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and painted in the
Palazzo of the Marchese Martinengo and in the Casa Canzago, and in a chapel of the Dominican church. Back in Bologna, he painted decorations in the Archbishop's church of San Pietro and in the Oratory of the Virgin of the Centura and the oratorian's chapel in
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58:. Stefano first aspired to be a stucco artist, but then began learning from a mediocre local painter known as Antonio Rizzini. He then entered the studio of
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102:. He painted in the Palazzo Pubblico of Faenza and in the Palazzo degli Architi in Milan. He painter in the chapel of San Petronio of
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209:, Third Volume, by Luigi Crespi and Carlo Cesare Malvasia, Printer Marco Pagliarini, Rome, 1769, page 287-288.
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in the architectural perspective painting. He is known for painting fanciful architectural canvases, known as
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123:. He painted much of the quadratura of the Palazzo Aldrovandi. He painted in the church of the Convertite,
258:, compiled by Salvatore Muzzi; Tipi de S. Tommaso d'Aquino, Bologna (1846): Volume 8, page 745.
237:, compiled by Salvatore Muzzi; Tipi de S. Tommaso d'Aquino, Bologna (1846): Volume 8, page 741.
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for the 5th chapel of the church of the
Celestines, and for the Monti Chapel in the church of
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66:, and with Pompeo, he went to Rome starting in 1713 where he completed scenography for the
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He suffered a stroke in 1755, and was bed ridden for four years. Among his pupils was
78:. After 32 months in Rome, and only 23 years old, he returns to Bologna, working with
70:. He painted the church of Santi Giovanni e Petronio, working with the figure painter
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Dictionary of
Painters and Engravers, Biographical and Critical
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in quadratura, also completing scenic designs for theaters in
196:. Vol. I A-K. London: George Bell and Sons. p. 230.
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Among works outside of Italy, is a peculiar canvas depicting
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94:. He helped decorate the entry stairwell and a hall in the
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Annali della città di
Bologna dalle sua origine al 1796
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Annali della città di
Bologna dalle sua origine al 1796
190:Bryan, Michael (1886). Robert Edmund Graves (ed.).
225:. Stefano Orlandi at Southampton City Art Gallery.
140:A Church with Pagan Sacrifices at a Burning Altar
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142:in the Southampton City Art Gallery in England.
207:Felsina pittrice, vite de' pittori bolognesi
131:, and the Altar of St Vincent Ferrer in
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219:2 artworks by or after Stefano Orlandi
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106:. He painted for Count Pellegrini in
30:(1681 – 29 July 1760) was an
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310:18th-century Italian male artists
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90:. He formed collaborations with
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295:18th-century Italian painters
285:17th-century Italian painters
246:Michael Bryan text, page 230.
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50:He trained with his father,
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171:Stefano Orlandi the younger
23:Portrait of Stefano Orlandi
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34:painter, active mainly in
163:Giovanni Paolo Anderlini
74:. He was influenced by
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305:Painters from Bologna
290:Italian male painters
98:and a gallery in the
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165:as well as his sons
121:San Giacomo Maggiore
300:Quadratura painters
159:Vincenzo Torregiani
104:Cardinal Aldrovandi
60:Pompeo Aldrovandini
96:Palazzo Aldrovandi
72:Giuseppe Gambarini
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114:, he worked with
62:, who taught him
56:Lorenzo Pasinelli
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151:Giovanni Zanardi
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68:Teatro Capranica
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155:Paolo Ballarini
147:Gaetano Alemani
116:Francesco Monti
100:Palazzo Ranuzzi
92:Vittorio Bigari
80:Gioseffo Orsoni
52:Odoardo Orlandi
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28:Stefano Orlandi
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16:Italian painter
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133:San Petronio
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280:1681 births
275:1760 deaths
269:Categories
177:References
125:quadratura
64:quadratura
167:Francesco
46:Biography
40:Capricci
112:Brescia
36:Bologna
32:Italian
223:Art UK
108:Verona
110:. In
88:Turin
84:Lucca
86:and
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