38:
121:. The string would produce the same amount of energy without the board present, but the greater surface area of the soundboard moves a greater volume of air, which produces a louder sound. "Generally, stiffer boards will give a brighter edge to the sound than softer, more flexible boards....A good, dry soundboard has a certain 'live' tone while a poor one will have a relatively dead response", which may be tested during construction by thumping the board and listening for, "brighter, more noticeable ring", as one works the board, "to the appropriate thinness".
53:
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of the material. Not only is this process lengthy, but it is also expensive. It would be far quicker and cheaper to subject the wood to artificial drying, although the quality of the material would be compromised. The acoustic properties of an instrument are also influenced by the wood's cutting profile, the direction of its fibres and the lack of knots.
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Wood for woodworking must be specially prepared. Ideally, it should be naturally dried. The natural drying process takes at least one year, but it is the only process that preserves the natural structure of the fibres and pores of the wood, which determine the resonance and frequency characteristics
108:
When the top (or soundboard) vibrates, it generates sound waves, much like a loudspeaker. As the soundboard moves forward, the air that is in front of it is compressed and it moves away from the guitar. As the soundboard moves back, the pressure on the air in front of the guitar is reduced. This is
117:. The string gently vibrates the board, and despite their differences in size and composition, makes the board vibrate at exactly the same frequency. This produces the same sound as the string alone, differing only in
109:
called a "rarefaction," and air rushes in to fill the rarefied region. Through this process, an alternating series of compression and rarefaction pulses travel away from the soundboard, creating sound waves.
100:
of the vibrating strings. "The sound board is probably the most important element of a guitar in terms of its influence on the quality of the instrument's tone [
96:, and many other stringed instruments incorporate soundboards. The resonant properties of the soundboard and the interior of the instrument greatly increase the
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makers have experimented with metal soundboards. Wooden soundboards, with the exclusion of those found on keyboard instruments, typically have one or more
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342:, or top, is the most important component of any guitar, for it is responsible for the majority of the instrument's sound [
285:. "The soundboard is the most important component of an acoustic instrument. In acoustic terms, it is referred to as a 'plate.
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More generally, any hard surface can act as a soundboard. An example is when someone strikes a
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This article is about the musical instrument component. For the speaking aid, see
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Gerken, Teja; Simmons, Michael; Ford, Frank; and
Johnston, Richard (2005).
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A portion of the soundboard of a Vose & Sons upright piano
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that the strings vibrate against, usually via some sort of
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The soundboard, depending on the instrument, is called a
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and holds it against a table top to amplify its sound.
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124:Soundboards are traditionally made of wood (see
388:The New Grove Dictionary of Music and Musicians
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144:appear on many plucked instruments, such as
113:The soundboard operates by the principle of
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417:Wegst, Ulrike G. K. (1 October 2006).
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377:Montagu, Jeremy (2001). "Belly". In
140:of various shapes. Round, oval, or
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459:from the original on Apr 17, 2023
64:No. 15 indicates the Soundboard
860:String instrument construction
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1:
259:An encyclopedia of the violin
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865:Guitar parts and accessories
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304:Classic Guitar Construction
271:Siminoff, Roger H. (2002).
226:
10:
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423:American Journal of Botany
199:. It is usually made of a
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685:
631:Music On A Long Thin Wire
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520:
466:– via ResearchGate.
357:Recording Guitar and Bass
257:Alberto Bachmann (1975),
527:HornbostelâSachs numbers
391:(2nd ed.). London:
164:commonly have elaborate
307:, p.20. Bold Strummer.
301:Sloane, Irving (1989).
218:Production and material
72:(occasionally called a
27:Musical instrument part
608:Long-string instrument
436:10.3732/ajb.93.10.1439
330:, p.127. Hal Leonard.
274:The Luthier's Handbook
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76:) is the surface of a
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359:, p.72. Hal Leonard.
277:, p.44. Hal Leonard.
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63:
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393:Macmillan Publishers
160:family instruments.
355:Price, Huw (2002).
615:Melde's experiment
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18:Soundboard (music)
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603:Longitudinal wave
429:(10): 1439â1448.
402:978-1-56159-239-5
78:string instrument
16:(Redirected from
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667:String vibration
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289:" Or "plaque"".
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839:Washtub bass
692:musical bows
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652:Scale length
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549:Third bridge
461:. Retrieved
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132:family, and
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814:Psalmodicon
727:Diddley bow
586:Fundamental
576:Fingerboard
556:Chordophone
514:instruments
212:tuning fork
193:sound-table
138:sound holes
134:harpsichord
43:harpsichord
854:Categories
747:Ichigenkin
742:Ground bow
687:Monochords
677:Tuning peg
657:Soundboard
571:Enharmonic
463:2023-04-12
340:soundboard
244:References
173:soundboard
70:soundboard
32:Soundboard
794:Langeleik
732:Duxianqin
625:Monochord
594:Overtones
590:Harmonics
445:0002-9122
344:amplitude
185:resonator
181:top plate
150:mandolins
809:Onavillu
762:Genggong
757:Jaw harp
705:Berimbau
647:Re-entry
504:Musical
457:Archived
453:21642091
385:(eds.).
238:Tonewood
227:See also
203:, often
201:softwood
166:rosettes
126:tonewood
104:]."
98:loudness
829:Umuduri
804:Masenqo
787:Mukkuri
782:Morsing
722:ÄĂ n bầu
715:Boom-ba
700:Ahardin
506:strings
346:]."
338:. "The
154:F-holes
146:guitars
142:F-holes
90:guitars
834:Unitar
799:Lesiba
777:Kubing
772:Khomuz
767:Gogona
737:Ektara
561:Course
544:Bridge
512:, and
451:
443:
399:
363:
334:
311:
281:
205:spruce
158:violin
119:timbre
102:timbre
94:banjos
86:Pianos
82:bridge
824:Tumbi
566:Drone
510:wires
197:belly
195:, or
189:table
162:Lutes
130:banjo
45:with
637:Node
581:Fret
523:List
449:PMID
441:ISSN
397:ISBN
361:ISBN
332:ISBN
309:ISBN
279:ISBN
148:and
689:and
642:Nut
539:Bow
431:doi
177:top
856::
508:,
455:.
447:.
439:.
427:93
425:.
421:.
395:.
381:;
294:^
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191:,
187:,
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