Knowledge

A Little Cloud

Source đź“ť

228:, Joyce uses, and perhaps abuses, both repetition and cliché in order to give the writing a feel of insignificance. He pointed out there is a legitimate lack of action in many of the stories, certainly in "A Little Cloud", and this "content of lack" is mirrored by the language Joyce used. Mosher believes the talking about nothing, in the way that many Joyce characters do, is actually rather important, and argued that, in terms of the language, this style actually portrays an abundance of creativity and quality, rather than the lack of fresh thought that could be implied by the cliché nature of the writing. Thematically, Mosher said this is important in an ironic way, because, though it shows creativity on the part of Joyce, it shows little on the part of Chandler: he thinks and speaks in this way because, as he says in the end to Annie, he "couldn’t... didn't do anything." 168:
with his old friend Ignatius Gallaher. Gallaher is now a "brilliant figure" in the London Press and Little Chandler has not seen him in eight years. As Little Chandler thinks about his old friend and the success that has come to him, he begins to reflect upon his own life. This reflection gives the reader insight to Little Chandler's character. The reader sees Little Chandler as a mere observer of life, a reluctant character. He is timid, because he enjoys poetry yet is too "shy" to read it to his wife.
499: 176:
success as a result of Gallaher's glorification of his travels and freedoms. Without his wife, without his little boy, he would be free to prosper. Deep envy sets into Little Chandler. It seems as though the more they drink, and the longer they talk, the more inferior Chandler feels. Still, he tries to hide his envy of Gallaher's life by saying how one day Gallaher will get married and start a family too.
129: 116: 184:'s poetry and begins to read until the child begins to cry and Little Chandler finds he cannot comfort him. Little Chandler snaps at his son. The frightened baby cries harder and harder until Annie comes. Through her interaction with Little Chandler and the child, it becomes apparent that Little Chandler is not her main priority. 179:
Joyce shifts the scene to Little Chandler's home. We find Little Chandler with his child in his arms. He is sitting at a table looking at a picture of his wife, Annie. He looks into her eyes searching for answers to his now confused state of mind. All he finds is coldness. He sees a pretty girl, but
175:
These feelings are more clearly exposed to the reader in the bar where Little Chandler actually meets Gallaher. Here, Gallaher tells enchanting stories of his vast traveling. His life is the exact opposite of Little Chandler's and Little Chandler begins to feel that his wife is holding him back from
167:
The story follows Thomas Chandler, or "Little Chandler" as he is known, through a portion of his day. The story drops the reader into Little Chandler's life when he is at work, where he cannot focus because he is preoccupied with the thought of a visit later that day. He anxiously awaits this visit
187:
Little Chandler feels trapped. All feelings of hope that existed at the beginning of the day are now gone. It is at this moment that Little Chandler reaches a deep moment of recognition. He finally sees the truth that the reader has known all along. His own reluctance is the only thing responsible
171:
Little Chandler likes to think that he himself could have been a writer if only he had put his mind to it. All of the "different moods and impressions he wished to express in verse" could still be achieved if he could just express himself. But as much as Little Chandler covers up his true feelings
247:'s "Infant Sorrow." He points out that Blake was an influential artist for Joyce and that Joyce gave a lecture on Blake once. O'Grady believes this connection is logical, because it lends structural and thematic significance to the title. This story is Little Chandler's " 502: 159:. It contrasts the life of the protagonist, Little Chandler, a Dubliner who remained in the city and married, with the life of his old friend Ignatius Gallaher, who had left Ireland to find success and excitement as a journalist and bachelor in London. 1119: 180:
he can see no life in her, and he compares her unfavourably to the rich, exotic women Gallaher says are available to him. He wonders why he married Annie. He then opens a book of
906: 842: 1212: 188:
for his feelings of incompleteness, and he can now only blame himself. Tears come to Little Chandler's eyes, and the story is cut off.
919: 251:" according to O'Grady because the "infant hope" carried by Chandler's child is overwhelmed with the sorrow and remorse he feels. 571: 1207: 540: 438: 415: 248: 751: 1126: 965: 677: 349: 1051: 950: 945: 712: 1217: 1001: 448:
Mosher, Harold F. (Fall 1991). "Clichés and Repetition in Dubliners: The Example of 'A Little Cloud.'".
691: 656: 133: 1090: 1031: 866: 614: 533: 243:
Thomas O'Grady's has argued that the somewhat ambiguous title "A Little Cloud" can be attributed to
1066: 1112: 1096: 235:
is expressed in Little Chandler’s conclusion that “If you wanted to succeed you had to go away.”
882: 796: 1159: 1105: 1071: 621: 254:
Terence Brown, meanwhile, has suggested the title may be an allusion to the Biblical tale of
1061: 1041: 996: 858: 826: 526: 8: 1183: 1175: 1036: 960: 901: 850: 834: 705: 642: 940: 663: 649: 478: 457: 216: 121: 935: 874: 513: 434: 411: 1167: 1011: 991: 981: 804: 579: 427: 404: 1016: 1006: 759: 670: 628: 587: 263: 212: 172:
with these thoughts that seem to "comfort" him, the reader can see past this.
1201: 1143: 1120:
Our Exagmination Round His Factification for Incamination of Work in Progress
1056: 986: 788: 732: 244: 198:
And it came to pass at the seventh time, that he said, Behold, there ariseth
925: 780: 635: 1151: 1021: 549: 150: 57: 31: 27: 482: 461: 1046: 181: 206:, Prepare thy chariot, and get thee down that the rain stop thee not. 1026: 930: 606: 155: 73: 684: 508: 469:
O'Grady, Thomas B. (1991). "Little Chandler's Song of Experience".
224:
In an analysis of "A Little Cloud", Harold Mosher wrote that, in
202:
out of the sea, like a man's hand. And he said, Go up, say unto
255: 518: 955: 259: 203: 378: 1091:
Hamlet and the New Poetic: James Joyce and T. S. Eliot
366: 317: 426: 403: 329: 305: 293: 281: 406:Introduction and Notes to James Joyce's Dubliners 1199: 534: 231:It’s been remarked that “a central theme” of 468: 372: 541: 527: 153:, first published in his 1914 collection 920:United States v. One Book Called Ulysses 844:A Portrait of the Artist as a Young Man 572:A Portrait of the Artist as a Young Man 354:. London: Thames and Hudson. p. 27 347: 1200: 447: 323: 522: 424: 401: 384: 335: 311: 299: 287: 13: 1213:Short stories set in Dublin (city) 14: 1229: 491: 1127:A Skeleton Key to Finnegans Wake 497: 127: 114: 548: 351:A Reader's Guide to James Joyce 348:Tindall, William York (1959). 341: 16:Short story by James Joyce 1: 966:ZĂĽrich James Joyce Foundation 678:Ivy Day in the Committee Room 269: 1208:Short stories by James Joyce 951:Museum of Literature Ireland 946:James Joyce Tower and Museum 274: 7: 507:public domain audiobook at 262:and, more particularly, to 191: 10: 1234: 394: 162: 1136: 1080: 974: 894: 819: 770: 743: 724: 598: 563: 556: 109: 104: 96: 88: 80: 68: 63: 53: 45: 37: 26: 21: 1002:Francisco GarcĂ­a Tortosa 610:(1914, written 1904–07) 402:Brown, Terrence (1993). 238: 1160:John Stanislaus Joyce 884:Waywords and Meansigns 868:James Joyce's The Dead 797:The Cats of Copenhagen 425:Joyce, James (1993) . 208: 149:" is a short story by 1106:James Joyce Quarterly 1072:Ernst von Glasersfeld 471:James Joyce Quarterly 433:. New York: Penguin. 410:. New York: Penguin. 196: 1176:Stephen James Joyce 1062:William York Tindall 1042:C. George Sandulescu 997:Alan Warren Friedman 828:Ulysses in Nighttown 258:and the prophets of 1184:Mary Gertrude Joyce 1067:JosĂ© MarĂ­a Valverde 1037:William H. Quillian 961:Volta Cinematograph 907:Obscenity trial of 902:Harriet Shaw Weaver 1218:1914 short stories 941:James Joyce Centre 650:The Boarding House 249:song of experience 217:King James Version 122:The Boarding House 1195: 1194: 1187: 1179: 1171: 1168:Stanislaus Joyce 1163: 1155: 1147: 936:James Joyce Award 913:The Little Review 886:(2015–2017 audio) 815: 814: 440:978-0-14-018647-5 417:978-0-14-018647-5 143: 142: 139: 138: 1225: 1185: 1177: 1169: 1161: 1153: 1145: 1012:Adaline Glasheen 854:(1982 broadcast) 561: 560: 543: 536: 529: 520: 519: 501: 500: 486: 465: 444: 432: 421: 409: 388: 382: 376: 370: 364: 363: 361: 359: 345: 339: 333: 327: 321: 315: 309: 303: 297: 291: 285: 220: 131: 130: 118: 117: 111: 110: 97:Publication date 81:Publication type 22:"A Little Cloud" 19: 18: 1233: 1232: 1228: 1227: 1226: 1224: 1223: 1222: 1198: 1197: 1196: 1191: 1132: 1082: 1076: 992:Richard Ellmann 982:Anthony Burgess 970: 890: 811: 772: 766: 739: 720: 594: 552: 547: 498: 494: 489: 441: 418: 397: 392: 391: 383: 379: 371: 367: 357: 355: 346: 342: 334: 330: 322: 318: 310: 306: 298: 294: 286: 282: 277: 272: 241: 222: 210: 194: 165: 132: 128: 120: 115: 17: 12: 11: 5: 1231: 1221: 1220: 1215: 1210: 1193: 1192: 1190: 1189: 1181: 1173: 1165: 1157: 1149: 1144:Nora Barnacle 1140: 1138: 1134: 1133: 1131: 1130: 1123: 1116: 1109: 1102: 1094: 1086: 1084: 1078: 1077: 1075: 1074: 1069: 1064: 1059: 1054: 1049: 1044: 1039: 1034: 1029: 1024: 1019: 1017:Michael Groden 1014: 1009: 1007:Stuart Gilbert 1004: 999: 994: 989: 984: 978: 976: 972: 971: 969: 968: 963: 958: 953: 948: 943: 938: 933: 928: 923: 916: 904: 898: 896: 892: 891: 889: 888: 880: 872: 870:(1999 musical) 864: 856: 848: 840: 832: 823: 821: 817: 816: 813: 812: 810: 809: 801: 793: 785: 776: 774: 768: 767: 765: 764: 760:Pomes Penyeach 756: 747: 745: 741: 740: 738: 737: 728: 726: 722: 721: 719: 718: 717: 716: 709: 702: 699:A Little Cloud 695: 688: 681: 674: 671:A Painful Case 667: 660: 653: 646: 639: 632: 629:After the Race 625: 618: 602: 600: 596: 595: 593: 592: 588:Finnegans Wake 584: 576: 567: 565: 558: 554: 553: 546: 545: 538: 531: 523: 517: 516: 511: 493: 492:External links 490: 488: 487: 477:(2): 399–405. 466: 456:(3): 378–392. 445: 439: 422: 416: 398: 396: 393: 390: 389: 377: 365: 340: 328: 326:, p. 380. 316: 304: 292: 279: 278: 276: 273: 271: 268: 240: 237: 200:a little cloud 195: 193: 190: 164: 161: 147:A Little Cloud 141: 140: 137: 136: 124: 107: 106: 102: 101: 98: 94: 93: 90: 86: 85: 82: 78: 77: 70: 66: 65: 61: 60: 55: 51: 50: 47: 43: 42: 39: 35: 34: 24: 23: 15: 9: 6: 4: 3: 2: 1230: 1219: 1216: 1214: 1211: 1209: 1206: 1205: 1203: 1188: 1182: 1180: 1174: 1172: 1166: 1164: 1158: 1156: 1150: 1148: 1142: 1141: 1139: 1135: 1129: 1128: 1124: 1122: 1121: 1117: 1115: 1114: 1110: 1108: 1107: 1103: 1101: 1099: 1095: 1093: 1092: 1088: 1087: 1085: 1079: 1073: 1070: 1068: 1065: 1063: 1060: 1058: 1057:Ronald Symond 1055: 1053: 1050: 1048: 1045: 1043: 1040: 1038: 1035: 1033: 1030: 1028: 1025: 1023: 1020: 1018: 1015: 1013: 1010: 1008: 1005: 1003: 1000: 998: 995: 993: 990: 988: 987:Frank Delaney 985: 983: 980: 979: 977: 973: 967: 964: 962: 959: 957: 954: 952: 949: 947: 944: 942: 939: 937: 934: 932: 929: 927: 924: 922: 921: 917: 915: 914: 910: 905: 903: 900: 899: 897: 893: 887: 885: 881: 879: 877: 873: 871: 869: 865: 863: 861: 857: 855: 853: 849: 847: 845: 841: 839: 837: 833: 831: 829: 825: 824: 822: 818: 807: 806: 802: 799: 798: 794: 791: 790: 789:Giacomo Joyce 786: 783: 782: 778: 777: 775: 769: 762: 761: 757: 754: 753: 752:Chamber Music 749: 748: 746: 742: 735: 734: 730: 729: 727: 723: 714: 710: 707: 703: 700: 696: 693: 689: 686: 682: 679: 675: 672: 668: 665: 661: 658: 654: 651: 647: 644: 640: 637: 633: 630: 626: 623: 619: 616: 612: 611: 609: 608: 604: 603: 601: 599:Short stories 597: 590: 589: 585: 582: 581: 577: 574: 573: 569: 568: 566: 562: 559: 555: 551: 544: 539: 537: 532: 530: 525: 524: 521: 515: 512: 510: 506: 505: 496: 495: 484: 480: 476: 472: 467: 463: 459: 455: 451: 446: 442: 436: 431: 430: 423: 419: 413: 408: 407: 400: 399: 386: 381: 374: 369: 353: 352: 344: 338:, p. 80. 337: 332: 325: 320: 314:, p. 68. 313: 308: 302:, p. 66. 301: 296: 290:, p. 67. 289: 284: 280: 267: 265: 261: 257: 252: 250: 246: 245:William Blake 236: 234: 229: 227: 221: 218: 214: 207: 205: 201: 189: 185: 183: 177: 173: 169: 160: 158: 157: 152: 148: 135: 125: 123: 113: 112: 108: 103: 99: 95: 91: 87: 83: 79: 76: 75: 71: 67: 62: 59: 56: 52: 48: 44: 40: 36: 33: 29: 25: 20: 1152:Lucia Joyce 1125: 1118: 1111: 1104: 1097: 1089: 1052:John Simpson 1032:David Norris 926:Bellsybabble 918: 912: 908: 883: 875: 867: 859: 851: 843: 835: 827: 805:Finn's Hotel 803: 795: 787: 781:Stephen Hero 779: 773:publications 758: 750: 731: 698: 692:Two Gallants 657:Counterparts 636:An Encounter 605: 586: 578: 570: 503: 474: 470: 453: 449: 428: 405: 380: 373:O'Grady 1991 368: 356:. Retrieved 350: 343: 331: 319: 307: 295: 283: 253: 242: 232: 230: 225: 223: 209: 199: 197: 186: 178: 174: 170: 166: 154: 146: 144: 134:Counterparts 72: 69:Published in 1100:(biography) 1098:James Joyce 1083:works about 1022:Hugh Kenner 975:Scholars of 878:(2003 film) 862:(1987 film) 846:(1977 film) 838:(1967 film) 830:(1958 play) 820:Adaptations 615:The Sisters 550:James Joyce 324:Mosher 1991 151:James Joyce 64:Publication 58:short story 32:James Joyce 28:Short story 1202:Categories 1178:(grandson) 1154:(daughter) 1047:Fritz Senn 771:Posthumous 387:, 65 n. 1. 385:Brown 1993 336:Joyce 1993 312:Joyce 1993 300:Joyce 1993 288:Joyce 1993 270:References 105:Chronology 89:Media type 84:Collection 1170:(brother) 1113:Joysprick 1027:Ira Nadel 931:Bloomsday 607:Dubliners 514:Full Text 504:Dubliners 429:Dubliners 275:Citations 233:Dubliners 226:Dubliners 156:Dubliners 74:Dubliners 1186:(sister) 1162:(father) 1081:Academic 860:The Dead 713:The Dead 685:A Mother 509:LibriVox 483:25485154 462:42945925 192:Analysis 54:Genre(s) 46:Language 909:Ulysses 895:Related 852:Ulysses 836:Ulysses 622:Eveline 580:Ulysses 395:Sources 358:3 March 266:18:44. 264:I Kings 213:I Kings 163:Summary 126:  49:English 41:Ireland 38:Country 1146:(wife) 1137:Family 808:(2013) 800:(2012) 792:(1968) 784:(1944) 763:(1927) 755:(1907) 744:Poetry 736:(1918) 733:Exiles 591:(1939) 583:(1922) 575:(1916) 564:Novels 481:  460:  437:  414:  256:Elijah 215:18:44 119:  956:Quark 876:Bloom 706:Grace 643:Araby 557:Works 479:JSTOR 458:JSTOR 450:Style 239:Title 219:(KJV) 182:Byron 92:Print 725:Play 664:Clay 435:ISBN 412:ISBN 360:2024 260:Baal 204:Ahab 100:1914 911:in 30:by 1204:: 475:28 473:. 454:25 452:. 715:" 711:" 708:" 704:" 701:" 697:" 694:" 690:" 687:" 683:" 680:" 676:" 673:" 669:" 666:" 662:" 659:" 655:" 652:" 648:" 645:" 641:" 638:" 634:" 631:" 627:" 624:" 620:" 617:" 613:" 542:e 535:t 528:v 485:. 464:. 443:. 420:. 375:. 362:. 211:— 145:"

Index

Short story
James Joyce
short story
Dubliners
The Boarding House
Counterparts
James Joyce
Dubliners
Byron
Ahab
I Kings
King James Version
William Blake
song of experience
Elijah
Baal
I Kings
Joyce 1993
Joyce 1993
Joyce 1993
Mosher 1991
Joyce 1993
A Reader's Guide to James Joyce
O'Grady 1991
Brown 1993
Introduction and Notes to James Joyce's Dubliners
ISBN
978-0-14-018647-5
Dubliners
ISBN

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑