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Violet (musical)

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wants to know exactly what it is that Violet wants to change. With the help of movie magazines she shows the soldiers the physical features she'd like best ("All to Pieces"), but they offend her when their attention wanders. She sits apart from them as the journey continues, recalling once again her younger self singing the folk song, which turns out to have been the moment just before the accident ("Water in the Well "). Violet daydreams an encounter between herself as Young Vi and the Preacher ("A Healing Touch"). As they are approaching Memphis, Flick seeks Violet out to apologize for offending her earlier. He suggests she can take care of herself without the help of the Preacher ("Let It Sing"). Stopping in Memphis overnight, the trio pass a hooker on the way to a boarding house, where Almeta the landlady resists housing a white woman until Flick slips her some money ("Anyone Would Do"). While a song plays on the radio ("Who'll Be the One "), Violet dozes, seeing herself as Young Vi trying to dance with her father, then practicing dancing with the old lady from the bus. Monty appears and dances with both women in turn. In reality, Monty has entered Violet's room. He finds her book and starts to read things Violet has written in it. She awakes and confronts him, prompting Monty to explain himself ("You're Different" or "Last Time I Came to Memphis" in the 2014 revival).
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returns to the televangelist's empty chapel. Violet takes out her catechism and empties slips of paper she has covered with Bible quotes onto the altar. When the Preacher discovers her, she pleads with him to help invoke her miracle ("Raise Me Up "). When nothing comes of this desperate attempt, she demands he see her for what she is: scarred and hideous, a prodigy of pain ("Look at Me"). She looks to the heavens for a moment; the Preacher is replaced by her father. They fight, until he apologizes for what he has done ("That's What I Could Do"). Aware that something about herself has changed, Violet assumes it is her scar; she reboards the bus, convinced she has had a miracle ("Surprised ").
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night before ("Hard to Say Goodbye"). Violet escapes to the bus bathroom, where she rehearses what she will say to spurn Monty, afraid he'll otherwise reject her first. In the front of the bus Monty rehearses his own spiel, at Flick's direction. But when it comes time to part, Monty instead asks Violet to meet him on her return stop at Fort Smith ("Promise Me, Violet"). She promises nothing, cleaving to her plan, and the bus pulls away.
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disfigured in an accident. A local's nosy question breaks Violet's reverie, prompting her to look forward to the healing she expects to receive from a televangelist in Tulsa that will help her transcend her provincial little town ("Surprised"). As the bus departs the station, the passengers muse as to where this journey might lead them ("On My Way").
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Back on the bus, Monty teases Violet about a preacher he obviously has no faith in ("Question 'n' Answer"). He takes a book she carries and plays keep-away with it, which triggers Violet's memory of the day she found the catechism in her father's bedside table. Later, in the Nashville station, Flick
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The passengers pile off the bus to get some food at a rest stop in Kingsport, Tennessee ("M&M's"). In the grill Violet meets two poker-playing soldiers, Flick and Monty. Flick is a black sergeant in his early thirties, Monty a younger white corporal, a paratrooper. Both are bound for Fort Smith,
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wrote that the musical "raised the topicality quotient...and reconfigured its source's love story to put direct emphasis on parallels between Violet and Flick, who as a black man in the southern United States knows what it's like to be judged by your skin.... 'Violet' integrates a number of styles,
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Flick enters the room with some drinks to start the night off ("Go to It"). The threesome venture out to a Beale Street music hall, where the sight of Flick dancing with Violet attracts some unfriendly attention ("Lonely Stranger"). When Monty moves in and makes a pass at Violet, Flick leaves the
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With a ticket, a suitcase, and a heart full of expectation, Violet Karl waits for a Greyhound bus in Spruce Pine, North Carolina. It is September 4, 1964. For a moment she sees herself as a young girl (Young Vi), carefree and singing a folk song ("Water in the Well"), before her face was horribly
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The music hall singer, the landlady and the hooker cap the evening with a trio about unfulfilled desire ("Anyone Would Do "). Violet travels with the men to Fort Smith the next morning, on her way to Tulsa. Flick and Violet pledge to write each other, but Flick gets upset about the events of the
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In Tulsa, Violet surprises the Preacher in rehearsal with his choir ("Raise Me Up"). He pawns her off on Virgil, a young assistant, and in her frustration she recovers the memory of being carried in her father's arms after the accident ("Down the Mountain"). Soon she slips away from Virgil and
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When she gets out at the Fort Smith station, Monty is there waiting. His efforts at sympathy make plain to her that her face has not changed at all. Crushed, she rejects Monty's invitation to marry him before he ships out to Vietnam. Flick is also at the station and recognizes that Violet has
250:, with musical direction by Micheal Rafter, choreography by Jeffrey Page, sets by David Zinn, costumes by Clint Ramos and lights by Mark Barton. The musical had been revised and was played in one act, as was done at the Encores! July 2013 staged concert. The musical closed on August 10, 2014. 33: 271:
hall. Violet follows him back to the boarding house; the landlady interrupts a tender moment between them. In the middle of the night, Monty stumbles in through Violet's unlocked door. He wakes her, makes love to her, then falls asleep in her lap ("Lay Down Your Head").
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changed, though her scar has not. He entreats her to stay with him ("Promise Me, Violet "). Violet's healing is complete when she takes Flick's hand and commits to a new life with him ("Bring Me to Light").
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described it as "an enduringly rewarding musical. With its tangy flavors of country, gospel, blues and honky-tonk rock, it is also her warmest, most accessible score . . . the time has come for
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from gospel and bluegrass to Memphis blues.... Ms. Tesori has a fine hand for harmonies and counterpoint.... What the show fails to do is to provide any compelling sense of character.
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Arkansas. Violet asks to join their game, and as they deal her in, she privately recalls how her father taught her to play ("Luck of the Draw").
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Cast members of the 2014 Broadway revival began a new cast recording by PS Classics on April 7, 2014. The cast album was released on June 3.
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as Best Musical. In January 2003, a reunion concert was held at Playwrights Horizons, at which members of the original cast performed.
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There was also a cast album of the 1997 Off-Broadway run, released by Resmiranda in October 1998.
126:. It tells the story of a young disfigured woman who embarks on a journey by bus from her farm in 746: 344: 189:
as Monty. Other cast members included Michael Medeiros, Stephen Lee Anderson, Amanda Posner and
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Gets Cut: Retooled, One-Act Adaptation of Musical, Starring Sutton Foster, Will Play Broadway"
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as Flick. Other cast members included Van Hughes, Austin Lesch, Anastacia McCleskey,
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to take her place among the first rank of Broadway's musical theatre performers."
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The Broadway version opened to unanimously excellent reviews.
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on March 28, 2014, officially opening on April 20, 2014, with
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Outstanding Revival of a Musical (Broadway or Off-Broadway)
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on March 11, 1997, and closed on April 6, 1997. Directed by
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Jones, Kenneth; Ku, Andrew; Viagas, Robert (Oct 15, 1998).
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Digital Booklet 0 Violet (Original Broadway Cast Recording)
446:"Luck of the Draw" – Father, Young Vi, Violet, Monty, Flick 506:"Bring Me to Light" – Young Vi, Flick, Violet, and Company 464:"Who'll Be the One (If Not Me)" – Radio Singer, Radio Trio 437:"Opening (Water in the Well)/Surprised" – Young Vi, Violet 118:
and libretto by Brian Crawley based on the short story "
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starring as "Violet". The production was directed by
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Off-Center Series held a one-night production at the
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Cast Album Getting Less Obscure; Now in Some Stores"
1109:"Violet (Broadway, American Airlines Theatre, 2014)" 1355:Fan site with lyrics, synopsis, history, and more. 455:"A Healing Touch" – Preacher, Violet, Gospel Choir 1147:"Original Broadway Cast Recording Chart History ( 1361: 1286:"68th Annual Tony Awards Nominations Announced; 1263:, from New York Times on the Web, April 22, 2014 1011:playwrightshorizons.org, accessed August 9, 2013 383:Preacher/Bus Driver 1/Radio Singer/Bus Driver 4 1131:"PHOTO CALL: Sutton Foster and the Company of 503:"Promise Me, Violet (Reprise)" – Flick, Violet 134:in order to be healed. The musical premiered 1202: 1042:"On Her Way: Tesori & Crawley Musical, 482:"Promise Me, Violet" – Violet, Flick, Monty 1351:at the Music Theatre International website 1234:"Lessons About Life In a Quest for Beauty" 624: 500:"Surprised (Reprise)" – Violet and Company 491:"Raise Me Up (Reprise)" – Violet, Preacher 31: 619: 966:Outstanding Featured Actor in a Musical 424: 377: 348: 315: 906:Outstanding Featured Actor in a Musical 742:Outstanding Featured Actor in a Musical 1362: 1046:, Gets NYC Reunion Concert Jan. 16-19" 814: 488:"Down the Mountain" – Young Vi, Father 452:"All to Pieces" – Violet, Monty, Flick 1319:"Outer Critics Circle 2013-14 Season" 589: 479:"Hard to Say Goodbye" – Flick, Violet 470:"Lonely Stranger" – Music Hall Singer 449:"Question 'n' Answer" – Monty, Violet 419:Earl/Bus Driver 2/Radio Singer/Bobby 1273:Drama Desk Awards2006 - Winners 2001 1111:playbill.com, accessed June 20, 2022 1031:Curtain Up, accessed August 9, 2013 13: 431: 14: 1426: 1335: 958:Outstanding Actress in a Musical 761:Outstanding Off-Broadway Musical 712:Outstanding Director of a Musical 497:"That's What I Could Do" – Father 926:Outstanding Actress in a Musical 916:Outstanding Revival of a Musical 886:Best Featured Actor in a Musical 727:Outstanding Actress in a Musical 461:"Anyone Would Do" – Hotel Hooker 1390:Musicals based on short fiction 1312: 1295: 1278: 1266: 1243: 1226: 1196: 1162: 1135:Head Into the Recording Studio" 1099:playbill.com, December 20, 2013 1082:playbill.com, November 25, 2013 494:"Look at Me" – Violet, Young Vi 1405:Musicals set in North Carolina 1328:outercritics.org, May 12, 2014 1123: 1114: 1102: 1085: 1068: 1051: 1048:playbill.com, January 16, 2003 1034: 1014: 995: 770:New York Drama Critics' Circle 149: 1: 988: 473:"Lay Down Your Head" – Violet 159:Eugene O'Neill Theater Center 1309:playbill.com, April 25, 2014 1292:playbill.com, April 29, 2014 579: 561: 547: 513: 421: 411: 406: 403: 395: 390: 385: 374: 364: 361: 358: 343: 333: 330: 325: 310: 7: 1137:playbill.com, April 8, 2014 1065:playbill.com, July 17, 2013 873:Best Direction of a Musical 467:"You're Different" – Monty* 300:Encores! Off-Center Series 128:Spruce Pine, North Carolina 10: 1431: 1370:Musicals by Jeanine Tesori 1193:. Retrieved 18 June 2014. 1159:. Retrieved 18 June 2014. 954:Outer Critics Circle Award 945:Distinguished Performance 838: 757:Outer Critics Circle Award 696:Outstanding Orchestrations 648: 1410:Musicals set in Tennessee 1400:Musicals set in the 1960s 1175:. Retrieved 18 June 2014. 978: 952: 929: 914: 899: 889: 858:Best Actress in a Musical 848:Best Revival of a Musical 846: 841: 804: 802:Special Citation (music) 801: 795: 787: 782: 774: 768: 760: 755: 656: 651: 566: 552: 538: 531: 528: 418: 400: 382: 371: 355: 340: 322: 307: 240:American Airlines Theatre 85: 70: 60: 52: 42: 30: 21: 1415:Musicals set in Oklahoma 1240:, March 12, 1997, p. C12 286: 625:Off-Broadway production 253: 37:Original Cast Recording 620:Awards and nominations 401:Old Lady/Hotel Hooker 1380:Off-Broadway musicals 1307:Earns 12 Nominations" 458:"Let it Sing" – Flick 443:"M&M's" – Company 359:Stephen Lee Anderson 195:Drama Critics' Circle 173:with choreography by 157:was developed at the 140:Drama Critics' Circle 1249:Isherwood, Charles. 788:Outstanding Musical 784:Lucille Lortel Award 210:New York City Center 199:Lucille Lortel Award 177:, the cast featured 167:Playwrights Horizons 144:Lucille Lortel Award 138:in 1997 and won the 1395:Fiction set in 1964 815:Broadway production 658:Outstanding Musical 366:Alexander Gemignani 216:played Violet with 120:The Ugliest Pilgrim 75:The Ugliest Pilgrim 1324:2014-05-12 at the 1261:The New York Times 1256:2016-11-26 at the 1238:The New York Times 1027:2008-01-05 at the 1007:2014-05-08 at the 1002:"'Violet' Listing" 941:Drama League Award 668:Outstanding Lyrics 597:The New York Times 590:Critical reception 569:Independent Albums 392:Christopher Sieber 234:began previews on 226:Christopher Sieber 212:on July 17, 2013. 1375:Broadway musicals 1305:Gentleman's Guide 1288:Gentleman's Guide 986: 985: 812: 811: 681:Outstanding Music 610:Charles Isherwood 594:In his review in 584: 583: 429: 428: 422:Michael Medeiros 387:Robert Westenberg 191:Robert Westenberg 175:Kathleen Marshall 171:Susan H. Schulman 146:as Best Musical. 130:, all the way to 103: 102: 99:2019 Off-West End 1422: 1329: 1316: 1310: 1299: 1293: 1282: 1276: 1270: 1264: 1247: 1241: 1230: 1224: 1223: 1221: 1219: 1200: 1194: 1182: 1176: 1166: 1160: 1144: 1138: 1129:Blank, Matthew. 1127: 1121: 1118: 1112: 1106: 1100: 1091:Purcell, Carey. 1089: 1083: 1074:Purcell, Carey. 1072: 1066: 1055: 1049: 1040:Jones, Kenneth. 1038: 1032: 1018: 1012: 999: 901:Drama Desk Award 877:Leigh Silverman 819: 818: 717:Susan H. Shulman 653:Drama Desk Award 629: 628: 553:US Cast Albums ( 526: 525: 291: 290: 35: 25: 19: 18: 1430: 1429: 1425: 1424: 1423: 1421: 1420: 1419: 1360: 1359: 1338: 1333: 1332: 1326:Wayback Machine 1317: 1313: 1300: 1296: 1290:Leads the Pack" 1283: 1279: 1271: 1267: 1258:Wayback Machine 1248: 1244: 1232:Brantley, Ben. 1231: 1227: 1217: 1215: 1201: 1197: 1183: 1179: 1167: 1163: 1145: 1141: 1128: 1124: 1119: 1115: 1107: 1103: 1090: 1086: 1073: 1069: 1056: 1052: 1039: 1035: 1029:Wayback Machine 1020:Heineman, Eva. 1019: 1015: 1009:Wayback Machine 1000: 996: 991: 825:Award Ceremony 817: 805:Jeanine Tesori 747:Michael McElroy 635:Award Ceremony 627: 622: 592: 533: 516: 434: 432:Musical numbers 378:Emerson Steele 362:Chris Sullivan 345:Michael McElroy 289: 256: 248:Leigh Silverman 183:Michael McElroy 152: 132:Tulsa, Oklahoma 98: 93: 77: 38: 23: 17: 12: 11: 5: 1428: 1418: 1417: 1412: 1407: 1402: 1397: 1392: 1387: 1382: 1377: 1372: 1358: 1357: 1352: 1344: 1342:Lortel listing 1337: 1336:External links 1334: 1331: 1330: 1311: 1301:Gans, Andrew. 1294: 1284:Gans, Andrew. 1277: 1265: 1242: 1225: 1195: 1177: 1161: 1139: 1122: 1113: 1101: 1084: 1067: 1057:Gans, Andrew. 1050: 1033: 1013: 993: 992: 990: 987: 984: 983: 980: 976: 975: 972: 967: 963: 962: 959: 956: 950: 949: 946: 943: 937: 936: 933: 928: 922: 921: 918: 912: 911: 908: 903: 897: 896: 893: 888: 882: 881: 878: 875: 869: 868: 865: 860: 854: 853: 850: 845: 840: 836: 835: 832: 829: 826: 823: 816: 813: 810: 809: 806: 803: 800: 793: 792: 789: 786: 780: 779: 776: 773: 766: 765: 762: 759: 753: 752: 749: 744: 738: 737: 734: 729: 723: 722: 719: 714: 708: 707: 704: 703:and Buryl Red 701:Joseph Joubert 698: 692: 691: 688: 686:Jeanine Tesori 683: 677: 676: 673: 672:Brian Crawley 670: 664: 663: 660: 655: 650: 646: 645: 642: 639: 636: 633: 626: 623: 621: 618: 591: 588: 582: 581: 578: 564: 563: 560: 550: 549: 546: 536: 535: 530: 524: 523: 515: 512: 508: 507: 504: 501: 498: 495: 492: 489: 486: 483: 480: 477: 474: 471: 468: 465: 462: 459: 456: 453: 450: 447: 444: 441: 438: 433: 430: 427: 426: 423: 420: 416: 415: 410: 405: 402: 398: 397: 394: 389: 384: 380: 379: 376: 375:Amanda Posner 373: 369: 368: 363: 360: 357: 353: 352: 347: 342: 338: 337: 332: 329: 324: 320: 319: 314: 309: 305: 304: 301: 298: 295: 288: 285: 255: 252: 151: 148: 116:Jeanine Tesori 114:with music by 101: 100: 87: 83: 82: 72: 68: 67: 64: 58: 57: 54: 50: 49: 47:Jeanine Tesori 44: 40: 39: 36: 28: 27: 15: 9: 6: 4: 3: 2: 1427: 1416: 1413: 1411: 1408: 1406: 1403: 1401: 1398: 1396: 1393: 1391: 1388: 1386: 1385:1997 musicals 1383: 1381: 1378: 1376: 1373: 1371: 1368: 1367: 1365: 1356: 1353: 1350: 1349: 1345: 1343: 1340: 1339: 1327: 1323: 1320: 1315: 1308: 1306: 1298: 1291: 1289: 1281: 1275:dramadesk.com 1274: 1269: 1262: 1259: 1255: 1252: 1246: 1239: 1235: 1229: 1214: 1210: 1208: 1199: 1192: 1191: 1186: 1181: 1174: 1170: 1169:"Cast Albums" 1165: 1158: 1157: 1152: 1150: 1143: 1136: 1134: 1126: 1117: 1110: 1105: 1098: 1096: 1088: 1081: 1079: 1071: 1064: 1062: 1054: 1047: 1045: 1037: 1030: 1026: 1023: 1017: 1010: 1006: 1003: 998: 994: 981: 977: 973: 971: 968: 965: 964: 960: 957: 955: 951: 947: 944: 942: 939: 938: 934: 932: 931:Sutton Foster 927: 924: 923: 919: 917: 913: 909: 907: 904: 902: 898: 894: 892: 887: 884: 883: 879: 876: 874: 871: 870: 866: 864: 863:Sutton Foster 861: 859: 856: 855: 851: 849: 844: 837: 833: 830: 827: 824: 821: 820: 807: 798: 794: 790: 785: 781: 777: 775:Best Musical 771: 767: 763: 758: 754: 750: 748: 745: 743: 740: 739: 735: 733: 730: 728: 725: 724: 720: 718: 715: 713: 710: 709: 705: 702: 699: 697: 694: 693: 689: 687: 684: 682: 679: 678: 674: 671: 669: 666: 665: 661: 659: 654: 647: 643: 640: 637: 634: 631: 630: 617: 615: 614:Sutton Foster 611: 606: 603: 599: 598: 587: 576: 575: 570: 565: 558: 557: 551: 545: 543: 537: 529:Chart (2014) 527: 521: 520: 519: 511: 505: 502: 499: 496: 493: 490: 487: 484: 481: 478: 475: 472: 469: 466: 463: 460: 457: 454: 451: 448: 445: 442: 439: 436: 435: 425:Austin Lesch 417: 414: 409: 399: 393: 388: 381: 372:Young Violet 370: 367: 354: 351: 346: 339: 336: 335:Colin Donnell 328: 321: 318: 317:Sutton Foster 313: 306: 302: 299: 297:Off-Broadway 296: 293: 292: 284: 280: 276: 272: 268: 264: 260: 251: 249: 245: 244:Sutton Foster 241: 237: 233: 229: 227: 223: 219: 215: 214:Sutton Foster 211: 207: 202: 200: 196: 193:. 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Index


Jeanine Tesori
Book
Doris Betts
Off-Broadway
Broadway
musical
Jeanine Tesori
The Ugliest Pilgrim
Doris Betts
Spruce Pine, North Carolina
Tulsa, Oklahoma
Off-Broadway
Drama Critics' Circle
Lucille Lortel Award
Eugene O'Neill Theater Center
Off-Broadway
Playwrights Horizons
Susan H. Schulman
Kathleen Marshall
Lauren Ward
Michael McElroy
Michael Park
Robert Westenberg
Drama Critics' Circle
Lucille Lortel Award
Encores!
New York City Center
Sutton Foster
Joshua Henry

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