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led to the young Stuart Davis feeling a great sense of pride in being
American, which led to his creating several works centered on a "Great America". After his training with Henri, Davis would walk around the streets of New York City for inspiration for his works. His time amongst the public caused
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Davis was first professionally trained by Robert Henri, an
American realist. Henri began teaching Davis in 1909. Henri did not look highly upon American art institutions at the time, which led to him joining John Sloan and six other anti-institutional artists (known as "the Eight") to put on an
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element to his work. Among Davis' practices was his use of previous paintings. Elements of harbor scenes he painted in
Gloucester, Massachusetts can be found in a number of subsequent works. Another practice was painting series, works with similar structures, but with altered colors or added
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In 1928, he visited Paris, France for a year, where he painted street scenes. In 1929, while in Paris, he married his
American girlfriend, Bessie Chosak. In the 1930s, he became increasingly politically engaged; according to Cécile Whiting, Davis' goal was to "reconcile abstract art with
468:(in which he exhibited his work), to further educate himself on modernism and its evolving trends. Davis acquired an appreciation and knowledge of how to implement the formal and color advancements of European modernism, something Henri did not focus on, to his art. In 1925, the
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artists, Davis was aware of his political objectives and allegiances and did not waver in loyalty via artwork during the course of his career. By the 1930s, Davis was already a famous
American painter, but that did not save him from feeling the negative effects of the
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pictures in the early years of the 20th century. With the belief that his work could influence the sociopolitical environment of
America, Davis' political message was apparent in all of his pieces from the most abstract to the clearest. Contrary to most
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exhibit at the
Macbeth Gallery in 1908. Through his vocal rejection of academic norms in painting, Henri encouraged Davis and his other students to find new forms and ways to express their art and to draw on their daily lives for inspiration.
372:, a modernist mural now considered one of the most important American paintings in the 20th-century. That same year, Davis married Roselle Springer. Davis spent his late life teaching at the New York School for Social Research and at
476:. Davis had a large amount of respect for Léger because like Davis, Léger sought the utmost formal clarity in his work. Davis also appreciated Léger's work for the subject matter: storefronts, billboard and other man-made objects.
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geometric embellishments, essentially creating variations on a theme. Some commentators suggest that this aspect of his work parallels his love of jazz in which a basic chord structure is improvised upon by the musicians.
205:, and Helen Stuart Davis, sculptor. In 1909 he entered the Orange High School, but during his first year he dropped out and began commuting to New York City. Davis began his formal art training under
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him to develop a strong social conscience which was strengthened through his friendship with John Sloan, another anti-institutional artist. Additionally, Davis frequented the 1913
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1448:"Swing Landscape: Stuart Davis and the Modernist Mural: Upcoming: Exhibitions: Sidney and Lois Eskenazi Museum of Art: Indiana University Bloomington"
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187:. Under the project, Davis created some seemingly Marxist works; however, he was too independent to fully support Marxist ideals and philosophies.
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1584:. Junker, Patricia A., Gillham, Will. (1st ed.). New York: Hudson Hills Press in association with the Amon Carter Museum. p. 266.
1328:. Junker, Patricia A., Gillham, Will. (1st ed.). New York: Hudson Hills Press in association with the Amon Carter Museum. p. 188.
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After spending several years emulating artists in the Armory Show, Davis started moving toward a signature style with his 1919
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paintings in the Ashcan school style. In the show, Davis was exposed to the works of a number of artists including
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In 1932 Davis was devastated by the loss of his wife, Bessie Chosak Davis, who died after complications from a
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1621:. Essays by William C. Agee and Karen Wilkin, Preface by Earl Davis. Yale University Press.
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1720:"STUART DAVIS: IN FULL SWING" retrospective at the Whitney Museum June 10 – Sept 25 2016
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1729:(1963–1964), a painting in the collection of the Amon Carter Museum of American Art
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Along with his paintings, Davis was also a printmaker and was a member of the
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US postage stamp of 1964 featuring 'Detail Study for Cliche' by Stuart Davis
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paintings of the 1940s and 1950s, bold, brash, and colorful, as well as his
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1153:. New York: The Metropolitan Museum of Art. pp. 17, 18, 20, 24, 26.
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Patterson, J. (2009). Stuart Davis's painting and politics in the 1930s.
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1426:"Stuart Davis at the Whitney | Front & Center at Rockefeller Center"
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put on an exhibit in New York with several pieces by the French artist
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55:. Statements consisting only of original research should be removed.
1271:(1st ed.). New York: Abbeville Press Publishers. p. 229.
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248:. Davis became a committed "modern" artist and a major exponent of
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In 1913, Davis was one of the youngest painters to exhibit in the
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An
American collection : works from the Amon Carter Museum
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An
American collection : works from the Amon Carter Museum
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Among the public collections holding work by Stuart Davis are:
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Maier Museum of Art (Randolph-Macon Woman's
College, Virginia)
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Davis died of a stroke in New York on June 24, 1964, aged 71.
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The Eye of Duncan Phillips : a collection in the making
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issued a stamp featuring Davis' 'Detail Study for Cliche'.
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Davis was born Edward Stuart Davis on December 7, 1892, in
1556:"Stuart Davis - John Simon Guggenheim Memorial Foundation"
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painter. He was well known for his jazz-influenced, proto-
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Lane, Grayson Harris (1999). Passantino, Erika D. (ed.).
1358:"Stuart Davis (1892–1964) – AMERICAN ABSTRACT PAINTER"
335:. Also in 1932, Davis executed a mural commission for
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elected him National Secretary. He painted murals for
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and modern industrial society". In 1934 he joined the
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Stuart Davis Artwork Examples on ibiblio's WebMuseum.
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Members of the American Academy of Arts and Letters
407:crossover art and design exhibition, in 28 venues.
1641:. New Haven : Yale University Press. p. 441.
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304:; he was later elected its president. In 1936 the
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161:(December 7, 1892 – June 24, 1964) was an early
1619:Stuart Davis: A Catalogue Raisonné (3 volumes)
1201:. New York, NY: Harry N. Abrams, Inc. p.
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1617:Boyajian, Ani; Rutkoski, Mark, eds. (2007).
1580:Art., Amon Carter Museum of Western (2001).
1504:"A Painting That Pulses With a Jazz Feeling"
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392:, an abstract work inspired by jazz music.
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677:University of Illinois at Urbana-Champaign
421:at the Downtown Gallery in New York City.
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256:in America. He spent summers painting in
71:Learn how and when to remove this message
1699:Stuart Davis Artwork Examples on AskART.
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355:completed the same year). According to
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1792:Art Students League of New York faculty
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561:Crystal Bridges Museum of American Art
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819:Pennsylvania Academy of the Fine Arts
628:Hirshhorn Museum and Sculpture Garden
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199:to Edward Wyatt Davis, art editor of
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1529:Preece, R. J. (July / August 2017).
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1382:Schjeldahl, Peter (June 13, 2016).
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958:Westmoreland Museum of American Art
386:From 1945 to 1951, Davis worked on
381:Society of American Graphic Artists
359:in a 1975 piece on the work in the
316:that are influenced by his love of
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1812:20th-century American male artists
1407:Kramer, Hilton. (April 13, 1975).
863:San Francisco Museum of Modern Art
601:Fine Arts Museums of San Francisco
504:Amon Carter Museum of American Art
430:Amon Carter Museum of American Art
353:second collection of short stories
277:Amon Carter Museum of American Art
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1250:. London: Phaidon, 1995, p. 120.
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687:Kemper Museum of Contemporary Art
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1807:Burials at Green River Cemetery
1660:Stuart Davis: American Painter,
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403:(c. 1930) were featured in the
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968:Whitney Museum of American Art
623:Harvard University Art Museums
615:Fred Jones Jr. Museum of Art (
546:Carnegie Museums of Pittsburgh
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1715:Stuart Davis' Swing Landscape
1662:333 pages, 129 color illus.,
1151:Stuart Davis American Painter
755:National Gallery of Australia
649:Indiana University Art Museum
314:Works Progress Administration
260:, and made painting trips to
1533:Painting toward architecture
1312:Boyajian & Rutkoski 2007
1149:Stokes Sims, Lowery (1991).
928:Virginia Museum of Fine Arts
841:Pomona College Museum of Art
735:Museum of Fine Arts, Houston
405:Painting toward architecture
16:American painter (1892–1964)
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1797:Federal Art Project artists
1545:. Retrieved March 22, 2020.
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974:Yale University Art Gallery
888:Springfield Museum of Art (
806:Orange County Museum of Art
771:Nelson-Atkins Museum of Art
424:One of his last paintings,
275:, in the collection of the
51:the claims made and adding
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1762:Painters from Philadelphia
1678:Stuart Davis in Gloucester
1384:"Stuart Davis, Modern Man"
700:Metropolitan Museum of Art
606:Robert Hull Fleming Museum
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410:In 1952, Davis received a
306:American Artists' Congress
232:, where he displayed five
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906:Thyssen-Bornemisza Museum
810:Newport Beach, California
765:National Portrait Gallery
258:Gloucester, Massachusetts
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1787:Students of Robert Henri
1777:American modern painters
1193:Hills, Patricia (1996).
962:Greensburg, Pennsylvania
916:U.S. Library of Congress
790:West Palm Beach, Florida
521:Art Institute of Chicago
1509:The Wall Street Journal
1126:The Burlington Magazine
857:San Diego Museum of Art
835:Pierpont Morgan Library
829:The Phillips Collection
556:Cleveland Museum of Art
530:Northwestern University
515:University of Rochester
366:In 1938, Davis painted
1772:American male painters
1267:Wilken, Karen (1987).
1107:References and sources
1031:, 1921, 30 x 19 inches
922:University of Kentucky
847:Portland Museum of Art
815:Palazzo Ruspoli (Rome)
634:Honolulu Museum of Art
617:University of Oklahoma
498:Andover, Massachusetts
417:He was represented by
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202:The Philadelphia Press
1668:Harry N. Abrams, Inc.
1500:Dobrzynski, Judith H.
775:Kansas City, Missouri
691:Kansas City, Missouri
659:Johnson Museum of Art
643:Glens Falls, New York
610:University of Vermont
571:Currier Museum of Art
412:Guggenheim Fellowship
397:For internal use only
343:Art Committee named "
337:Radio City Music Hall
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1048:Museum of Modern Art
786:Norton Museum of Art
781:Nevada Museum of Art
745:Museum of Modern Art
715:Montclair Art Museum
653:Bloomington, Indiana
591:Dayton Art Institute
581:Dallas Museum of Art
419:Edith Gregor Halpert
209:, the leader of the
873:Sheldon Art Gallery
681:Champaign, Illinois
673:Krannert Art Museum
639:the Hyde Collection
526:Block Museum of Art
513:Art Gallery of the
437:U.S. Postal Service
310:Federal Art Project
185:Federal Art Project
159:Edward Stuart Davis
109:Edward Stuart Davis
99:Davis at work, 1939
1656:Lowery Stokes Sims
1413:The New York Times
1063:Steeple and Street
938:Wadsworth Atheneum
918:(Washington, D.C.)
885:(Washington, D.C.)
831:(Washington, D.C.)
767:(Washington, D.C.)
663:Cornell University
630:(Washington, D.C.)
480:Public collections
401:Composition (1863)
341:Rockefeller Center
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163:American modernist
151:American modernism
36:possibly contains
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1436:on March 1, 2020.
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896:Tacoma Art Museum
877:Lincoln, Nebraska
345:Men Without Women
223:Henry Glintenkamp
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134:June 24, 1964
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61:November 2022
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34:This article
32:
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1782:Precisionism
1734:
1726:
1677:
1674:Karen Wilkin
1659:
1638:
1618:
1581:
1575:
1563:. Retrieved
1559:
1550:
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1538:
1532:
1525:
1513:. Retrieved
1507:
1494:
1482:. Retrieved
1476:
1467:
1457:November 11,
1455:. Retrieved
1451:
1442:
1434:the original
1429:
1420:
1412:
1403:
1391:. Retrieved
1387:
1377:
1365:. Retrieved
1361:
1352:
1325:
1319:
1307:
1269:Stuart Davis
1268:
1262:
1247:
1242:
1230:. Retrieved
1221:
1197:Stuart Davis
1196:
1150:
1129:
1125:
1120:
1093:
1084:Precisionism
1062:
1044:Lucky Strike
1043:
1029:Tree and Urn
1028:
1007:Garage No. 1
1006:
983:
859:(California)
843:(California)
823:Philadelphia
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455:Inspirations
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207:Robert Henri
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197:Philadelphia
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136:(1964-06-24)
87:Stuart Davis
67:
58:
35:
18:
1757:1964 deaths
1752:1892 births
1541:magazine /
1531:Rethinking
978:Connecticut
705:Mint Museum
466:Armory Show
399:(1945) and
281:still lifes
230:Armory Show
1746:Categories
1591:1555951988
1560:www.gf.org
1335:1555951988
1256:0714832502
1112:References
1101:New Masses
1089:The Masses
924:Art Museum
900:Washington
719:New Jersey
550:Pittsburgh
517:(New York)
339:which the
285:landscapes
266:New Mexico
234:watercolor
215:John Sloan
115:1892-12-07
45:improve it
1539:Sculpture
1535:(1947–52)
1393:April 23,
1367:April 23,
952:Minnesota
347:" (after
268:in 1923.
254:modernism
176:modernist
49:verifying
1658:et al.,
1600:46641783
1409:Art view
1344:46641783
1232:July 27,
1132:465–468.
1078:See also
1065:, 1922,
1046:, 1921,
1009:, 1917,
942:Hartford
932:Richmond
800:Oklahoma
759:Canberra
565:Arkansas
534:Illinois
147:Movement
1676:1999 -
1611:Sources
1565:May 30,
446:Mentors
312:of the
298:Marxism
167:pop art
43:Please
1684:
1645:
1625:
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1588:
1342:
1332:
1275:
1254:
1248:Cubism
1209:
1157:
984:
910:Madrid
262:Havana
250:cubism
244:, and
1670:1991.
851:Maine
739:Texas
585:Texas
508:Texas
1682:ISBN
1666:and
1643:ISBN
1623:ISBN
1596:OCLC
1586:ISBN
1567:2024
1517:2020
1486:2020
1459:2021
1395:2018
1369:2018
1340:OCLC
1330:ISBN
1273:ISBN
1252:ISBN
1234:2022
1207:ISBN
1155:ISBN
890:Ohio
595:Ohio
318:jazz
283:and
252:and
221:and
131:Died
125:, US
105:Born
1130:151
351:'s
47:by
1748::
1594:.
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1287:^
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