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542:(Korea, 2012). As it has often throughout her career, Swastika's curatorial approach for this project continued an exploration of the transformative realities of mobility, namely on the impact of the simultaneous loosening / tightening of borders and geo-political notions and the increasing flows of goods, people and information as a result of
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to take place in
Yogyakarta, Indonesia, aimed at exploring Indonesia’s cultural engagement with the participating countries. Shadow Lines, the first edition, included forty artists from Indonesia and India collaborating in the exhibition that opened on 26 November 2011. Shadow Lines suggests
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and workshop. From 2002 - 2004, Swastika was
Associate Editor for SURAT and Artistic Manager at Cemeti Art House, one of Indonesia’s most reputable art spaces. Since 2008 she has curated exhibitions for Ark Galerie, Jakarta. In 2005, with a grant from
523:. With its overarching theme of ‘religiosity, spirituality and belief’ will attempt to present ways in which artists from the two countries address and interpret their contemporary conditions, informed by their personal experiences, as also by the
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of the countries they live in. The
Biennale Jogja XI, aimed to open up new perspectives and develop confrontations that engage convention and the establishment by examining similar situations all over the world.
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Recent shows include: “The Past The
Forgotten Time” (Amsterdam, Jakarta, Semarang, Shanghai, Singapore, 2007–2008); “Manifesto: The New Aesthetic of Seven Indonesian Artists” (
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Swastika co-curated the 2011 Biennale Jogja XI with Suman
Gopinath (India). The Biennale Jogja XI / Equator # 1, was the first in a series of five international
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of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be
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imaginary lines that draw people together and pull them apart; it also refers to geo-political borders and the creation of modern states in
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652:"The facade of faith, text by Alia Swastika (Curator of Biennale Jogja XI)"
585:"Alia Swastika | In the Air: Art News & Gossip | ARTINFO.com"
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In 2000, she joined KUNCI Cultural
Studies Center to promote and to emerge
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Please help to demonstrate the notability of the topic by citing
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from the article and its talk page, especially if potentially
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Swastika was a Co-Artistic
Director of ROUNDTABLE: The 9th
468:(ASEF), she joined staff exchange programme in UfaFabrik,
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610:"The Past - The Forgotten Time. Nafas Art Magazine"
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587:. Blogs.artinfo.com. 2011-07-27. Archived from
472:, Germany. In 2006, she received a grant from
495:, Singapore, 2010); and solo exhibitions for
535:’s 2012 Indonesian focused Marker Program.
50:Learn how and when to remove these messages
321:about living persons that is unsourced or
410:Learn how and when to remove this message
392:Learn how and when to remove this message
272:Learn how and when to remove this message
159:Learn how and when to remove this message
476:to conduct a research and internship at
612:. Universes-in-universe.org. 2008-03-23
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436:Alia Swastika was born in
81:reliable secondary sources
70:The topic of this article
787:Indonesian women curators
741:"2012 Artistic Directors"
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72:may not meet Knowledge's
474:Asian Cultural Council
466:Asia-Europe Foundation
442:Gadjah Mada University
313:Please help by adding
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525:political structures
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319:Contentious material
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675:. biennalejogja.org
673:"biennalejogja.org"
633:. biennalejogja.org
509:Jompet Kuswidananto
488:(Singapore, 2010).
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457:academic journals
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550:References
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438:Yogyakarta
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262:March 2014
232:newspapers
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149:March 2014
119:newspapers
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36:improve it
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453:Indonesia
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83:that are
42:talk page
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461:seminars
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