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dance of moderate tempo, already considered very old, with a characteristic "double-knocking" upbeat of two or occasionally three sixteenth notes. It appears to have derived from a German dance but no identifiable dance and no German dance instructions from this era survive.
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and the
British Inns of Court therefore preserve the first records of the allemande, in which dancers formed a line of couples who took hands and walked the length of the room, walking three steps then balancing on one foot. A livelier version, the
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described the allemande as "a serious and well-composed harmoniousness in arpeggiated style, expressing satisfaction or amusement, and delighting in order and calm". Its music is characterised by absence of
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composers of the 17th century experimented with the allemande, shifting to quadruple meter and ranging more widely in tempo. This slower allemande, like the
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322:. Mozart and Beethoven both produced sets of German Dances in this style. A different version went on to become the
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Late in the 18th century, "allemande" or "German Dance" came to be used for another type of dance in triple meter.
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wrote that the allemande "must be composed and likewise danced in a grave and ceremonious manner." Likewise in
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Cliff Eisen (2001). "German Dance (Ger. Deutsche, Deutscher Tanz, Teutsche; Fr. allemande; It. tedesco)".
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Meredith Ellis Little; Suzanne G. Cusick (2001). "Allemande (Fr.: 'German '; It. alemana, allemanda)".
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composers were more free with the allemande, writing in counterpoint and using a variety of tempi (
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Music Video - J.S. Bach - Allemande from the fourth French Suite. Harpsichord - Jean
Rondeau.
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Some of the close embraces and turns of the allemande were carried over to
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A quite different, later, Allemande, named as such in the time of
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in publications during the late 18th and early 19th centuries.
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39:"Almain" and "Alman" redirect here. For French theologian, see
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British composers wrote many "Almans" as separate pieces.
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Video - Allemand - The
Elegance of Baroque Social Dance
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199:The allemande originated in the 16th century as a
563:Video - Baroque allemande, one pair (Pecour 1702)
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517:Scholes, Percy A. (1970). John Owen Ward (ed.).
416:Revisiting music theory: a guide to the practice
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236:or memorial composition. The German composers
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452:Encyclopædia Britannica Online (2007).
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244:followed suit in their allemandes for
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32:For the sauce in French cuisine, see
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27:Renaissance and Baroque dance style
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47:. For the villages in Iran, see
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131:. Along with the
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454:"Allemande"
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201:duple metre
179:in French.
173:"Allemande"
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49:Alman, Iran
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464:2007-11-11
330:References
191:Allemande
99:styles in
58:Allemande.
700:Sarabande
685:Passepied
620:Allemande
403:Allemande
238:Froberger
171:The name
152:Beethoven
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70:allemanda
65:allemande
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665:Hornpipe
650:Galliard
640:Chaconne
630:Courante
458:Archived
418:, p.28.
162:and the
125:courante
105:Couperin
78:alman(d)
655:Gavotte
625:Bourrée
511:Sources
324:Ländler
313:Weber's
271:In his
258:Corelli
254:English
250:Italian
233:tombeau
183:History
165:Ländler
137:ländler
129:prelude
109:Purcell
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660:Gigue
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