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A Summer Story

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of year." She made some changes to the original story, including adding a sheep-shearing party ("I thought, something has to happen", Mortimer commented), and the producers decided that Megan and Frank needed to make love, resulting in Megan having a son. "I don't know what Galsworthy would have thought", said Mortimer. "I was terribly anxious that the couple should never have it off. But oh no they had to have all those muscles writhing in the moonlight."
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soon after giving birth to a son, whom she named "Francis," or Frank. Ashton is taken to see Megan's grave, which is at the spot where they had first met. She had asked to be buried there, to wait for his return. As he motors away with Stella, Ashton passes by a young man who is herding sheep. The man gives a friendly smile to Ashton, and as he leaves, he realizes it is Megan's son Frank.
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bank can be contacted. While walking around, Ashton runs into Halliday, an old school friend staying at a local hotel with his three sisters. The eldest of Halliday's sisters, Stella, takes a liking to Ashton. Thanks to the bank's delays, Ashton misses the train he needed to make his rendezvous with Megan.
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The following day, Ashton spends more time with Halliday and his sisters. Stella flirts with him, suggesting his missed train must have been due to fate. He begins to have second thoughts about marrying Megan. Back in Dartmoor, Megan holds onto the hope that Ashton will return for her and she goes to
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When Halliday asks why Ashton is so anxious, Ashton tells him about Megan and how he can't live without her. Halliday cautions Ashton against rash decisions when it comes to love, warning him that he is getting caught up in the idealism of romance rather than reality, including the fact that he would
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had written the film script long before, in the 1960s, when she was working as a screenwriter. "I took the money and ran and totally forgot about it," she said in 1988. "I couldn't remember a thing about it", adding that "the last apple got written out a week before shooting - it was the wrong time
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also gave acclaim to Stubbs, calling her a "magical screen presence", but critiqued the framing device that brings Ashton back to Devon 18 years later, saying, "It sets a mucilaginous tone to what should be a minor-key tragedy; the sharp differences of class and privilege have been sandpapered down
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Eighteen years later, Ashton is married to Stella and they are motoring through Devon. They have no children. Ashton visits the farm where he seduced Megan and is greeted by Jim, a farm hand he befriended long ago. Ashton learns that Megan returned to Dartmoor heartbroken about losing him. She died
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While talking with Stella on the beach, Ashton suddenly sees Megan walking amongst the crowds. He makes up a ruse to send Stella back to the hotel, then follows the unsuspecting Megan. He trails her down a street, nearly catching up to her. Right as she is about to turn around, she almost catches a
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wrote, "This story of a tragic betrayal of a loving heart rolls with the inexorable force of a runaway railway train as it unfurls one unforgettable image after another of unrequited commitment. It is here that writer Mortimer's detailed characterizations come to the rescue of an otherwise obvious
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to cash a cheque at a bank, after promising to return the next morning and take Megan away with him and marry her. On arrival in the town, Ashton finds a branch of his bank, but it will not cash his cheque, insisting on first contacting his branch in London. Ashton agrees to wait in town until the
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and stays there for a few days to recover, while his friend goes on. During his stay, he quickly falls for the village girl who looks after him, Megan David. Joe Narracombe, Megan's cousin who is wary of refined men like Ashton, wants Megan for himself. Ashton, seeking ways to get close to Megan,
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called the film a "beautifully made pastoral romance", and commented, "Stage actress Stubbs is a real find as the heartbroken heroine, bringing a modern strength to the period role, while Wilby is a sympathetic version of the archetypal weak young aristocrat."
500:. I'm sure there are still plenty of young men with their BMWs who act much the same way." She said the character of Megan was "a bit of a hoyden... pretty amoral really but with a lot of guts. And Imogen Stubbs... is sensational." 495:
Mortimer called the character of Frank Ashton "very much a Galsworthy character, someone with the guilt of not living up to his own expectations. Such a bastard but with the best gentlemanly motives... such a
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After a fight with Joe over Megan, Ashton leaves the farm and makes arrangements to meet again with her. He takes the train to the seaside resort town of
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said he wanted to make his directorial debut with a film version of the story, which would be made for under $ 800,000, but again no movie resulted.
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wait at a rendezvous spot they had agreed upon. After hours of waiting for him with no success, she decides to travel to Torquay to look for Ashton.
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In 1902, a young gentleman visiting a rural area had an intense love affair with a village girl. Eighteen years later, he is passing that way again.
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festivities and learns to sheer his first sheep. That night, Megan professes she returns Ashton's feelings and they consummate their relationship.
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situation". She concluded, "The fiercely expressive beauty of Stubbs rescues this material from whimpering sentimentality".
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said he had wanted to make a film of the story "since he was about 16", but wanted to change the setting to Maine.
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In the summer of 1902, Frank Ashton, an educated young barrister from London, is on a walking holiday in
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Critics lauded the film's cast and the scenery, but criticized the screenplay as wading into
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with a friend. When he falls and twists his ankle, Ashton is helped at a nearby farmhouse in
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Warga, Wayne (3 August 1969). "Kenneth Hyman Looks Back on Life of Studio Boss".
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glimpse of Ashton, but he hides behind a building until she is gone.
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In 1987, production was at last funded, based on a script by
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announced he would make a film of the story from a script by
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Brace, Marrianne (23 October 1988). "Digging up history".
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were cast in the leading roles. Despite being set on
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I Can't 948:Films directed by 750:The New York Times 709:We Are South Devon 655:The New York Times 595:The New York Times 571:The New York Times 504:Critical reception 392:as Sabina Halliday 383:as Stella Halliday 356:as Mrs. Narracombe 303:goes to the local 189: (South Korea) 86:by John Galsworthy 1096:Films set in 1920 1091:Films set in 1902 1028: 1027: 810:Los Angeles Times 636:Los Angeles Times 620:Los Angeles Times 528:Los Angeles Times 489:Penelope Mortimer 463:Penelope Mortimer 456:Peter Bogdanovich 368:as Joe Narracombe 269:Penelope Mortimer 244: 243: 156:ITC Entertainment 124:Kenneth MacMillan 72:Penelope Mortimer 63:Penelope Mortimer 25:1988 British film 1138: 942: 935: 928: 919: 918: 914: 898: 851: 850: 848: 846: 835:"A Summer Story" 830: 821: 820: 818: 816: 801: 795: 794: 792: 790: 785:. 1 January 1988 779:"A Summer Story" 775: 769: 768: 766: 764: 741: 735: 734: 724: 713: 712: 700: 694: 693: 688:. 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Index

My Summer Story

Piers Haggard
John Galsworthy
Penelope Mortimer
The Apple Tree
James Wilby
Imogen Stubbs
Susannah York
Kenneth Colley
Georges Delerue
ITC Entertainment
Atlantic Entertainment Group
drama
Piers Haggard
John Galsworthy
The Apple Tree
Penelope Mortimer
James Wilby
Imogen Stubbs
Susannah York
Devon
Dartmoor
sheep shearing
Torquay
James Wilby
Imogen Stubbs
Susannah York
Kenneth Colley
Jerome Flynn

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