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Adams himself notes that the first movement is "obviously a march, but… stripped down to a plodding pulse, with no melody or harmony" and that it sounds "like the retreat from battle of a badly wounded army (not my original intention, but curiously evocative all the same)". All of the players play a
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An additional aspect of the piece is that the conductor is instructed to place "sonic found objects" into the composition. In his original recording from 1973, Adams included a recording from a "late-night AM radio talk show in which an abusive host argued about God with a patient man who eventually
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The middle movement, "Christian Zeal and
Activity", is often performed and recorded without the other movements. Adams states that the title of the movement was "stolen out of old
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as a whole. It is usually the only part of the work recorded or performed, and the only part for which published performance materials are available.
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repeated about 60 times with an addition of what he calls "corny march rhythms". Adams felt that the piece was technically difficult to perform.
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appliances although Adams says that the title also reflects that the constituent movements are "indigenous musical forms" of the United States.
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The middle movement, which includes slow tonal chords and a recorded sample of a preacher speaking, has achieved notability independent of
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The piece in its entirety has only been recorded once for commercial release, by Adams himself. The commercial release was produced by
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overtone to the slow unfolding of melodic strand, continues the
American tradition of using hymn tunes, and place Adams firmly in the
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identified himself as a preacher". This recording extends beyond the conclusion of the musical portion of the movement.
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at 00:00 of OTGJohnAdamsR2 and Adams discussing the work at 47:47 of OTGJohnAdamsR1
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Audio interview and musical recordings from 18 April 1973. Includes a recording of
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Interview by
Charles Amirkhanian. 18 April 1973. Retrieved 10 March 2011.
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of which Adams was director and was released together with two works by
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label in 1975. The recording was of a 23 March 1973 performance at the
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The final movement is an "arrangement or reworking" of
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I Was
Looking at the Ceiling and Then I Saw the Sky
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400:. August 1988. p. 38. Retrieved March 10, 2011.
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29:. The work is named for
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342:Earbox: John Adams
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374:19 January
245:References
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344:. Earbox
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