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456:. Leipzig: verlegts Wolffgang Deer. Facsimile reprint, edited by Richard Schaal. Documenta musicologica, 1. Reihe, Druckschriften-Faksimiles, 3. Kassel: Bärenreiter-Verlag, 1953. Modern edition of the text and musical illustrations, edited by Friederike Ramm. Kassel: Bärenreiter-Verlag &
161:, but employing rhythmic and metrical ambiguities (especially hemiola), and had the slowest tempo of all French court dances, described by Mattheson, Quantz and Rousseau as grave and majestic, while the Italian type was a significantly faster dance.
425:. Hamburg: verlegts Christian Herold. Facsimile reprint, fifth edition, edited by Margarete Reimann. Documenta Musicologica 1. Reihe, Druckschriften-Faksimiles 5. Kassel: Bärenreiter-Verlag, 1991.
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in a manner one might initially perform and hear as a courante. The second movement is titled corrente and is rather lively. An indication of faster tempo that appears to exist in
Baroque composer
422:
Der vollkommene
Capellmeister: Das ist, Gründliche Anzeige aller derjenigen Sachen, die einer wissen, können, und vollkommen inne haben muß, der einer Capelle mit Ehren und Nutzen vorstehen will
438:
Johann
Mattheson's Der vollkommene Capellmeister", a revised translation with critical commentary by Ernest Charles Harriss. Studies in musicology 21. Ann Arbor: UMI Research Press.
131:(Hamburg, 1739) as "chiefly characterized by the passion or mood of sweet expectation. For there is something heartfelt, something longing and also gratifying, in this
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by
Meredith Little and Natalie Jenne, the courante and corrente are treated as distinct dances, but editors have frequently ignored the distinction.
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literally means "running", and in the later
Renaissance the courante was danced with fast running and jumping steps, as described by
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Sometimes French and
Italian spellings are used to distinguish types of courante, but original spellings were inconsistent.
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During the
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Lenneberg, Hans. 1958. "Johann
Mattheson on Affect and Rhetoric in Music: A Translation of Selected Portions of
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Video – Musical
Contexts – Courante in Action – reonstruction for Baroque Orchestral Music (AQA GCSE Music)
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143:(Leipzig, 1732), wrote that the rhythm of the courante is "absolutely the most serious one can find."
350:, expanded edition. Music: Scholarship and Performance (Bloomington: Indiana University Press, 2001)
337:, new, revised edition, edited by Alfred Dürr. Bärenreiter Urtext (Kassel: Bärenreiter-Verlag, 1980).
301:, new, revised edition, edited by Alfred Dürr. Bärenreiter Urtext (Kassel: Bärenreiter-Verlag, 1980).
20:
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Französische Suiten: die verzierte
Fassung / The French Suites: Embellished Version: BWV 812–817
321:, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
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Französische Suiten: die verzierte Fassung / The French Suites: Embellished Version: BWV 812–817
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Beauchamp–Feuillet Notation: A Guide for Beginner and Intermediate Baroque Dance Students
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an Italian or French courante is typically paired with a preceding
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Quoted in Alfred DĂĽrr, preface to Johann Sebastian Bach,
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2, no. 1 (April) and no. 2 (November): 47–84, 193–236.
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the first movement (titled Allemanda) begins as if in
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Musicalisches Lexicon oder, Musicalische Bibliothec
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255:Revisiting Music Theory: A Guide to the Practice
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19:"Corrente" redirects here. For other uses, see
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135:: clearly music on which hopes are built."
65:are some of the names given to a family of
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274:Waite, Philippa; Appleby, Judith (2003)
119:. But the courante commonly used in the
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180:and Italian styles respectively in his
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257:(New York: Routledge, 2007), p. 28.
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666:Dance forms in classical music
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129:Der vollkommene Capellmeister
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460:GmbH & Co. KG, 2001.
436:Mattheson, Johann. 1981.
419:Mattheson, Johann. 1739.
108:: the steps of a courante
21:Corrente (disambiguation)
196:Partita for Violin No. 2
194:In Bach's unaccompanied
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123:period was described by
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26:Not to be confused with
414:Journal of Music Theory
85:, making it the second
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176:to differentiate the
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69:dances from the late
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661:Triple time dances
481:La Courante Reglée
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71:Renaissance
640:Categories
241:References
625:Sarabande
610:Passepied
545:Allemande
412:(1739)".
387:(cloth);
358:(cloth);
83:allemande
615:Rigaudon
590:Hornpipe
575:Galliard
565:Chaconne
555:Courante
479:Video –
224:See also
187:and, in
174:corrente
170:courante
113:Courante
87:movement
73:and the
55:corrente
50:courante
41:courante
580:Gavotte
550:Bourrée
139:in the
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91:prelude
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570:Entrée
560:Canary
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63:corant
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585:Gigue
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259:ISBN
214:time
172:and
166:Bach
61:and
47:The
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