35:
296:), for a brief biopic about Kral, followed with the credit "directed by Cindy Hudson." Although the theater screening the film had, apparently unknowingly, marketed it as the iconic 1976 work, it was a considerably different film, and Poe's name was excised entirely.
243:
and the transformation of existing cultural features, but "using the technology and the sensibility of contemporary rather than nostalgia". "My idea of my work's importance is to see how it moves the culture to where I'd like to see it", Poe said in a 1981 interview.
268:, to Ivan Kral in a 2012 lawsuit over profits from licensing fees for showings of the film. Thereafter, Kral billed himself as the director of the film, demoting Poe to co-editor; Kral also acquired ownership, for $ 10 each, of Poe's films
605:
699:
763:
664:
288:
it was revealed that Kral, or his wife, Cindy Hudson, had changed the ending of the film, switching out the original ending (depicting
627:
551:
613:
738:
743:
534:
368:
688:
328:
185:
180:
758:
264:
reported in 2020 that Poe had lost all ownership of several of his groundbreaking films, including
215:
320:
526:
768:
656:
773:
482:
352:
312:
137:
8:
638:
694:
519:
119:
73:
733:
575:
530:
426:
289:
253:
154:
388:
360:
236:
225:
550:
Grierson, Tim; Adams, Sam; Fear, David; Garber-Paul, Elisabeth (August 9, 2016).
207:
132:
589:
211:
175:
752:
344:
240:
203:
198:
193:
167:
150:
189:
171:
named it number 6 on its list of 25 Greatest Punk Rock Movies of All Time.
162:
146:
117:
is an
American New York City-based director and screenwriter, described by
34:
142:
514:
248:
229:
158:
729:
293:
145:— is one of the earliest punk films. The film features performances by
336:
220:
51:
689:"His Film Is a Punk Classic, but the Credits Now Roll Without Him"
744:
1981 interview with Poe by Sarah
Charlesworth for BOMB Magazine
284:. In late 2019, shortly before Kral's death, at a screening of
549:
724:
239:
movement, which he described as the next development of
606:"Issue 55, New York Observers: Amos Poe's Empire II"
513:
739:
Guide to the Amos Poe Papers at NYU's Fales
Library
521:
Please Kill Me: The
Uncensored Oral History of Punk
214:. During this time he was also the director of the
687:
654:
518:
750:
509:
507:
505:
503:
247:In 2008, he wrote the screenplay for the 2008
576:Subway Riders :: River Lights Pictures
500:
552:"25 Greatest Punk Rock Movies of All Time"
88: 1983–2010)
33:
525:. New York City: Penguin Books. pp.
174:He is also associated with the birth of
702:from the original on September 27, 2020
685:
751:
603:
480:
476:
474:
299:
667:from the original on January 10, 2019
655:Sarah Charlesworth (April 1, 1981).
471:
123:as a "pioneering indie filmmaker".
13:
481:Wadler, Joyce (January 17, 2008).
14:
785:
764:Film directors from New York City
718:
402:Steve Earle: Just an American Boy
612:. pp. 42–43. Archived from
686:Buckley, Cara (July 30, 2020).
369:Triple Bogey on a Par Five Hole
102:
85:
679:
648:
597:
580:
569:
543:
1:
725:Official website for Amos Poe
464:
131:Amos Poe is one of the first
430:(2007, screenplay, producer)
398:(2001, murchian engineering)
7:
604:Bremer, Erin (April 2008).
48:1949 (age 74–75)
10:
790:
657:"Subway Riders: Amos Poe"
517:; Gillian McCain (1996).
126:
67:
59:
44:
32:
25:
216:public-access television
141:(1976)—co-directed with
135:filmmakers and his film
458:Happiness Is a Warm Gun
440:La Commedia di Amos Poe
483:"Death and Decorating"
446:Ladies & Gentlemen
18:American film director
286:The Blank Generation,
178:due to films such as
63:Film director, writer
628:"New York Observers"
594:, Randy Press, 2010.
313:The Blank Generation
266:The Blank Generation
138:The Blank Generation
300:Partial filmography
695:The New York Times
616:on January 6, 2009
487:The New York Times
452:A Walk in the Park
364:(1988, screenplay)
235:He is part of the
184:(1978), featuring
120:The New York Times
74:Sarah Charlesworth
644:on July 14, 2010.
586:Curley, Mallory.
378:(1992) (producer)
290:Patti Smith Group
202:(1981), starring
112:
111:
781:
712:
711:
709:
707:
691:
683:
677:
676:
674:
672:
652:
646:
645:
643:
637:. Archived from
632:
625:
623:
621:
601:
595:
584:
578:
573:
567:
566:
564:
562:
556:Rollingstone.com
547:
541:
540:
524:
511:
498:
497:
495:
493:
478:
408:When You Find Me
389:Frogs for Snakes
361:Rocket Gibraltar
237:Remodernist film
106:
104:
89:
87:
37:
23:
22:
789:
788:
784:
783:
782:
780:
779:
778:
759:Punk filmmakers
749:
748:
721:
716:
715:
705:
703:
684:
680:
670:
668:
653:
649:
641:
630:
626:
619:
617:
602:
598:
585:
581:
574:
570:
560:
558:
548:
544:
537:
512:
501:
491:
489:
479:
472:
467:
302:
208:Robbie Coltrane
129:
108:
105: 2019)
100:
96:
95:Claudia Summers
92:
91:
83:
79:
76:
55:
49:
40:
28:
19:
12:
11:
5:
787:
777:
776:
771:
766:
761:
747:
746:
741:
736:
727:
720:
719:External links
717:
714:
713:
678:
647:
596:
590:Cookie Mueller
579:
568:
542:
535:
499:
469:
468:
466:
463:
462:
461:
455:
449:
443:
437:
431:
423:
417:
411:
405:
399:
393:
385:
379:
373:
365:
357:
349:
341:
333:
325:
317:
309:
301:
298:
278:Subway Riders,
262:New York Times
218:cable TV show
212:Cookie Mueller
176:No Wave Cinema
128:
125:
110:
109:
98:
94:
93:
81:
77:
72:
71:
69:
65:
64:
61:
57:
56:
50:
46:
42:
41:
38:
30:
29:
26:
17:
9:
6:
4:
3:
2:
786:
775:
772:
770:
769:Living people
767:
765:
762:
760:
757:
756:
754:
745:
742:
740:
737:
735:
731:
728:
726:
723:
722:
701:
697:
696:
690:
682:
666:
662:
661:BOMB Magazine
658:
651:
640:
636:
629:
615:
611:
610:City Magazine
607:
600:
593:
591:
583:
577:
572:
557:
553:
546:
538:
536:9780140266900
532:
528:
523:
522:
516:
510:
508:
506:
504:
488:
484:
477:
475:
470:
459:
456:
453:
450:
447:
444:
441:
438:
435:
432:
429:
428:
424:
421:
418:
415:
412:
409:
406:
403:
400:
397:
394:
391:
390:
386:
383:
380:
377:
374:
371:
370:
366:
363:
362:
358:
355:
354:
353:Alphabet City
350:
347:
346:
345:Subway Riders
342:
339:
338:
334:
331:
330:
329:The Foreigner
326:
323:
322:
318:
315:
314:
310:
307:
304:
303:
297:
295:
291:
287:
283:
279:
275:
274:The Foreigner
271:
267:
263:
258:
256:
255:
250:
245:
242:
241:Postmodernism
238:
233:
231:
227:
226:Glenn O'Brien
223:
222:
217:
213:
209:
205:
204:Susan Tyrrell
201:
200:
199:Subway Riders
195:
194:Anya Phillips
191:
187:
186:Eric Mitchell
183:
182:
181:The Foreigner
177:
172:
170:
169:
168:Rolling Stone
164:
160:
156:
152:
151:Talking Heads
148:
144:
140:
139:
134:
124:
122:
121:
116:
75:
70:
66:
62:
60:Occupation(s)
58:
53:
47:
43:
36:
31:
24:
21:
16:
706:September 6,
704:. Retrieved
693:
681:
669:. Retrieved
660:
650:
639:the original
634:
618:. Retrieved
614:the original
609:
599:
592:Encyclopedia
587:
582:
571:
561:September 6,
559:. Retrieved
555:
545:
520:
515:McNeil, Legs
490:. Retrieved
486:
457:
451:
445:
439:
433:
425:
419:
414:John the Cop
413:
407:
401:
395:
387:
382:Dead Weekend
381:
376:Joey Breaker
375:
367:
359:
351:
343:
335:
327:
319:
311:
305:
285:
281:
277:
273:
269:
265:
261:
259:
252:
246:
234:
219:
197:
190:Debbie Harry
179:
173:
166:
163:Wayne County
147:Richard Hell
136:
130:
118:
114:
113:
20:
15:
774:1949 births
620:February 1,
492:January 27,
420:Her Illness
321:Unmade Beds
306:Night Lunch
270:Unmade Beds
249:Amy Redford
230:Chris Stein
159:Patti Smith
39:Poe in 2009
753:Categories
671:January 9,
465:References
427:The Guitar
294:Lenny Kaye
292:guitarist
254:The Guitar
224:hosted by
155:Television
434:Empire II
282:Empire II
143:Ivan Král
68:Spouse(s)
730:Amos Poe
700:Archived
665:Archived
635:Amos Poe
396:29 Palms
337:TV Party
221:TV Party
115:Amos Poe
54:, Israel
52:Tel Aviv
27:Amos Poe
107:
99:
90:
82:
78:
533:
460:(2015)
454:(2012)
448:(2012)
442:(2010)
436:(2007)
422:(2004)
416:(2004)
410:(2004)
404:(2003)
392:(1998)
384:(1995)
372:(1991)
356:(1985)
348:(1981)
340:(1978)
332:(1978)
324:(1976)
316:(1976)
308:(1975)
210:, and
196:; and
161:, and
127:Career
642:(PDF)
631:(PDF)
251:film
101:(
97:
84:(
80:
734:IMDb
708:2020
673:2019
622:2010
563:2020
531:ISBN
494:2010
280:and
260:The
228:and
133:punk
45:Born
732:at
527:420
755::
698:.
692:.
663:.
659:.
633:.
608:.
588:A
554:.
529:.
502:^
485:.
473:^
276:,
272:,
257:.
232:.
206:,
192:,
188:,
165:.
157:,
153:,
149:,
103:m.
86:m.
710:.
675:.
624:.
565:.
539:.
496:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
