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706:) to Milan. "It was Strehler who shaped my whole vision of the way those solo performances should be staged and designed... An easel, a candle, some music, synchronized translation – those were the elements of his original stage concept which I've made my own," Demidova remembered. "Just music and me, totally alienated from the audience: that was the idea that since then remained unchanged," she said in a 2010 interview. It was in her solo stage projects that Demidova managed finally to fulfil what's been left of her potential that Lyubimov and Efros, two renown Russian theater directors failed to notice and use, critic Tatyana Moskvina opined.
640:, a play for two characters, brother and sister. Lyubimov saw it as an "ego act" (seeing as the original had been written for a couple of Broadway stars) and the fellow Taganka actors apparently took their boss's side. "As the first Act was ready, we advertised it locally, inviting everybody to come and see. Only two people showed up: David Borovsky and his friend. What would you expect: it's... theatre!" Demidova later bitterly remarked. The experiment was shelved, along with another project, their own version of
770:, in 1992, happened to be her final one under Lyubimov. The production was short-lived, but the actress's performance garnered fine reviews. As the major conflict broke out in the theatre and Taganka split into two, Demidova supported Lyubimov. "I just refused to see how could a pupil betray their master," she later explained. Once it became obvious that the confrontation started to seriously undermine the quality of Taganka's work, Demidova quit the theatre.
40:
394:, proved to be the starting point of Demidova's film career. "The part was very close to my heart and artistically intriguing too. I had to play not just an ordinary woman, but a poet, which involved exploring the process of giving birth to poetry, as well as discovering this fine line between my heroine's every day tribulations and the film's sublime philosophical essence," she explained, speaking to the
135:
856:. "Enchanted by the character, I longed for that role, but the film proved to be devoid of dramatic scenes, and the script was bizarre, to put it mildly. Nevertheless, I managed to achieve some things: visual and aural similarity, by reproducing her voice and plastics – people who remembered her assured me as much," she later commented. Yuri Lyubimov was supposed to be cast as
737:. "The result was intriguing, it just never fitted into the Taganka's repertoire. We were invited to festivals, toured a lot but were being accused by Lyubimov for allegedly exploiting 'his brand'. Grabbing the first opportunity, I just bought the whole production off: costumes, decorations and everything, never sure what to do with this purchase," Demidova recalled. In the
809:, premiered on 29 April 1996; Russian critics saw it as an attempt to create the new style of contemporary tragedy by reviving the "arch-myth, buried in human subconscious." Working with Terzopoulos changed Demidova's perception of theater. "After Electra, Phaedra and Medea all things that went before them tasted insipid," she confessed. In 2001
488:'s kind of actress. This was later corroborated by her colleagues. "She definitely wasn't what one may call a director's favourite, her life in Taganka was difficult. She managed to retain her individuality and refine her distinctive style only by using all of her inner strength, intelligence and talent," wrote fellow actor and author
590:' Ranevskaya, managed to aesthetically re-vamp this character, merging tragedy and eccentricity, sentimentality and irony. Critics were divided in their assessment of Efros' concept and the quality of the production in general, but even detractors had to agree that what saved the experiment from flopping were Demidova and
832:, 1998). For two years she was teaching at the Boris Shchukin Theatre Institute (refusing to be paid, "so as not to feel tied up by it") but left, disappointed by her young students' response. Now firmly under the impression that theatre in Russia, as well as abroad, was in crisis, Demidova quit the stage altogether.
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In the late 1970s
Demidova and Vysotsky, both irritated by Lyubimov's artistic dictatorship, gravitated into a tandem (where, as one critic put it, "ice and fire clashed") to experiment with ideas of their own. "We both were beginning to realize that the time of massive, colourful theatrical shows
483:
the leading role) was described. "In the play which was both phantasmagoric and strikingly real, Demidova artfully portrayed a woman, misguided rather than vile," wrote Raisa
Benyash. Critics admired the actresses' willingness to approach the new dimensions in classics, bringing new light and shade
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as
Lopatin. "Initially the heroine for me was totally alien. As time went by, I was beginning to see myself as 'me-as-Ranevskaya' more and more," Demidova remarked years later. One of the Efros interpretation's harshest critics was Lyubimov who described Demidova's performance as "mannered" and
648:. Months later Vysotsky died. "It was only after he was gone that I suddenly realized how much he'd meant to me as a partner... He was an exceptional actor, especially in his last years, the one who reigned the audience by literally magnetizing the air around him," she later remembered.
440:. Still for some reason 1917 always seemed to me a catastrophe and never in my life have I dabbled in politics – either in reality, or in films. Spiridonova, of course, was an exception, but then again, she was Lenin's opponent," Demidova said in a 2006 interview. Her Liza Protasova in
221:, to the East of Moscow. "I received too little love from the people around me in those early years to remember them fondly," Demidova later confessed. She debuted as an actress on her school's amateur stage, enjoying her first taste of success.
237:'s Economy faculty. In 1959, after the graduation, she started teaching political economy at the University's Philosophy faculty. Before that, as a third year student, she joined the university Students' Theater, led by first Igor Lipsky, then
803:, which for the first time introduced the Russian audiences to the works of Mueller, was rated as one of the best premieres in Russian theatre that year by A.Smolyakov. The A Theater's next work (again with Terzopoulos), Mueller's version of
813:, the A Theatre and the Greek Attis theatres' joint production, came out. Premiered at the Moscow Theatrical Olympiad, it featured Demidova as Hamlet (her early tutor Anna Orochko's idea finally realised), as well as Gertrude and Ophelia.
400:
magazine in 1968. This success did little to dispel
Demidova's intrinsic mistrust in the cinema as an art form. "What a pity such a full-bloodied role had been given to me in film, not in theater," she complained in the same interview.
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Throughout the 2000s Alla
Demidova was staging her poetry recitals regularly (performing in Russia, Ukraine, Poland, Israel) and continued to do so in the early 2010s. As of 2014 she published nine books on theater, including
368:(which opened officially in April that year) to be employed there regularly, but mostly in unsubstantial roles. The reason for Lyubimov's mistrust might have been the fact that in her first leading role here, that of Vera in
601:(1981) where her Masha, initially ironic and aloof, demonstrated the disturbing outburst of emotions in the play's final stages. Among Demidova's other roles in Taganka of the time were Raskolnikov's mother in Dostoyevsky's
374:, Demidova, admittedly, 'failed miserably'. Several years of hard work in mass scenes and pantomimes followed. This master-and-servant type of relationship between the theater director and his actress continued for decades.
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499:, Demidova started to receive numerous offers, but felt disappointed with the way directors tried to exploit the most obvious aspects of her stage persona. Still, lauded were her performances as Arkadina in
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1077:(1997), for "services to the State and significant contribution to strengthening friendship and cooperation between peoples, many years of fruitful activity in the arts and culture"
882:
for the Best
Actress, having portrayed a kind of "modern day Ranevskaya," as she put it, a pure and pathetic post-Chekhov character. After two more films – Igor Maslennikov's
229:
While still at school, Demidova joined the well-known Moscow actress
Tatyana Shchekin-Krotova's courses to study drama. After the graduation she took the examinations at the
656:
In the early 1980s
Demidova started to stage her own recital shows, each produced as a miniature theatrical play. Some, shown by the Soviet TV, became popular. In Pushkin's
717:, then had a successful run in Paris, in the wake of its director's death. With Lyubimov coming back, Demidova returned to Taganka where she performed as Marina Mnishek (
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586:, aiming from the start to come up with something quite different from the old-fashioned textbook Moscow Art Theater version of the Chekhov's classic. Demidova as a '
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436:(1968), a rebel the actress was in many ways identifying herself with. "I've never been a dissident, I've always shied politics, may be because my grandmother was
189:, Moscow, and spent her early years at the Osipenko (now Sadovnicheskaya) Street. Her father Sergey Alekseyevich Demidov, an heir to the Russian industrialists'
2040:
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has come to an end, and the new era of private, chamber theater was approaching," Demidova recalled. Having in mind the
Vysotsky and Demidova's project,
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694:, assorted Silver Age poets. Her own act's stage director, Demidova was now viewed as a star in a genre of her own. As a major influence she cited
595:"grotesque." Tellingly, several years later he asked Demidova to reproduce what he called "the Ranevskaya algorithm" in the final act of Chekhov's
500:
537:, who reportedly remarked: "Of all our actresses, Demidova is the one who's got the liveliest eyes". Demidova played Lizaveta Pavlovna in
2317:
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to the well known characters of
Russian theater's past. Still, Demidova felt underrated and ignored at Taganka and defined herself as an
444:(1968) was praised by critics, even if Vladimir Vengerov's film itself received mixed reviews. In 1969 she appeared in Igor Talankin's
551:(Alenky tsvetochek, 1977), a fairytale which she "single-handedly transformed into a fable," according to critic A.Smolyakov, and the
257:, something the actress would return to some forty years later. While still studying at the Shchukun Institute, Demidova performed in
161:; born 29 September 1936, Moscow) is a Russian actress internationally acclaimed for the tragic parts in innovative plays staged by
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519:), where the actress, making her character going through unexpected metamorphoses, totally outplayed her colleagues, as well as
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1080:
The President of the Russian Federation's Prize for outstanding contribution to Arts and literature in 2000 (25 April 2001)
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3rd class (2011), for "contribution to the development of domestic theatrical and cinematic arts, and creative longevity"
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In 1964 Demidova graduated from the Shchukin Institute, having presented as her diploma work the role of Mrs. Young in
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249:'s play. Having joined the Shchukin School on the second attempt, Demidova started studying at the class of actress
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1968 was the year of Demidova's major breakthrough when six of her films came out. Some of her roles (like that in
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later remembered. The young actress unsuccessfully tried to return to the Vaktangov's, spent several months at the
230:
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4th class (2007), for "contribution to the development of the national culture and Arts, and creative longevity"
356:. "Her role was peripheral but that didn't matter. The effect of her physical presence was enormous," the actor
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205:. Alla's mother, Aleksandra Dmitriyevna Demidova (née Kharchenko) was working at the Economy department of the
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After Lyubimov's departure to the West, Demidova gradually withdrew from Taganka. In 1986 Efros revived the
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was described as the best Soviet theatre production of the 1980s and arguably Viktyuk's most serious work.
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came in, making a disappointing substitution, as far as Demidova was concerned. For the leading role in
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617:(1982), the latter banned by the Ministry of Culture's special decree (and premiered on 12 June 1988).
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241:. It was under the latter's guidance that in 1958 Demidova made her stage debut as Lida Petrusova in
20:
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being the first in the line. Much lauded was Demidova's Pani Bozhentska in the adaptation of
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295:, an offer that she had to decline. On the Shchukin stage she performed the leading role in
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698:, then a Theatre of Nations director, who in May 1987 invited Efros with two of his shows (
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603:
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316:
8:
1858:. The Modern History of the Russian Cinema. 1986–2000. Saint Petersburg, Seans Publishers
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1074:
887:
758:
505:
134:
666:, 1982) she not just recited the poem but acted out its characters, "casting a shade of
253:, who experimented with her young protégé, and even suggested once that she should play
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988:
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446:
414:) Demidova later dismissed as unworthy of attention, describing others (like that of a
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2012:
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2002:
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Academicians of the National Academy of Motion Picture Arts and Sciences of Russia
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848:, a film based on Vladimir Vysotsky's son Arkady's screenplay). In Boris Blank's
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2018:
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890:) where she played Murzavetskaya, and Sergey Kostin's historical documentary
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1985:«Россиянин года» на сайте Российской Академии бизнеса и предпринимательства
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Recipients of the Order "For Merit to the Fatherland", 4th class
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Recipients of the Order "For Merit to the Fatherland", 3rd class
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1737:
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Alla Demidova receives the Order "For Merit to the Fatherland" (III) from
898:, both 2006, – Demidova declared she's lost all interest in being filmed.
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production, casting Demidova in the leading role. It won the 1st Prize at
670:
over the whole of this three cards' story." Demidova's collaboration with
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527:(Idu k tebe, 1971, directed by Nikolai Mashchenko). Her Anne Stanton (in
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238:
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In 2000–2002 Demidova appeared on screen twice, first as Lora Lyons (in
339:(1965), the films she would later refer to as "my reconnaissance raid."
319:. In 1957 Demidova debuted on screen in the director Zakhar Agranenko's
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1998:
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1984:
471:, the role she soon came to detest, though. "Outstanding" was how her
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279:"). It was then that she was noticed by the French theatre specialist
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In the 1990s Demidova appeared in several films, playing Lebyadkina (
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novel, produced by Demidova in collaboration with the Greek director
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587:
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725:, 1989). In 1988 Alla Demidova joined forces with theatre director
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In 1968 Demidova started to get major roles in Taganka, Elmyra in
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again without any role to cling to, and in the end of 1964 joined
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424:) as "curious". More significant to her was the character of the
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213:
and economic programming section). Mother and daughter spent the
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In 1992 Demidova's own A Theater opened, with the production of
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1290:"Actress Alla Demidova. First Royalties Paid me a Shoe-maker"
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2007:
146:
1904:. Ekran y Stsena (Screen and Scene, newspaper), No. (161)
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44:
Alla Demidova at a literary presentation in Moscow, 2009.
1810:"Our profession is scrambling up a smooth wooden plane"
1608:
1402:
Alla Demidova: "I’ve been befriended by real geniuses"
1326:. Krugosvet (Around the World) Encyclopedia (Russia).
1113:
The "Idol" Award (2009), "For high service to the Art"
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involved some role-juggling too. On stage she recited
233:
but failed due to flawed diction and enrolled in the
1436:"Alla Demidova's hands are like those of Plisetskaya"
1961:
1833:"The Lady at Winter (All Stand Still! compilation)"
1740:. The Theatre Storylines Iskusstvo Publishers, 1990
1715:"Lyubov Andreevna Ranevskaya as a Silver Age Woman"
1557:"The Flute of Hamlet. Images of the Modern Theatre"
201:as a volunteer and was killed in action 1944, near
1433:
1137:. US: Rowman & Littlefield. pp. 167–168.
1135:Historical Dictionary of Russian and Soviet Cinema
1876:
1830:
311:'s play of the same name) and Madame Frisette in
305:The Scandalous Affair of Mr. Kettle and Mrs. Moon
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547:(1975), the Magic Woman in Irina Povolotskaya's
197:, but soon got acquitted. In 1941 he joined the
2048:
1939:Bykov, Dmitry (28 September – 4 October 2006).
1899:
1782:""Boris Godunov" production at Taganka Theatre"
1738:"The Cherry Orchard. Anatoly Efros' production"
1708:
1706:
1704:
739:Modern History of the Soviet and Russian Cinema
185:Alla Demidova was born on 29 September 1936 in
1132:
2034:
1938:
1854:Gorfunkel, Yelena; Moskvina, Tatyana (2002).
1807:
1502:"The Fate of the Comedy. Tartuffe at Taganka"
1418:Alla Demidova: 'Why do I want to play Hamlet'
1234:
1116:The Russian of the Year National award (2011)
1803:
1801:
1799:
1701:
1554:
1200:
844:, a Russian TV serial) then as mad Elsa (in
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1268:Alla Demidova. As the Night Time Approaches
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193:, was jailed in 1932 in the course of the
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1434:Khmelnitsky, Boris (28 September 2006).
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1932:
1900:Vengerova, Ella (11–18 February 1993).
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568:As Yuri Lyubimov, invited to direct at
2270:
1835:. Amphora Publishers, Saint Petersburg
1559:. www.russiancinema.ru. Archived from
1516:
1407:
2022:
1916:
1877:Shvydkoy, Mikhail (14 October 1992).
1036:
860:, but fell ill, was hospitalized and
752:Demidova's performance as Electra in
1881:. Literaturnaya Gazeta, No.42 (5419)
1647:
1404:– Kultura (newspaper, Russia), 2006.
1962:Kutlovskaya, Yelena (23 May 2008).
13:
2318:Recipients of the USSR State Prize
1856:"The Film and the Context. Vol.IV"
1683:"The Glass of Water (Stakan vody)"
1427:
1365:from the original on 28 March 2010
1292:. Novyie Izvestiya. Archived from
1209:from the original on 13 April 2010
580:entered in. He decided to produce
245:(Takaya lyubov), an adaptation of
14:
2364:
1992:
1458:"The Other Cinema. Alla Demidova"
1330:from the original on 2 April 2010
1101:Order of Merit for the Fatherland
1057:(1977), for her role in the film
835:
390:(Dnevnye zvyozdy, 1966), that of
303:(Dalyokoye), played Mrs. Moon in
175:Order of Merit for the Fatherland
129:Order of Merit for the Fatherland
19:For other uses of "Demidov", see
1760:"Oleg Grigoryevich Tchukhontsev"
1689:from the original on 5 July 2010
231:Boris Shchukin Theatre Institute
133:
1978:
1955:
1870:
1774:
1752:
1729:
1675:
1625:
1609:Shakh-Azizova, Т. (1971–1972).
1494:
1472:
1450:
2313:21st-century Russian actresses
2293:Moscow State University alumni
2008:Official site of Alla Demidova
1260:
1126:
377:
1:
2353:Recipients of the Golden Mask
1613:. Ekran (The Screen) magazine
1120:
1071:The Stanislavsky award (1993)
874:(2005) Demidova received the
2333:Recipients of the Nika Award
2153:2004: Valentina Berezutskaya
1879:"What's That Electra to Us?"
1717:. Proscenium. Voprosy Teatra
1611:""Tchayka" by Alla Demodova"
1584:"Two Roles of Alla Demidova"
1066:People's Artist of the RSFSR
335:(Semyon Raitburg, 1963) and
180:
7:
2050:Nika Award for Best Actress
1902:"Theatre Without Catharsis"
1661:"Hamlet Approaches the Sea"
1530:""One Fine Day" (fragment)"
842:Remembering Sherlock Holmes
676:Stone Guest and Other Poems
353:The Good Person of Szechwan
333:What's a Relativity Theory?
283:who, after seeing the girl
10:
2369:
2328:People's Artists of Russia
1927:Alla Demidova in The Tuner
1831:Moskvina, Tatyana (1997).
1536:. Landscapes and Portraits
1359:"Alla Demidova in Theatre"
1324:"Demidova, Alla Sergeevna"
1203:"Alla Demidova. Biography"
1163:"She Ages Beautifully Too"
1060:The Flight of Mr. McKinley
981:The Flight of Mr. McKinley
293:Theatre National Populaire
291:, invited her to join the
159:А́лла Серге́евна Деми́дова
18:
16:Soviet and Russian actress
2248:/ Viktoria Miroshnichenko
2056:
1713:Shenderova, Alla (2006).
1528:Veniamin Smekhov (1986).
1424:, August 1968, No.8 issue
1255:One's Memory Running Line
933:Two Comrades Were Serving
421:Two Comrades Were Serving
224:
158:
142:
123:People's Artist of Russia
110:
100:
92:
84:
49:
37:
30:
941:The Shield and the Sword
747:
721:, 1988) and Donna Anna (
651:
630:translated into Russian
411:The Shield and the Sword
155:Alla Sergeyevna Demidova
54:Alla Sergeyevna Demidova
21:Demidov (disambiguation)
2278:Russian stage actresses
2144:2002: Mariya Kuznetsova
1133:Peter Rollberg (2009).
1090:(2005) for her role in
908:My Memory's News Ticker
892:Waiting for the Empress
852:(2004) Demidova played
820:, 1992), Miss Minchin (
811:Hamlet the Master Class
323:. That was followed by
2283:Soviet stage actresses
2208:2013: Roza Khayrullina
1964:"Talent Vs. Character"
1659:Smolyakov, Alexander.
1504:. Taganka Theatre site
1482:. funeral-spb.narod.ru
1322:Arefyeva, Anastasiya.
1050:
553:Duchess of Marlborough
325:Nine Years of One Year
169:. She was awarded the
2308:Actresses from Moscow
1966:. Nezavisimaya Gazeta
1943:. Rossiya (newspaper)
1555:Gayevsky, V. (1990).
1438:. www.gzt.ru (Gazeta)
1227:Rasskazova, Tatyana.
1044:
925:Nine Days in One Year
797:Theodoros Terzopoulos
621:Demidova and Vysotsky
565:'s Lord Bolingbroke.
495:After the success of
408:'s War-time thriller
297:Aleksander Afinogenov
177:(twice, 2007, 2001).
2149:Anni-Kristiina Juuso
2122:Yekaterina Rednikova
2104:Ingeborga Dapkūnaitė
1941:"To Play for Dionis"
1633:"All the King's Men"
918:Selected filmography
826:Elizaveta Alekseevna
604:Crime and Punishment
382:The leading role in
317:Eugene Marin Labiche
2348:Audiobook narrators
2241:2019: Marta Kozlova
2188:Svetlana Kryuchkova
1808:Podluznhaya, Alla.
1635:. www.kino-teatr.ru
1480:"Vladimir Vengerov"
1361:. www.demidova.ru.
1205:. www.demidova.ru.
1075:Order of Friendship
1021:The Kreutzer Sonata
1013:The Queen of Spades
912:Akhmatova's Mirrors
888:Alexander Ostrovsky
777:. In 1993 came out
762:which premiered in
723:Feast Amidst Plague
688:Poem Without a Hero
659:The Queen of Spades
481:Vladimir Vysotskyin
450:as Yulia von Mekk.
2170:Yevgeniya Simonova
1929:. www.demidova.ru.
1257:Eksmo-Press. 2003.
1231:. www.demidova.ru.
1229:Alla With a Doggie
1201:Shenderova, Alla.
1088:Golden Eagle Award
1051:
1037:Honours and awards
965:All the King's Men
880:Golden Eagle Award
792:Dangerous Liaisons
632:Tennessee Williams
583:The Cherry Orchard
561:(1979), alongside
558:The Glass of Water
555:in Yuli Karasik's
533:, 1971) impressed
530:All The King's Men
371:A Hero of Our Time
362:Mayakovsky Theatre
321:Leningrad Symphony
265:(Gibel bogov), in
259:Vakhtangov Theatre
105:Vladimir Valutskiy
2265:
2264:
2257:Chulpan Khamatova
2092:Tatyana Vasilyeva
2080:Natalya Gundareva
1812:. www.day.kyiv.ua
1784:. www.demidova.ru
1762:. www.demidova.ru
1663:. www.demidova.ru
1460:. www.inoekino.ru
1288:Matizen, Victor.
1165:. www.demidova.ru
1161:Lyubov Lebedina.
1144:978-0-8108-6072-8
949:The Sixth of July
904:Vladimir Vysotsky
731:Marina Tsvetayeva
592:Vladimir Vysotsky
442:The Living Corpse
430:Maria Spiridonova
358:Boris Khmelnitsky
346:'s adaptation of
268:Princess Turandot
261:'s production of
243:Such Kind of Love
235:Moscow University
207:Moscow University
152:
151:
93:Years active
64:29 September 1936
2360:
2253:Julia Vysotskaya
2246:Samal Yeslyamova
2237:Irina Gorbacheva
2231:Julia Vysotskaya
2204:Nadezhda Markina
2176:Mariya Shalayeva
2164:Alisa Freindlich
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2015:at Kino-Teatr.ru
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1005:A Glass of Water
896:Maria Fyodorovna
830:Unseen Traveller
696:Giorgio Strehler
672:Anatoly Vasilyev
664:Igor Maslennikov
576:, left Taganka,
539:Andrey Tarkovsky
525:I'm Going to You
490:Veniamin Smekhov
434:The 6th of July
171:USSR State Prize
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116:USSR State Prize
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1416:Fedorovsky, D.
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1253:Demidova, A.S.
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1049:in October 2011
1047:Dmitry Medvedev
1039:
920:
862:Mikhail Kozakov
850:Death of Tairov
846:Letters to Elsa
838:
822:Little Princess
750:
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623:
465:Jerzy Stawinski
380:
348:Bertholt Brecht
309:J. B. Priestley
227:
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173:(1977) and the
167:Taganka Theatre
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88:actress, writer
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1993:External links
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1915:
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836:2000 – present
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783:Heiner Mueller
749:
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711:Cherry Orchard
704:Cherry Orchard
680:Anna Akhmatova
653:
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622:
619:
609:Marina Mnishek
549:Scarlet Flower
521:Lesia Ukrainka
503:'s 1970 movie
406:Vladimir Basov
392:Olga Berggolts
388:Daylight Stars
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301:Distant Things
226:
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611:in Pushkin's
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32:Alla Demidova
29:
26:
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2134:Nina Usatova
2110:Nina Usatova
1980:
1968:. Retrieved
1957:
1945:. Retrieved
1934:
1906:. Retrieved
1895:
1883:. Retrieved
1872:
1860:. Retrieved
1849:
1837:. Retrieved
1826:
1814:. Retrieved
1786:. Retrieved
1776:
1764:. Retrieved
1754:
1742:. Retrieved
1731:
1719:. Retrieved
1691:. Retrieved
1677:
1665:. Retrieved
1637:. Retrieved
1627:
1615:. Retrieved
1604:
1592:. Retrieved
1590:, No.4, 1975
1577:
1565:. Retrieved
1561:the original
1550:
1538:. Retrieved
1506:. Retrieved
1496:
1484:. Retrieved
1474:
1462:. Retrieved
1452:
1440:. Retrieved
1429:
1367:. Retrieved
1332:. Retrieved
1298:. Retrieved
1294:the original
1262:
1223:
1211:. Retrieved
1167:. Retrieved
1134:
1128:
1095:
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1027:
1019:
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854:Alisa Koonen
849:
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841:
839:
829:
824:, 1997) and
821:
818:The Obsessed
817:
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781:, a play by
778:
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251:Anna Orochko
247:Pavel Kohout
242:
228:
215:World War II
184:
154:
153:
77:Soviet Union
72:Russian SFSR
25:
2298:1936 births
2182:Darya Moroz
2128:Dina Korzun
973:The Seagull
957:Tchaikovsky
910:(2000) and
729:who staged
642:Jean Racine
628:Vitaly Vulf
607:(1979) and
516:The Seagull
447:Tchaikovsky
378:1966 – 1979
239:Rolan Bykov
211:Cybernetics
195:Great Purge
147:demidova.ru
2272:Categories
1275:. Part. 1.
1121:References
1084:Nika Award
876:Nika Award
692:Ivan Bunin
668:Silver Age
509:(based on
327:(director
281:Jean Vilar
277:Stryapukha
273:The Cookie
157:(Russian:
131:(IV, 2007)
60:1936-09-29
1693:13 August
1667:7 January
1540:7 January
1096:The Tuner
1029:The Tuner
871:The Tuner
787:de Laclos
785:based on
754:Sophocles
588:modernist
428:activist
331:, 1961),
217:years in
181:Biography
1839:22 March
1766:22 March
1687:Archived
1639:22 March
1508:22 March
1442:22 March
1369:22 March
1363:Archived
1334:22 March
1328:Archived
1300:22 March
1213:22 March
1207:Archived
1169:22 March
914:(2004).
906:(1989),
878:and the
574:La Scala
513:'s play
473:Gertrude
460:Tartuffe
426:SR party
416:comissar
313:Frisette
219:Vladimir
199:Red Army
96:1962–now
70:Moscow,
1273:YouTube
894:(about
886:(after
801:Quartet
779:Quartet
775:Phaedra
759:Electra
742:Phaedra
735:Phaedra
684:Requiem
646:Phaedra
637:Out Cry
506:Seagull
455:Molière
366:Taganka
307:(after
285:fencing
271:and in
165:in the
143:Website
2251:2021:
2244:2020:
2235:2018:
2229:2017:
2223:2016:
2217:2015:
2211:2014:
2198:2012:
2192:2011:
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1947:17 May
1908:18 May
1885:18 May
1862:18 May
1816:18 May
1788:18 May
1744:18 May
1721:18 May
1617:18 May
1594:18 May
1588:Avrora
1464:26 May
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