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Although groundbreaking as one of the first commercial guitar-controlled synthesizers, ARP spent $ 4 million on Avatar's research and development and initial production, and sales of the guitar synthesizer over the two years it was on the market totaled only $ 1 million. Guitarists were not quick to
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ARP Instruments began developing the Avatar in 1977, hoping to tap into the guitar player market, which was four times larger than the keyboard player market at the time. The Avatar was a synthesizer module virtually identical to the
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beginning in 1977. While innovative, being one of the first commercial guitar-controlled synthesizers, it was a commercial failure, and is widely blamed for the financial collapse of ARP Instruments.
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adopt the new technology, mostly due to the unit's price and technical eccentricities. After failing to recoup the Avatar's losses, ARP Instruments declared bankruptcy in May 1981.
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Due to the Avatar's similarities with the synthesis architecture of the
Odyssey, it has regained a little stature among collectors as a standalone synthesizer.
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without a keyboard with an added 6-way "fuzzbox" distortion effect, intended to be played by a solid body electric guitar via a specially-mounted hexaphonic
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whose signals were then processed through discrete pitch-to-voltage converters.
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Analog Days: the
Invention and Impact of the Moog Synthesizer
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in the summer of 1977. Other notable Avatar users include
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354:The A-Z of Analogue Synthesizers: Part 2: N-Z
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356:. Devon, England: Susurreal. p. 20.
301:. Harvard University Press. p. 272.
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331:. Miller Freeman Books. pp. 43–46.
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295:Pinch, Trevor; Trocco, Frank (2004).
386:The Rise and Fall of ARP Instruments
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222:An early Avatar was delivered to
381:ARP Avatar Entry on Sonicstate.
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388:(article from April 1983,
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576:16-Voice Electronic Piano
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274:. MixBooks. p. 145.
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270:Colbeck, Julian (1996).
240:BBC Radiophonic Workshop
67:Technical specifications
352:Forrest, Peter (1996).
272:Keyfax Omnibus Edition
45:ARP Instruments, Inc.
329:Vintage Synthesizers
602:Guitar synthesizers
537:Guitar synthesizers
398:at VintageSynth.com
327:Vail, Mark (1993).
512:String Synthesizer
192:guitar synthesizer
16:Guitar synthesizer
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390:Keyboard Magazine
308:978-0-674-01617-0
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597:ARP synthesizers
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175:External control
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569:Electric pianos
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507:String Ensemble
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228:Mike Rutherford
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196:ARP Instruments
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375:External links
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440:Synthesizers
363:09524377-1-6
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244:Howard Leese
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160:Input/output
111:Sine, Square
40:Manufacturer
487:Pro Soloist
209:ARP Odyssey
123:Subtractive
90:Monotimbral
591:Categories
553:Sequencers
396:ARP Avatar
257:References
248:Jimmy Page
232:Steve Howe
188:ARP Avatar
130:Attenuator
97:Oscillator
85:Timbrality
78:Monophonic
33:ARP Avatar
560:Sequencer
73:Polyphony
62:US $ 3000
467:Explorer
166:Keyboard
134:ADSR, AR
521:Modules
497:Quartet
482:Pro/DGX
472:Odyssey
238:of the
202:History
179:CV/Gate
151:Effects
140:Storage
544:Avatar
492:Quadra
462:Chroma
360:
335:
305:
278:
246:, and
190:was a
142:memory
120:Analog
22:Avatar
502:Solus
59:Price
51:Dates
477:Omni
457:Axxe
452:2600
447:2500
358:ISBN
333:ISBN
303:ISBN
276:ISBN
186:The
170:none
145:none
54:1977
107:LFO
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317:^
250:.
242:,
234:,
230:,
425:e
418:t
411:v
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366:.
341:.
311:.
284:.
155:1
101:2
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
