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Albert McCleery

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126:: to televise five different stage plays per week live, airing around noon in order to promote color TV (which had just been developed) to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week's show. That was over 50 years ago, and I'm trying to think; I believe the TV art director is (or was) his own set decorator (selecting furnishings and hand props)β€”yes, of course! It had to be, since one of McCleery's chief claims to favor with the producers was his elimination of the setting 88:
McCleery advocating the elimination of elaborate, expensive scenery for television programs, preferring instead to use more close-ups of faces and more rudimentary backgrounds. He said that approach saved money that could be spent more wisely in other ways: "So why spend the money on scenery when you
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McCleery left Columbia Studios in September 1942 to become a second lieutenant in the U. S. Army. In March 1945 he transferred from the Signal Corps to become a paratrooper. He commanded a photographic crew in the 101st Airborne Division during the invasion of Germany. He left the Army in February
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McCleery had a background in American community theatres, having helped in the creation of experimental theatre companies across the United States. He explained his failing out of the School of Speech and Theatre Arts at Northwestern by saying that he worked so hard on creating the Georgian Little
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for television in 1950. A weekly live production, it continued until 1955. On this half-hour series, McCleery offered dramas seen against pure black backgrounds instead of walls of a set. This enabled cameras in the darkness to pick up shots from any angle. His work with
56:, by McCleery and Carl Glick. The book explored the community theatre movement, which a review described as "one of the newer social forces in modern American life". McCleery also wrote a column, "West of Broadway" for 22:(December 30, 1911 – May 13, 1972) was an American pioneering television producer during the 1950s. He had a reputation "as an innovative contributor to some of television's most esteemed theatrical productions". 173:
McCleery became director and executive producer of the Pasadena Playhouse in July 1966. He had been on its board of directors for 13 years prior to the appointment.
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Theatre (the first arena theatre in the midwestern United States) that "I didn't have time to listen to the professor spout theory".
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there. He helped to found a dramatic club at the school, and as a senior he was named the best actor in one-act play competition in
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and was Evans' only portrayal of the role on television, after having played it on Broadway in several productions.
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1946 as a lieutenant colonel. While serving he received the Bronze Star, the Silver Star, and three campaign stars.
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When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called
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and simply decorating the scene with a minimum of props. It took a bit of ingenuity.
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McCleery was the son of Mr. and Mrs. J. C. McCleery. He spent much of his youth in
407: 306:"Matinee for 10 Million: 'NBC Matinee Theatre' to offer bonanza for drama lovers" 105: 351: 285: 252: 520: 118:. Jim Buckley of the Pewter Plough Playhouse (Cambria, California) recalled: 94: 34: 237:"Editor Albert McCleery's New Magazine Includes His Old 'West of Broadway'" 507: 140:. In 1953, he directed the first two-hour television production of 371:"Arena TV Proponent: Albert McCleery Defends 'Close-Up" Staging" 142: 166:
By 1960, McCleery had moved to CBS, where he was producer of
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What Women Watched: Daytime Television in the 1950s
476: 448: 419: 369: 518: 336:"Dick, Once a Smoothie, Now Year's Top Toughie" 52:In 1939, Pittman Publishing Company published 75:before his television debut as a director of 64:, in 1940, with his column as one component. 176:McCleery married Sannye Sue Bailey in 1939. 363: 361: 230: 228: 226: 134:McCleery was producer and director of the 112:McCleery was the creator and producer of 358: 223: 195: 146:ever shown on U.S. television, for the 89:can spend it on good writers instead?" 519: 334:Hicks, Ida Belle (February 28, 1946). 264: 262: 234: 160:The Further Adventures of Ellery Queen 446: 397:Buckley, Jim. "Prelude to Playtime," 333: 303: 191: 189: 542:20th-century American businesspeople 450:"Herridge signed for 2 C.B.S. shows" 367: 299: 297: 295: 235:Howard, Katherine (March 19, 1940). 196:Cassidy, Marsha F. (20 April 2009). 71:He was head of the arena theatre at 259: 13: 401:, Vol. 2, No. 2, March/April 2006. 399:Pewter Plough Playhouse Newsletter 186: 14: 553: 501: 447:Adams, Val (September 27, 1960). 368:Gelb, Arthur (November 8, 1953). 292: 304:Weber, Bill (October 14, 1955). 469: 103:led to his position with NBC's 82:The Philco Television Playhouse 440: 412: 390: 327: 1: 537:American television producers 428:. August 11, 1958. p. 41 202:. University of Texas Press. 179: 43:Pasadena Community Playhouse 16:American television producer 7: 485:. July 26, 1966. p. 26 10: 558: 276:. July 16, 1939. p. 6 163:on NBC beginning in 1958. 92:He created his innovative 79:. After that, he directed 150:. The production starred 31:R. L. Paschal High School 340:Fort Worth Star-Telegram 274:Fort Worth Star-Telegram 241:Fort Worth Star-Telegram 157:McCleery also produced 39:Northwestern University 37:. He went on to attend 148:Hallmark Hall of Fame 137:Hallmark Hall of Fame 77:NBC Repertory Theatre 29:, and graduated from 168:The CBS TV Workshop 115:NBC Matinee Theater 483:The New York Times 455:The New York Times 426:The New York Times 406:2008-05-16 at the 376:The New York Times 73:Fordham University 209:978-0-292-78272-3 54:Curtains Going Up 27:Fort Worth, Texas 549: 495: 494: 492: 490: 480: 473: 467: 466: 464: 462: 452: 444: 438: 437: 435: 433: 423: 416: 410: 394: 388: 387: 385: 383: 373: 365: 356: 355: 349: 347: 331: 325: 324: 322: 320: 310: 301: 290: 289: 283: 281: 266: 257: 256: 250: 248: 232: 221: 220: 218: 216: 193: 62:American Theater 557: 556: 552: 551: 550: 548: 547: 546: 517: 516: 508:Albert McCleery 504: 499: 498: 488: 486: 475: 474: 470: 460: 458: 445: 441: 431: 429: 418: 417: 413: 408:Wayback Machine 395: 391: 381: 379: 366: 359: 345: 343: 332: 328: 318: 316: 308: 302: 293: 279: 277: 268: 267: 260: 246: 244: 233: 224: 214: 212: 210: 194: 187: 182: 124:Matinee Theatre 106:Matinee Theatre 20:Albert McCleery 17: 12: 11: 5: 555: 545: 544: 539: 534: 529: 515: 514: 503: 502:External links 500: 497: 496: 468: 439: 411: 389: 378:. p. X 12 357: 352:Newspapers.com 326: 291: 286:Newspapers.com 258: 253:Newspapers.com 222: 208: 184: 183: 181: 178: 132: 131: 58:Stage Magazine 15: 9: 6: 4: 3: 2: 554: 543: 540: 538: 535: 533: 530: 528: 525: 524: 522: 513: 509: 506: 505: 484: 479: 472: 456: 451: 443: 427: 422: 415: 409: 405: 402: 400: 393: 377: 372: 364: 362: 353: 341: 337: 330: 314: 313:TV-Radio Life 307: 300: 298: 296: 287: 275: 271: 265: 263: 254: 242: 238: 231: 229: 227: 211: 205: 201: 200: 192: 190: 185: 177: 174: 171: 169: 164: 162: 161: 155: 153: 152:Maurice Evans 149: 145: 144: 139: 138: 129: 125: 121: 120: 119: 117: 116: 110: 108: 107: 102: 101:Cameo Theatre 97: 96: 95:Cameo Theatre 90: 86: 84: 83: 78: 74: 69: 65: 63: 59: 55: 50: 46: 44: 40: 36: 35:Austin, Texas 32: 28: 23: 21: 489:November 26, 487:. Retrieved 482: 471: 461:November 27, 459:. Retrieved 457:. p. 73 454: 442: 432:November 26, 430:. Retrieved 425: 414: 398: 392: 382:November 27, 380:. Retrieved 375: 350:– via 346:November 27, 344:. Retrieved 342:. p. 20 339: 329: 319:November 26, 317:. Retrieved 312: 284:– via 280:November 27, 278:. Retrieved 273: 251:– via 247:November 27, 245:. Retrieved 243:. p. 16 240: 215:November 27, 213:. Retrieved 198: 175: 172: 167: 165: 158: 156: 147: 141: 135: 133: 127: 123: 113: 111: 104: 100: 93: 91: 87: 80: 76: 70: 66: 61: 57: 53: 51: 47: 24: 19: 18: 532:1972 deaths 527:1911 births 315:. p. 3 521:Categories 180:References 109:in 1955. 404:Archived 206:  143:Hamlet 128:per se 309:(PDF) 512:IMDb 491:2022 463:2022 434:2022 384:2022 348:2022 321:2022 282:2022 249:2022 217:2022 204:ISBN 41:and 510:at 523:: 481:. 453:. 424:. 374:. 360:^ 338:. 311:. 294:^ 272:. 261:^ 239:. 225:^ 188:^ 170:. 45:. 493:. 465:. 436:. 386:. 354:. 323:. 288:. 255:. 219:.

Index

Fort Worth, Texas
R. L. Paschal High School
Austin, Texas
Northwestern University
Pasadena Community Playhouse
Fordham University
The Philco Television Playhouse
Cameo Theatre
Matinee Theatre
NBC Matinee Theater
Hallmark Hall of Fame
Hamlet
Maurice Evans
The Further Adventures of Ellery Queen


What Women Watched: Daytime Television in the 1950s
ISBN
978-0-292-78272-3



"Editor Albert McCleery's New Magazine Includes His Old 'West of Broadway'"
Newspapers.com


"An Inspiring Report on the American Community Theater"
Newspapers.com

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