349:
337:
175:
361:
1134:
373:
44:
385:
400:
164:
219:; French art critic Egmont Arens wrote in 1924 that American art, at least for a period of time, reflected the teachings of Académie Julian. In 1989, on the occasion of the exhibition at the Shepherd Gallery, in Manhattan, devoted to the Academie Julian in Paris as it existed between 1868 and 1939, John Russell wrote:
196:, but offered independent alternative education and training in arts. "Founded at a time when art was about to undergo a long series of crucial mutations, the Academie Julian played host to painters and sculptors of every kind and persuasion and never tried to make them hew to any one particular line".
223:
By my count, more than 50 nationalities were represented at the school during its glory years. To be at the
Academie Julian was to be exposed to a kind of white magic that seems to have worked in almost every case. What was learned there stayed forever with alumnus and alumna, and it related as much
203:
were accepted by the new Académie Julian. Foreign applicants who had been deterred from entering the Ecole des Beaux Arts by a vicious French language examination were welcome at the Académie Julian. Men and women were trained separately, and women participated in the same studies as men, including
234:
The South
African painter Strat Caldecott (1886–1929) worked and studied at the Académie Julian in preparation for his admission to the Ecole Nationale des Beaux-Arts. He vividly described the Académie Julian as: "A huge room, lighted from above, and smelling strongly of turpentine; tobacco-smoke,
289:
had entered the scene as a derisive term for the traditional academic art espoused by the Académie's instructors. As a result, the Académie Julian embraced a more liberal regime pushing a less conservative, more sincere approach to art which corresponded to the
155:(1839–1907) that was active from 1868 through 1968. It remained famous for the number and quality of artists who attended during the great period of effervescence in the arts in the early twentieth century. After 1968, it integrated with ESAG Penninghen.
235:
sweat and garlic, for the models were mostly children of the South. A room plastered to the full height of a man's reach with palette scrapings whose many colours mingled to make a warm grey background, hung with the prize studies of decades of
1026:
The Julian
Academy, Paris, 1868-1939 : spring exhibition, 1989, essays by Catherine Fehrer; exhibition organized by Robert and Elisabeth Kashey, New York, N.Y. (21 E. 84th St., New York) : Shepherd
348:
427:
204:
drawing and painting of nude models. "Human exchange went forward in an atmosphere that was collegial, easygoing and mutually supportive. It nurtured some of the best artists of the day".
239:, furnished with a huge Godin stove, and tall grass-plaited stools, and a heavy mobile podium on which the model was posed each week by a quarreling agora of tousle-headed youths."
313:
Over time, Académie Julian opened schools in other locations. In addition to the original school at
Passage des Panoramas, studios were at no. 5 Rue de Berri in the
448:
The artist records still extant are those of the men's section, covering the 1870–1932 period, and those of the women's section, covering the 1880–1907 period.
1196:
464:
705:
474:
1147:
336:
200:
193:
242:
The early success of the Académie was also secured by the famous and respected artists whom
Rodolphe Julian employed as instructors:
775:
Sophie Barthélémy, Musée d'art moderne (Céret, France), Musée
Matisse (Le Cateau-Cambrésis, France), Musée des beaux-arts de Dijon,
360:
931:
1201:
835:
192:, as a private studio school for art students. The Académie Julian not only prepared students for the exams at the prestigious
399:
1078:
1070:
746:
578:
1191:
878:
470:
819:
439:
a kind of
Hercules, dark-haired, strong, with broad shoulders, short legs, a soft voice and all the charm of the Midi
384:
17:
947:
688:
552:
713:
790:
706:"Overcoming All Obstacles: The Women of the Académie Julian – An Exhibition Organized by the Dahesh Museum"
647:
850:
599:
318:
314:
1186:
1107:
949:
JULIAN, Rodolphe (1839 - 1907), Painter, engraver, illustrator : Benezit
Dictionary of Artists - oi
659:
174:
1124:
243:
207:
Académie Julian became popular as fertile ground with French as well as foreign students from diverse
452:
977:
372:
957:
434:
433:
For his services to the arts, Rodolphe Julian, described by the Anglo-Irish novelist and critic
322:
809:
738:
Oscar Wilde's
Elegant Republic: Transformation, Dislocation and Fantasy in fin-de-siècle Paris
455:, particularly in relation to education, the Académie Julian integrated with ESAG Penninghen.
736:
678:
486:
189:
916:
898:
895:
1017:
Catherine Fehrer, "New Light on the Académie Julian and its founder (Rodolphe Julian)", in
762:
8:
1051:
1044:
965:
390:
259:
226:
52:
1117:
1111:
1074:
1066:
858:
815:
742:
684:
251:
953:
442:
295:
285:
774:
618:
491:
291:
270:. Eventually, Académie Julian students were granted the right to compete for the
255:
167:
152:
136:
99:
1096:
1133:
680:
Artistic
Relations: Literature and the Visual Arts in Nineteenth-century France
423:
263:
212:
141:
63:
43:
317:, no. 31 Rue du Dragon in the 6th arrondissement, no. 51, rue Vivienne in the
1180:
1162:
1149:
862:
496:
326:
277:
216:
1058:, Dahesh Museum, New Brunswick, Rutgers University Press, New Jersey, 1999.
905:
516:
415:
276:, a prize awarded to promising young artists. and participate in the major
272:
267:
208:
163:
1138:
1082:
506:
411:
303:
247:
990:
521:
307:
144:
66:
1099:[Students and Faculty of the Académie Julian – Introduction].
919:
Ludwig Meidner (...) was unaffected by avant-garde developments there
526:
299:
230:, John Russell: "An Art School That Also Taught Life", 19 March 1989.
458:
430:
forced the school to close. In 1946 some of the studios were sold.
511:
1056:
Overcoming All Obstacles : The Women of the Académie Julian
325:, Julian's spouse. Subsequent faculty included former students (
224:
to the conduct of life as to the uses of brush and chisel. – in
501:
199:
In 1880, women who were not allowed to enroll for study to the
188:
Rodolphe Julian established the Académie Julian in 1868 at the
600:"Academie Julian: Paris Art School Founded by Rodolphe Julian"
414:, albeit with a lesser number of students. By contrast during
148:
110:
1097:"Elèves et professeurs de l'Académie Julian – Introduction"
837:
La Renaissance de l'art français et des industries de luxe
1118:
Académie Julian - Global Britannica, (registered members)
298:
in Austria. It was followed and fully articulated by the
451:
In 1968, an important year in France's history with the
621:[Students and Faculty of the Académie Julian].
1122:
660:"Women of the Academie Julian - Paris - French Art"
405:
Rob Wagner training at the Académie Julian in 1903.
734:
266:and other leading artists of that time trained in
465:List of faculty and alumni of the Académie Julian
459:Notable faculty and alumni of the Académie Julian
170:(1839–1907), founder of the Académie Julian
1178:
594:
592:
572:
570:
568:
566:
564:
562:
321:for female student artists, overseen by painter
306:movement that participated in paving the way to
151:, France, in 1867 by French painter and teacher
579:"ART VIEW; An Art School That Also Taught Life"
1035:Revivons nos belles années à l'Académie Julian
547:
545:
543:
741:. Cambridge Scholars Publishing. p. 37.
589:
559:
1197:Educational institutions established in 1867
1033:
1009:
958:10.1093/benz/9780199773787.article.b00096321
952:. Oxford University Press. 31 October 2011.
619:"Elèves et professeurs de l'Académie Julian"
420:Vingt jeunes peintres de tradition française
125:
33:
1041:"Women at the Académie Julian in Paris" in
540:
1094:
616:
42:
887:
712:. No. April/May 2000. Archived from
1038:1919-1925, chez l'auteur, Auxerre, 1982.
993:From Académie Jullian to ESAG Penninghen
807:
354:'Bouguereau's Atelier at Académie Julian
342:group of art students at Académie Julian
215:, Canada, Hungary, and particularly the
173:
162:
1063:A Concise History of Canadian Painting.
893:Chilvers, Ian, ed. (2004). "Académie,"
881:Les plaisirs et les curiosités de Paris
849:
676:
576:
14:
1179:
642:
640:
147:for painting and sculpture founded in
697:
475:Academic staff of the Académie Julian
410:Académie Julian remained open during
366:1886, group portrait, Académie Julian
135:
763:papyrus.bib, University of Montreal
637:
24:
1065:Toronto: Oxford University Press.
703:
283:In the late 19th century the term
211:from all over the world, from the
27:Former art school in Paris, France
25:
1213:
1088:
1048:, Londres, CXXXVI, novembre 1994.
788:
1132:
808:Marshall, Bill (30 March 2019).
677:Collier, Peter (30 March 1994).
398:
383:
371:
359:
347:
335:
1002:
984:
939:
934:Peintres de Tradition Française
925:
910:
869:
843:
828:
801:
782:
767:
755:
577:Russell, John (19 March 1989).
1054:and Jane R. Becker (editors),
728:
710:California Art Club Newsletter
670:
652:
610:
428:German military administration
13:
1:
1202:1867 establishments in France
533:
179:
1011:L'Académie Julian a cent ans
991:penninghen.com, historique,
418:, after the 1941 exhibition
294:movement in Germany and the
178:Teachers at Académie Julian
7:
1192:2nd arrondissement of Paris
857:. Cape Town: A.A. Balkema.
735:David Charles Rose (2015).
479:
278:"Salons" or art exhibitions
10:
1218:
1108:Etching by Rodolphe Julian
879:Gallica, French-archives,
777:Fauves hongrois, 1904-1914
468:
462:
244:Adolphe William Bouguereau
158:
1019:La Gazette des Beaux-Arts
855:Strat Caldecott 1886-1929
683:. Yale University Press.
126:
105:
95:
72:
59:
41:
34:
1061:Reid, Dennis R. (1988).
899:Oxford Dictionary of Art
604:www.visual-arts-cork.com
469:See also the categories
811:France and the Americas
137:[akademiʒyljɑ̃]
1034:
1032:(fr) Larcher, Albert,
1010:
471:Académie Julian alumni
232:
185:
171:
51:, an 1881 portrait by
1008:(fr) Martine Hérold,
487:Visual arts education
221:
190:Passage des Panoramas
177:
166:
133:French pronunciation:
1163:48.87111°N 2.34167°E
946:"Julian, Rodolphe".
791:"Americans in Paris"
323:Amélie Beaury-Saurel
201:École des Beaux-Arts
194:École des Beaux-Arts
1159: /
1052:Gabriel P. Weisberg
1045:Burlington Magazine
917:artuk.org, student
422:considerations on "
38:
1024:Catherine Fehrer,
716:on 10 October 2008
648:"Académie Julian."
583:The New York Times
391:Marie Bashkirtseff
319:2nd arrondissement
315:8th arrondissement
260:Tony Robert-Fleury
227:The New York Times
186:
172:
53:Marie Bashkirtseff
32:
1168:48.87111; 2.34167
1112:De Young (museum)
1079:978-0-19-540663-4
1071:978-0-19-540664-1
748:978-1-4438-8360-3
704:Farmer, J David.
393:– Académie Julian
252:Jean-Paul Laurens
121:
120:
16:(Redirected from
1209:
1174:
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1171:
1170:
1169:
1164:
1160:
1157:
1156:
1155:
1152:
1137:
1136:
1128:
1104:
1095:Vallin, Gérard.
1037:
1021:, mai-juin 1984.
1013:
996:
988:
982:
981:
975:
971:
969:
961:
943:
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929:
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695:
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632:
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617:Vallin, Gérard.
614:
608:
607:
596:
587:
586:
574:
557:
556:
549:
443:Legion of Honour
441:was awarded the
402:
387:
375:
363:
351:
339:
296:Vienna Secession
292:Secessionist art
184:
181:
139:
134:
129:
128:
91:
89:
83:
81:
46:
39:
37:
36:
31:
21:
1217:
1216:
1212:
1211:
1210:
1208:
1207:
1206:
1187:Académie Julian
1177:
1176:
1167:
1165:
1161:
1158:
1153:
1150:
1148:
1146:
1145:
1143:
1131:
1123:
1101:academie julian
1091:
1005:
1000:
999:
989:
985:
973:
972:
963:
962:
945:
944:
940:
930:
926:
915:
911:
892:
888:
883:, 1889, p. 193
875:
874:
870:
851:Scholtz, J de P
848:
844:
833:
829:
822:
806:
802:
789:Lubow, Arthur.
787:
783:
772:
768:
760:
756:
749:
733:
729:
719:
717:
702:
698:
691:
675:
671:
658:
657:
653:
645:
638:
628:
626:
623:academie julian
615:
611:
598:
597:
590:
575:
560:
553:"académie - oi"
551:
550:
541:
536:
531:
492:School of Paris
482:
477:
467:
461:
406:
403:
394:
388:
379:
378:Académie Julian
376:
367:
364:
355:
352:
343:
340:
330:
329:, for example).
256:Gabriel Ferrier
182:
168:Rodolphe Julian
161:
153:Rodolphe Julian
132:
127:Académie Julian
117:
113:
100:Rodolphe Julian
87:
85:
79:
77:
55:
35:Académie Julian
28:
23:
22:
18:Academy Jullian
15:
12:
11:
5:
1215:
1205:
1204:
1199:
1194:
1189:
1142:
1141:
1121:
1120:
1115:
1105:
1090:
1089:External links
1087:
1086:
1085:
1059:
1049:
1039:
1030:
1022:
1015:
1004:
1001:
998:
997:
983:
974:|website=
938:
932:Oxfrord index
924:
909:
901:, p. 5–6.
886:
868:
842:
827:
820:
800:
781:
766:
761:(fr) and (en)
754:
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727:
696:
689:
669:
651:
646:Tate Gallery,
636:
609:
588:
558:
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532:
530:
529:
524:
519:
514:
509:
504:
499:
494:
489:
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481:
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463:Main article:
460:
457:
424:degenerate art
408:
407:
404:
397:
395:
389:
382:
380:
377:
370:
368:
365:
358:
356:
353:
346:
344:
341:
334:
310:in 1888–1889.
264:Jules Lefebvre
213:United Kingdom
160:
157:
119:
118:
115:
109:
107:
103:
102:
97:
93:
92:
74:
70:
69:
61:
57:
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47:
26:
9:
6:
4:
3:
2:
1214:
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1188:
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1175:
1172:
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1135:
1130:
1129:
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1119:
1116:
1113:
1109:
1106:
1102:
1098:
1093:
1092:
1084:
1083:OCLC 18378555
1080:
1076:
1072:
1068:
1064:
1060:
1057:
1053:
1050:
1047:
1046:
1040:
1036:
1031:
1029:, vers 1989 .
1028:
1023:
1020:
1016:
1012:
1007:
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995:
994:
987:
979:
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959:
955:
951:
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936:
935:
928:
922:
920:
913:
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896:
890:
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882:
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823:
821:9781851094110
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764:
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739:
731:
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686:
682:
681:
673:
665:
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655:
649:
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601:
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593:
584:
580:
573:
571:
569:
567:
565:
563:
554:
548:
546:
544:
539:
528:
525:
523:
520:
518:
515:
513:
510:
508:
505:
503:
500:
498:
497:Impressionism
495:
493:
490:
488:
485:
484:
476:
472:
466:
456:
454:
449:
446:
444:
440:
436:
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362:
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338:
333:
332:
331:
328:
327:Edgar Chahine
324:
320:
316:
311:
309:
305:
301:
297:
293:
288:
287:
286:L'art pompier
281:
279:
275:
274:
269:
265:
261:
257:
253:
249:
246:(1825–1905),
245:
240:
238:
231:
229:
228:
220:
218:
217:United States
214:
210:
205:
202:
197:
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176:
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98:
94:
75:
71:
68:
65:
62:
58:
54:
50:
45:
40:
30:
19:
1144:
1103:(in French).
1100:
1062:
1055:
1042:
1025:
1018:
1003:Bibliography
992:
986:
948:
941:
933:
927:
918:
912:
906:Google Books
900:
894:
889:
880:
871:
854:
845:
836:
830:
814:. ABC-CLIO.
810:
803:
794:
784:
776:
769:
757:
737:
730:
720:29 September
718:. Retrieved
714:the original
709:
699:
679:
672:
663:
654:
629:30 September
627:. Retrieved
622:
612:
603:
582:
517:Outsider art
450:
447:
438:
435:George Moore
432:
419:
416:World War II
409:
312:
284:
282:
273:Prix de Rome
271:
268:Academic art
241:
236:
233:
225:
222:
206:
198:
187:
124:
122:
48:
29:
1166: /
904:, p. 5, at
876:(in French)
795:Smithsonian
625:(in French)
507:Art Nouveau
412:World War I
304:avant-garde
248:Henri Royer
209:backgrounds
183: 1892
1181:Categories
1151:48°52′16″N
1114:collection
690:0300060092
534:References
522:Modern art
453:May events
308:modern art
145:art school
67:art school
49:The Studio
1154:2°20′30″E
1110:from the
976:ignored (
966:cite book
863:946503726
527:Modernism
426:" by the
237:concourse
853:(1970).
480:See also
140:) was a
106:Location
1027:Gallery
1014:, 1968
512:Fauvism
159:History
142:private
96:Founder
86: (
78: (
64:Private
1125:Portal
1077:
1069:
861:
839:, 1924
818:
745:
687:
664:Scribd
502:Cubism
116:France
73:Active
773:(fr)
302:, an
300:Nabis
149:Paris
111:Paris
84:–1968
1139:Arts
1075:ISBN
1067:ISBN
1043:The
978:help
859:OCLC
834:(fr)
816:ISBN
743:ISBN
722:2016
685:ISBN
631:2016
473:and
123:The
88:1968
80:1867
76:1867
60:Type
954:doi
437:as
1183::
1081:;
1073:;
970::
968:}}
964:{{
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262:,
258:,
254:,
250:,
180:c.
114:,
1127::
980:)
960:.
956::
921:.
865:.
824:.
797:.
751:.
724:.
693:.
666:.
633:.
606:.
585:.
555:.
131:(
90:)
82:)
20:)
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