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He returned to
Germany between 1875 and 1877, where he called upon Liszt at Weimar, and was U.S. vice consul to Germany in the winter of 1876. During this trip, his Centennial Anniversary Overture, dedicated to Ulysses Grant, was performed twice in Berlin, and once in London during Grant's stop there
229:
labelled Pratt the "American Wagner". Pratt sent a copy of the score and some of the publicity to Liszt in Weimar; Liszt's private reaction was not favorable. According to Liszt student Carl
Lachmund, about the opera Liszt commented "Crazy stuff! He has gone so far that he cannot learn anything.",
147:
Upon his return to the United States in 1871, he settled again in
Chicago, immersing himself in the musical life there. He founded (and promptly quit) Chicago's Apollo Club in 1872 with George B. Upton, and became organist of the Church of the Messiah. He was the head piano instructor for
170:, composing the inaugural fanfare for the latter. In the lead-up to the exposition, he had attempted to secure significant funding from the exposition on behalf of the nascent MTNA to produce concerts of American music. In 1895, he was appointed principal of the
257:
on 10 October 1892. He wrote a symphony inspired by
Lincoln, including a book of Lincoln anecdates. His Centennial Anniversary Overture was dedicated to and performed for Grant, and fittingly he composed the
201:
Pratt composed a great number of piano miniatures; these were usually published under the pseudonym V. B. Aubert. In these pieces he gravitated towards dance forms: waltzes, mazurkas, and schottisches.
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813:"Secretos colombinos: "Cristóbal Colón" de Leonardo Balada y Antonio Gala: Columbian Secrets / "Cristóbal Colón" by Leonardo Balada and Antonio Gala"
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106:, who often published under the pseudonym V. B. Aubert. Critic Elson described Pratt as "an example of the irrepressible Yankee in music".
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Northwestern
University's Conservatory of Music in 1874, and taught piano in Joliet. He produced the Chicago Grand Opera Festival
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113:. As a child he moved to Plainfield, IL, and as a young man he worked in Chicago for music dealers H. M. Higgins and
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He also produced many patriotic works, and was a shrewd self-promoter of them. He was the first composer to set "
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In 1888 Pratt moved to New York. He helped organize the
American Day and Chicago Day programs at the
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140:. During this time he suffered a wrist injury, which prevented his becoming a professional concert
702:
Volume of
Proceedings of the Music Teachers' National Association ...: Annual Meeting of the ...
234:
225:
convention and at
Crystal Palace during his 1885 visit to England. The advance publicity for
214:
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and about the
American Wagner allusion, he asid "Why not say 'Wagner, the German Pratt'?"
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in 1906; he served as the
Institute's president until his death in 1916. He was buried in
8:
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Lincoln in story : the life of the martyr-president told in authenticated anecdotes
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832:
798:
Living with Liszt from the Diary of Carl Lachmund, An American Pupil of Liszt 1882-1884
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283:, published by Appleton in 1901. He also wrote some piano pedagogical texts, including
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for the Grant Monument Association. In 1891 he conducted a series of concerts called
652:. Chicago and New York: American Biographical Publishing Co. 1901. pp. 569–570.
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Lincoln in story: the life of the martyr-president told in authenticated anecdotes
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in New York, and was one of the founders of the Manuscript Society in New York.
734:"A tidal wave of encouragement": american composers' concerts in the gilded age
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159:
He made other trips to Europe, to England in 1885, and Antwerp in 1895 for the
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Incidental and Dance Music in the American Theatre from 1786 to 1923 Volume 1
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In 1868 he travelled to Germany to further his studies. He studied with
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968:"HISTORICAL PERSPECTIVE of the STRING QUARTET in the UNITED STATES"
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Historical Review of Chicago and Cook County and Selected Biography
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144:. His first symphony was written and performed in Berlin in 1871.
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599:"Music Publishing in Chicago before 1871 Chapter VII Conclusion"
209:, one of which he later revised; only two were ever performed.
800:(2nd ed.). Stuyvesant, NY: Pendragon Press. p. 236.
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The pianist's mental velocity: a new departure in piano study
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The War in Song, a Musical Allegory of the Late Civil War.
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Scores by V. B. Aubert held by the Library of Congress
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possibly composed specially for Baker's production of
299:(lyric opera, selections performed, written 1870–71)
102:(August 4, 1846 – October 30, 1916) was an American
650:The Biographical Encyclopedia of the United States
177:He later moved to Pittsburgh, and established the
688:. Vol. 1. Chicago: Lewis Publishing Company.
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205:Pratt is known to have completed at least three
930:Library of Congress, Washington, D.C. 20540 USA
759:"When American Music was King of MTNA Part I"
699:Association, Music Teachers National (1921).
796:Lachmund, Carl (1998). Walker, Alan (ed.).
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333:produced for the Grant Monument Association
279:Writings by Pratt include a book entitled
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1013:International Music Score Library Project
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213:was performed seven times at Chicago's
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721:. Chicago: Munsell Publishing Company.
663:Sykes, Edward C. (November 11, 1916).
1091:Classical musicians from Pennsylvania
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1101:19th-century American male musicians
1096:20th-century American male musicians
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736:. Westport (Conn.) London: Praeger.
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914:. New York: S. Brainard's Songs Co.
811:Meza, José Elías Gutiérrez (2016).
266:Among his other compositions was a
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1036:American male classical composers
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665:"Pittsburgh Loses Noted Musician"
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327:a semi-staged cantata or pageant.
1081:20th-century classical composers
1071:19th-century classical composers
347:Angel's Wings, Romance for piano
179:Pratt Institute of Music and Art
161:Antwerp International Exposition
1086:20th-century American composers
1076:19th-century American composers
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853:Nicolas Slonimsky: Slonimskyana
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371:Centennial Anniversary Overture
342:The Angel's Call, valse celeste
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908:Pratt, Silas Gamaliel (1905).
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757:Bomberger, E. Douglas (1999).
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732:Bomberger, E. Douglas (2002).
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475:Musical Thoughts for the Piano
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1009:Free scores by Silas G. Pratt
911:The Pianist's Mental Velocity
682:Waterman, A. N., ed. (1908).
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373:, dedicated to Ulysses Grant.
1056:People from Addison, Vermont
1041:American classical composers
715:Hurd, Harvey B, ed. (1906).
331:Allegory of the War in Song,
168:World's Columbian Exposition
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850:Slonimsky, Nicolas (2004).
260:Allegory of the War in Song
10:
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966:Warburton, Thomas (1972).
541:The Smile: Polka gracieuse
1066:Musicians from Pittsburgh
597:Epstein, Dena J. (1946).
303:Zenobia, Queen of Palmyra
270:about the sinking of the
237:". His musical allegory,
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32:
856:. Taylor & Francis.
521:Shakesperian Grand March
490:Ola, fantasie romanesque
357:The Battle of Manila Bay
325:The Triumph of Columbus,
276:completed in June 1913.
221:were played at the 1885
172:West End School of Music
392:Cupid's Whisper Mazurka
253:, and was performed at
241:, was composed for the
239:The Triumph of Columbus
197:Silas G. Pratt in 1890.
27:American opera composer
1061:Musicians from Vermont
972:American Music Teacher
817:Iberoamericana (2001-)
763:American Music Teacher
572:White Fawn Schottische
562:Undine valse brillante
557:Undine polka brillante
440:Love's Messenger Polka
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189:Compositions and Works
382:Life's Dream is o'er!
337:America the Beautiful
235:America the Beautiful
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949:Franceschina, John.
526:The Harp At Midnight
460:The Midnight Zephyrs
387:Charm Bells Nocturne
249:'s discovery of the
100:Silas Gamaliel Pratt
34:Silas Gamaliel Pratt
18:Silas Gamaliel Pratt
718:History of Evanston
552:Triumph of Columbus
352:The Battle Fantasia
321:(unperformed opera)
955:. BearManor Media.
548:, his 3rd symphony
531:The Serenade March
495:Paul Revere's Ride
470:Murmuring Wavelets
455:The Midnight Stars
430:Love's First Dream
377:The Crown of Glory
362:Black Crook Waltz,
217:; selections from
215:McVicker's Theater
199:
863:978-0-415-96868-3
743:978-0-275-97446-6
465:Moonlight Shadows
450:The Matinée polka
445:Magdalen's Lament
435:Love's Last Dream
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567:White Fawn March
425:Lincoln Symphony
420:La Perle de Nuit
243:quadricentennial
115:Lyon & Healy
111:Addison, Vermont
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73:October 30, 1916
63:Addison, Vermont
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397:Gone! Impromptu
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315:) (1887), opera
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126:Franz Bendel
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75:(1916-10-30)
1051:1916 deaths
1046:1846 births
546:The Tempest
405:schottische
1030:Categories
935:2023-12-29
581:References
507:, symphony
480:Néné waltz
154:world tour
81:Pittsburgh
55:1846-08-04
984:0003-0112
888:293153198
829:1577-3388
775:0003-0112
623:0027-4380
287:in 1905.
251:New World
992:43533779
893:July 25,
837:26314572
783:43545128
536:The Sigh
268:symphony
247:Columbus
104:composer
1015:(IMSLP)
1011:at the
319:Ollanta
313:Antonio
309:Lucille
297:Antonio
273:Titanic
227:Zenobia
219:Zenobia
211:Zenobia
183:Chicago
152:on his
142:pianist
92:Chicago
990:
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631:891428
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207:operas
136:, and
988:JSTOR
833:JSTOR
779:JSTOR
627:JSTOR
603:Notes
980:ISSN
895:2011
884:OCLC
858:ISBN
825:ISSN
771:ISSN
738:ISBN
619:ISSN
223:MTNA
70:Died
49:Born
611:doi
245:of
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