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A View from the Bridge (film)

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oppressiveness of the living rooms of the dockside slums are caught in his camera's comprehension, to pound it into the viewer's head that this is an honest presentation of the sort of personal involvement that one might watch—might spy upon—through a telescope set on Brooklyn Bridge." However, "The one great obstruction to the drama — and a fatal obstruction it becomes—is the slowly evolving demonstration that the principal character is a boor. As much as his nigh-incestuous passion and his subsequent jealousy may be credible and touching, they are low in the human emotional scale and are obviously seamy and ignoble. They haven't the universal scope of greed or envy or ambition or such obsessions as drive men to ruin."
364:, Marco and Rodolpho, illegally enter the United States and take refuge in Eddie's home, an attraction develops between Catherine and the handsome young Rodolpho. Eddie's incestuous love for his niece drives him into cruel criticism of Rodolpho, including the accusation that he is an opportunist who plans to marry Catherine only to obtain his U.S. citizenship papers. 29: 367:
When Eddie's efforts fail to influence Catherine, he brands Rodolpho a homosexual and degrades him in front of Catherine by kissing him on the lips. His desperation only serves to further alienate Catherine, however, and when she and Rodolpho make plans to marry, Eddie betrays both Marco and Rodolpho
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A waterfront lawyer, Alfieri, succeeds in winning freedom for Rodolpho because of his pending marriage, but Marco is slated for deportation. While out on bail, Marco goes to the Carbone house and forces Eddie to his knees; humiliated before his family and neighbors, Eddie commits suicide by plunging
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waterfront and his choice of actors but believed that principal character Eddie Carbone lacked depth and dimension. "The rumbling and gritty quality of the Brooklyn waterfront," he wrote, "the lofty and mercantile authority of the freight ships tied up at the docks, the cluttered and crowded
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The film was the first time that a kiss between men was shown on screen in America, in the sequence in which an intoxicated Eddie Carbone kisses his wife Beatrice's male cousin Rodolfo in an attempt to demonstrate the latter's alleged
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Unlike the play, in which Eddie is stabbed to death with his own knife in a scuffle with his wife Beatrice's cousin Marco toward the end, in the film Eddie commits suicide by plunging a cargo hook into his chest.
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was filmed in separate English and French versions. Its exterior sequences were filmed on-location on the waterfront of
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to the immigration authorities. As the two brothers are led away, Marco spits on Eddie, denouncing him as an informer.
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Crowther, Bosley, "Screen: 'A View From the Bridge' at the Sutton:Adaptation of Drama by Arthur Miller Bows."
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called the film "not so much a drama as a sentence that's been passed on the audience."
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on the waterfront, and he and Beatrice have raised 18-year old Catherine from infancy.
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As of 2021, the film has never been released on home video in the United States.
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Critical Companion to Arthur Miller: A Literary Reference to His Life and Work
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Second Edition (Cambridge, UK: Cambridge University Press, 2010), p. 294.
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between French and Italian studios, with exteriors shot on-location in
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premiered in the United States on January 22, 1962 by
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Films about illegal immigration to the United States
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In 360:When two of Beatrice's cousins from 13: 1329:Hans Brinker and the Silver Skates 1298:Before the Devil Knows You're Dead 514:A more favorable review came from 14: 1524: 780: 341:The Carbones are a working class 1513:Films scored by Maurice Le Roux 1498:Films directed by Sidney Lumet 1473:English-language Italian films 737: 713: 698: 683: 669: 636: 600: 575: 528:'s realistic depiction of the 1: 1468:English-language French films 918:Long Day's Journey into Night 568: 489:Continental Film Distributors 444: 372:a cargo hook into his chest. 1078:Murder on the Orient Express 1018:Last of the Mobile Hot Shots 651:. Harper & Row. p.  548: 479: 157:Produzioni Intercontinentali 7: 1483:Films shot in New York City 1463:Italian LGBTQ-related films 285:international co-production 10: 1529: 1453:French LGBTQ-related films 1128:Just Tell Me What You Want 705:Bigsby, Christopher, ed., 334: 171:Euro International (Italy) 1359:The Count of Monte Cristo 1309: 858: 836: 762:. Gremese Editore, 1998. 231: 221: 206:22 January 1962 195:19 January 1962 184:18 January 1962 175: 162: 146: 136: 126: 116: 86: 76: 59: 45: 35: 26: 21: 16:1962 film by Sidney Lumet 1443:1962 LGBTQ-related films 1258:Night Falls on Manhattan 291:and interiors filmed in 747:(1962), Rotten Tomatoes 375: 330: 908:A View from the Bridge 849:Awards and nominations 788:A View from the Bridge 758:Enrico Lancia (1998). 745:A View from the Bridge 690:Abbotson, Susan C.W., 677:A View from the Bridge 485:A View from the Bridge 450:A View from the Bridge 263: 253: 245:A View from the Bridge 155:Transcontinental Films 65:A View from the Bridge 22:A View from the Bridge 1478:Films set in Brooklyn 345:family living in the 281:play of the same name 265:Uno sguardo dal ponte 1389:Sacco-Vanzetti Story 643:Russo, Vito (1986). 624:on February 13, 2016 1503:1960s Italian films 1488:Films shot in Paris 1458:Italian drama films 1238:A Stranger Among Us 734:, January 23, 1962. 612:, January 23, 1962" 391:as Beatrice Carbone 283:. The film was an 1508:1960s French films 1448:French drama films 1349:Three by Tennessee 1339:All the King's Men 1138:Prince of the City 1028:The Anderson Tapes 888:That Kind of Woman 828:Films directed by 760:I premi del cinema 731:The New York Times 725:2016-02-13 at the 617:The New York Times 610:The New York Times 559:David di Donatello 517:The New York Times 454:Brooklyn, New York 307:as Eddie Carbone, 1420: 1419: 1399:100 Centre Street 1379:The Iceman Cometh 1319:Beyond This Place 1198:The Morning After 1088:Dog Day Afternoon 978:Bye Bye Braverman 968:The Deadly Affair 898:The Fugitive Kind 503:Stanley Kauffmann 460:, France. It was 407:Raymond Pellegrin 389:Maureen Stapleton 321:Raymond Pellegrin 309:Maureen Stapleton 241: 240: 107:Raymond Pellegrin 95:Maureen Stapleton 1520: 1438:1962 drama films 1413: 1403: 1393: 1383: 1373: 1363: 1353: 1343: 1333: 1323: 1302: 1292: 1282: 1272: 1262: 1252: 1242: 1232: 1222: 1212: 1208:Running on Empty 1202: 1192: 1182: 1172: 1162: 1152: 1142: 1132: 1122: 1112: 1102: 1092: 1082: 1072: 1062: 1052: 1042: 1032: 1022: 1012: 1002: 992: 982: 972: 962: 952: 942: 932: 922: 912: 902: 892: 882: 872: 851: 844: 822: 815: 808: 799: 798: 774: 773: 755: 749: 741: 735: 717: 711: 702: 696: 687: 681: 673: 667: 666: 650: 640: 634: 633: 631: 629: 620:. 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Index


Sidney Lumet
Norman Rosten
Jean Aurenche
A View from the Bridge
Arthur Miller
Paul Graetz
Raf Vallone
Maureen Stapleton
Jean Sorel
Carol Lawrence
Raymond Pellegrin
Morris Carnovsky
Michel Kelber
Françoise Javet
Maurice Leroux
Cocinor
French
Italian
drama film
Sidney Lumet
Arthur Miller
play of the same name
international co-production
Brooklyn
Paris
Norman Rosten
Jean Aurenche
Raf Vallone
Maureen Stapleton

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