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symbolic embellishments that reinforce and enhance the commemorative meanings of the building. Its relative lack of religious symbology provides evidence of the processes of secularisation in NSW during the inter war period. The memorial has been praised for its "unity of architecture, carving and sculpture" and for "achieving a remarkable dignity of expression". Rayner Hoff's sculpture has been described as "a masterpiece of craftsmanship... romantic without being sentimental, austere without being severe" (Sturgeon). The ANZAC Memorial is also of State significance for the landscape purposefully designed for it by Dellit including a large reflection pool lined by poplars. The building is a prominent element in Hyde Park where it shares a principal axis with another major memorial to World War I, the
Archibald Fountain. Its position contributes significantly to the physical character of Hyde Park and the city of Sydney.
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altered and are in good order. Construction during 2009 included the insertion of a new disabled toilet (associated with the new lift), and a purpose-made cleaners room. Two light wells were originally created to provide fresh air and natural light for the toilets. These light wells now also contain the air conditioning plant, air intake and exhaust system for the building. A major stormwater pit (approximately 1m x 1m) is also located in the basement, in the central cleaner's store with a submersible pump, and is known as the
Underground Plant Room. The stairs and flooring of the basement are terrazzo in good condition. The partitions in the male and female toilets are marble and the original timber doors and hardware are in good order. In addition to the existing original timber handrail, a new brass handrail was added in 1985 to match the style of the handrail in the stairwell to the "Hall of Memory".
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Gallipoli on 25 April 1915, since fundraising for the memorial was established on the first anniversary of the landing. It is also associated with returned servicemen and their organisations including the RSL, which lobbied for the erection of the monument and occupied offices within it. The ANZAC Memorial is of State aesthetic significance as a great work of public art which is arguably the finest expression of Art Deco monumentality in
Australia. The result of an outstanding creative collaboration between architect Bruce Dellit and sculptor Rayner Hoff, it contains complex symbolic embellishments that reinforce and enhance the commemorative meanings of the building. Its landscape context in Hyde Park was purposefully designed for it by Dellit including the large Pool of Reflection lined by poplars. Its positioning on a major axis linked to the
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the scale of the water features needed to be increased to balance it. As a result, the cascades were eliminated and the pool extended to 170 feet (52 metres) long by 72 feet (22 metres) wide. Landscaping was completed by the City
Council, which was responsible for the park. Finance for the additional work came from the state Unemployment Relief Fund and a large number of council employees and relief labourers poured the concrete for the pool in a single day to eliminate the need for joints and ensure that it was watertight. The Council acceded to Dellit's request to keep a clear open space around the memorial. It also followed his plan for a line of poplars on either side of the pool to symbolise the French battlefields. Dellit also wanted beds filled with the red poppies of Flanders and other plantings from the eastern and western fronts.
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numerous sub-contractors. These professionals and artisans included structural engineers RS Morris & Co Ltd, masons
Melocco Bros Ltd who carved the wreath around the Well of Contemplation, Messrs Loveridge and Hudson Ltd who prepared the granite facing on the outside walls, JC Goodwin and Co Ltd who supplied the amber glass, Art Glass Ltd, which completed the sandblasting, and T. Grounds and Sons who manufactured the stone figures on the buttresses and the funerary urns to Hoff's design. The London firm of Morris Singer & Co Ltd cast central sculpture and bronze panels over the doors but the flame surrounding the sculpture and the bronze grilles on the lower windows were made in Australia by Castle Bros, while Kell & Rigby themselves produced the bronze nails studding the doors.
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bas reliefs. The four large standing figures at the top of each corner of the building represent the
Australian Infantry, Navy, Air Force and Army Medical Corps. Another 16 seated figures are positioned at the top of the buttresses, below the corner figures, and represent the various units. These statues include a Naval Signaller, Aviator, Nurse and Lewis Gunner fabricated from cast stone to resemble the granite facing of the building "so they should have the effect of having been hewn out of the moment rather than placed thereon". Above the Eastern and Western Entrances, bronze bas reliefs depict scenes of Australians in the Eastern and Western Fronts. The bronze bas reliefs are generally in good condition, however they require cleaning and the repair of some minor corrosion.
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Shrine of
Remembrance in Melbourne, 1934, the ANZAC Memorial in Sydney, 1934 and the Australian War Memorial in Canberra, 1941, represented the new trends in the symbolism of memorials more than the simple columns, obelisks and statues of citizen soldiers erected during the fighting and immediately after it. The Shrine of Remembrance in Melbourne is the most comparable monument to the ANZAC Memorial in Australia, both comprising one principal commemorative space, surrounded and above a series of administrative and exhibition spaces, contained within an imposing landmark building in differing architectural styles, set within a formal landscape.
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integral part of Anzac Day commemorations each year. Its sculpture is likely to be of State social significance for its commemoration of the role of women in war, both as war workers and as mothers of soldiers, which was almost unheard of in the 1930s and remains unusual today. The
Returned Soldiers Association of NSW wanted the memorial to be "A lasting memorial, some outstanding legacy that shall quicken the blood of future generations, and move them to bare their heads in honoured memory of those who won for Australia its place amongst the nations". The ANZAC Memorial provides an important place of communal commemoration.
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favour a structure that would be commemorative. After ten years of debate, the RSSILA and the disabled veterans bodies all agreed on Anzac Day 1928 that the building "should be commemorative rather than utilitarian". As the RSSILA state president Fred
Davison expressed it, the League had finally agreed to a "shrine of remembrance" such as their Victorian counterparts had begun to build. The soldiers' needs were not entirely abandoned and in the spirit of compromise one-seventh of the funding was allocated to incorporate offices where the returned soldiers' organisations could look after their members.
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corner cast stone reliefs and two long bronze bas-reliefs over the eastern and western doors outside the building. Hoff's contributions to the interior also included designing the form of the 120,000 faceted gold stars that covered the domed ceiling, four relief panels showing the march of the dead, each superimposed with symbolic representations of the Army, Navy, Air Force and Army
Medical Corps, and the marble wreath surrounding the Well of Contemplation that framed the view of Sacrifice below. Hoff and eight assistants were fully employed on the memorial between 1931 and 1934.
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stairwells, which extended from the Stair Hall in the Vestibule to the Hall of Memory and down to the basement. One of these stairwells has been converted into a new lift, constructed in 2009, linking all three levels. This controlled lift was installed to provide equitable access to the Hall of Memory for ageing veterans and people with a disability. In the remaining stairwell is a bronze, Art Deco-styled skylight with amber glass. That has been converted to a light. Both stairwells are lined in marble with marble treads. A bronze
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in 1933 was also a late inclusion. This feature began as a fundraiser when the project had lost support through the fracas over Hoff's exterior statues. To cover the shortfall in funding the memorial, the RSSILA offered 150,000 stars for sale at two shillings each. Although they were unable to sell the full number, 120,000 stars were fixed to the ceiling to represent all the state's volunteers. In order to facilitate their attachment to the plaster ceiling, they were fashioned from plaster of Paris and gilded.
1054:– three female figures, representing his mother, sister and wife. The male figure's nudity was considered shocking at the time of the monument's opening, and it is said to be the only such representation of a naked male form within any war memorial. Two other even more controversial figural sculptures designed by Hoff—one featuring a naked female figure—were never installed on the eastern and western faces of the structure as intended, partly as a result of opposition from high ranking representatives of the
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708:. His father later moved the family to Nottingham in England where Rayner Hoff worked in a stonemason's yard while still at school. At 14 he commenced work in an architect's office and later furthered his training by studying drawing and design at the Nottingham School of Art. In 1915 Hoff enlisted in the army and served on the Western Front the following year. After the war he studied sculpture at the Royal College of Art in London under Frances Derwent Wood and in 1922 he won the Prix de Rome.
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collection were donated by the public and they include personal letters, medals, books, diaries, uniforms, souvenirs, relics and banners relating to the various conflicts in which Australians were involved. In 2000 an Abloy anti-theft proof locking system was installed in the exhibition cases. To commemorate the 75th anniversary of the Memorial in 2009, the space was refurbished (for example the original marquetry counter was reused as the visitor's counter) and a new exhibition was installed.
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the monument and have occupied offices within it. The ANZAC Memorial is also of State significance as for its associations with its architect Bruce Dellit and its sculptor Rayner Hoff, both of whom are famous largely because of their design work in creating the memorial, which is arguably the finest Art Deco building in Australia. The memorial is associated with Anzac Day and the Anzac Day march on 25 April each year which starts at the Cenotaph and concludes near Hyde Park.
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887:'s support of the United States in Vietnam, which polarised the nation. In the prolonged civil protests about Australian involvement in that war – characterised by the moratorium marches of the late 1960s – the ANZAC Memorial became a rallying point. It was also the site of an anti-war sit-in in 1970 and the centre for a Ban the Bomb protest in 1983. In 1975 feminists inferred it was a symbol of male domination when they painted on it, "Women march for Liberation".
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their own clans, later by Aboriginal people in demonstrating their fighting prowess against the British. Evidence associated with these uses as well as former park layouts may still exist within the park precinct, although it is likely to have been substantially disturbed by construction of the railway stations and tunnels as well as the memorial itself. The outlet to Busby's Bore is immediately to the east of the memorial within the broader site curtilage.
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curves slightly to make a concave shape in the corridor. Building works in 2009 included restoration of the remaining original offices, creation of a new meeting room/library, kitchenette and management offices. The timber panelled partitions in this area are still in good order but only some of the original furniture remains. The Limbless Soldiers Association moved out of their offices in 2004 and the area has been used by the RSL since that date.
662:. Dellit registered as an architect in June 1923 and established his own practice six years later. Before winning the ANZAC Memorial competition, he had designed Kyle House in Macquarie Place featuring the "monumental entrance arch" that became one of his characteristic motifs. It also shows his interest in American Art Deco skyscrapers and the patterned brickwork espoused by contemporary Dutch and German schools. Along with his contemporary
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greeted the exhibition of these models prevented their development into full-size sculptures, with the sexual aspect of the imagery attracting the most intense criticism. In despair over the controversy, Hoff eventually destroyed the plaster models and refused to compromise his designs when the possibility of making them was raised again in 1934. The sculptures were never completed.
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1918. It was consecrated on 8 August 1927, becoming the focus of Anzac Day ceremonies some eight years before the ANZAC Memorial building was available for such purposes. Sydney's Anzac Day Dawn Service was never moved to the ANZAC Memorial because the Cenotaph had already become the accepted site and Martin Place had stronger war-time associations than Hyde Park.
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look into the Well of Contemplation in order to contemplate "Sacrifice", which is in the Hall of Silence below or look up to see the dome decorated with 120,000 golden "Stars of Memory", each representing a serviceman or woman from NSW. Dellit's architecture and Hoff's sculptures greatly enhance each other to provide an artistically integrated emotional message.
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explained the prominent position of the women in this work in 1932: "Thousands of women, although not directly engaged in war activities lost all that was dearest to them. There was no acknowledgment of them in casualty lists, lists of wounded, maimed and killed. In this spirit I have shown them carrying their load, the sacrifice of their menfolk".
547:. He envisaged the intersection of these avenues as an ideal site for a commemorative column and balanced that with an Anzac Memorial at the southern end. However, progress on the memorial was impeded until legislation established a board of trustees for the building and the manner in which the site would be chosen was passed in 1923.
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The names of those who made the ultimate sacrifice are differentiated from the names of those who returned. Whether returned or not, the memorials record the soldiers' service to the nation. This trend to list both the returned and the fallen was uniquely Australian, reflecting the all volunteer nature of the Australian forces.
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The ANZAC Memorial is of State significance as the largest and most ambitious of the numerous war memorials constructed throughout New South Wales after World War I and as a remarkable example of commemorative architecture and Art Deco design. The memorial is also representative as NSW's contribution
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The ANZAC Memorial is of State significance for its association with the landing of Australian troops at Gallipoli on 15 April 1915. The landing at Gallipoli was a significant event in Australian history, having an enormous impact on the Australian psyche and the formation of the Australian character
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The archaeological potential of the site has not been formally assessed. Hyde Park was the site of Australia's first race course and cricket pitch. Recent scholarship suggests Hyde Park north was also the site of a "fighting ground" for staging combative trials, first by the Aboriginal people between
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Located on the north–south and east–west axes, the room has three large silky oak double doors, gold painted, that slide open into wall cavities. Two of the doors are now permanently left open and glass doors installed in front of the reveals to allow visitors a view of the sculpture "Sacrifice" from
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The room located in the centre of the building is striking in its starkness and wields a powerful influence on visitors. The room is circular in plan with the sculpture "Sacrifice" located at its centre, as if to hold the sculpture in its embrace. The floor is Ulum white marble, inlayed with a bronze
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The memorial is adorned externally with many sculptures representing the various Australian armed forces and support units. They are the sentinels of the building, keeping watch whilst representing the fallen for whom the building is dedicated. Between the seated figures in each corner are cast stone
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around the exterior of the podium level is surmounted with cast stone urns. Large timber moulded doors slide into cavities in the external walls to allow entry. The ground floor provides the visual base of the building form and is fenestrated with timber framed double hung windows and bronze security
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Aligned between the Pool of Reflection and the memorial building staircase are two rows of flag poles that are used on ANZAC Day and commemorative occasions as part of the formal ceremonies at the memorial. Flags are flown permanently throughout the year. The three on the eastern side display the NSW
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The ANZAC Memorial is located in Hyde Park South and is a principal physical focal point in the axis joining it and the Pool of Reflection with the Archibald Fountain in Hyde Park north. There are many prominent views of the memorial through Hyde Park South and the main axis is aligned with an avenue
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To familiarise the public with the symbolism of the monument and to mark its completion, in 1934 the Trustees published The Book of the Anzac Memorial in a limited edition. This volume both commemorated and explained the memorial. The December 1934 issue of Building magazine also focused on the ANZAC
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The inscriptions that Dellit intended for the memorial were another casualty of the design process. The trustees consulted the poet Leon Gellert, then Professor Hook, who consulted Professor Mungo McCallum, librarian H. M. Green and historian C. E. W. Bean, about the inscriptions. These experts ruled
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Dellit always intended that the office accommodation at the base of the building should be incorporated into the memorial when the need for its original use had passed. The ex-servicemen's offices featured joinery in silky oak and parquetry floors of red mahogany. Light fittings in the shape of stars
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Debates about the style of the ANZAC Memorial can be generally divided into soldiers' versus women's groups which supported utility versus beauty respectively. The majority of returned soldiers looked for a building that would meet their immediate needs for association, while women's groups tended to
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From an Australian population of around four and a half million, enlistments in the army and navy numbered 416,809, a total that represents one-half of the men of military age in Australia at that time. Altogether, 60,000 Australians were killed and 167,000 were injured, a higher toll proportionately
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The term "Anzac" began as an acronym for the Australian and New Zealand Army Corps in World War I, but it was soon accepted as a word in its own right. The Anzacs formed part of the expeditionary force organised by Britain and France to invade the Gallipoli Peninsula and clear the Dardanelles Straits
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The undercrofts are located under the external stairs leading to the podium level of the memorial. Originally intended for storage spaces for the offices of the RSL and the TB and Limbless Associations, they were largely unusable until 1992 when a water proof membrane was installed over the external
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The Limbless Soldiers offices changed only slightly from the original layout. The marquetry counter ran across the room and the entrance door was placed to the top of this room. The general activity room was also changed just slightly from the plan, the door is in the middle of the room and the wall
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The plantings around the ANZAC Memorial have strong associations with the building. The Allepo pine trees arranged around the building have significance because of their symbolic connection to Lone Pine Ridge in Anzac Cove in Turkey. Other symbolic trees have been brought as seedlings and planted in
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Another feature that was considerably altered was the landscaping. Dellit planned water gardens for either side of the memorial in the form of a narrow pool to the north and a cascading waterfall to the south. However, as the bulk of the building began to rise above the park, it became apparent that
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Ceiling Works made the ceilings and supplied the 120,000 stars for the dome, the latter being gilded by A. Zimmerman. Kellor and Yates completed the plasterwork. The Electrical and General Installation Co was responsible for the electrical installation and Nielsen and Moller made the light fixtures.
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In 1930 Dellit commissioned Hoff to design the sculptures for the ANZAC Memorial. Creating the numerous sculptures on the ANZAC Memorial became the pinnacle of Hoff 's career. The task involved creation of sixteen seated and four standing figures of servicemen and women in cast synthetic stone, four
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Hoff arrived in Sydney in August 1923 and began work as head teacher of modelling and sculpture at East Sydney Technical College, Darlinghurst (Sydney's major art school), where he also established his private studio. Hoff exerted an enormous influence on the progress of Australian sculpture. By the
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Dellit died of cancer on 21 August 1942 only eight years after the ANZAC Memorial was ceremoniously opened. It is considered his finest achievement by some, "a vision of modern form and strong, emotive expression closely allied to popular sentiment." His later works included two chapels at Kinsela's
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Historian Ken Inglis believes that the "war memorial" is a twentieth century concept which memorialised the human cost of war rather than the victorious outcome, as the former military monuments had done, and celebrated the sacrifice of ordinary soldiers rather than focusing on the men who led them.
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in Gallipoli. The ANZAC Memorial is also of State significance for its association with returned servicemen and their organisations including the RSL, Limbless and Maimed Soldier's Association and the T.B. Sailors and Soldier's Association of Australia. These groups both lobbied for the erection of
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and carvings. Over the doorway is carved "1914–1918" and above that is a winged flaming sword (a symbol of sacrifice) over a rising sun emblem. The room holds the Remembrance Flame that was first officially lit on 11 November 1995. The Great Doors to the room are left open to keep the flame exposed
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Located in the four "corners" of the room are semi-circular "Niches of Remembrance", each devoted to one of the major theatres of World War I in which Australians fought, and each commemorating the names of major campaigns in those theatres. The name of the theatre is carved in relief into the face
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By the mid 1930s the ex-servicemen's offices in the ANZAC Memorial were already overcrowded, and the situation became critical when veterans from World War II began accessing the building for services in the 1940s. The RSL gained permission to extend its rooms into the Assembly Hall in 1942 but its
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In another late change, the interior walls were lined in unpolished marble while polished marble covered the floors. All doors were originally to be bronze but funding shortages caused that specification to be changed to maple, studded with bronze nails. Dellit intended that each of the great amber
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In 1932 Dellit incorporated four stones from battlefields at Gallipoli, France, Palestine and New Guinea into the floors of the niches in the Hall of Memory in the form of the AIF Rising Sun. The names of major battles at each of these sites were added to the niche walls. The dome of stars approved
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The trustees specified that the memorial must be built of Australian materials and by Australian workmen. Having been encouraged to give preference to returned servicemen, the contractors Kell & Rigby applied to the RSSILA Labour Bureau for their workers. Also working on the ANZAC Memorial were
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strengthened the imagery by replacing Dellit's seasons and sculptures representing the arts of war and peace with figures representing all branches of the armed services. The Pool of Reflection that mirrors the building on the northern side remains Dellit's call for passers-by to stop and remember.
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for the design of the memorial was commissioned on 13 July 1929. Entrants were required to be Australians qualified to work as architects within or outside NSW, the latter persons being required to register in the state if they won. Competitors could confer with an Australian sculptor, either while
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The ANZAC Memorial is of State significance for its rarity as an impressive and intact example of Art Deco public architecture. It is a rare example of a profound creative collaboration between architect and artist. The ANZAC Memorial is of State significance for its uniqueness as the grandest and
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The ANZAC Memorial is of State aesthetic significance as a great work of public art which is arguably the finest expression of Art Deco monumentality in Australia. It is the result of an outstanding creative collaboration between architect Bruce Dellit and sculptor Rayner Hoff and contains complex
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The original plans for the room proposed a raised dais on the southern endwith protruding stage and steps but this was never built. The original dais area was fitted as a kitchen for the memorial staff. This was subsequently removed in 2009, providing a linking space between the exhibition and the
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At the heart of the memorial is the bronze sculpture, "Sacrifice", by Rayner Hoff. It powerfully symbolises the sacrifice made in times of war by both those who go to fight and those left behind. The sculpture can be seen from above through the Well of Contemplation, with heads bowed, or at ground
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In the same year a "museum" or exhibition space was established to inform the public both about the wars in which Australia has been involved and those who served in them. It was originally opened on the 50th Anniversary of the official opening of the memorial, on 18 November 1984. A bronze plaque
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Crowds attending the opening of the ANZAC Memorial were estimated at 100,000. Archbishop Sheehan boycotted the event on the grounds that it was "not entirely Catholic in character". In keeping with the words on the foundation tablets, the ceremony aimed to show that the building was of and for the
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Similarly, while the central sculpture "Sacrifice" at the heart of the building is Hoff's, the form of the interior, itself very emotive, is Dellit's. Dellit used impressive staircases flanked by memorial urns to lead the visitor up into the Hall of Memory. Once there, they must bow their heads to
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In his entry, Dellit submitted a model with photographs of it from all angles and 17 drawing sheets including an aerial perspective and an isometric section in Dellit's own words: "ENDURANCE COURAGE AND SACRIFICE – these are the three thoughts which have inspired the accompanying design, and it is
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government responded to the urging of the NSW RSSILA by donating 10,000 pounds for a cenotaph in Martin Place, near where wartime appeals and recruitment rallies had been held. This was also the place where the Armistice Day crowds had honoured their "Glorious Dead" at the war's end on 11 November
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The ANZAC Memorial is of State significance as a major focus for the public commemoration of Australians lost at war since its completion. Its construction is linked to acceptance of the term "Anzac" by the Australian people and the legend that is associated with the name. The memorial remains an
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To provide protection against increasing vandalism of the ANZAC Memorial, external security screens were installed in 1999. The panels of the screen are made of safety glass etched with designs that continue the original concept of the symbolic use of building elements to reinforce the memorial's
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windows glazed with obscured glass. The offices as built did not follow the original plan. The original partitions in the TB Soldiers Association were removed in 1986 and substituted with aluminium-framed timber panel and glass partitions. These were subsequently replaced in 2009 with stud-framed
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Offices for the TB Soldiers and Limbless Soldiers Association The northern side of the ANZAC Memorial was originally designated for offices for the TB Soldiers Association and for the Limbless Soldiers Association with parquetry floors, marquetry counters and maple panelled timber partitions. The
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This vestibule has glazed doors leading to the association and management offices to the north, exhibition area to the south, and opens to the west to the stair hall and the Hall of Silence. Originally, internal access between the upper and lower levels of the building was via two "mirror imaged"
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The ANZAC Memorial has been variously described as "a unique statement of architectural and sculptural unity", "the ultimate conception of the Art Deco style in this country" and "the epitome of Art Deco in Australia." It has become a site of increasing visitation in the 21st century, including a
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to balance the entry foyer on the west. This room had seating for 130 people and was available to all ex-servicemen's groups. In practice it was used mainly by the associations with offices in the building. Its small size and the ban on alcohol (which applied to the whole memorial) meant that few
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As at 26 February 2010, following many years of major catch-up maintenance and repair works, the general condition of the Memorial in 2010 is very good. Water ingress has been a constant issue within the building since it opened in 1934. In 2009 this was resolved with modifications to the podium
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The exhibition space occupies the southern office area originally provided for the RSL. In 1986, changes to the existing room layout were made, including removal of a number of small offices. The original Strong Room with its Chubb security door is still intact. The items displayed in the museum
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The "Hall of Memory" is also a circular room that occupies the podium level of the building centred on and located directly above the "Hall of Silence". The large external staircases that lead to the external timber sliding double doors on the podium level on the northern and southern sides were
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At the edge of the Stair Hall is a barred entrance to the Hall of Silence. A large bronze moulded banister, too heavy to move, prevents access to the "tomb" of the fallen soldier, in the "Hall of Silence". At the foot of the entrance, engraved in black granite, with inset brass lettering are the
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Contemplation be Your Offering" was also kept, as was a list of the major battles in the Hall of Silence. The experts chose a simple statement submitted by Hook, Green and Bean to mark the dedication of the building, stating, "This Memorial was opened by a son of the King on 24th November 1934".
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The Trustees gained Parliamentary approval for Weekes' plan in 1929 on the condition that the area dedicated to the memorial would be limited in size. The Advisory Board for the Hyde Park Remodelling chose the southern end of the park to site the monument. The National Council of Women and Anzac
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The earlier memorials are generally in the form of obelisks, sometimes with applied sculpture, while most of the later examples are commemorative buildings with a range of rooms and uses. The social meanings of war memorials increased in complexity as time went on. The later examples such as the
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There are ten sets of great doors to the building, seven on the ground floor and three on the podium level. All the doors are double leaf sliding doors of solid silky oak timber with brass furniture. The sets of external doors are painted green externally and gold internally. The doors slide on
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The basement of the ANZAC Memorial contains toilets for both men and women and the original timber lockers are still used by the memorial staff today. The basement has had some alterations within the original layout, however the toilet partitions and doors as well as many fixtures have not been
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Hoff gave considerable prominence to the female contributors to the war effort in the ANZAC Memorial, including the women who lost their fathers, husbands and sons. Nurses were prominent among the figures representing the services and women were central to the group sculpture, "Sacrifice". Hoff
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According to Maisy Stapleton, the greatest exponents of the Art Deco style in Sydney were the architects C. Bruce Dellit and Emil Sodersten. She considered that Dellit's highest achievement was the ANZAC Memorial, "a vision of modern form and strong, emotive expression closely allied to popular
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75,000 calculated at rates current at the time of entry. In addition to the memorial itself the building was required to provide office accommodation for the Returned Soldiers and Sailors Imperial League, TB Soldiers' Association and the Limbless Soldiers' Association. The trustees received 117
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As at 19 September 2011, The ANZAC Memorial, completed in 1934, is of historical significance to the State for its embodiment of the collective grief of the people of NSW at the loss of Australian servicemen and women since World War I. It is associated with the landing of Australian troops at
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Australia was embroiled in World War II less than five years after the ANZAC Memorial opened. Attempts to physically make changes and add additional symbols to reflect this and later wars did not proceed due to difficulties envisaging how this might be achieved without compromising the design.
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All associations with offices in the ANZAC Memorial building helped members with their applications to the Repatriation Department and assistance with medical needs. Each office in the memorial had a counter where members could apply for assistance, a waiting lobby, and secretarial and general
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In 1932 models for the two massive bronze groups intended for placement in front of the east and west windows were publicly exhibited. Hoff's "The Crucifixion of Civilisation 1914" and "Victory after Sacrifice 1918" both featured naked women as the central figures. The violent controversy that
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In designing the ANZAC Memorial, Dellit used sculptural and architectural imagery to express collective mourning at the death of so many young men from NSW. The form of the sculpture changed with the involvement of Rayner Hoff, whom Dellit engaged after he had won the competition. Hoff greatly
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The first Anzac Day in NSW was organised by a committee within the Returned Soldiers Association (RSA) of NSW, an organisation formed by men who had been invalided home. Later the organisation was subsumed by the Returned Soldiers' Sailors' (and Airmen's) Imperial League of Australia (RSSILA),
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After the withdrawal from Gallipoli, the Anzac infantry divisions went on to fight against Germany on the Western Front. The Light Horse fought to protect the Suez Canal against the Turks and joined the forces fighting in the Middle East. On the anniversary of Anzac Day in 1918, the Australian
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After 1919, all the state's war memorial building committees were required to seek expert advice from a War Memorials Advisory Committee comprising representatives from the Town Planning Association, Institute of Architects (NSW), Royal Society of Artists and the National Art Gallery (NSW). A
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gave the prayer: 'To the Glory of God, and as a lasting monument of all the members of the Australian Forces of the State of NSW, who served their King and country in the Great War, and especially in grateful remembrance of those who laid down their lives, we dedicate this ANZAC Memorial'.
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around the last mentioned that it develops". Dellit explained that the central sculpture "sacrifice" was placed in the lower chamber "like a famous French tomb" – Napoleon's tomb – to "offer visitors an opportunity for a quiet, dignified, physical and mental acknowledgment of the message".
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The ANZAC Memorial in Hyde Park is of historical significance to the State as an embodiment of the collective grief felt by the people of New South Wales at the loss of Australian servicemen at Gallipoli and other conflicts since then. Authorised by NSW legislation in 1923, it is of State
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contributes significantly to the physical character of Hyde Park and the city of Sydney. The ANZAC Memorial is of State significance as the largest and most ambitious of the numerous war memorials constructed throughout NSW after the Great War. The memorial is also representative as NSW's
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Although the ANZAC Memorial experienced no significant structural changes, in the latter half of the twentieth century people did tend to assume that it was a memorial for all wars. The memorial also became a symbol of all wars in a negative way, particularly in the case of the Australian
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Located opposite the entry vestibule on the eastern side of the memorial, the Assembly Hall was originally designed as a large open space used for meetings and forums by the different building occupants. In recent years it had been partitioned to allow for a smaller meeting space, office
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Game and Premier Bevan on 19 July 1932 which bear the words "A soldier set this stone" and "A citizen set this stone" to indicate the contributions both soldiers and citizens had made to the building. An inscription in the floor at the western entrance to the Hall of Silence, "Let Silent
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marked increase in the number of schools and other educational bodies. The ANZAC Memorial Building is "a lasting memorial", "outstanding legacy" that continues to move present-day Australians to bow their heads 'in honoured memory of all those who have fought on the nation's behalf'.
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accommodation and archive storage at the northern end. It has been restored and reopened to the public, with new glazed doors to the east and west and a large freestanding AV unit, screening a short film about the Memorial. The room can also be used as a travelling exhibition space.
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of the ceiling covered with 120,000 stars, one for every man and woman in NSW who served in the Great War, made of plaster of paris and painted gold leaf. The height of the room is accentuated with the four grand cathedral windows of etched amber glass, designed by Dellit with Hoff.
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Above the tall niches are marble cast bas reliefs by Rayner Hoff that represent the Army, Navy, Air Force and Army Medical Corps and therefore correspond to the four large standing external sculptures. Hoff called them "The March of the Dead". Each relief is bracketed by winged
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Many of the original electrical fittings remain in use in the building. These include switches and lighting. The original star lights, designed by Dellit and inspired by the stars on the ceiling of the Hall of Memories, are still used throughout the building. The original wall
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flame that flares out from the centrally located sculpture. The ceiling of the room curves up toward the carved marble banister that defines the "Well of Contemplation", a large circular opening in the centre of the shallow domed ceiling. This opening provides the only natural
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The bearers are built directly onto the concrete slab. The flooring structure suggests that the original intent may have been to install parquetry flooring throughout the hall. These floor boards were lifted, patched, repaired and relaid as part of building works during 2009.
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performed the ceremony on 30 November, fifty years and six days after the first dedication by the Duke of Gloucester. From that time, the ANZAC Memorial's stated purpose was to honour the men and women of NSW who served in all wars where Australia had been involved.
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significance as a major place of commemoration and for its associations with the celebration of Anzac Day since 1941. The ANZAC Memorial is also of historical significance because its construction provided much needed employment for returned veterans during the
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from the ground floor vestibule. To the east is the Remembrance Flame Room, originally the Archives Room and intended to list the names of those 21,000 NSW men and women who died serving their county in the Great War. The room's entrance is accentuated with
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windows would bear a different design for the Army, Navy, Air Force and Medical Corps. However, the building subcommittee asked for an alternative and a new design was etched on all the windows which combined the AIF symbol with a pattern of eternal flames.
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of the marble wall at the top of each niche with the names of the battles beneath it, another example of the fusion of sculpture and building. At the base of each niche, laid in the paving is a headstone from Flanders, Gallipoli, Palestine and New Guinea.
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In 1984 an amendment of the Anzac Memorial Building Act of 1923 legally acknowledged the meaning of the ANZAC Memorial that most people had already accepted when it authorised the building's re-dedication as the principal war memorial of NSW. Governor Sir
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designing the competition entry or during its construction. All entrants had to register by 30 January 1930 and present their entries two weeks later. The judges were Professor A. S. Hook, Dean of the Sydney University Faculty of Architecture Professor
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tracks that are recessed in the masonry walls of the building. The sets of doors are all panelled and decorated with carvings of urns, eternals flames, swords and crosses all symbolic of the memorial. These doors were repaired and repainted in 2006.
539:. The proposal to use part of Hyde Park for the Anzac Memorial was promoted by former city surveyor Norman Weekes who was redesigning Hyde Park after it had been virtually destroyed during the construction of the city railway. Assisted by architect
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for the British Navy. The Australian Anzacs represented the national effort from a young nation taking its part in the Great War and reports of the courage they displayed at Gallipoli became the most enduring legend of Australian military history (
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There is an extensive collection of artefacts, items of memorabilia and tributes on display in the Museum space or stored in a number of small spaces on site, including one of the safes. These items have all been donated by members of the public.
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contribution to the group of "national war memorials", whereby each state capital city developed its own major war memorial in the inter-war period. In this group the ANZAC Memorial is outstanding in its size, integrity and aesthetic appeal.
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Construction works during 2009 upgraded the services in the building, including the air-conditioning with the installation of new suspended services spine for ductwork, lighting and security services through the exhibition area and offices.
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in 1957. The TB Soldiers, Sailors and Airmen also moved into Anzac House but returned to the ANZAC Memorial in 1980. The Limbless and Maimed Soldiers' Association stayed in the memorial through the whole period that its members survived.
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said "by enhancing this memorial we are ensuring future generations can continue to honour those who fought for the freedoms we enjoy today". Construction was completed by Built and jointly funded by the NSW and Australian Governments.
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Holman's Labor government promised a pound for pound subsidy to match the money raised on the first Anzac Day. In 1917 the RSSILA requested that 25 April be declared 'Australia's National Day' and gazetted as a public holiday. Both the
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and fundraising for the memorial was established on the first anniversary of the landing. This association is strengthened by the presence of an Aleppo Pine in the western ground of the memorial, taken from the Lone Pine at Lone Pine
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entries in the competition and chose seven for second stage consideration which were exhibited in the Blaxland Galleries in Farmers Department Store (now Grace Bros). In February 1930 the prize-winning entries were announced by the
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in which is carved the names of the great battles where Australian forces participated in the war. According to Dellit, the names 'complete the message which the group of sculpture symbolising "Sacrifice" is intended to deliver'.
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A recent mark of respect to NSW service men and women was the 1995 addition of a Remembrance Flame to the Hall of Memory. The trustees made space for this new symbol by removing the door to the Archives Room and commissioning the
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to the group of "national war memorials", whereby each state capital city developed its own major war memorial in the inter-war period. In this group the ANZAC Memorial is outstanding in its size, integrity and aesthetic appeal.
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pedestal within which are located administrative offices and a small museum. The interior is largely faced in white marble, and features a domed ceiling adorned with 120,000 gold stars – one for each of those men and women from
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About this time another war memorial was bequeathed to Australians by the late JF Archibald, co-founder of the Bulletin newspaper, to commemorate the association of Australia and France in the Great War of 1914–1918. Created by
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On 22 August 2016, work commenced on the $ 40 million enhancement of the Anzac Memorial. The extension was the “centrepiece of the State's Centenary of Anzac commemorations, marking the 100th anniversary of the ending of the
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and "star lights" designed by Dellit. The original flange wall lights are still in use and many of the original switches still exist in the room. The floors of the Assembly Hall are two-inch hardwood seasoned Red Mahogany.
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flag and the three on the western side display the Australian national flag. The flagpole on the podium level of the memorial building is for the Governor's Flag and is only used when the Governor formally visits the site.
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finally named the Returned and Services League (RSL). The original objectives of the day of commemoration were to remember dead comrades, induce young men to enlist and collect money for an ANZAC Memorial monument. NSW
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intended to form the grand entrances to the memorial. The "Hall of Memory" is clad in Ulum marble. In the centre of the room, carved in the form of a wreath is the marble balustrade around the "Well of Contemplation".
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marking the event was mounted on a wall in the Vestibule. A permanent photographic exhibition titled "Australians at War" opened during this month and became a great success with visiting school groups and tourists.
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panels and twenty monumental stone figural sculptures symbolising military personnel, also by Hoff. Immediately to the north of the ANZAC Memorial is a large rectangular "Lake of Reflections" flanked by rows of
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The memorial contains a number of moveable heritage items including the wreath, rail designed by Bruce Dellit. Two larger plaster models of the building and possibly some furniture within the office spaces.
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The pool underwent renovations in 1992 when a waterproof membrane was installed. This work was co-ordinated with paving around the memorial and the installation of a waterproofing membrane to the steps and
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The uncertainty about both site and building style of the ANZAC Memorial combined with the long wait for its construction left Sydney without a focal point for Anzac Day ceremonies. Around 1925 the
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A dark pink granosite (synthetic coating) applied to the external statues in the mid 1980s does not reinterpret the architect's original design intention of the statues being hewn from the stone.
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Fellowship of Women objected to this site because it was considered to be insufficiently commanding, while artist Julian Ashton pointed out that skyscrapers would soon overshadow its position.
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The other 10 m (32.8 ft) long bronze relief, over the east door. These two sculptures illustrate the functions and activities of elements of the Australian Imperial Force overseas.
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level from the vestibule, Assembly Hall and Exhibition space. The sculpture is also visible from Hyde Park, as originally proposed by Dellit, with glazed eastern doors to the Assembly Hall.
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Hyde Park near the memorial, including Gallipoli Rose. The 14 poplars planted in two rows on either side of the Pool of Remembrance were planted in 1934, the date the pool was completed.
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The design of the room is more ornate than the general office space. The Art Deco detailing extends to the fittings and fixtures in the room. The ceiling is moulded with large Art Deco
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Each capital city developed its own major memorial, with many smaller memorials in the suburbs, and regional areas. The major memorials and their dates of construction are as follows:
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framed with marble. The niche displays the original wreath laid by the trustees at the building opening. The wreath is kept in a glass display case and was restored in late 2009.
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1187:. Two timber cabinets of silky oak with obscured glass are recessed into opposite walls. In the centre of the ceiling is a large brass "Star" light, designed by Dellit.
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The ANZAC Memorial was designed as a sculptural monument. The building is symmetrical on both axes. It uses elements reminiscent of traditional gothic church buildings (
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The Anzac Memorial is remarkably intact, and contains a great deal of original fabric. This includes moveable items such as the wreath laid by the Duke of Gloucester.
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and the walls are punctuated with plaster pilasters. A set of gold painted great doors opens back to reveal the sculpture "Sacrifice". This room has marble door
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of fig trees, which accentuates the main path. The ziggurat form of ANZAC Memorial is also evident from Oxford Street for several blocks east of Whitlam Square.
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The place has a strong or special association with a person, or group of persons, of importance of cultural or natural history of New South Wales's history.
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The place has a strong or special association with a particular community or cultural group in New South Wales for social, cultural or spiritual reasons.
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2817:– Information on a proposal by the City of Sydney to install the second pond of reflection on the southern side of the memorial as originally intended
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associations sought to hire it. It was not available for outside use from 1942 to 1957 while the RSL occupied it as an extension to their office.
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It was to provide headquarters for those working to assist widows and children of those who were killed and also, those AIF members who returned;
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The place is important in demonstrating the principal characteristics of a class of cultural or natural places/environments in New South Wales.
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The place is important in demonstrating aesthetic characteristics and/or a high degree of creative or technical achievement in New South Wales.
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with typically Art Deco setbacks and buttresses, punctuated on each side by a large arched window of yellow stained glass, and crowned with a
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2811:– A newspaper article that discusses the controversy surrounding the never-installed sculptures Rayner Hoff designed for the Anzac Memorial
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Later, Dellit was able to persuade the City Council to supply temporary floodlighting for the building, a service made permanent in 1938.
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against most of the numerous labels suggested by Dellit. The surviving inscriptions include those on the foundation stones laid by
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and Australian governments made Anzac Day a public holiday in 1921. The official public holiday was first gazetted in NSW in 1925.
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featuring 1,701 soil samples from each NSW town, suburb and district given as the home address by First World War enlistees”.
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proposal to build the memorial on Observatory Hill was withdrawn due to the planned proximity of the roads leading onto the
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end of the decade, Hoff's work at the college produced a school of gifted sculptors and assistants. It was, according to
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purpose. When lowered (normally between 9am and 5pm) they are virtually invisible and allow unobstructed public access.
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2723:'Sydney Art Deco: the architecture of Dellit and Sodersten' in M. Ferson and M. Nilsson (eds) Art Deco in Australia
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The memorial's main entrance from ground level is from the Western side. The vestibule area is lined in Ulum white
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was fixed to each of the stair walls in 1997, designed by Louis Berczi, in a style to match the external copper
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The place possesses uncommon, rare or endangered aspects of the cultural or natural history of New South Wales.
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association's rooms are accessed by the public from the front vestibule via a tiled corridor with maple-framed
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country. Small wonder that those who returned wanted to see the sacrifice of their dead comrades remembered.
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Originally, Dellit wanted the memorial to be built of sandstone or synthetic granite on an 18-inch base of
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The extension was designed by architects Johnson Pilton Walker and officially opened on 20 October 2018.
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magazine, most people agreed that Dellit's design for the ANZAC Memorial was the best in the competition.
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960:'s original concept for the Memorial and added new underground exhibition and education spaces. Premier
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322:. In 2018, refurbishments and a major expansion were completed. The memorial was officially reopened by
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The original Chubb Strong Rooms are still retained in both rooms (there are three strong rooms in all).
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of the inner Sydney area, upon which the Anzac Memorial stands. It is believed that the southern end of
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to the "Hall of Silence" and has the effect of focussing that light onto the central sculpture. The
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War Memorial and in 1927 he was commissioned to design the sculptures on the National War Memorial,
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to view at all times. A braided rope hangs across the entrance to prevent visitors from entering.
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A large water cascade feature on the southern side of the memorial, with new entrance and walkway.
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The Oculus, which is centred above the Hall of Service with a view out to the Memorial exterior.
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Limited (AGL) to install the burner which is currently lit 8 hours a day between 9 am and 5 pm.
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infantry reinforced the legend when it stopped the German advance at Villers-Bretonneux on the
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published by the State of New South Wales (Department of Planning and Environment) 2018 under
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1679:. Vol. LIV., no. 18, 624. Western Australia. 24 November 1934. p. 3 (LATE CITY)
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Hoff's other public sculptures in Sydney included a bas-relief of Mercury in Transport House,
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New South Wales State Heritage Register sites located in the Sydney central business district
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Text is licensed by State of New South Wales (Department of Planning and Environment) under
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It would provide a centre for any later campaigns on behalf of the AIF and their dependants.
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trachyte. However, the building was actually constructed in red granite from quarries near
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Legislative Council debate over amendment to the ANZAC Memorial Bill (19 September 1984).
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obituary described him as an "arresting and vital figure Everything about him was big".
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sculpture of a deceased youth, representing a soldier, held aloft on his shield by a
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under Byera Hadley from 1912 to 1918 and continued his professional education at the
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Art Deco Architecture: Design, Decoration and Detail from the Twenties and Thirties
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306:. Fund raising for a memorial began on 25 April 1916, the first anniversary of the
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situation was not significantly improved until it moved to nearby Anzac House in
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sentiment" and described the memorial as "the epitome of Art Deco in Australia".
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Foster, Stephen; Gartrell, Glenda; Spearritt, Peter; Varghese, Margaret (1984).
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1937:. Department of Premier and Cabinet, New South Wales Government. Archived from
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echoed the dome in the Hall of Memories. On the eastern side Dellit added an
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It would be a meeting place and a source of assistance with repatriation; and
93:
80:
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3763:
3309:
3144:
3123:
3093:
2966:
2592:
Report Accompanying Designs for the Anzac Memorial Building in Architecture
2401:"ANZAC Memorial Centenary Extension, NSW Architecture Awards 2020 Showcase"
1021:
The building is constructed of concrete, with an exterior cladding of pink
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area from at least 25,000 years ago. The Gadigal, who formed part of the
303:
272:
139:
51:
2608:
History and Social Significance of the Anzac Memorial, Hyde Park, Sydney
743:
and several sculptures in Emil Sodersten's City Mutual Life Building in
4756:
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3230:
1384:
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1125:
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617:
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2040:
Affairs, Australian Government Department of Veterans (23 June 2016).
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4761:
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478:
291:
260:
120:
2843:
2750:
1484:
The Anzac War Memorial during the 1938 Sesquicentenary Celebrations
1228:
1192:
1121:
1051:
1030:
1014:
841:
Memorial, devoted nine pages to explain its details and symbolism.
495:
468:
458:
264:
2626:
The Making of the Anzac Memorial Heritage Conservation News Winter
1463:
A ten-metre-long bronze relief, over the west door by Rayner Hoff.
1383:
stairs to deal with the damp and water ingress issues. The north
1232:
1134:
1079:
1068:
1022:
298:
and other important occasions. It was built as a memorial to the
2641:
511:
In 1918 the RSSILA in 1918 published its aims for the monument:
2874:
1337:
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1290:
1236:
1184:
1105:
1063:
1059:
1047:
770:
485:
438:
411:
380:. Australians were successfully used as shock troops at Ypres,
112:
1671:"ANZAC WAR MEMORIAL Ceremony in Sydney OPENING BY DUKE SYDNEY"
1578:
2600:
This Vital Flesh: The Sculpture of Rayner Hoff and His School
2244:. No. 18. Western Australia. 5 September 1930. p. 4
1909:
1137:
extends around the building and becomes the sill at windows.
873:
717:
448:
348:
2696:
80 years on, Anzac Memorial to get its water feature at last
2684:
1387:
now stores the original unused furniture from the memorial.
2315:"The Centenary Project | Anzac Memorial, Hyde Park, Sydney"
1294:
5642:
Buildings and structures awarded the Sir John Sulman Medal
2614:
1600:– Australia's national war memorial and museum in Canberra
1501:
on 23 April 2010 having satisfied the following criteria.
165:
Anzac Memorial; War Memorial Hyde Park; Hyde Park Memorial
5380:
2288:
Community Relations Division, NSW Department of Justice.
1426:
light fittings in the Assembly Hall are also still used.
1058:. The building's exterior is adorned with several bronze
810:
290:
The memorial is the focus of commemoration ceremonies on
2738:
A Spirit of Progress: Art Deco Architecture in Australia
2287:
1985:
765:
Changes in the course of constructing the ANZAC Memorial
589:
518:
It was to be architecturally worthy of its high purpose;
362:
2821:
Ellmoos, Laila; City of Sydney History Program (2008).
2660:
Sacred Places: War Memorialsin the Australian Landscape
2657:
2644:
ANZAC Memorial, Hyde Park, Conservation Management Plan
2214:
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989:
In June 2020 the Centenary Extension was awarded the
515:
The building was to be a memorial for those who died;
2731:
The Development of Australian Sculpture: 1788 – 1975
2562:
1574:
2714:'The Aspen Tree', in Trees of History & Romance
1244:inside the Exhibition space and the Assembly Hall.
1203:words "LET SILENT CONTEMPLATION BE YOUR OFFERING".
975:The Hall of Service: including “a major artwork by
650:
Dellit's architectural sketch of the memorial; 1930
2702:
2480:
2445:
2333:
2221:
2059:
2024:
2015:
2006:
1555:most monumental war memorial in New South Wales.
506:
16:Heritage-listed war memorial in Sydney, Australia
5608:
2589:
2376:"Prince Harry opens Anzac Memorial in Hyde Park"
1033:-inspired stepped roof. It is positioned atop a
654:Australian-born Charles Bruce Dellit studied at
2539:
2273:Returned and Services League of Australia (NSW)
2256:
1301:To the west of Hall of Memory are the internal
853:Decorations on the memorial in 1937 during the
2754:This Knowledge article contains material from
2602:, Art Gallery of New South Wales, Sydney, 1999
1880:
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1726:
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1722:
1720:
1718:
1716:
1714:
995:Sir Zelman Cowen Award for Public Architecture
635:
4847:
4370:
3941:
2859:
2350:"Anzac Memorial Centenary Project » JPW"
1712:
1710:
1708:
1706:
1704:
1702:
1700:
1698:
1696:
1694:
907:The ANZAC Memorial illuminated at night, 2007
570:
4092:V.C. Corner Australian Cemetery and Memorial
3955:
693:
412:Developing the memorial concept in Australia
5209:Royal Automobile Club of Australia building
3997:Australian Service Nurses National Memorial
2554:: CS1 maint: numeric names: authors list (
1358:plasterboard walls in a new configuration.
1293:lights. Above all this is the high soaring
750:
704:George Rayner Hoff was born in 1894 on the
5576:Little Hunter and Hamilton Street Precinct
4854:
4840:
4384:
4377:
4363:
3948:
3934:
2866:
2852:
2290:"Anzac Memorial Centenary Extension opens"
2252:– via National Library of Australia.
1988:"Anzac Memorial Centenary Extension opens"
1691:
1687:– via National Library of Australia.
874:Changing perceptions of the ANZAC Memorial
844:
34:
2815:National salute needed for Aussie Diggers
2720:
2642:Government Archtiects Office NSW (2007).
1206:At the top of the stairwell is a plaster
2972:General Post Office (No. 1 Martin Place)
2711:
2666:
2662:. Melbourne: Melbourne University Press.
2635:Hyde Park Archaeological Management Plan
1896:Department of Planning & Environment
1479:
1466:
1458:
1378:Undercroft and vertical security screens
1271:
1251:
1217:
1165:"Sentinel" figures adorning the exterior
1094:
1078:
1008:
943:
927:
902:
848:
814:
645:
4893:Clarence Street Police Station (former)
2801:– Description of the memorial from the
2760:New South Wales State Heritage Register
2685:Lindsay, Lionel; Dalley, W. B. (1932).
2373:
2039:
1891:New South Wales State Heritage Register
1628:National War Memorial (South Australia)
1499:New South Wales State Heritage Register
956:The major extension realised architect
524:It was to house the records of the AIF;
388:than was suffered by any other British
339:Material in rock shelters reveals that
318:. It was opened on 24 November 1934 by
285:New South Wales State Heritage Register
5609:
2809:Peace Offering that Shocked the Church
2805:website. (Last accessed 2 August 2013)
2693:
2580:
1884:
923:
811:The Opening Ceremony, 24 November 1934
5551:Other significant historical features
4835:
4358:
3929:
2847:
2799:The Anzac Memorial Pool of Reflection
2669:The Colony, A History of Early Sydney
2623:
2339:NSW Government e-news, 26 August 2016
2283:
2281:
1497:ANZAC War Memorial was listed on the
855:coronation of George VI and Elizabeth
590:The ANZAC Memorial design competition
308:Australian and New Zealand Army Corps
5334:Churches and other places of worship
4270:Military Museum and Bombing Memorial
3736:Western Sydney International Dragway
2873:
2740:, Craftsman House, Sydney, NSW, 1997
2654:, Craftsman House, Sydney, NSW, 1995
948:View of the waterfall extension and
5495:Cultural institutions and parklands
4948:Health Department building (former)
4393:Historical buildings and structures
3701:Sydney Olympic Park Athletic Centre
3686:Sydney International Regatta Centre
3548:Australian National Maritime Museum
2733:, Thames & Hudson, London, 1978
2632:
2577:, Thames & Hudson, London, 1992
1475:
828:made the dedication speech and the
13:
5617:World War I memorials in Australia
5179:Perpetual Trustee Company building
3706:Sydney Olympic Park Aquatic Centre
2736:Van Daele, Patrick and Roy Lumly,
2615:Hillier, Bevis; Escritt, Stephen.
2278:
2263:"How the Memorial came into being"
1413:Mechanical and electrical services
1025:, and consists of a massed square
999:Australian Institute of Architects
334:
14:
5688:
5632:Art Deco sculptures and memorials
5622:Monuments and memorials in Sydney
5119:Hawken and Vance Produce Exchange
5008:Sydney Water Head Office (former)
3985:Australian Merchant Navy Memorial
3716:Sydney Olympic Park Tennis Centre
3711:Sydney Olympic Park Hockey Centre
2772:
2464:. Art Deco Sydney. Archived from
2227:Hansard, 19 September 1984, p1129
1963:. Anzacday.org.au. Archived from
283:-owned property was added to the
275:, and built from 1932 to 1934 by
247:, museum and monument located in
155:New South Wales Heritage Register
40:Anzac Memorial, Hyde Park, Sydney
5677:1934 establishments in Australia
4903:Department of Education Building
4863:Sydney central business district
4051:Vietnam Forces National Memorial
3991:Australian Peacekeeping Memorial
2769:, accessed on 14 October 2018.
2749:
2658:Inglis, Kenneth Stanley (1998).
2374:Barlass, Tim (20 October 2018).
2218:Government Architect's CMP, 2007
1908:
1577:
1155:
1144:
320:Prince Henry, Duke of Gloucester
5637:Art Deco architecture in Sydney
4576:Modern buildings and structures
2947:International Convention Centre
2789:Anzac War Memorial 3D animation
2563:Ashton, Howard; others (1934).
2493:
2454:
2419:
2393:
2367:
2342:
2307:
2230:
1645:Shrine of Remembrance, Brisbane
1641:– Melbourne's main war memorial
5537:Sydney Conservatorium of Music
5486:Railway Square road overbridge
5254:Sydney School of Arts building
5049:Bathurst Street (Nos. 107–109)
4339:Rockingham Naval Memorial Park
4033:Royal Australian Navy Memorial
3598:Sydney Conservatorium of Music
3538:Art Gallery of New South Wales
3425:Kamay Botany Bay National Park
3355:Central Gardens Nature Reserve
2823:"Anzac War Memorial Hyde Park"
2744:
2705:The Book of the Anzac Memorial
2462:"ANZAC War Memorial Hyde Park"
2033:
1986:Community Relations Division.
1979:
1953:
1923:
1663:
1647:– Brisbane's main war memorial
1630:– Adelaide's main war memorial
1438:
1004:
507:Authorising the ANZAC Memorial
1:
5667:Australian military memorials
5174:New South Wales Club building
5079:Erskine Street Police Station
3520:Wetherill Park Nature Reserve
2652:Public Sculpture in Australia
2542:Anzac Memorial (Building) Act
1656:
830:Anglican Archbishop of Sydney
616:. Third prize was awarded to
353:Aboriginal traditional owners
5471:Martin Place railway station
4968:Registrar-General's building
4908:Department of Lands Building
4218:Australian–American Memorial
4202:Mount Macedon Memorial Cross
4115:Ex-Prisoners of War Memorial
3563:Manly Art Gallery and Museum
3515:Western Sydney Regional Park
3495:Sydney Harbour National Park
3360:Chinese Garden of Friendship
3340:Blue Mountains National Park
3325:Berowra Valley National Park
3199:Major centres and localities
2831:. Dictionary of Sydney Trust
2565:The Sculpture of Rayner Hoff
2319:www.anzacmemorial.nsw.gov.au
2275:, Retrieved 15 February 2012
1624:– Hobart's main war memorial
1435:drainage and paving system.
1429:
914:Australian Gas Light Company
324:Prince Harry, Duke of Sussex
7:
5627:Museums established in 1934
5219:State Savings Bank building
3656:Rosehill Gardens Racecourse
3465:Prospect dolerite intrusion
3410:Georges River National Park
3405:Garawarra Conservation Area
3042:Overseas Passenger Terminal
2758:, entry number 1822 in the
2703:Napier, S. Elliott (1934).
2042:"Protecting the word Anzac"
1994:. NSW Department of Justice
1570:
1395:The great doors and windows
636:Bruce Dellit, the architect
610:Governor of New South Wales
561:Archibald Memorial Fountain
445:State War Memorial Cenotaph
363:Origins of the term "Anzac"
10:
5693:
5366:Pitt Street Uniting Church
5013:Treasury building (former)
4888:Chief Secretary's Building
4652:Dr Chau Chak Wing Building
4150:South African War Memorial
4144:South African War Memorial
3631:Canterbury Park Racecourse
3568:Museum of Contemporary Art
3032:Old Mining Museum Building
2957:Dr Chau Chak Wing Building
2721:Stapleton, Maisey (2001).
2712:Pembroke, Michael (2009).
1083:The memorial and surrounds
697:
639:
574:
571:The Cenotaph, Martin Place
329:
61:24 November 1934
5550:
5517:Justice and Police Museum
5494:
5453:
5379:
5346:Christ Church St Laurence
5333:
5307:
5274:Trickett's Hotel (former)
5054:Bulletin Place warehouses
5021:
4883:Central Local Court House
4870:
4801:
4793:NSW Government architects
4780:
4575:
4392:
4331:
4314:
4297:
4210:
4165:
4136:
4101:
4060:
3963:
3860:
3827:
3749:
3721:Sydney Showground Stadium
3616:
3578:Justice and Police Museum
3528:
3385:Featherdale Wildlife Park
3295:
3249:
3206:Central Business District
3198:
3137:
3119:White Bay Cruise Terminal
2882:
2590:Dellit, C. Bruce (1930).
2380:The Sydney Morning Herald
2030:Karskens, 2009, pp. 440–1
1450:
694:Rayner Hoff, the sculptor
300:Australian Imperial Force
267:monument was designed by
233:
229:
219:
211:
203:
195:
187:
177:
169:
161:
152:
148:
127:
72:
57:
48:Australian Imperial Force
45:
33:
28:
23:
5586:Sharpies Golf House Sign
5558:Darling Harbour Carousel
5466:St James railway station
5454:Transport infrastructure
4963:Parliament House, Sydney
4727:Sofitel Sydney Wentworth
4499:Mortuary railway station
4127:Victory Memorial Gardens
3979:Australian Army Memorial
3964:Major national monuments
3957:Australian war memorials
3769:Disney Studios Australia
3588:Sea Life Sydney Aquarium
3510:Western Sydney Parklands
2667:Karskens, Grace (2009).
2540:Act NO 27, 1923 (1923).
2268:15 December 2018 at the
1017:exterior of the building
1001:at the national awards.
751:Builders and contractors
656:Sydney Technical College
5461:Central railway station
5320:Phillip Street Terraces
5199:Queen Victoria Building
4607:Auburn Gallipoli Mosque
4509:Queen Victoria Building
4444:Conservatorium of Music
4424:Central railway station
4288:Rats of Tobruk Memorial
4196:Light Horse Interchange
4190:Johnstone Park Memorial
4082:(Lae, Papua New Guinea)
4074:Australian Soldier Park
4068:Australian War Memorial
4015:Kings Park War Memorial
4003:Australian War Memorial
3726:Warwick Farm Racecourse
3681:Sydney Football Stadium
3475:Prospect Nature Reserve
3440:Lane Cove National Park
3415:Heathcote National Park
3375:Fairfield Park Precinct
3074:Queen Victoria Building
2694:Murphy, Damien (2014).
1598:Australian War Memorial
1593:ANZAC Memorial (Israel)
1108:level of the building.
968:The upgrades included:
845:Offices at the memorial
492:Australian War Memorial
215:Monuments and Memorials
5476:Museum railway station
4918:First Government House
4865:historical attractions
4667:Governor Phillip Tower
4386:Architecture of Sydney
4211:World War II memorials
3741:Western Sydney Stadium
3691:Sydney Motorsport Park
3661:Royal Sydney Golf Club
3558:Harry's Cafe de Wheels
3480:Rosford Street Reserve
3305:Auburn Botanic Gardens
3250:Urban renewal projects
2982:Governor Phillip Tower
2884:Buildings / structures
2624:Jeans, Dennis (1983).
2583:Raymond McGrath Prints
2581:Butler, Roger (1979).
2294:www.justice.nsw.gov.au
1992:www.justice.nsw.gov.au
1485:
1472:
1464:
1277:
1260:
1223:
1100:
1099:The Pool of Reflection
1084:
1018:
953:
933:
908:
857:
820:
651:
370:Government Architect's
182:a., b., c., d., f., g.
173:State heritage (built)
94:33.87556°S 151.21083°E
5341:St Andrew's Cathedral
5325:Young Street Terraces
5308:Residential buildings
5139:John Bridge Woolstore
4977:Supreme Court of NSW
4943:Haymarket Post Office
4788:Australian architects
4742:Sydney Harbour Bridge
4637:Chau Chak Wing Museum
4519:St Andrew's Cathedral
4166:World War I memorials
4045:Shrine of Remembrance
4039:Shrine of Remembrance
4021:National War Memorial
3799:Roslyn Packer Theatre
3774:Entertainment Quarter
3676:Sydney Cricket Ground
3553:Chau Chak Wing Museum
3530:Cultural institutions
3450:Mrs Macquarie's Chair
3400:Garigal National Park
3390:Field of Mars Reserve
3079:St Andrew's Cathedral
2680:. pp. 1127–1133.
1639:Shrine of Remembrance
1483:
1470:
1462:
1275:
1259:"Sacrifice" sculpture
1255:
1221:
1179:The internal building
1133:. A string course of
1116:The external building
1098:
1082:
1012:
991:Sir John Sulman Medal
947:
931:
906:
852:
818:
649:
537:Sydney Harbour Bridge
475:Shrine of Remembrance
465:National War Memorial
455:Shrine of Remembrance
343:people inhabited the
312:landing at Anzac Cove
243:is a heritage-listed
5527:Royal Botanic Garden
5522:Macquarie Place Park
5059:Burns Philp building
5022:Commercial buildings
4973:State Library of NSW
4871:Government buildings
4682:International Towers
4622:Bennelong Apartments
4559:University of Sydney
4454:Education Department
4298:Korean War memorials
4029:(Sydney to Canberra)
4027:Remembrance Driveway
3626:Australian Golf Club
3485:Royal Botanic Garden
3455:Paddington Reservoir
3395:Fred Hollows Reserve
3365:Chipping Norton Lake
3350:Centennial Parklands
3027:Old Government House
3012:Macquarie Lighthouse
2828:Dictionary of Sydney
2405:Architecture.coma.au
2238:"MODEL WAR MEMORIAL"
1315:The exhibition space
1199:designed by Dellit.
1075:The memorial setting
819:The memorial in 1934
660:University of Sydney
99:-33.87556; 151.21083
5371:St Stephen's Church
5361:St Mary's Cathedral
5189:Public Trust Office
5134:International House
4923:General Post Office
4662:Dunc Gray Velodrome
4657:Deutsche Bank Place
4524:St Mary's Cathedral
4514:Registrar-General's
4459:General Post Office
4419:Central Local Court
4305:Korean War Memorial
4276:El Alamein Fountain
4094:(Fromelles, France)
4088:(Gallipoli, Turkey)
4076:(Beersheba, Israel)
3696:Sydney Olympic Park
3671:State Sports Centre
3651:Randwick Racecourse
3636:Dunc Gray Velodrome
3490:Royal National Park
3370:Cronulla sand dunes
3282:Sydney Olympic Park
3084:St Mary's Cathedral
2962:El Alamein Fountain
2952:Deutsche Bank Place
2907:Bankstown Reservoir
2468:on 15 February 2008
2407:. 11 September 2020
2321:. 27 September 2018
1604:El Alamein Fountain
1585:Architecture portal
1222:The Hall of Silence
932:The Hall of Service
924:Centenary Extension
545:St Mary's Cathedral
316:Battle of Gallipoli
90: /
5214:Sir Stamford Hotel
4953:Hyde Park Barracks
4781:Notable architects
4747:Sydney Opera House
4705:Quay Quarter Tower
4677:Horizon Apartments
4539:Sydney Observatory
4479:Hyde Park Barracks
4137:Boer War memorials
4102:Regional monuments
4086:Lone Pine Memorial
3646:Macquarie Ice Rink
3315:Balls Head Reserve
2992:Hyde Park Barracks
2912:Boothtown Aqueduct
2897:Archibald Fountain
2729:Sturgeon, Graeme,
2598:Edwards, Deborah,
2431:ArchitectureAU.com
1941:on 17 October 2016
1491:Archibald Fountain
1486:
1473:
1465:
1278:
1276:The Hall of Memory
1261:
1224:
1101:
1085:
1042:who served during
1019:
954:
934:
909:
858:
826:Duke of Gloucester
821:
652:
287:on 23 April 2010.
196:Reference no.
5672:Museums in Sydney
5662:Hyde Park, Sydney
5652:ANZAC (Australia)
5604:
5603:
5502:Australian Museum
5144:Judges House, The
4991:Old Registry Wing
4958:Hyde Park Obelisk
4829:
4828:
4821:Tallest buildings
4627:Blues Point Tower
4567:Victoria Barracks
4484:Hyde Park Obelisk
4429:Chief Secretary's
4352:
4351:
4322:Regimental Square
4282:Hellenic Memorial
4224:Avenues of Honour
4179:Avenues of Honour
4156:Boer War Memorial
4070:(London, England)
3923:
3922:
3666:Stadium Australia
3583:Powerhouse Museum
3543:Australian Museum
3430:Ku-ring-gai Chase
3330:Bicentennial Park
3166:
3057:Regimental Square
2997:King Street Wharf
2922:Campbell's Stores
2650:Hedger, Michael,
2571:Bayer, Patricia,
2533:Building magazine
2525:Building magazine
2517:Building magazine
2509:Building magazine
2501:Building magazine
2433:. 5 November 2020
2021:Clendinning, 2003
1634:Regimental Square
1404:Moveable heritage
1324:The Assembly Hall
1062:, carved granite
682:Funeral Parlour,
351:nation, were the
237:
236:
5684:
5591:Sydney Town Hall
5356:St James' Church
5159:Metters Building
5124:Hinchcliff House
5114:Grahame's Corner
4928:Government House
4856:
4849:
4842:
4833:
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4732:Stamford on Kent
4701:
4647:Citigroup Centre
4617:Australia Square
4580:
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4554:The Old Treasury
4504:Parliament House
4489:Lands Department
4469:Government House
4397:
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4355:
4080:Lae War Cemetery
3966:(capital cities)
3950:
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3927:
3926:
3814:Sydney SuperDome
3573:Museum of Sydney
3297:Parks and nature
3236:Pitt Street Mall
3164:
3047:Parliament House
3002:Kirribilli House
2977:Government House
2942:Citigroup Centre
2902:Australia Square
2868:
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2781:Official website
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1886:"ANZAC Memorial"
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1587:
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1581:
1512:Great Depression
1476:Heritage listing
1159:
1148:
622:Kell & Rigby
601:Leslie Wilkinson
484:ANZAC Memorial,
277:Kell & Rigby
253:Liverpool Street
224:Kell & Rigby
128:Designed by
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5507:Capitol Theatre
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5351:Great Synagogue
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5269:Transport House
5264:The Sydney Club
5204:Red Cross House
5129:Hong Kong House
5044:Australian Hall
5017:
4998:Sydney Cenotaph
4866:
4860:
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4811:Non-residential
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4722:Sirius Building
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4697:Paddy's Markets
4592:25 Martin Place
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4529:Sydney Hospital
4474:Hong Kong House
4404:Admiralty House
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3759:Capitol Theatre
3745:
3641:Lakes Golf Club
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3460:Parramatta Park
3445:Macquarie Place
3435:Lake Parramatta
3291:
3272:Darling Harbour
3245:
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3052:Parramatta Gaol
2987:Hong Kong House
2932:Central station
2917:Cadmans Cottage
2892:Admiralty House
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1214:Hall of Silence
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714:Deborah Edwards
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557:Francois Sicard
541:Raymond McGrath
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425:Darwin Cenotaph
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269:C. Bruce Dellit
249:Hyde Park South
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3114:Warragamba Dam
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3089:Sydney Airport
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2803:City of Sydney
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2773:External links
2771:
2756:ANZAC Memorial
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2451:Karskens, 2009
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2242:Toodyay Herald
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2046:www.dva.gov.au
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2014:
2005:
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1935:Anzac Memorial
1922:
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1676:The Daily News
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1268:Hall of Memory
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1027:superstructure
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867:College Street
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698:Main article:
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692:
664:Emil Sodersten
640:Main article:
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5315:History House
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5074:Corn Exchange
5072:
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5064:Challis House
5062:
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5055:
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5047:
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5014:
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4989:
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4986:Greenway Wing
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4909:
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4898:Customs House
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4779:
4773:
4772:Zenith Centre
4770:
4768:
4765:
4763:
4760:
4758:
4755:
4753:
4750:
4748:
4745:
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4740:
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4737:Suncorp Place
4735:
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4708:
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4668:
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4642:Chifley Tower
4640:
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4439:Customs House
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4425:
4422:
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4417:
4415:
4412:
4410:
4409:Boronia House
4407:
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4399:
4391:
4387:
4380:
4375:
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4306:
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4302:
4300:
4296:
4289:
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4283:
4280:
4277:
4274:
4271:
4268:
4264:Woodend North
4263:
4260:
4257:
4254:
4251:
4248:
4245:
4242:
4239:
4236:
4234:Bacchus Marsh
4233:
4230:
4227:
4226:
4225:
4222:
4219:
4216:
4215:
4213:
4209:
4203:
4200:
4197:
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4188:
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4170:
4168:
4164:
4157:
4154:
4151:
4148:
4145:
4142:
4141:
4139:
4135:
4129:(Wagga Wagga)
4128:
4125:
4122:
4121:Monument Hill
4119:
4116:
4113:
4110:
4107:
4106:
4104:
4100:
4093:
4090:
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3859:
3853:
3850:
3848:
3845:
3843:
3840:
3838:
3835:
3834:
3832:
3830:
3826:
3820:
3819:Theatre Royal
3817:
3815:
3812:
3810:
3809:State Theatre
3807:
3805:
3802:
3800:
3797:
3795:
3794:Raging Waters
3792:
3790:
3789:Plaza Theatre
3787:
3785:
3784:Lyric Theatre
3782:
3780:
3777:
3775:
3772:
3770:
3767:
3765:
3762:
3760:
3757:
3756:
3754:
3752:
3751:Entertainment
3748:
3742:
3739:
3737:
3734:
3732:
3729:
3727:
3724:
3722:
3719:
3717:
3714:
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3709:
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3624:
3623:
3621:
3619:
3615:
3609:
3606:
3604:
3601:
3599:
3596:
3594:
3593:State Library
3591:
3589:
3586:
3584:
3581:
3579:
3576:
3574:
3571:
3569:
3566:
3564:
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3498:
3496:
3493:
3491:
3488:
3486:
3483:
3481:
3478:
3476:
3473:
3471:
3470:Prospect Hill
3468:
3466:
3463:
3461:
3458:
3456:
3453:
3451:
3448:
3446:
3443:
3441:
3438:
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3408:
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3333:
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3321:
3318:
3316:
3313:
3311:
3308:
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3303:
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3300:
3298:
3294:
3288:
3285:
3283:
3280:
3278:
3275:
3273:
3270:
3268:
3265:
3263:
3262:Bays Precinct
3260:
3258:
3255:
3254:
3252:
3248:
3242:
3239:
3237:
3234:
3232:
3229:
3227:
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3115:
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3110:
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3018:
3015:
3013:
3010:
3008:
3005:
3003:
3000:
2998:
2995:
2993:
2990:
2988:
2985:
2983:
2980:
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2975:
2973:
2970:
2968:
2965:
2963:
2960:
2958:
2955:
2953:
2950:
2948:
2945:
2943:
2940:
2938:
2937:Chifley Tower
2935:
2933:
2930:
2928:
2925:
2923:
2920:
2918:
2915:
2913:
2910:
2908:
2905:
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2813:
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2807:
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2800:
2797:
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2770:
2768:
2765:
2761:
2757:
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2739:
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2732:
2728:
2724:
2719:
2715:
2710:
2706:
2701:
2697:
2692:
2688:
2683:
2679:
2678:Hansard (NSW)
2674:
2670:
2665:
2661:
2656:
2653:
2649:
2645:
2640:
2636:
2631:
2627:
2622:
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2597:
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2522:
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2502:
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2483:
2467:
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2239:
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2213:
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2209:
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2203:
2201:
2199:
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2183:
2181:
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2175:
2173:
2171:
2169:
2167:
2165:
2163:
2161:
2159:
2157:
2155:
2153:
2151:
2149:
2147:
2145:
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2141:
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2137:
2135:
2133:
2131:
2129:
2127:
2125:
2123:
2121:
2119:
2117:
2115:
2113:
2111:
2109:
2107:
2105:
2103:
2101:
2099:
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2079:
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2075:
2073:
2071:
2069:
2067:
2065:
2063:
2047:
2043:
2036:
2027:
2018:
2009:
1993:
1989:
1982:
1967:on 9 May 2015
1966:
1962:
1956:
1940:
1936:
1932:
1926:
1919:
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1911:
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1388:
1386:
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1330:
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1309:
1304:
1299:
1296:
1292:
1286:
1282:
1274:
1267:
1266:
1265:
1258:
1257:Rayner Hoff's
1254:
1247:
1246:
1245:
1241:
1238:
1234:
1230:
1220:
1213:
1212:
1211:
1209:
1204:
1200:
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1177:
1176:
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1123:
1115:
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1113:
1109:
1107:
1097:
1093:
1089:
1081:
1074:
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1065:
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1057:
1053:
1049:
1045:
1041:
1036:
1032:
1028:
1024:
1016:
1011:
1002:
1000:
996:
992:
987:
981:
978:
974:
971:
970:
969:
966:
963:
959:
951:
946:
942:
940:
930:
921:
917:
915:
905:
901:
897:
894:
893:James Rowland
888:
886:
880:
871:
868:
862:
856:
851:
842:
838:
835:
831:
827:
817:
808:
804:
801:
795:
792:
791:Assembly Hall
786:
782:
778:
776:
772:
762:
759:
748:
746:
745:Hunter Street
742:
737:
733:
729:
725:
723:
719:
715:
709:
707:
701:
691:
689:
685:
679:
675:
671:
667:
665:
661:
657:
648:
643:
633:
629:
627:
623:
619:
615:
611:
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602:
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587:
584:
578:
568:
564:
562:
558:
552:
548:
546:
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538:
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520:
517:
514:
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512:
504:
497:
493:
490:
487:
483:
480:
476:
473:
470:
466:
463:
460:
456:
453:
450:
446:
443:
440:
436:
433:
430:
426:
423:
422:
421:
418:
409:
407:
402:
399:
393:
391:
385:
383:
379:
373:
371:
360:
358:
354:
350:
346:
342:
327:
325:
321:
317:
313:
309:
305:
301:
297:
293:
288:
286:
282:
278:
274:
270:
266:
262:
258:
257:CBD of Sydney
254:
250:
246:
242:
232:
228:
225:
222:
218:
214:
210:
206:
202:
198:
194:
191:23 April 2010
190:
186:
183:
180:
176:
172:
168:
164:
162:Official name
160:
156:
151:
147:
141:
138:
136:
133:
132:
130:
126:
122:
118:
114:
110:
103:
75:
71:
60:
56:
53:
49:
44:
37:
32:
27:
22:
19:
5568:
5564:
5435:Royal George
5430:Metropolitan
5395:Bristol Arms
5288:York Street
5247:Nos. 163–169
5237:Nos. 139–153
5232:Nos. 121–127
5194:Qantas House
5164:MLC Building
5109:GIO building
5097:Nos. 348–352
5069:CML building
5034:APA building
4936:Nos. 181–187
4877:
4752:Sydney Tower
4692:MLC Building
4632:Central Park
4612:Aurora Place
4601:
4597:AMP Building
4579:(post-1930s)
4562:(Main Quad.)
4464:GIO Building
4243:Buchan South
4184:The Cenotaph
4109:ACT Memorial
4009:The Cenotaph
3972:
3885:Fort Denison
3764:Crown Sydney
3310:Balaka Falls
3277:Green Square
3267:Central Park
3226:North Sydney
3161:Glebe Island
3159:
3150:Captain Cook
3124:World Square
3109:War Memorial
3108:
3094:Sydney Tower
2967:Finger Wharf
2927:The Cenotaph
2833:. Retrieved
2826:
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2470:. Retrieved
2466:the original
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2017:
2012:Haglun, 1996
2008:
1996:. Retrieved
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1965:the original
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958:Bruce Dellit
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834:Howard Mowll
824:people. The
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688:The Bulletin
684:Darlinghurst
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642:Bruce Dellit
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435:War Memorial
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372:CMP, 2007).
366:
338:
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245:war memorial
240:
238:
207:War Memorial
135:Bruce Dellit
18:
5596:Tank Stream
5405:Dundee Arms
5400:Crown (pub)
5284:Wales House
5259:Trades Hall
5154:Liner House
5003:Sydney Mint
4981:Banco Court
4932:Hay Street
4816:Residential
4767:World Tower
4715:IMAX Sydney
4549:Trades Hall
4434:Cloncorrick
4396:(pre-1930s)
4255:Lysterfield
4123:(Fremantle)
4047:(Melbourne)
3608:Taronga Zoo
3500:Sydney Park
3345:Brenan Park
3320:Bents Basin
3221:Kings Cross
3155:Gladesville
3129:World Tower
3099:The Toaster
3067:IMAX Sydney
3037:Opera House
3022:Observatory
2745:Attribution
2437:14 November
2411:14 November
1439:Archaeology
1342:architraves
1044:World War I
1005:Description
741:York Street
706:Isle of Man
700:Rayner Hoff
614:Philip Game
596:competition
481:– 1928–1934
451:– 1928–1929
304:World War I
273:Rayner Hoff
140:Rayner Hoff
97: /
85:151°12′39″E
52:World War I
5611:Categories
5542:The Domain
5383:and hotels
5149:Kyle House
4757:TNT Towers
4710:The Ribbon
4307:(Canberra)
4290:(Canberra)
4284:(Canberra)
4220:(Canberra)
4175:(Ballarat)
4158:(Canberra)
4152:(Brisbane)
4146:(Adelaide)
4117:(Ballarat)
4111:(Canberra)
4053:(Canberra)
4041:(Brisbane)
4035:(Canberra)
4023:(Adelaide)
4005:(Canberra)
3999:(Canberra)
3993:(Canberra)
3987:(Canberra)
3981:(Canberra)
3603:Sydney Zoo
3505:The Domain
3257:Barangaroo
3231:Parramatta
3062:The Ribbon
2472:3 February
2359:12 January
2051:5 February
1945:10 October
1902:14 October
1657:References
1385:undercroft
1355:clerestory
1126:balustrade
1122:buttresses
977:Fiona Hall
962:Mike Baird
885:Government
618:Peter Kaad
583:Lang Labor
406:Queensland
341:Aboriginal
188:Designated
82:33°52′32″S
65:1934-11-24
5512:Hyde Park
5425:Hotel CBD
5420:Hollywood
5039:AWA Tower
5029:AMA House
4762:UTS Tower
4544:Town Hall
4315:Campaigns
4261:O'Connell
4240:Booroopki
4192:(Geelong)
3915:Spectacle
3779:Luna Park
3420:Hyde Park
3380:Farm Cove
3335:Bland Oak
3241:The Rocks
3216:Chinatown
3211:Chatswood
3190:Tom Uglys
3180:Roseville
3165:(disused)
3104:Town Hall
2877:landmarks
2835:7 October
2764:CC-BY 4.0
2550:cite book
2385:25 August
2325:25 August
2299:25 August
1998:17 August
1971:9 October
1931:"History"
1915:CC-BY 4.0
1430:Condition
1308:pilasters
1248:Sacrifice
1197:handrails
1035:cruciform
861:offices.
479:Melbourne
357:Hyde Park
292:Anzac Day
261:Australia
121:Australia
109:Hyde Park
29:Australia
5571:Memorial
5567:I – SMS
5440:Skinners
5390:Arthouse
4700:(redev.)
4687:Latitude
4534:The Mint
4494:Lindesay
4414:Carthona
4324:(Sydney)
4278:(Sydney)
4272:(Darwin)
4237:Ballarat
4231:Armadale
4198:(Sydney)
4186:(Sydney)
4011:(Hobart)
3975:(Sydney)
3880:Cockatoo
3842:Cronulla
3804:The Star
3287:Waterloo
3007:Long Bay
2266:Archived
1961:"Sydney"
1898:. H01822
1617:Memorial
1613:I – SMS
1571:See also
1369:Basement
1229:lighting
1193:handrail
1052:caryatid
1031:ziggurat
1015:Art Deco
800:Governor
775:Bathurst
758:Homebush
626:Building
496:Canberra
469:Adelaide
459:Brisbane
314:for the
310:(ANZAC)
265:Art Deco
220:Builders
212:Category
178:Criteria
73:Location
58:Unveiled
50:dead of
46:For the
5242:No. 161
5102:No. 354
5092:No. 343
5087:No. 341
4258:Macedon
4017:(Perth)
3910:Snapper
3862:Islands
3829:Beaches
3175:Pyrmont
3170:Harbour
3138:Bridges
2794:YouTube
2767:licence
2535:. 1922.
2527:. 1928.
2519:. 1930.
2511:. 1932.
2503:. 1934.
2248:1 April
1918:licence
1683:1 April
1424:bracket
1338:coffers
1233:cornice
1135:granite
1131:grilles
1069:poplars
1060:friezes
1023:granite
997:by the
398:Premier
330:History
279:. This
255:in the
63: (
5565:Sydney
5445:Sussex
5415:George
5297:No. 73
5292:No. 22
4803:Styles
4332:Branch
4249:Hobart
4228:Albany
3890:Garden
2875:Sydney
1611:Sydney
1451:Wreath
1303:stairs
1291:finial
1237:frieze
1185:marble
1106:podium
1064:relief
1048:bronze
950:oculus
771:Bowral
612:, Sir
498:– 1941
488:– 1934
486:Sydney
471:– 1931
461:– 1930
441:− 1925
439:Hobart
431:– 1921
429:Darwin
390:Empire
382:Amiens
263:. The
113:Sydney
5569:Emden
5563:HMAS
5410:Grace
4246:Cowra
3905:Shark
3875:Clark
3847:Manly
3837:Bondi
3618:Sport
3145:Anzac
1615:Emden
1609:HMAS
1208:niche
718:Dubbo
449:Perth
378:Somme
349:Darug
281:state
251:near
5381:Pubs
3900:Rodd
3895:Goat
3870:Bare
3852:Palm
3185:Spit
3017:Mint
2837:2015
2556:link
2474:2008
2439:2023
2413:2023
2387:2020
2361:2023
2327:2020
2301:2020
2250:2017
2053:2019
2000:2020
1973:2015
1947:2015
1904:2018
1685:2017
1295:dome
1013:The
239:The
204:Type
199:1822
170:Type
4343:RAN
2792:on
2354:JPW
1525:Gap
941:”.
832:Dr
302:of
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