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Anecdote of the Jar

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371:…I think it worth noting that Stevens as he wrote the poem must have had in mind a specific fruit jar, the 'Dominion Wide Mouth Special.'… Although manufactured in Canada, the jar has been widely distributed in the United States from 1913 to the present, the exemplar photographed dates ca. 1918; Stevens was in fact traveling in Tennessee in April and May 1918. … As a 'wide mouth special,' the jar is particularly notable, of its kind, as 'tall and of a port in air.' And its glass, compared to that of other fruit jars, is especially 'gray and bare.' Whether in Tennessee in 1918 fruit jars were used as containers for 'moonshine,' I have not been able to establish definitively. Surely, granting Stevens' penchant for 'moon' and 'shine,' the matter is worth investigating. 81:"Anecdote of the Jar" can be taken literally but is best served figuratively. Others see in it political issues. From a feminist viewpoint, the jar represents the male ego placed firmly in a female environment, Mother Nature, causing mayhem and possible destruction. Some think the jar is a symbol of industrial imperialism, taking over the environment and manipulating the wilderness. 117:". The poem alludes to Keats, she argues, as a way of discussing the predicament of the American artist "who cannot feel confidently the possessor, as Keats felt, of the Western cultural tradition." Vendler asks, shall the poet use language imported from Europe ("of a port in air", to "give of"), or as 176:'s discovery of the Dominion canning jars (a picture of which is then passed around)," a reference to that late, celebrated Wallace Stevens scholar and historiographer of literature's published association of the poem with a specific item of physical 186:, writing in 2023, presents the poem in the context of Stevens' work as a surety bond claimsman tied to the industrial clearcutting of the last remnant of the great Appalachian forest in East Tennessee in 1918. 69:. Wallace Stevens is an important figure in 20th century American poetry. The poem was first published in 1919, it is in the public domain. Wallace Stevens wrote the poem in 1918 when he was in the town of 842: 423:
O'Donnell, Kevin E. (2023). "Wallace Stevens's 'Anecdote of the Jar': Modernist Poetics and the Industrial Logging of the Great Appalachian Forest". In Cory, Jessica; Wright, Laura (eds.).
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Brogan, Jacqueline Vaught (1994). "Introducing Stevens: Or, the Sheerly Playful and the Display of Theory". In Serio, J.; Leggett, B. (eds.).
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puts it, "plain American that cats and dogs can read", like "The jar was round upon the ground"? She argues that the poem is a
133:" and vowing "to stop imitating Keats and seek a native American language that will not take the wild out of the wilderness." 989: 870: 205: 96:, and though his success is qualified, art and imagination do at least impose an idea of order on the sprawling reality. 151:
as a poem concerned with temporal and linguistic disjunction, especially in the convoluted syntax of the last two lines;
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This much-anthologized poem succinctly accommodates a remarkable number of different and plausible interpretations, as
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perspective that reveals a poem concerned with male dominance over a traditionally feminized landscape;
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or from the perspective of a cultural critic that might find a sense of industrial imperialism.
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suggested in 1967 that the speaker would arrange the wild landscape into the order of a
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Pearce, Roy Harvey (Summer 1977). "'Anecdote of the Jar': An Iconological Note".
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According to Brogan, however (writing in 1994), the poem can be approached:
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Brogan concludes, "When the debate gets particularly intense, I introduce
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Frogs Eat Butterflies. Snakes Eat Frogs. Hogs Eat Snakes. Men Eat Hogs
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Cy Est Pourtraicte, Madame Ste Ursule, et Les Unze Mille Vierges
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observes in a discussion of how she teaches it to her students.
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Collected Poems and Prose, The Library of America, 1997
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as a poem about writing poetry and making art generally;
422: 359:. This web source quotes from and cites the following: 850:Jasmine's Beautiful Thoughts Underneath The Willow 360: 425:Appalachian Ecocriticism and the Paradox of Place 310: 1038: 466: 427:. University of Georgia Press. pp. 241–251. 311:Davidson, Michael (2012). Bernstein, Ch. (ed.). 259: 257: 738:The Curtains in the House of the Metaphysician 404: 395: 452: 342:"Roy Harvey Pearce: On "Anecdote of the Jar"" 254: 340:MAP Staff & Pearce, Roy Harvey (1977). 459: 445: 36: And sprawled around, no longer wild. 500:The Paltry Nude Starts on a Spring Voyage 313:"Roy Harvey Pearce (1919–2012): Obituary" 398:Wallace Stevens: The Making of Harmonium 232: 941:Thirteen Ways of Looking at a Blackbird 38: The jar was round upon the ground 1039: 49: Like nothing else in Tennessee. 47: It did not give of bird or bush, 990:The Revolutionists Stop for Orangeade 871:The Bird with the Coppery, Keen Claws 440: 29: It made the slovenly wilderness 40: And tall and of a port in air. 27: And round it was, upon a hill. 34: The wilderness rose up to it, 13: 710:Anecdote of the Prince of Peacocks 689:On the Manner of Addressing Clouds 235:"Faust named University Professor" 202:Buttel, p. 166. See also Librivox 43: It took dominion everywhere. 25: I placed a jar in Tennessee, 14: 1073: 906:Two Figures in Dense Violet Night 76: 717:A High-Toned Old Christian Woman 418:. University of Tennessee Press. 409:. University of Tennessee Press. 45: The jar was gray and bare. 976:The Surprises of the Superhuman 927:Hymn from a Watermelon Pavilion 696:Of Heaven Considered as a Tomb 661:Anecdote of Men by the Thousand 584:Hibiscus on the Sleeping Shores 376: 333: 780:Disillusionment of Ten O'Clock 675:Floral Decorations for Bananas 556:Nuances of a Theme by Williams 304: 295: 284: 275: 266: 233:HG Staff (December 17, 2018). 226: 217: 196: 1: 955:The Man Whose Pharynx Was Bad 794:The Virgin Carrying a Lantern 605:Homunculus et la Belle Etoile 400:. Princeton University Press. 389: 149:poststructuralist perspective 668:The Apostrophe to Vincentine 619:From the Misery of Don Joost 612:The Comedian as the Letter C 347:Modern American Poetry (MAP) 7: 934:Peter Quince at the Clavier 920:To the One of Fictive Music 892:Colloquy with a Polish Aunt 724:The Place of the Solitaires 363:The Wallace Stevens Journal 10: 1078: 983:Sea Surface Full of Clouds 815:Six Significant Landscapes 640:The Worms at Heaven's Gate 507:The Plot Against the Giant 407:Words Chosen Out of Desire 125:, retracting the Keatsian 1047:Poetry by Wallace Stevens 480: 63:'s first book of poetry, 31: Surround that hill. 773:Tea at the Palaz of Hoon 759:The Emperor of Ice-Cream 752:Depression Before Spring 703:Of the Surface of Things 633:Last Looks at the Lilacs 626:O Florida, Venereal Soil 563:Metaphors of a Magnifico 416:Teaching Wallace Stevens 212:and the Poetry web site. 189: 142:New Critical perspective 549:Le Monocle de Mon Oncle 493:Invective Against Swans 405:Vendler, Helen (1984). 396:Buttel, Robert (1967). 71:Elizabethton, Tennessee 16:Poem by Wallace Stevens 962:The Death of a Soldier 857:Cortège for Rosenbloom 542:The Load Of Sugar-Cane 52: 22: 836:Palace of the Babies 822:Bantam in Pine-Woods 115:Ode on a Grecian Urn 1004:Anatomy of Monotony 829:Anecdote of the Jar 801:Stars at Tallapoosa 731:The Weeping Burgher 570:Ploughing on Sunday 521:Domination of Black 240:The Harvard Gazette 57:Anecdote of the Jar 20:Anecdote of the Jar 591:Fabliau of Florida 535:The Ordinary Women 208:2010-10-13 at the 107:Harvard University 1034: 1033: 1011:The Public Square 682:Anecdote of Canna 382:O'Donnell, p. 250 167:Roy Harvey Pearce 86:Jacqueline Brogan 59:" is a poem from 1069: 997:Lunar Paraphrase 766:The Cuban Doctor 598:Doctor of Geneva 461: 454: 447: 438: 437: 428: 419: 410: 401: 383: 380: 374: 373: 358: 356: 354: 337: 331: 330: 328: 326: 308: 302: 299: 293: 288: 282: 279: 273: 270: 264: 261: 252: 251: 249: 247: 230: 224: 221: 215: 200: 175: 1077: 1076: 1072: 1071: 1070: 1068: 1067: 1066: 1062:Modernist poems 1037: 1036: 1035: 1030: 948:Nomad Exquisite 885:The Wind Shifts 647:The Jack-Rabbit 486:Earthy Anecdote 476: 474:Wallace Stevens 465: 392: 387: 386: 381: 377: 352: 350: 338: 334: 324: 322: 309: 305: 300: 296: 289: 285: 280: 276: 271: 267: 263:Vendler, p. 45. 262: 255: 245: 243: 231: 227: 222: 218: 210:Wayback Machine 201: 197: 192: 184:Kevin O'Donnell 169: 99: 79: 61:Wallace Stevens 53: 51: 48: 46: 44: 42: 41: 39: 37: 35: 33: 32: 30: 28: 26: 21: 17: 12: 11: 5: 1075: 1065: 1064: 1059: 1054: 1052:American poems 1049: 1032: 1031: 1029: 1028: 1021: 1014: 1007: 1000: 993: 986: 979: 972: 965: 958: 951: 944: 937: 930: 923: 916: 909: 902: 895: 888: 881: 878:Life Is Motion 874: 867: 860: 853: 846: 839: 832: 825: 818: 811: 804: 797: 790: 787:Sunday Morning 783: 776: 769: 762: 755: 748: 741: 734: 727: 720: 713: 706: 699: 692: 685: 678: 671: 664: 657: 650: 643: 636: 629: 622: 615: 608: 601: 594: 587: 580: 573: 566: 559: 552: 545: 538: 531: 524: 517: 514:Infanta Marina 510: 503: 496: 489: 481: 478: 477: 464: 463: 456: 449: 441: 432: 431: 429: 420: 411: 402: 391: 388: 385: 384: 375: 332: 303: 294: 283: 274: 272:Vendler, p. 46 265: 253: 225: 216: 194: 193: 191: 188: 163: 162: 159: 152: 145: 131:Sunday Morning 119:Marianne Moore 78: 77:Interpretation 75: 23: 19: 18: 15: 9: 6: 4: 3: 2: 1074: 1063: 1060: 1058: 1055: 1053: 1050: 1048: 1045: 1044: 1042: 1026: 1022: 1019: 1015: 1012: 1008: 1005: 1001: 998: 994: 991: 987: 984: 980: 977: 973: 970: 966: 963: 959: 956: 952: 949: 945: 942: 938: 935: 931: 928: 924: 921: 917: 914: 910: 907: 903: 900: 896: 893: 889: 886: 882: 879: 875: 872: 868: 865: 861: 858: 854: 851: 847: 844: 840: 837: 833: 830: 826: 823: 819: 816: 812: 809: 805: 802: 798: 795: 791: 788: 784: 781: 777: 774: 770: 767: 763: 760: 756: 753: 749: 746: 745:Banal Sojourn 742: 739: 735: 732: 728: 725: 721: 718: 714: 711: 707: 704: 700: 697: 693: 690: 686: 683: 679: 676: 672: 669: 665: 662: 658: 655: 654:Valley Candle 651: 648: 644: 641: 637: 634: 630: 627: 623: 620: 616: 613: 609: 606: 602: 599: 595: 592: 588: 585: 581: 578: 574: 571: 567: 564: 560: 557: 553: 550: 546: 543: 539: 536: 532: 529: 525: 522: 518: 515: 511: 508: 504: 501: 497: 494: 490: 487: 483: 482: 479: 475: 471: 470: 462: 457: 455: 450: 448: 443: 442: 439: 435: 430: 426: 421: 417: 412: 408: 403: 399: 394: 393: 379: 372: 368: 364: 349: 348: 343: 336: 320: 319: 314: 307: 301:Brogan, p. 59 298: 292: 287: 281:Brogan, p. 59 278: 269: 260: 258: 242: 241: 236: 229: 223:Brogan, p. 58 220: 214: 211: 207: 204: 199: 195: 187: 185: 181: 179: 173: 168: 160: 157: 153: 150: 146: 143: 139: 138: 137: 134: 132: 128: 124: 120: 116: 112: 108: 104: 103:Helen Vendler 100: 97: 95: 91: 90:Robert Buttel 87: 82: 74: 72: 68: 67: 62: 58: 50: 1018:Indian River 828: 528:The Snow Man 467: 433: 424: 415: 406: 397: 378: 370: 366: 362: 351:. Retrieved 345: 335: 323:. Retrieved 316: 306: 297: 291:Illustration 286: 277: 268: 244:. 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Index

Wallace Stevens
Harmonium
Elizabethton, Tennessee
Jacqueline Brogan
Robert Buttel
still life
Helen Vendler
Harvard University
Keats's
Ode on a Grecian Urn
Marianne Moore
palinode
conceits
Sunday Morning
New Critical perspective
poststructuralist perspective
feminist
Roy Harvey Pearce
de
Americana
Kevin O'Donnell

Archived
Wayback Machine

"Faust named University Professor"
The Harvard Gazette


Illustration

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