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655:) against the background of his works, such as “Sheikh Sanan”, “Siyavush”, “Lame Teymur” were shown in the film. Character of Iblis (plays Mammad Safa), a negative hero, became prevailing personage of the film. As it was decided, this character had to be played by one of the actors as a symbol of universal evil, but proceeding from the author's ideas about the multi-faced evil, Iblis appears or in the image of a mystic devil, or an investigator of
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stage director showed the essence of the tragedy's subject matter on the basis of international political relations, because of which it is considered that the spectacle was “original, fresh, compositionally grandiose and majestic”. It was also noted that, an eternal conflict between good and evil, humanity and the Devil's home was expressed through Huseyn Javid's poetry. The Devil's home was expressed through a modern threat of
447:. And when Iblis assumed the aspect of human, the actor played a piece of an experienced old man, inclined to philosophic thoughts seeming humane, calling sympathy of surrounding him people. It is also noted that “a romantic ardor, by which a quite complex philosophic subject matter of the play is revealed in the theatre” called “warm sympathy of the spectators”. In December, 1920 a premiere of the play was held in
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of war-time and pre-revolutionary period, which is spiritually a dualist", which is an embodiment of all socio-psychological and ideological-political reality of Javid's group of intelligents. Nazim writes that in play Javid “comes out in a mask of the Demon on one hand, and in form of Arif, - on the
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on
December 21, 1920 by Abbas Mirza Sharifzade. “Iblis” is considered as the first verse drama of Azerbaijan, which was put on the stage. The first staging of “Iblis” is considered as a significant event in the theatrical life of Azerbaijan. Then, the theatre used all available facilities in order to
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In the film, evil bursts into Javid's life, attempting to break it, trying to get it under its own control, make it an acquiescent tool of its evil will. There was shown that neither the arrest, nor a forcible separation with dears and the death itself couldn’t crack Javid down. As the script writer
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wars, violence of people, crime and betrayal, but by the grace of the God he sees the salvation of humanity, believes in his confluence with the free world. But, eventually Arif obeys to the Satan, becomes a murderer of his wife and brother and also becomes a greedy for gold and wealth. He could not
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were sounded in the dram. It is noted that humanistic ideas of the author were realized in Iblis's image – an image of “evil”, the unmasker of human's betrayals and crimes. Huseyn Javid denies a well-known belief about that “the devil is the source of all human troubles” in his work. The poet says,
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included “Iblis” tragedy in their repertoire. Artistic council of the theatre entrusted the staging of the spectacle to Mehdi
Mammadov. Mehdi mammadov's “Iblis” possessed a philosophic and psychological depth. The spectacle was staged “in a style of a synthesis of monumentalism and modernism”. The
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As it was pointed out, in the play Huseyn Javid protests against devastating wars and their inspirers, unmasks rotten philosophy of non-resistance to evil, and also “naïve hope of people for triumph of good beginning in the capitalistic world”. It is considered that the dram was written under a
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For the second time the tragedy was played in
Azerbaijan State Drama Theatre a year later, in 1921, with that very staging. Then it was staged by such stage directors as Alexander Ivanov (in 1922) and Alexander Tuganov (in 1926). Theater expert Ilham Rahimli noted that these stagings had either
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image, Huseyn Javid created a character of people, who sell their souls to the devil for money. According to the author, souls of these people aren’t free, they are in captivity of the devil and the devil rules the souls of people, for whom the material welfare is considered the main stimulus.
874:Под ред. А. Анастасьева. Редакционная коллегия: А. Анастасьев, Б. Гиззат, Г. Гоян, Д. Джанелидзе, Д. Джафаров, А. Зарян, М. Иосипенко, О. Кайдалова, Ю. Калашников, К. Кундзинь, Б. Нефед, Н. Нурджанов, Е. Полякова, К. Рудницкий, А. Рыбник, М. Строева. Отв. редактор тома К. Рудницкий (1966).
711:Под ред. А. Анастасьева. Редакционная коллегия: А. Анастасьев, Б. Гиззат, Г. Гоян, Д. Джанелидзе, Д. Джафаров, А. Зарян, М. Иосипенко, О. Кайдалова, Ю. Калашников, К. Кундзинь, Б. Нефед, Н. Нурджанов, Е. Полякова, К. Рудницкий, А. Рыбник, М. Строева. Отв. редактор тома К. Рудницкий (1966).
594:
Poet and publicist
Mikayil Rzaguluzade thinks that Javid attempted to solve the issue abstractly, in non-social plan, without revealing imperialistic reality of wars and bloody battles in concrete historical images. It is also noted that there were a lot of
421:
make a colorful romantic spectacle. Despite minor technical means, the theater achieved interesting views for war, fire scenes, effective disappearance and appearance of personages. A scene of feast in the last act was also very interesting.
182:. It is noted that, at the beginning of the 1920s the play had a great success. “Iblis” is considered as the first verse play of Azerbaijan, which was put on the stage. It is also noted that the play is significant not only for its complex
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genres, but not in a movie. That is why the idea of eternal evil was used as a basis of the film and the destiny of Javid was thread on it. According to Anar, universality of this idea embodied in the images of such personalities as
618:
According to literary critic Ali Nazim, the main heroes of the drama – Arif, Vasif and Iblis – were different variations of pivotal image of Javid's creativity. It was also outlined that this is also the image of "Turkish
443:(where it was often described as blind in one eye). It is considered that Iblis created by Sharifzade was strict, magnificent, angry, embodying evil and revenge, spreading fear and confusion, was pathetic and
634:
is quite perceptible in a language, visual methods and techniques of this tragedy, and that the “Iblis” play revealed a new stage in the history of
Azerbaijan's dramaturgy, besides with “Sheikh Sanan” play.
397:
only reunite with the dreamed world, but also became shabby. Arif, who lived with great ideas, couldn’t become higher than a simple man and finally drag out a miserable existence.
972:. Vol. 7. Actes du Premier congrès international des études balkaniques et sud-est europeennes: Littérature, ethnographie, folklore: Академия наук Болгарии. p. 302.
889:
726:
492:– a cultural figure of Uzbekistan. Influence of this play on development of theatrical art in Uzbekistan and in other republics of
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mistakes of the author, too. Even before the author's arrest, it was stated that Javid's conversion to a peculiar combination of
567:’s work he is referred to Ali Nazim’s citation about Huseyn Javid as “he was the one of rare talents in the whole Soviet Union”.
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The play was published in 1924, for the first time. Later, it was published in 1927, 1959, 1969, 1982, 2001 and 2005. In the
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431:’s piece was played by Sharifzade himself. Critics noted that this character created by Sharifzade, didn’t remind of the “
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at all. And whereas the poet was far from a presentation of the Devil’s appearance, which was typical for the
Eastern
1023:
559:”, but a literary critic Ali Nazim calls it “Faust’s” imitation. After publication Javid's drama was compared with
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of woodwind and brass instruments of orchestra created panicky condition of humanity before the terrible.
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flaw is strongly expressed and the poet's thoughts about a problem of human's happiness followed by the
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563:. In investigations of 1937, a tendentious character was given to its popularity; for instance, in
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957:. Vol. 3. Литературная энциклопедия: Издательство Коммунистической академии. p. 233.
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384:. Arif - the main hero of the play – is very humane and romantic young man. With the help of
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848:. Vol. 3 (1926-1932). История советского драматического театра: Наука. p. 330.
651:– People's Writer of Azerbaijan – was released. A tragic destiny of Huseyn Javid (plays
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Officers, warriors, brigands, dancers (Arab), strong men, ghosts, musicians and others.
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Poster of the spectacle staged on May 26, 1922 in honor of
Ismayil Hidayetzade and
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922:. Vol. 1. Библиотека поэта. Большая серия.: Советский писатель. p. 421.
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508:
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notes, a conditional and symbolic form of the play can be realized in ballet or
863:. Vol. 1. Баку: Азербайджанское государственное издательство. p. 522.
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The last staging of the play, during the author's lifetime, was held in 1925.
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no, all misfortunes come from human's self-interest, from “ruthless kings”, “
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992:. газета «Азербайджанский конгресс»: Академия наук Болгарии. pp. 8–9.
918:Под ред. А. Н. Болдырева, А П. Векилова. Примечания А П. Векилова (1962).
667:-murderer. Sowing death around him, the Iblis himself remains immortal...
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was also mentioned. In 1924, the play was put on the stage in
Tashkent.
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called “Javid’s life” and written according to the screen script of
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In 1983, while preparing for the 100th anniversary of Huseyn Javid,
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bomb. Aydin Azimov's “horror influencing” music, which is based on
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942:. Vol. 19. «Печать и революция»: Kraus Reprint. p. 104.
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and beys of any country”, form “priests of different religions”.
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905:Литературные связы и узбекская драматургия: первая треть XX века
799:Составитель Tуран Джавид, под ред. проф. Акрама Джафара (1982).
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Hamid Arasli noted that, the influence of the
Turkish poet
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201:. It is considered one of the best plays of Huseyn Javid.
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For the first time, the play was put on the stage of the
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It was noted that in 1921-1924's the play was staged in
570:
It is also considered that critics directed to anti-
451:
767:. Vol. 2. Советская энциклопедия. p. 842.
481:. In 1923, the play was staged in Uzbek language.
846:Театр народов Закавказья // Азербайджанский театр
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477:power's existence, the play was translated into
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178:Initially the tragedy was staged in 1920, by
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953:Под ред. П. И. Лебедева-Полянского (1930).
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970:Тевфик Фикрет и азербайджанская литература
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876:История советского драматического театра
833:. Vol. 3. Баку: Lider. p. 304.
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803:. Vol. 2. Баку: Язычы. p. 394.
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713:История советского драматического театра
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360:
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504:Azerbaijan State Academic Drama Theatre
468:Azerbaijan State Academic Drama Theatre
367:Azerbaijan State Academic Drama Theatre
96:Azerbaijan State Academic Drama Theatre
1001:
776:
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749:. Большая биографическая энциклопедия.
715:. Vol. 1. М.: Наука. p. 281.
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878:. Vol. 1. М.: Наука. p. 93.
814:Topal Teymur. İblis. Əsərlər (2001).
763:Малая советская энциклопедия (1931).
758:
756:
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167:of Javid is revealed in the play, a
771:
643:In 2007, a film of a film-director
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986:Бадалбейли И. (27 February 2009).
783:История азербайджанской литературы
753:
473:Already in the first years of the
14:
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412:, the first actor of "Iblis" role
263:officer (Arif’s youngest brother)
365:Kazim Ziya in the role of Arif.
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197:of 1931, the work was called a
163:, written in 1918. Ideological
16:1918 verse play by Huseyn Javid
861:Сочинения. Драматургия и театр
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455:positive or negative moments.
425:was broadly used in the play.
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615:were also marked in “Iblis”.
907:. Ташкент: Фан. p. 153.
818:. Баку: Atilla. p. 162.
638:
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333:Ghost of Rena's grandfather
175:are reflected in the poem.
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1050:
1034:Azerbaijani-language plays
940:Азербайджанская литература
250:modestly-dressed young man
241:old sheikh’s granddaughter
186:character, and also for a
1029:Tragedies of Huseyn Javid
785:. Баку: Элм. p. 216.
551:perceptible influence of
376:Events take place in the
195:Small Soviet Encyclopedia
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1024:Plays set in Azerbaijan
410:Abbas Mirza Sharifzadeh
371:Abbas Mirza Sharifzadeh
369:. 1922. Stage director
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307:Wounded officer of the
302:, 45 years aged officer
180:Abbas Mirza Sharifzadeh
801:Һүсејн Ҹавид. Әсәрләри
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392:Arif was puzzled with
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232:a grey-haired solitary
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43:Poster. 26 May 1922.
859:Д. Джафаров (1969).
844:Д. Джафаров (1967).
546:, author of the play
535:Analysis of the play
464:Aghasadyg Garaybeyli
159:poet and playwright
45:State Turkic Theatre
781:Мамед Ариф (1971).
155:in four acts of an
989:Вечности заложник…
968:Г. Араслы (1971).
920:Поэты Азербайджана
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401:History of staging
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1014:Azerbaijani plays
938:Назим А. (1929).
903:С. Алиев (1975).
829:Əsərləri (2005).
743:А. Назим (2009).
173:imperialistic war
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87:December 21, 1920
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56:Huseyn Javid
601:rationalism
597:Pan-Turkism
576:imperialism
529:dissonances
519:string and
494:Middle Asia
382:World War I
325:Ibn Emin’s
314:a young man
184:philosophic
157:Azerbaijani
138:Azerbaijani
106:Azerbaijani
26:Azerbaijani
1019:1918 plays
1003:Categories
692:References
673:rock-opera
574:nature of
572:humanistic
486:Uzbekistan
62:Characters
52:Written by
884:cite book
721:cite book
682:Mussolini
665:terrorist
663:and or a
639:Screening
621:bourgeois
613:mysticism
607:, social
523:beats of
378:Near East
75:Ibn Yemin
22:The Devil
686:Baghirov
627:other.”
609:idealism
521:ostinato
513:hydrogen
449:Tashkent
441:folklore
433:European
344:deserter
294:Ibn Emin
188:romantic
561:Pushkin
525:timpani
517:tremolo
380:during
287:Turkish
261:Turkish
190:style.
153:tragedy
144:) is a
122:Setting
116:Tragedy
955:Джавид
765:Джавид
678:Stalin
661:priest
553:Goethe
475:Soviet
445:ironic
423:Ballet
338:Elkhan
327:batman
237:Khaver
227:Sheikh
169:mystic
79:Elkhan
77:Khaver
589:tsars
585:shahs
581:emirs
557:Faust
490:Hamza
429:Iblis
386:Iblis
320:Negro
289:girl)
283:nurse
255:Vasif
219:Angel
212:Iblis
205:Roles
165:credo
146:verse
133:Iblis
112:Genre
71:Vasif
66:Devil
890:link
727:link
684:and
657:NKVD
649:Anar
611:and
603:and
555:’s “
511:and
509:atom
357:Plot
300:Arab
277:Rena
246:Arif
225:Old
199:poem
149:play
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298:an
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