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125:. Introducing himself as Erik Satie, he relapsed into French, which I informed him I did not understand. With a twinkle in his eye he said it did not matter. We had a couple of additional grogs; I began to feel warm and lightheaded. Leaving the café, we passed a shop that had various household utensils spread out front. I picked up a flat-iron, the kind used on coal stoves, asked Satie to come inside with me, where, with his help, I acquired a box of tacks and a tube of glue. Back at the gallery I glued a row of tacks to the smooth surface of the iron, titled it 'The Gift', and added it to the exhibition. This was my first Dada object in France".
121:"A strange voluble little man in his fifties came over to me and led me to one of my paintings...I was tired with the preparations of the opening, the gallery had no heat, I shivered and said in English that I was cold. He replied in English, took my arm, and led me out of the gallery to a corner café, where he ordered
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to
Phillippe Soupault in gratitude for his sponsorship, but it was stolen from the Galerie Six the same day and never recovered. He went on to create many individual reproductions of the piece throughout his career, and in his last years Ray authorized two
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Galerie Six on
December 3, 1921. The original is lost but its concept survives through later reproductions created or sanctioned by the artist.
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This productive encounter marked the beginning of a friendship between artist and composer that lasted until Satie's death in 1925.
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movement, it was created spontaneously and exhibited at the opening of Ray's first solo show in
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Robert
Orledge, "Satie Remembered", Faber and Faber Limited, London, 1995, pp. 109-110.
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253:"Man Ray (Emmanuel Radnitzky). Gift. C. 1958 (Replica of 1921 original) | MoMA"
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in 1974. One of these replicas was a featured exhibit at the now-defunct
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In his memoirs Ray recalled how the eccentric French composer
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267:"Cadeau (SĂ©rie II) | Smithsonian American Art Museum"
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Sculptures in the Museum of Modern Art (New York City)
225:"'Cadeau', Man Ray, 1921, editioned replica 1972"
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98:glued to its sole. An iconic work of the
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180:"Under a grand: Man Ray's Le Cadeau"
178:Davies, Serena (November 29, 2005).
239:"Learn More About Man Ray's Cadeau"
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470:(photographic assistant and lover)
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149:in Paris; others are held by the
522:Sculptures in the Tate galleries
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159:Smithsonian American Art Museum
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132:Ray intended to present
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412:Le Retour Ă la raison
35:Replica of Man Ray's
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161:in Washington, D.C.
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108:Phillippe Soupault's
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366:Électricité
342:(1930–1932)
315:Photographs
151:Tate Modern
96:thumb tacks
496:Categories
468:Lee Miller
420:Emak Bakia
377:Sculptures
358:Portfolios
165:References
115:Erik Satie
123:hot grogs
84:readymade
80:Le Cadeau
67:Sculpture
385:The Gift
143:The Gift
134:The Gift
75:The Gift
63:Movement
37:The Gift
24:The Gift
482:(model)
308:Man Ray
191:July 6,
88:Man Ray
48:Man Ray
464:(wife)
439:(1929)
431:(1928)
423:(1926)
415:(1923)
396:(1923)
388:(1921)
369:(1931)
350:(1936)
339:Larmes
334:(1926)
326:(1924)
54:Medium
44:Artist
404:Films
106:, at
104:Paris
193:2017
100:Dada
92:iron
57:Iron
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