Knowledge

Loop (music)

Source 📝

34: 447: 1258: 52: 383:
which was then fed between the capstan and the pinch roller. Because the loop was about 30 feet long, it was fed out to a 7” plastic reel for ballast which was hung over the arm of a microphone stand before the loop of tape returned to the take-up reel. This same loop was later used by the Bee Gees
397:
came to work with Galuten and Gibb on a Bee Gees record, he was shown the technique of creating drum loops with analog tape. Porcaro subsequently went back to California where he used the method he had learned to create the drum loop that was used by Toto as the foundation of the song
458:
and software devices to create and modify loops, often in conjunction with various electronic musical effects. A loop can be created by a looper pedal, a device that records the signal from a guitar or other audio source and then plays the recorded passage over and over again.
50: 228:"A drum loop is technically a short recording of multiple drum materials which has been edited to loop seamlessly ( to loop smoothly and continuously), a drum loop repeats until an exact duration is satisfied, for example, to 493:
2880 are examples of popular pedals. As of December 2015, the following pedals are currently in production: TC Ditto, TC Ditto X2, TC Ditto Mic, TC Ditto Stereo, Boss RC-1, Boss RC-3, Boss RC-30, Boss RC-300 and Boss RC-505.
51: 388:
also from the Saturday Night Fever soundtrack. That same loop was also use – though slowed down quite a bit, for the Streisand recording of “Woman in Love” produced by Albhy Galuten, Karl Richardson and Barry Gibb. When
427:. Their approach to sampling was a precursor to the contemporary approach of constructing music by cutting fragments of sounds and looping them using computer technology. The album was produced using 43: 94:
patterns. Longer sections can also be repeated: for example, a player might loop what they play on an entire verse of a song in order to then play along with it, accompanying themselves.
806: 305:
he devised a hardware looper that he named the Time Lag Accumulator, consisting of two tape recorders linked together, which he used to loop and manipulate trumpet player
1340: 319:, consists of 53 repeated melodic phrases (loops) performed live by an ensemble. "Poppy Nogood and the Phantom Band", the B-side of his influential 1969 album 851:
Decroupet, Pascal; Ungeheuer, Elena; Kohl, Jerome (1998). "Through the Sensory Looking-Glass: The Aesthetic and Serial Foundations of Gesang der JĂźnglinge".
1320: 325:
uses tape loops of his electric organ and soprano saxophone to create electronic music that contains surprises as well as hypnotic repetition.
776: 1405: 1045: 1175: 1325: 301:
is a seminal composer and performer of the loop- and ostinato-based music who began using tape loops in 1960. For his 1963 piece
259:
While repetition is used in the music of all cultures, the first musicians to use loops in the sense meant by this article were
1113: 1121: 1085: 1006: 944: 913: 485:
Echoplex Digital Pro, Electrix Repeater, and Looperlative LP1 are 19" rack units. The Boomerang "Rang III" Phrase Sampler,
1400: 1380: 979: 902: 833: 385: 883:
Equipboard staff. 2018. "5 Best Looper Pedals for Guitar". Equipboard website (14 August, accessed 18 October 2018).
771: 291:
on reel-to-reel machines, manipulating pre-recorded sounds to make new works. In turn, El-Dabh's music influenced
1614: 1438: 1390: 513:
album "Buddha Machine Music" used these loops along with others created by manually scrolling through C.D.s on a
144:. The feature to loop a section of an audio track or video footage is also referred to by electronics vendors as 1310: 1168: 218:, but ... specifically a small section of sound that's repeated continuously." Contrast with a one-shot sample. 1700: 1670: 1061: 179: 1569: 1522: 435: 106: 1305: 151:
Royalty-free loops can be purchased and downloaded for music creation from companies like The Loop Loft,
17: 1635: 1161: 1077: 853: 532: 482: 793: 1619: 1375: 1272: 1024: 1594: 1282: 1277: 321: 232:
a single loop to another, you might want to use a drum fill which could also be a seamless loop."
1144: 344:
effect by using both mechanical and handmade tape loops. These techniques were later adopted by
1904: 1542: 418: 990: 1315: 1300: 1188: 825: 819: 432: 284: 264: 1217: 190:
loops by triggering the start of the musical sequence by using a MIDI controller such as an
966:
The Complete Guide to Remixing: Produce Professional Dance-Floor Hits on Your Home Computer
368: 337: 1103: 8: 1786: 1720: 1665: 1431: 998: 222: 134: 1237: 1107: 254: 1863: 1512: 1212: 1153: 964: 870: 399: 195: 152: 375:
and Karl Richardson. It was created by recording two measures of drums from the song “
1873: 1599: 1589: 1395: 1117: 1081: 1055: 1047:
DigiTech JML2 JamMan Stereo Review: Up to 6 Hours of Looping at the Touch of a Button
1002: 975: 950: 940: 898: 829: 505:
music boxes that loop chanting of mantras, which in turn were the inspiration of the
349: 167: 156: 462:
In the early 1990s, dedicated digital devices were invented specifically for use in
1760: 1735: 1356: 1247: 1184: 862: 615: 498: 490: 455: 421:, who released one of the first albums to feature mostly samples and loops, 1981's 414: 406: 364: 268: 260: 246: 215: 98: 280: 1878: 1796: 1791: 1776: 1695: 1579: 1202: 1071: 917: 528: 486: 118: 807:
It's Easy When You're Big in Japan: Yellow Magic Orchestra at the Hollywood Bowl
1899: 1822: 1801: 1781: 1755: 1710: 1705: 1564: 1517: 1424: 1207: 781: 506: 478: 138: 954: 1893: 1858: 1837: 1725: 1675: 1660: 1645: 1640: 1574: 1495: 1257: 894: 474: 410: 380: 372: 345: 316: 272: 229: 130: 59: 1832: 1690: 1650: 1485: 1480: 501:. It is also the guiding principle behind devices like the several Chinese 463: 390: 276: 126: 122: 891:
Making Music with Samples: Tips, Techniques, and 600+ Ready-to-Use Samples
1827: 1745: 1685: 1680: 1609: 1527: 1475: 1451: 1447: 1350: 1242: 543: 428: 423: 394: 376: 353: 298: 292: 211:
in length), which you believe might work being repeated." A loop is not "
208: 114: 1416: 1740: 1715: 1655: 1559: 1537: 1502: 1232: 510: 333: 306: 250: 102: 70: 934: 874: 1750: 1604: 1532: 1227: 470: 329: 288: 242: 1470: 866: 502: 336:
used tape loops in his productions while improvising with homemade
207:"Loops are short sections of tracks (probably between one and four 141: 91: 446: 1842: 1584: 1547: 1050:, Gearwire Forums, archived from the original on 25 November 2012 995:
Electronic and Experimental Music: Technology, Music, and Culture
357: 340:
units. Another dub producer, Sylvan Morris, developed a slapback
191: 1817: 1554: 1490: 1148: 971: 1730: 1345: 1330: 466:, i.e. loops that are recorded in front of a live audience. 221:"A loop is a sample of a performance that has been edited to 87: 79: 702: 27:
Repeating section of sound material in electroacoustic music
1868: 1507: 1335: 738: 341: 311: 175: 163: 821:
Hip-hop Japan: Rap and the Paths of Cultural Globalization
762: 497:
The musical loop is one of the most important features of
1465: 1385: 514: 183: 171: 1183: 690: 627: 363:
The first commercial drum loop was created for the song
849: 668: 666: 621: 1073:
Dub: Songscapes and Shattered Songs in Jamaican Reggae
1066:
Archive from 25 November 2012 (accessed 10 June 2014).
850: 639: 936:
It's about time: Jeff Porcaro, the man and his music
663: 603: 579: 567: 438:, which engineer Kenji Murata custom-built for YMO. 90:material. Short sections can be repeated to create 963: 678: 591: 726: 328:Another effective use of tape loops was Jamaican 315:, an early example of what would later be called 1891: 1109:Schleifen. Zur Geschichte und Ästhetik des Loops 882: 714: 708: 651: 555: 911: 765:". LooperMusic.com (accessed 29 December 2015). 744: 1432: 1169: 58:Loop example (recurring after 22 seconds) by 1406:Studio di fonologia musicale di Radio Milano 522: 97:Loops can be created using a wide range of 1439: 1425: 1401:Studio for Electronic Music (WDR, Cologne) 1176: 1162: 509:, an ambient-music generating device. The 225:when the audio file is played end to end." 1446: 445: 1022: 961: 888: 597: 585: 573: 295:'s use of tape loops in the mid-1960s. 14: 1892: 991:"Early Synthesizers and Experimenters" 988: 817: 804: 763:Looper Pedal: Reviews and Performances 684: 672: 633: 609: 379:” and recording them onto a two-track 1420: 1157: 932: 791: 769: 760: 732: 696: 657: 561: 469:Many hardware loopers exist, some in 1069: 1043: 720: 645: 405:The use of pre-recorded, digitally- 309:and his band. His 1964 composition 110: 24: 1096: 914:"Jan Linton: Buddha Machine Music" 794:"What is the A–B Repeat function?" 32: 25: 1916: 1381:Philips Natuurkundig Laboratorium 1138: 1025:"Creating a Drum Loop Like a Pro" 916:. Entropy Records. Archived from 813:(30 June, accessed 22 July 2011). 441: 1256: 772:月刊ロッキンf 1982ĺš´3月号 LMD-649の記事 1982 69:Problems playing this file? See 48: 1615:Two turntables and a microphone 1391:San Francisco Tape Music Center 267:pioneers of the 1940s, such as 1311:Groupe de Recherches Musicales 1044:Ross, Michael (29 July 2010), 774:". Tokyosky Webmaster's Blog. 201: 13: 1: 624:, pp. 110, 118–119, 126. 549: 162:Loops are supplied in either 622:Decroupet and Ungeheuer 1998 7: 1306:Electronic Music Foundation 537: 332:in the 1960s. Dub producer 10: 1921: 526: 454:Today, many musicians use 240: 236: 86:is a repeating section of 1851: 1811:Releases and distribution 1810: 1769: 1628: 1458: 1366: 1291: 1265: 1254: 1195: 1078:Wesleyan University Press 1070:Veal, Michael E. (2007). 1060:: CS1 maint: unfit URL ( 854:Perspectives of New Music 533:Digital audio workstation 523:Loop-based music software 1620:Vinyl emulation software 1376:BBC Radiophonic Workshop 912:Entropy Records (2011). 889:Duffell, Daniel (2005). 805:Carter, Monica (2011). " 287:. These composers used 1595:Sound system (Jamaican) 792:Anon. (11 April 2018). 473:form, but primarily as 413:dates back to Japanese 356:is an early example in 322:A Rainbow in Curved Air 1543:Direct-drive turntable 962:Hawkins, Erik (2004). 489:, Boss RC-300 and the 451: 419:Yellow Magic Orchestra 37: 1316:Institute of Sonology 1301:Computer Music Center 1189:electroacoustic music 1031:. No. 30 October 989:Holmes, Thom (2008). 933:Flans, Robyn (2020). 826:Duke University Press 709:Equipboard staff 2018 449: 285:Karlheinz Stockhausen 265:electroacoustic music 36: 999:Taylor & Francis 818:Condry, Ian (2006). 745:Entropy Records 2011 369:Saturday Night Fever 1666:Chopped and screwed 1114:Kulturverlag Kadmos 648:, pp. 187–188. 636:, pp. 153–154. 477:. The discontinued 431:'s LMD-649 digital 386:“More than a Woman” 1864:Hip hop production 1513:Magnetic cartridge 1213:Experimental music 1104:Baumgärtel, Tilman 1029:Exclusivemusicplus 811:The Vinyl District 452: 450:Ditto looper pedal 303:Music for The Gift 196:Native Instruments 168:Audio file formats 153:Native Instruments 133:, and they can be 99:music technologies 44:"Home Base Groove" 38: 1887: 1886: 1874:Record collecting 1600:Speaker enclosure 1590:Sound system (DJ) 1414: 1413: 1123:978-3-86599-271-0 1087:978-0-8195-7442-8 1008:978-0-415-95781-6 974:: Berklee Press. 946:978-1-7051-1229-8 787:(March): 140–141. 350:Grandmaster Flash 346:hip hop musicians 223:repeat seamlessly 53: 16:(Redirected from 1912: 1852:Related articles 1761:Video scratching 1441: 1434: 1427: 1418: 1417: 1260: 1248:Octophonic sound 1238:Musique concrète 1178: 1171: 1164: 1155: 1154: 1134: 1132: 1130: 1091: 1065: 1059: 1051: 1040: 1038: 1036: 1023:Horlaes (2018). 1019: 1017: 1015: 997:(3rd ed.). 985: 969: 958: 929: 927: 925: 920:on 12 March 2012 908: 884: 879: 878: 846: 844: 842: 814: 801: 788: 785: 766: 748: 742: 736: 730: 724: 718: 712: 706: 700: 694: 688: 682: 676: 670: 661: 655: 649: 643: 637: 631: 625: 619: 613: 607: 601: 595: 589: 583: 577: 571: 565: 559: 499:video game music 491:Electro-Harmonix 456:digital hardware 415:electronic music 269:Pierre Schaeffer 261:musique concrete 255:Musique concrète 247:Sampling (music) 55: 54: 35: 21: 1920: 1919: 1915: 1914: 1913: 1911: 1910: 1909: 1890: 1889: 1888: 1883: 1879:Record producer 1847: 1806: 1765: 1696:Harmonic mixing 1624: 1570:Monitor speaker 1523:Monitor speaker 1454: 1445: 1415: 1410: 1368: 1362: 1293: 1287: 1261: 1252: 1218:Hyperinstrument 1203:Circuit bending 1191: 1182: 1141: 1128: 1126: 1124: 1102: 1099: 1097:Further reading 1094: 1088: 1053: 1052: 1034: 1032: 1013: 1011: 1009: 982: 947: 923: 921: 905: 840: 838: 836: 779: 770:Anon. (2011). " 761:Anon. (n.d.). " 751: 743: 739: 731: 727: 719: 715: 707: 703: 695: 691: 683: 679: 671: 664: 656: 652: 644: 640: 632: 628: 620: 616: 608: 604: 596: 592: 584: 580: 572: 568: 560: 556: 552: 540: 535: 529:Music sequencer 527:Main articles: 525: 487:DigiTech JamMan 444: 365:“Stayin’ Alive” 257: 239: 204: 76: 75: 67: 65: 64: 63: 62: 56: 49: 46: 39: 33: 28: 23: 22: 15: 12: 11: 5: 1918: 1908: 1907: 1902: 1885: 1884: 1882: 1881: 1876: 1871: 1866: 1861: 1855: 1853: 1849: 1848: 1846: 1845: 1840: 1835: 1830: 1825: 1823:Battle records 1820: 1814: 1812: 1808: 1807: 1805: 1804: 1799: 1794: 1789: 1784: 1779: 1773: 1771: 1767: 1766: 1764: 1763: 1758: 1756:Voice-tracking 1753: 1748: 1743: 1738: 1733: 1728: 1723: 1718: 1713: 1708: 1703: 1698: 1693: 1688: 1683: 1678: 1673: 1668: 1663: 1658: 1653: 1648: 1643: 1638: 1632: 1630: 1626: 1625: 1623: 1622: 1617: 1612: 1607: 1602: 1597: 1592: 1587: 1582: 1577: 1572: 1567: 1562: 1557: 1552: 1551: 1550: 1545: 1535: 1530: 1525: 1520: 1518:Mixing console 1515: 1510: 1505: 1500: 1499: 1498: 1493: 1483: 1478: 1473: 1468: 1462: 1460: 1456: 1455: 1444: 1443: 1436: 1429: 1421: 1412: 1411: 1409: 1408: 1403: 1398: 1396:Studio d'Essai 1393: 1388: 1383: 1378: 1372: 1370: 1364: 1363: 1361: 1360: 1354: 1348: 1343: 1338: 1333: 1328: 1323: 1318: 1313: 1308: 1303: 1297: 1295: 1289: 1288: 1286: 1285: 1280: 1275: 1269: 1267: 1263: 1262: 1255: 1253: 1251: 1250: 1245: 1240: 1235: 1230: 1225: 1220: 1215: 1210: 1208:Computer music 1205: 1199: 1197: 1193: 1192: 1181: 1180: 1173: 1166: 1158: 1152: 1151: 1140: 1139:External links 1137: 1136: 1135: 1122: 1098: 1095: 1093: 1092: 1086: 1076:. Middletown: 1067: 1041: 1020: 1007: 986: 980: 959: 945: 930: 909: 903: 886: 880: 867:10.2307/833578 847: 834: 815: 802: 789: 767: 757: 750: 749: 737: 725: 713: 701: 689: 677: 662: 650: 638: 626: 614: 612:, p. 154. 602: 590: 578: 566: 553: 551: 548: 547: 546: 539: 536: 524: 521: 507:Buddha machine 479:Lexicon JamMan 443: 442:Modern looping 440: 367:for the movie 348:in the 1970s. 238: 235: 234: 233: 226: 219: 203: 200: 139:computer music 66: 57: 47: 42: 41: 40: 31: 30: 29: 26: 9: 6: 4: 3: 2: 1917: 1906: 1905:Music looping 1903: 1901: 1898: 1897: 1895: 1880: 1877: 1875: 1872: 1870: 1867: 1865: 1862: 1860: 1859:Controllerism 1857: 1856: 1854: 1850: 1844: 1841: 1839: 1838:Remix service 1836: 1834: 1831: 1829: 1826: 1824: 1821: 1819: 1816: 1815: 1813: 1809: 1803: 1800: 1798: 1795: 1793: 1790: 1788: 1785: 1783: 1780: 1778: 1775: 1774: 1772: 1768: 1762: 1759: 1757: 1754: 1752: 1749: 1747: 1744: 1742: 1739: 1737: 1734: 1732: 1729: 1727: 1724: 1722: 1719: 1717: 1714: 1712: 1709: 1707: 1704: 1702: 1701:Interpolation 1699: 1697: 1694: 1692: 1689: 1687: 1684: 1682: 1679: 1677: 1674: 1672: 1669: 1667: 1664: 1662: 1659: 1657: 1654: 1652: 1649: 1647: 1646:Beat juggling 1644: 1642: 1641:Back spinning 1639: 1637: 1634: 1633: 1631: 1627: 1621: 1618: 1616: 1613: 1611: 1608: 1606: 1603: 1601: 1598: 1596: 1593: 1591: 1588: 1586: 1583: 1581: 1578: 1576: 1575:Pitch control 1573: 1571: 1568: 1566: 1563: 1561: 1558: 1556: 1553: 1549: 1546: 1544: 1541: 1540: 1539: 1538:Record player 1536: 1534: 1531: 1529: 1526: 1524: 1521: 1519: 1516: 1514: 1511: 1509: 1506: 1504: 1501: 1497: 1496:Digital delay 1494: 1492: 1489: 1488: 1487: 1484: 1482: 1479: 1477: 1474: 1472: 1469: 1467: 1464: 1463: 1461: 1457: 1453: 1449: 1442: 1437: 1435: 1430: 1428: 1423: 1422: 1419: 1407: 1404: 1402: 1399: 1397: 1394: 1392: 1389: 1387: 1384: 1382: 1379: 1377: 1374: 1373: 1371: 1369:organizations 1365: 1358: 1355: 1352: 1349: 1347: 1344: 1342: 1339: 1337: 1334: 1332: 1329: 1327: 1324: 1322: 1319: 1317: 1314: 1312: 1309: 1307: 1304: 1302: 1299: 1298: 1296: 1294:organizations 1290: 1284: 1281: 1279: 1276: 1274: 1271: 1270: 1268: 1264: 1259: 1249: 1246: 1244: 1241: 1239: 1236: 1234: 1231: 1229: 1226: 1224: 1221: 1219: 1216: 1214: 1211: 1209: 1206: 1204: 1201: 1200: 1198: 1194: 1190: 1186: 1179: 1174: 1172: 1167: 1165: 1160: 1159: 1156: 1150: 1146: 1143: 1142: 1125: 1119: 1115: 1111: 1110: 1105: 1101: 1100: 1089: 1083: 1079: 1075: 1074: 1068: 1063: 1057: 1049: 1048: 1042: 1030: 1026: 1021: 1010: 1004: 1000: 996: 992: 987: 983: 981:0-87639-044-0 977: 973: 968: 967: 960: 956: 952: 948: 942: 938: 937: 931: 919: 915: 910: 906: 904:0-87930-839-7 900: 896: 895:San Francisco 892: 887: 881: 876: 872: 868: 864: 861:(1): 97–142. 860: 856: 855: 848: 837: 835:0-8223-3892-0 831: 827: 823: 822: 816: 812: 808: 803: 799: 795: 790: 786: 783: 778: 773: 768: 764: 759: 758: 756: 755: 746: 741: 734: 729: 722: 717: 710: 705: 698: 693: 686: 681: 675:, p. 60. 674: 669: 667: 659: 654: 647: 642: 635: 630: 623: 618: 611: 606: 599: 594: 588:, p. 10. 587: 582: 576:, p. 14. 575: 570: 563: 558: 554: 545: 542: 541: 534: 530: 520: 518: 516: 512: 508: 504: 500: 495: 492: 488: 484: 480: 476: 475:effect pedals 472: 467: 465: 460: 457: 448: 439: 437: 434: 430: 426: 425: 420: 416: 412: 411:popular music 408: 403: 401: 396: 392: 387: 384:for the song 382: 378: 374: 373:Albhy Galuten 370: 366: 361: 359: 355: 351: 347: 343: 339: 335: 331: 326: 324: 323: 318: 314: 313: 308: 304: 300: 296: 294: 290: 286: 282: 281:Edgard Varèse 278: 274: 273:Halim El-Dabh 270: 266: 262: 256: 252: 248: 244: 231: 227: 224: 220: 217: 214: 210: 206: 205: 199: 197: 193: 189: 185: 181: 177: 173: 169: 165: 160: 158: 154: 149: 147: 143: 140: 136: 132: 128: 127:tape machines 124: 123:drum machines 120: 116: 112: 111:looper pedals 108: 104: 100: 95: 93: 89: 85: 81: 74: 72: 61: 60:Kevin MacLeod 45: 19: 1833:Digital pool 1651:Beatmatching 1636:Audio mixing 1486:Effects unit 1481:Drum machine 1222: 1127:. Retrieved 1108: 1072: 1046: 1033:. Retrieved 1028: 1012:. Retrieved 994: 965: 935: 922:. Retrieved 918:the original 897:: Backbeat. 890: 858: 852: 839:. Retrieved 820: 810: 797: 775: 753: 752: 740: 728: 716: 704: 692: 680: 653: 641: 629: 617: 605: 598:Horlaes 2018 593: 586:Hawkins 2004 581: 574:Duffell 2005 569: 557: 519: 496: 468: 464:live looping 461: 453: 422: 404: 393:of the band 391:Jeff Porcaro 362: 327: 320: 310: 302: 297: 277:Pierre Henry 258: 212: 187: 186:. Musicians 161: 159:and Output. 150: 145: 115:synthesizers 96: 83: 77: 68: 1828:Rare groove 1746:Slip-cueing 1721:Needle drop 1610:Synthesizer 1528:Phono input 1476:DJ software 1452:turntablism 1243:Noise music 1145:Music loops 1035:30 November 780: [ 685:Carter 2011 673:Condry 2006 634:Holmes 2008 610:Holmes 2008 544:Phase music 429:Toshiba-EMI 424:Technodelic 381:analog tape 377:Night Fever 354:turntablism 299:Terry Riley 293:Frank Zappa 202:Definitions 131:delay units 1894:Categories 1741:Scratching 1716:Music loop 1656:Beatmixing 1629:Techniques 1560:Microphone 1503:Headphones 1266:By country 1233:Microsound 1196:Techniques 1185:Electronic 1112:. Berlin: 955:1240405790 798:sony.co.th 699:, 140–141. 697:Anon. 2011 658:Flans 2020 562:Anon. 2018 550:References 511:Jan Linton 334:King Tubby 317:minimalism 307:Chet Baker 289:tape loops 251:Tape music 241:See also: 198:MASCHINE. 194:Push or a 146:A–B repeat 135:programmed 119:sequencers 105:, digital 103:turntables 101:including 71:media help 18:Music loop 1787:Transform 1770:Scratches 1751:Pitch cue 1605:Subwoofer 1533:PA system 1459:Equipment 1228:Tape loop 733:Anon. n.d 721:Ross 2010 646:Veal 2007 471:rack unit 409:loops in 330:dub music 243:Tape loop 1736:Sampling 1726:Phrasing 1671:Chopping 1565:Minutoli 1471:DJ mixer 1367:Inactive 1351:Toonzaal 1106:(2015). 1056:citation 777:Rockin'f 538:See also 517:player. 503:Buddhist 170:such as 142:software 107:samplers 92:ostinato 1843:Mixtape 1676:Covered 1585:Slipmat 1580:Sampler 1548:SL-1200 1283:Germany 1129:11 July 1014:10 June 841:12 June 754:Sources 436:sampler 407:sampled 358:hip hop 237:Origins 192:Ableton 1818:DJ mix 1711:Medley 1706:Mashup 1555:Laptop 1491:Reverb 1359:studio 1353:Studio 1341:SEAMUS 1292:Active 1278:France 1149:Curlie 1120:  1084:  1005:  978:  972:Boston 953:  943:  924:5 July 901:  875:833578 873:  832:  483:Gibson 400:Africa 253:, and 216:sample 157:Splice 137:using 129:, and 1900:DJing 1797:Chirp 1792:Flare 1777:Orbit 1731:Remix 1661:Break 1448:DJing 1346:STEIM 1331:IRCAM 1273:Chile 871:JSTOR 784:] 417:band 338:delay 230:break 88:sound 80:music 1869:Rave 1802:Crab 1782:Tear 1691:Drop 1508:iPod 1450:and 1357:WORM 1336:NIME 1326:ICMA 1321:ICEM 1223:Loop 1187:and 1131:2015 1118:ISBN 1082:ISBN 1062:link 1037:2018 1016:2014 1003:ISBN 976:ISBN 951:OCLC 941:ISBN 926:2011 899:ISBN 843:2011 830:ISBN 531:and 395:TOTO 342:echo 312:In C 283:and 263:and 209:bars 188:play 182:and 180:AIFF 176:REX2 164:MIDI 84:loop 82:, a 1686:Cut 1681:Cue 1466:CDJ 1386:NHK 1147:at 863:doi 809:". 515:CDJ 433:PCM 371:by 352:'s 213:any 184:MP3 172:WAV 166:or 78:In 1896:: 1116:. 1080:. 1058:}} 1054:{{ 1027:. 1001:. 993:. 970:. 949:. 939:. 893:. 869:. 859:36 857:. 828:. 824:. 796:. 782:nl 665:^ 481:, 402:. 360:. 279:, 275:, 271:, 249:, 245:, 178:, 174:, 155:, 148:. 125:, 121:, 117:, 113:, 109:, 1440:e 1433:t 1426:v 1177:e 1170:t 1163:v 1133:. 1090:. 1064:) 1039:. 1018:. 984:. 957:. 928:. 907:. 885:. 877:. 865:: 845:. 800:. 747:. 735:. 723:. 711:. 687:. 660:. 600:. 564:. 73:. 20:)

Index

Music loop
"Home Base Groove"
Kevin MacLeod
media help
music
sound
ostinato
music technologies
turntables
samplers
looper pedals
synthesizers
sequencers
drum machines
tape machines
delay units
programmed
computer music
software
Native Instruments
Splice
MIDI
Audio file formats
WAV
REX2
AIFF
MP3
Ableton
Native Instruments
bars

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑