326:
the aid of his gang. At home, his mother tells him that Gina is working on the street, which he takes to mean that Gina is a prostitute. But he discovers that Gina is merely acting in a low-budget film shooting on the Via Veneto. Vanucci realizes that the smuggling job will improve his family's life. He makes contact with Okra and his female accomplice and agrees to smuggle the gold into Italy for half of the take. Two policemen are constantly on
Vanucci's trail, however, but he uses disguises and tricks to evade them.
352:
Vanucci's "film" is shown as evidence in court, where a film critic proclaims the disjointed footage to be a masterpiece. Vanucci confesses his guilt, thereby exonerating the villagers, but vows to escape from prison again. He escapes by impersonating the prison doctor again, this time tying the doctor up in his cell and walking out of the prison in his place. But when he attempts to remove his fake beard, Vanucci discovers that the beard is real and exclaims, "The wrong man has escaped!"
565:, a former production designer. It was also their last production, as Sellers and Bryan had a rift over De Sica. Sellers complained that the director "thinks in Italian; I think in English" and wanted De Sica replaced, but Bryan resisted for financial and artistic reasons. De Sica grew impatient with Sellers and did not like Sellers' performance or Simon's screenplay.
550:. Since neither spoke the other's language, the two writers worked through interpreters. Simon wrote, "He had very clear, concise, and intelligent comments that I could readily understand and agree with." Still, Simon worried that inserting social statements into what he considered a broad farce would not do justice to either. Yet,
348:). Powell's agent, Harry, is suspicious of Fabrizi, but his vain client wants to do the film. Fabrizi enlists the starstruck population of Sevalio, a tiny fishing village, to unload the shipment, but when the boat carrying the gold is delayed, Fabrizi must actually shoot scenes for his phony film to maintain the ruse.
351:
The ship finally arrives, and the townspeople unload the gold, but Okra double-crosses
Vanucci and drives off with the gold. A slapstick car chase ensues and Okra, Vanucci and the police crash into each other. Vanucci, Tony Powell, Gina, Okra and the villagers are accused of being co-conspirators.
325:
Vanucci is reluctant to accept the job for fear of disgracing his mother and young sister Gina. When his three sidekicks inform him that Gina has grown up and does not always come home after school, an enraged, overprotective
Vanucci vows to escape. He impersonates the prison doctor and flees with
664:
Simon lamented that De Sica insisted on using his own film editors, who did not speak
English and did not understand the jokes. The film was later recut in Rome by one of John Huston's favorite film editors, Russell Lloyd, but Simon believed that more funny bits "are lying in a cutting room in
711:
was released in Great
Britain, Italy and the United States in December 1966. As part of a publicity barrage, United Artists announced that it had signed Federico Fabrizi to direct three films. The story was to be planted in the trade papers and then appear in general newspapers, with Sellers
545:
De Sica's interest in the project surprised Simon, who at first dismissed it as a way for the director to support his gambling habit. But De Sica saw an opportunity to make a social statement about how the pursuit of money corrupts even the arts. Simon believed that De Sica also relished the
322:, Okra uses a bikini-clad accomplice as a distraction to hijack $ 3 million in gold bullion. The thieves need a way to smuggle the two tons of gold bars into Europe. Aldo Vanucci, a master of disguise known as The Fox, is one of the few men who can handle the assignment, but he is in prison.
809:
wrote, "Continuing the De Sica's decline of recent years, this witless comedy of incompetent crooks and excitable
Italians never even begins to get off the ground" and called Seller's performance "self-indulgent," but singled out Mature as "amusing and touching."
581:
after a receiving a call from
Sellers. Mature also revealed that he based Tony Powell partially on De Sica "... plus a lot of egotism, and DeMille, too — that bit with the fellow following him around with the chair all the time." Mature told the
661:. The Sevalio sequences were shot during the height of the tourist season. Reportedly, the villagers of Sant'Angelo were so busy accommodating tourists that they had no time to appear in the film; extras were brought in from a neighboring village.
291:
Despite its notable credits, the film was poorly received when it was released but has since gained a cult following for its numerous in-jokes skewering movie stars, starstruck audiences, pretentious film critics and pompous directors, including
593:
be cast as Gina, the Fox's sister. Ekland's Nordic looks and accent were wrong for the role, but to keep
Sellers happy, De Sica acquiesced. Simon recalled that Ekland worked hard on the film. Sellers and Ekland made one other film together,
337:
director named
Federico Fabrizi, he intends to bring the gold ashore in broad daylight as a scene in an avant-garde film. To give the picture an air of legitimacy, he cons Powell to star in the film, which is blatantly titled
784:
reviewer thought that "Peter
Sellers is in nimble, lively form in this wacky comedy which, though sometimes strained, has a good comic idea and gives the star plenty of scope for his usual range of impersonations."
678:
Simon summed up his opinion of the film: "o give the picture its due, it was funny in spots, innovative in its plot, and was well-intentioned. But a hit picture? Uh-uh ... Still today,
669:. The voices and accents of the Italian comic actors were dubbed in London, mainly by Robert Rieti, and edited in Rome by Malcolm Cooke, who had been a post-sync dialogue editor on
31:
628:
appears as Okra's voluptuous accomplice. Buccella was a former Miss Italy (1959) and placed third in the Miss Europe pageant. She had been considered for the role of Domino in
853:
It has since gained a cult following for its numerous in-jokes skewering movie stars, starstruck audiences, pretentious film critics and pompous directors, including
333:
Tony Powell, it strikes Vanucci that movie stars and film crews are idolized and have free rein in society. This insight forms the basis of his plan. Posing as an
571:, who had retired from films five years earlier, was lured back to the screen by the prospect of parodying himself as Tony Powell. A clip from Mature's 1949 film
2430:
801:
called the film "a series of fun-filled satires ... guaranteed for laughs" and thought that Sellers was "at his droll best" and Mature "hilarious."
2425:
2420:
586:"I not only enjoyed doing the film, but it gave me the urge to get back into pictures. They were an exciting group of people to work with."
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appears as the chief of police in Sevalio. Simon recalled that the Italian supporting cast learned their English lines phonetically.
534:, Simon recalled that an agent suggested Peter Sellers for the lead, while Simon preferred casting "an authentic Italian" such as
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proclaimed, "You Caught The Pussycat ... Now Chase The Fox!". The poster art for both films was illustrated by
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was the first film produced by Sellers' new Brookfield production company, which he had formed in partnership with
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The film's budget was $ 3 million, which included the construction of a replica of Rome's most famous street, the
638:, was hand-picked by De Sica for the role of the Fox's mother, despite her protests that she was not an actress.
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817:, the film has a 78% approval rating with an average rating of 5.9 out of 10, based on reviews from 9 critics.
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The scene in which Okra speaks to Aldo through the beautiful Maria Grazia Buccella inspired a similar scene in
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called the film "funny, fast and wholly ridiculous" and thought Sellers' portrayal of Fabrizi "hilarious."
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opportunity to take potshots at the Italian film industry. De Sica insisted that Simon collaborate with
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826:, which was released the previous year and also starred Sellers. That film was the first written by
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appears as Okra, the mastermind of the heist in Cairo. Tamiroff had been working on and off for
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1954:
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does touch on themes found in De Sica's earlier work, namely those of disillusion and dignity.
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wrote: "It's pretty much of a mess, this picture. Yes, you'd think it was done by amateurs."
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with Sellers in August 1966 and released by United Artists as a single (b/w "The Fox-Trot").
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Sellers said that his main reason for making the film was the chance to work with De Sica.
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This was Neil Simon's first screenplay; at that time, he had three hit shows running on
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The American Film Institute Catalog of Motion Pictures Produced in the United States
665:
Italy," possibly including a deleted scene in which Vanucci impersonates one of the
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577:(in which he plays an aging football star) appears in the film. He agreed to make
2192:
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The film was poorly received when it was released and earned mixed reviews.
1962:
1938:
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available for telephone interviews in character as Fabrizi. The editors of
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1266:(1966). Screen: 'After the Fox': First Neil Simon Film Has Local Premiere"
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1345:. Vol. 33, no. 384. London. 1 January 1966. p. 168.
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1135:
Film and Television Scores, 1950–1979: A Critical Survey by Genre
835:
542:. Sellers loved the script and asked Vittorio De Sica to direct.
756:
716:
recognized the fictional name immediately and spoiled the gag.
654:
1067:
Thomas, Kevin (7 December 1966). "Victor Mature Hits Stride".
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composed the score and cowrote the title song with lyricist
653:
lot, and location filming in the village of Sant'Angelo on
1407:
Comics through Time: A History of Icons, Idols, and Ideas
1497:
329:
After watching a crowd mob the over-the-hill American
692:. For the Italian release, the score was composed by
304:
and De Sica. The film was remade in 2010 in Hindi as
830:, who, like Neil Simon, had been a staff writer for
589:According to Simon, Sellers demanded that his wife
1223:. University of California Press. pp. 11–12.
1007:
1243:"Hocus Pocus Vs. Pokus-Hoaxers on UA's Fabrizi",
696:. The title song "After the Fox" was recorded by
280:. The English-language screenplay was written by
2367:
526:films, but the story evolved into the idea of a
1001:
999:
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512:. Simon originally wanted to write a spoof of
2043:Oscar and Felix: A New Look at the Odd Couple
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1066:
16:1966 British-Italian film by Vittorio De Sica
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966:"It's official: Tees Maar Khan is a remake"
2431:Films with screenplays by Cesare Zavattini
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868:The film was remade in 2010 in Hindi as
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884:List of films featuring fictional films
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1193:Goldmine Price Guide to 45 RPM Records
1158:
907:
1784:
1471:
1039:
1006:Simon, Neil (1996). "La Dolce Vita".
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953:
620:, a film that Welles never finished.
2426:Films with screenplays by Neil Simon
2421:Films with live action and animation
1028:
931:
624:plays Tony's dyspeptic agent Harry.
284:and De Sica's longtime collaborator
2501:English-language crime comedy films
1046:. McFarland. pp. 20, 165–166.
444:Francesco De Leone as 2nd Detective
13:
2451:Films set in the Mediterranean Sea
2416:Films directed by Vittorio De Sica
1087:
634:. Lydia Brazzi, the wife of actor
365:as Aldo Vanucci / Federico Fabrizi
14:
2512:
1428:
1736:The Garden of the Finzi-Continis
1095:"Production Notes – Thunderball"
377:as Gina Vanucci / Gina Romantica
1335:
1326:
1314:
1237:
1159:Strong, Martin Charles (2002).
1112:
820:The film has some kinship with
342:(a play on De Sica's 1954 film
2481:English-language Italian films
2446:Films scored by Burt Bacharach
1810:
1217:Munden, Kenneth White (1997).
1075:
1060:
896:
1:
2177:The Prisoner of Second Avenue
1883:The Prisoner of Second Avenue
1672:Yesterday, Today and Tomorrow
889:
485:
429:Lydia Brazzi as Mamma Vanucci
35:Theatrical release poster by
2396:1960s Italian-language films
2391:1960s English-language films
1544:The Children Are Watching Us
1536:A Garibaldian in the Convent
1132:Spencer, Kristopher (2008).
913:"Big Rental Films of 1967",
719:
153:Delegate / Nancy Enterprises
7:
2471:American multilingual films
1520:Maddalena, Zero for Conduct
877:
727:Austin Powers in Goldmember
435:as The Police Chief Rizzuto
10:
2517:
2466:Italian multilingual films
2461:British multilingual films
2411:Italian crime comedy films
2401:British crime comedy films
2345:Laughter on the 23rd Floor
2161:Last of the Red Hot Lovers
2003:Laughter on the 23rd Floor
1867:Last of the Red Hot Lovers
1295:staff (31 December 1965).
1165:. Canongate. p. 495.
1162:The Great Rock Discography
1043:The Films of Victor Mature
703:
682:remains a cult favorite."
177:15 December 1966
2249:I Ought to Be in Pictures
2112:
2061:
1931:I Ought to Be in Pictures
1818:
1506:
1410:. ABC-CLIO. p. 587.
1404:Booker, M. Keith (2014).
1332:Boxoffice, Dec. 12, 1966.
1138:. McFarland. p. 48.
934:"After the Fox: Overview"
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2386:1960s multilingual films
2381:1960s crime comedy films
2094:They're Playing Our Song
2035:45 Seconds from Broadway
1118:"The Faces Of Sellers",
1014:. Simon & Schuster.
919:, 3 January 1968, p. 25.
401:as The Chief of Interpol
2436:Films about con artists
1656:The Condemned of Altona
1297:"Review: After the Fox"
1196:. Krause. p. 316.
834:. Even the advertising
355:
313:
2281:Brighton Beach Memoirs
1955:Brighton Beach Memoirs
1851:The Star-Spangled Girl
1680:Marriage Italian Style
1378:"After the Fox (1966)"
1323:; Dec. 16, 1966; p. 38
863:Michelangelo Antonioni
524:Michelangelo Antonioni
519:Last Year at Marienbad
302:Michelangelo Antonioni
254:
2406:Commedia all'italiana
1947:The Female Odd Couple
1343:Monthly Film Bulletin
1040:McKay, James (2012).
806:Monthly Film Bulletin
626:Maria Grazia Buccella
530:. In his 1996 memoir
393:Maria Grazia Buccella
2496:1960s American films
2456:United Artists films
2233:Seems Like Old Times
2129:Barefoot in the Park
1875:The Gingerbread Lady
1835:Barefoot in the Park
1752:Lo chiameremo Andrea
1260:(24 December 1966).
823:What's New Pussycat?
763:Reception and legacy
536:Marcello Mastroianni
503:Barefoot in the Park
2491:1960s Italian films
2486:1960s British films
2441:Italian heist films
2209:The Cheap Detective
1827:Come Blow Your Horn
1552:The Gates of Heaven
838:on the posters and
335:Italian neo-realist
2273:The Slugger's Wife
2169:The Heartbreak Kid
2145:The Out-of-Towners
2086:Promises, Promises
1720:A Place for Lovers
1608:The Gold of Naples
1498:Films directed by
1463:TCM Movie Database
1271:The New York Times
1010:Rewrites: A Memoir
972:. 22 December 2010
672:Lawrence of Arabia
528:film-within-a-film
480:as the Film Critic
345:The Gold of Naples
2476:1966 comedy films
2363:
2362:
2337:The Odd Couple II
2329:The Sunshine Boys
2257:Max Dugan Returns
2241:Only When I Laugh
2185:The Sunshine Boys
1891:The Sunshine Boys
1778:
1777:
1704:Woman Times Seven
1640:The Last Judgment
1417:978-0-313-39751-6
1358:Missing or empty
1230:978-0-520-20970-1
1203:978-0-89689-958-2
1172:978-1-84195-312-0
1145:978-0-7864-5228-6
1120:The Baltimore Sun
1084:, Jan. 15, 1967.
1069:Los Angeles Times
1053:978-0-7864-4970-5
755:is an authorized
730:(2002), in which
340:The Gold of Cairo
255:Caccia alla volpe
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2353:The Goodbye Girl
2297:The Marrying Man
2217:California Suite
2201:The Goodbye Girl
2102:The Goodbye Girl
2027:The Dinner Party
1915:California Suite
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1798:
1791:
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1760:A Brief Vacation
1688:Un monde nouveau
1624:Anna of Brooklyn
1600:Terminal Station
1584:Miracle in Milan
1500:Vittorio De Sica
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855:Cecil B. DeMille
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548:Cesare Zavattini
540:Vittorio Gassman
472:Vittorio De Sica
450:as Prison Doctor
448:Pier Luigi Pizzi
441:as 1st Detective
425:
395:as Okra's sister
383:as Harry Granoff
298:Federico Fellini
294:Cecil B. DeMille
286:Cesare Zavattini
266:Vittorio De Sica
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24:After the Fox
22:
19:
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2289:Biloxi Blues
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2017:
2011:London Suite
2009:
2001:
1995:Jake's Women
1993:
1985:
1977:
1969:
1963:Biloxi Blues
1961:
1953:
1945:
1937:
1929:
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1387:. Retrieved
1381:
1372:
1360:|title=
1342:
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1328:
1321:Boston Globe
1320:
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1304:. Retrieved
1300:
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1275:. Retrieved
1269:
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1219:
1212:
1192:
1186:Neely, Tim;
1181:
1161:
1154:
1134:
1127:
1119:
1114:
1102:. Retrieved
1098:
1089:
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1077:
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974:. Retrieved
969:
943:. Retrieved
937:
914:
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852:
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821:
819:
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804:
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738:through the
725:
723:
713:
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684:
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663:
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629:
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612:Sancho Panza
608:Orson Welles
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591:Britt Ekland
588:
583:
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556:
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544:
531:
517:
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489:
462:as Salvatore
405:Paolo Stoppa
375:Britt Ekland
350:
343:
339:
331:matinée idol
328:
324:
317:
305:
290:
278:Britt Ekland
264:directed by
257:) is a 1966
245:
244:
243:
235:$ 2,296,970
193:Running time
170:Release date
93:Paolo Stoppa
90:Lydia Brazzi
87:Britt Ekland
60:(screenplay)
18:
2225:Chapter Two
2153:Plaza Suite
1923:Chapter Two
1859:Plaza Suite
1744:The Couples
1712:The Witches
1306:16 February
1277:16 February
1104:16 February
945:16 February
828:Woody Allen
742:character.
740:Nathan Lane
698:the Hollies
631:Thunderball
617:Don Quixote
574:Easy Living
420: [
318:Outside of
262:comedy film
227:$ 3 million
197:103 minutes
69:Produced by
44:Directed by
2376:1966 films
2370:Categories
1812:Neil Simon
1768:The Voyage
1592:Umberto D.
970:rediff.com
890:References
832:Sid Caesar
647:Via Veneto
563:John Bryan
486:Production
474:as himself
468:as a Judge
456:as Raymond
282:Neil Simon
232:Box office
181:1966-12-15
146:Production
73:John Bryan
58:Neil Simon
2070:Little Me
2019:Proposals
1728:Sunflower
1632:Two Women
1560:Shoeshine
1512:Red Roses
1351:cite news
976:4 January
798:Billboard
747:Bollywood
745:The 2010
734:talks to
720:Influence
690:Hal David
651:CinecittĂ
649:, on the
497:Little Me
417:Mac Ronay
237:(rentals)
214:Languages
202:Countries
121:Edited by
2062:Musicals
1616:The Roof
1452:AllMovie
1190:(2009).
939:AllMovie
878:See also
610:playing
600:(1967).
597:The Bobo
532:Rewrites
522:and the
516:such as
494: —
492:Broadway
426:as Carlo
413:as Siepi
407:as Polio
217:English
131:Music by
79:Starring
1664:Il Boom
1461:at the
1389:1 April
1301:Variety
1293:Variety
1245:Variety
916:Variety
840:trailer
836:tagline
782:Variety
773:critic
704:Release
667:Beatles
657:in the
389:as Okra
251:Italian
219:Italian
179: (
148:company
2356:(2004)
2348:(2001)
2340:(1998)
2332:(1996)
2324:(1996)
2316:(1993)
2308:(1992)
2300:(1991)
2292:(1988)
2284:(1986)
2276:(1985)
2268:(1984)
2260:(1983)
2252:(1982)
2244:(1981)
2236:(1980)
2228:(1979)
2220:(1978)
2212:(1978)
2204:(1977)
2196:(1976)
2188:(1975)
2180:(1975)
2172:(1972)
2164:(1972)
2156:(1971)
2148:(1970)
2140:(1968)
2132:(1967)
2124:(1966)
2105:(1993)
2097:(1979)
2089:(1968)
2081:(1966)
2073:(1962)
2054:(2003)
2046:(2002)
2038:(2001)
2030:(2000)
2022:(1997)
2014:(1995)
2006:(1993)
1998:(1992)
1990:(1991)
1982:(1988)
1979:Rumors
1974:(1986)
1966:(1985)
1958:(1983)
1950:(1981)
1942:(1981)
1934:(1980)
1926:(1977)
1918:(1976)
1910:(1974)
1902:(1973)
1894:(1972)
1886:(1971)
1878:(1970)
1870:(1969)
1862:(1968)
1854:(1966)
1846:(1965)
1838:(1963)
1830:(1961)
1771:(1974)
1763:(1973)
1755:(1972)
1747:(1970)
1739:(1970)
1731:(1970)
1723:(1968)
1715:(1967)
1707:(1967)
1699:(1966)
1691:(1966)
1683:(1964)
1675:(1963)
1667:(1963)
1659:(1962)
1651:(1962)
1643:(1961)
1635:(1960)
1627:(1958)
1619:(1956)
1611:(1954)
1603:(1953)
1595:(1952)
1587:(1951)
1579:(1948)
1571:(1948)
1563:(1946)
1555:(1945)
1547:(1944)
1539:(1942)
1531:(1941)
1523:(1940)
1515:(1940)
1414:
1227:
1200:
1169:
1142:
1050:
1018:
757:remake
655:Ischia
224:Budget
205:Italy
2113:Films
1939:Fools
1819:Plays
749:film
424:]
320:Cairo
259:heist
1441:IMDb
1412:ISBN
1391:2022
1364:help
1308:2015
1279:2015
1225:ISBN
1198:ISBN
1167:ISBN
1140:ISBN
1106:2015
1048:ISBN
1016:ISBN
978:2022
947:2015
842:for
780:The
506:and
356:Cast
314:Plot
276:and
1450:at
1439:at
1099:MI6
903:AFI
813:On
614:in
538:or
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1380:.
1355::
1353:}}
1349:{{
1299:.
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1362:(
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1281:.
1262:"
1233:.
1206:.
1175:.
1148:.
1108:.
1056:.
1024:.
980:.
949:.
249:(
183:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
