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American modernism

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978:. In contrast to the pictorialist style, they now rejected any kind of manipulation in the photographic process (e.g., soft lens, special developing or printing methods) and tried to use the advantages of the camera as a unique medium for capturing reality. Their motifs were supposed to look as objective as possible. Turning the focus away from classic portraiture and the pictorialist style, the photographers started using their pictures as means for representing the harsh realities of everyday life, but at the same time tried to search for the beauty in the detail or the overall aesthetical structure. Machines and factory work, sky scrapers and technical innovations became prominent motifs. In 1932 some younger photographers (e.g. 235: 302: 380: 208: 419: 342: 878: 257: 361: 108:
wealth and religion were being challenged. As the social structure was challenged by new incoming views, the bounds of traditional standards and social structure dissolved, and a loss of identity was what remained, translating eventually into isolation, alienation and an overall feeling of separateness from any kind of "whole". The unity of a war-rallied country was dying, along with it the illusion of the pleasantries it sold to its soldiers and people. The world was left violent, vulgar and spiritually empty.
782: 323: 101:, which influenced some modernist artists, while others were skeptical of the embrace of technology. The victory in World War I confirmed the status of the U.S. as an international player and gave the people self-confidence and a feeling of security. In this context, American modernism marked the beginning of American art as distinct and autonomous from European taste, by breaking artistic conventions that had been shaped after European traditions until then. 4805: 1166:' poems. "Poetry that best fit the aesthetic criteria of the New Critics was emphasized in important classroom teaching anthologies" (Morrisson: 29). T. S. Eliot redefined tradition in his essay "Tradition and the Individual Talent". He formulated such critical concepts as "objective correlative", and rethought the literary canon in his elevation of Jacobean drama and metaphysical poetry. His work had a fundamental influence on New Criticism in America. 189: 846:
only the biblical scene but can also be seen as an allusion to African-American religious tradition: the oversized, dark Jesus is bearing his cross, his eyes directed to heaven from which light is cast down onto his followers. Stylized Roman soldiers are flanking the scene with their pointed spears. As a result, the observer is reminded for instance of the African-American gospel tradition but also of a history of suppression.
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The lives of the disillusioned and outcasts became more focal. Ability to define self through hard work and resourcefulness, to create your own vision of yourself without the help of traditional means, became prized. Some authors endorsed this, while others, such as F. Scott Fitzgerald, challenged how alluring but destructively false the values of privilege can be.
933:, in which he published artists he felt represented the movement. He also ran three galleries one after another, namely "291" (1905–1917), "The Intimate Gallery" (1925–1929) and "An American Place" (1929–1947). Especially 291 served as a meeting point for artists and writers and was the first to exhibit the early modernist art works of European artists, such as 774:, known as the "Mother of American modernism", has been a major figure in American Modernism since the 1920s. She has received widespread recognition, for challenging the boundaries of modern American artistic style. She is chiefly known for paintings of flowers, rocks, shells, animal bones and landscapes in which she synthesized abstraction and representation. 669:, poverty, and social injustice. The social realists protested against the government and the establishment that appeared hypocritical, biased, and indifferent to the matters of human inequalities. Abstraction, landscape and music were popular modernist themes during the first half of the 20th century. Artists like Charles Demuth who created his masterpiece 1014:. The modernist era highlighted innovation in the form and language of poetry and prose, as well as addressing numerous contemporary topics, such as race relations, gender and the human condition. Many American modernists became expatriated in Europe during this time, often becoming stalwarts in the European movement, as was the case for 830:(1899–1979) is one of the best-known and most influential African-American modernist painters. His works contributed strongly to the development of an aesthetic movement that is closely related to distinct features of African-American heritage and culture. Douglas influenced African-American visual arts especially during the 1063:. A related issue is the loss of self and need for self-definition, as workers faded into the background of city life, unnoticed cogs within a machine yearning for self-definition. American modernists echoed the mid-19th-century focus on the attempt to "build a self"—a theme illustrated by Fitzgerald's 1174:
The United States played a great role in the modernism movement concerning new advanced building and construction technologies. Among construction innovations there are such materials as iron, steel and reinforced concrete. Brooklyn Bridge by John and Washington Roebling (1869–1883) (for more details
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The middle class worker fell into a distinctly unnoticeable position, a cog much too small to hope to find recognition in a much greater machine. Citizens were overcome with their own futility. Youths' dreams shattered with failure and a disillusioning disappointment in recognition of limit and loss.
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The Modernist American movement was a reflection of American life in the 20th century. In the quickly industrializing world and hastened pace of life, it was easy for the individual to be swallowed up by the vastness of things, left wandering, devoid of purpose. Social boundaries in race, class, sex,
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Modernist America had to find common ground in a world no longer unified in belief. The unity found lay in the common ground of the shared consciousness within all human experience. The importance of the individual was emphasized; the truly limited nature of the human experience formed a bond across
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American modernist design and architecture enabled people to lead a modern life. Work and family life changed radically and rapidly due to the economic upswing during the 1920s. In the U.S., the car became popular and affordable for many, leisure time and entertainment gained importance and the job
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in 1927. The crucifixion scene that is depicted in the painting shows several elements that constitute Douglas' art: clear-cut delineation, change of shadows and light, stylized human bodies and geometric figures as concentric circles in contrast to linear forms. The painting's theme resembles not
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were among the key figures of the movement. The movement was connected to a vogue for African American culture, as seen too in the popularity of Jazz music, with many writers financed by white patrons. Many writers of this movement used modernist techniques to represent African American life, for
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described it as: "Artists who saw my earlier photographs began to tell me that they envied me; that they felt my photographs were superior to their paintings, but that, unfortunately, photography was not an art. I could not understand why the artists should envy me for my work, yet, in the same
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absorbed from his 'lieber Master' (dear master) the German romantic tradition of organic architecture. He developed a new and original approach to residential design before World War I, which became known as the "prairie style." It combined open planning principles with horizontal emphasis,
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from 1937 is a good example of an Arthur Dove abstract landscape and has been referred to as one of the culminating works of his career. Dove did a series of experimental collage works in the 1920s. He also experimented with techniques, combining paints like hand mixed oil or tempera over a
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Modernism bridged the gap between the art and a socially diverse audience in the United States. A growing number of museums and galleries aimed at bringing modernity to the general public. Despite initial resistance to the celebration of progress, technology, and urban life, the visual arts
459:(1878–1962) and through the work of the Whitney Studio Club in 1918. According to Davidson, the beginning of American modernist painting can be dated to the 1910s. The early part of the period lasted 25 years and ended around 1935, when modern art was referred to as, what 927:, which was known for modifying photos through soft focus, special filters or exotic printing processes, to imitate the style of paintings and etchings of that time. For means of publication, Stieglitz, as the driving force of the movement, started the magazine 1115:
instance incorporating the rhythms of Jazz music and dialects of African American culture into poetry and prose. Southern modernism similarly represented the life and unique experiences of the South using modernist aesthetics, with celebrated figures including
41:. American modernism is an artistic and cultural movement in the United States beginning at the turn of the 20th century, with a core period between World War I and World War II. Like its European counterpart, American modernism stemmed from a rejection of 1052:
Influenced by the first World War, many American modernist writers explored the psychological wounds and spiritual scars of the war experience. The economic crisis in America at the beginning of the 1930s also left a mark on literature, such as
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contributed enormously to the self-consciousness and awareness of the American people. New modernist painting shined a light on the emotional and psychic states of the audience, which was fundamental to the formation of an American identity.
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at the end of the '20s and during the '30s disillusioned people about the economic stability of the country and eroded utopianist thinking. The outbreak and the terrors of World War II caused further changes in mentality. The
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made paintings about social diversity, often taking as a main subject the slum dwellers of industrialized cities. The late 1920s and the 1930s belonged (among many others) to two movements in American painting,
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In his works Wright moved closer and closer to an earth-bound sense of natural form, using rough-hewn stone and timber and aiming always in his houses to achieve an effect of intimate and protective shelter.
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music, as a medium for emotions and moods, and many works dealt with contemporary issues, like feminism and city life. Some artists and theoreticians even added a political dimension to American modernism.
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of art. Art was not only to be dealt with in academies, theaters or concert halls, but to be included in everyday life and accessible for everybody. Furthermore, cultural institutions concentrated on
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American modernism benefited from the diversity of immigrant cultures. Artists were inspired by African, Caribbean, Asian and European folk cultures and embedded these exotic styles in their works.
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As a reaction to this trend, many American authors and poets began a trend of 'nativism', seeking to represent the modern American experience in America. Notable contributors to this trend include
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paintings startled many American viewers who were accustomed to more conventional art. However, inspired by what they saw, many American artists were influenced by the radical and new ideas.
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brought the focus on the modern city, and placed emphasis on the diversity of different classes of citizens. Two of the most significant representatives of The Eight, Robert Henri and
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There is no single date for the beginning of the modern era in America, as dozens of painters were active at the beginning of the 20th century. It was the time when the first
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asymmetrical facade elevations, and broad, sheltering roofs. Robie House in Chicago (1909) and the Guggenheim Museum in New York City (1946–59) are two of his seminal works.
665:. The regionalists focused on the colorfulness of the American landscape and the complexities of country life, whereas the social realists went into the subjects of the 1098:
and southern modernism. The Harlem Renaissance marked a rebirth for African American arts, centralized in the Harlem area of New York. Writers and thinkers such as
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headed the so-called Chicago school of architecture, which was distinct by its development of functional design along with modern materials. Sullivan's follower
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and others went to Europe, notably Paris, to make art. The formation of various artistic assemblies led to the multiplicity of meaning in the visual arts. The
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Professor Emeritus James K. Kettlewell: Harvard, Skidmore College, Curator The Hyde Collection. Foreword to The Treasured Collection of Golden Heart Farm:
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The modernist movement during the formative years was also becoming popular in New York City by 1913 at the popular Manhattan studio gallery of
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The shift of focus and multiplicity of subjects in the visual arts is also a hallmark of American modernist art. Thus, for example, the group
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The early 20th century was marked by the exploration of different techniques and ways of artistic expressiveness. Many American artists like
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became a critical force in the United States. It was the most powerful perspective in American literary criticism. The representatives were
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and scholars paid little attention to the revolutionary styles of modernism. Economic and technological progress in the U.S. during the
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market opened up for women. In order to make life more efficient, designers and architects aimed at the simplification of housework.
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movement in general, is a trend of philosophical thought arising from the widespread changes in culture and society in the age of
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and Mies immigrated to the United States, many American architectural schools went under the influence of the traditions of the
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used a wide range of media, sometimes in unconventional combinations to produce his abstractions and his abstract landscapes.
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during the 1920s played a great role in development of American architecture performing later a style, which got the name of
360: 1400: 341: 4887: 4882: 4877: 4872: 1580: 1045:. These poets were often critical of the works of expatriate writers such as Eliot and Pound, as evidenced by poems like 900:
At the beginning of American modernism, photography still struggled to be recognized as a form of art. The photographer
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Modernist literature also allowed for the development of regional trends within American literature, including the
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all bridges of race, class, sex, wealth or religion. Society, in this way, found shared meaning, even in disarray.
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Ward, David, and David C. Ward. "Lighting Out for the Territories: American Expatriates, Paris, and Modernism".
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The Biography of Wilhelmina Weber Furlong: The Treasured Collection of Golden Heart Farm by Clint B. Weber,
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art has a tendency to abstraction, is innovative, aesthetic, futuristic and self-referential. It includes
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as well. Sheeler typically painted cityscapes and industrial architecture as exemplified by his painting
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based on the ideals of straight photography, which became the most progressive association of its time.
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era was generally considered characteristic of the art of the late 20th century beginning in the 1980s.
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argues that modernist art excludes "anything outside itself". Others see modernist art, for example in
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and was reflected in the design of corporate office buildings after World War II. Such buildings as
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visualized the industrialized landscape of America in the form of sharp and dynamic geometrization (
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in New York City displayed the contemporary work of European artists, as well as Americans. The
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breath, decry it because it was machine-made." (Stieglitz:8). In 1902, Stieglitz founded the
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The African American Roots of Modernism|James Smethurst|University of North Carolina Press
1069:. Madness and its manifestations seems to be another favorite modernist theme, as seen in 914: 8: 4847: 4635: 4092: 4085: 3664: 3460: 3374: 3293: 3048: 3041: 2797: 1988: 1690: 1059: 785: 771: 762: 598: 586: 498: 385: 194: 3652: 2916: 4827: 4808: 4619: 4514: 4409: 4397: 4313: 3988: 3946: 3537: 3272: 3090: 2629: 2615: 2510: 2365: 2341: 2225: 1811: 1566: 1261: 1186: 1148: 1120: 1111: 1095: 831: 570: 526: 4337: 4245: 4099: 953:, in the United States. A further link to the European avant-garde was established by 877: 4542: 4445: 4182: 4134: 4106: 4013: 3974: 3939: 3762: 3230: 3202: 3062: 2755: 2671: 2573: 2538: 2305: 2085: 2051: 1511: 1347: 1339: 1323: 1315: 1136: 1099: 1075: 1070: 983: 658: 653: 622: 530: 460: 128: 82: 3848: 1932: 1363: 4775: 4768: 4507: 4287: 4196: 4189: 4120: 4022: 3932: 3778: 3688: 3580: 3474: 3467: 3300: 3125: 3083: 2902: 2818: 2713: 2622: 2482: 2454: 2069: 1939: 1904: 1897: 1862: 1777: 1670: 1251: 1226: 1116: 1087: 1065: 987: 901: 863: 847: 766: 718: 674: 666: 522: 180: 148: 94: 45:
thinking, seeking to better represent reality in a new, more industrialized world.
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American modernist literature was a dominant trend in American literature between
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Numerous directions of American "modernism" did not result in one coherent style.
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Late Modernism by Tyrus Miller - Paperback - University of California Press
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The Nation's Region: Southern Modernism, Segregation, and U.S. Nationalism
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Why Georgia O'Keeffe is the Mother of American Modernism|Sleek Magazine
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Singal, Daniel Joseph. "Towards a Definition of American Modernism".
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painters that inspired generations of artists that followed them.
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In the early 1920s, photographers moved towards what they called
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who was thought of as the mother of American Modernism,
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movements created new photographic techniques such as
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American Paintings in The Metropolitan Museum of Art
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circle glorified abstract visions of New York City (
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Some see modernism in the tradition of 19th century
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A Sunday Afternoon on the Island of La Grande Jatte
699:Hot Still-Scape for Six Colors – 7th Avenue Style, 224:. Oil on canvas, 41.28 cm × 33.34 cm., 4819: 1001: 778:from 1935 is a well known painting by O'Keeffe. 712:Main schools and movements of American modernism 693:and music were improvisationally represented by 1546:, a fully digitized 3 volume exhibition catalog 1126: 174: 1574: 1401:"2012 Essay Prize: Jennifer Stettler Parsons" 1158:New criticism showed itself in such works as 841:. It was published in James Weldon Johnson's 4496: 4485: 1679: 1668: 1622: 1611: 790:Ram's Head White Hollyhock and Little Hills, 776:Ram's Head White Hollyhock and Little Hills, 4853:Modernist architecture in the United States 1750: 452:paintings were displayed in the galleries. 1581: 1567: 837:One of Douglas' most popular paintings is 1550:American modernist painters discussed in 1169: 1153:Brooks and Warren's Understanding Poetry 1026:. These writers were often known as the 876: 872: 795: 780: 267:Form and Light, Motif in West New Jersey 1398: 14: 4820: 886:(Marcel Duchamp). 1921. Photograph by 226:Munson-Williams-Proctor Arts Institute 4843:Cultural history of the United States 4422:Six Characters in Search of an Author 1562: 752: 1503: 1399:Shapiro, Emily D. (8 January 2012). 312:Airplane Synchromy in Yellow-Orange, 24: 3617:Nude Descending a Staircase, No. 2 1504:Duck, Leigh Anne (10 April 2018). 1364:"The Mother of American Modernism" 890:. Art Direction by Marcel Duchamp. 25: 4919: 4863:20th century in the United States 1535: 4804: 4803: 1267:Visual arts of the United States 417: 378: 359: 340: 321: 300: 274: 255: 233: 206: 187: 156:period that followed was termed 1510:. University of Georgia Press. 1497: 1472: 1461: 27:American philosophical movement 4868:20th-century American painters 4571:Grosvenor School of Modern Art 4564:Fourth dimension in literature 1444:"The Rise of Consumer Culture" 1436: 1433:105.3 (1997): 423–427. Web ... 1423: 1392: 1381: 1356: 1332: 1308: 1297: 1284: 412:" (60.3 × 92.4 cm)c. 1929–1930 169: 13: 1: 1588: 1552:Conversations from Penn State 1277: 1131:From the 1930s to the 1960s, 1002:American modernist literature 671:I Saw The Figure Five in Gold 289: 1215:Skidmore, Owings and Merrill 1127:The new criticism in America 681:were closely related to the 246:Portrait of a German Officer 7: 4664:List of avant-garde artists 3641:The Cabinet of Dr. Caligari 1240: 1197:Foreign-born architects as 909:group with members such as 569:). Eventually artists like 559:Morton Livingston Schamberg 175:American modernist painting 85:, artistic conventions and 10: 4924: 4888:1940s in the United States 4883:1930s in the United States 4878:1920s in the United States 4873:1910s in the United States 4522:Classical Hollywood cinema 1294:39.1 (1987): 7–26. Web ... 893: 756: 178: 48: 4785: 4463: 4304: 4172: 4012: 3761: 3750: 3593:Les Demoiselles d'Avignon 3547: 3373: 2933: 2416: 2407: 2284: 2068: 1810: 1801: 1596: 1527:– via Google Books. 826:African-American painter 2378:The Master and Margarita 1223:Ludwig Mies van der Rohe 539:Stanton Macdonald-Wright 457:Wilhelmina Weber Furlong 429:Sidewheel in the Rondout 308:Stanton Macdonald-Wright 97:gave rise to widespread 4671:List of modernist poets 4557:Fourth dimension in art 3733:Meshes of the Afternoon 1035:William Carlos Williams 742:the Philadelphia school 4838:American music history 4833:American art movements 4755:Second Viennese School 4497: 4486: 2390:The Sound and the Fury 2294:In Search of Lost Time 1751: 1680: 1669: 1623: 1612: 1179:/Washington Roebling) 1170:Architecture and space 891: 808: 793: 637:ushered in the era of 4734:Reactionary modernism 4657:List of art movements 919:Clarence Hudson White 880: 873:Modernist photography 799: 784: 745:New York independents 683:Precisionist movement 595:Arthur Beecher Carles 4578:Hanshinkan Modernism 4434:The Threepenny Opera 4350:PellĂ©as et MĂ©lisande 1183:Louis Henry Sullivan 975:straight photography 862:were also important 748:Chicago and westward 697:, as exemplified by 87:institutionalization 81:. It reacts against 53:Characteristically, 4858:20th century in art 4636:International Style 4386:Afternoon of a Faun 3665:Battleship Potemkin 3569:Mont Sainte-Victoir 1411:on 14 November 2016 1211:international style 1060:The Grapes of Wrath 763:History of painting 623:Marguerite Thompson 599:Alfred Henry Maurer 499:Patrick Henry Bruce 386:Patrick Henry Bruce 195:Alfred Henry Maurer 4515:Buddhist modernism 4472:American modernism 4398:The Rite of Spring 2366:The Sun Also Rises 2342:The Magic Mountain 1431:The Sewanee Review 1292:American Quarterly 1262:Mid-Century modern 1187:Frank Lloyd Wright 1149:Robert Penn Warren 1121:Tennessee Williams 1112:Zora Neale Hurston 1096:Harlem Renaissance 892: 832:Harlem Renaissance 809: 794: 753:Modernist painting 571:Charles Burchfield 125:art for art's sake 31:American modernism 18:American Modernist 4815: 4814: 4543:Experimental film 4459: 4458: 4446:Waiting for Godot 3746: 3745: 2403: 2402: 2306:The Metamorphosis 1448:c250.columbia.edu 1352:978-0-9851601-0-4 1328:978-0-9851601-0-4 1137:John Crowe Ransom 1076:The Emperor Jones 984:Imogen Cunningham 915:Gertrude KĂ€sebier 531:Abraham Walkowitz 392:oil on canvas, 23 371:Figure 5 in Gold, 129:Clement Greenberg 16:(Redirected from 4915: 4807: 4806: 4778: 4776:Vulgar modernism 4771: 4769:Underground film 4764: 4757: 4750: 4743: 4736: 4729: 4722: 4715: 4708: 4701: 4694: 4687: 4680: 4673: 4666: 4659: 4652: 4645: 4638: 4631: 4622: 4615: 4608: 4601: 4594: 4592:Hippie modernism 4587: 4580: 4573: 4566: 4559: 4552: 4545: 4538: 4531: 4524: 4517: 4510: 4508:Bloomsbury Group 4503: 4502: 4492: 4491: 4481: 4474: 4452: 4451: 4440: 4439: 4428: 4427: 4416: 4415: 4404: 4403: 4392: 4391: 4380: 4379: 4368: 4367: 4356: 4355: 4344: 4343: 4332: 4331: 4320: 4319: 4297: 4290: 4283: 4276: 4269: 4262: 4255: 4248: 4241: 4234: 4227: 4220: 4213: 4206: 4199: 4192: 4185: 4165: 4158: 4151: 4144: 4137: 4130: 4123: 4116: 4109: 4102: 4095: 4088: 4081: 4074: 4067: 4060: 4053: 4046: 4039: 4032: 4025: 4005: 3998: 3991: 3984: 3977: 3970: 3963: 3956: 3949: 3942: 3935: 3928: 3921: 3914: 3907: 3900: 3893: 3886: 3879: 3872: 3865: 3858: 3851: 3844: 3837: 3830: 3823: 3816: 3809: 3802: 3795: 3788: 3781: 3774: 3759: 3758: 3739: 3738: 3727: 3726: 3715: 3714: 3705: 3704: 3695: 3694: 3689:Un Chien Andalou 3683: 3682: 3671: 3670: 3659: 3658: 3653:Ballet MĂ©canique 3647: 3646: 3635: 3634: 3623: 3622: 3611: 3610: 3599: 3598: 3587: 3586: 3581:The Starry Night 3575: 3574: 3563: 3562: 3540: 3533: 3526: 3519: 3512: 3505: 3498: 3491: 3484: 3477: 3470: 3463: 3456: 3449: 3442: 3435: 3428: 3421: 3414: 3407: 3400: 3393: 3386: 3366: 3359: 3352: 3345: 3338: 3331: 3324: 3317: 3310: 3303: 3296: 3289: 3282: 3275: 3268: 3261: 3254: 3247: 3240: 3233: 3226: 3219: 3212: 3205: 3198: 3191: 3184: 3177: 3170: 3163: 3156: 3149: 3142: 3135: 3128: 3121: 3114: 3107: 3100: 3093: 3086: 3079: 3072: 3065: 3058: 3051: 3044: 3037: 3030: 3023: 3016: 3009: 3002: 2995: 2988: 2981: 2974: 2967: 2960: 2953: 2946: 2926: 2919: 2912: 2910:Toulouse-Lautrec 2905: 2898: 2891: 2884: 2877: 2870: 2863: 2856: 2849: 2842: 2835: 2828: 2821: 2814: 2807: 2800: 2793: 2786: 2779: 2772: 2765: 2758: 2751: 2744: 2737: 2730: 2723: 2716: 2709: 2702: 2695: 2688: 2681: 2674: 2667: 2660: 2653: 2646: 2639: 2632: 2625: 2618: 2611: 2604: 2597: 2590: 2583: 2576: 2569: 2562: 2555: 2548: 2541: 2534: 2527: 2520: 2513: 2506: 2499: 2492: 2485: 2478: 2471: 2464: 2457: 2450: 2443: 2436: 2429: 2414: 2413: 2396: 2395: 2384: 2383: 2372: 2371: 2360: 2359: 2348: 2347: 2336: 2335: 2324: 2323: 2312: 2311: 2300: 2299: 2277: 2270: 2263: 2256: 2249: 2242: 2235: 2228: 2221: 2214: 2207: 2200: 2193: 2186: 2179: 2172: 2165: 2158: 2151: 2144: 2137: 2130: 2123: 2116: 2109: 2102: 2095: 2088: 2081: 2061: 2054: 2047: 2040: 2033: 2026: 2019: 2012: 2005: 1998: 1991: 1984: 1977: 1970: 1963: 1956: 1949: 1942: 1935: 1928: 1921: 1914: 1907: 1900: 1893: 1886: 1879: 1872: 1865: 1858: 1851: 1844: 1837: 1830: 1823: 1808: 1807: 1794: 1787: 1780: 1773: 1766: 1757: 1756: 1746: 1739: 1732: 1725: 1716: 1709: 1702: 1693: 1686: 1685: 1675: 1674: 1671:Der Blaue Reiter 1664: 1657: 1650: 1643: 1636: 1629: 1628: 1618: 1617: 1607: 1583: 1576: 1569: 1560: 1559: 1529: 1528: 1526: 1524: 1501: 1495: 1494: 1492: 1490: 1476: 1470: 1465: 1459: 1458: 1456: 1454: 1440: 1434: 1427: 1421: 1420: 1418: 1416: 1407:. Archived from 1396: 1390: 1385: 1379: 1378: 1376: 1374: 1360: 1354: 1336: 1330: 1312: 1306: 1301: 1295: 1288: 1252:American realism 1227:Seagram Building 1203:Rudolf Schindler 1117:William Faulkner 1088:That Evening Sun 1066:The Great Gatsby 988:Willard Van Dyke 902:Alfred Stieglitz 864:African-American 848:Beauford Delaney 786:Georgia O'Keeffe 772:Georgia O'Keeffe 767:Western painting 739:the Independents 677:(1881–1918) and 675:Morton Schamberg 667:Great Depression 587:Georgia O'Keeffe 509:gathered around 491:Wilhelmina Weber 421: 411: 410: 406: 401: 400: 396: 382: 363: 344: 325: 304: 294: 291: 278: 259: 237: 218:Cosmic Synchromy 210: 191: 181:Western painting 149:Great Depression 95:Roaring Twenties 33:, much like the 21: 4923: 4922: 4918: 4917: 4916: 4914: 4913: 4912: 4818: 4817: 4816: 4811: 4802: 4794: 4781: 4774: 4767: 4762:Structural film 4760: 4753: 4746: 4739: 4732: 4725: 4718: 4713:New Objectivity 4711: 4704: 4699:Neo-romanticism 4697: 4692:Neo-primitivism 4690: 4683: 4676: 4669: 4662: 4655: 4648: 4641: 4634: 4627: 4618: 4611: 4604: 4597: 4590: 4583: 4576: 4569: 4562: 4555: 4548: 4541: 4534: 4527: 4520: 4513: 4506: 4495: 4484: 4477: 4470: 4455: 4449: 4443: 4437: 4431: 4425: 4419: 4413: 4407: 4401: 4395: 4389: 4383: 4377: 4371: 4365: 4359: 4353: 4347: 4341: 4338:VerklĂ€rte Nacht 4335: 4329: 4323: 4317: 4311: 4300: 4293: 4286: 4279: 4272: 4265: 4258: 4251: 4244: 4237: 4230: 4223: 4216: 4209: 4202: 4195: 4188: 4181: 4168: 4161: 4154: 4147: 4140: 4133: 4126: 4119: 4112: 4105: 4098: 4091: 4084: 4077: 4070: 4063: 4056: 4049: 4042: 4035: 4028: 4021: 4008: 4001: 3994: 3987: 3980: 3973: 3966: 3959: 3952: 3945: 3938: 3931: 3924: 3917: 3910: 3903: 3896: 3889: 3882: 3875: 3868: 3861: 3854: 3847: 3840: 3833: 3826: 3819: 3812: 3805: 3798: 3791: 3784: 3777: 3770: 3753: 3742: 3736: 3730: 3724: 3718: 3712: 3708: 3702: 3698: 3692: 3686: 3680: 3674: 3668: 3662: 3656: 3650: 3644: 3638: 3632: 3626: 3620: 3614: 3608: 3602: 3596: 3590: 3584: 3578: 3572: 3566: 3560: 3554: 3543: 3536: 3529: 3522: 3515: 3508: 3501: 3494: 3487: 3480: 3473: 3466: 3459: 3452: 3445: 3438: 3431: 3424: 3417: 3410: 3403: 3396: 3389: 3382: 3369: 3362: 3355: 3348: 3341: 3334: 3327: 3320: 3313: 3306: 3299: 3292: 3285: 3278: 3271: 3264: 3257: 3250: 3243: 3236: 3229: 3222: 3215: 3208: 3201: 3194: 3187: 3180: 3173: 3166: 3159: 3152: 3145: 3138: 3131: 3124: 3117: 3110: 3103: 3096: 3089: 3082: 3075: 3068: 3061: 3054: 3047: 3040: 3033: 3026: 3019: 3012: 3005: 2998: 2991: 2984: 2977: 2970: 2963: 2956: 2949: 2942: 2929: 2922: 2915: 2908: 2901: 2894: 2887: 2880: 2873: 2866: 2859: 2852: 2845: 2838: 2831: 2824: 2817: 2810: 2803: 2796: 2789: 2782: 2775: 2768: 2761: 2754: 2747: 2740: 2733: 2726: 2719: 2712: 2705: 2698: 2691: 2684: 2677: 2670: 2663: 2656: 2649: 2642: 2635: 2628: 2621: 2614: 2607: 2600: 2593: 2586: 2579: 2572: 2565: 2558: 2551: 2544: 2537: 2530: 2523: 2516: 2509: 2502: 2495: 2488: 2481: 2474: 2467: 2460: 2453: 2446: 2439: 2432: 2425: 2399: 2393: 2387: 2381: 2375: 2369: 2363: 2357: 2351: 2345: 2339: 2333: 2327: 2321: 2315: 2309: 2303: 2297: 2291: 2280: 2273: 2266: 2259: 2252: 2245: 2238: 2231: 2224: 2217: 2210: 2203: 2196: 2189: 2184:Lowell (Robert) 2182: 2175: 2168: 2161: 2154: 2147: 2140: 2133: 2126: 2119: 2112: 2105: 2098: 2091: 2084: 2077: 2064: 2057: 2050: 2043: 2036: 2029: 2022: 2015: 2008: 2001: 1994: 1987: 1980: 1973: 1966: 1959: 1952: 1945: 1938: 1931: 1924: 1917: 1910: 1903: 1896: 1889: 1882: 1875: 1868: 1861: 1854: 1847: 1840: 1833: 1826: 1819: 1797: 1790: 1783: 1776: 1769: 1762: 1749: 1742: 1735: 1728: 1721: 1712: 1705: 1698: 1689: 1678: 1667: 1660: 1653: 1646: 1639: 1632: 1621: 1610: 1603: 1592: 1587: 1538: 1533: 1532: 1522: 1520: 1518: 1502: 1498: 1488: 1486: 1478: 1477: 1473: 1466: 1462: 1452: 1450: 1442: 1441: 1437: 1428: 1424: 1414: 1412: 1397: 1393: 1386: 1382: 1372: 1370: 1362: 1361: 1357: 1337: 1333: 1313: 1309: 1302: 1298: 1289: 1285: 1280: 1257:Beat Generation 1247:American Modern 1243: 1207:William Lescaze 1172: 1129: 1108:Langston Hughes 1085:and Faulkner's 1039:Wallace Stevens 1028:Lost Generation 1004: 911:Edward Steichen 907:Photo-Secession 898: 896:Photo-Secession 875: 843:God's Trombones 839:The Crucifixion 816:Me and the Moon 805:Me and the Moon 769: 757:Main articles: 755: 714: 679:Charles Sheeler 643:New York School 631:Arnold Friedman 627:Manierre Dawson 615:Henrietta Shore 607:James Daugherty 575:Marsden Hartley 555:Charles Sheeler 436: 422: 413: 408: 404: 403: 398: 394: 393: 383: 374: 364: 355: 345: 336: 326: 317: 305: 296: 292: 279: 270: 260: 251: 241:Marsden Hartley 238: 229: 211: 202: 199:An Arrangement, 192: 183: 177: 172: 51: 28: 23: 22: 15: 12: 11: 5: 4921: 4911: 4910: 4905: 4900: 4895: 4890: 4885: 4880: 4875: 4870: 4865: 4860: 4855: 4850: 4845: 4840: 4835: 4830: 4813: 4812: 4795: 4787: 4786: 4783: 4782: 4780: 4779: 4772: 4765: 4758: 4751: 4744: 4737: 4730: 4723: 4720:Poetic realism 4716: 4709: 4702: 4695: 4688: 4681: 4674: 4667: 4660: 4653: 4650:Late modernity 4646: 4643:Late modernism 4639: 4632: 4625: 4624: 4623: 4616: 4609: 4595: 4588: 4585:High modernism 4581: 4574: 4567: 4560: 4553: 4546: 4539: 4532: 4529:Degenerate art 4525: 4518: 4511: 4504: 4499:Ballets Russes 4493: 4482: 4475: 4467: 4465: 4461: 4460: 4457: 4456: 4454: 4453: 4441: 4429: 4417: 4405: 4393: 4381: 4369: 4357: 4345: 4333: 4321: 4308: 4306: 4302: 4301: 4299: 4298: 4291: 4284: 4277: 4270: 4263: 4256: 4249: 4242: 4235: 4228: 4221: 4214: 4207: 4200: 4193: 4186: 4178: 4176: 4170: 4169: 4167: 4166: 4159: 4152: 4145: 4138: 4131: 4124: 4117: 4110: 4103: 4096: 4089: 4082: 4075: 4068: 4061: 4054: 4047: 4040: 4033: 4026: 4018: 4016: 4010: 4009: 4007: 4006: 3999: 3992: 3985: 3978: 3971: 3964: 3957: 3950: 3943: 3936: 3929: 3922: 3915: 3908: 3901: 3894: 3887: 3880: 3873: 3866: 3859: 3852: 3845: 3838: 3831: 3824: 3817: 3810: 3803: 3796: 3789: 3782: 3775: 3767: 3765: 3756: 3748: 3747: 3744: 3743: 3741: 3740: 3728: 3716: 3706: 3696: 3684: 3672: 3660: 3648: 3636: 3624: 3612: 3600: 3588: 3576: 3564: 3551: 3549: 3545: 3544: 3542: 3541: 3534: 3527: 3520: 3513: 3506: 3499: 3492: 3485: 3478: 3471: 3464: 3457: 3450: 3443: 3436: 3429: 3422: 3415: 3408: 3401: 3394: 3387: 3379: 3377: 3371: 3370: 3368: 3367: 3360: 3353: 3346: 3339: 3332: 3325: 3318: 3311: 3304: 3297: 3290: 3283: 3276: 3269: 3262: 3255: 3248: 3245:Ray (Satyajit) 3241: 3238:Ray (Nicholas) 3234: 3227: 3220: 3213: 3206: 3199: 3192: 3185: 3178: 3171: 3164: 3157: 3150: 3143: 3136: 3129: 3122: 3115: 3108: 3101: 3094: 3087: 3080: 3073: 3066: 3059: 3052: 3045: 3038: 3031: 3024: 3017: 3010: 3003: 2996: 2989: 2982: 2975: 2968: 2961: 2954: 2947: 2939: 2937: 2931: 2930: 2928: 2927: 2920: 2913: 2906: 2899: 2892: 2885: 2878: 2871: 2864: 2857: 2850: 2843: 2836: 2829: 2822: 2815: 2808: 2801: 2794: 2787: 2780: 2773: 2766: 2759: 2752: 2745: 2738: 2731: 2724: 2717: 2710: 2703: 2696: 2689: 2682: 2675: 2668: 2661: 2654: 2647: 2640: 2633: 2626: 2619: 2612: 2605: 2598: 2591: 2584: 2577: 2570: 2563: 2556: 2549: 2542: 2535: 2528: 2521: 2514: 2507: 2500: 2493: 2486: 2479: 2472: 2465: 2458: 2451: 2444: 2437: 2430: 2422: 2420: 2411: 2405: 2404: 2401: 2400: 2398: 2397: 2385: 2373: 2361: 2349: 2337: 2330:The Waste Land 2325: 2313: 2301: 2288: 2286: 2282: 2281: 2279: 2278: 2271: 2264: 2257: 2250: 2243: 2236: 2229: 2222: 2215: 2208: 2201: 2194: 2187: 2180: 2173: 2166: 2159: 2152: 2145: 2138: 2131: 2124: 2117: 2110: 2103: 2096: 2089: 2082: 2074: 2072: 2066: 2065: 2063: 2062: 2055: 2048: 2041: 2034: 2027: 2020: 2013: 2006: 1999: 1992: 1985: 1978: 1971: 1964: 1957: 1950: 1943: 1936: 1929: 1922: 1915: 1908: 1901: 1894: 1887: 1880: 1873: 1866: 1859: 1852: 1845: 1838: 1831: 1824: 1816: 1814: 1805: 1799: 1798: 1796: 1795: 1788: 1781: 1774: 1767: 1760: 1759: 1758: 1740: 1733: 1726: 1719: 1718: 1717: 1703: 1696: 1695: 1694: 1687: 1676: 1658: 1651: 1644: 1641:Constructivism 1637: 1630: 1619: 1608: 1600: 1598: 1594: 1593: 1586: 1585: 1578: 1571: 1563: 1557: 1556: 1547: 1537: 1536:External links 1534: 1531: 1530: 1516: 1496: 1471: 1460: 1435: 1422: 1391: 1380: 1355: 1331: 1307: 1296: 1282: 1281: 1279: 1276: 1275: 1274: 1272:Modernist film 1269: 1264: 1259: 1254: 1249: 1242: 1239: 1231:Walter Gropius 1199:Richard Neutra 1171: 1168: 1145:Cleanth Brooks 1128: 1125: 1079:, Hemingway's 1071:Eugene O'Neill 1055:John Steinbeck 1047:Spring and All 1043:Marianne Moore 1024:Gertrude Stein 1003: 1000: 943:Henri Rousseau 874: 871: 860:Romare Bearden 856:Jacob Lawrence 852:Charles Alston 754: 751: 750: 749: 746: 743: 740: 737: 732: 731:color painters 729: 722: 713: 710: 687:Amoskeag Canal 663:Social Realism 635:Oscar Bluemner 619:William Zorach 603:Andrew Dasburg 567:Charles Demuth 543:Morgan Russell 438: 437: 423: 416: 414: 384: 377: 375: 367:Charles Demuth 365: 358: 356: 346: 339: 337: 329:Charles Demuth 327: 320: 318: 306: 299: 297: 282:Andrew Dasburg 280: 273: 271: 263:Oscar Bluemner 261: 254: 252: 239: 232: 230: 214:Morgan Russell 212: 205: 203: 193: 186: 179:Main article: 176: 173: 171: 168: 158:Late Modernism 50: 47: 26: 9: 6: 4: 3: 2: 4920: 4909: 4906: 4904: 4901: 4899: 4896: 4894: 4891: 4889: 4886: 4884: 4881: 4879: 4876: 4874: 4871: 4869: 4866: 4864: 4861: 4859: 4856: 4854: 4851: 4849: 4846: 4844: 4841: 4839: 4836: 4834: 4831: 4829: 4826: 4825: 4823: 4810: 4800: 4799: 4798:Postmodernism 4793: 4792: 4784: 4777: 4773: 4770: 4766: 4763: 4759: 4756: 4752: 4749: 4745: 4742: 4741:Metamodernism 4738: 4735: 4731: 4728: 4724: 4721: 4717: 4714: 4710: 4707: 4706:New Hollywood 4703: 4700: 4696: 4693: 4689: 4686: 4682: 4679: 4675: 4672: 4668: 4665: 4661: 4658: 4654: 4651: 4647: 4644: 4640: 4637: 4633: 4630: 4626: 4621: 4617: 4614: 4610: 4607: 4603: 4602: 4600: 4599:Impressionism 4596: 4593: 4589: 4586: 4582: 4579: 4575: 4572: 4568: 4565: 4561: 4558: 4554: 4551: 4547: 4544: 4540: 4537: 4533: 4530: 4526: 4523: 4519: 4516: 4512: 4509: 4505: 4501: 4500: 4494: 4490: 4489: 4483: 4480: 4476: 4473: 4469: 4468: 4466: 4462: 4448: 4447: 4442: 4436: 4435: 4430: 4424: 4423: 4418: 4412: 4411: 4406: 4400: 4399: 4394: 4388: 4387: 4382: 4376: 4375: 4370: 4364: 4363: 4358: 4352: 4351: 4346: 4340: 4339: 4334: 4328: 4327: 4322: 4316: 4315: 4310: 4309: 4307: 4303: 4296: 4292: 4289: 4285: 4282: 4278: 4275: 4271: 4268: 4264: 4261: 4257: 4254: 4250: 4247: 4243: 4240: 4236: 4233: 4229: 4226: 4222: 4219: 4215: 4212: 4208: 4205: 4201: 4198: 4194: 4191: 4187: 4184: 4180: 4179: 4177: 4175: 4171: 4164: 4160: 4157: 4153: 4150: 4146: 4143: 4139: 4136: 4132: 4129: 4125: 4122: 4118: 4115: 4111: 4108: 4104: 4101: 4097: 4094: 4090: 4087: 4083: 4080: 4076: 4073: 4069: 4066: 4062: 4059: 4055: 4052: 4048: 4045: 4041: 4038: 4034: 4031: 4027: 4024: 4020: 4019: 4017: 4015: 4011: 4004: 4000: 3997: 3993: 3990: 3986: 3983: 3979: 3976: 3972: 3969: 3965: 3962: 3958: 3955: 3951: 3948: 3944: 3941: 3937: 3934: 3930: 3927: 3923: 3920: 3916: 3913: 3909: 3906: 3902: 3899: 3895: 3892: 3888: 3885: 3881: 3878: 3874: 3871: 3867: 3864: 3860: 3857: 3853: 3850: 3846: 3843: 3839: 3836: 3832: 3829: 3825: 3822: 3818: 3815: 3811: 3808: 3804: 3801: 3797: 3794: 3790: 3787: 3783: 3780: 3776: 3773: 3769: 3768: 3766: 3764: 3760: 3757: 3755: 3749: 3735: 3734: 3729: 3723: 3722: 3717: 3711: 3707: 3701: 3697: 3691: 3690: 3685: 3679: 3678: 3673: 3667: 3666: 3661: 3655: 3654: 3649: 3643: 3642: 3637: 3631: 3630: 3625: 3619: 3618: 3613: 3607: 3606: 3601: 3595: 3594: 3589: 3583: 3582: 3577: 3571: 3570: 3565: 3559: 3558: 3553: 3552: 3550: 3546: 3539: 3535: 3532: 3528: 3525: 3521: 3518: 3514: 3511: 3507: 3504: 3500: 3497: 3493: 3490: 3486: 3483: 3479: 3476: 3472: 3469: 3465: 3462: 3458: 3455: 3451: 3448: 3444: 3441: 3437: 3434: 3430: 3427: 3426:Hundertwasser 3423: 3420: 3416: 3413: 3409: 3406: 3402: 3399: 3395: 3392: 3388: 3385: 3381: 3380: 3378: 3376: 3372: 3365: 3361: 3358: 3354: 3351: 3347: 3344: 3340: 3337: 3333: 3330: 3326: 3323: 3319: 3316: 3312: 3309: 3305: 3302: 3298: 3295: 3291: 3288: 3284: 3281: 3277: 3274: 3270: 3267: 3263: 3260: 3256: 3253: 3249: 3246: 3242: 3239: 3235: 3232: 3228: 3225: 3221: 3218: 3214: 3211: 3207: 3204: 3200: 3197: 3193: 3190: 3186: 3183: 3179: 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2596: 2592: 2589: 2585: 2582: 2578: 2575: 2571: 2568: 2564: 2561: 2557: 2554: 2550: 2547: 2543: 2540: 2536: 2533: 2529: 2526: 2522: 2519: 2515: 2512: 2508: 2505: 2501: 2498: 2494: 2491: 2487: 2484: 2480: 2477: 2473: 2470: 2466: 2463: 2459: 2456: 2452: 2449: 2445: 2442: 2438: 2435: 2431: 2428: 2424: 2423: 2421: 2419: 2415: 2412: 2410: 2406: 2392: 2391: 2386: 2380: 2379: 2374: 2368: 2367: 2362: 2356: 2355: 2350: 2344: 2343: 2338: 2332: 2331: 2326: 2320: 2319: 2314: 2308: 2307: 2302: 2296: 2295: 2290: 2289: 2287: 2283: 2276: 2272: 2269: 2265: 2262: 2258: 2255: 2251: 2248: 2244: 2241: 2237: 2234: 2230: 2227: 2223: 2220: 2216: 2213: 2209: 2206: 2202: 2199: 2195: 2192: 2188: 2185: 2181: 2178: 2174: 2171: 2167: 2164: 2160: 2157: 2153: 2150: 2146: 2143: 2139: 2136: 2132: 2129: 2125: 2122: 2118: 2115: 2111: 2108: 2104: 2101: 2097: 2094: 2090: 2087: 2083: 2080: 2076: 2075: 2073: 2071: 2067: 2060: 2056: 2053: 2049: 2046: 2042: 2039: 2035: 2032: 2028: 2025: 2021: 2018: 2014: 2011: 2007: 2004: 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1439: 1432: 1426: 1410: 1406: 1402: 1395: 1389: 1384: 1369: 1365: 1359: 1353: 1349: 1345: 1344:0-9851601-0-1 1341: 1335: 1329: 1325: 1321: 1320:0-9851601-0-1 1317: 1311: 1305: 1300: 1293: 1287: 1283: 1273: 1270: 1268: 1265: 1263: 1260: 1258: 1255: 1253: 1250: 1248: 1245: 1244: 1238: 1236: 1232: 1228: 1224: 1220: 1216: 1212: 1208: 1204: 1200: 1195: 1191: 1188: 1184: 1180: 1178: 1177:John Roebling 1167: 1165: 1161: 1156: 1154: 1150: 1146: 1142: 1138: 1134: 1133:New Criticism 1124: 1122: 1118: 1113: 1109: 1105: 1101: 1097: 1092: 1090: 1089: 1084: 1083: 1078: 1077: 1072: 1068: 1067: 1062: 1061: 1056: 1050: 1048: 1044: 1040: 1036: 1031: 1029: 1025: 1021: 1017: 1013: 1009: 999: 997: 993: 992:Edward Weston 989: 985: 981: 977: 976: 970: 968: 964: 960: 956: 952: 951:Pablo Picasso 948: 944: 940: 939:Auguste Rodin 936: 935:Henri Matisse 932: 931: 926: 925: 920: 916: 912: 908: 903: 897: 889: 885: 884: 879: 870: 868: 865: 861: 857: 853: 849: 844: 840: 835: 833: 829: 828:Aaron Douglas 824: 822: 817: 813: 806: 802: 798: 791: 787: 783: 779: 777: 773: 768: 764: 760: 747: 744: 741: 738: 736: 733: 730: 727: 723: 720: 716: 715: 709: 706: 702: 700: 696: 692: 688: 684: 680: 676: 672: 668: 664: 660: 655: 651: 646: 644: 640: 636: 632: 628: 624: 620: 616: 612: 608: 604: 600: 596: 592: 588: 584: 580: 576: 572: 568: 564: 563:Charles Rosen 560: 556: 552: 551:Joseph Stella 548: 544: 540: 536: 532: 528: 524: 520: 516: 512: 508: 507:Ashcan School 504: 503:Gerald Murphy 500: 496: 492: 487: 485: 481: 477: 476:Impressionist 473: 468: 466: 462: 458: 453: 451: 450:non-objective 447: 443: 434: 430: 426: 425:Charles Rosen 420: 415: 391: 387: 381: 376: 372: 368: 362: 357: 353: 349: 343: 338: 334: 330: 324: 319: 316: 313: 309: 303: 298: 287: 286:Improvisation 283: 277: 272: 268: 264: 258: 253: 249: 247: 242: 236: 231: 227: 223: 219: 215: 209: 204: 200: 196: 190: 185: 184: 182: 167: 165: 164: 163:Postmodernist 159: 155: 150: 145: 141: 138: 134: 130: 126: 122: 117: 113: 109: 105: 102: 100: 96: 92: 88: 84: 80: 76: 72: 68: 64: 60: 56: 46: 44: 43:Enlightenment 40: 36: 32: 19: 4908:1940s in art 4903:1930s in art 4898:1920s in art 4893:1910s in art 4796: 4789: 4536:Ecomodernism 4471: 4444: 4432: 4420: 4408: 4396: 4384: 4374:The Firebird 4372: 4360: 4348: 4336: 4324: 4312: 3731: 3721:Citizen Kane 3719: 3710:Fallingwater 3700:Villa Savoye 3687: 3675: 3663: 3651: 3639: 3629:Black Square 3627: 3615: 3603: 3591: 3579: 3567: 3555: 3447:Le Corbusier 3375:Architecture 2388: 2376: 2364: 2354:Mrs Dalloway 2352: 2340: 2328: 2316: 2304: 2292: 2177:Lowell (Amy) 1551: 1541: 1521:. 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Retrieved 1367: 1358: 1334: 1310: 1299: 1291: 1286: 1237:in Germany. 1196: 1192: 1181: 1173: 1157: 1152: 1130: 1104:Claude McKay 1093: 1086: 1080: 1074: 1064: 1058: 1051: 1032: 1012:World War II 1005: 973: 971: 947:Paul CĂ©zanne 928: 924:pictorialist 922: 899: 883:Rrose SĂ©lavy 881: 842: 838: 836: 825: 821:wax emulsion 815: 810: 804: 789: 775: 770: 735:Precisionism 707: 703: 698: 695:Stuart Davis 686: 670: 647: 579:Stuart Davis 547:precisionism 515:Robert Henri 488: 469: 454: 446:Precisionism 444:landscapes ( 439: 433:Precisionism 428: 389: 370: 352:Lucky Strike 351: 348:Stuart Davis 332: 311: 285: 266: 244: 217: 198: 161: 146: 142: 127:" movement. 121:aestheticism 118: 114: 110: 106: 103: 75:architecture 52: 30: 29: 4791:Romanticism 4748:Remodernism 4629:Incoherents 4488:Avant-garde 4479:Armory Show 4086:Maeterlinck 3989:Villa-Lobos 3975:Szymanowski 3954:Stockhausen 3891:LutosƂawski 3609:(1909–1910) 2409:Visual arts 2382:(1928–1940) 2298:(1913–1927) 1821:Apollinaire 1785:Synchromism 1625:Art Nouveau 1221:(1952) and 1219:Lever House 1100:Alain Locke 1082:The Battler 1016:T. S. Eliot 1008:World War I 980:Ansel Adams 930:Camera Work 812:Arthur Dove 801:Arthur Dove 701:from 1940. 659:Regionalism 611:John Covert 583:Arthur Dove 545:), whereas 535:synchromies 519:George Luks 472:Armory Show 465:avant-garde 463:called the 315:Synchromism 293: 1915 222:Synchromism 220:(1913–14), 170:Visual arts 83:historicism 77:as well as 4848:Modern art 4822:Categories 4678:Maximalism 4613:Literature 4288:Wiesenthal 4190:Cunningham 4183:Balanchine 4163:Witkiewicz 4135:Strindberg 4121:Pirandello 4093:Mayakovsky 3968:Stravinsky 3940:Schoenberg 3752:Performing 3677:Metropolis 3468:Mendelsohn 3273:Rossellini 3266:Richardson 3077:Fassbinder 3063:Eisenstein 3000:Cassavetes 2756:Modigliani 2630:Goncharova 2616:Giacometti 2010:Dos Passos 1812:Literature 1771:Surrealism 1682:Die BrĂŒcke 1278:References 1141:Allen Tate 1020:Ezra Pound 996:Group f/64 994:) started 967:rayographs 963:Surrealist 894:See also: 654:John Sloan 625:(Zorach), 591:John Marin 431:, 1920's ( 99:utopianism 79:life style 63:literature 59:visual art 4828:Modernism 4727:Pulp noir 4685:Modernity 4550:Film noir 4274:St. Denis 4197:Diaghilev 3933:Schaeffer 3856:Hindemith 3828:Dutilleux 3800:Boulanger 3605:The Dance 3301:Tarkovsky 3294:Sternberg 3126:Hitchcock 3042:Dovzhenko 2958:Antonioni 2903:Stieglitz 2742:Metzinger 2693:Kokoschka 2672:Kandinsky 2086:Aldington 2079:Akhmatova 1996:Marinetti 1989:Mansfield 1940:Hemingway 1778:Symbolism 1597:Movements 1590:Modernism 1554:interview 867:Modernist 759:Modernism 726:Arensberg 719:Stieglitz 673:in 1928, 650:The Eight 639:Modernism 527:Max Weber 523:Stieglitz 470:The 1913 461:Greenberg 390:Painting, 123:and the " 65:, music, 55:modernist 39:modernity 35:modernism 4809:Category 4410:Fountain 4314:Don Juan 4253:Nijinsky 4149:Wedekind 4128:Piscator 4023:Anderson 3947:Scriabin 3863:Honegger 3517:Sullivan 3503:Saarinen 3496:Rietveld 3489:Niemeyer 3461:Melnikov 3391:Bunshaft 3322:Truffaut 3287:Sjöström 3231:Pudovkin 3203:Minnelli 3168:Kurosawa 3161:Kuleshov 3091:Flaherty 2917:Vuillard 2896:Steichen 2854:Rousseau 2819:Pissarro 2798:O'Keeffe 2763:Mondrian 2714:Malevich 2707:Magritte 2679:Kirchner 2623:van Gogh 2574:Doesburg 2553:Delaunay 2546:Delaunay 2469:BrĂąncuși 2455:Boccioni 2418:Painting 2268:Williams 2191:MallarmĂ© 2107:Cendrars 2017:Platonov 1975:Lawrence 1968:Koestler 1905:Flaubert 1898:Faulkner 1863:Bulgakov 1792:Tonalism 1753:De Stijl 1737:Lettrism 1723:Futurism 1614:Art Deco 1523:10 April 1489:10 April 1453:10 April 1415:10 April 1241:See also 154:Post-war 91:fine art 4464:Related 4326:Ubu Roi 4281:Tamiris 4267:Sokolow 4246:Massine 4114:Osborne 4107:O'Neill 4100:O'Casey 4058:Chekhov 4044:Beckett 4030:Anouilh 4014:Theatre 3961:Strauss 3919:Russolo 3898:Milhaud 3877:Janáček 3849:GĂłrecki 3842:Feldman 3821:Debussy 3814:Copland 3772:Antheil 3510:Steiner 3433:Johnson 3412:Guimard 3405:Gropius 3252:Resnais 3154:Kubrick 3084:Fellini 3070:Epstein 3056:Edwards 3021:Cocteau 3007:Chaplin 2979:Bresson 2972:Bergman 2951:Aldrich 2944:Akerman 2889:Soutine 2861:Schiele 2812:Picasso 2805:Picabia 2735:Matisse 2609:Gauguin 2581:Duchamp 2539:Kooning 2518:Claudel 2511:Chirico 2504:Chagall 2497:CĂ©zanne 2490:Cassatt 2462:Bonnard 2448:Bellows 2441:Balthus 2318:Ulysses 2240:Stevens 2233:Seferis 2052:Unamuno 1891:Forster 1870:Chekhov 1835:Beckett 1764:Orphism 1730:Imagism 1714:Bauhaus 1700:Fauvism 1605:Acmeism 1373:21 July 1235:Bauhaus 1162:'s and 955:Man Ray 888:Man Ray 641:to the 521:); the 511:realism 495:Man Ray 480:Fauvist 407:⁄ 397:⁄ 333:Spring, 49:History 4450:(1953) 4438:(1928) 4426:(1921) 4414:(1917) 4402:(1913) 4390:(1912) 4378:(1910) 4366:(1905) 4362:Salome 4354:(1902) 4342:(1899) 4330:(1896) 4318:(1888) 4295:Wigman 4225:Graham 4218:Fuller 4211:Fokine 4204:Duncan 4156:Wilder 4142:Toller 4079:Kaiser 4051:Brecht 4037:Artaud 3996:Webern 3982:VarĂšse 3912:Partch 3884:Ligeti 3807:Boulez 3779:BartĂłk 3737:(1943) 3725:(1941) 3713:(1936) 3703:(1931) 3693:(1929) 3681:(1927) 3669:(1925) 3657:(1923) 3645:(1920) 3633:(1915) 3621:(1912) 3597:(1907) 3585:(1889) 3573:(1887) 3561:(1886) 3538:Wright 3524:Tatlin 3482:Neutra 3384:Breuer 3350:Welles 3336:Vertov 3259:Renoir 3210:Murnau 3196:Marker 3189:Lupino 3147:Keaton 3133:Hubley 3119:Godard 3105:Fuller 3049:Dreyer 3028:Dassin 2986:Buñuel 2882:Sisley 2875:Signac 2868:Seurat 2840:Renoir 2658:Hopper 2560:Demuth 2483:Calder 2476:Braque 2427:Albers 2394:(1929) 2370:(1926) 2358:(1925) 2346:(1924) 2334:(1922) 2322:(1922) 2310:(1915) 2261:ValĂ©ry 2247:Thomas 2212:Pessoa 2156:George 2149:Elytis 2142:Éluard 2128:Desnos 2100:Cavafy 2070:Poetry 2031:Proust 2024:Porter 1926:Hamsun 1884:Döblin 1877:Conrad 1849:Breton 1828:Barnes 1648:Cubism 1514:  1405:si.edu 1350:  1342:  1326:  1318:  1205:, and 949:, and 765:, and 728:circle 689:1948. 565:, and 484:Cubist 442:cubist 354:, 1921 310:1920, 269:(1914) 160:. The 71:design 4620:Post- 4606:Music 4305:Works 4260:Shawn 4239:Laban 4174:Dance 4072:Jarry 4065:Ibsen 4003:Weill 3926:Satie 3835:Falla 3793:Berio 3763:Music 3548:Works 3475:Nervi 3419:Horta 3398:GaudĂ­ 3357:Wiene 3329:Varda 3315:Trnka 3224:Pabst 3182:Losey 3140:Jones 3112:Gance 3035:Deren 3014:Clair 2993:CarnĂ© 2965:Avery 2847:Rodin 2833:Redon 2791:Nolde 2784:Munch 2777:Moore 2770:Monet 2721:Manet 2700:LĂ©ger 2665:Kahlo 2644:Grosz 2602:Ernst 2595:Ensor 2532:Degas 2285:Works 2275:Yeats 2254:Tzara 2226:Rilke 2219:Pound 2198:Moore 2170:Lorca 2163:Jacob 2135:Eliot 2114:Crane 2093:Auden 2059:Woolf 2045:Svevo 2038:Stein 2003:Musil 1961:Kafka 1954:Joyce 1947:Hesse 1933:HaĆĄek 1856:Broch 1691:Music 1164:Yeats 1160:Eliot 721:group 295:–1916 133:blues 4232:Holm 3905:Nono 3870:Ives 3786:Berg 3754:arts 3531:Mies 3454:Loos 3440:Kahn 3364:Wood 3343:Vigo 3308:Tati 3280:Sirk 3175:Lang 3098:Ford 2935:Film 2924:Wood 2749:MirĂł 2728:Marc 2686:Klee 2651:Höch 2637:Gris 2588:Dufy 2525:DalĂ­ 2205:Owen 2121:H.D. 1982:Mann 1919:Gide 1912:Ford 1842:Bely 1655:Dada 1525:2018 1512:ISBN 1491:2018 1455:2018 1417:2018 1375:2019 1368:SAIC 1348:ISBN 1340:ISBN 1324:ISBN 1316:ISBN 1175:see 1119:and 1110:and 1041:and 1022:and 1010:and 961:and 959:Dada 917:and 858:and 807:1937 792:1935 724:the 717:the 691:Jazz 661:and 633:and 541:and 482:and 402:× 36 373:1928 335:1921 250:1914 201:1901 147:The 137:jazz 135:and 67:film 3217:Ozu 2826:Ray 2567:Dix 2434:Arp 1225:'s 1217:'s 1073:'s 1057:'s 537:" ( 517:or 4824:: 4788:← 1482:. 1446:. 1403:. 1366:. 1346:, 1322:, 1201:, 1147:, 1143:, 1139:, 1123:. 1106:, 1102:, 1049:. 1037:, 1030:. 1018:, 990:, 986:, 982:, 945:, 941:, 937:, 913:, 854:, 850:, 834:. 823:. 803:, 788:, 761:, 645:. 629:, 621:, 617:, 613:, 609:, 605:, 601:, 597:, 593:, 585:, 581:, 577:, 573:, 561:, 557:, 553:, 529:, 501:, 497:, 493:, 478:, 467:. 427:, 388:, 369:, 350:, 331:, 290:c. 288:, 284:, 265:, 243:, 216:, 197:, 73:, 69:, 61:, 4801:→ 1582:e 1575:t 1568:v 1493:. 1457:. 1419:. 1377:. 513:( 435:) 409:8 405:3 399:4 395:3 248:, 228:. 20:)

Index

American Modernist
modernism
modernity
Enlightenment
modernist
visual art
literature
film
design
architecture
life style
historicism
institutionalization
fine art
Roaring Twenties
utopianism
aestheticism
art for art's sake
Clement Greenberg
blues
jazz
Great Depression
Post-war
Late Modernism
Postmodernist
Western painting
Alfred Henry Maurer, An Arrangement, 1901
Alfred Henry Maurer
Morgan Russell, Cosmic Synchromy (1913–14), Synchromism. Oil on canvas, 41.28 cm × 33.34 cm., Munson-Williams-Proctor Arts Institute.
Morgan Russell

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