Korean adoptees and activists as well as seniors, kids, Catholic Church members, and people in their mid-thirties and forties, to name just a few.
271: 272: 2887: 270: 266: 831: 1015:
the 1970s and 1980s Minjung Munhwa movement that swept South Korean college campuses. Many of the early p'ungmul organizations either originated as a cultural division of a larger organizational (usually political) or became part of one, shortly after formation. In 1985, Binari in New York was established and Sori, formed on the University of California in Berkeley. Il-kwa-Nori of the Korean American Resource and Cultural Center in Chicago, also an affiliate of NAKASEC, formed in 1988. Shinmyŏngpae of the communal organization Uri Munhwa Chatkihwe in 1990.
744: 539: 470: 629: 81: 2194: 25: 589:, this performance was conducted in a seated position facing the audience and demonstrated a variety of rhythms with great flexibility. It was well received by audience members, and a second performance was soon held three months later. Folklorist Sim U-seong, who introduced both men to the Konggansarang club, named the group SamulNori ( 2218: 1014:
P'ungmul's history in the United States is intimately linked to the history of Korean American activism. Numerous founders of these organizations were active in or sympathized with Korean political conflicts. It is critical to note that all of these Korean expressive styles were prevalent throughout
1027:
Yi Jong-hun, a Korean minister who visited the United States in 1990 and 1991, is another figure seen as important by many long-time p'ungmul practitioners. Yi Jong-hun paid visits to Los Angeles, New York City, and KYCC in Oakland during his tour. He was involved in the formation of the Kutkori
1018:
In the 1970s and 1980s, a few Koreans stayed in the US for long periods of time to assist create p'ungmul organizations and spread its teachings. Kim Bong Jun, a Korean artist noted for his folk-inspired paintings and prints, was one such people. Many people were forced to reconsider their
207:. Opposition from performers and scholars toward its usage grew in the 1980s because colonial authorities attempted to limit the activity to farmers in order to suppress its use and meaning among the colonized. It is also known by many synonymous names throughout the peninsula. 522:
improved little in the decade following its recognition and financial backing from the government. There was a lack of interest among Koreans who abandoned their traditional customs after moving to the cities. This phenomenon was coupled with the introduction of Western-style
2225: 727:) : Sangsoe Noleum (상쇠놀음, lead small gong player's solo performance), Sangmonori (상모놀이, hat-streamer twirling performance), Suljanggu Noleum (hourglass-shaped drum performance), Sogo Noleum(소고놀음, small drum with handle performance) 563:), a performance hall for traditional Korean music and dance located in the capital, and invited artists and scholars to organize its events. During the performance center's first recital in February 1978, a group of four men led by 2211: 708:
The dance has a system of individual body structure, such as Witt-Noleum (윗놀음, upper performance) and Bal-Noleum(발놀음, footwork), and a system of pictorial expression in which individuals become objects to complete a group.
2911: 1752: 1284: 2544: 305: 971: 2489: 485:
period, this folk tradition was the primary mode of musical expression for a majority of the population. Many scholars and performers today claim that the term
734:) : A member of the Pungmul troupe dressed as a certain character who acts out various skits. All expressions are the result of role-based self-analysis. 705:
Pungmul dance does not deviate from the interrelationship and balance with the elements that make up the Pungmul but also harmonizes closely with music.
304:
currently recognizes five regional styles of the tradition, each named for its center of activity, under Important Intangible Cultural Property no. 11:
2916: 1037: 283: 204: 1608: 607:
eventually came to denote an entire genre as training institutes and ensembles were established throughout South Korea and Japan. Usage of the term
2786: 359:
province (1988). Each style is unique in its approach toward rhythms, costuming, instrumentation, and performance philosophy: Jinju Samcheonpo for
2629: 846:
Some dancing activities associated with pungmul performed by the ethnic Koreans living in China, known as the "farmer's dance of ethnic Korean" (
2529: 1745: 2203: 2257: 327: 2579: 2248: 967: 2234: 1761: 1738: 448:
indicates "left". Comparative studies between the two styles brought about the development of stereotypes among professional groups.
301: 196: 1933: 1396: 915: 822:, which are hats with long ribbon attached to them that players can spin and flip in intricate patterns powered by knee bends. 1672: 1521: 939: 903: 1019:
participation in the Korean-American connection due to issues like reunification and knowledge about the Kwangju Uprising.
762:(a small drum without enough resonance to contribute to the soundscape significantly) and tend to have more elaborate—even 670:
The first person of each group to play instruments is called 'sue' or 'sang'. (like 'sang soe'(refers to the one who plays
1311: 911: 1531:
Hesselink, Nathan (2007). "Taking Culture Seriously: Democratic Music and Its Transformative Potential in South Korea".
784:
of traditional village roles wander around to engage spectators, blurring the boundary between performers and audience.
702:
In Pungmul, dance elements further deepen the artistic and aesthetic characteristics of Pungmul as an integrated genre.
963: 899: 2906: 923: 67: 2711: 2504: 919: 154: 126: 907: 999: 834:
Choreography of the entire ensemble seldom receives the same attention or scrutiny as manipulation of the hats.
2233: 636:
players today hold the instrument in the left hand by suspending it either with the first finger or the thumb.
1808: 257:
intangible cultural heritage list as "Joseonjok Nongak" by China in 2009 and South Korea in November 2014.
1730: 1513: 1479: 2349: 1838: 1718: 1047: 955: 1285:""In Pungmulgut, functions and aesthetic affects of the dance-Based on the actual of Pilbongnongak-."" 987: 507: 192: 40: 2751: 1664: 895: 345: 49: 2143: 1434: 876: 843:
Pungmul is played in several international communities, especially by the Koreans living abroad.
1778: 1123: 927: 1470:
as Traditional: Preservation and Innovation in a South Korean Contemporary Percussion Genre".
830: 796:
are set to drum beats in one of a few jangdan (rhythmic patterns) that are common to pungmul,
2684: 2444: 2404: 2359: 2153: 2128: 1938: 1540: 1402: 975: 951: 356: 1697: 2701: 2689: 2539: 2459: 2394: 2344: 1803: 995: 349: 216:(RR- ggwaenggwari) (small handheld gong) player, and includes at least one person playing 8: 2796: 2354: 1703: 983: 979: 935: 931: 888: 872: 173:. Based on 1980s research, this kind of music was extensively studied in Chindo Island. 2604: 2409: 2262: 1595: 1552: 1491: 1454: 1406: 959: 943: 166: 2284: 2746: 2619: 2599: 2479: 2384: 1848: 1678: 1668: 1639: 1631: 1599: 1587: 1544: 1517: 1483: 1446: 660: 316: 230: 35: 2439: 1336: 720:) : Jinpuri (진풀이, a variety of formations are presented during the performance) 2589: 2474: 2429: 2399: 1983: 1863: 1579: 1438: 991: 338: 312: 158: 2886: 2816: 2449: 2369: 2319: 2309: 1883: 1868: 1843: 1504: 1306: 947: 868: 811:
Pungmul performers wear a variety of colorful costumes. A flowery version of the
528: 235: 187: 170: 121: 97: 2871: 2664: 2053: 1583: 743: 712:
Divide according to the form of the dance and the composition of the personnel.
141:. Most performances are outside, with dozens of players all in constant motion. 2841: 2756: 2674: 2524: 2424: 2178: 2158: 2133: 2083: 1928: 1873: 1833: 424:
region encompassing the two Jeolla provinces. In this region, the designations
296:, "twelve movements of farmers' music"). The designation was changed to simply 1724: 1643: 2900: 2771: 2761: 2736: 2654: 2389: 2108: 2103: 2088: 2048: 1973: 1963: 1958: 1773: 1635: 1591: 1548: 1487: 1450: 884: 818:
is the most common head-dress. In an advanced troupe all performers may wear
797: 667:
They all require a different style to play and have their own unique sounds.
554: 532: 169:
during the pro-democracy movement, although today it is most often seen as a
2173: 1682: 1377: 510:
in order to suppress its broad use and meaning among the Korean population.
2856: 2776: 2706: 2696: 2569: 2364: 2299: 2183: 2148: 2123: 1853: 1793: 1570: 1362:
Kwon, D. L (2001). "The Roots and Routes of Pungmul in the United States".
1042: 805: 767: 672: 642: 524: 452:
became known for its varying formations and rapid rhythmic patterns, while
334: 212: 1760: 165:. During the late 1960s and 1970s it expanded in meaning and was actively 2861: 2831: 2731: 2624: 2564: 2469: 2379: 2339: 2252: 2168: 2078: 2033: 1993: 1968: 1077: 801: 564: 538: 469: 323: 200: 162: 1556: 1495: 2846: 2811: 2791: 2766: 2554: 2549: 2484: 2374: 2334: 2329: 2138: 2118: 2003: 1953: 1065: 781: 763: 690: 654: 628: 603: 224: 80: 2659: 1818: 1813: 1565: 1458: 501: 498: 2826: 2821: 2806: 2781: 2649: 2163: 2018: 1978: 1127: 1053: 569: 390: 2324: 1878: 87:
is a folk tradition steeped in music, dance, theater, and pageantry.
2851: 2634: 2594: 2574: 2519: 2272: 2098: 1858: 1828: 1783: 1442: 1111:
Bands, Songs and Shamanistic Rituals: Folk Music in Korean Society.
812: 792:, and audience members enthusiastically sing and dance along. Most 433: 210:
Drumming is the central element of pungmul. Each group is led by a
1398:
A Life of Sound: Korean Farming Music and its Journey to Modernity
573:
troupe members, performed an impromptu arrangement of Pyeongtaek (
456:
was generally seen as having slow but graceful rhythmic patterns.
2801: 2741: 2716: 2614: 2509: 2499: 2464: 2434: 2314: 2304: 2278: 2073: 2068: 2063: 2028: 1823: 1798: 1082: 880: 138: 2193: 770:, particularly if the sogo-wielding dancers also manipulate the 191:), a term meaning "farmers' music" whose usage arose during the 2876: 2836: 2721: 2679: 2644: 2514: 2414: 2093: 2038: 2023: 1948: 1918: 1913: 1898: 772: 683: 679: 648: 482: 254: 218: 157:, at other village community-building events, and to accompany 1566:"'Yŏngdong Nongak': Mountains, Music, and the Samulnori Canon" 1425:: Edited and Translated with an Introduction and Commentary". 640:
In general, 5 major instruments are used for playing Pungmul:
300:
in the 1980s in order to accommodate regional variations. The
2639: 2584: 2559: 2454: 2419: 2289: 2113: 2043: 2013: 2008: 1998: 1988: 1943: 1923: 1908: 1893: 1888: 1086: 437: 421: 134: 107: 2866: 2609: 2534: 2494: 2294: 2267: 1903: 1788: 1653:
Negotiating Identities in a Performance Genre: The Case of
153:
culture. It was originally played as part of farm work, on
150: 130: 1708: 2669: 758:
Following the drummers are dancers, who often play the
203:
uses this term in designating the folk tradition as an
747:
Brightly colored cloth sashes are often attributed to
2235:
UNESCO Representative List of the Intangible Cultural
1069:, traditional percussion genre derived from multiple 2912:
National Intangible Cultural Heritage of South Korea
1004: 864:), were submitted as a cultural heritage to UNESCO. 859: 1378:"Hanoolim: Korean Cultural Awareness Group at UCLA" 1158: 1156: 1038:Important Intangible Cultural Properties of Korea 788:(folksongs) and chants are sometimes included in 611:was retained in order to distinguish traditional 2898: 1721:, Pungmul school in San Diego, CA, United States 1022: 867:Pungmul also has been performed by the numerous 420:focus on the two distinct styles present in the 176:Older scholars often describe this tradition as 1762:UNESCO Oral and Intangible Heritage of Humanity 1512:. Chicago Studies in Ethnomusicology. Chicago: 1153: 268: 161:rituals, mask dance dramas, and other types of 2219: 1746: 776:ribbon-hats. In some regional pungmul types, 1357: 1355: 1353: 1331: 1329: 871:communities in the United States, including 853: 847: 596: 590: 558: 496: 490: 432:(right) for Iri are determined according to 408: 398: 384: 374: 364: 291: 111: 101: 1113:Seoul: Royal Asiatic Society. (2nd ed 1990) 2226: 2212: 1753: 1739: 1727:, very well made video from Bucheon, Korea 1009: 968:University of Illinois at Urbana-Champaign 646:(RR- ggwaenggwari) (small handheld gong), 250:) sometimes play along with the drummers. 1630:. Korean Society for World Music: 39–65. 1563: 1530: 1502: 1465: 1413: 1350: 1326: 1282: 1258: 1222: 1210: 1198: 1162: 1147: 838: 615:from this new staged and urbanized form. 476: 68:Learn how and when to remove this message 2917:Intangible Cultural Heritage of Humanity 829: 742: 627: 537: 468: 79: 1394: 894:College-based groups also exist at the 436:. Looking southward from the "center" ( 2899: 1057:, itinerant performance troupe having 601:), meaning "playing of four objects". 567:and Kim Yong-bae, both descendants of 527:and the growing popularity of Western 284:Important Intangible Cultural Property 228:(barrel drum), and one person playing 205:Important Intangible Cultural Property 2207: 1734: 1414:Hesselink, Nathan (1999). "Kim Inu's 940:Massachusetts Institute of Technology 222:(hourglass drum), one person playing 186: 120: 1702:at the Virtual Instrument Museum of 1650: 1606: 1361: 1270: 1246: 1234: 1186: 1174: 804:(RR-pansori), and other traditional 694:', 'sue bukku(who play with sogo)') 549:, is performed in a seated position. 464: 18: 1395:Bussell, Jennifer L. (2 May 1997). 1312:Encyclopedia of Korean Folk Culture 13: 964:California Institute of Technology 264: 14: 2928: 1691: 1509:: South Korean Drumming and Dance 1005:Development of Pungmul in America 924:University of Michigan, Ann Arbor 260: 2885: 2712:Pahlevani and zoorkhaneh rituals 2505:Jeju Chilmeoridang Yeongdeunggut 2192: 582: 302:Cultural Heritage Administration 197:Cultural Heritage Administration 23: 1564:Hesselink, Nathan (June 2009). 1387: 1370: 1299: 1289:Journal of Korean Dance History 1276: 1264: 1252: 1240: 1228: 1124:"'Nongak' added to UNESCO list" 315:province (designated in 1966); 1216: 1204: 1192: 1180: 1168: 1141: 1116: 1103: 1000:Far Eastern Federal University 854: 848: 623: 597: 591: 559: 497: 491: 409: 399: 385: 375: 365: 292: 112: 102: 1: 1611:[The Roots and Routes of 1578:(1). Academia Koreana: 1–26. 1092: 1023:Second phase (1990 - Present) 825: 618: 553:In 1977, prominent architect 428:(left) for Imsil Pilbong and 2295:Baul tradition of Bangladesh 1097: 738: 557:designed the Konggansarang ( 506:) was introduced during the 238:(taepyeongso, also known as 7: 1839:Bumba-meu-boi from Maranhão 1779:Albanian folk iso-polyphony 1715:groups in the United States 1615:in the United States]. 1584:10.18399/acta.2009.12.1.001 1514:University of Chicago Press 1480:Society for Ethnomusicology 1466:Hesselink, Nathan (2004). " 1031: 860: 282:was first recognized as an 43:. The specific problem is: 16:Korean folk music tradition 10: 2933: 1503:Hesselink, Nathan (2006). 1048:Traditional music of Korea 956:University of Pennsylvania 513: 459: 2883: 2822:Tugging rituals and games 2570:Ladkah Buddhist chantings 2430:Gangneung Danoje Festival 2244: 2190: 1769: 1339:. US Pungmul. 23 May 2011 988:The University of Toronto 508:Japanese colonization era 403:), and Imsil Pilbong for 253:Pungmul was added to the 167:used in political protest 2907:Korean traditional music 2752:Royal ballet of Cambodia 1934:Georgian vocal polyphony 1665:University of Pittsburgh 1619: 1283:Ok-kyeong, Yang (2011). 896:University of California 697: 518:True public support for 416:Most scholarly works on 286:in 1966 under the title 129:tradition that includes 2545:Koshikijima no Toshidon 2370:Chinese shadow puppetry 1435:Society for Asian Music 1081:, a similar dance from 1010:First phase (1985–1989) 444:indicates "right", and 2817:Thathera utensil craft 2762:Royal Ancestral Ritual 2365:Chinese seal engraving 2350:Chinese block printing 1651:Park, Shingil (2000). 928:Stony Brook University 839:International exposure 835: 755: 637: 550: 477:Suppression and unrest 473: 276: 88: 2405:Durga Puja in Kolkata 2360:Chinese paper cutting 2154:The Song of the Sibyl 1661:in Contemporary Seoul 1541:University of Bamberg 1403:University of Chicago 1109:Howard, Keith (1989) 976:Binghamton University 972:University of Buffalo 952:University of Chicago 833: 806:Korean musical genres 754:s roots in shamanism. 746: 631: 585:. Unlike traditional 583:four core instruments 545:, unlike traditional 541: 472: 348:province (1985); and 275: 83: 2797:Songkran in Thailand 2702:Oku-noto no Aenokoto 2395:Dragon Boat Festival 2345:Chinese architecture 2237:Heritage of Humanity 1804:Ashiqs of Azerbaijan 1609:"미국에서의 풍물: 그 뿌리와 여정" 1607:Kwon, Donna (2001). 996:University of Oxford 780:(actors) dressed as 434:geomantic principles 50:improve this article 39:to meet Knowledge's 2600:Manipuri Sankirtana 2355:Chinese calligraphy 1704:Wesleyan University 1626:] (in Korean). 1421:and Communal Spirit 1337:"Pungmul in the US" 984:Stanford University 980:Syracuse University 936:New York University 932:Columbia University 861:Chosŏnjok nongak-mu 658:(barrel drum), and 149:(collective labor) 2605:Mangal Shobhajatra 2410:Epic of King Gesar 2263:Akiu no Taue Odori 1725:Pungmul on YouTube 1533:The World of Music 1225:, pp. 408–409 960:Cornell University 944:Harvard University 836: 756: 652:(hourglass drum), 638: 551: 474: 369:), Pyeongtaek for 277: 122:[pʰuːŋmul] 89: 2894: 2893: 2620:Mibu no Hana Taue 2480:Hitachi Furyumono 2385:Dainichido Bugaku 2239:/Asia and Pacific 2201: 2200: 1849:Dainichido Bugaku 1674:978-0-599-79965-3 1624:Music and Culture 1523:978-0-226-33095-2 1364:Music and Culture 1061:in its repertoire 664:(gong) and sogo. 581:with each of its 465:Early development 337:province (1985); 326:province (1985); 306:Jinju Samcheonpo 195:(1910–1945). The 145:is rooted in the 127:Korean folk music 78: 77: 70: 41:quality standards 32:This article may 2924: 2889: 2590:Longquan celadon 2475:Hayachine Kagura 2400:Drametse Ngacham 2228: 2221: 2214: 2205: 2204: 2196: 2129:Slovácko Verbuňk 1999:Khorasan Bakhshi 1864:Cante Alentejano 1755: 1748: 1741: 1732: 1731: 1686: 1647: 1617:Eumak-gwa Munhwa 1603: 1560: 1527: 1499: 1462: 1424: 1417: 1410: 1405:. Archived from 1382: 1381: 1374: 1368: 1367: 1359: 1348: 1347: 1345: 1344: 1333: 1324: 1323: 1321: 1320: 1303: 1297: 1296: 1280: 1274: 1268: 1262: 1256: 1250: 1244: 1238: 1232: 1226: 1220: 1214: 1208: 1202: 1196: 1190: 1184: 1178: 1172: 1166: 1160: 1151: 1145: 1139: 1138: 1136: 1135: 1120: 1114: 1107: 992:Brown University 863: 857: 856: 851: 850: 753: 723:Solitary dance ( 632:The majority of 600: 599: 594: 593: 562: 561: 505: 504: 494: 493: 440:, the capital), 412: 411: 402: 401: 388: 387: 378: 377: 368: 367: 313:South Gyeongsang 295: 294: 267: 236:Wind instruments 190: 185: 124: 119: 115: 114: 105: 104: 73: 66: 62: 59: 53: 27: 26: 19: 2932: 2931: 2927: 2926: 2925: 2923: 2922: 2921: 2897: 2896: 2895: 2890: 2881: 2832:Vedic chantings 2495:Indonesian kris 2320:Cantonese opera 2310:Boysun District 2240: 2236: 2232: 2202: 2197: 2188: 2064:Ojkanje singing 1964:Jongmyo Jereyak 1884:Cremona violins 1869:Cantonese opera 1844:Byzantine music 1809:Azerbaijani tar 1765: 1759: 1711:, a network of 1694: 1689: 1675: 1621: 1524: 1472:Ethnomusicology 1422: 1415: 1409:on 3 July 2007. 1390: 1385: 1376: 1375: 1371: 1360: 1351: 1342: 1340: 1335: 1334: 1327: 1318: 1316: 1305: 1304: 1300: 1281: 1277: 1269: 1265: 1257: 1253: 1245: 1241: 1233: 1229: 1221: 1217: 1209: 1205: 1197: 1193: 1185: 1181: 1173: 1169: 1161: 1154: 1146: 1142: 1133: 1131: 1122: 1121: 1117: 1108: 1104: 1100: 1095: 1034: 1025: 1012: 1007: 948:Yale University 869:Korean American 841: 828: 751: 741: 730:Japsaek dance ( 700: 626: 621: 516: 479: 467: 462: 274: 265: 263: 188:[noŋak] 183: 117: 74: 63: 57: 54: 47: 28: 24: 17: 12: 11: 5: 2930: 2920: 2919: 2914: 2909: 2892: 2891: 2884: 2882: 2880: 2879: 2874: 2869: 2864: 2859: 2854: 2849: 2844: 2842:Xi'an ensemble 2839: 2834: 2829: 2824: 2819: 2814: 2809: 2804: 2799: 2794: 2789: 2787:Sekishu-Banshi 2784: 2779: 2774: 2769: 2764: 2759: 2754: 2749: 2744: 2739: 2734: 2729: 2724: 2719: 2714: 2709: 2704: 2699: 2694: 2693: 2692: 2687: 2677: 2672: 2667: 2662: 2657: 2652: 2650:Namsadang Nori 2647: 2642: 2637: 2632: 2627: 2622: 2617: 2612: 2607: 2602: 2597: 2592: 2587: 2582: 2577: 2572: 2567: 2562: 2557: 2552: 2547: 2542: 2537: 2532: 2527: 2522: 2517: 2512: 2507: 2502: 2497: 2492: 2487: 2482: 2477: 2472: 2467: 2462: 2457: 2452: 2447: 2442: 2440:Gióng Festival 2437: 2432: 2427: 2425:Ganggangsullae 2422: 2417: 2412: 2407: 2402: 2397: 2392: 2387: 2382: 2377: 2372: 2367: 2362: 2357: 2352: 2347: 2342: 2337: 2332: 2327: 2322: 2317: 2312: 2307: 2302: 2297: 2292: 2287: 2282: 2275: 2270: 2265: 2260: 2255: 2245: 2242: 2241: 2231: 2230: 2223: 2216: 2208: 2199: 2198: 2191: 2189: 2187: 2186: 2181: 2176: 2171: 2166: 2161: 2159:Tumba francesa 2156: 2151: 2146: 2141: 2136: 2134:Song of Sana'a 2131: 2126: 2121: 2116: 2111: 2106: 2101: 2096: 2091: 2086: 2084:Qudud Halabiya 2081: 2076: 2071: 2066: 2061: 2056: 2051: 2046: 2041: 2036: 2031: 2026: 2021: 2016: 2011: 2006: 2001: 1996: 1991: 1986: 1981: 1976: 1971: 1966: 1961: 1956: 1951: 1946: 1941: 1936: 1931: 1929:Garifuna music 1926: 1921: 1916: 1911: 1906: 1901: 1896: 1891: 1886: 1881: 1876: 1874:Cantu a tenore 1871: 1866: 1861: 1856: 1851: 1846: 1841: 1836: 1834:Bistritsa Babi 1831: 1826: 1821: 1816: 1811: 1806: 1801: 1796: 1791: 1786: 1781: 1776: 1770: 1767: 1766: 1758: 1757: 1750: 1743: 1735: 1729: 1728: 1722: 1716: 1706: 1693: 1692:External links 1690: 1688: 1687: 1673: 1663:(PhD thesis). 1648: 1604: 1561: 1528: 1522: 1500: 1463: 1443:10.2307/834278 1411: 1391: 1389: 1386: 1384: 1383: 1369: 1349: 1325: 1298: 1275: 1263: 1261:, pp. 410 1259:Hesselink 2004 1251: 1239: 1227: 1223:Hesselink 2004 1215: 1211:Hesselink 2006 1203: 1199:Hesselink 2006 1191: 1179: 1167: 1163:Hesselink 2006 1152: 1148:Hesselink 2006 1140: 1115: 1101: 1099: 1096: 1094: 1091: 1090: 1089: 1074: 1062: 1050: 1045: 1040: 1033: 1030: 1024: 1021: 1011: 1008: 1006: 1003: 840: 837: 827: 824: 740: 737: 736: 735: 728: 721: 699: 696: 682:(same as sang 625: 622: 620: 617: 515: 512: 478: 475: 466: 463: 461: 458: 350:Imsil Pilbong 288:nongak sipicha 262: 261:Classification 259: 171:performing art 155:rural holidays 76: 75: 31: 29: 22: 15: 9: 6: 4: 3: 2: 2929: 2918: 2915: 2913: 2910: 2908: 2905: 2904: 2902: 2888: 2878: 2875: 2873: 2870: 2868: 2865: 2863: 2860: 2858: 2855: 2853: 2850: 2848: 2845: 2843: 2840: 2838: 2835: 2833: 2830: 2828: 2825: 2823: 2820: 2818: 2815: 2813: 2810: 2808: 2805: 2803: 2800: 2798: 2795: 2793: 2790: 2788: 2785: 2783: 2780: 2778: 2775: 2773: 2770: 2768: 2767:Sada Shin Noh 2765: 2763: 2760: 2758: 2755: 2753: 2750: 2748: 2745: 2743: 2740: 2738: 2735: 2733: 2730: 2728: 2725: 2723: 2720: 2718: 2715: 2713: 2710: 2708: 2705: 2703: 2700: 2698: 2695: 2691: 2688: 2686: 2683: 2682: 2681: 2678: 2676: 2673: 2671: 2668: 2666: 2663: 2661: 2658: 2656: 2653: 2651: 2648: 2646: 2643: 2641: 2638: 2636: 2633: 2631: 2628: 2626: 2623: 2621: 2618: 2616: 2613: 2611: 2608: 2606: 2603: 2601: 2598: 2596: 2593: 2591: 2588: 2586: 2583: 2581: 2578: 2576: 2573: 2571: 2568: 2566: 2563: 2561: 2558: 2556: 2553: 2551: 2548: 2546: 2543: 2541: 2538: 2536: 2533: 2531: 2528: 2526: 2523: 2521: 2518: 2516: 2513: 2511: 2508: 2506: 2503: 2501: 2498: 2496: 2493: 2491: 2490:Hudhud Chants 2488: 2486: 2483: 2481: 2478: 2476: 2473: 2471: 2468: 2466: 2463: 2461: 2458: 2456: 2453: 2451: 2448: 2446: 2443: 2441: 2438: 2436: 2433: 2431: 2428: 2426: 2423: 2421: 2418: 2416: 2413: 2411: 2408: 2406: 2403: 2401: 2398: 2396: 2393: 2391: 2390:Darangen Epic 2388: 2386: 2383: 2381: 2378: 2376: 2373: 2371: 2368: 2366: 2363: 2361: 2358: 2356: 2353: 2351: 2348: 2346: 2343: 2341: 2338: 2336: 2333: 2331: 2328: 2326: 2323: 2321: 2318: 2316: 2313: 2311: 2308: 2306: 2303: 2301: 2300:Beijing opera 2298: 2296: 2293: 2291: 2288: 2286: 2285:Bakhshi music 2283: 2280: 2276: 2274: 2271: 2269: 2266: 2264: 2261: 2259: 2256: 2254: 2250: 2247: 2246: 2243: 2238: 2229: 2224: 2222: 2217: 2215: 2210: 2209: 2206: 2195: 2185: 2182: 2180: 2177: 2175: 2172: 2170: 2167: 2165: 2162: 2160: 2157: 2155: 2152: 2150: 2147: 2145: 2142: 2140: 2137: 2135: 2132: 2130: 2127: 2125: 2122: 2120: 2117: 2115: 2112: 2110: 2109:Samba de roda 2107: 2105: 2102: 2100: 2097: 2095: 2092: 2090: 2087: 2085: 2082: 2080: 2077: 2075: 2072: 2070: 2067: 2065: 2062: 2060: 2057: 2055: 2052: 2050: 2047: 2045: 2042: 2040: 2037: 2035: 2032: 2030: 2027: 2025: 2022: 2020: 2017: 2015: 2012: 2010: 2007: 2005: 2002: 2000: 1997: 1995: 1992: 1990: 1987: 1985: 1982: 1980: 1977: 1975: 1974:Istrian scale 1972: 1970: 1967: 1965: 1962: 1960: 1959:Hudhud chants 1957: 1955: 1952: 1950: 1947: 1945: 1942: 1940: 1937: 1935: 1932: 1930: 1927: 1925: 1922: 1920: 1917: 1915: 1912: 1910: 1907: 1905: 1902: 1900: 1897: 1895: 1892: 1890: 1887: 1885: 1882: 1880: 1877: 1875: 1872: 1870: 1867: 1865: 1862: 1860: 1857: 1855: 1854:Beijing opera 1852: 1850: 1847: 1845: 1842: 1840: 1837: 1835: 1832: 1830: 1827: 1825: 1822: 1820: 1817: 1815: 1812: 1810: 1807: 1805: 1802: 1800: 1797: 1795: 1792: 1790: 1787: 1785: 1782: 1780: 1777: 1775: 1774:Aka polyphony 1772: 1771: 1768: 1763: 1756: 1751: 1749: 1744: 1742: 1737: 1736: 1733: 1726: 1723: 1720: 1719:sdpungmul.org 1717: 1714: 1710: 1707: 1705: 1701: 1700: 1699:P'ungmul nori 1696: 1695: 1684: 1680: 1676: 1670: 1666: 1662: 1658: 1654: 1649: 1645: 1641: 1637: 1633: 1629: 1625: 1618: 1614: 1610: 1605: 1601: 1597: 1593: 1589: 1585: 1581: 1577: 1573: 1572: 1567: 1562: 1558: 1554: 1550: 1546: 1542: 1538: 1534: 1529: 1525: 1519: 1515: 1511: 1510: 1506: 1501: 1497: 1493: 1489: 1485: 1481: 1477: 1473: 1469: 1464: 1460: 1456: 1452: 1448: 1444: 1440: 1436: 1432: 1428: 1420: 1412: 1408: 1404: 1400: 1399: 1393: 1392: 1379: 1373: 1365: 1358: 1356: 1354: 1338: 1332: 1330: 1314: 1313: 1308: 1302: 1294: 1290: 1286: 1279: 1272: 1267: 1260: 1255: 1249:, p. 178 1248: 1243: 1237:, p. 177 1236: 1231: 1224: 1219: 1212: 1207: 1200: 1195: 1188: 1183: 1176: 1171: 1164: 1159: 1157: 1149: 1144: 1129: 1125: 1119: 1112: 1106: 1102: 1088: 1084: 1080: 1079: 1075: 1072: 1068: 1067: 1063: 1060: 1056: 1055: 1051: 1049: 1046: 1044: 1041: 1039: 1036: 1035: 1029: 1020: 1016: 1002: 1001: 997: 993: 989: 985: 981: 977: 973: 969: 965: 961: 957: 953: 949: 945: 941: 937: 933: 929: 925: 921: 917: 916:Santa Barbara 913: 909: 905: 901: 897: 892: 890: 886: 885:New York City 882: 878: 874: 870: 865: 862: 844: 832: 823: 821: 817: 814: 809: 807: 803: 799: 795: 791: 787: 783: 779: 775: 774: 769: 765: 761: 750: 745: 733: 729: 726: 722: 719: 716:Group dance ( 715: 714: 713: 710: 706: 703: 695: 693: 692: 687: 685: 681: 676: 674: 668: 665: 663: 662: 657: 656: 651: 650: 645: 644: 635: 630: 616: 614: 610: 606: 605: 588: 584: 580: 576: 572: 571: 566: 556: 555:Kim Swoo Geun 548: 544: 540: 536: 534: 533:popular music 530: 526: 525:concert halls 521: 511: 509: 503: 500: 488: 484: 471: 457: 455: 451: 447: 443: 439: 435: 431: 427: 423: 419: 414: 406: 396: 392: 382: 372: 362: 358: 354: 353: 347: 343: 342: 336: 332: 331: 325: 321: 320: 314: 310: 309: 303: 299: 289: 285: 281: 258: 256: 251: 249: 245: 241: 237: 233: 232: 227: 226: 221: 220: 215: 214: 208: 206: 202: 198: 194: 189: 181: 180: 174: 172: 168: 164: 160: 156: 152: 148: 144: 140: 136: 132: 128: 123: 109: 99: 95: 94: 86: 82: 72: 69: 61: 51: 46: 42: 38: 37: 30: 21: 20: 2872:Yūki-tsumugi 2857:Yeondeunghoe 2777:Sand drawing 2726: 2707:Pencak silat 2530:Katta Ashula 2445:Gong culture 2184:Xoan singing 2174:Wayang kulit 2124:Silbo Gomero 2058: 1939:Gong culture 1794:Arabic maqam 1712: 1709:Poongmul.com 1698: 1660: 1656: 1652: 1627: 1623: 1616: 1612: 1575: 1571:Acta Koreana 1569: 1536: 1532: 1508: 1505: 1475: 1471: 1467: 1430: 1426: 1418: 1407:the original 1401:(BA essay). 1397: 1388:Bibliography 1372: 1363: 1341:. Retrieved 1317:. Retrieved 1310: 1301: 1292: 1288: 1278: 1273:, p. 25 1266: 1254: 1242: 1230: 1218: 1213:, p. 15 1206: 1194: 1189:, p. 66 1182: 1177:, p. 65 1170: 1165:, p. 11 1150:, p. 10 1143: 1132:. Retrieved 1130:. 2014-11-28 1118: 1110: 1105: 1076: 1070: 1064: 1058: 1052: 1043:Korean dance 1026: 1017: 1013: 893: 866: 845: 842: 819: 815: 810: 793: 789: 785: 777: 771: 768:choreography 759: 757: 748: 731: 724: 717: 711: 707: 704: 701: 689: 678: 673:kkwaenggwari 671: 669: 666: 659: 653: 647: 643:kkwaenggwari 641: 639: 633: 612: 608: 602: 586: 578: 574: 568: 552: 546: 542: 519: 517: 486: 480: 453: 449: 445: 441: 429: 425: 417: 415: 404: 394: 380: 370: 360: 357:North Jeolla 351: 340: 335:North Jeolla 329: 318: 307: 297: 287: 279: 278: 252: 247: 243: 239: 229: 223: 217: 213:kkwaenggwari 211: 209: 193:colonial era 178: 177: 175: 146: 142: 92: 91: 90: 84: 64: 58:January 2024 55: 48:Please help 44: 33: 2862:Yeongsanjae 2772:Saman dance 2757:Regong arts 2690:Uzbekistani 2630:Mosie ramie 2625:Morin khuur 2610:Mazu belief 2565:Koodiyattam 2470:Hansan Mosi 2460:Guqin music 2380:Daimokutate 2340:Chhau dance 2253:Moxibustion 2249:Acupuncture 2179:Xi'an guyue 2169:Vedic chant 2034:Morin khuur 1994:Koodiyattam 1969:Iraqi Maqam 1482:: 405–439. 1427:Asian Music 1419:P'ungmulgut 1315:(in Korean) 1201:, p. 2 1078:Pung cholom 904:Los Angeles 877:Los Angeles 782:caricatures 624:Instruments 565:Kim Duk-soo 481:During the 450:Honam jwado 405:honam jwado 379:), Iri for 317:Pyeongtaek 201:South Korea 163:performance 159:shamanistic 110::  100::  52:if you can. 2901:Categories 2847:Xuan paper 2827:Urtiin Duu 2792:Shiraz rug 2580:Lenj boats 2550:Kumbh Mela 2525:Kashan rug 2450:Grand Song 2375:Daemokjang 2335:Cheoyongmu 2330:Chakkirako 2258:Ainu dance 2144:Sutartinės 2139:Sosso Bala 2119:Shashmaqam 2114:Seto Leelo 2004:Kumi odori 1814:Baul music 1644:5588715083 1543:: 75–106. 1468:Samul nori 1343:2014-11-28 1319:2019-03-15 1295:: 157–180. 1134:2014-11-28 1093:References 1066:Samul nori 826:Formations 619:Components 604:Samul nori 543:Samul nori 339:Gangneung 2807:Taekkyeon 2782:Sbek Toch 2697:Nuad Thai 2555:Kumiodori 2164:Vallenato 2019:Long song 1979:Kgal Laox 1659:Samulnori 1636:1229-5930 1600:193406479 1592:1520-7412 1549:0043-8774 1488:0014-1836 1451:0044-9202 1307:"Jinpuri" 1271:Park 2000 1247:Park 2000 1235:Park 2000 1187:Park 2000 1175:Park 2000 1128:Korea.net 1098:Citations 1054:Namsadang 912:San Diego 889:Baltimore 764:acrobatic 739:Costuming 570:namsadang 529:classical 454:honam udo 395:yeongdong 391:Gangneung 381:honam udo 2852:Yamahoko 2665:Nhã nhạc 2635:Mudiyett 2595:Mak yong 2575:Lakalaka 2520:Kalbelia 2273:Angklung 2099:Rebetiko 2054:Nhã nhạc 1859:Candombe 1829:Biyelgee 1784:Angklung 1683:53209871 1655:P'ungmul 1613:P'ungmul 1557:41699789 1507:P'ungmul 1496:30046287 1437:: 1–34. 1366:: 39–56. 1032:See also 998:, etc., 900:Berkeley 849:조선족 농악 무 813:Buddhist 802:p'ansori 361:yeongnam 324:Gyeonggi 234:(gong). 131:drumming 45:Grammar. 34:require 2812:Ta'zīye 2802:Ssireum 2742:Ramlila 2732:Quan họ 2727:Pungmul 2717:Pansori 2660:Naqqāli 2615:Meshrep 2540:Khoomei 2510:Jultagi 2500:Jamdani 2465:Haenyeo 2435:Gimjang 2315:Bunraku 2305:Bokator 2279:Arirang 2149:Táncház 2079:Quan họ 2074:Pirekua 2069:Pansori 2029:Meshrep 1984:Khuumii 1824:Bigwala 1819:Bećarac 1799:Arirang 1764:: Music 1713:pungmul 1083:Manipur 1071:pungmul 1059:pungmul 881:Chicago 873:Oakland 790:pungmul 778:japsaek 749:pungmul 677:, 'sue 613:pungmul 587:pungmul 579:pungmul 547:pungmul 520:pungmul 514:Revival 460:History 418:pungmul 346:Gangwon 344:, from 333:, from 322:, from 311:, from 280:Pungmul 184:Korean: 151:farming 143:Pungmul 139:singing 135:dancing 125:) is a 93:Pungmul 85:Pungmul 36:cleanup 2877:Yunjin 2837:Wayang 2747:Ramman 2722:Pinisi 2685:Afghan 2680:Nowruz 2655:Nanyin 2645:Naadam 2515:Kabuki 2485:Hua'er 2415:Gagaku 2325:Ca trù 2094:Reggae 2059:Nongak 2049:Nanyin 2039:Mugham 2024:Maloya 1954:Hua'er 1919:Gagaku 1914:Fujara 1899:Eshuva 1879:Ca trù 1681:  1671:  1642:  1634:  1620:음악과 문화 1598:  1590:  1555:  1547:  1520:  1494:  1486:  1459:834278 1457:  1449:  1073:styles 966:, the 954:, the 950:, the 920:Irvine 887:, and 858:; 855:朝鮮族農樂舞 852:; 820:sangmo 816:gokkal 773:sangmo 684:janggu 680:janggu 649:janggu 609:nongak 595:; 575:utdari 495:; 487:nongak 483:Joseon 371:utdari 352:nongak 341:nongak 330:nongak 319:nongak 308:nongak 298:nongak 255:UNESCO 248:nalari 240:hojeok 219:janggu 179:nongak 137:, and 106:; 98:Korean 2737:Radif 2640:Muqam 2585:Lhamo 2560:Kunqu 2455:Guqin 2420:Gagok 2290:Batik 2089:Radif 2044:Muqam 2014:Lhamo 2009:Kunqu 1989:Klapa 1949:Gwoka 1944:Guqin 1924:Gagok 1909:Frevo 1894:Duduk 1889:Doina 1622:[ 1596:S2CID 1553:JSTOR 1539:(3). 1492:JSTOR 1478:(3). 1455:JSTOR 1433:(1). 1423:' 1416:' 1087:India 908:Davis 798:sanjo 794:minyo 786:Minyo 752:' 698:Dance 688:'sue 446:jwado 438:Seoul 426:jwado 422:Honam 355:from 293:농악십이차 246:, or 244:senap 108:Hanja 2867:Yoga 2675:Nora 2535:Khon 2268:Akyn 2251:and 2104:Sama 1904:Fado 1789:Aqyn 1679:OCLC 1669:ISBN 1657:and 1640:OCLC 1632:ISSN 1588:ISSN 1545:ISSN 1518:ISBN 1484:ISSN 1447:ISSN 760:sogo 661:jing 598:四物놀이 592:사물놀이 560:공간사랑 531:and 410:호남좌도 393:for 386:호남우도 328:Iri 231:jing 147:dure 118:IPA: 2670:Noh 1580:doi 1439:doi 922:), 691:buk 655:buk 634:soe 442:udo 430:udo 413:). 389:), 376:웃다리 225:buk 199:of 2903:: 1677:. 1667:. 1638:. 1594:. 1586:. 1576:12 1574:. 1568:. 1551:. 1537:49 1535:. 1516:. 1490:. 1476:48 1474:. 1453:. 1445:. 1431:31 1429:. 1352:^ 1328:^ 1309:. 1293:24 1291:. 1287:. 1155:^ 1126:. 1085:, 994:, 990:, 986:, 982:, 978:, 974:, 970:, 962:, 958:, 946:, 942:, 938:, 934:, 930:, 926:, 918:, 914:, 910:, 906:, 902:, 891:. 883:, 879:, 875:, 808:. 800:, 732:잡색 725:독무 718:군무 686:), 577:) 535:. 492:농악 400:영동 366:영남 242:, 133:, 116:; 113:風物 103:풍물 2281:" 2277:" 2227:e 2220:t 2213:v 1754:e 1747:t 1740:v 1685:. 1646:. 1628:5 1602:. 1582:: 1559:. 1526:. 1498:. 1461:. 1441:: 1380:. 1346:. 1322:. 1137:. 898:( 766:— 675:) 502:樂 499:農 489:( 407:( 397:( 383:( 373:( 363:( 290:( 182:( 96:( 71:) 65:( 60:) 56:(

Index

cleanup
quality standards
improve this article
Learn how and when to remove this message

Korean
Hanja
[pʰuːŋmul]
Korean folk music
drumming
dancing
singing
farming
rural holidays
shamanistic
performance
used in political protest
performing art
[noŋak]
colonial era
Cultural Heritage Administration
South Korea
Important Intangible Cultural Property
kkwaenggwari
janggu
buk
jing
Wind instruments
UNESCO
Important Intangible Cultural Property

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.