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he knows has influence with Almira, to speak to her on his behalf. The king of
Mauretania, Raymondo, disguising himself as the "ambassador" from Mauretania, makes an appearance at Almira's court and tries to win her love. Almira is not interested, being still in love with her secretary Fernando, although she has never told him so. She goes to him to confess her devotion, but Osman appears and, desiring Almira not for herself but the status he would gain as her husband, is about to stab Fernando when Almira grabs the dagger from him. Edilia gets wind of the fact that her sweetheart Osman is now keen to marry Almira and throws a jealous fit. A servant of Fernando, called Tabarco, comes across correspondence from these various people in these love tangles, and opens and reads all their letters.
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one son, a rather feckless army officer called Osman, it would seem her father wished her to marry him. This is unwelcome news to Almira as she is desperately in love with her private secretary, a young man of unknown parentage named
Fernando. Osman is not unhappy to be elevated to royal status in this way, but he too is already in love with someone else, the Princess Edilia. At an elaborate court entertainment, Almira mistakenly believes that her beloved Fernando is flirting with Edilia and becomes consumed with jealousy. The restless and jaded Osman attends another brilliant festivity given by Princess Bellante.
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hands a goodbye letter and a family heirloom, a ruby, from
Fernando to Almira, and when Consalvo sees the ruby he realises that Fernando is his long lost son. Now Almira can marry Fernando and still fulfill her father's dying wish, Bellante will marry Osman and Edilia will accept Raymondo after all. All celebrate the fortunate outcome of events.
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in honour of
Raymondo, Fernando, Osman and Consalvo allegorically impersonate Europe, Asia and Africa. Raymondo now tries to woo Edilia, but she is still in love with Osman. Princess Bellante once again rebuffs the unwelcome attentions of Consalvo. In fact Bellante is now smitten with Osman. Tabarco
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Princess
Bellante has fallen in love with Osman, but Osman's father, Consalvo, is amorously pursuing Bellante, which she finds annoying and tries to put a stop to. Osman, although in love with Edilia, thinks it will be grand to be a royal personage, so is keen to marry Almira, and asks Fernando, whom
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Princess Almira has inherited the throne from her father and the opera opens with her coronation. The new queen is disconcerted when her guardian
Consalvo claims that her father entrusted him with his dying wish, namely that Almira should marry someone from "Consalvo's house" and since he only has
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From the first page of the overture, it just overflows with genius and invention. You can't believe that an overture of this brilliance could have been written as Handel's first attempt, because most composers never achieve this level of invention after a whole
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187:. The recitatives of the opera are in German, and while most of the arias are also in German, many are in Italian, as was the custom at the opera house in Hamburg.
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is a mix of spectacle, as in the opening coronation scene and the masque in the third act, dance, comedy and drama. Paul O'Dette, artistic co-director of the
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although it has no spoken dialogue – was premiered on 8 January 1705, after being composed in the months directly preceding this.
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was a resounding success. The opera was performed twenty times in total until its place was taken by Handel's next opera,
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The recording can be found in Volume Six of the series, "Liszt at the Opera I," catalogue number CDA66371/2.
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The opera is scored for two traversos, two oboes, bassoon, three trumpets, timpani, strings and
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536:(Consalvo), Douglas Nasrawi (Osman), Jamie MacDougall (Fernando), Olaf Haye (Raymondo),
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David Brown (1993). Holden, Amanda; Kenyon, Nicholas; Walsh, Stephen (eds.).
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is presented by opera houses and festivals today. Among other performances,
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Baker, James M., ed. Kenneth
Hamilton, "A survey of the late piano works,"
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Der in
Krohnen erlangte Glücks-Wechsel, oder: Almira, Königin von Castilien
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The first of the two-volume definitive reference on the operas of Handel.
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507:'s late-romantic settings of Bach. Australian Liszt scholar and pianist
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As with all of Handel's operas, after going unperformed for many years,
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is the sole example among Handel's many operas with no role for a
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from the opening act of this opera for his
English piano student
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In 1732 the piece was once more performed in a version edited by
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was staged by operamission in New York City in 2012 and by the
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791:(Cambridge and New York: Cambridge University Press, 2005).
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piece from his late period, this work is said to anticipate
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took place on 23 February 1985, Handel's 300th birthday, at
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in the summer of 1703 and played as a violinist in the
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This article is about the opera. For other uses, see
183:. The German translation used by Handel was made by
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Agrippina condotta a morire or Dunque sarĂ pur vero
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Sämtliche 53 Bühnenwerke des Georg
Friedrich Händel
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2277:Opera world premieres at the Hamburg State Opera
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590:List of compositions by George Frideric Handel
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493:a transcription of the Sarabande and Chaconne
222:, the music of which has not been preserved.
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740:"Handel's fevered imagination in 'Almira'"
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861:International Music Score Library Project
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409:The fictional story is set in medieval
179:in 1691 for Giuseppe Benevento's opera
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1414:L'Allegro, il Penseroso ed il Moderato
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1350:Il trionfo del Tempo e del Disinganno
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687:. Handel House Museum. Archived from
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569:Boston Early Music Festival Orchestra
258:Roles, voice types, and premiere cast
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16:1705 opera by George Frideric Handel
2088:Keyboard suite in D minor (HWV 437)
1354:Il trionfo del Tempo e della VeritĂ
13:
1579:Ode for the Birthday of Queen Anne
511:has recorded this work as part of
175:was written by Giulio Pancheri in
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1744:Funeral Anthem for Queen Caroline
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2262:Operas by George Frideric Handel
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1765:Wedding anthem for Princess Anne
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788:The Cambridge Companion to Liszt
225:The first modern performance of
53:Title page of the libretto, 1708
738:Eichler, Jeremy (18 May 2013).
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2186:Handel & Hendrix in London
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524:1994 – Ann Monoyios (Almira),
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1859:Music for the Royal Fireworks
1358:The Triumph of Time and Truth
658:"G. F. Handel's Compositions"
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272:Premiere cast, 8 January 1705
185:Friedrich Christian Feustking
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124:("Almira, Queen of Castile",
121:Almira, Königin von Castilien
63:Friedrich Christian Feustking
1790:Utrecht Te Deum and Jubilate
1674:Tra le fiamme (Il consiglio)
929:Handel's lost Hamburg operas
806:; Knapp, J. Merrill (1987).
600:Handel's lost Hamburg operas
472:(cello, lute, harpsichord).
7:
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457:Boston Early Music Festival
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246:Boston Early Music Festival
89:libretto by Giulio Pancheri
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808:Handel's Operas, 1704–1726
632:. London: Viking. p.
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2104:Handel Reference Database
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2082:The Harmonious Blacksmith
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1772:Foundling Hospital Anthem
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1660:O lucenti, o sereni occhi
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1593:Ode For St. Cecilia's Day
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845:German / Italian libretto
515:' complete Liszt series.
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2119:Hallische Händel-Ausgabe
2109:Händel-Werke-Verzeichnis
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850:15 December 2006 at the
595:List of operas by Handel
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98:8 January 1705
1618:Allor ch'io dissi addio
1572:Aci, Galatea e Polifemo
1477:Joseph and his Brethren
21:Almira (disambiguation)
2257:German-language operas
2044:Concerti grossi, Op. 6
2039:Concerti grossi, Op. 3
2034:Organ concertos, Op. 7
2029:Organ concertos, Op. 4
1804:Queen Caroline Te Deum
1547:The Choice of Hercules
897:George Frideric Handel
827:George Frideric Handel
711:"Almira, operamission"
628:The Viking Opera Guide
482:Georg Philipp Telemann
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439:At an elaborate court
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149:Georg Friedrich Händel
41:George Frideric Handel
1632:Clori, Tirsi e Fileno
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340:Johann Konrad Dreyer
209:Handel as a young man
208:
2166:Letters and writings
1639:Dalla guerra amorosa
1300:Va tacito e nascosto
1293:Svegliatevi nel core
913:List of compositions
681:"Synopsis of Almira"
546:Andrew Lawrence-King
448:Context and analysis
370:Gottfried GrĂĽnewald
233:'s Städtische Oper.
151:came to the city of
2161:British citizenship
2114:Händel-Gesellschaft
1838:Oboe Concerto No. 2
1833:Oboe Concerto No. 1
1828:Oboe Concerto No. 3
1498:Occasional Oratorio
1279:Lascia ch'io pianga
831:Scheibler, Albert,
810:. Clarendon Press.
664:. Handel Institute.
323:Gottfried GrĂĽnewald
260:
201:Performance history
1691:Latin church music
1681:Un'alma innamorata
1646:Del bell'idolo mio
1625:Aure soavi e lieti
825:Lang, Paul Henry,
377:Princess of Aranda
363:King of Mauretania
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109:Oper am Gänsemarkt
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2176:Handel at Cannons
1847:Orchestral suites
1797:Dettingen Te Deum
1730:As Pants the Hart
1586:Alexander's Feast
1233:Alessandro Severo
1170:Parnasso in festa
691:on 7 January 2016
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313:Almira's guardian
280:Queen of Castilia
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2154:Related articles
1811:Chandos Jubilate
1737:Zadok the Priest
1564:Odes and masques
1505:Judas Maccabaeus
1310:Incidental music
1163:Arianna in Creta
1114:Lotario (Handel)
1009:Acis and Galatea
1002:Amadigi di Gaula
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1751:Sing Unto God
1748:
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1727:
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1699:
1698:Dixit Dominus
1696:
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1693:
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1678:
1676:
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1667:Ero e Leandro
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1467:
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1460:
1456:
1453:
1451:(Mozart arr.)
1450:
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1318:The Alchemist
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1247:Giove in Argo
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1051:Giulio Cesare
1048:
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1024:
1023:Muzio Scevola
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817:0-19-315219-3
813:
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797:0-521-64462-3
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690:
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663:
662:GF Handel.org
659:
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643:0-670-81292-7
639:
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579:– 4 CDs (CPO)
578:
574:
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531:
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509:Leslie Howard
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2208:
2191:Georg Händel
2181:Handel House
2080:
2073:
2066:
2059:
1809:
1802:
1795:
1788:
1770:
1763:
1756:
1749:
1742:
1735:
1728:
1713:Salve Regina
1708:Nisi Dominus
1679:
1672:
1665:
1658:
1651:
1644:
1637:
1630:
1623:
1616:
1609:
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1377:
1370:
1363:
1357:
1356: /
1353:
1352: /
1349:
1330:
1323:
1316:
1286:Ombra mai fu
1259:
1252:
1245:
1238:
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1224:
1217:
1210:
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1196:
1189:
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826:
807:
804:Dean, Winton
799:(paperback).
786:
779:
778:
768:
759:
747:. Retrieved
743:
718:. Retrieved
714:
705:
693:. Retrieved
689:the original
684:
661:
652:
627:
619:
610:
609:
573:Paul O'Dette
567:(Tabarco) –
557:Emőke Baráth
540:(Tabarco) –
534:David Thomas
532:(Bellante),
530:Linda Gerard
497:Walter Bache
486:
479:
476:Arrangements
467:
462:
452:
451:
438:
429:
420:
408:
387:RischmĂĽller
384:
376:
362:
346:
330:
312:
298:
289:
279:
241:
237:
235:
226:
224:
217:
213:
212:
190:
189:
180:
170:
163:
158:
147:
129:
120:
119:
118:
25:
2272:1705 operas
1892:Fitzwilliam
1854:Water Music
1448:Der Messias
763:Baker, 103.
489:Franz Liszt
171:An Italian
2251:Categories
1491:Belshazzar
1079:Alessandro
1030:Floridante
715:Operatoday
606:References
559:(Almira),
528:(Edilia),
519:Recordings
411:Valladolid
375:Bellante,
361:Raymondo,
345:Fernando,
311:Consalvo,
299:a Princess
268:Voice type
159:Gänsemarkt
144:Background
102:1705-01-08
59:Librettist
2135:Göttingen
2128:Festivals
2061:Germanico
1782:Canticles
1427:Structure
1342:Oratorios
1226:Faramondo
1184:Ariodante
1121:Partenope
1065:Rodelinda
1058:Tamerlano
1016:Radamisto
962:Agrippina
565:Jan Kobow
548:– 3 CDs (
491:composed
347:an orphan
292:Conradin
248:in 2013.
165:Singspiel
136:'s first
111:, Hamburg
2215:Category
1603:Cantatas
1540:Theodora
1484:Hercules
1442:Part III
1261:Deidamia
1219:Berenice
1212:Giustino
1198:Atalanta
1072:Scipione
934:Florindo
848:Archived
584:See also
487:In 1879
470:continuo
405:Synopsis
392:Tabarco
381:soprano
303:soprano
297:Edilia,
278:Almira,
195:castrato
181:L'Almira
173:libretto
94:Premiere
86:Based on
69:Language
2226:Commons
1879:sonatas
1877:XV solo
1722:Anthems
1554:Jephtha
1533:Solomon
1526:Susanna
1437:Part II
1421:Messiah
1393:Athalia
1386:Deborah
1332:Alceste
1205:Arminio
1156:Orlando
1142:Sosarme
1107:Tolomeo
969:Rinaldo
955:Rodrigo
780:Sources
555:2018 –
501:baroque
464:career.
331:his son
329:Osman,
285:soprano
231:Leipzig
153:Hamburg
100: (
78:Italian
2267:Operas
2145:London
2075:Gideon
1703:Gloria
1512:Joshua
1470:Semele
1463:Samson
1432:Part I
1379:Esther
1254:Imeneo
1191:Alcina
1177:Oreste
1149:Catone
1086:Admeto
1044:Flavio
1037:Ottone
948:Almira
940:Daphne
922:Operas
857:Almira
814:
795:
749:6 July
720:6 July
695:6 July
640:
453:Almira
441:masque
395:tenor
351:tenor
242:Almira
238:Almira
227:Almira
214:Almira
191:Almira
177:Venice
134:Handel
75:German
31:Almira
2236:Audio
2140:Halle
2068:Nabal
2053:Other
1869:Flute
1325:Comus
1240:Serse
1100:Siroe
995:Silla
988:Teseo
611:Notes
435:Act 3
426:Act 2
417:Act 1
367:bass
336:tenor
264:Role
252:Roles
138:opera
132:) is
37:Opera
2171:Will
2022:Opus
1958:367b
1953:367a
1938:364b
1933:364a
1928:363b
1923:363a
1903:359b
1898:359a
1875:and
1873:solo
1400:Saul
1135:Ezio
1128:Poro
812:ISBN
793:ISBN
751:2014
722:2014
697:2014
638:ISBN
575:and
385:Frau
318:bass
290:Frau
219:Nero
2013:379
2008:378
2003:376
1998:375
1993:374
1988:373
1983:372
1978:371
1973:370
1968:369
1963:368
1948:366
1943:365
1918:362
1913:361
1908:360
1886:358
634:417
550:CPO
126:HWV
39:by
2253::
1871:,
937:,
742:.
730:^
713:.
683:.
670:^
660:.
636:.
571:,
544:,
484:.
413:.
197:.
1894:"
1890:"
1302:"
1298:"
1295:"
1291:"
1288:"
1284:"
1281:"
1277:"
943:)
931:(
889:e
882:t
875:v
820:.
753:.
724:.
699:.
646:.
552:)
104:)
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.