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that it was poisonous, asks that he himself be executed. Lyubasha then confesses that she had substituted her potion from
Bomelius for Gryaznoi's. In a rage, Gryaznoi murders Lyubasha, and is then taken to prison eventually to be executed. In her madness, Marfa mistakes Gryaznoi for Lykov, inviting him to return the next day to visit her, then dies.
755:, daughter of the merchant Sobakin, even though Gryaznoi already has a mistress, Lyubasha, whom he has neglected of late. Marfa is already betrothed to the boyar Lykov. In a jealous rage against Lykov, Gryaznoi arranges to cast a spell on Marfa with a magic potion from Bomelius, the Tsar's physician. Lyubasha has overheard Gryaznoi's request.
40:
787:
At the Tsar's palace, Marfa has become violently ill. Lykov has been executed, at the instigation of
Gryaznoi, on charges of attempting to kill Marfa. When Marfa learns that Lykov is dead, she goes insane. Eventually, Gryaznoi admits that he had slipped a potion into her drink, and after learning
779:. The Tsar settles upon Marfa. At the celebration of the engagement of Marfa to Lykov, everyone is surprised when the news arrives of the Tsar's choice of Marfa as his bride. Gryaznoi had slipped what he thought was the love potion from Bomelius into Marfa's drink at the feast.
891:
1991: Pyotr
Gluboky (Sobakin), Ekaterina Kudriavchenko (Marfa), Vladislav Verestnikov (Gryaznoy), Arkady Mishenskin (Lykov), Nina Terentieva (Lyubasha), Irina Udalova (Domna Saburova); Sveshnikov Academic Russian Choir and Orchestra of the Bolshoi Theatre;
169:
854:(Sobakin), Elizaveta Chavdar (Marfa), Mikhail Grishko (Gryaznoy), Pyotr Belinnik (Lykov), Larisa Rudenko (Lyubasha), Vera Lyubimova (Domna Saburova); Kiev Opera Chorus and Orchestra; Vladimir Piradov, conductor
209:, too, once toyed with the idea.) However, the opera was not composed until thirty years later, in 1898. The first performance of the opera took place in 1899 at the Moscow theater of the Private Opera of
861:(Sobakin), Elizaveta Shumskaya (Marfa), Alexey Ivanov (Gryaznoy), Andrey Sokolov (Lykov), Veronika Borisenko (Lyubasha), Tatyana Tugarinova (Domna Subarova); Chorus and Orchestra of the Bolshoi Theatre;
59:
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Lyubasha in turn obtains from
Bomelius another magic potion with which to cancel any feelings of Gryaznoi for Marfa. Bomelius consents, but at the price of an assignation with Lyubasha for himself.
929:(Sobakin), Lydia Kovaleva (Marfa), Yuri Grigoriev (Gryaznoy), Evgeny Shapin (Lykov), Nina Terentieva (Lyubasha), Larissa Yurchenko (Domna Saburova); Orchestra and Chorus of the Bolshoi Theatre;
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Two distinguished horsemen, riders, oprichniki, male and female choristers, dancers, boyars and boyarïnyas, maidens, servants, people.
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991:' into 'merchant' by Rimsky-Korsakov himself because of the obvious Romanovs-era censorship precautions reasons. The historical
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Rimsky-Korsakov himself said of the opera that he intended it as a reaction against the ideas of
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Anderson, Robert, "Record
Reviews: The Tsar's Bride" (January 1975) HMV SLS 885 (LP issue):.
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884:(Lyubasha), Eleonora Andreeva (Domna Saburova); Chorus and Orchestra of the Bolshoi Theatre;
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with scenic designs by Ivanov and Lambin. Another notable performance was at the
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201:. Mey's play was first suggested to the composer as an opera subject in 1868 by
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The Legend of the
Invisible City of Kitezh and the Maiden Fevroniya
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The Legend of the
Invisible City of Kitezh and the Maiden Fevroniya
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1306:. London: William Reeves / The New Temple Press. pp. 246–260.
1108:"Screen: Sound of Rimsky:'Tsar's Bride,' Soviet Film, at Regency"
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1197:
Recordings of the opera listed on operadis-opera-discography.org
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1998: Gennady
Bezzubenkov (Sobakin), Marina Shaguch (Marfa),
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1294:Ленинград: Издательство "Музыка," 1968, pp. 356–361.
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One noted US production was in 1986 at
Washington Opera.
254:. St. Petersburg had its premiere two years later at the
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Sadie, Stanley, "Reports: Washington" (January 1987).
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1292:100 опер: история создания, сюжет, музыка.
1149:(in Russian). Science and Life. March 2006
847:, conductor; Dante Productions LYS 055/56:
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1350:International Music Score Library Project
1881:Cultural depictions of Ivan the Terrible
1229:(1993). Harmonia mundi LDC 288 056/57:
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771:In the meantime, the Tsar of the title,
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185:, the composer's tenth opera. The
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1314:, New York: Penguin Putnam, 2001.
731:Place: Aleksandrovsky settlement,
266:(Kuper) and with scenic design by
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1851:Operas by Nikolai Rimsky-Korsakov
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1886:Fictional emperors and empresses
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1642:Russian Easter Festival Overture
1298:Abraham, Gerald (1936). "XII.--
615:her daughter, Marfa's girlfriend
16:Opera by Nikolai Rimsky-Korsakov
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915:, conductor. Philips 462 618-2:
1326:The Oxford Dictionary of Opera
1324:Warrack, John and West, Ewan,
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358:Vasily Stepanovich Sobakin,
250:, the scenic designer being
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1792:Nadezhda Rimskaya-Korsakova
1470:The Noblewoman Vera Sheloga
1312:The New Penguin Opera Guide
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292:
162:
10:
1902:
1253:. Nikolai Rimsky-Korsakov"
1072:. Nikolai Rimsky-Korsakov"
1031:. Nikolai Rimsky-Korsakov"
792:Important musical excerpts
349:14 April 2011 (Conductor:
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1784:
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1709:Symphony No. 1 in E minor
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1628:Fantasy on Serbian Themes
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1143:"That Same Tsar's Britde"
1066:Robinson, Harlow (1991).
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383:Vasily Rodionovich Petrov
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1304:Studies in Russian Music
1199:Retrieved 19 August 2013
338:Moscow 1916 (Conductor:
314:Mikhail Ippolitov-Ivanov
288:
262:in Moscow, conducted by
1856:Russian-language operas
1688:The Tale of Tsar Saltan
1549:Flight of the Bumblebee
1486:The Tale of Tsar Saltan
1386:Nikolai Rimsky-Korsakov
1025:Graeme, Roland (1997).
827:A 1930 stage design by
803:Lyubasha's Song (Act I)
759:Act 2: The Love Philtre
501:Ivan Sergeyevich Lïkov
183:Nikolai Rimsky-Korsakov
32:Nikolai Rimsky-Korsakov
1751:Trombone Concerto in B
1715:Antar (Symphony No. 2)
1310:Holden, Amanda (Ed.),
831:
713:Chorus, silent roles:
538:Aleksandra Rostovtseva
409:Nadezhda Zabela-Vrubel
277:premiere was given at
195:drama of the same name
46:Nadezhda Zabela-Vrubel
1871:Operas based on plays
1502:Kashchey the Immortal
1247:Pines, Roger (2001).
826:
809:Marfa's Aria (Act IV)
510:Anton Sekar-Rozhansky
281:in 2011, directed by
248:Private Opera Society
130:Private Opera Society
1876:Operas set in Russia
1395:List of compositions
1328:New York: OUP: 1992
927:Alexander Vedernikov
859:Alexander Vedernikov
806:Lykov's Aria (Act I)
559:the Tsar's physician
520:Mikhail Kurzhiyamsky
492:Alexander Vinogradov
482:Aleksandr Antonovsky
44:The death of Marfa,
1766:Cultural depictions
1740:Piano Concerto in C
1664:The Golden Cockerel
1526:The Golden Cockerel
1269:10.1093/oq/17.1.154
1257:The Opera Quarterly
1076:The Opera Quarterly
1047:10.1093/oq/13.4.204
1035:The Opera Quarterly
901:Dmitri Hvorostovsky
874:Galina Vishnevskaya
767:Act 3: The Best Man
652:Varvara Kharitonova
633:Konkordiya Antarova
608:Elizabeth Woollett
571:Daverin-Kravchenko
419:Antonina Nezhdanova
242:Performance history
1622:Capriccio Espagnol
1462:Mozart and Salieri
1216:(1583): pp. 50-51.
1169:"The Tsar's Bride"
1132:(1727): pp. 40-41.
1112:The New York Times
1088:10.1093/oq/8.4.112
870:Yevgeny Nesterenko
832:
728:Time: Autumn, 1572
665:The Tsar's stoker
637:Jurgita Adamonyte
551:Ekaterina Gubanova
515:Fyodor Oreshkevich
430:Grigory Gryaznoy,
424:Marina Poplavskaya
268:Konstantin Korovin
193:, is based on the
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1414:The Maid of Pskov
1231:The Musical Times
1210:The Musical Times
1126:The Musical Times
909:Mariinsky Theatre
894:Andrey Chistiakov
878:Vladimir Atlantov
863:Yevgeny Svetlanov
720:
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660:Anne-Marie Owens
623:Varvara Strakhova
557:Yelisey Bomeliy,
445:Nikolay Shevelyov
388:Paata Burchuladze
340:Feliks Blumenfeld
256:Mariinsky Theatre
207:Alexander Borodin
163:Tsarskaya nevesta
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783:Act 4: The Bride
743:Act 1: The Feast
603:Sofiya Gladkaya
586:a merchant woman
579:Vasily Gorshkov
487:Platon Tsesevich
467:Malyuta Skuratov
455:Leonid Savransky
331:Eduard Nápravník
327:30 October) 1901
310:22 October) 1899
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336:Premiere cast
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323:11 November (
319:Premiere cast
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1272:. Retrieved
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1177:. Retrieved
1175:(in Russian)
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1091:. Retrieved
1079:
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1050:. Retrieved
1038:
1034:
1028:
982:
951:
942:
941:
933:, conductor.
931:Yuri Simonov
919:
918:
888:, conductor.
852:Boris Gmyria
829:Ivan Bilibin
818:
817:
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697:A young lad
643:
614:
598:Lila Kedrova
585:
575:Fyodor Ernst
558:
471:an oprichnik
470:
460:Johan Reuter
431:
399:his daughter
398:
359:
329:(Conductor:
312:(Conductor:
306:3 November (
272:
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54:Native title
1866:1899 operas
1776:(1953 film)
1686:Suite from
1678:Suite from
1670:Suite from
1662:Suite from
1593:(1965 film)
1585:(1953 film)
1577:(1952 film)
1173:belcanto.ru
1006:and boyars.
996: [
971: [
960: [
896:, conductor
872:(Sobakin),
865:, conductor
839:(Sobakin),
600:'s mother)
361:Novgorodian
299:Voice type
283:Paul Curran
264:Emil Cooper
1845:Categories
1698:Symphonies
1274:2007-09-30
1093:2007-09-30
1052:2007-09-30
1004:oprichnina
938:References
814:Recordings
777:bride-show
642:Petrovna,
613:Dunyasha,
351:Mark Elder
79:Librettist
1733:Concertos
1422:May Night
1179:6 January
1153:5 January
957:Skuratovs
955:Both the
880:(Lykov),
749:Oprichnik
681:A maiden
529:Lyubasha
434:oprichnik
234:opera in
232:repertory
157:romanized
60:‹See Tfd›
1820:Category
1754:♭
1743:♯
1494:Servilia
993:Sobakins
968:Saburovs
966:and the
797:Overture
723:Synopsis
590:soprano
547:Pavlova
478:Tarasov
440:baritone
363:merchant
187:libretto
177:) is an
132:, Moscow
114:Premiere
97:Based on
89:Language
1286:Sources
773:Ivan IV
404:soprano
199:Lev Mey
120: (
108:Lev Mey
92:Russian
64:Russian
1861:Operas
1529:(1908)
1521:(1904)
1513:(1903)
1505:(1902)
1497:(1901)
1489:(1900)
1481:(1899)
1473:(1897)
1465:(1897)
1457:(1896)
1449:(1895)
1441:(1890)
1433:(1881)
1425:(1879)
1417:(1872)
1402:Operas
1332:
1318:
1147:nkj.ru
925:1983:
868:1975:
857:1958:
850:1954:
835:1943:
737:Russia
733:Moscow
700:tenor
563:tenor
347:London
304:Moscow
236:Russia
171:listen
1830:Audio
1757:major
1746:minor
1649:Sadko
1635:Mlada
1583:Sadko
1454:Sadko
1438:Mlada
1000:]
989:boyar
975:]
964:]
943:Notes
920:Video
819:Audio
753:Marfa
668:bass
505:tenor
499:Boyar
475:bass
395:Marfa
296:Role
289:Roles
230:is a
189:, by
179:opera
28:Opera
1330:ISBN
1316:ISBN
1181:2021
1155:2021
747:The
368:bass
325:O.S.
308:O.S.
205:. (
122:1899
118:1899
1302:".
1265:doi
1235:134
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432:an
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197:by
106:by
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