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Agathe Backer Grøndahl

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176: 234:, who also remarked on the sensitiveness, symmetry and artistic economy of her compositions. At the World Exhibition in Paris in 1889, she repeated her success with her brilliant interpretation of Grieg's piano concerto. It was then that she began experiencing nerve problems, although she eventually resumed her artistic career as a pianist. Later in the 1890s she became almost completely 249:. Her children studied under her and are counted with her gifted pupils. She was the author of many songs and a great deal of music for the piano, and both as pianist and composer stands at the head of modern music in Norway. Agathe Backer Grøndahl died at her home in 261:
Agathe Backer Grøndahl played a major role in the period often called the golden age of Norwegian music history. She composed in total some 400 pieces spanning seventy opus numbers. She was a prominent character on the Norwegian musical scene and a close friend of
266:. Her earlier compositions synthesized the predominant pianistic and stylistic ideas of 1850s Europe. In her later years however, her style transformed and anticipated some of the early twentieth century impressionistic ideas, which ultimately led the composer 836: 31: 164:. During the second half of the 1870s she built up an outstanding pianist career with a series of concerts in the Nordic countries, also playing with very great success in 845: 82: 77:
in 1847, in a wealthy and art-loving home, as the second youngest of four sisters, all gifted in drawing and music. In 1857, she moved with her family to
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Agathe Backer Grøndahl: Complete Piano Music, Vols. 1 - 5: Natalia Strelchenko (2007)
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As a teacher she was markedly successful and influential. Her students included
230:. After that she was proclaimed one of the century's greatest piano artists by 227: 212: 110: 98: 94: 30: 1035: 246: 931:
Shaw, G B. Shaw's Music. ed D. Laurence. The Bodley Head. Vol 1, pp 654-710
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Her songs from this early period are in the German Romantic tradition of
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in 1873. In 1874 she married the conductor and singing teacher
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Agathe Backer Grøndahl (1847–1907): "A perfectly plain woman?
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The American history and encyclopedia of music - Vol. 5
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After her arrival to Norway in 1868, she debuted with
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to call her the first true Norwegian impressionist.
844:. New York: G. Schirmer. p. 33. Archived from 746:Kirsten Flagstad Early Recordings 1914-1941 (1995) 222:In 1889 and 1890 she gave concerts in London and 1033: 991:Grinde, Nils: "Grondahl, Agathe Backer (Ursula)" 908:Agathe Backer Grøndahl: komponisten og pianisten 634:In the Blue Mountain, fairytale suite, 6 pieces, 113:. She won fame there with her interpretation of 226:with a wide-ranging program, including Grieg's 140:in 1871. Later the same year she played at the 93:. Between 1865 and 1867 she became a pupil of 904: 758:Women's Voices: Five Centuries of Song (1997) 752:Povla Frijsh - The Complete Recordings (1995) 483:12 folkeviser og melodier fra fremmede lande, 764:Bravourisimo - Wiener Boheme Quartett (2000) 551: 109:, where she lived together with her sister 770:Agathe Backer Grøndahl: Piano Music (2001) 27:Norwegian pianist and composer (1847–1907) 966:International Music Score Library Project 830: 828: 826: 824: 822: 174: 160:, and was generally known thereafter as 29: 940: 507:6 deutsche Liebeslieder aus der Jugend, 14: 1097:Burials at the Cemetery of Our Saviour 1034: 934: 873: 871: 869: 867: 865: 838:A Biographical Dictionary of Musicians 834: 256: 47:(1 December 1847 – 4 June 1907) was a 972:Free scores by Agathe Backer Grøndahl 962:Free scores by Agathe Backer Grøndahl 819: 776:Women's Work: Solo Piano Music (2006) 773:Norwegian Classical Favorites (2004) 1112:Norwegian women classical composers 947:. Toledo, New York. pp. 33–34. 862: 441:The Child's Spring Day, song cycle, 429:The Night is Calm, Old Folks Waltz, 24: 1132:Norwegian women classical pianists 25: 1173: 955: 179:1898 Music festival in Bergen by 1087:20th-century Norwegian composers 1077:20th-century classical composers 1067:19th-century Norwegian composers 1057:19th-century classical composers 877: 716:Barnlige Billeder , 6 fantasias, 684:Op.61, No. 1 (Copenhagen, 1904) 598:Norske folkeviser og folkedanse, 586:Norske folkeviser og folkedanse, 423:Norske folkeviser, arrangements, 273: 1092:20th-century Norwegian pianists 1082:20th-century classical pianists 1072:19th-century Norwegian pianists 1062:19th-century classical pianists 405:Chant de Noces: Bryllupsmorgen, 925: 898: 792: 734: 97:and studied composition under 13: 1: 1042:Norwegian classical composers 982:Vocal texts with translations 812: 767:Agathe Backer Grøndahl (2000) 749:The Danish Nightingale (1995) 531: 197:Gerhard Rosenkrone Schelderup 45:Agathe Ursula Backer Grøndahl 35: 1147:19th-century women composers 1142:20th-century women composers 1122:Norwegian Romantic composers 1117:Norwegian classical pianists 976:Choral Public Domain Library 132:led to further studies with 65: 7: 1162:20th-century women pianists 1157:19th-century women pianists 453:20 folke- og skjaemteviser, 10: 1178: 489:The Mother Sings, 8 songs, 203:, Agathe Backer Grøndahl, 835:Backer, Theodore (1905). 698:Op. 63 (Copenhagen, 1904) 672:Op. 58 (Copenhagen, 1903) 666:Op. 57 (Copenhagen, 1903) 648:Op. 47 (Copenhagen, 1901) 594:Op. 32 (Copenhagen, 1895) 375:7 Folkeviser og Romanser, 81:, where she studied with 1127:Norwegian women pianists 1102:Deaf classical musicians 880:"Agathe Backer Grøndahl" 786: 477:Sommer (Jynge), 8 songs, 278: 60:Fridtjof Backer-Grøndahl 34:Agathe Backer Grøndahl, 1152:People from Holmestrand 941:Hubbard, W. L. (1908). 696:Lettere fantasistykker, 91:Ludvig Mathias Lindeman 1004:Agathe Backer Grøndahl 905:Dahm, Cecilie (1998). 755:Women Composers (1996) 552: 219: 162:Agathe Backer Grøndahl 158:Olaus Andreas Grøndahl 148:, becoming a pupil of 41: 18:Agathe Backer-Grøndahl 1107:Norwegian deaf people 986:The LiederNet Archive 884:Store Norske Leksikon 761:Norsk Romances (2000) 321:Summer Life, 4 Songs, 178: 103:Akademie der Tonkunst 33: 704:Op.64, No. 1 (1905) 658:Smaa fantasistykker, 592:3 études de concert, 71:Agathe Ursula Backer 1137:Composers for piano 1006:at Leonarda Records 886:(in Norwegian). SNL 622:3 ungarske studier, 501:Ahasverus, 6 songs, 257:Compositional style 232:George Bernard Shaw 1024:2019-08-01 at the 996:2008-05-16 at the 664:Etudes de concert, 646:Etudes de concert, 562:Suite, 5 movements 509:Op. 60 (1869–1900) 465:2 Sange fra havet, 357:6 deutsche Lieder, 220: 185:Christian Cappelen 119:"Emperor" Concerto 83:Otto Winther-Hjelm 42: 1016:Hambro, Camilla: 1012:at Pianopedia.com 800:Felix Mendelssohn 538:6 concert-etuder, 525:One more Glimpse, 209:Christian Sinding 189:Catharinus Elling 183:. 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Oslo: Solum. 903: 899: 889: 887: 878:Dahm, Cecilie. 876: 863: 854: 852: 848: 841: 833: 820: 815: 810: 804:Robert Schumann 797: 793: 789: 737: 670:Concert-études, 640:Fantasistykker, 628:Fantasistykker, 610:Fantasistykker, 534: 521:Op. 65 (1901–4) 471:3 Sange i moll, 455:Op. 43 (1896–7) 449:Op. 43 (1896–7) 447:8 kjaempeviser, 341:Op. 10 (1871–5) 317:Op. 6 (1867–71) 311:Op. 5, (1871–2) 287:Op. 1, (1868–9) 281: 276: 259: 217:Johan Halvorsen 87:Halfdan Kjerulf 68: 38: 28: 23: 22: 15: 12: 11: 5: 1175: 1165: 1164: 1159: 1154: 1149: 1144: 1139: 1134: 1129: 1124: 1119: 1114: 1109: 1104: 1099: 1094: 1089: 1084: 1079: 1074: 1069: 1064: 1059: 1054: 1049: 1044: 1030: 1029: 1013: 1010:Fantasistykker 1007: 1001: 988: 979: 969: 957: 956:External links 954: 951: 950: 933: 924: 917: 897: 861: 817: 816: 814: 811: 809: 808: 790: 788: 785: 784: 783: 780: 777: 774: 771: 768: 765: 762: 759: 756: 753: 750: 747: 744: 736: 733: 732: 731: 725: 719: 713: 712: 711: 708:Valse caprice, 699: 693: 692: 691: 679: 673: 667: 661: 655: 649: 643: 637: 631: 625: 619: 613: 607: 601: 595: 589: 583: 577: 571: 565: 559: 547: 541: 533: 530: 529: 528: 522: 516: 510: 504: 498: 492: 486: 480: 474: 468: 462: 456: 450: 444: 438: 432: 426: 420: 419:Op. 31, (1894) 414: 413:Op. 29, (1892) 408: 402: 396: 390: 384: 378: 372: 366: 360: 354: 348: 342: 336: 335:Op. 9 (1871–9) 330: 329:Op. 8 (1871–6) 324: 318: 312: 306: 300: 294: 288: 280: 277: 275: 272: 258: 255: 228:piano concerto 213:Johan Svendsen 134:Hans von Bülow 111:Harriet Backer 99:Richard Wuerst 95:Theodor Kullak 67: 64: 26: 9: 6: 4: 3: 2: 1174: 1163: 1160: 1158: 1155: 1153: 1150: 1148: 1145: 1143: 1140: 1138: 1135: 1133: 1130: 1128: 1125: 1123: 1120: 1118: 1115: 1113: 1110: 1108: 1105: 1103: 1100: 1098: 1095: 1093: 1090: 1088: 1085: 1083: 1080: 1078: 1075: 1073: 1070: 1068: 1065: 1063: 1060: 1058: 1055: 1053: 1050: 1048: 1045: 1043: 1040: 1039: 1037: 1027: 1023: 1020: 1019: 1014: 1011: 1008: 1005: 1002: 999: 995: 992: 989: 987: 983: 980: 977: 973: 970: 967: 963: 960: 959: 946: 945: 937: 928: 920: 914: 910: 909: 901: 885: 881: 874: 872: 870: 868: 866: 851:on 2017-12-26 847: 840: 839: 831: 829: 827: 825: 823: 818: 805: 801: 795: 791: 781: 778: 775: 772: 769: 766: 763: 760: 757: 754: 751: 748: 745: 743:-Songs (1994) 742: 739: 738: 730:Op. 69 (1907) 729: 726: 724:Op. 68 (1907) 723: 720: 718:Op. 66 (1905) 717: 714: 709: 706: 705: 703: 700: 697: 694: 689: 688:Grand menuet, 686: 685: 683: 680: 678:Op. 59 (1903) 677: 674: 671: 668: 665: 662: 660:Op. 55 (1902) 659: 656: 654:Op. 53 (1900) 653: 650: 647: 644: 642:Op. 45 (1897) 641: 638: 636:Op. 44 (1897) 635: 632: 630:Op. 39 (1896) 629: 626: 624:Op. 38 (1896) 623: 620: 618:Op. 37 (1896) 617: 614: 612:Op. 36 (1895) 611: 608: 606:Op. 35 (1894) 605: 602: 600:Op. 33 (1894) 599: 596: 593: 590: 588:Op. 30 (1891) 587: 584: 582:Op. 25 (1890) 581: 578: 576:Op. 24 (1888) 575: 572: 570:Op. 22 (1888) 569: 566: 564:Op. 20 (1887) 563: 560: 558:Op. 19 (1886) 557: 554: 548: 546:Op. 15 (1882) 545: 542: 540:Op. 11 (1881) 539: 536: 535: 527:Op. 70 (1907) 526: 523: 520: 517: 515:Op. 62 (1901) 514: 513:Clover Field, 511: 508: 505: 503:Op. 56 (1900) 502: 499: 496: 493: 491:Op. 52 (1900) 490: 487: 485:Op. 51 (1902) 484: 481: 479:Op. 50 (1899) 478: 475: 472: 469: 466: 463: 460: 457: 454: 451: 448: 445: 443:Op. 42 (1899) 442: 439: 437:Op. 41 (1897) 436: 433: 431:Op. 40 (1897) 430: 427: 425:Op. 34 (1894) 424: 421: 418: 415: 412: 409: 407:Op. 28 (1890) 406: 403: 401:Op. 27 (1890) 400: 397: 395:Op. 26 (1890) 394: 391: 389:Op. 23 (1888) 388: 385: 383:Op. 21 (1888) 382: 379: 376: 373: 371:Op. 17 (1884) 370: 369:Songs at Sea, 367: 364: 361: 358: 355: 353:Op. 13 (1881) 352: 349: 347:Op. 12 (1879) 346: 343: 340: 337: 334: 331: 328: 325: 322: 319: 316: 313: 310: 307: 304: 301: 298: 295: 293:Op. 2, (1871) 292: 289: 286: 283: 282: 274:List of works 271: 269: 265: 254: 252: 248: 247:Bertha Tapper 244: 239: 237: 233: 229: 225: 218: 214: 210: 206: 202: 198: 194: 190: 186: 182: 177: 173: 171: 167: 163: 159: 155: 151: 147: 143: 139: 135: 131: 127: 122: 120: 116: 112: 108: 104: 100: 96: 92: 88: 84: 80: 76: 72: 63: 61: 57: 53: 50: 46: 32: 19: 1017: 978:(ChoralWiki) 943: 936: 927: 907: 900: 888:. 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Index

Agathe Backer-Grøndahl

Norwegian
pianist
composer
Fridtjof Backer-Grøndahl
Holmestrand
Christiania
Otto Winther-Hjelm
Halfdan Kjerulf
Ludvig Mathias Lindeman
Theodor Kullak
Richard Wuerst
Berlin
Harriet Backer
Beethoven
"Emperor" Concerto
Edvard Grieg
Ole Bull
Hans von Bülow
Florence
Gewandhaus
Leipzig
Franz Liszt
Weimar
Olaus Andreas Grøndahl
London
Paris

Agnes Nyblin

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