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The Foreigner (1978 film)

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in a white suit and black tie) is a blond secret agent who arrives in New York City on an unstated (perhaps political assassination) mission. The plot remains vague throughout, just as the reasons why many people want him dead. Regardless, boredom sets in for Max as he waits at the
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for his assignment, so he begins wandering around the city encountering some wanton women and a variety of post-punk weirdos and creeps. This aimless waiting and wandering comprises the bulk of the movie, much like the 1964
401: 310:. Here too, alienation thrusts the anti-hero into an unstructured and purposely-meandering storyline that ends with his murder at 262:
of Chirine El Khadem (with art direction of Sam Blank) is often exceptionally good, with some severe upward angle-shots of the
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camera work at the conclusion of the film as the protagonist (Max Menace) races on foot through the crowded sidewalks of
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on a shoestring budget with a small cast and crew. The dialog is sometimes inaudible while the black and white
432: 156: 291: 109: 189:. This early version of The Cramps, billed in the film as The Erasers (not the actual No Wave band 164: 311: 203: 307: 274:. Also there are beautiful shots of the empty temporary beach on the site of what would become 271: 8: 422: 267: 351: 315: 302: 275: 144: 278:. Starkly beautiful scenes were also shot in the abandoned streets of the decaying 148: 279: 236: 168: 140: 136: 28: 259: 212: 190: 416: 336: 296: 255: 160: 128: 117: 208: 121: 228: 232: 198: 152: 113: 387: 216: 182: 251: 224: 220: 186: 178: 132: 248: 194: 105: 45: 101: 403:
1° FESTIVAL INTERNAZIONALE CINEMA GIOVANI Homage to Amos Poe,
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has a look of grimy glamor as it was shot on the streets of
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style of music and contains an onscreen appearance of
414: 174:It also was heavily influenced by No Wave 27: 290:A Frenchman named Max Menace (played by 415: 112:with semi-improvised appearances by 13: 368:Berlin International Film Festival 14: 444: 242: 193:), perform a live version of the 100:is a 1978 American independent 395: 381: 1: 374: 345:Steven Kramer (Jimmy Uptight) 333:Terens Sellers (Zasu Weather) 223:song in the alley behind the 428:1970s English-language films 330:Patti Astor (Philly Harlowe) 135:style was influenced by the 7: 318:in the distant background. 10: 449: 327:Eric Mitchell (Max Menace) 361: 348:Deborah Harry (Dee Trick) 85: 77: 67: 59: 51: 41: 26: 21: 165:Rainer Werner Fassbinder 321: 285: 235:, provided the ambient 342:Kitty Sondern (Kitbag) 308:Michelangelo Antonioni 314:, with a view of the 147:) and the low budget 433:1970s American films 357:Anya Philips (Doll) 185:in a scene shot in 264:World Trade Towers 352:Robin Crutchfield 316:Statue of Liberty 276:Battery Park City 233:Patti Smith Group 207:. Prior to that, 149:Underground films 104:film directed by 93: 92: 440: 407: 399: 393: 385: 161:ensemble casting 31: 19: 18: 448: 447: 443: 442: 441: 439: 438: 437: 413: 412: 411: 410: 400: 396: 386: 382: 377: 364: 324: 288: 280:Lower East Side 245: 169:John Cassavetes 141:Jean-Luc Godard 137:French New Wave 70: 37: 17: 12: 11: 5: 446: 436: 435: 430: 425: 409: 408: 394: 379: 378: 376: 373: 372: 371: 363: 360: 359: 358: 355: 349: 346: 343: 340: 334: 331: 328: 323: 320: 287: 284: 260:cinematography 244: 243:Cinematography 241: 143:(particularly 91: 90: 87: 83: 82: 79: 75: 74: 71: 68: 65: 64: 61: 57: 56: 53: 49: 48: 43: 39: 38: 32: 24: 23: 15: 9: 6: 4: 3: 2: 445: 434: 431: 429: 426: 424: 421: 420: 418: 406: 405:The Foreigner 402: 398: 391: 390:The Foreigner 388: 384: 380: 369: 366: 365: 356: 353: 350: 347: 344: 341: 338: 337:Duncan Hannah 335: 332: 329: 326: 325: 319: 317: 313: 309: 305: 304: 298: 297:Hotel Chelsea 293: 292:Eric Mitchell 283: 281: 277: 273: 269: 268:non-narrative 266:and artistic 265: 261: 257: 256:New York City 253: 250: 240: 238: 234: 230: 226: 222: 218: 214: 210: 206: 205: 200: 196: 192: 188: 184: 180: 177: 172: 170: 166: 162: 158: 154: 150: 146: 142: 138: 134: 130: 125: 123: 119: 118:Anya Phillips 115: 111: 110:Eric Mitchell 107: 103: 99: 98: 97:The Foreigner 88: 84: 81:United States 80: 76: 72: 66: 62: 58: 54: 50: 47: 44: 40: 35: 34:The Foreigner 30: 25: 22:The Foreigner 20: 16:American film 404: 397: 389: 383: 312:Battery Park 301: 289: 247:This rather 246: 239:soundtrack. 209:Debbie Harry 202: 173: 126: 122:Debbie Harry 96: 95: 94: 69:Running time 33: 199:David Bowie 153:Andy Warhol 114:Patti Astor 60:Produced by 42:Directed by 36:film poster 423:1978 films 417:Categories 375:References 354:(Mousebag) 339:(King Bag) 303:Red Desert 249:nihilistic 217:a cappella 183:The Cramps 157:Jack Smith 145:Alphaville 129:postmodern 52:Written by 252:16mm film 231:, of the 229:Ivan Král 225:Mudd Club 221:Kurt Weil 179:post-punk 139:films of 133:film noir 108:starring 392:IMDB< 306:film by 272:Broadway 195:Iggy Pop 159:and the 106:Amos Poe 86:Language 63:Amos Poe 55:Amos Poe 46:Amos Poe 237:electro 213:Blondie 204:Funtime 191:Erasers 102:no wave 89:English 78:Country 73:90 min. 370:(1982) 362:Awards 215:sings 187:CBGB's 201:song 131:faux 322:Cast 286:Plot 167:and 155:and 127:Its 120:and 211:of 176:DIY 171:. 163:of 151:of 419:: 282:. 227:. 219:a 124:. 116:, 197:/

Index


Amos Poe
no wave
Amos Poe
Eric Mitchell
Patti Astor
Anya Phillips
Debbie Harry
postmodern
film noir
French New Wave
Jean-Luc Godard
Alphaville
Underground films
Andy Warhol
Jack Smith
ensemble casting
Rainer Werner Fassbinder
John Cassavetes
DIY
post-punk
The Cramps
CBGB's
Erasers
Iggy Pop
David Bowie
Funtime
Debbie Harry
Blondie
a cappella

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