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Antoine Vollon

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466: 402: 205: 422: 387: 273: 31: 348: 452: 845: 287:"Once Vollon began exhibiting at the Salon, he quickly gained recognition from the critics and the public at large, and, most importantly, from Second-Empire officialdom. He had learned how to play the political game that would earn him State patronage and enable him to win numerous awards...." 362:, a reviewer wrote, "Vollon smacks too much of other artists to be Truly Important, but his sensuous wallows in paint are well worth wider notice". But an earlier reviewer for the same newspaper quotes a critic writing in 1883, "He is, perhaps, the greatest painter living...." 302:
Amongst his collectors Alexandre Dumas jr, Antoine Lumière, Auguste Pellerin, Norbert Pain, the stockbroker Theodore-Charles Gadala, docteur Marchand, Mme Carcano and the Earl of Salisbury (once the UK Secretary of Foreign Affairs) were the most publicly known.
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In July of that same year Vollon suffered a stroke while painting at Versailles and later caught a fever. He died shortly thereafter, on 27 August 1900, at the age of 67. He is buried in
714: 299:. Vollon won a third-class medal in 1865, a second-class in 1868, and first-class in 1869. Vollon was a member of the Salon's jury for at least ten years starting in 1870. 263:"At a single blow, Manet's rapier wit exposed the still-life/figure paradox and Vollon was banished once again to an unshakable identity as a painter of still life." 465: 255: 536: 897: 253:) which stigmatized it. According to Carol Forman Tabler, curator and professor of art who wrote her dissertation on Vollon, writing for 932: 907: 902: 621: 592: 309:'s (1848-1936) still lifes were influenced by his works. Vollon also had students, among whom were Raymond Allègre (1857-1933), 816: 291:
Tabler describes his ambition and the decades-long strategies Vollon used to secure a place in history. After one year in the
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Catalogue, descriptive and historical, of the pictures and sculpture in the Glasgow art gallery and museum, Kelvingrove
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pans and stoves. In 1860 he and Marie-Fanny Boucher married and later had two children, Alexis and Marguerite.
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gallery suggested that his "place in the history of French painting has still not been properly assessed."
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In 1859 he moved to Paris, with the intention of becoming a painter. There he became a student of
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for the Salon. He submitted a figure painting of a woman carrying a large basket on her back,
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and in Paris, whilst an intersection with a fountain in Lyon is named Place Antoine Vollon.
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Vollon aspired to paint figures and not only still lifes which were the lowest acceptable
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in 1870, and eight years later received the Officer's cross. He was elected to the
310: 230: 408: 321: 242: 209: 196:. Vollon once described himself as a young artist "madly in love with painting". 181: 161: 129: 121: 870: 105: 217:) was said to look so real that it might have been painted with butter itself. 881: 296: 117: 141: 272: 113: 347: 145: 125: 428: 157: 109: 93: 30: 144:. He taught himself to paint. He began an apprenticeship to an 844: 368:
Two streets in France are named for him: Rue Antoine Vollon in
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showed more than 70 works by Vollon in Manhattan in 2004. For
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in 1863, beginning in 1864 he exhibited his work at the Paris
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The John G. Johnson Collection: A History and Selected Works
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Vollon was also an accomplished painter of landscapes, here
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His son Alexis Vollon (1865–1945) also became a painter.
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in 1897. In 1900 he was awarded the Grand Prix at the
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Vollon was born the son of an ornamental craftsman in
712: 817:"Union List of Artist Names (ULAN): Antoine Vollon" 649: 879: 773:. Nineteenth-Century Art Worldwide. Autumn 2002 167: 124:. During his lifetime, Vollon was a successful 793:"INTRODUCTION TO ANTOINE VOLLON (1833 - 1900)" 653:Illustrated catalogue of the notable paintings 498:. Glasgow Art Gallery and Museum. p. 222. 104:(23 April 1833 – 27 August 1900) was a French 671: 587: 585: 583: 560: 178:Dutch still life painters of the 17th century 491: 351:A restaurant on Rue Antoine Vollon in Paris 227:Femme du Pollet Ă  Dieppe (Seine-Inferieure) 616: 614: 580: 199: 29: 749:"Treasure Trove Gems from the collection" 645: 643: 556: 554: 267: 233:, who unleashed a few words, in English: 135: 708: 706: 704: 702: 700: 698: 696: 694: 667: 665: 663: 346: 271: 203: 611: 339:, in the 20th arrondissement of Paris. 880: 640: 551: 509: 507: 505: 431:(monkeys engaged in human activities). 156:in Lyon from 1850 to 1853 to become a 729:from the original on 13 December 2010 691: 660: 713:Tabler, Carol Forman (Autumn 2002). 672:Glueck, Grace (December 24, 2004). 502: 13: 14: 944: 898:Burials at Père Lachaise Cemetery 838: 563:"Art: 'Liberty' Echoes 1883 Show" 933:19th-century French male artists 908:Officers of the Legion of Honour 843: 719:Nineteenth-Century Art Worldwide 464: 450: 436: 420: 400: 385: 276:Photograph of Vollon in 1900 by 256:Nineteenth-Century Art Worldwide 35:Photograph of Vollon in 1858 by 903:Knights of the Legion of Honour 809: 785: 763: 741: 674:"Art in Review; Antoine Vollon" 561:Russell, John (July 11, 1986). 251:de Vollon? un panier qui marche 160:. He then worked at decorating 529: 485: 1: 866:by Antoine Vollon (cat. 1108) 624:. Wildenstein. Archived from 595:. Wildenstein. Archived from 320:He became a Chevalier of the 923:19th-century French painters 650:Griscom, Clement A. (1914). 427:Vollon occasionally painted 247:Bah! . . . qu'est-ce que la 168:Paris and becoming a painter 148:in metal, and studied under 7: 283:Carol Forman Tabler wrote: 10: 949: 492:Paton, James, ed. (1908). 375: 751:. Gemeentemuseum Den Haag 342: 246: 234: 194:Charles-François Daubigny 180:. He became friends with 89: 81: 65: 43: 28: 21: 479: 108:artist, best known as a 928:French Realist painters 861:Jennifer A. Thompson, " 326:AcadĂ©mie des Beaux-Arts 215:National Gallery of Art 200:Figures and still lifes 352: 337:Père Lachaise Cemetery 289: 280: 268:Later years and awards 265: 235:Bah! What is Vollon's 218: 186:Jean-Baptiste Carpeaux 176:and was influenced by 136:Family and early years 852:at Wikimedia Commons 823:. J. Paul Getty Trust 771:"Carol Forman Tabler" 350: 285: 275: 261: 239:? A basket that walks 207: 798:. September 18, 2011 154:École des Beaux-Arts 150:Jehan Georges Vibert 918:Painters from Paris 307:Jean-Baptiste Olive 864:Monkey in a Studio 678:The New York Times 567:The New York Times 360:The New York Times 353: 330:Paris World's Fair 281: 219: 913:Artists from Lyon 848:Media related to 517:. 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Index

Chest-high portrait of man in his twenties with brown eyes and dark medium-long hair and a beard, wearing a vest and suitcoat and white shirt
Pierre Petit
Lyon
Painting
realist
painter
still lifes
landscapes
figures
celebrity
PaceWildenstein
Lyon, France
engraver
Jehan Georges Vibert
École des Beaux-Arts
printmaker
enamelled
Théodule Ribot
Dutch still life painters of the 17th century
Alexandre Dumas
Jean-Baptiste Carpeaux
Honoré Daumier
Charles-François Daubigny

Mound of Butter
National Gallery of Art
genre
Édouard Manet
French
Nineteenth-Century Art Worldwide

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