John Galsworthy - Knowledge

559:, who had yet to begin his career as a writer. The two became lifelong friends. In 1904 Galsworthy went to Russia, where his father had financial interests, before returning to England, supposedly to resume his career as a barrister. He remained unenthusiastic about working as a lawyer: "I read in various Chambers, practised almost not at all, and disliked my profession thoroughly". An obituarist in 1933 commented that despite Galsworthy's distaste for the legal profession, his study of the law left a permanent mark on his fiction, in which there are numerous court scenes, mostly leading to an outcome that does more harm than good. At this stage of his life Galsworthy was under no pressure to earn a living, having an adequate allowance from his father, but although he disapproved of an idle existence, he had no clear idea of what he wished to do. 368: 517: 640:, which he had come across when on a walking tour. It was the first of many visits they made there, and four years later Galsworthy took a long lease of part of the building, which was the couple's second home until 1923. Arthur Galsworthy sued for divorce in February 1905; the divorce was finalised on 13 September of that year and Ada married John Galsworthy ten days later. The marriage, which was childless, lasted until his death. Ada was a key figure in the life of her second husband, and his biographers have attributed to her an important influence on his development as a novelist and playwright. 1530: 721: 3845: 3790: 3774: 3760: 1217: 580: 1645: 65: 913: 3731: 1560:(1924), which dealt respectively with murder and suicide – the latter by the unconventional method of overeating: the play culminates in the death of the central character, who, faced with imminent ruin and disgrace, defies his doctor's orders and deliberately eats a fatally rich and elaborate dinner, with many courses and as many wines. These were exceptions: normally Galsworthy conceived his plots and characters as suitable either for drama or for fiction, but not both. 176: 8589: 850:, who was interned as an enemy alien and later expelled. Galsworthy was too old to serve in the army and felt increasingly that he was not contributing enough to the war effort. He donated his substantial American royalties to war charities, but in addition he felt impelled to offer his services in a personal capacity. He trained as a masseur and went to France as a volunteer, giving therapy to injured soldiers at the Hôpital Bénévolé in Martouret, near 1705:, Fréchet wrote that Galsworthy's reputation is not the same in Britain as it is elsewhere: "for the English, Galsworthy represents the past, because they are so conscious of all that is anachronistic in the world he describes, and of how fast it is all changing". Fréchet suggests that readers from other countries "are much better at perceiving what remains true in Galsworthy's depiction of England, because they realise how slowly it has changed". 1025: 3755: 1255:(1909). These books reflect the author's disparaging view of various aspects of British society such as hypocrisy, selfishness and exploitation of the poor and women of all classes. His censure was seen in conservative circles as scandalous, and the author was regarded by some as a traitor to his own class. He further offended conservatives by his attacks on imperialism; in 1526:

a more subtle, naturalistic approach, which, Shaw said, "makes me blush for the comparative blatancy of my own plays". Galsworthy seldom took sides; he was known for seeing both sides of most arguments and rarely giving any characters a monopoly of virtue or wisdom. The literary critic and academic Michael Molino summarises Galsworthy's technique:

509:. His father could put a good deal of work his way and recommend him to other solicitors. He was nonetheless unenthusiastic about practising as a barrister. At his father's instigation he went with his brother Hubert on a trip across Canada, ostensibly to examine some family holdings there, but, according to Holloway, chiefly as a version of the 1698:; Ada's first marriage provided a basis for Irene and Soames Forsyte. But in Hart-Davis's view, in the later novels Galsworthy had to rely on his creative imagination, "which by itself wasn't powerful enough to mask his ignorance of his juniors: perhaps if he'd had children the later books would have rung truer". 717:(1913), depicting the disruptive, but sometimes creative, effects of love. Alongside his work as a novelist and playwright, Galsworthy was a vigorous campaigner for causes in which he believed. In 1912 and 1913 he carried on an effective campaign in the cause of humane slaughtering of animals killed for food. 1060:; the latter was much taken with the house: "really lovely, with pearl-grey stone fronting lawns that run straight to the open fields ... Everything artistic ... Very like a special edition of one of John's own books". Galsworthy and Ada divided their time between Bury and their London home in 1525:

commented that Galsworthy was a dramatist of power with more feeling than Shaw, if less wit, "and as keen a sense of social anomalies, if less readiness to offer theories by which they might be remedied". Shaw favoured a forthright presentation of his themes; Galsworthy and Granville-Barker preferred

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had married Arthur in 1891, but they had little in common and quickly drifted apart; within a year they had agreed to live separately. Until the death of John Galsworthy senior in 1904, Ada and Galsworthy kept their relationship secret, because a scandal would have distressed the old man greatly. Ada

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in October 1886. His biographer Catherine Dupré calls his time at Oxford "a happy, almost frivolous, interlude in a life that was lived in general with the greatest solemnity". An Oxford contemporary recalled him as living the typical life of the well-to-do, a not very intellectual undergraduate from

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wrote, "Galsworthy takes his place in modern literature chiefly by virtue of his plays. Criticism may to a certain extent damage him as a novelist, but the most searching critics cannot leave him anything less than a great playwright". Although throughout his career Galsworthy supported no political

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Fréchet comments that the recurring themes of Galsworthy's novels are, in order of importance, beauty, love and suffering, divorce, honour, art and the law. "Beauty comes first, because in every case it coincides with love: the beloved woman is always very beautiful; but not only women: the natural

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Of Galsworthy's 20 novels, nine are about the Forsytes (the last three tangentially so) and the other eleven are all one-off stories. In a 1982 study, Alec Fréchet analyses a comment that Galsworthy made in looking back at his works in the mid-1920s, that the novels reflected the battle between the

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Galsworthy wrote 20 novels; 28 completed plays; five collections of short stories; three volumes of poetry; eleven volumes of essays and sketches; and occasional stories and pamphlets, newspaper articles, unpublished essays and sketches. He wrote in longhand, revised extensively, and his wife – the

1125:. In his foreword he wrote, "it is hard to part suddenly and finally from those with whom one has lived so long; and ... these footnotes do really, I think, help to fill in and round out the chronicles of the Forsyte family". In 1931 he began what developed into a third and last trilogy, with 531:

After returning to England in September 1891 Galsworthy had a brief, unhappy love affair. His father arranged further foreign trips to distract him from his emotional troubles and to develop his legal education by studying aspects of maritime law at close quarters with a view to specialising in it

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No one, at school, I am sure, detected in him signs of future greatness ... I think that if you had asked any of his contemporaries for their opinion of him, they would have said: "A very nice fellow, without much push, the best-dressed boy in the school, with more than ordinary athletic and

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confirmed this reputation for seriousness; he wrote that Galsworthy abominated desultory conversation, and when he and his wife were entertaining dinner guests he would announce, as they sat down, a topic that would be discussed during the meal, such as "To what extent is genius influenced by the

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When the First World War began in August 1914, Galsworthy had conflicting views. He was appalled that civilised countries should be at war with each other, but thought it right to defend Belgium against German invasion. His family was directly affected by the war: his sister Lily was married to a

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commented that the characters are "undeniably arresting. They always stand out of the page, clear and impressive, as true flesh and blood". Other comments included "most incisive and cunningly wrought", "written with a finish which is both rare and delightful" and "a very human story of undoubted

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called them "the Edwardians" and accused them of presiding over an "age when character disappeared or was mysteriously engulfed". In her view, according to Molino, the three "ignored the complex internal life of characters" and portrayed "an orderly existence populated with characters typical of

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commented that instead of seeing the good in both sides of an argument as he usually did, Galsworthy here depicted the bad in both. Archer wrote that the play contained some of the most thrilling passages in modern drama, and showed Galsworthy to be a born dramatist. Another reviewer called it

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Galsworthy compiled a list of causes about which he had campaigned: abolition of the censorship of plays; aeroplanes in war; caging of wild birds; "Cecil houses" ; children on the stage; dental experiments on dogs; divorce law reform; docking of horses' tails; labour unrest – labour exchanges;

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Galsworthy was known for his generosity. He insisted on living on only half his income, and gave the other half away in such causes as providing affordable homes for villagers in Manaton and Bury. Walpole described him as "gentle, honest and just" and "absolutely good-hearted ... a dear",

651:(1904), addressing the effects of poverty and the constraints of convention − themes with which Galsworthy became much associated − received considerable praise, but it was a further two years until he had his first outstanding successes. His biographer V. H. Marrot calls 1906 Galsworthy's 1716:. It was at the time the most expensive television production ever made, with 26 episodes of 50 minutes each. It attracted large audiences in Britain and forty other countries, and led to a surge in the sale of Galsworthy's novels, which sold better than at any stage in his lifetime; 1803:

performing animals; pigeon shooting; plumage bill; ponies in mines; prison reform (closed cell confinement); slaughterhouse reform; slum clearance; sweated industries − minimum wage; three year average income tax; vivisection of dogs; woman's suffrage; worn-out horse traffic; zoos.

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literary value". The first impression sold out within weeks and a reprint was quickly arranged by Heinemann, who remained Galsworthy's publisher for the rest of the author's career. There were there four more reprints over the next five years, including a cheap "Sixpenny Edition".

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My early work was certainly more emotional than critical. But from 1901 came nine years when the critical was, in the main, holding sway. From 1910 to 1918 the emotional again struggled for the upper hand; and from that time on there seems to have been something of a "dead

335:, Old Jolyon, is modelled on Galsworthy's father. The main sequence runs from the late 19th century to the early 1930s, featuring three generations of the family. The books were popular when first published and their latter-day popularity was boosted considerably when 763:

and Granville-Barker as a playwright with a strong social message. The play hinged on unequal treatment before the law, depending on social class. It was well and widely reviewed, although it did only modestly at the box-office. Between 1906 and the outbreak of the

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Galsworthy resumed much of his pre-war lifestyle, combining literary output, socialising, and promoting the causes in which he believed. He supported prison reform, women's rights, a minimum wage and animal welfare, and opposed censorship, exploitation of workers,

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After the four children had grown up, Blanche left her husband and lived separately. The literary critic and academic Michael Molino suggests that she was the model for highly strung and emotionally aloof women in her son's novels, such as Mrs Pendyce in

1682:, although, in Fréchet's phrase, "undaunted by his lack of knowledge of the subject", published an attack on Galsworthy. "The story is feeble, the characters have no blood and bones, the emotions are faked, faked, faked. It is one great fake". 1156:, only the second English author to receive the award since its inception in 1901. He was by then too ill to go to Stockholm for the presentation, and died at his London home on 31 January 1933, aged 65, from a combination of causes including 1548:

a dramatic situation presents the central thesis of the play; the action is then propelled through realistic dialogue and detail, and the conclusion poses a question to consider rather than presenting a certain resolution to the play's

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was staged in London. As a dramatist, he became known for plays with a social message, reflecting, among other themes, the struggle of workers against exploitation, the use of solitary confinement in prisons, the repression of women,

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setting for the action is also unfailingly lovely. The beauty of a woman and the beauty of nature are of the same kind". Money and family are important features, but generally as the background to, rather than the crux of, the plot.

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family, Galsworthy was destined for a career as a lawyer, but found it uncongenial and turned instead to writing. He was thirty before his first book was published in 1897, and did not achieve real success until 1906, when

909:, Galsworthy praised Lowell for his contribution to making English the universal language − "that most superb instrument for the making of word-music, for the telling of the truth, and the expression of the imagination". 981:(standing for "Poets, Essayists, Novelists") was founded in London, with Galsworthy as its president, a position he held for the rest of his life. In May 1922 the three Forsyte novels were issued in a single volume as 1502:, Galsworthy was known more in his early career for his plays than for his novels. Unlike Maugham, who abandoned the theatre thirty years before the end of his writing career, Galsworthy continued writing plays, from 688:

said, "A novel of this character is new; it shows thought and determination, and an unflagging alertness, with its companion, ease, that make Mr Galsworthy's career a matter of some importance to English fiction",

603:"that dreadful little book" – and over the next few years he honed his skills. He later said that he was writing fiction for five years before he mastered even the basic techniques. He studied the works of 631:

In 1904 Galsworthy's father died, and there was no longer any cause for secrecy about his son's relationship with Ada. After the funeral the couple went to stay at Wingstone, a farmhouse in the village of

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the author could draw on his contemporaries and immediate forebears as models: the Forsytes are an upper-middle-class family like Galsworthy's own, two generations removed from their yeomen roots in the

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their social station, but little else". Of the three it was Galsworthy whom Woolf most disliked. When his death was announced she wrote of her thankfulness that "that stuffed shirt" had died. In 1927

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and Sir Arthur Pinero, and representatives of numerous charities that Galsworthy had supported. In accordance with his will, his ashes were scattered from an aeroplane over the South Downs.

939:, depicting the clash between old and new money, attempted blackmail, and the effect of unrestrained capitalism on the lives of ordinary people. Reviews were generally favourable, although 489:(later a professional actress); his ardent feelings were not reciprocated, which caused him much angst. He concluded his time at Oxford with a second-class honours degree, awarded in 1889. 695:

said that Galsworthy had already published some good work, but "nothing quite so strong as this carefully-imagined and well-elaborated chapter in the history of smug respectability", and

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Revisiting the theme of the Forsyte family in 1917, Galsworthy wrote a short story, "Indian Summer of a Forsyte" depicting the serene final days of Old Jolyon, the head of the family in

1521:. Encouraged by Granville-Barker, Galsworthy wrote about conflicts and inequities within British society. Shaw did the same, but the styles of the two dramatists differed noticeably. 354:

and workers' rights. Although seen by many as a radical, he belonged to and supported no political party. His plays are seldom revived, but his novels have been frequently reissued.

985:, and sold prodigiously – more than two million copies within months of publication, according to one account, although Galsworthy's major biographers do not give a figure. 614:

While his father remained alive Galsworthy wrote under a pseudonym, John Sinjon, in whose name his first four books were published. His 1901 collection of short stories,

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in 1935, moves the focus towards the Charwell family, related by marriage to the Forsytes. It sold well, although not matching the commercial or critical success of the

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and full of pluck". His biographer David Holloway comments that in describing a character in a 1930 short story, Galsworthy was in fact describing his schoolboy self:

442:. He was happy there, and his happiness increased when his younger brother, Hubert, was sent to join him. In the summer term of 1881 Galsworthy left Saugeen to go to 1776:

Under the prevailing legal system in England, litigants had to engage two lawyers: first a solicitor to prepare the case and then a barrister to present it in court.

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Galsworthy senior, like his predecessors, pronounced the surname with a short "a" as in "gallery"; his son changed the pronunciation of the first syllable to "

7988: 427:; looking back, Galsworthy said in 1919, "I was so truly and deeply fond of him that I seemed not to have a fair share of love left to give to my mother". 346:

As well as writing plays and novels with social messages, Galsworthy campaigned continually for a wide range of causes about which he felt strongly, from

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Galsworthy (1916), Contents page: "On the treatment of animals. Concerning laws. On prisons and punishment. On the position of women. On social unrest."

1832:(1913) also sometimes wrote in English. The citation for Galsworthy's award was "for his distinguished art of narration which takes its highest form in 829:

and the politics and morality of war. None of these plays were box-office successes, but Galsworthy had the benefit of producers – Granville-Barker and

5550: 618:, included "The Salvation of Swithin Forsyte", the first episode in what he later developed into a three-generation family saga, known collectively as 8770: 8745: 885:, which he declined, on the grounds that "no artist of Letters ought to dally with titles". Officials mistakenly left his name in the published 1918 8825: 8795: 5843: 8140: 1098:. Although it is a more prestigious honour than a knighthood it confers no title, and Galsworthy accepted it, receiving the award along with the 776:

he set up a committee to press for reform of the British laws imposing censorship on theatrical productions. They enlisted the strong backing of

973:, published in October 1920. Within a year he completed another Forsyte short story (or "interlude"), called "Awakening", and a third novel, 1259:

he wrote, "Why should we, a small portion of the world's population, assume that our standards are the proper ones for every kind of race?"

5848: 281:; 14 August 1867 – 31 January 1933) was an English novelist and playwright. He is best known for his trilogy of novels collectively called 505:

in the Easter term of 1890. Holloway comments that as the son of a leading solicitor, Galsworthy was in an excellent position for a young

457:. A contemporary later described him as "one of the best football players and runners there have ever been at Harrow ... a beautiful 417:

family, and this, together with a 20-year age gap between them, made for an uneasy relationship. The four children were considerably more

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Some critics felt that Galsworthy was apt to show the underdog in a sympathetic light even when the character deserved little sympathy.

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in 1929. As with Maugham, the plays are rarely revived, although the Forsyte Saga and some other novels have been regularly reissued.

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Galsworthy nonetheless was consistently enthusiastic about Wodehouse's comic novels, one of his few tastes that Ada did not share.

591:, printed at his own expense. The book received many favourable reviews, but sales were modest. Nevertheless, the young publisher 8760: 8755: 8740: 5863: 5765: 4050: 3811: 2701: 837:

in Manchester – who were willing to present non-commercial plays in which they believed, as well as more profitable productions.

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in Surrey. He was the second child and elder son of the four children of John Galsworthy (1817–1904) and his wife Blanche Bailey

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once back at home. In November 1892 Galsworthy and a friend from Oxford, Ted Sanderson, began a long trip that took them to the

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in Britain in 1967 and more than 120,000 the following year. New translations brought the author a new international public.

1593:(2004), Geoffrey Harvey considers that Galsworthy's poems rarely transcend the conventional. Gilbert Murray thought that the 1032:

Galsworthy's lease of Wingstone ended in 1923, to his regret and his wife's relief (she found the Devon weather bad for her

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In the English divorce courts of the time there was an interval between the provisional judgement granting a divorce (the

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At this stage, Galsworthy had only tentative thoughts of expanding the novel into the family saga and social panorama of

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In addition to the Order of Merit and the Nobel Prize, Galsworthy received honorary degrees from the universities of

1036:). They were without a country home for three years until in September 1926 they discovered and bought Bury House in 340: 587:

Galsworthy published his first work of fiction in 1897, when he was aged 30. It was a volume of nine short stories,

387:, with a flourishing practice, as well as substantial wealth inherited from his father – also John – who was from a 8815: 8785: 8780: 8148: 7799: 7629: 7456: 6526: 6521: 5951: 367: 3816: 8830: 8116: 7869: 7754: 6963: 6549: 6444: 3725: 8622: 8092: 6454: 6164: 5833: 5592: 5512: 5501: 5490: 5479: 5457: 5446: 5435: 5424: 5413: 5402: 5391: 5380: 5369: 5358: 5347: 5336: 5325: 5314: 5303: 5292: 5281: 5270: 5259: 5248: 5226: 5215: 5204: 5193: 5182: 5171: 5160: 5149: 5138: 5127: 5116: 5105: 5094: 5083: 5072: 5061: 5050: 5039: 5028: 5017: 4995: 4984: 4973: 4962: 4951: 4940: 4925: 4914: 4903: 4892: 4881: 4870: 4859: 4848: 4833: 4822: 4810: 4799: 4788: 4777: 4755: 4744: 4733: 4722: 4711: 4700: 4689: 4678: 4667: 4656: 4645: 4634: 4623: 4612: 4601: 4590: 4579: 4571: 4562: 4553: 4533: 4521: 4510: 4499: 4488: 4480: 4468: 4457: 4446: 4430: 4419: 4408: 4397: 4386: 4375: 4364: 4353: 4342: 4331: 4320: 4298: 4287: 4279: 4263: 4252: 4241: 4233: 4221: 4210: 4199: 4188: 4177: 4166: 4155: 4144: 4133: 4118: 4107: 4096: 4085: 2649: 478: 296: 120: 3826: 3822: 709:. It was another twelve years before he wrote any more about the Forsytes. His novels in the interim included 624: 7729: 7614: 6434: 5966: 5904: 3990: 3913: 2697: 1847: 1176: 1121:, a collection of short stories about them, dealing with events before and soon after those recorded in the 375:

John Galsworthy was born on 14 August 1867 at his family's home, Parkfield (now called Galsworthy House) on

7831: 7789: 7609: 7003: 5934: 5879: 3857: 2781: 1320:(1928). The last group in Fréchet's summary of Galsworthy's classifications consists of the final trilogy: 1052:, where Galsworthy used to ride. At Bury the Galsworthys entertained his friends and colleagues, including 943:

said that the author's dramatic genius lent undeserved credibility to an essentially unrealistic plot, and

806: 599:, which he published in 1898. The author later dismissed his first two books as prentice works – he called 239: 54: 2811: 8287: 8076: 7704: 7654: 6338: 5813: 5758: 5032: 3836: 1816:, in 1907. Between the two awards, the prize had gone to three non-English authors who wrote in English: 3284: 8529: 8401: 8196: 8132: 8068: 7719: 7679: 7649: 6777: 6772: 6174: 4525: 4111: 3535: 3486: 3400: 1689:

thought that Galsworthy's touch grew less sure with each succeeding generation of the Forsytes: in the

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From this, Fréchet divides the novels into five periods: the first consisting of the two early ones,

1153: 992:, Galsworthy turned to the next generation of the family. The first instalment of a second trilogy – 955: 8482: 8443: 8429: 8295: 8271: 8060: 7684: 7088: 7033: 6490: 6209: 6194: 6179: 6136: 6101: 5838: 5569: 3906: 3531: 3381: 1633: 1617: 485:, and acted in other amateur productions, in one of which he fell in love with a fellow performer, 313:, the first of his novels about the Forsyte family was published. In the same year his first play, 8415: 4852: 1012:

in 1930. The day before the play opened in London, Lily Sauter died. The Galsworthys took her son

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Not all Galsworthy's plays are of this kind. Two were his adaptations of earlier short stories:

854:. His wife went with him, helping with the hospital's laundry. They returned to England in 1917. 777: 737: 733: 666: 3721: 1262:

The next period, from 1910 to 1919, produced six novels categorised as "lyrical" or "war-time":

1106:. Over the following three years he received honorary degrees from five universities, including 969:

By this time Galsworthy had returned to the Forsytes; he wrote a second novel about the family,

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with their father than with their mother. He became the model for Old Jolyon, the patriarch in

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Harvey judges Galsworthy's essays and published lectures to be "thoughtful but unremarkable".

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was the first of 28 plays Galsworthy wrote for the professional stage. Despite the success of

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made a television adaptation of the first two trilogies, screened in 1967 under the title

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and aerial warfare. He had included essays on some of these topics in his 1916 collection

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and his wife, Viola, with them for a prolonged winter holiday in Italy and North Africa.

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in 1914, Galsworthy had nine plays produced and published five novels. With the help of

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Galsworthy was an accomplished writer of short stories; the most popular collection is

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In 1895 Galsworthy began a love affair with the wife of his cousin Arthur Galsworthy.

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As a playwright, Galsworthy presented social issues of the time in the manner of the

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Galsworthy found himself drawn back to the Forsyte family, and in 1930 he published

1064:; Rudolf and Viola Sauter moved from London and lived at Bury House the year round. 865:, which also contained "A Stoic", later to be successfully adapted for the stage as 851: 8710: 8643: 8489: 8215: 7764: 7431: 7335: 7295: 7285: 7215: 7078: 7018: 6973: 6938: 6797: 6737: 6511: 6469: 6429: 6399: 6389: 6384: 6323: 6126: 5889: 5858: 5285: 5054: 4814: 4759: 4693: 4649: 4638: 4594: 4472: 4006: 3942: 3735: 3625: 3240: 3197: 1438: 1233:(1900). Between 1901 and 1909 there were four novels characterised as "critical" – 1180: 959: 951: 901:

invited Galsworthy to give an address at the celebrations marking the centenary of

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earlier in the year, it was as a dramatist that he was first widely known. In 1916

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As his father wished, Galsworthy entered the legal profession. He was admitted to

8303: 7411: 7365: 7360: 7210: 7175: 7160: 7098: 6988: 6913: 6852: 6762: 6672: 6612: 6587: 6242: 6116: 5577: 5395: 5131: 5043: 4988: 4944: 4933: 4803: 4737: 4159: 4100: 4089: 3832: 3707: 3666: 3463: 1813: 1790: 1658: 1541: 1537: 1184: 1111: 1001: 882: 830: 799:(1913) depicts a marriage collapsing from the incompatibility of the couple. But 765: 653: 454: 447: 400: 5461: 5340: 5263: 5219: 3646: 32:"Galsworthy" redirects here. For the surname, and other people known by it, see 8247: 8044: 7644: 7546: 7476: 7466: 7390: 7320: 7305: 7245: 7170: 7145: 7093: 7038: 6998: 6903: 6893: 6868: 6782: 6712: 6637: 6577: 6449: 6379: 6224: 6199: 6156: 6131: 6121: 6096: 6056: 6011: 5919: 5439: 5428: 5098: 5087: 4929: 4874: 4792: 4423: 4379: 4324: 4291: 4245: 3974: 3966: 3950: 3740: 3193: 1825: 1679: 1674: 1572: 1103: 1095: 1053: 834: 817: 811: 773: 729: 671: 563: 520: 486: 408: 347: 336: 315: 133: 3712: 3596: 3499: 3391: 3372: 1529: 8724: 8521: 7639: 7506: 7481: 7416: 7385: 7350: 7345: 7340: 7325: 7205: 7180: 7150: 7053: 7023: 6878: 6832: 6827: 6792: 6787: 6742: 6727: 6707: 6682: 6647: 6627: 6592: 6495: 6328: 6071: 6031: 5929: 5899: 5774: 5528: 5318: 5296: 5274: 5252: 5175: 5153: 5142: 5021: 4918: 4605: 4514: 4401: 4390: 4014: 3958: 3637: 3604: 1717: 1470: 1005: 1000:. The starring role in the play, Sylvanus Heythorpe, was played in London by 801: 781: 604: 568: 556: 473: 443: 413: 404: 392: 146: 7290: 4781: 4616: 3523: 327:

The Forsyte family series of novels and short stories collectively known as

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of his day deplored Galsworthy's books, and those of his contemporaries

1657:, and Granville-Barker was quite fun although J. G. never sees a joke". 1304: 1294: 1288: 1282: 1276: 1270: 1264: 1251: 1245: 1235: 815:(1910) attacks the use of solitary confinement in prisons; the theme of 8375: 7893: 7604: 7496: 7441: 7421: 7270: 7265: 7250: 7220: 7195: 7135: 7013: 6928: 6888: 6722: 6692: 6026: 6016: 5909: 4461: 4192: 3670: 1067:

Between 1926 and 1928 Galsworthy worked on the second Forsyte trilogy.

1033: 933:, London, in 1920 Galsworthy had his first big box-office success with 720: 533: 510: 388: 351: 175: 2163: 1171:

After a private funeral and cremation, a memorial service was held at

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with Galsworthy biographer Jeffrey Reznick on "New Books in History".

1514: 1061: 912: 684: 552: 506: 431: 399:

before moving to London and investing profitably in property. In the

384: 332: 101: 1644: 1216: 1183:, European ambassadors, fellow authors including Sir James Barrie, 7103: 6021: 5971: 5197: 3749: 3745: 1041: 826: 637: 595:

was willing to take a chance on Galsworthy's second book, a novel,

548: 396: 321: 3609:

For Some We Loved: an Intimate Portrait of Ada and John Galsworthy

821:(1912) is the repression of women both in the family and society; 567:

encouraged Galsworthy to become a writer, as did his two sisters,

64: 6333: 6287: 5946: 3827:

I Remain: A Digital Archive of Letters, Manuscripts, and Ephemera

1075:

in 1928. He interspersed the novels with two short "interludes":

1045: 791:

Not all the early plays had overt political or polemical themes:

724:

Fellow campaigners against censorship: from top left, clockwise:

633: 555:, beginning in April 1893, Galsworthy met the ship's first mate, 5743: 1575:: "Sir, do not accustom your mind to confound virtue and vice". 8637: 5884: 5786: 5373: 3192: 1567:(1923), centring on a vicious young woman, led the reviewer in 713:(1909), a critique of the artificial veneer of urban life, and 4065: 1200:

only secretary he ever had – typed his completed manuscripts.

465:

artistic gifts, but never likely to make a stir in the world".

7962: 6548: 1024: 541: 255: 267: 7734: 1746: 1653:

although somewhat over-serious: "A dinner with Galsworthy,

434:

until he was nine. In 1876 he was sent to Saugeen, a small

273: 270: 3530: 2700:, Internet Broadway Database. Retrieved 4 April 2023; and 1703:

John Galsworthy: l'homme, le romancier, le critique social

1709: 371:

Parkfield (now Galsworthy House), the author's birthplace

252: 6465:

University of California, Riverside 1985 laboratory raid

2983:, 25 April 1920, p. 11; and Gindin, pp. 189, 199 and 252 1114:

taking as his subject "Shakespeare and Spiritual Life".

1087:

in 1929. Sales were disappointing – fewer than those of

407:, Blanche Galsworthy saw herself as being from a higher 331:

is similar in many ways to Galsworthy's family, and the

3092:

Howarth, p. 5; Drabble (1974) p. 289; and Steele, p. 21

2931:, Oxford University Press 2007. Retrieved 9 April 2023 1048:. The house has extensive views across farmland to the 3222:

The Literary Guide & Companion to Southern England

925:, centre, with George Eldon left, and Frederick Cooper 7989:

Moral Inquiries on the Situation of Man and of Brutes

1636:, and was an honorary fellow of New College, Oxford. 889:

list, and at his insistence a correction was issued.

264: 261: 2652:, Internet Broadway Database. Retrieved 4 April 2023 258: 3665: 3402:

John Galsworthy's Life And Art: An Alien's Fortress

3303: 249: 1812:The first English author to receive the prize was 1789:) and the formal dissolution of the marriage (the 1148:Galsworthy's health declined as he was working on 1137:(1933). This final trilogy, published together as 1083:(1927). They were published in a single volume as 513:, to let the brothers see something of the world. 1708:Marking the centenary of Galsworthy's birth, the 977:, published in September 1921. A month later the 8722: 5844:List of international animal welfare conventions 2704:, British Film Institute. Retrieved 4 April 2023 2358:"The Times List of New Books and New Editions", 2306:Dupré, p. 50; Holloway, p. 15; and Gindin, p. 85 1727: 8751:20th-century English dramatists and playwrights 8141:An Introduction to Animals and Political Theory 3825:. Available online through Lehigh University's 3468:Bernard Shaw: The One-Volume Definitive Edition 383:Bartleet (1837–1915). John senior was a London 7572: 5558: 3618:John Galsworthy. Writers and Their Work No. 38 3494:(Thesis). Liverpool: University of Liverpool. 3306:The Oxford Literary Guide to the British Isles 2784:, University of Oxford. Retrieved 7 April 2023 611:, learning from their literary craftsmanship. 391:farming family. The latter had prospered as a 8623: 5759: 5544: 4051: 3914: 3780:Plays by John Galsworthy on Great War Theatre 2610:, 22 April 1920, p. 12; and "The Skin Game", 1998:The Oxford Encyclopedia of British Literature 5849:Moral status of animals in the ancient world 1209:emotional and critical sides of his nature: 805:(1909) depicts the struggle of workers in a 7816:Animal Defence and Anti-Vivisection Society 7760:People for the Ethical Treatment of Animals 5787:Topics (overviews, concepts, issues, cases) 1590:The Oxford Dictionary of National Biography 1587:(1918). Opinions vary about his poetry. In 881:. Towards the end of 1917 he was offered a 8630: 8616: 5766: 5752: 5551: 5537: 4058: 4044: 3921: 3907: 3843: 3788: 3772: 3758: 3537:The Lyttelton Hart-Davis Letters, Volume I 3513: 3419: 3379: 3360: 3266:The Oxford Companion to English Literature 2872: 2870: 2868: 2625:The Illustrated Sporting and Dramatic News 2229: 2227: 2190: 2188: 861:. It was published in the 1918 collection 492: 63: 7963:Media (books, films, periodicals, albums) 7900:Human Environment Animal Protection Party 3928: 3833:Newspaper clippings about John Galsworthy 3202:The Buildings of England, London 2: South 2814:, The Nobel Prize. Retrieved 7 April 2023 2623:Archer, William. "The Stage of the Day", 2315:Fisher, John. "The Ada Galsworthy Saga", 682:The novel was reviewed enthusiastically. 8771:20th-century English short story writers 8746:19th-century English short story writers 8021:Evolutional Ethics and Animal Psychology 6273:Pain and suffering in laboratory animals 3441: 2261: 2259: 2257: 1643: 1528: 1215: 1091:as a single volume seven years earlier. 1023: 911: 719: 578: 574: 571:(Lily) and Mabel, close friends of Ada. 515: 366: 8826:English male dramatists and playwrights 8796:Presidents of the English Centre of PEN 5864:Universal Declaration on Animal Welfare 3812:Oxford Dictionary of National Biography 3624: 3615: 3603: 3557:The Life and Letters of John Galsworthy 3484: 3462: 3341: 3304:Eagle, Dorothy; Hilary Carnell (1977). 3263: 3239: 2865: 2849: 2847: 2845: 2822: 2820: 2580: 2578: 2559: 2557: 2484: 2482: 2480: 2396: 2394: 2327: 2325: 2224: 2185: 1941:Oxford Dictionary of National Biography 809:against exploitation by the employers; 14: 8723: 5941:Cambridge Declaration on Consciousness 3704:Works by John Galsworthy in eBook form 3644: 3571: 3554: 3398: 3322: 3218: 3171: 2920: 2918: 2217: 2215: 2213: 2103: 2101: 1931: 1929: 1927: 1925: 1923: 1921: 1919: 1917: 1915: 1133:(1932) and the posthumously published 324:and the politics and morality of war. 8611: 8157:Political Animals and Animal Politics 7961: 7745:Massachusetts Animal Rights Coalition 7670:Centre for Animals and Social Justice 7571: 6547: 6077:Concentrated animal feeding operation 5854:Timeline of animal welfare and rights 5809:Animal rights by country or territory 5785: 5747: 5532: 4039: 3902: 3282: 3249:. London: Weidenfeld & Nicolson. 2805: 2734: 2254: 2157: 2116:Gooch, Graham, and Michael Williams. 536:(where they hoped but failed to meet 7888:Animalist Party with the Environment 6170:Animal testing on non-human primates 2862:Hart-Davis, p. 294; and Gindin, p. 8 2842: 2817: 2575: 2554: 2477: 2391: 2322: 1988: 1986: 1984: 1982: 1980: 1978: 1976: 1974: 899:American Academy of Arts and Letters 343:for the author's centenary in 1967. 205:October 1921 – October 1933 8312:Peaceable Kingdom: The Journey Home 6517:World Day for the End of Speciesism 3268:. Oxford: Oxford University Press. 3131:Lyttelton and Hart-Davis, pp. 98–99 3047:Holloway, p. 76; and Gindin, p. 528 2915: 2713:Gindin, p. 493; and Holloway, p. 99 2210: 2098: 1912: 1662:educational standards of parents?" 1094:In 1929 Galsworthy was offered the 628:, the first novel in the sequence. 622:. Two years later he began writing 446:. He became a member of the school 24: 8437:Relations. Beyond Anthropocentrism 7780:United Activists for Animal Rights 7690:Doctors Against Animal Experiments 5824:Animal cruelty–Holocaust analogies 3867:Non-profit organization positions 3620:. London: Longmans Green & Co. 3581:. New York: Simon & Schuster. 2272: 840: 759:was seen as putting him alongside 483:Oxford University Dramatic Society 357: 25: 8857: 7981:On Abstinence from Eating Animals 7941:Animal Rights National Conference 7864:Animal Protection Party of Canada 7821:Canadian Anti-Vivisection Society 7675:Chinese Animal Protection Network 7600:American Anti-Vivisection Society 7074:Johann Friedrich Ludwig Volckmann 5829:Animal rights in Indian religions 5819:Animal rights and punk subculture 5773: 3732:Works by or about John Galsworthy 3692: 3225:. Athens: Ohio University Press. 2802:Fréchet, p. 2; and Gindin, p. 552 2683:Gindin, p. 449; and Dupré, p. 262 1971: 1720:sold more than 100,000 copies of 544:), Australasia and South Africa. 468:After Harrow, Galsworthy went to 411:than her husband's comparatively 8811:People from Kingston upon Thames 8806:People educated at Harrow School 8588: 8587: 8149:Animal Rights Without Liberation 7800:Voice for Animals Humane Society 6527:World Day for the End of Fishing 6522:World Day for Laboratory Animals 5952:Equal consideration of interests 3753: 3327:. London: Secker & Warburg. 3204:. Harmondsworth: Penguin Books. 3152: 3143: 3134: 3125: 3113: 3104: 3095: 3086: 3077: 3068: 3059: 3050: 3041: 3029:Dictionary of National Biography 3017: 3004: 2995: 2986: 2973: 2812:"All Nobel Prizes in Literature" 2294:, Oxford University Press, 2022 2194:"Probate and Divorce Division", 2124:, Oxford University Press, 2015 2012:Dupré, p. 13; and Holloway, p. 5 2000:, Oxford University Press, 2006 1943:, Oxford University Press, 2004 1874: 1578: 245: 174: 8791:English animal rights activists 7870:Animal Justice Party of Finland 7755:Oxford Centre for Animal Ethics 6964:Karl Christian Friedrich Krause 6552:(academics, writers, activists) 6445:Monkey selfie copyright dispute 3470:. London: Chatto & Windus. 2964: 2955: 2946: 2937: 2906: 2897: 2888: 2879: 2856: 2829: 2796: 2787: 2774: 2761: 2752: 2743: 2725: 2716: 2707: 2686: 2677: 2668: 2655: 2643: 2630: 2617: 2600: 2587: 2566: 2545: 2536: 2527: 2518: 2509: 2500: 2491: 2464: 2455: 2446: 2437: 2428: 2419: 2410: 2378: 2365: 2352: 2343: 2334: 2309: 2300: 2281: 2245: 2236: 2201: 2176: 2148: 2139: 2130: 2122:A Dictionary of Law Enforcement 2110: 2089: 2076: 2067: 2058: 2045: 2036: 2027: 2015: 1839: 1806: 1796: 1779: 1770: 1763:(1907) and Frances Freeland in 788:and others lent their support. 643: 27:English novelist and playwright 8761:20th-century English novelists 8756:20th-century English essayists 8741:19th-century English novelists 8093:Animals, Property, and the Law 6165:Alternatives to animal testing 5834:Christianity and animal rights 3346:. London: Palgrave Macmillan. 3344:John Galsworthy A Reassessment 3025:"Galsworthy, John (1867–1933)" 2006: 1962: 1953: 1937:"Galsworthy, John (1867–1933)" 1903: 1894: 1752: 1739: 1179:including the prime minister, 1110:, where he delivered the 1931 1019: 362: 297:1932 Nobel Prize in Literature 13: 1: 8841:British people of World War I 8821:Members of the Order of Merit 8801:Nobel laureates in Literature 8776:Alumni of New College, Oxford 7730:Korea Animal Rights Advocates 6435:Cambridge University primates 5967:Ethics of uncertain sentience 3858:The Papers of John Galsworthy 3632:. London: Thames and Hudson. 1887: 1728:Notes, references and sources 1639: 1175:, attended by members of the 430:Galsworthy was educated by a 8836:English anti-vivisectionists 7790:UPF-Centre for Animal Ethics 5935:Argument from marginal cases 3860:at Dartmouth College Library 3534:; Rupert Hart-Davis (1978). 3286:John Galsworthy: A Biography 3074:Wodehouse and Bolton, p. 180 3035:UK public library membership 2992:Gindin, pp. 406, 493 and 473 2912:Fréchet, pp. 115 and 120–121 2696:, 12 November 1924, p. 346; 2636:"Galsworthy's Masterpiece", 2506:Gindin, pp. 119, 201 and 210 1947:UK public library membership 7: 8846:Deaths from atherosclerosis 8077:Morals, Reason, and Animals 7705:Farm Animal Rights Movement 7655:Anonymous for the Voiceless 6339:International primate trade 5814:Anarchism and animal rights 3879:International President of 3837:20th Century Press Archives 3752:(public domain audiobooks) 3514:Kaye-Smith, Sheila (1916). 3488:The Craft of Arnold Bennett 3448:. London: Morgan Grampian. 3308:. Oxford: Clarendon Press. 3175:A Virginia Woolf Chronology 2793:Galsworthy (1930), Foreword 287:, and two later trilogies, 10: 8862: 8766:20th-century English poets 8197:Making a Stand for Animals 8069:The Case for Animal Rights 7720:Hunt Saboteurs Association 7680:Cruelty Free International 7650:Anti-Vivisection Coalition 6175:Animal testing regulations 3645:Steele, Elizabeth (1972). 3405:. Basingstoke: Macmillan. 3264:Drabble, Margaret (1985). 3165: 2780:Holloway, pp. 99–100; and 2593:"The Universal Language", 2403:in "The Man of Property", 1900:Cherry and Pevsner, p. 321 1603: 1071:was published in 1926 and 892: 38:John Galsworthy (diplomat) 31: 8704: 8669: 8651: 8583: 8556: 8503: 8453: 8393: 8386: 8352:The Ghosts in Our Machine 8207: 8189:Animal Ethics in the Wild 7972: 7968: 7957: 7933: 7844: 7808: 7625:Animal Legal Defense Fund 7592: 7585: 7581: 7567: 7404: 7123: 7116: 6919:William Hamilton Drummond 6861: 6570: 6561: 6557: 6543: 6504: 6483: 6422: 6372: 6314: 6286: 6278:Welfare of farmed insects 6223: 6155: 6047: 6040: 5905:Animal–industrial complex 5872: 5796: 5792: 5781: 5671: 5656:Charles Scott Sherrington 5646: 5627: 5611: 5587: 5568: 5471: 5240: 5009: 4769: 4544: 4312: 4077: 4071:Nobel Prize in Literature 3937: 3887: 3877: 3871: 3866: 3380:Galsworthy, John (1930). 3361:Galsworthy, John (1916). 3325:The World of the Forsytes 3283:Dupré, Catherine (1976). 2839:, 10 February 1933, p. 15 2319:, 18 September 1976, p. 6 1648:Galsworthy in later years 1203: 1154:Nobel Prize in Literature 921:, 1920: violence erupts. 450:team, and captain of his 229: 225: 221: 209: 198: 190: 186: 182: 173: 168: 139: 129: 121:Nobel Prize in Literature 116: 108: 91: 71: 62: 47: 8430:Journal of Animal Ethics 8296:Your Mommy Kills Animals 7685:Direct Action Everywhere 7089:Johann Heinrich Winckler 7034:Nathaniel Peabody Rogers 6491:Direct Action Everywhere 6195:Huntingdon Life Sciences 6180:Labcorp Drug Development 6137:Feedback (pork industry) 6102:Intensive animal farming 5839:History of animal rights 3766:Works by John Galsworthy 3746:Works by John Galsworthy 3722:Works by John Galsworthy 3713:Works by John Galsworthy 3442:Holloway, David (1968). 2731:Eagle and Carnell, p. 42 2269:, 1 February 1933, p. 15 2198:, 25 February 1905, p. 4 2055:, 2 February 1933, p. 15 1732: 1339: 1194: 1008:. The latter starred in 905:. In his speech, at the 36:. For the diplomat, see 8816:English Nobel laureates 8786:British Nobel laureates 8781:Animal welfare scholars 8565:Holocaust on your Plate 8336:An Apology to Elephants 8117:Do Animals Have Rights? 8053:Animals, Men and Morals 8029:Better-World Philosophy 7906:Italian Animalist Party 7785:United Poultry Concerns 7740:Last Chance for Animals 7635:Animal Liberation Front 7522:Maud Ingersoll Probasco 6007:Replaceability argument 5925:Animal-free agriculture 3823:John Galsworthy letters 3616:Mottram, R. H. (1953). 3540:. London: John Murray. 3485:Howarth, Barry (2016). 3342:Fréchet, Alec (1982) . 3219:Cooper, Robert (1998). 3172:Bishop, Edward (1989). 3056:Hart-Davis, pp. 306–307 2933:(subscription required) 2692:"Plays of the Moment", 2665:, 15 January 1921, p. 2 2595:St Louis Globe-Democrat 2474:, 2 October 1907, p. 24 2371:"The Man of Property", 2296:(subscription required) 2196:London Evening Standard 2172:(subscription required) 2126:(subscription required) 2002:(subscription required) 738:Harley Granville-Barker 667:Harley Granville-Barker 583:Galsworthy at Wingstone 493:Barrister and traveller 8831:English male novelists 8538:Salvation of Innocents 8085:Zoos and Animal Rights 7660:Beauty Without Cruelty 7620:Animal Justice Project 6954:John Zephaniah Holwell 6608:Stephen St. C. Bostock 6185:Great ape research ban 5804:Animal rights movement 5677:Nobel Prize recipients 5648:Physiology or Medicine 5033:Gabriel García Márquez 4886:Aleksandr Solzhenitsyn 3991:The First and the Last 3741:The Forsyte Chronicles 3677:. London: Hutchinson. 3675:Wodehouse on Wodehouse 3555:Marrot, H. V. (1935). 3399:Gindin, James (1987). 3014:, 26 April 1923, p. 12 2722:Gindin pp. 218 and 527 2661:"Famous Play Filmed", 2614:, 25 April 1920, p. 11 2331:Drabble (1985), p. 376 2051:"Mr John Galsworthy", 1848:The First and the Last 1649: 1554:The First and the Last 1545: 1498:Like his contemporary 1495: 1220: 1044:, four miles north of 1029: 979:International PEN Club 926: 780:and Granville-Barker; 740: 707:The Forsyte Chronicles 620:The Forsyte Chronicles 584: 538:Robert Louis Stevenson 528: 372: 329:The Forsyte Chronicles 193:PEN International 124:1932 8557:Fairs and exhibitions 8444:The Animals' Defender 8416:Cahiers antispécistes 8344:Speciesism: The Movie 8165:Animal (De)liberation 8125:Striking at the Roots 8037:The Universal Kinship 7997:The Rights of Animals 7918:People Animals Nature 7912:Party for the Animals 7725:In Defense of Animals 7487:Nina Douglas-Hamilton 6874:David Renaud Boullier 6460:Silver Spring monkeys 6359:Wild animal suffering 6268:Pain in invertebrates 6107:Intensive pig farming 5997:Opposition to hunting 5962:Ethics of eating meat 4978:Isaac Bashevis Singer 4853:Miguel Ángel Asturias 4526:Frans Eemil Sillanpää 4257:Verner von Heidenstam 4112:Bjørnstjerne Bjørnson 3611:. London: Hutchinson. 3559:. London: Heinemann. 3386:. London: Heinemann. 3367:. London: Heinemann. 3323:Fisher, John (1976). 3178:. London: Macmillan. 2597:, 2 March 1919, p. 30 2375:, 4 April 1906, p. 12 1647: 1532: 1344: 1332:(completed in 1932). 1219: 1027: 915: 723: 657:. In March his novel 582: 575:First books; marriage 519: 370: 302:Born to a prosperous 295:. He was awarded the 8173:Sentientist Politics 8101:The Lives of Animals 7852:Animal Justice Party 7665:Born Free Foundation 7502:Lizzy Lind af Hageby 7376:Wendy Turner-Webster 7084:Adam Gottlieb Weigen 6306:Recreational fishing 6147:Ventilation shutdown 5915:Animal protectionism 5895:Animal consciousness 4504:Roger Martin du Gard 3852:Physical collections 3802:Biographical entries 2952:Holloway, pp. 98–100 2771:, 3 June 1929, p. 17 2767:"Birthday Honours", 2702:"Old English (1930)" 2638:The Sunday Pictorial 2627:, 1 May 1920, p. 312 2608:The Evening Standard 2388:, 3 April 1906, p. 5 2386:The Evening Standard 2384:"The Newest Books", 2170:, June 1933, p. 438 1673:and Arnold Bennett. 1326:Flowering Wilderness 1257:The Island Pharisees 1236:The Island Pharisees 1131:Flowering Wilderness 1040:, a village off the 941:The Evening Standard 903:James Russell Lowell 846:German, the painter 698:The Evening Standard 649:The Island Pharisees 341:a 26-part adaptation 159:Rudolf Helmut Sauter 85:Kingston upon Thames 34:Galsworthy (surname) 8597:( 139 ) 8423:Etica & Animali 8409:Between the Species 8133:An American Trilogy 7826:Humanitarian League 7437:Frances Power Cobbe 7049:Arthur Schopenhauer 7044:Henry Stephens Salt 6924:Edward Payson Evans 6618:Stephen R. L. Clark 6475:War of the currents 6364:Wildlife management 6258:Pain in crustaceans 6253:Pain in cephalopods 5407:Svetlana Alexievich 4749:Salvatore Quasimodo 4435:Erik Axel Karlfeldt 4369:George Bernard Shaw 4226:Rabindranath Tagore 4204:Maurice Maeterlinck 3289:. London: Collins. 3031:, Macmillan, 1949. 2853:Gindin, pp. 609–611 2826:Gindin, pp. 562–563 2749:Gindin, pp. 528–529 2640:, 2 May 1920, p. 11 2563:Marrot, pp. 215–216 2551:Gindin, pp. 406–407 2407:, 25 May 1906, p. 8 2373:The Daily Telegraph 2292:A Dictionary of Law 2278:Cooper, pp. 322–324 2168:The English Journal 1830:Rabindranath Tagore 1722:The Man of Property 1540:) serves Heythorp ( 1347:Galsworthy's plays 1241:The Man of Property 1158:cerebral thrombosis 1004:and in New York by 931:St Martin's Theatre 859:The Man of Property 748:The Man of Property 692:The Daily Telegraph 677:Royal Court Theatre 659:The Man of Property 625:The Man of Property 601:From the Four Winds 589:From the Four Winds 547:On the voyage from 470:New College, Oxford 310:The Man of Property 8678:That Forsyte Woman 8360:Unlocking the Cage 8181:Wild Animal Ethics 8005:The Ethics of Diet 7882:Animalist Movement 7858:Animal Politics EU 7770:Sentience Politics 7396:That Vegan Teacher 7009:Siobhan O'Sullivan 6994:José Ferrater Mora 6803:Steve F. Sapontzis 6296:Commercial fishing 6248:Pain in amphibians 6238:Cruelty to animals 6210:Operation Backfire 6049:Animal agriculture 5957:Emotion in animals 5352:Mario Vargas Llosa 5330:J. M. G. Le Clézio 5187:Wisława Szymborska 4967:Vicente Aleixandre 4838:Shmuel Yosef Agnon 4716:Juan Ramón Jiménez 4584:Johannes V. Jensen 4272:Henrik Pontoppidan 4138:Henryk Sienkiewicz 3787:on Nobelprize.org 3651:. London: Twayne. 3518:. London: Nisbet. 3427:. Stroud: Sutton. 3421:Hart-Davis, Rupert 3383:On Forsyte 'Change 3065:Hart-Davis, p. 165 2925:"Galsworthy, John" 2876:Fréchet, pp. 57–58 2740:Hart-Davis, p. 306 2584:Dupré, pp. 232–233 2533:Dupré, pp. 224–225 2082:Fisher, H. A. L., 1994:"Galsworthy, John" 1845:The six plays are 1701:In his 1979 study 1650: 1546: 1221: 1162:arterial sclerosis 1139:End of the Chapter 1119:On Forsyte 'Change 1030: 927: 907:Ritz-Carlton Hotel 825:(1914) focuses on 741: 665:, and in December 585: 529: 436:preparatory school 373: 350:to prison reform, 304:upper-middle-class 293:End of the Chapter 8718: 8717: 8605: 8604: 8598: 8579: 8578: 8575: 8574: 8546:Onward to Freedom 8514:Animal Liberation 8499: 8498: 8320:Forks Over Knives 8272:Peaceable Kingdom 8232:Shores of Silence 8224:A Cow at My Table 8109:Eternal Treblinka 8061:Animal Liberation 7953: 7952: 7949: 7948: 7840: 7839: 7775:Uncaged Campaigns 7750:Mercy for Animals 7715:Great Ape Project 7630:Animal Liberation 7576:(groups, parties) 7563: 7562: 7559: 7558: 7555: 7554: 7462:Elizabeth Farians 7371:Christine Townend 7311:Heather Nicholson 7236:Brigitte Gothière 7226:Antoine Goetschel 7112: 7111: 6773:Charles Patterson 6678:Gary L. Francione 6653:Josephine Donovan 6643:Daniel Dombrowski 6623:Alasdair Cochrane 6539: 6538: 6535: 6534: 6418: 6417: 6349:Predation problem 6233:Animal euthanasia 6142:Foam depopulation 5977:Insects in ethics 5741: 5740: 5637:Werner Heisenberg 5526: 5525: 5484:Abdulrazak Gurnah 5363:Tomas Tranströmer 4864:Yasunari Kawabata 4827:Mikhail Sholokhov 4683:Winston Churchill 4358:Władysław Reymont 4336:Jacinto Benavente 4215:Gerhart Hauptmann 4033: 4032: 3897: 3896: 3888:Succeeded by 3881:PEN International 3717:Project Gutenberg 3684:978-0-09-143210-2 3658:978-0-8057-1560-6 3626:Raphael, Frederic 3588:978-0-67-150581-3 3547:978-0-7195-3478-2 3532:Lyttelton, George 3477:978-0-7011-6279-5 3455:978-0-249-43974-8 3434:978-0-7509-1491-8 3412:978-0-333-40812-4 3353:978-1-34-905995-9 3315:978-0-19-869123-5 3296:978-0-00-211392-2 3275:978-0-19-866130-6 3256:978-0-297-76733-6 3241:Drabble, Margaret 3232:978-0-8214-1225-1 3211:978-0-14-071047-2 3185:978-1-349-07883-7 3033:(subscription or 3023:Murray, Gilbert. 2979:"The Skin Game", 2782:"Romanes Lecture" 2606:"The Skin Game", 2452:Kaye-Smith, p. 17 2288:"decree absolute" 2164:"John Galsworthy" 2145:Gindin, pp. 64–65 1992:Molino, Michael. 1945:(subscription or 1935:Harvey, Geoffrey 1761:The Country House 1687:Rupert Hart-Davis 1544:) his last dinner 1536:, 1924: Ventnor ( 1289:The Burning Spear 1246:The Country House 1189:Walter de la Mare 1173:Westminster Abbey 1038:Bury, West Sussex 1010:a film adaptation 988:Having concluded 752:Sheila Kaye-Smith 663:William Heinemann 661:was published by 503:called to the bar 233: 232: 104:, London, England 87:, Surrey, England 16:(Redirected from 8853: 8711:The Fosdyke Saga 8694:The Forsyte Saga 8686:The Forsyte Saga 8644:The Forsyte Saga 8632: 8625: 8618: 8609: 8608: 8596: 8591: 8590: 8402:Animal Sentience 8391: 8390: 8256:Legally Blonde 2 8216:The Animals Film 7970: 7969: 7959: 7958: 7765:Rise for Animals 7590: 7589: 7583: 7582: 7569: 7568: 7432:Edith Carrington 7336:Craig Rosebraugh 7296:Virginia McKenna 7286:Jo-Anne McArthur 7216:Juliet Gellatley 7121: 7120: 7079:Mary Anne Warren 7019:Humphrey Primatt 7004:Edward Nicholson 6974:Charles R. Magel 6939:Thomas G. Gentry 6798:Richard D. Ryder 6738:Thomas Lepeltier 6568: 6567: 6559: 6558: 6545: 6544: 6512:World Animal Day 6470:Unnecessary Fuss 6430:Brown Dog affair 6400:Animals in sport 6390:Animal slaughter 6385:Animal sacrifice 6324:Culling wildlife 6127:Wildlife farming 6045: 6044: 5890:Animal cognition 5859:Total liberation 5794: 5793: 5783: 5782: 5768: 5761: 5754: 5745: 5744: 5679: 5553: 5546: 5539: 5530: 5529: 5519: 5508: 5497: 5486: 5464: 5453: 5442: 5431: 5420: 5409: 5398: 5387: 5376: 5365: 5354: 5343: 5332: 5321: 5310: 5299: 5288: 5286:Elfriede Jelinek 5277: 5266: 5255: 5233: 5222: 5211: 5200: 5189: 5178: 5167: 5156: 5145: 5134: 5123: 5112: 5110:Camilo José Cela 5101: 5090: 5079: 5068: 5057: 5055:Jaroslav Seifert 5046: 5035: 5024: 5002: 4991: 4980: 4969: 4958: 4947: 4936: 4921: 4910: 4899: 4888: 4877: 4866: 4855: 4844: 4829: 4818: 4817:(declined award) 4815:Jean-Paul Sartre 4806: 4795: 4784: 4762: 4760:Saint-John Perse 4751: 4740: 4729: 4718: 4707: 4696: 4694:Ernest Hemingway 4685: 4674: 4672:François Mauriac 4663: 4652: 4650:Bertrand Russell 4641: 4639:William Faulkner 4630: 4619: 4608: 4597: 4595:Gabriela Mistral 4586: 4575: 4574: 4566: 4565: 4557: 4556: 4537: 4536: 4528: 4517: 4506: 4495: 4484: 4483: 4475: 4473:Luigi Pirandello 4464: 4453: 4442: 4426: 4415: 4404: 4393: 4382: 4371: 4360: 4349: 4338: 4327: 4305: 4294: 4283: 4282: 4274: 4259: 4248: 4237: 4236: 4228: 4217: 4206: 4195: 4184: 4173: 4162: 4151: 4140: 4129: 4123:Frédéric Mistral 4114: 4103: 4092: 4060: 4053: 4046: 4037: 4036: 3943:The Forsyte Saga 3923: 3916: 3909: 3900: 3899: 3872:Preceded by 3864: 3863: 3847: 3792: 3776: 3762: 3757: 3756: 3736:Internet Archive 3698:Digital editions 3688: 3667:Wodehouse, P. G. 3662: 3641: 3630:Somerset Maugham 3621: 3612: 3600: 3568: 3551: 3527: 3510: 3508: 3506: 3493: 3481: 3464:Holroyd, Michael 3459: 3438: 3416: 3395: 3376: 3357: 3338: 3319: 3300: 3279: 3260: 3236: 3215: 3198:Nikolaus Pevsner 3189: 3159: 3156: 3150: 3147: 3141: 3138: 3132: 3129: 3123: 3122:in Fréchet, p. 4 3117: 3111: 3108: 3102: 3099: 3093: 3090: 3084: 3081: 3075: 3072: 3066: 3063: 3057: 3054: 3048: 3045: 3039: 3038: 3021: 3015: 3008: 3002: 2999: 2993: 2990: 2984: 2977: 2971: 2968: 2962: 2959: 2953: 2950: 2944: 2941: 2935: 2934: 2922: 2913: 2910: 2904: 2901: 2895: 2892: 2886: 2883: 2877: 2874: 2863: 2860: 2854: 2851: 2840: 2833: 2827: 2824: 2815: 2809: 2803: 2800: 2794: 2791: 2785: 2778: 2772: 2765: 2759: 2756: 2750: 2747: 2741: 2738: 2732: 2729: 2723: 2720: 2714: 2711: 2705: 2690: 2684: 2681: 2675: 2672: 2666: 2659: 2653: 2647: 2641: 2634: 2628: 2621: 2615: 2604: 2598: 2591: 2585: 2582: 2573: 2570: 2564: 2561: 2552: 2549: 2543: 2540: 2534: 2531: 2525: 2522: 2516: 2513: 2507: 2504: 2498: 2495: 2489: 2486: 2475: 2468: 2462: 2459: 2453: 2450: 2444: 2441: 2435: 2432: 2426: 2423: 2417: 2414: 2408: 2398: 2389: 2382: 2376: 2369: 2363: 2362:9 May 1906, p. 8 2356: 2350: 2347: 2341: 2338: 2332: 2329: 2320: 2313: 2307: 2304: 2298: 2297: 2285: 2279: 2276: 2270: 2263: 2252: 2249: 2243: 2240: 2234: 2231: 2222: 2219: 2208: 2205: 2199: 2192: 2183: 2180: 2174: 2173: 2161: 2155: 2152: 2146: 2143: 2137: 2134: 2128: 2127: 2114: 2108: 2105: 2096: 2093: 2087: 2080: 2074: 2071: 2065: 2062: 2056: 2049: 2043: 2040: 2034: 2031: 2025: 2024:in Gindin, p. 16 2019: 2013: 2010: 2004: 2003: 1990: 1969: 1966: 1960: 1959:Dupré, pp. 13–14 1957: 1951: 1950: 1933: 1910: 1907: 1901: 1898: 1881: 1878: 1872: 1843: 1837: 1834:The Forsyte Saga 1810: 1804: 1800: 1794: 1783: 1777: 1774: 1768: 1756: 1750: 1743: 1714:The Forsyte Saga 1500:Somerset Maugham 1479:The Silver Spoon 1377:The Little Dream 1314:The Silver Spoon 1310:The White Monkey 1295:Saint's Progress 1181:Ramsay MacDonald 1089:The Forsyte Saga 1069:The Silver Spoon 994:The White Monkey 990:The Forsyte Saga 983:The Forsyte Saga 962:cast, headed by 887:New Year Honours 807:Cornish tin mine 593:Gerald Duckworth 481:. He joined the 424:The Forsyte Saga 284:The Forsyte Saga 280: 279: 276: 275: 272: 269: 266: 263: 260: 257: 254: 251: 242: 212: 203: 178: 155:(brother-in-law) 98: 81: 79: 67: 57: 45: 44: 21: 8861: 8860: 8856: 8855: 8854: 8852: 8851: 8850: 8721: 8720: 8719: 8714: 8700: 8665: 8647: 8639:John Galsworthy 8636: 8606: 8601: 8571: 8552: 8495: 8476:Muutoksen kevät 8449: 8382: 8288:Behind the Mask 8203: 8013:Animals' Rights 7964: 7945: 7929: 7836: 7804: 7577: 7551: 7412:Cleveland Amory 7400: 7366:Darren Thurston 7361:Marianne Thieme 7211:Bruce Friedrich 7176:Joey Carbstrong 7161:Brigitte Bardot 7108: 7099:Jon Wynne-Tyson 6989:J. Howard Moore 6934:John Galsworthy 6914:Wilhelm Dietler 6857: 6853:Corey Lee Wrenn 6763:Martha Nussbaum 6673:Lawrence Finsen 6613:Paola Cavalieri 6588:Kristin Andrews 6563: 6553: 6531: 6500: 6479: 6414: 6368: 6310: 6282: 6243:Pain in animals 6219: 6151: 6117:Poultry farming 6036: 5868: 5788: 5777: 5772: 5742: 5737: 5675: 5667: 5664:(Great Britain) 5658:(Great Britain) 5642: 5623: 5607: 5604:(Great Britain) 5602:John Galsworthy 5583: 5580:(United States) 5578:Irving Langmuir 5564: 5557: 5527: 5522: 5517:to be announced 5511: 5500: 5489: 5478: 5467: 5456: 5445: 5434: 5423: 5412: 5401: 5396:Patrick Modiano 5390: 5379: 5368: 5357: 5346: 5335: 5324: 5313: 5302: 5291: 5280: 5269: 5258: 5247: 5236: 5225: 5214: 5203: 5192: 5181: 5170: 5159: 5148: 5137: 5132:Nadine Gordimer 5126: 5115: 5104: 5093: 5082: 5071: 5060: 5049: 5044:William Golding 5038: 5027: 5016: 5005: 4994: 4989:Odysseas Elytis 4983: 4972: 4961: 4950: 4945:Eugenio Montale 4939: 4934:Harry Martinson 4924: 4913: 4902: 4891: 4880: 4869: 4858: 4847: 4832: 4821: 4809: 4804:Giorgos Seferis 4798: 4787: 4776: 4765: 4754: 4743: 4738:Boris Pasternak 4732: 4721: 4710: 4705:Halldór Laxness 4699: 4688: 4677: 4666: 4655: 4644: 4633: 4622: 4611: 4600: 4589: 4578: 4570: 4569: 4561: 4560: 4552: 4551: 4540: 4532: 4531: 4520: 4509: 4498: 4487: 4479: 4478: 4467: 4456: 4451:John Galsworthy 4445: 4429: 4418: 4407: 4396: 4385: 4374: 4363: 4352: 4341: 4330: 4319: 4308: 4297: 4286: 4278: 4277: 4262: 4251: 4240: 4232: 4231: 4220: 4209: 4198: 4187: 4176: 4165: 4160:Rudyard Kipling 4154: 4149:Giosuè Carducci 4143: 4132: 4117: 4106: 4101:Theodor Mommsen 4095: 4090:Sully Prudhomme 4084: 4073: 4064: 4034: 4029: 3946:(1906–21, 1922) 3933: 3930:John Galsworthy 3927: 3893: 3884: 3875: 3808:John Galsworthy 3785:John Galsworthy 3754: 3708:Standard Ebooks 3695: 3685: 3659: 3589: 3548: 3516:John Galsworthy 3504: 3502: 3491: 3478: 3456: 3445:John Galsworthy 3435: 3413: 3354: 3335: 3316: 3297: 3276: 3257: 3233: 3212: 3194:Cherry, Bridget 3186: 3168: 3163: 3162: 3157: 3153: 3149:Fréchet, p. 206 3148: 3144: 3139: 3135: 3130: 3126: 3118: 3114: 3109: 3105: 3100: 3096: 3091: 3087: 3082: 3078: 3073: 3069: 3064: 3060: 3055: 3051: 3046: 3042: 3032: 3022: 3018: 3009: 3005: 3000: 2996: 2991: 2987: 2978: 2974: 2970:Holroyd, p. 338 2969: 2965: 2960: 2956: 2951: 2947: 2942: 2938: 2932: 2923: 2916: 2911: 2907: 2903:Fréchet, p. 109 2902: 2898: 2894:Fréchet, p. 180 2893: 2889: 2884: 2880: 2875: 2866: 2861: 2857: 2852: 2843: 2834: 2830: 2825: 2818: 2810: 2806: 2801: 2797: 2792: 2788: 2779: 2775: 2766: 2762: 2757: 2753: 2748: 2744: 2739: 2735: 2730: 2726: 2721: 2717: 2712: 2708: 2691: 2687: 2682: 2678: 2674:Holloway, p. 90 2673: 2669: 2660: 2656: 2650:"The Skin Game" 2648: 2644: 2635: 2631: 2622: 2618: 2605: 2601: 2592: 2588: 2583: 2576: 2571: 2567: 2562: 2555: 2550: 2546: 2541: 2537: 2532: 2528: 2523: 2519: 2514: 2510: 2505: 2501: 2496: 2492: 2487: 2478: 2469: 2465: 2460: 2456: 2451: 2447: 2443:Holloway, p. 99 2442: 2438: 2433: 2429: 2424: 2420: 2416:Holloway, p. 28 2415: 2411: 2399: 2392: 2383: 2379: 2370: 2366: 2357: 2353: 2349:Holloway, p. 89 2348: 2344: 2339: 2335: 2330: 2323: 2314: 2310: 2305: 2301: 2295: 2286: 2282: 2277: 2273: 2264: 2255: 2250: 2246: 2241: 2237: 2232: 2225: 2220: 2211: 2206: 2202: 2193: 2186: 2181: 2177: 2171: 2162: 2158: 2153: 2149: 2144: 2140: 2135: 2131: 2125: 2115: 2111: 2107:Holloway, p. 11 2106: 2099: 2094: 2090: 2086:in Dupré, p. 28 2081: 2077: 2072: 2068: 2063: 2059: 2050: 2046: 2041: 2037: 2032: 2028: 2020: 2016: 2011: 2007: 2001: 1991: 1972: 1967: 1963: 1958: 1954: 1944: 1934: 1913: 1908: 1904: 1899: 1895: 1890: 1885: 1884: 1879: 1875: 1844: 1840: 1814:Rudyard Kipling 1811: 1807: 1801: 1797: 1791:decree absolute 1784: 1780: 1775: 1771: 1757: 1753: 1744: 1740: 1735: 1730: 1659:P. G. Wodehouse 1642: 1606: 1595:Collected Poems 1581: 1550: 1542:Norman McKinnel 1538:Laurence Hanray 1496: 1488: 1482: 1476: 1468: 1462: 1456: 1450: 1444: 1436: 1430: 1427:Six Short Plays 1424: 1416: 1413:The Foundations 1410: 1404: 1398: 1392: 1386: 1380: 1374: 1368: 1362: 1356: 1342: 1322:Maid in Waiting 1271:The Dark Flower 1214: 1206: 1197: 1185:Laurence Binyon 1164:and a possible 1127:Maid in Waiting 1112:Romanes Lecture 1085:A Modern Comedy 1077:A Silent Wooing 1022: 1002:Norman McKinnel 954:production and 895: 843: 841:First World War 831:Charles Frohman 766:First World War 715:The Dark Flower 654:annus mirabilis 646: 636:on the edge of 577: 495: 466: 401:class-conscious 365: 360: 358:Life and career 289:A Modern Comedy 248: 244: 238: 236:John Galsworthy 210: 204: 199: 164: 125: 123: 100: 96: 95:31 January 1933 83: 77: 75: 58: 53: 51: 50: 49:John Galsworthy 41: 28: 23: 22: 15: 12: 11: 5: 8859: 8849: 8848: 8843: 8838: 8833: 8828: 8823: 8818: 8813: 8808: 8803: 8798: 8793: 8788: 8783: 8778: 8773: 8768: 8763: 8758: 8753: 8748: 8743: 8738: 8733: 8716: 8715: 8708: 8706: 8702: 8701: 8699: 8698: 8690: 8682: 8673: 8671: 8667: 8666: 8664: 8663: 8655: 8653: 8649: 8648: 8635: 8634: 8627: 8620: 8612: 8603: 8602: 8600: 8599: 8584: 8581: 8580: 8577: 8576: 8573: 8572: 8570: 8569: 8560: 8558: 8554: 8553: 8551: 8550: 8542: 8534: 8526: 8518: 8509: 8507: 8501: 8500: 8497: 8496: 8494: 8493: 8486: 8479: 8472: 8465: 8457: 8455: 8451: 8450: 8448: 8447: 8440: 8433: 8426: 8419: 8412: 8405: 8397: 8395: 8388: 8384: 8383: 8381: 8380: 8372: 8364: 8356: 8348: 8340: 8332: 8324: 8316: 8308: 8300: 8292: 8284: 8276: 8268: 8260: 8252: 8248:Meet Your Meat 8244: 8236: 8228: 8220: 8211: 8209: 8205: 8204: 8202: 8201: 8193: 8185: 8177: 8169: 8161: 8153: 8145: 8137: 8129: 8121: 8113: 8105: 8097: 8089: 8081: 8073: 8065: 8057: 8049: 8045:The New Ethics 8041: 8033: 8025: 8017: 8009: 8001: 7993: 7985: 7976: 7974: 7966: 7965: 7955: 7954: 7951: 7950: 7947: 7946: 7944: 7943: 7937: 7935: 7931: 7930: 7928: 7927: 7921: 7915: 7909: 7903: 7897: 7891: 7885: 7879: 7876:Animals' Party 7873: 7867: 7861: 7855: 7848: 7846: 7842: 7841: 7838: 7837: 7835: 7834: 7829: 7823: 7818: 7812: 7810: 7806: 7805: 7803: 7802: 7797: 7792: 7787: 7782: 7777: 7772: 7767: 7762: 7757: 7752: 7747: 7742: 7737: 7732: 7727: 7722: 7717: 7712: 7707: 7702: 7697: 7692: 7687: 7682: 7677: 7672: 7667: 7662: 7657: 7652: 7647: 7645:AnimaNaturalis 7642: 7637: 7632: 7627: 7622: 7617: 7615:Animal Justice 7612: 7607: 7602: 7596: 7594: 7587: 7579: 7578: 7565: 7564: 7561: 7560: 7557: 7556: 7553: 7552: 7550: 7549: 7547:Gretchen Wyler 7544: 7539: 7534: 7529: 7524: 7519: 7514: 7509: 7504: 7499: 7494: 7489: 7484: 7479: 7477:Lewis Gompertz 7474: 7469: 7467:Emarel Freshel 7464: 7459: 7457:Muriel Dowding 7454: 7449: 7444: 7439: 7434: 7429: 7424: 7419: 7414: 7408: 7406: 7402: 7401: 7399: 7398: 7393: 7391:Gary Yourofsky 7388: 7383: 7378: 7373: 7368: 7363: 7358: 7353: 7348: 7343: 7338: 7333: 7328: 7323: 7318: 7313: 7308: 7306:Ingrid Newkirk 7303: 7298: 7293: 7288: 7283: 7278: 7273: 7268: 7263: 7258: 7253: 7248: 7246:Charlotte Laws 7243: 7238: 7233: 7228: 7223: 7218: 7213: 7208: 7203: 7198: 7193: 7188: 7183: 7178: 7173: 7171:Yves Bonnardel 7168: 7163: 7158: 7153: 7148: 7146:Martin Balluch 7143: 7138: 7133: 7127: 7125: 7118: 7114: 7113: 7110: 7109: 7107: 7106: 7101: 7096: 7094:Steven M. Wise 7091: 7086: 7081: 7076: 7071: 7066: 7061: 7056: 7051: 7046: 7041: 7039:Bernard Rollin 7036: 7031: 7026: 7021: 7016: 7011: 7006: 7001: 6999:Leonard Nelson 6996: 6991: 6986: 6981: 6976: 6971: 6966: 6961: 6956: 6951: 6946: 6941: 6936: 6931: 6926: 6921: 6916: 6911: 6906: 6904:Herman Daggett 6901: 6896: 6894:Priscilla Cohn 6891: 6886: 6881: 6876: 6871: 6869:Jeremy Bentham 6865: 6863: 6859: 6858: 6856: 6855: 6850: 6845: 6840: 6835: 6830: 6825: 6820: 6815: 6810: 6805: 6800: 6795: 6790: 6785: 6783:Jessica Pierce 6780: 6775: 6770: 6765: 6760: 6755: 6750: 6745: 6740: 6735: 6730: 6725: 6720: 6715: 6713:Kyle Johannsen 6710: 6705: 6700: 6695: 6690: 6685: 6680: 6675: 6670: 6665: 6660: 6655: 6650: 6645: 6640: 6638:David DeGrazia 6635: 6630: 6625: 6620: 6615: 6610: 6605: 6600: 6595: 6590: 6585: 6580: 6578:Carol J. Adams 6574: 6572: 6565: 6555: 6554: 6541: 6540: 6537: 6536: 6533: 6532: 6530: 6529: 6524: 6519: 6514: 6508: 6506: 6502: 6501: 6499: 6498: 6493: 6487: 6485: 6481: 6480: 6478: 6477: 6472: 6467: 6462: 6457: 6452: 6450:Pit of despair 6447: 6442: 6437: 6432: 6426: 6424: 6420: 6419: 6416: 6415: 6413: 6412: 6407: 6402: 6397: 6392: 6387: 6382: 6380:Abandoned pets 6376: 6374: 6370: 6369: 6367: 6366: 6361: 6356: 6351: 6346: 6341: 6336: 6331: 6326: 6320: 6318: 6312: 6311: 6309: 6308: 6303: 6298: 6292: 6290: 6284: 6283: 6281: 6280: 6275: 6270: 6265: 6260: 6255: 6250: 6245: 6240: 6235: 6229: 6227: 6225:Animal welfare 6221: 6220: 6218: 6217: 6212: 6207: 6202: 6200:Model organism 6197: 6192: 6187: 6182: 6177: 6172: 6167: 6161: 6159: 6157:Animal testing 6153: 6152: 6150: 6149: 6144: 6139: 6134: 6132:Working animal 6129: 6124: 6122:Slaughterhouse 6119: 6114: 6109: 6104: 6099: 6097:Insect farming 6094: 6089: 6084: 6079: 6074: 6069: 6064: 6059: 6057:Animal product 6053: 6051: 6042: 6038: 6037: 6035: 6034: 6029: 6024: 6019: 6014: 6012:Sentiocentrism 6009: 6004: 5999: 5994: 5989: 5984: 5979: 5974: 5969: 5964: 5959: 5954: 5949: 5944: 5937: 5932: 5927: 5922: 5920:Animal welfare 5917: 5912: 5907: 5902: 5897: 5892: 5887: 5882: 5876: 5874: 5870: 5869: 5867: 5866: 5861: 5856: 5851: 5846: 5841: 5836: 5831: 5826: 5821: 5816: 5811: 5806: 5800: 5798: 5790: 5789: 5779: 5778: 5771: 5770: 5763: 5756: 5748: 5739: 5738: 5736: 5735: 5730: 5725: 5720: 5715: 5710: 5705: 5700: 5695: 5690: 5685: 5680: 5672: 5669: 5668: 5666: 5665: 5659: 5652: 5650: 5644: 5643: 5641: 5640: 5633: 5631: 5625: 5624: 5622: 5621: 5617: 5615: 5609: 5608: 5606: 5605: 5598: 5596: 5585: 5584: 5582: 5581: 5574: 5572: 5566: 5565: 5556: 5555: 5548: 5541: 5533: 5524: 5523: 5521: 5520: 5509: 5498: 5487: 5475: 5473: 5469: 5468: 5466: 5465: 5454: 5443: 5440:Olga Tokarczuk 5432: 5429:Kazuo Ishiguro 5421: 5410: 5399: 5388: 5377: 5366: 5355: 5344: 5333: 5322: 5311: 5300: 5289: 5278: 5267: 5256: 5244: 5242: 5238: 5237: 5235: 5234: 5223: 5212: 5201: 5190: 5179: 5168: 5157: 5146: 5135: 5124: 5113: 5102: 5099:Naguib Mahfouz 5091: 5088:Joseph Brodsky 5080: 5069: 5058: 5047: 5036: 5025: 5013: 5011: 5007: 5006: 5004: 5003: 5000:Czesław Miłosz 4992: 4981: 4970: 4959: 4948: 4937: 4930:Eyvind Johnson 4922: 4911: 4900: 4889: 4878: 4875:Samuel Beckett 4867: 4856: 4845: 4830: 4819: 4807: 4796: 4793:John Steinbeck 4785: 4773: 4771: 4767: 4766: 4764: 4763: 4752: 4741: 4730: 4719: 4708: 4697: 4686: 4675: 4664: 4661:Pär Lagerkvist 4653: 4642: 4631: 4620: 4609: 4598: 4587: 4576: 4567: 4558: 4548: 4546: 4542: 4541: 4539: 4538: 4529: 4518: 4507: 4496: 4493:Eugene O'Neill 4485: 4476: 4465: 4454: 4443: 4427: 4424:Sinclair Lewis 4416: 4405: 4394: 4383: 4380:Grazia Deledda 4372: 4361: 4350: 4339: 4328: 4325:Anatole France 4316: 4314: 4310: 4309: 4307: 4306: 4295: 4292:Carl Spitteler 4284: 4275: 4268:Karl Gjellerup 4260: 4249: 4246:Romain Rolland 4238: 4229: 4218: 4207: 4196: 4185: 4182:Selma Lagerlöf 4174: 4163: 4152: 4141: 4130: 4127:José Echegaray 4115: 4104: 4093: 4081: 4079: 4075: 4074: 4063: 4062: 4055: 4048: 4040: 4031: 4030: 4028: 4027: 4023:One More River 4019: 4011: 4003: 3995: 3987: 3983:The Apple Tree 3979: 3975:The Eldest Son 3971: 3963: 3955: 3951:The Silver Box 3947: 3938: 3935: 3934: 3926: 3925: 3918: 3911: 3903: 3895: 3894: 3889: 3886: 3876: 3873: 3869: 3868: 3862: 3861: 3854: 3853: 3849: 3848: 3830: 3820: 3814: 3804: 3803: 3799: 3798: 3793: 3782: 3777: 3763: 3743: 3738: 3729: 3719: 3710: 3700: 3699: 3694: 3693:External links 3691: 3690: 3689: 3683: 3663: 3657: 3642: 3622: 3613: 3605:Mottram, R. H. 3601: 3587: 3569: 3552: 3546: 3528: 3511: 3482: 3476: 3460: 3454: 3439: 3433: 3417: 3411: 3396: 3377: 3358: 3352: 3339: 3333: 3320: 3314: 3301: 3295: 3280: 3274: 3261: 3255: 3246:Arnold Bennett 3237: 3231: 3216: 3210: 3190: 3184: 3167: 3164: 3161: 3160: 3151: 3142: 3133: 3124: 3112: 3110:Holloway, p. 1 3103: 3101:Bishop, p. 137 3094: 3085: 3083:Gindin, p. 405 3076: 3067: 3058: 3049: 3040: 3016: 3003: 3001:Gindin, p. 213 2994: 2985: 2972: 2963: 2961:Morgan, p. 669 2954: 2945: 2943:Raphael, p. 64 2936: 2914: 2905: 2896: 2887: 2885:Fréchet, p. 66 2878: 2864: 2855: 2841: 2828: 2816: 2804: 2795: 2786: 2773: 2760: 2758:Gindin, p. 522 2751: 2742: 2733: 2724: 2715: 2706: 2685: 2676: 2667: 2663:The Daily News 2654: 2642: 2629: 2616: 2599: 2586: 2574: 2565: 2553: 2544: 2535: 2526: 2524:Gindin, p. 374 2517: 2515:Gindin, p. 349 2508: 2499: 2497:Gindin, p. 338 2490: 2488:Gindin, p. 119 2476: 2463: 2454: 2445: 2436: 2434:Fréchet, p. 63 2427: 2418: 2409: 2390: 2377: 2364: 2351: 2342: 2340:Marrot, p. 162 2333: 2321: 2308: 2299: 2280: 2271: 2253: 2244: 2235: 2223: 2209: 2200: 2184: 2175: 2156: 2147: 2138: 2129: 2109: 2097: 2088: 2075: 2066: 2064:Holloway, p. 9 2057: 2044: 2035: 2026: 2014: 2005: 1970: 1961: 1952: 1911: 1902: 1892: 1891: 1889: 1886: 1883: 1882: 1873: 1853:The Little Man 1838: 1826:Sinclair Lewis 1805: 1795: 1778: 1769: 1751: 1737: 1736: 1734: 1731: 1729: 1726: 1685:The publisher 1680:D. H. Lawrence 1675:Virginia Woolf 1641: 1638: 1605: 1602: 1580: 1577: 1573:Samuel Johnson 1547: 1504:The Silver Box 1389:The Eldest Son 1353:The Silver Box 1343: 1341: 1338: 1330:Over the River 1211: 1205: 1202: 1196: 1193: 1150:Over the River 1135:Over the River 1129:, followed by 1104:Robert Bridges 1096:Order of Merit 1054:Arnold Bennett 1021: 1018: 958:featuring the 956:a film version 894: 891: 842: 839: 835:Annie Horniman 833:in London and 818:The Eldest Son 778:William Archer 774:Gilbert Murray 757:The Silver Box 744:The Silver Box 734:William Archer 730:Gilbert Murray 672:The Silver Box 645: 642: 616:A Man of Devon 576: 573: 564:Ada Galsworthy 521:Ada Galsworthy 494: 491: 487:Sybil Carlisle 463: 409:social stratum 364: 361: 359: 356: 348:animal welfare 337:BBC Television 316:The Silver Box 231: 230: 227: 226: 223: 222: 219: 218: 213: 207: 206: 196: 195: 188: 187: 184: 183: 180: 179: 171: 170: 166: 165: 163: 162: 156: 150: 143: 141: 137: 136: 134:Ada Galsworthy 131: 127: 126: 118: 117:Notable awards 114: 113: 110: 106: 105: 99:(aged 65) 93: 89: 88: 82:14 August 1867 73: 69: 68: 60: 59: 52: 48: 26: 9: 6: 4: 3: 2: 8858: 8847: 8844: 8842: 8839: 8837: 8834: 8832: 8829: 8827: 8824: 8822: 8819: 8817: 8814: 8812: 8809: 8807: 8804: 8802: 8799: 8797: 8794: 8792: 8789: 8787: 8784: 8782: 8779: 8777: 8774: 8772: 8769: 8767: 8764: 8762: 8759: 8757: 8754: 8752: 8749: 8747: 8744: 8742: 8739: 8737: 8734: 8732: 8729: 8728: 8726: 8713: 8712: 8707: 8703: 8696: 8695: 8691: 8688: 8687: 8683: 8680: 8679: 8675: 8674: 8672: 8668: 8662: 8661: 8657: 8656: 8654: 8650: 8646: 8645: 8640: 8633: 8628: 8626: 8621: 8619: 8614: 8613: 8610: 8594: 8586: 8585: 8582: 8567: 8566: 8562: 8561: 8559: 8555: 8548: 8547: 8543: 8540: 8539: 8535: 8532: 8531: 8527: 8524: 8523: 8522:Tame Yourself 8519: 8516: 8515: 8511: 8510: 8508: 8506: 8502: 8492: 8491: 8487: 8485: 8484: 8483:No Compromise 8480: 8478: 8477: 8473: 8471: 8470: 8466: 8464: 8463: 8459: 8458: 8456: 8452: 8446: 8445: 8441: 8439: 8438: 8434: 8432: 8431: 8427: 8425: 8424: 8420: 8418: 8417: 8413: 8411: 8410: 8406: 8404: 8403: 8399: 8398: 8396: 8392: 8389: 8385: 8378: 8377: 8373: 8370: 8369: 8365: 8362: 8361: 8357: 8354: 8353: 8349: 8346: 8345: 8341: 8338: 8337: 8333: 8330: 8329: 8325: 8322: 8321: 8317: 8314: 8313: 8309: 8306: 8305: 8301: 8298: 8297: 8293: 8290: 8289: 8285: 8282: 8281: 8277: 8274: 8273: 8269: 8266: 8265: 8261: 8258: 8257: 8253: 8250: 8249: 8245: 8242: 8241: 8237: 8234: 8233: 8229: 8226: 8225: 8221: 8218: 8217: 8213: 8212: 8210: 8206: 8199: 8198: 8194: 8191: 8190: 8186: 8183: 8182: 8178: 8175: 8174: 8170: 8167: 8166: 8162: 8159: 8158: 8154: 8151: 8150: 8146: 8143: 8142: 8138: 8135: 8134: 8130: 8127: 8126: 8122: 8119: 8118: 8114: 8111: 8110: 8106: 8103: 8102: 8098: 8095: 8094: 8090: 8087: 8086: 8082: 8079: 8078: 8074: 8071: 8070: 8066: 8063: 8062: 8058: 8055: 8054: 8050: 8047: 8046: 8042: 8039: 8038: 8034: 8031: 8030: 8026: 8023: 8022: 8018: 8015: 8014: 8010: 8007: 8006: 8002: 7999: 7998: 7994: 7991: 7990: 7986: 7984:(3rd century) 7983: 7982: 7978: 7977: 7975: 7971: 7967: 7960: 7956: 7942: 7939: 7938: 7936: 7932: 7925: 7922: 7919: 7916: 7914:(Netherlands) 7913: 7910: 7907: 7904: 7901: 7898: 7895: 7892: 7889: 7886: 7883: 7880: 7877: 7874: 7871: 7868: 7865: 7862: 7859: 7856: 7853: 7850: 7849: 7847: 7843: 7833: 7830: 7827: 7824: 7822: 7819: 7817: 7814: 7813: 7811: 7807: 7801: 7798: 7796: 7793: 7791: 7788: 7786: 7783: 7781: 7778: 7776: 7773: 7771: 7768: 7766: 7763: 7761: 7758: 7756: 7753: 7751: 7748: 7746: 7743: 7741: 7738: 7736: 7733: 7731: 7728: 7726: 7723: 7721: 7718: 7716: 7713: 7711: 7708: 7706: 7703: 7701: 7698: 7696: 7693: 7691: 7688: 7686: 7683: 7681: 7678: 7676: 7673: 7671: 7668: 7666: 7663: 7661: 7658: 7656: 7653: 7651: 7648: 7646: 7643: 7641: 7640:Animal Rising 7638: 7636: 7633: 7631: 7628: 7626: 7623: 7621: 7618: 7616: 7613: 7611: 7610:Animal Ethics 7608: 7606: 7603: 7601: 7598: 7597: 7595: 7591: 7588: 7584: 7580: 7575: 7570: 7566: 7548: 7545: 7543: 7540: 7538: 7535: 7533: 7530: 7528: 7525: 7523: 7520: 7518: 7515: 7513: 7510: 7508: 7507:Jessie Mackay 7505: 7503: 7500: 7498: 7495: 7493: 7490: 7488: 7485: 7483: 7482:James Granger 7480: 7478: 7475: 7473: 7470: 7468: 7465: 7463: 7460: 7458: 7455: 7453: 7450: 7448: 7445: 7443: 7440: 7438: 7435: 7433: 7430: 7428: 7425: 7423: 7420: 7418: 7417:Henry B. Amos 7415: 7413: 7410: 7409: 7407: 7403: 7397: 7394: 7392: 7389: 7387: 7386:Louise Wallis 7384: 7382: 7379: 7377: 7374: 7372: 7369: 7367: 7364: 7362: 7359: 7357: 7354: 7352: 7351:Kim Stallwood 7349: 7347: 7346:Jasmin Singer 7344: 7342: 7341:Nathan Runkle 7339: 7337: 7334: 7332: 7329: 7327: 7326:David Olivier 7324: 7322: 7319: 7317: 7314: 7312: 7309: 7307: 7304: 7302: 7299: 7297: 7294: 7292: 7289: 7287: 7284: 7282: 7279: 7277: 7274: 7272: 7269: 7267: 7264: 7262: 7259: 7257: 7254: 7252: 7249: 7247: 7244: 7242: 7239: 7237: 7234: 7232: 7229: 7227: 7224: 7222: 7219: 7217: 7214: 7212: 7209: 7207: 7206:John Feldmann 7204: 7202: 7199: 7197: 7194: 7192: 7189: 7187: 7184: 7182: 7181:Aymeric Caron 7179: 7177: 7174: 7172: 7169: 7167: 7164: 7162: 7159: 7157: 7154: 7152: 7151:Carole Baskin 7149: 7147: 7144: 7142: 7139: 7137: 7134: 7132: 7129: 7128: 7126: 7122: 7119: 7115: 7105: 7102: 7100: 7097: 7095: 7092: 7090: 7087: 7085: 7082: 7080: 7077: 7075: 7072: 7070: 7067: 7065: 7062: 7060: 7057: 7055: 7054:Laurids Smith 7052: 7050: 7047: 7045: 7042: 7040: 7037: 7035: 7032: 7030: 7027: 7025: 7024:James Rachels 7022: 7020: 7017: 7015: 7012: 7010: 7007: 7005: 7002: 7000: 6997: 6995: 6992: 6990: 6987: 6985: 6982: 6980: 6977: 6975: 6972: 6970: 6969:John Lawrence 6967: 6965: 6962: 6960: 6957: 6955: 6952: 6950: 6947: 6945: 6942: 6940: 6937: 6935: 6932: 6930: 6927: 6925: 6922: 6920: 6917: 6915: 6912: 6910: 6907: 6905: 6902: 6900: 6897: 6895: 6892: 6890: 6887: 6885: 6882: 6880: 6879:Brigid Brophy 6877: 6875: 6872: 6870: 6867: 6866: 6864: 6860: 6854: 6851: 6849: 6846: 6844: 6843:Tatjana Višak 6841: 6839: 6836: 6834: 6833:David Sztybel 6831: 6829: 6828:Cass Sunstein 6826: 6824: 6821: 6819: 6816: 6814: 6811: 6809: 6806: 6804: 6801: 6799: 6796: 6794: 6793:Mark Rowlands 6791: 6789: 6788:Evelyn Pluhar 6786: 6784: 6781: 6779: 6776: 6774: 6771: 6769: 6766: 6764: 6761: 6759: 6756: 6754: 6751: 6749: 6746: 6744: 6743:Andrew Linzey 6741: 6739: 6736: 6734: 6731: 6729: 6728:Will Kymlicka 6726: 6724: 6721: 6719: 6716: 6714: 6711: 6709: 6708:Dale Jamieson 6706: 6704: 6701: 6699: 6696: 6694: 6691: 6689: 6688:Valéry Giroux 6686: 6684: 6683:Robert Garner 6681: 6679: 6676: 6674: 6671: 6669: 6666: 6664: 6661: 6659: 6656: 6654: 6651: 6649: 6648:Sue Donaldson 6646: 6644: 6641: 6639: 6636: 6634: 6631: 6629: 6628:J. M. Coetzee 6626: 6624: 6621: 6619: 6616: 6614: 6611: 6609: 6606: 6604: 6601: 6599: 6596: 6594: 6593:Tom Beauchamp 6591: 6589: 6586: 6584: 6581: 6579: 6576: 6575: 6573: 6569: 6566: 6560: 6556: 6551: 6546: 6542: 6528: 6525: 6523: 6520: 6518: 6515: 6513: 6510: 6509: 6507: 6503: 6497: 6496:Hunt sabotage 6494: 6492: 6489: 6488: 6486: 6484:Methodologies 6482: 6476: 6473: 6471: 6468: 6466: 6463: 6461: 6458: 6456: 6453: 6451: 6448: 6446: 6443: 6441: 6438: 6436: 6433: 6431: 6428: 6427: 6425: 6421: 6411: 6408: 6406: 6403: 6401: 6398: 6396: 6393: 6391: 6388: 6386: 6383: 6381: 6378: 6377: 6375: 6371: 6365: 6362: 6360: 6357: 6355: 6352: 6350: 6347: 6345: 6342: 6340: 6337: 6335: 6332: 6330: 6329:Hare coursing 6327: 6325: 6322: 6321: 6319: 6317: 6313: 6307: 6304: 6302: 6299: 6297: 6294: 6293: 6291: 6289: 6285: 6279: 6276: 6274: 6271: 6269: 6266: 6264: 6261: 6259: 6256: 6254: 6251: 6249: 6246: 6244: 6241: 6239: 6236: 6234: 6231: 6230: 6228: 6226: 6222: 6216: 6213: 6211: 6208: 6206: 6203: 6201: 6198: 6196: 6193: 6191: 6188: 6186: 6183: 6181: 6178: 6176: 6173: 6171: 6168: 6166: 6163: 6162: 6160: 6158: 6154: 6148: 6145: 6143: 6140: 6138: 6135: 6133: 6130: 6128: 6125: 6123: 6120: 6118: 6115: 6113: 6110: 6108: 6105: 6103: 6100: 6098: 6095: 6093: 6090: 6088: 6085: 6083: 6080: 6078: 6075: 6073: 6072:Chick culling 6070: 6068: 6065: 6063: 6060: 6058: 6055: 6054: 6052: 6050: 6046: 6043: 6039: 6033: 6032:Vegetarianism 6030: 6028: 6025: 6023: 6020: 6018: 6015: 6013: 6010: 6008: 6005: 6003: 6000: 5998: 5995: 5993: 5990: 5988: 5985: 5983: 5980: 5978: 5975: 5973: 5970: 5968: 5965: 5963: 5960: 5958: 5955: 5953: 5950: 5948: 5945: 5943: 5942: 5938: 5936: 5933: 5931: 5930:Anthrozoology 5928: 5926: 5923: 5921: 5918: 5916: 5913: 5911: 5908: 5906: 5903: 5901: 5900:Animal ethics 5898: 5896: 5893: 5891: 5888: 5886: 5883: 5881: 5878: 5877: 5875: 5871: 5865: 5862: 5860: 5857: 5855: 5852: 5850: 5847: 5845: 5842: 5840: 5837: 5835: 5832: 5830: 5827: 5825: 5822: 5820: 5817: 5815: 5812: 5810: 5807: 5805: 5802: 5801: 5799: 5795: 5791: 5784: 5780: 5776: 5775:Animal rights 5769: 5764: 5762: 5757: 5755: 5750: 5749: 5746: 5734: 5731: 5729: 5726: 5724: 5721: 5719: 5716: 5714: 5711: 5709: 5706: 5704: 5701: 5699: 5696: 5694: 5691: 5689: 5686: 5684: 5681: 5678: 5674: 5673: 5670: 5663: 5660: 5657: 5654: 5653: 5651: 5649: 5645: 5638: 5635: 5634: 5632: 5630: 5626: 5619: 5618: 5616: 5614: 5610: 5603: 5600: 5599: 5597: 5594: 5590: 5586: 5579: 5576: 5575: 5573: 5571: 5567: 5562: 5554: 5549: 5547: 5542: 5540: 5535: 5534: 5531: 5518: 5514: 5510: 5507: 5503: 5499: 5496: 5492: 5488: 5485: 5481: 5477: 5476: 5474: 5470: 5463: 5459: 5455: 5452: 5448: 5444: 5441: 5437: 5433: 5430: 5426: 5422: 5419: 5415: 5411: 5408: 5404: 5400: 5397: 5393: 5389: 5386: 5382: 5378: 5375: 5371: 5367: 5364: 5360: 5356: 5353: 5349: 5345: 5342: 5338: 5334: 5331: 5327: 5323: 5320: 5319:Doris Lessing 5316: 5312: 5309: 5305: 5301: 5298: 5297:Harold Pinter 5294: 5290: 5287: 5283: 5279: 5276: 5275:J. M. Coetzee 5272: 5268: 5265: 5261: 5257: 5254: 5253:V. S. Naipaul 5250: 5246: 5245: 5243: 5239: 5232: 5228: 5224: 5221: 5217: 5213: 5210: 5209:José Saramago 5206: 5202: 5199: 5195: 5191: 5188: 5184: 5180: 5177: 5176:Seamus Heaney 5173: 5169: 5166: 5162: 5158: 5155: 5154:Toni Morrison 5151: 5147: 5144: 5143:Derek Walcott 5140: 5136: 5133: 5129: 5125: 5122: 5118: 5114: 5111: 5107: 5103: 5100: 5096: 5092: 5089: 5085: 5081: 5078: 5074: 5070: 5067: 5063: 5059: 5056: 5052: 5048: 5045: 5041: 5037: 5034: 5030: 5026: 5023: 5022:Elias Canetti 5019: 5015: 5014: 5012: 5008: 5001: 4997: 4993: 4990: 4986: 4982: 4979: 4975: 4971: 4968: 4964: 4960: 4957: 4953: 4949: 4946: 4942: 4938: 4935: 4931: 4927: 4923: 4920: 4919:Patrick White 4916: 4912: 4909: 4908:Heinrich Böll 4905: 4901: 4898: 4894: 4890: 4887: 4883: 4879: 4876: 4872: 4868: 4865: 4861: 4857: 4854: 4850: 4846: 4843: 4839: 4835: 4831: 4828: 4824: 4820: 4816: 4812: 4808: 4805: 4801: 4797: 4794: 4790: 4786: 4783: 4779: 4775: 4774: 4772: 4768: 4761: 4757: 4753: 4750: 4746: 4742: 4739: 4735: 4731: 4728: 4724: 4720: 4717: 4713: 4709: 4706: 4702: 4698: 4695: 4691: 4687: 4684: 4680: 4676: 4673: 4669: 4665: 4662: 4658: 4654: 4651: 4647: 4643: 4640: 4636: 4632: 4629: 4625: 4621: 4618: 4614: 4610: 4607: 4606:Hermann Hesse 4603: 4599: 4596: 4592: 4588: 4585: 4581: 4577: 4573: 4568: 4564: 4559: 4555: 4550: 4549: 4547: 4543: 4535: 4530: 4527: 4523: 4519: 4516: 4515:Pearl S. Buck 4512: 4508: 4505: 4501: 4497: 4494: 4490: 4486: 4482: 4477: 4474: 4470: 4466: 4463: 4459: 4455: 4452: 4448: 4444: 4440: 4436: 4432: 4428: 4425: 4421: 4417: 4414: 4410: 4406: 4403: 4402:Sigrid Undset 4399: 4395: 4392: 4391:Henri Bergson 4388: 4384: 4381: 4377: 4373: 4370: 4366: 4362: 4359: 4355: 4351: 4348: 4344: 4340: 4337: 4333: 4329: 4326: 4322: 4318: 4317: 4315: 4311: 4304: 4300: 4296: 4293: 4289: 4285: 4281: 4276: 4273: 4269: 4265: 4261: 4258: 4254: 4250: 4247: 4243: 4239: 4235: 4230: 4227: 4223: 4219: 4216: 4212: 4208: 4205: 4201: 4197: 4194: 4190: 4186: 4183: 4179: 4175: 4172: 4171:Rudolf Eucken 4168: 4164: 4161: 4157: 4153: 4150: 4146: 4142: 4139: 4135: 4131: 4128: 4124: 4120: 4116: 4113: 4109: 4105: 4102: 4098: 4094: 4091: 4087: 4083: 4082: 4080: 4076: 4072: 4068: 4061: 4056: 4054: 4049: 4047: 4042: 4041: 4038: 4025: 4024: 4020: 4017: 4016: 4012: 4009: 4008: 4004: 4001: 4000: 3999:The Skin Game 3996: 3993: 3992: 3988: 3985: 3984: 3980: 3977: 3976: 3972: 3969: 3968: 3964: 3961: 3960: 3956: 3953: 3952: 3948: 3945: 3944: 3940: 3939: 3936: 3931: 3924: 3919: 3917: 3912: 3910: 3905: 3904: 3901: 3892: 3883: 3882: 3870: 3865: 3859: 3856: 3855: 3851: 3850: 3846: 3842: 3838: 3834: 3831: 3828: 3824: 3821: 3818: 3815: 3813: 3809: 3806: 3805: 3801: 3800: 3797: 3796:List of Works 3794: 3791: 3786: 3783: 3781: 3778: 3775: 3771: 3767: 3764: 3761: 3751: 3747: 3744: 3742: 3739: 3737: 3733: 3730: 3727: 3723: 3720: 3718: 3714: 3711: 3709: 3705: 3702: 3701: 3697: 3696: 3686: 3680: 3676: 3672: 3668: 3664: 3660: 3654: 3650: 3649: 3643: 3639: 3635: 3631: 3627: 3623: 3619: 3614: 3610: 3606: 3602: 3598: 3594: 3590: 3584: 3580: 3579: 3574: 3570: 3566: 3562: 3558: 3553: 3549: 3543: 3539: 3538: 3533: 3529: 3525: 3521: 3517: 3512: 3501: 3497: 3490: 3489: 3483: 3479: 3473: 3469: 3465: 3461: 3457: 3451: 3447: 3446: 3440: 3436: 3430: 3426: 3422: 3418: 3414: 3408: 3404: 3403: 3397: 3393: 3389: 3385: 3384: 3378: 3374: 3370: 3366: 3365: 3359: 3355: 3349: 3345: 3340: 3336: 3334:0-436-15704-7 3330: 3326: 3321: 3317: 3311: 3307: 3302: 3298: 3292: 3288: 3287: 3281: 3277: 3271: 3267: 3262: 3258: 3252: 3248: 3247: 3242: 3238: 3234: 3228: 3224: 3223: 3217: 3213: 3207: 3203: 3199: 3195: 3191: 3187: 3181: 3177: 3176: 3170: 3169: 3158:Fréchet, p. 6 3155: 3146: 3140:Fréchet, p. 5 3137: 3128: 3121: 3116: 3107: 3098: 3089: 3080: 3071: 3062: 3053: 3044: 3036: 3030: 3026: 3020: 3013: 3007: 2998: 2989: 2982: 2976: 2967: 2958: 2949: 2940: 2930: 2926: 2921: 2919: 2909: 2900: 2891: 2882: 2873: 2871: 2869: 2859: 2850: 2848: 2846: 2838: 2832: 2823: 2821: 2813: 2808: 2799: 2790: 2783: 2777: 2770: 2764: 2755: 2746: 2737: 2728: 2719: 2710: 2703: 2699: 2698:"Old English" 2695: 2689: 2680: 2671: 2664: 2658: 2651: 2646: 2639: 2633: 2626: 2620: 2613: 2609: 2603: 2596: 2590: 2581: 2579: 2569: 2560: 2558: 2548: 2542:Dupré, p. 227 2539: 2530: 2521: 2512: 2503: 2494: 2485: 2483: 2481: 2473: 2472:The Bystander 2467: 2461:Dupré, p. 148 2458: 2449: 2440: 2431: 2425:Fréchet, p. 1 2422: 2413: 2406: 2402: 2397: 2395: 2387: 2381: 2374: 2368: 2361: 2355: 2346: 2337: 2328: 2326: 2318: 2312: 2303: 2293: 2289: 2284: 2275: 2268: 2262: 2260: 2258: 2248: 2239: 2230: 2228: 2221:Gindin, p. 98 2218: 2216: 2214: 2204: 2197: 2191: 2189: 2179: 2169: 2165: 2160: 2151: 2142: 2136:Gindin, p. 62 2133: 2123: 2119: 2113: 2104: 2102: 2092: 2085: 2079: 2070: 2061: 2054: 2048: 2039: 2033:Gindin, p. 38 2030: 2023: 2018: 2009: 1999: 1995: 1989: 1987: 1985: 1983: 1981: 1979: 1977: 1975: 1965: 1956: 1948: 1942: 1938: 1932: 1930: 1928: 1926: 1924: 1922: 1920: 1918: 1916: 1909:Gindin, p. 18 1906: 1897: 1893: 1877: 1870: 1866: 1862: 1858: 1854: 1850: 1849: 1842: 1835: 1831: 1827: 1823: 1819: 1815: 1809: 1799: 1792: 1788: 1782: 1773: 1766: 1765:The Freelands 1762: 1755: 1748: 1742: 1738: 1725: 1723: 1719: 1718:Penguin Books 1715: 1711: 1706: 1704: 1699: 1697: 1692: 1688: 1683: 1681: 1676: 1672: 1668: 1665:The literary 1663: 1660: 1656: 1646: 1637: 1635: 1631: 1627: 1623: 1619: 1615: 1611: 1601: 1598: 1596: 1592: 1591: 1586: 1579:Other writing 1576: 1574: 1570: 1566: 1561: 1559: 1555: 1543: 1539: 1535: 1531: 1527: 1524: 1520: 1516: 1511: 1509: 1505: 1501: 1494: 1492: 1486: 1480: 1474: 1473: 1466: 1460: 1454: 1448: 1442: 1441: 1434: 1428: 1422: 1421: 1420:The Skin Game 1414: 1408: 1407:A Bit o' Love 1402: 1396: 1390: 1384: 1378: 1372: 1366: 1360: 1354: 1349: 1348: 1337: 1333: 1331: 1327: 1323: 1319: 1315: 1311: 1307: 1306: 1301: 1297: 1296: 1291: 1290: 1285: 1284: 1279: 1278: 1277:The Freelands 1273: 1272: 1267: 1266: 1265:The Patrician 1260: 1258: 1254: 1253: 1248: 1247: 1242: 1238: 1237: 1232: 1228: 1227: 1218: 1210: 1201: 1192: 1190: 1186: 1182: 1178: 1174: 1169: 1167: 1163: 1159: 1155: 1151: 1146: 1144: 1140: 1136: 1132: 1128: 1124: 1120: 1115: 1113: 1109: 1105: 1101: 1100:Poet Laureate 1097: 1092: 1090: 1086: 1082: 1078: 1074: 1070: 1065: 1063: 1059: 1055: 1051: 1047: 1043: 1039: 1035: 1026: 1017: 1015: 1011: 1007: 1006:George Arliss 1003: 999: 995: 991: 986: 984: 980: 976: 972: 967: 965: 961: 957: 953: 948: 947: 942: 938: 937: 936:The Skin Game 932: 924: 920: 919: 918:The Skin Game 914: 910: 908: 904: 900: 890: 888: 884: 880: 876: 870: 868: 864: 860: 855: 853: 849: 838: 836: 832: 828: 824: 820: 819: 814: 813: 808: 804: 803: 798: 794: 789: 787: 786:Arthur Pinero 783: 782:W. S. Gilbert 779: 775: 771: 767: 762: 758: 753: 749: 745: 739: 735: 731: 727: 722: 718: 716: 712: 708: 703: 700: 699: 694: 693: 687: 686: 680: 678: 674: 673: 668: 664: 660: 656: 655: 650: 641: 639: 635: 629: 627: 626: 621: 617: 612: 610: 606: 602: 598: 594: 590: 581: 572: 570: 565: 560: 558: 557:Joseph Conrad 554: 550: 545: 543: 539: 535: 526: 522: 518: 514: 512: 508: 504: 500: 499:Lincoln's Inn 490: 488: 484: 480: 479:public school 475: 474:matriculating 472:to read law, 471: 462: 460: 456: 453: 449: 445: 444:Harrow School 441: 437: 433: 428: 426: 425: 420: 416: 415: 414:nouveau riche 410: 406: 405:Victorian era 402: 398: 394: 393:ship chandler 390: 386: 382: 378: 377:Kingston Hill 369: 355: 353: 349: 344: 342: 338: 334: 330: 325: 323: 318: 317: 312: 311: 305: 300: 298: 294: 290: 286: 285: 278: 241: 237: 228: 224: 220: 217: 214: 208: 202: 197: 194: 191:President of 189: 185: 181: 177: 172: 167: 160: 157: 154: 151: 148: 147:Lilian Sauter 145: 144: 142: 138: 135: 132: 128: 122: 119: 115: 111: 107: 103: 94: 90: 86: 74: 70: 66: 61: 56: 46: 43: 39: 35: 30: 19: 8709: 8692: 8684: 8676: 8658: 8642: 8638: 8563: 8544: 8536: 8528: 8520: 8512: 8488: 8481: 8474: 8467: 8460: 8442: 8435: 8428: 8421: 8414: 8407: 8400: 8374: 8366: 8358: 8350: 8342: 8334: 8326: 8318: 8310: 8302: 8294: 8286: 8278: 8270: 8262: 8254: 8246: 8238: 8230: 8222: 8214: 8195: 8187: 8179: 8171: 8163: 8155: 8147: 8139: 8131: 8123: 8115: 8107: 8099: 8091: 8083: 8075: 8067: 8059: 8051: 8043: 8035: 8027: 8019: 8011: 8003: 7995: 7987: 7979: 7832:Oxford Group 7700:Every Animal 7593:Contemporary 7542:Andrew Tyler 7532:Nell Shipman 7472:André Géraud 7381:Jerry Vlasak 7356:Lynda Stoner 7331:Alex Pacheco 7261:Evanna Lynch 7256:Howard Lyman 7241:Wayne Hsiung 7201:Chris DeRose 7191:Rod Coronado 7124:Contemporary 7064:Thomas Tryon 6984:Mary Midgley 6979:Jean Meslier 6959:Soame Jenyns 6949:John Hildrop 6944:Arthur Helps 6933: 6909:Richard Dean 6884:Peter Buchan 6823:Gary Steiner 6818:Peter Singer 6813:Jérôme Segal 6778:David Pearce 6768:Clare Palmer 6758:David Nibert 6748:Clair Linzey 6658:Joan Dunayer 6583:Aysha Akhtar 6571:Contemporary 6440:McLibel case 6395:Animal trial 6354:Seal hunting 6316:Wild animals 6301:Fishing bait 6263:Pain in fish 6082:Fish farming 6062:Battery cage 5982:Meat paradox 5939: 5880:Abolitionism 5707: 5662:Edgar Adrian 5601: 5516: 5495:Annie Ernaux 5472:2021–present 5462:Louise Glück 5451:Peter Handke 5341:Herta Müller 5264:Imre Kertész 5231:Gao Xingjian 5220:Günter Grass 5165:Kenzaburō Ōe 5077:Wole Soyinka 5066:Claude Simon 4897:Pablo Neruda 4727:Albert Camus 4450: 4439:posthumously 4438: 4021: 4013: 4005: 3997: 3989: 3981: 3973: 3965: 3957: 3949: 3941: 3929: 3878: 3770:Open Library 3674: 3648:Hugh Walpole 3647: 3629: 3617: 3608: 3577: 3556: 3536: 3515: 3503:. Retrieved 3487: 3467: 3444: 3425:Hugh Walpole 3424: 3401: 3382: 3363: 3343: 3324: 3305: 3285: 3265: 3245: 3221: 3201: 3174: 3154: 3145: 3136: 3127: 3119: 3115: 3106: 3097: 3088: 3079: 3070: 3061: 3052: 3043: 3028: 3019: 3011: 3006: 2997: 2988: 2981:The Observer 2980: 2975: 2966: 2957: 2948: 2939: 2928: 2908: 2899: 2890: 2881: 2858: 2836: 2831: 2807: 2798: 2789: 2776: 2768: 2763: 2754: 2745: 2736: 2727: 2718: 2709: 2693: 2688: 2679: 2670: 2662: 2657: 2645: 2637: 2632: 2624: 2619: 2612:The Observer 2611: 2607: 2602: 2594: 2589: 2568: 2547: 2538: 2529: 2520: 2511: 2502: 2493: 2471: 2466: 2457: 2448: 2439: 2430: 2421: 2412: 2404: 2400: 2385: 2380: 2372: 2367: 2359: 2354: 2345: 2336: 2316: 2311: 2302: 2291: 2283: 2274: 2266: 2251:Dupré, p. 61 2247: 2242:Dupré, p. 62 2238: 2233:Dupré, p. 60 2207:Dupré, p. 91 2203: 2195: 2182:Dupré, p. 48 2178: 2167: 2159: 2154:Dupré, p. 36 2150: 2141: 2132: 2121: 2112: 2095:Dupré, p. 35 2091: 2083: 2078: 2073:Dupré, p. 28 2069: 2060: 2052: 2047: 2042:Dupré, p. 26 2038: 2029: 2021: 2017: 2008: 1997: 1968:Dupré, p. 18 1964: 1955: 1940: 1905: 1896: 1876: 1869:Punch and Go 1868: 1864: 1860: 1856: 1852: 1846: 1841: 1833: 1824:(1925), and 1822:Bernard Shaw 1808: 1798: 1781: 1772: 1764: 1760: 1754: 1741: 1721: 1713: 1707: 1702: 1700: 1696:West Country 1690: 1684: 1664: 1651: 1607: 1599: 1594: 1588: 1584: 1582: 1568: 1564: 1562: 1557: 1553: 1551: 1533: 1522: 1519:Henrik Ibsen 1512: 1507: 1503: 1497: 1490: 1484: 1478: 1471: 1464: 1458: 1452: 1446: 1439: 1433:A Family Man 1432: 1426: 1419: 1412: 1406: 1400: 1395:The Fugitive 1394: 1388: 1382: 1376: 1370: 1364: 1358: 1352: 1350: 1346: 1345: 1334: 1329: 1325: 1321: 1317: 1313: 1309: 1303: 1299: 1293: 1287: 1281: 1275: 1269: 1263: 1261: 1256: 1250: 1249:(1907) and 1244: 1240: 1234: 1231:Villa Rubein 1230: 1224: 1222: 1207: 1198: 1170: 1166:brain tumour 1149: 1147: 1142: 1138: 1134: 1130: 1126: 1122: 1118: 1116: 1093: 1088: 1084: 1080: 1076: 1072: 1068: 1066: 1058:Hugh Walpole 1031: 997: 993: 989: 987: 982: 974: 970: 968: 964:Edmund Gwenn 946:The Observer 944: 940: 934: 928: 923:Edmund Gwenn 916: 897:In 1919 the 896: 878: 875:blood sports 871: 866: 862: 858: 856: 848:Georg Sauter 844: 822: 816: 810: 800: 797:The Fugitive 796: 792: 790: 770:J. M. Barrie 761:Bernard Shaw 756: 747: 743: 742: 726:J. M. 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