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Anak Tomb No. 3

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161:. Yeh Pai's conclusions were accepted in the 1958 formal Korean report; however some Korean scholars still maintained that the tomb belongs to King Mi-chon. While K. H. J. Gardiner and Wonyong Kim believe this to be a Chinese tomb of excellent quality, North and other South Korean scholars believe that Dong Shou was an emigre official. Moreover, the quality of these paintings and the size of the tomb indicate that it is a royal tomb of Koguryo—a theory advocated recently by Hwi-joon Ahn and Youngsook Pak. North Korean scholars claim that it is the mausoleum of 228: 204: 29: 240: 216: 592: 284:
social status of the owner. It is also important to note the seemingly identical, impersonal facial structure of the people included in this scene. This can be attributed to the fact that at the time when this mural was developed, the expression of individuality was not yet a developed technique in Goguryeo paintings.
153:. Chinese scholar Yeh Pai who deciphered the inscription in 1951 and published his findings in North Korea's Institute of Archeology report and argued that the man was the same Dong Shou, a refugee from Liaodong who fled the Xianbei invasions in 337, as the one who appeared in two Chinese histories, the 140:
The Anak Tomb No.3 is one of few Goguryeo tombs that have epitaphs so that their dates can be determined. Its seven-lined epitaph contains the date 357, the personal name Dong Shou (冬壽), his title, his birthplace and his age at death. Accordingly, some scholars generally regard this site as the tomb
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and is staring straight out with an impersonal expression. The painting of the woman resides on the southern wall of the tomb, next to that of the man, and her sitting position is slightly turned in to face him. The woman also wears an impersonal expression, but with a notable face shape; her face,
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The inside of the eastern chamber contains a colorful mural illustrating the typical life of the Goguryeo people. The scene includes a kitchen, a meat storage room, a barn, a carriage shed, and household staff, along with other commonplace features. This mural allows scholars to analyze the daily
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scene and resides in the corridor. It contains 250 people, including the owner of the tomb who is sitting in a cow-pulled wagon. Other Goguryeo people displayed in this mural include members of a marching band, flag bearers, maids and civil officials. The large number of people suggests the high
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The Anak Tomb No. 3 is the host to multiple famous mural paintings, each giving a greater insight to the life and hierarchy of the Goguryeo people. It contains two portraits, one on the front wall of the west side chamber and one on the southern wall, portraying a man and a woman, respectively.
188:." It is not clear whether these titles were given by the Eastern Jin or just self-designation. Scholars associate one of his title "Minister of Lelang" with the title "Duke of Lelang", which was bestowed on King Gogugwon by 268:
as well as the faces of the women who flank her, is round and full, different from the typical facial structure of the Goguryeo people, who had long and oval faces. The woman is however wearing Chinese set of attire called
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Scholars have disputed the owner of this tomb and thus the identity of people portrayed in these murals; because of the epitaph, many believe that the images depict Dong Shou, a refugee from
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The epitaph reflects a complex situation in which Dong Shou, and Goguryeo, were put. He claimed various titles including "Minister of
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http://contents.nahf.or.kr/goguryeo/anak3/an_html_en/int1.html%7Ctitle=contents.nahf.or.kr/goguryeo/anak3/an_html_en/int1.html
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Artistic Creation, Borrowing, Adaptation, and Assimilation in Koguryǒ Tomb Murals of the Fourth to Seventh Century
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rituals of the Goguryeo culture, and gain insight on what the house of the tomb's owner may have looked like.
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of Dong Shou. The inscription of Dong Shou relates that he was a general from the Xianbei state of
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It was discovered in 1949 with valuable treasures stolen, but murals in good condition.
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Silken threads : a history of embroidery in China, Korea, Japan, and Vietnam
336: 679: 302: 118: 638: 620: 607: 273: 557: 521: 372: 106: 580:(旧領域の支配形態), Kōkuri shi to Higashi Ajia (高句麗史と東アジア), pp. 78–107, 1989. 481: 122: 28: 297: 280: 276:. The woman's hairstyle is identical to the hairstyle in Northern Wei. 252: 189: 142: 78: 125:. It is known for mural paintings and an epitaph. It is part of the 146: 110: 591: 41: 57: 573:(安岳三号墳 (冬寿墓) の研究), Shien (史淵), No.93, pp. 37–84, 1964. 357:. Cambridge, UK: Cambridge University Press. p. 300. 92: 352: 645:
Buildings and structures completed in the 4th century
474:"Kwan | The World of Hat Museum in Riga, Latvia" 506:. San Francisco, CA: China Books & Periodicals. 501: 675:
Buildings and structures in South Hwanghae Province
353:John Whitney Hall; et al., eds. (1988–1999). 135: 636: 386: 384: 382: 685:Burial monuments and structures in North Korea 379: 63: 47: 27: 390: 637: 542:. New York: H.N. Abrams. p. 294. 393:"The Evolution of Koguryo Tomb Murals" 571:Anagaku sangōhun (Tō Ju bo) no kenkyū 537: 533: 531: 453: 451: 449: 447: 445: 433: 431: 429: 427: 425: 423: 421: 419: 417: 348: 346: 344: 325: 323: 665:Archaeological sites in North Korea 13: 14: 696: 670:National Treasures of North Korea 584: 528: 442: 414: 341: 320: 279:The next mural in this tomb is a 590: 457: 238: 226: 214: 202: 502:Xun Zhou; Chunming Gao (1987). 504:5000 years of Chinese costumes 495: 466: 355:The Cambridge history of Japan 136:Epitaph and its interpretation 64: 48: 1: 313: 7: 291: 93: 79: 16:Chamber tomb in North Korea 10: 701: 621:38.4491306°N 125.5081306°E 578:Kyūryōiki no shihai keitai 538:Chung, Young Yang (2005). 192:of the Former Yan in 354. 335:January 13, 2015, at the 221:Woman (wife of the owner) 195: 86: 72: 56: 40: 35: 26: 21: 462:. Duke University Press. 127:Complex of Koguryo Tombs 626:38.4491306; 125.5081306 569:Okazaki Takashi (岡崎敬), 308:Three Kingdoms of Korea 209:Man (owner of the tomb) 660:Murals in North Korea 576:Takeda Yukio (武田幸男), 599:at Wikimedia Commons 245:Indoor Life Painting 159:Tzu-chih t'ung-chien 145:in Liaodong (modern 74:Revised Romanization 617: /  263:over a black inner 176:" and "Governor of 595:Media related to 151:Lelang commandery 100: 99: 88:McCune–Reischauer 80:Anak-samho-mudeom 692: 632: 631: 629: 628: 627: 622: 618: 615: 614: 613: 610: 594: 562: 561: 535: 526: 525: 499: 493: 492: 490: 489: 480:. Archived from 470: 464: 463: 455: 440: 435: 412: 411: 409: 408: 399:. Archived from 388: 377: 376: 350: 339: 327: 242: 233:Procession Scene 230: 218: 206: 96: 94:Anak-samho-mudŏm 82: 67: 66: 51: 50: 31: 19: 18: 700: 699: 695: 694: 693: 691: 690: 689: 635: 634: 625: 623: 619: 616: 611: 608: 606: 604: 603: 587: 566: 565: 550: 536: 529: 514: 500: 496: 487: 485: 472: 471: 467: 456: 443: 436: 415: 406: 404: 389: 380: 365: 351: 342: 337:Wayback Machine 328: 321: 316: 294: 246: 243: 234: 231: 222: 219: 210: 207: 198: 138: 103:Anak Tomb No. 3 68: 52: 22:Anak Tomb No. 3 17: 12: 11: 5: 698: 688: 687: 682: 677: 672: 667: 662: 657: 652: 647: 612:125°30′29.27″E 601: 600: 597:Anak Tomb No.3 586: 585:External links 583: 582: 581: 574: 564: 563: 548: 527: 512: 494: 465: 458:Jeon, Ho-Tae. 441: 413: 378: 363: 340: 318: 317: 315: 312: 311: 310: 305: 303:Korean history 300: 293: 290: 248: 247: 244: 237: 235: 232: 225: 223: 220: 213: 211: 208: 201: 197: 194: 137: 134: 119:South Hwanghae 98: 97: 90: 84: 83: 76: 70: 69: 62: 60: 54: 53: 46: 44: 38: 37: 33: 32: 24: 23: 15: 9: 6: 4: 3: 2: 697: 686: 683: 681: 678: 676: 673: 671: 668: 666: 663: 661: 658: 656: 653: 651: 648: 646: 643: 642: 640: 633: 630: 609:38°26′56.87″N 598: 593: 589: 588: 579: 575: 572: 568: 567: 559: 555: 551: 549:0-8109-4330-1 545: 541: 534: 532: 523: 519: 515: 513:0-8351-1822-3 509: 505: 498: 484:on 2018-01-14 483: 479: 475: 469: 461: 454: 452: 450: 448: 446: 439: 434: 432: 430: 428: 426: 424: 422: 420: 418: 403:on 2011-07-19 402: 398: 394: 391:Junghee Lee. 387: 385: 383: 374: 370: 366: 364:0-521-22352-0 360: 356: 349: 347: 345: 338: 334: 331: 326: 324: 319: 309: 306: 304: 301: 299: 296: 295: 289: 285: 282: 277: 275: 274:six dynasties 271: 266: 262: 258: 257:King Gogukwon 254: 241: 236: 229: 224: 217: 212: 205: 200: 199: 193: 191: 187: 183: 179: 175: 170: 168: 167:King Gogugwon 164: 160: 156: 152: 148: 144: 133: 130: 128: 124: 120: 116: 112: 108: 104: 95: 91: 89: 85: 81: 77: 75: 71: 61: 59: 55: 45: 43: 39: 34: 30: 25: 20: 602: 577: 570: 539: 503: 497: 486:. Retrieved 482:the original 478:worldhat.net 477: 468: 459: 405:. Retrieved 401:the original 396: 354: 286: 278: 264: 260: 249: 171: 163:King Micheon 158: 154: 139: 131: 107:chamber tomb 102: 101: 624: / 123:North Korea 113:located in 36:Korean name 655:Korean art 639:Categories 488:2017-05-30 407:2011-04-14 330:"冬壽墓蓮花紋研究" 314:References 298:Korean art 281:procession 253:Former Yan 190:Murong Jun 143:Former Yan 42:Chosŏn'gŭl 397:Buddhapia 650:Goguryeo 558:55019211 522:19814728 373:17483588 333:Archived 292:See also 155:Chin shu 147:Liaoning 111:Goguryeo 186:Daifang 178:Changli 556:  546:  520:  510:  371:  361:  196:Murals 182:Xuantu 174:Lelang 58:Hancha 49:안악삼호무덤 680:Tombs 270:guiyi 105:is a 65:安岳三號墳 554:OCLC 544:ISBN 518:OCLC 508:ISBN 369:OCLC 359:ISBN 265:kwan 261:kwan 184:and 157:and 115:Anak 165:or 109:of 641:: 552:. 530:^ 516:. 476:. 444:^ 416:^ 395:. 381:^ 367:. 343:^ 322:^ 180:, 169:. 129:. 121:, 117:, 560:. 524:. 491:. 410:. 375:.

Index


Chosŏn'gŭl
Hancha
Revised Romanization
McCune–Reischauer
chamber tomb
Goguryeo
Anak
South Hwanghae
North Korea
Complex of Koguryo Tombs
Former Yan
Liaoning
Lelang commandery
King Micheon
King Gogugwon
Lelang
Changli
Xuantu
Daifang
Murong Jun
Man (owner of the tomb)
Woman (wife of the owner)
Procession Scene
Indoor Life Painting
Former Yan
King Gogukwon
guiyi
six dynasties
procession

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