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1531:. He had his own pavilion at the 1925 Exposition. His furniture was noted for its use of rare and expensive woods and other materials, such as ivory. The simple-looking "Duval" cabinet, pictured below, designed in 1924 and probably made in 1926, is made of Brazilian rosewood, ivory, amboyna burl, mahogany, oak, and little plywood. The "Tibittant" desk by Ruhlmann illustrated below, made in 1923, is a fall-leaf desk with a core of plywood covered with oak, poplar, mahogany, and Macassar ebony veneers inside and out. It has ivory inlays, feet, and knobs, silk tassels, a leather interior writing surface, and aluminum leaf and silver gilding. It is now in the
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603:, (1928–32), located at 186 Avenue Daumesnil in the 12th arrondissement, was designed by Paul Tournon. It has a modern exterior, made of reinforced concrete covered with red brick and modern bell tower 75 meters high, but the central feature is a huge dome, 22 meters in diameter. The design, like that of the Basilica of Sacré-Cœur, was inspired by Byzantine churches. The interior was decorated with murals by several notable artists, including
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388:. The Four Towers of the Crafts, by Plumet, marked the center of the Exposition, surrounded by national pavilions and especially pavilions of the major Paris designers and department stores, which had their own design departments, and produced their own furniture and decoration. The pavilions of the department stores were gathered around the esplanade of
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1999:, who had first made his reputation at the 1900 Paris Exposition, when he was the first jeweler use glass in jewelry. Besides table glassware, he designed a wide variety of glass art objects, both practical and decorative, including glass hood ornaments for luxury automobiles. His major projects included decorating the dining room of the ocean liner
703:(1920) preserves its decorative murals on the facade. Le Louxor, from 1921, in a sort of neo-ancient Egyptian style, by architect Henri Zipcy. The interior features colorful neo-Egyptian mosaics by Amédée Tiberi. It was restored in 2013, and is now an historic monument. The largest and most Deco theater still existing from the period is the
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1034:. The complex fell into disrepair and was closed in 1989 with the intention of building a housing project on the site. After years of disuse, dispute and vandalism, it was declared an historical site and underwent major renovation. It reopened in 2013, following the original style, as part of a larger commercial and hotel complex.
2003:(1920), making table service for the French President (1922), and an illuminated glass fountain in a central position at the 1925 Paris Exposition of Decorative Arts. Beginning in 1925 he modified his style from floral fantasies to more geometric and simpler designs. In the 1930s he decorated the dining room of the ocean liner
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Paris, despite its distinctively different look, played a pivotal role in launching the Art Deco style onto the global stage. The 1925 World’s Fair, Exposition
Internationale des Arts Decoratifs et Industriels Modernes, served as a catalyst, introducing the world to the bold, angular, and streamlined
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In 1911, the SAD proposed the holding of a major new international exposition of decorative arts in 1912. No copies of old styles were to be permitted; only modern works. The exhibit was postponed until 1914, then, because of the war, postponed until 1925, when it gave its name to the whole family of
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In 1929, the Art Deco movement in France was split into two currents by the breakaway of the Union des
Artistes Moderne (UAM) from the more traditional Société des Artistes Decorateurs. This new group proposed more functional architecture, furniture and decoration, mass production, simpler materials
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Art Deco in architecture was particularly the result of a new technology, the use of reinforced concrete, which allowed buildings to be taller, stronger, and with fewer supporting beams and columns, and to take almost any possible shape. The first reinforced concrete house had been built by François
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As the journey concludes, one cannot overlook the lasting impact of Art Deco on Paris. The Museum of
Decorative Arts, nestled in the Louvre, houses a permanent exhibit celebrating 1930s Art Deco modernity, showcasing the movement's sharp edges, sleek surfaces, and dramatic intersections of form and
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Paris, a city that stands as a living testament to the legacy of Art Deco, reveals its architectural treasures around iconic landmarks like the Eiffel Tower and the Grands
Boulevards. The Palais de Chaillot and the Palais de Tokyo showcase the sleekness of Art Deco, while the Folies Bergère and the
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opera house, and caused a scandal. The lobby and the theater interior were equally revolutionary, open and austere, without the columns that blocked the view in many theaters. The decoration by
Bourdelle and other artists was stylized and modern. The theater hosted the premieres of newest forms of
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Venturing beyond Paris, the "Garden Cities" of Pré-Saint-Gervais, the Palace at
Beaumont-sur-Oise, and the Musée des années 1930 in Boulogne-Billancourt offer a glimpse into the widespread embrace of Art Deco in the Île-de-France region. The tour extends to Boulogne-Billancourt, a hub of interwar
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The journey through Art Deco's Paris culminates at the Musée des Arts Décoratifs, home to a stellar collection that includes objects from the 1925 Exposition
Internationale des Arts DĂ©coratifs et Industriels Modernes. Here, visitors can witness the evolution of Art Deco through the iron gates of
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The global economic depression that began in 1929 soon had an impact on architecture and decoration in Paris. Buildings became less ornate, less extravagant, more streamlined, with a return to some elements of classicism and tradition, such as neoclassical colonnades. It was a period of strikes,
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Additionally, one of the highlights of the exploration is the Maison de Verre, a
Modernist masterpiece designed by Pierre Chareau and Bernard Bijvoet. Tucked away near Saint-Germain-des-Prés, this private residence exemplifies the avant-garde spirit of Art Deco, with its translucent glass block
264:, the French architect commissioned to build the structure, argued that Van de Velde's design was "materially impossible" and made his own design. After a dispute with the theater owners, Van de Velde resigned and departed, and Perret completed the building following his own plan in April 1913.
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was the result of a long campaign by French decorative artists to gain equal status with the creators of paintings and sculpture. The term "arts décoratifs" was invented in 1875 to give designers of furniture, textiles, and other decoration official status. The Société des artistes décorateurs
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From the Grand Rex cinema to the Palais de
Chaillot, from the Grand Palais to the intimate corners of private residences, Art Deco's enchantment continues to captivate those who explore the magic and monumentality embedded in every corner of this enduring architectural and design legacy.
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held in Paris in 1925, was the largest and most important exhibition of art Deco, and later gave its name to the style. It had first been proposed in 1906, then scheduled for 1912 by the
Ministry of Commerce and Industry, particularly as a response to the popularity of the designs of the
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cinema1 (boulevard Poissonière no. 1, 2nd arr.)) built in 1932 by the French architect Auguste Bluysen with the American engineer John Eberson. It is one of the largest theaters in Europe, seating 3100 persons. The theater interior was decorated by a prominent Deco designer,
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Screens were an important part of Art Deco design, allowing rooms to be easily divided, opened up, or given a different look. They were usually combined with carpets in a similar style. Most screens were painted on fabric or wood. A highly unusual Art Deco screen is
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1492:. They opened a gallery in 1920 on rue de Faubourg-Saint-Honoré which displayed furniture, lamps, glassware, textiles and other new products, including many designed to be produced in series. Later the group was joined by artists in more modernist styles, including
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Several new churches were built in Paris between the wars, in styles that mixed Art Deco features, such as stylized towers, the use of reinforced concrete to create large open spaces, and decorative murals in a Deco style, frequently combined with features of
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1121:. The Paris houses built by Mallet-Stevens on what is now Rue Mallet-Stevens (XIVth arrondissement) (1927–29) and his very spare steel furniture, illustrate the aesthetics of the movement. The residence of the Martel Brothers, along the "Glass House" of
193:. During the same year Printemps created its own workshop called "Primavera". By 1920 Primavera employed more than three hundred artists. The styles ranged from the updated versions of Louis XIV, Louis XVI and especially Louis Philippe furniture made by
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139:(Society of decorative artists), or SAD, was founded in 1901, and decorative artists were given the same rights of authorship as painters and sculptors. Several new magazines devoted to decorative arts were founded in Paris, including
119:, and in movie theaters, department stores, other public buildings. It also featured in the work of Paris jewelers, graphic artists, furniture craftsmen, and jewelers, and glass and metal design. Many Art Deco landmarks, including the
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540:, as well as the innovative apartment building at 26 rue Vavin (6th arr.) (1912–1914), which arranged its apartments in steps, each having its own terrace. (1906). This design was used by Sauvage and other architects in the period.
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held in Paris in 1925. It was characterized by bold geometric forms, bright colors, and highly stylized decoration, and it symbolized modernity and luxury. Art Deco architecture, sculpture, and decoration reached its peak at 1939
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was one of the most inventive of designers of apartment buildings. He was particularly adept at covering the reinforced concrete facades with ceramic tile. In 1911 he built the Majorelle Building for the furniture designer
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Screen by Gaston Suisse, Black Chinese lacquer and graphite inlays. Abstract geometric decor in silver lacquer.circa1925, Exposition: 1925, Quand L'art Déco séduit le monde.Cité de l'architecture, Palais de Chaillot,
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1911:(1897–1945) was the major figure in Paris Art Deco silverware. The son of a silversmith, he was also a sculptor. He had his first success in 1923 at the Salon des Decorateurs in Paris, where he combined silver with
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1014:. The complex designed by architect Lucien Pollet to resemble the deck of ocean liner, with three levels of "cabins" around the outdoor pool. It was completed in 1929 and inaugurated by Olympic swimmers including
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2203:, born in Romania, became one of the most successful Deco sculptors in Paris, and showed his work regularly at the Salon des Artistes Français between 1914 and 1928. He specialized in small statuettes called
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Grand Rex on the Grands Boulevards exude the movement's elegance. Even in more humble neighborhoods like the 18th district, with the Louxor and the Amiraux swimming pool, Art Deco's influence is evident.
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museums, starting with the colonial exhibition of 1931, which was renamed in 1935 the Musée de la France d’Outre-mer, then in 1960 the Musée des Arts africains et océaniens, and finally in 1990 the
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Gaston SUISSE (1896 – 1988) La commande du décor Art et Technique pour la Grande Galerie du Commissariat Général de l’Exposition internationale de 1937 au Musée d’Art moderne de la Ville de Paris
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1383:. They all had the major characteristics of this period of Art Deco architecture; smooth concrete walls covered with stone plaques, sculpture on the facade, and murals on the interior walls.
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Art Deco sculpture was by definition and function decorative, usually placed on the facades or in close proximity to buildings in the style to complement them. Some Paris sculptors, such as
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185:, who all began designing products in more modern styles. Beginning in 1900, department stores had recruited decorative artists to work in their design studios. The decoration of the 1912
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1915:. He made only individual items, not series, and often combined them with semi-precious stones. A major collection of his work and silverware he collected was donated to the Louvre by
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The furniture designed by Louis Süe and Andre Mare of Compagnie des Arts Francais was finely crafted and lavish. The buffet pictured in the gallery below (1920–1921), now in the
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536:. Sauvage was one of the major figures of Paris Art Deco; his other important works included the Studio Building and the Majorelle Building, built for the furniture designer
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1364:(now the Paris Museum of Modern Art), by André Aubert, Paul Viard, and Marcel Dastugue.The large gallery and the reception rooms of the Paris municipal council in the
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1472:. The First World War put an end to the more lavish style, and stopped almost all construction and decoration. As soon as the war was over, two prominent artists,
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The graphic arts, particularly fashion magazine covers and illustrations, played an important role in popularizing the style, as posters had earlier done for the
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used it to construct the first apartment building built like a staircase, each apartment with its own terrace, and another major project, the new building of the
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Art Deco Furniture and decoration in Paris before 1914 featured bold colors and geometric floral designs, borrowed from diverse sources ranging from the
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Parisian department stores and fashion designers also played an important part in the rise of Art Deco. Established firms including the luggage maker
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in July 1946. In the winter it was transformed into an ice skiing rink. Besides its nautical architecture, it features Art Deco stained glass by
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France.fr. (2023, February 1). Art Deco in Paris and the ile-de-france. France.fr : Actualités, destinations et infos du tourisme en France.
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2767:(in French). Université Panthéon Sorbonne Paris 1 MASTER 2 HISTOIRE DU PATRIMOINE ET DES MUSEES UFR 03- Histoire de l’Art / UFR 09-Histoire.
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The department store appeared in Paris at the end of the 19th century, and became a major feature of the early 20th century. The original
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made a small cabinet in an organic shape, entirely covered with white sharkskin. He decorated the first-class cabins on the ocean liner
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The early Art Deco style featured luxurious and exotic materials such as ebony, and ivory and silk, very bright colors and stylized
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Palatial movie theaters in the Art Deco style appeared in Paris in the 1920s. The MK3 theater at 4 rue Belgrande (20th arr,) by
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and the Primavera workshop to more modern forms from the workshop of the Au Louvre department store. Other designers, including
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and other more modernist styles, furniture and excoriation became more geometric and functional. Examples were the work of
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Art Deco watch, cigarette cases, and pillbox made by the Paris firm of Chaumet (1926–30) (Museum of Decorative Arts, Paris)
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Rodney and Diana Capstick-Dale (2016). Art Deco Collectibles, fashionable objets from the jazz age, Thames & Hudson,
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2167:(1925), a gold buckle set with diamonds and carved onyx, lapis lazuli, jade, and coral (Museum of Decorative Arts, Paris)
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Stairway of the Economic, Social and Environmental Council, by Auguste Perret (with his portrait over the stairs) (1937)
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Designers in this period used the most exotic and expensive materials they could find. The painter and decorator
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portraying ships, oceans, and the wildlife of Africa. The original ethnographic exhibits were transferred to the
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615:(1935–39) has a single nave, three neo-Byzantine cupolas, and the highest bell tower in Paris, 72 meters tall.
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Salon of the HĂ´tel du Collectionneur from the 1925 International Exposition of Decorative Arts, furnished by
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movement of architecture and design appeared in Paris in about 1910–12, and continued until the beginning of
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Gaston Suisse Normandie and aviation detail of the monumental lacquered decoration in the Palais de Chaillot
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Pierre Patout's own house and studio, built earlier in 1927–28 at 2 Rue Gambetta in the Paris suburb of
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Sainte-Odile, Paris at 2 avenue Stephane-Mallarmé (17th) (1935–39) has the highest bell tower in Paris
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prosperity, showcasing the works of Modernist architects like Le Corbusier and Robert Mallet-Stevens.
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The following museums in Paris have notable collections of Art Deco furniture and decorative items.
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1885:(1924–26), of lacquered wood, eggshell, mother-of-pear, and gold leaf. (Metropolitan Museum of Art)
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A third building of major importance was the Museum of Public Works (now the Economic Council, by
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style. In 1925 the store was enlarged with an Art Deco building facing the Seine, designed by
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Decoration of the interior with ceiling mural and concrete tiers for seating, without pillars.
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refused to use mass production, and insisted that each piece be made individually by hand.
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were decorated with a monumental lacquered decoration of more than 120 panels produced by
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bridge over the Seine was covered with a row of exhibition halls. The chief architect was
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2990:. By Charlotte Benton; Tim Benton; Ghislain Wood. Renaissance du Livre. pp. 165–171.
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made a delicate commode in 1912 of mahogany black marble, and sharkskin. In about 1925
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and no decoration at all. The members included René Herbst, Jacques Le Chevalier, and
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had a small pavilion of his own, made of canvas, at the edge of the Exposition.
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painting, and also worked with copper and other unusual materials. His screen
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The International Exposition of Modern Decorative and Industrial Arts (1925)
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made very innovative use of the new system. Perret used it to construct the
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Poster for the 1925 Exposition, representing the fusion of art and industry
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or ocean liner style, 3 boulevard Victor (15th arrondissement), (1934–35)
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The first major building to be constructed in the Art Deco style was the
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232:(1911–1913), with its vast space without supporting columns; and later,
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252:(1910–1913). The first design for the building was made by the Belgian
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Alastair Duncan (1988). The Encyclopedia of Art Deco. Headline book
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is made of lacquered wood, eggshell, mother-of-pearl, and gold leaf.
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writer, G. (2021, August 29). Art deco Paris. The Good Life France.
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https://www.france.fr/en/paris/article/art-deco-paris-and-ile-france
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Exposition Internationale des Arts et Techniques dans la Vie Moderne
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The Hotel du Collectionneur, pavilion of the furniture manufacturer
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Exposition Internationale des Arts et Techniques dans la Vie Moderne
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of the 1937 Paris Exposition, including a statue of "The Fruit" by
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Another major figure in Paris interior decoration in the 1920s was
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Edgar Brandt and the original furniture designs of Pierre Chareau.
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International Exhibition of Modern Decorative and Industrial Arts
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International Exhibition of Modern Decorative and Industrial Arts
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International Exposition of Modern Decorative and Industrial Arts
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Sculptural decoration and iron work of the Church of Saint-Odile
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Monumental sculpture complemented the facade and parvis of the
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2792:"International Exposition of Art & Technology, Paris 1937"
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Mosaics with Egyptian motifs in Le Louxor movie theater (1921)
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for display at the 1925 Paris Exposition of Decorative Arts.
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Art Deco Collectibles. Fashionables objets from the jazz age
2320:, of bronze and ivory, on a quartz and marble base (1920s)
1218:, which was constructed from 1928 to 1931 by the architects
1995:
The domain of Art Deco glass art in Paris was dominated by
1337:, and the pavilion of Finland, with wood-covered walls, by
16:
Movement of architecture and design appearing about 1910-12
2863:
1524:
in Paris, is made of Mahogany, gilded bronze, and marble.
1314:
79:(1925); Center: "Ocean liner" style apartment building by
2819:
2817:
2703:
2701:
2593:
2550:
1333:
was presented; the Pavilion of Light and Electricity, by
243:
2849:(in French). Paris France: Éditions Norma. p. 259.
1678:(designed 1924, probably made 1926), Metropolitan Museum
1421:
by André Aubert, Paul Viard, and Marcel Dastugue (1937)
1249:
The Palais de la Porte Dorée has housed a succession of
611:
at 2 Avenue Stephane-Mallarmé (17th arrondissement), by
2744:
2732:
2686:
2629:
2562:
1807:, made of iron and copper by engineer and metal worker
1161:
31, rue Saint-Guillaume VIIe arrondissement, (1928–31)
992:
The most famous Art Deco swimming pool in Paris is the
809:
at 126 rue de Provence (8th arrondissement), built for
153:, which played a major role in popularizing the style.
2912:
2900:
2814:
2698:
2617:
1595:
The Glass Salon, designed by Paul Ruaud, furniture by
1319:
The major design event of the period in Paris was the
2802:
2674:
1197:
776:
2771:
2662:
2385:
and Georges Lepape, whose fashion illustrations for
2179:
Gaston Suisse, Chinese lacquer square box circa1929
1719:
1627:
Buffet by the Compagnie des Arts Francais (1920–21)
1559:Commode of mahogany, black marble and sharkskin by
444:
Pavilion of the Magasins du Louvre department store
2986:Laurent, Stephane (2002). "L'artiste décorateur".
2844:
2605:
2419:Fashion illustration of designs of Paul Poiret by
1455:
1257:. In 2003 these collections were merged into the
3113:
1246:, a museum of immigration and a major aquarium.
1579:(c. 1920), by the Compagnie des Arts Francais,
1261:, and in its place the building now houses the
2945:Art Deco a la francaise. ArtDeco.org. (n.d.).
2835:Description from the Metropolitan Museum site.
2713:
2482:Postcard packet from the 1937 Paris Exposition
1714:(about 1925), Musée des Arts Décoratifs, Paris
1255:Musée national des Arts d'Afrique et d'Océanie
727:(1926) after renovation to original appearance
3107:https://thegoodlifefrance.com/art-deco-paris/
2881:
1752:(Musée des Années 30 in Boulogne-Billancourt)
1307:Cité nationale de l'histoire de l'immigration
1263:Cité nationale de l'histoire de l'immigration
1244:Cité nationale de l'histoire de l'immigration
1216:Cité nationale de l'histoire de l'immigration
1062:Deco stained glass at the Piscine Molitor by
841:The Studio Building at 65 rue La Fontaine by
694:
516:Henri Sauvage and La Samaritaine (1926–1928)
372:The Exposition was enormous, located between
220:Coignet in 1853. In 1877, another Frenchman,
2570:"Salon d'Automne 2012, exhibition catalogue"
2504:
1846:(1921–22), (Musée des Arts Décoratifs Paris)
1125:(1928–31) was the beginning of movement of
1086:
739:The MK2 Movie Theater at 4 rue Belgrande by
3078:Alastair Duncan (1992). Art Deco Furniture
2372:
2136:Cigarette case of leather and gold leaf by
1818:, who mastered the ancient art of Japanese
1698:(c. 1925), Musée des Arts Décoratifs, Paris
1450:
369:but then was postponed because of the War.
189:had been entrusted to the department store
2391:magazine helped popularize the designs of
416:The Grand Esplanade of the 1925 Exposition
2045:Lalique vase with female figures (1930) (
1611:Small cabinet covered with sharkskin, by
276:music and dance the music of the period,
2882:Capstick-Dale, Rodney and Diana (2016).
2120:Cigarette case of snakeskin and gold by
380:, on both sides of the Seine. Even the
3021:
2985:
2960:
2918:
2906:
2869:
2823:
2707:
2680:
2635:
2599:
2556:
1315:The 1937 Paris International Exposition
793:façade and innovative design elements.
646:Art Deco murals in the interior of the
432:department store at the 1925 Exposition
3114:
3082:The French Designers.Thames and Hudson
3059:
3040:
2947:https://www.artdeco.org/paris-art-deco
2808:
2777:
2692:
2668:
2623:
2611:
2544:
870:
630:, 186 avenue Daumesnil (12th arr.) by
244:Théâtre des Champs-Élysées (1910–1913)
2847:1925 Quand l'art déco séduit le monde
2762:
2347:for the mural inside the dome of the
2237:, a bas-relief for the facade of the
2106:
1931:Teapot of silver and lapis lazuli by
1814:Another influential screen maker was
1374:"art and technique" in France in 1937
1206:, held for six months in 1931 in the
1095:
829:, 26 rue Vavin (8th arr.) (1912–1914)
599:, which was popular at the time. The
524:store was built in 1905 by architect
286:and the revolutionary ballets of the
3024:1000 Immeubles et monuments de Paris
2994:
2951:
2750:
2738:
2726:, Ministère français de la Culture.
686:Deco stained glass of the Church of
2886:. Thames & Hudson. p. 12.
1792:(1932), (Musée des Arts Décoratifs)
580:Building 3 of La Samaritaine (1930)
110:in 1939. It took its name from the
13:
2789:
2435:Illustration of Poiret fashion by
1724:The 1930s, under the influence of
1198:The 1931 Paris Colonial Exposition
1078:The renovated outdoor pool of the
857:Residence and studio of architect
777:Apartment buildings and residences
14:
3133:
3043:Paris: Panorama de l'architecture
2526:(Palais de Tokyo) - Art Deco Room
1547:Display at Salon d'Autumne (1913)
987:
568:La Samaritaine, building 2 (1928)
2932:
2798:from the original on 2021-08-19.
2514:Musée des Arts Décoratifs, Paris
2497:elegance that defines Art Deco.
2475:
2470:program by Charles Gesmar (1925)
2460:
2444:
2428:
2412:
2356:
2336:
2306:
2288:
2265:
2246:
2227:
2172:
2157:
2145:
2129:
2113:
2090:
2070:
2054:
2047:Musée des Arts Décoratifs, Paris
2038:
2015:
1978:Soup tureen, silver and gold by
1971:
1944:
1924:
1890:
1871:
1851:
1835:
1777:
1757:
1741:
1720:Functional furniture - the 1930s
1703:
1683:
1667:
1651:
1632:
1620:
1604:
1588:
1568:
1552:
1540:
1438:
1426:
1410:
1394:
1298:
1293:The Colonial Exposition at night
1286:
1270:
1182:
1166:
1150:
1134:
1071:
1055:
1039:
967:
944:
924:
850:
834:
818:
798:
764:
748:
732:
717:
679:
667:
655:
639:
620:
573:
561:
545:
492:
472:
449:
437:
421:
409:
397:
337:
318:
295:
256:, who was a major figure of the
59:
48:
37:
2927:
2875:
2838:
2829:
2783:
2756:
2532:in the western Paris suburb of
2381:. Major illustrators included
1862:, msde of copper and steel, by
1456:Color and exoticism (the 1920s)
1242:in 2003, and it now houses the
919:department store in 1932–1936.
825:Apartment building in steps by
755:Le Louxor movie theater at 150
75:, made of copper and steel, by
2939:Art Deco architecture in Paris
2641:
2363:Murals in the entrance of the
1356:, Louis Hippolyte Boileau and
127:, can be seen today in Paris.
1:
2487:
1903:
3001:. Laurence King Publishing.
2998:A history of interior design
2524:Musée d'Art Moderne de Paris
2365:Théâtre national de Chaillot
2184:
2140:(1922) (Metropolitan Museum)
2124:(1925) (Metropolitan Museum)
2061:Lalique belt buckle (1932) (
1990:
1662:(1923) (Metropolitan Museum)
1145:on Rue Mallet-Stevens (1929)
7:
2845:exhibition catalog (2013).
2538:Marcel Sembat (Paris MĂ©tro)
1327:, where Picasso's painting
1092:turmoil and confrontation.
585:
460:Department Store (1925) by
10:
3138:
2349:Théâtre des Champs-Élysées
2277:FĂ©lix-Alexandre Desruelles
2239:Théâtre des Champs-Élysées
2216:FĂ©lix-Alexandre Desruelles
2195:Théâtre des Champs-Élysées
2077:Greyound hood ornament by
2063:Metropolitan Museum of Art
1828:Metropolitan Museum of Art
1797:
1533:Metropolitan Museum of Art
911:, also showed elements of
878:
805:The Majorelle building by
695:Theaters and movie palaces
556:department store (1926–28)
353:
326:Théâtre des Champs-Élysées
311:Théâtre des Champs-Élysées
250:Théâtre des Champs-Élysées
230:Théâtre des Champs-Élysées
130:
121:Théâtre des Champs-Élysées
18:
3064:. Editions Ouest-France.
3045:(in French). Parigramme.
3026:(in French). Parigramme.
2651:(2010), Éditions Nassin,
2505:Art Deco in Paris museums
2329:
1581:Musée des Arts Décoratifs
1522:Musée des Arts Decoratifs
1305:Salon with murals in the
1204:Paris Colonial Exposition
1087:Late Art Deco (1930–1939)
92:
30:
3022:Poisson, Michel (2009).
2961:Cabanne, Pierre (1986).
2455:by Georges Lepape (1919)
2373:Posters and graphic arts
1690:Boudoir of apartment of
1451:Furniture and decoration
1212:Palais de la Porte Dorée
931:Residence and studio of
2530:Musée des Années Trente
2405:2024 Summer Paralympics
2083:Baltimore Museum of Art
1951:Tea service of silver,
1230:. The facade has large
145:L'Art décoratif moderne
3060:Texier, Simon (2019).
3041:Texier, Simon (2012).
2995:Pile, John F. (2005).
2954:L'Architecture Moderne
1766:Emile-Jacques Ruhlmann
1676:Émile-Jacques Ruhlmann
1660:Émile-Jacques Ruhlmann
1641:Émile-Jacques Ruhlmann
1529:Émile-Jacques Ruhlmann
974:Apartment building by
648:Church of Saint-Esprit
628:Church of Saint-Esprit
601:Église du Saint-Esprit
597:Basilica of Sacré-Cœur
593:Byzantine architecture
501:Émile-Jacques Ruhlmann
481:Émile-Jacques Ruhlmann
216:styles known as DĂ©co.
199:Émile-Jacques Ruhlmann
2965:(in French). Somogy.
2963:Encyclopedie Art Deco
2941:at Wikimedia Commons
2763:Alves, Julie (2020).
1372:. This set presented
1335:Robert Mallet-Stevens
1175:Robert Mallet-Stevens
1143:Robert Mallet-Stevens
1103:Robert Mallet-Stevens
1026:swimsuit by designer
759:by Henri Zipcy (1921)
552:Art Deco building of
71:Top: Art Deco screen
2534:Boulogne-Billancourt
2401:2024 Summer Olympics
2235:Apollo and the Muses
2031:Dayton Art Institute
1844:Armand-Albert Rateau
1696:Armand-Albert Rateau
1259:Musée du quai Branly
1240:Musée du quai Branly
937:Boulogne-Billancourt
909:Boulogne-Billancourt
863:Boulogne-Billancourt
757:Boulevard de Magenta
607:. . The Church of
2988:Art Deco, 1910–1939
2952:Bony, Anne (2012).
2872:, pp. 205–206.
2753:, pp. 110–115.
2741:, pp. 110–111.
2602:, pp. 165–171.
2559:, pp. 165–170.
2545:Notes and citations
1984:Metropolitan Museum
1965:Metropolitan Museum
1937:Metropolitan Museum
1710:Office designed by
1674:"Duval" cabinet by
1157:The Glass House by
1127:Modern architecture
1005:Stade Roland Garros
951:Dining room of the
688:Sainte-Odile, Paris
595:, like that of the
177:, and the jewelers
27:
2397:Gazette de Bon Ton
2281:Palais de Chaillot
2220:Palais de Chaillot
2212:Palais de Chaillot
2107:Decorative objects
1784:Dressing table by
1658:Tibbitant desk by
1639:Corner cabinet by
1498:Charlotte Perriand
1403:Palais de Chaillot
1366:Palais de Chaillot
1350:Palais de Chaillot
1109:, the silversmith
1096:Deco vs. Modernism
1020:Johnny Weissmuller
1002:park, and between
917:Galeries Lafayette
881:Streamline Moderne
430:Galeries Lafayette
382:Pont Alexandre III
279:The Rite of Spring
254:Henry van de Velde
240:department store.
169:, silverware firm
141:Arts et décoration
125:Palais de Chaillot
85:Palais de Chaillot
25:
3091:978-0-52524-613-8
3052:978-2-84096-667-8
3033:978-2-84096-539-8
3008:978-1-85669-418-6
2937:Media related to
2856:978-2-9155-4258-5
2695:, pp. 24–25.
2657:978-2-7072-0683-1
2647:Dumoulin, Aline,
2638:, pp. 38–39.
2626:, pp. 10–14.
2258:Antoine Bourdelle
2205:chryselephantines
2191:Antoine Bourdelle
1788:for the Princess
1208:Bois de Vincennes
303:Antoine Bourdelle
269:Antoine Bourdelle
173:, glass designer
100:
99:
26:Art Deco in Paris
3129:
3075:
3071:978-27373-8172-0
3056:
3037:
3018:
3016:
3015:
2991:
2976:
2957:
2936:
2922:
2916:
2910:
2904:
2898:
2897:
2879:
2873:
2867:
2861:
2860:
2842:
2836:
2833:
2827:
2821:
2812:
2806:
2800:
2799:
2790:Suisse, Gaston.
2787:
2781:
2775:
2769:
2768:
2760:
2754:
2748:
2742:
2736:
2730:
2729:
2717:
2711:
2705:
2696:
2690:
2684:
2678:
2672:
2666:
2660:
2659:, pages 166–167.
2649:Églises de Paris
2645:
2639:
2633:
2627:
2621:
2615:
2609:
2603:
2597:
2591:
2590:
2588:
2587:
2581:
2575:. Archived from
2574:
2566:
2560:
2554:
2479:
2464:
2448:
2432:
2416:
2360:
2340:
2318:Demétre Chiparus
2310:
2300:Demétre Chiparus
2292:
2269:
2250:
2231:
2201:Demétre Chiparus
2176:
2161:
2149:
2133:
2117:
2097:Cup and vase by
2094:
2074:
2058:
2042:
2019:
1975:
1948:
1928:
1917:Stavros Niarchos
1894:
1875:
1858:Art Deco screen
1855:
1839:
1781:
1761:
1745:
1707:
1687:
1671:
1655:
1636:
1624:
1608:
1592:
1572:
1556:
1544:
1494:Francis Jourdain
1490:Charles Dufresne
1484:and his brother
1442:
1430:
1414:
1398:
1325:Josep LluĂs Sert
1302:
1290:
1277:The illuminated
1274:
1189:E-1027 table by
1186:
1170:
1154:
1141:Villa Martel by
1138:
1075:
1059:
1043:
1011:Parc des Princes
999:Bois de Boulogne
971:
948:
928:
854:
838:
822:
802:
768:
752:
736:
721:
683:
671:
659:
643:
624:
577:
565:
549:
496:
476:
456:Pavilion of the
453:
441:
428:Pavilion of the
425:
413:
401:
341:
322:
309:, facade of the
299:
83:(1935); Bottom:
63:
52:
41:
28:
24:
3137:
3136:
3132:
3131:
3130:
3128:
3127:
3126:
3112:
3111:
3072:
3053:
3034:
3013:
3011:
3009:
2973:
2930:
2925:
2917:
2913:
2905:
2901:
2894:
2880:
2876:
2868:
2864:
2857:
2843:
2839:
2834:
2830:
2822:
2815:
2811:, pp. 8–9.
2807:
2803:
2788:
2784:
2776:
2772:
2761:
2757:
2749:
2745:
2737:
2733:
2727:
2724:Piscine Molitor
2718:
2714:
2706:
2699:
2691:
2687:
2679:
2675:
2667:
2663:
2646:
2642:
2634:
2630:
2622:
2618:
2610:
2606:
2598:
2594:
2585:
2583:
2579:
2572:
2568:
2567:
2563:
2555:
2551:
2547:
2507:
2490:
2483:
2480:
2471:
2465:
2456:
2449:
2440:
2433:
2424:
2417:
2375:
2368:
2361:
2352:
2341:
2332:
2325:
2322:Art Deco Museum
2311:
2302:
2293:
2284:
2270:
2261:
2251:
2242:
2232:
2187:
2180:
2177:
2168:
2162:
2153:
2150:
2141:
2134:
2125:
2118:
2109:
2102:
2099:Maurice Marinot
2095:
2086:
2075:
2066:
2059:
2050:
2043:
2034:
2020:
1993:
1986:
1976:
1967:
1949:
1940:
1929:
1906:
1899:
1895:
1886:
1876:
1867:
1856:
1847:
1840:
1800:
1793:
1782:
1773:
1762:
1753:
1746:
1722:
1715:
1708:
1699:
1688:
1679:
1672:
1663:
1656:
1647:
1645:Brooklyn Museum
1637:
1628:
1625:
1616:
1609:
1600:
1593:
1584:
1573:
1564:
1557:
1548:
1545:
1458:
1453:
1446:
1443:
1434:
1431:
1422:
1419:Palais de Tokyo
1415:
1406:
1399:
1362:Palais de Tokio
1317:
1310:
1303:
1294:
1291:
1282:
1275:
1200:
1193:
1187:
1178:
1171:
1162:
1155:
1146:
1139:
1098:
1089:
1082:
1080:Piscine Molitor
1076:
1067:
1060:
1051:
1048:Piscine Molitor
1044:
994:Piscine Molitor
990:
983:
972:
963:
949:
940:
929:
883:
877:
866:
855:
846:
839:
830:
823:
814:
811:Louis Majorelle
803:
787:Louis Majorelle
779:
772:
769:
760:
753:
744:
737:
728:
722:
710:Maurice DufrĂŞne
697:
690:
684:
675:
672:
663:
660:
651:
644:
635:
625:
588:
581:
578:
569:
566:
557:
550:
538:Louis Majorelle
526:Frantz Jourdain
518:
511:
497:
488:
477:
468:
454:
445:
442:
433:
426:
417:
414:
405:
402:
367:German Werkbund
358:
352:
345:
342:
333:
323:
314:
300:
284:Igor Stravinsky
258:German Werkbund
246:
187:Salon d'Automne
164:
150:Salon d'automne
133:
88:
69:
68:
67:
66:
65:
64:
55:
54:
53:
44:
43:
42:
23:
17:
12:
11:
5:
3135:
3125:
3124:
3110:
3109:
3103:
3093:
3083:
3076:
3070:
3057:
3051:
3038:
3032:
3019:
3007:
2992:
2983:
2977:
2971:
2958:
2949:
2929:
2926:
2924:
2923:
2921:, p. 213.
2919:Cabanne (1986)
2911:
2909:, p. 181.
2907:Cabanne (1986)
2899:
2892:
2874:
2870:Cabanne (1986)
2862:
2855:
2837:
2828:
2826:, p. 228.
2824:Cabanne (1986)
2813:
2801:
2782:
2770:
2755:
2743:
2731:
2712:
2710:, p. 292.
2708:Poisson (2009)
2697:
2685:
2683:, p. 318.
2681:Poisson (2009)
2673:
2671:, p. 129.
2661:
2640:
2636:Poisson (2009)
2628:
2616:
2604:
2600:Laurent (2002)
2592:
2561:
2557:Laurent (2002)
2548:
2546:
2543:
2542:
2541:
2527:
2521:
2516:
2506:
2503:
2489:
2486:
2485:
2484:
2481:
2474:
2472:
2466:
2459:
2457:
2450:
2443:
2441:
2434:
2427:
2425:
2418:
2411:
2374:
2371:
2370:
2369:
2362:
2355:
2353:
2342:
2335:
2331:
2328:
2327:
2326:
2312:
2305:
2303:
2294:
2287:
2285:
2271:
2264:
2262:
2252:
2245:
2243:
2233:
2226:
2186:
2183:
2182:
2181:
2178:
2171:
2169:
2163:
2156:
2154:
2151:
2144:
2142:
2138:Pierre Legrain
2135:
2128:
2126:
2122:Pierre Legrain
2119:
2112:
2108:
2105:
2104:
2103:
2096:
2089:
2087:
2076:
2069:
2067:
2060:
2053:
2051:
2044:
2037:
2035:
2021:
2014:
1992:
1989:
1988:
1987:
1980:Jean Puiforcat
1977:
1970:
1968:
1961:Jean Puiforcat
1950:
1943:
1941:
1933:Jean Puiforcat
1930:
1923:
1909:Jean Puiforcat
1905:
1902:
1901:
1900:
1896:
1889:
1887:
1881:, a screen by
1877:
1870:
1868:
1857:
1850:
1848:
1841:
1834:
1799:
1796:
1795:
1794:
1783:
1776:
1774:
1770:Joseph Bernard
1763:
1756:
1754:
1747:
1740:
1730:Pierre Chareau
1726:Constructivism
1721:
1718:
1717:
1716:
1712:Pierre Chareau
1709:
1702:
1700:
1689:
1682:
1680:
1673:
1666:
1664:
1657:
1650:
1648:
1643:(about 1923),
1638:
1631:
1629:
1626:
1619:
1617:
1610:
1603:
1601:
1594:
1587:
1585:
1574:
1567:
1565:
1558:
1551:
1549:
1546:
1539:
1462:Ballets Russes
1457:
1454:
1452:
1449:
1448:
1447:
1444:
1437:
1435:
1432:
1425:
1423:
1416:
1409:
1407:
1400:
1393:
1381:Auguste Perret
1316:
1313:
1312:
1311:
1304:
1297:
1295:
1292:
1285:
1283:
1276:
1269:
1236:Alfred Janniot
1220:Albert Laprade
1199:
1196:
1195:
1194:
1188:
1181:
1179:
1172:
1165:
1163:
1159:Pierre Chareau
1156:
1149:
1147:
1140:
1133:
1123:Pierre Chareau
1115:Pierre Chareau
1111:Jean Puiforcat
1097:
1094:
1088:
1085:
1084:
1083:
1077:
1070:
1068:
1064:Louis Barillet
1061:
1054:
1052:
1045:
1038:
1032:Louis Barillet
996:, next to the
989:
988:Swimming pools
986:
985:
984:
973:
966:
964:
950:
943:
941:
930:
923:
879:Main article:
876:
869:
868:
867:
859:Auguste Perret
856:
849:
847:
840:
833:
831:
824:
817:
815:
804:
797:
778:
775:
774:
773:
770:
763:
761:
754:
747:
745:
738:
731:
729:
725:Folies Bergère
723:
716:
696:
693:
692:
691:
685:
678:
676:
673:
666:
664:
661:
654:
652:
645:
638:
636:
626:
619:
613:Jacques Barges
587:
584:
583:
582:
579:
572:
570:
567:
560:
558:
554:La Samaritaine
551:
544:
522:La Samaritaine
517:
514:
513:
512:
503:, painting by
498:
491:
489:
483:, designed by
478:
471:
469:
455:
448:
446:
443:
436:
434:
427:
420:
418:
415:
408:
406:
403:
396:
386:Charles Plumet
354:Main article:
351:
348:
347:
346:
343:
336:
334:
330:Auguste Perret
324:
317:
315:
313:, Paris (1912)
301:
294:
288:Ballets Russes
273:Palais Garnier
262:Auguste Perret
245:
242:
238:La Samaritaine
226:Auguste Perret
132:
129:
98:
97:
94:
90:
89:
70:
58:
57:
56:
47:
46:
45:
36:
35:
34:
33:
32:
31:
19:Main article:
15:
9:
6:
4:
3:
2:
3134:
3123:
3120:
3119:
3117:
3108:
3104:
3102:
3098:
3094:
3092:
3088:
3084:
3081:
3077:
3073:
3067:
3063:
3058:
3054:
3048:
3044:
3039:
3035:
3029:
3025:
3020:
3010:
3004:
3000:
2999:
2993:
2989:
2984:
2982:
2978:
2974:
2972:2-85056-178-9
2968:
2964:
2959:
2955:
2950:
2948:
2944:
2943:
2942:
2940:
2935:
2920:
2915:
2908:
2903:
2895:
2889:
2885:
2878:
2871:
2866:
2858:
2852:
2848:
2841:
2832:
2825:
2820:
2818:
2810:
2809:Texier (2019)
2805:
2797:
2793:
2786:
2780:, p. 46.
2779:
2778:Texier (2019)
2774:
2766:
2759:
2752:
2747:
2740:
2735:
2725:
2721:
2716:
2709:
2704:
2702:
2694:
2693:Texier (2019)
2689:
2682:
2677:
2670:
2669:Texier (2012)
2665:
2658:
2654:
2650:
2644:
2637:
2632:
2625:
2624:Texier (2019)
2620:
2613:
2612:Texier (2019)
2608:
2601:
2596:
2582:on 2018-02-01
2578:
2571:
2565:
2558:
2553:
2549:
2539:
2535:
2531:
2528:
2525:
2522:
2520:
2519:Musée d'Orsay
2517:
2515:
2512:
2511:
2510:
2502:
2498:
2494:
2478:
2473:
2469:
2463:
2458:
2454:
2447:
2442:
2438:
2431:
2426:
2422:
2415:
2410:
2409:
2408:
2406:
2402:
2398:
2394:
2390:
2389:
2384:
2380:
2366:
2359:
2354:
2350:
2346:
2345:Maurice Denis
2339:
2334:
2333:
2323:
2319:
2315:
2309:
2304:
2301:
2297:
2291:
2286:
2282:
2278:
2274:
2268:
2263:
2259:
2255:
2249:
2244:
2240:
2236:
2230:
2225:
2224:
2223:
2221:
2217:
2213:
2208:
2206:
2202:
2198:
2196:
2192:
2175:
2170:
2166:
2160:
2155:
2148:
2143:
2139:
2132:
2127:
2123:
2116:
2111:
2110:
2100:
2093:
2088:
2084:
2080:
2073:
2068:
2064:
2057:
2052:
2048:
2041:
2036:
2032:
2028:
2024:
2018:
2013:
2012:
2011:
2009:
2008:
2002:
1998:
1985:
1981:
1974:
1969:
1966:
1962:
1958:
1954:
1947:
1942:
1938:
1934:
1927:
1922:
1921:
1920:
1918:
1914:
1910:
1893:
1888:
1884:
1880:
1874:
1869:
1865:
1861:
1854:
1849:
1845:
1838:
1833:
1832:
1831:
1829:
1826:, now in the
1825:
1821:
1817:
1812:
1810:
1806:
1791:
1787:
1780:
1775:
1771:
1768:for sculptor
1767:
1760:
1755:
1751:
1748:Furniture by
1744:
1739:
1738:
1737:
1735:
1731:
1727:
1713:
1706:
1701:
1697:
1693:
1692:Jeanne Lanvin
1686:
1681:
1677:
1670:
1665:
1661:
1654:
1649:
1646:
1642:
1635:
1630:
1623:
1618:
1614:
1607:
1602:
1598:
1591:
1586:
1582:
1578:
1571:
1566:
1562:
1555:
1550:
1543:
1538:
1537:
1536:
1534:
1530:
1525:
1523:
1518:
1516:
1515:
1510:
1506:
1501:
1499:
1495:
1491:
1487:
1483:
1479:
1475:
1471:
1467:
1463:
1441:
1436:
1429:
1424:
1420:
1413:
1408:
1404:
1397:
1392:
1391:
1390:
1388:
1384:
1382:
1377:
1375:
1371:
1370:Gaston Suisse
1367:
1363:
1359:
1355:
1354:Jacques Carlu
1351:
1346:
1344:
1340:
1336:
1332:
1331:
1326:
1322:
1308:
1301:
1296:
1289:
1284:
1280:
1273:
1268:
1267:
1266:
1264:
1260:
1256:
1252:
1247:
1245:
1241:
1237:
1234:(by sculptor
1233:
1229:
1228:LĂ©on Jaussely
1225:
1221:
1217:
1213:
1209:
1205:
1192:
1185:
1180:
1176:
1169:
1164:
1160:
1153:
1148:
1144:
1137:
1132:
1131:
1130:
1128:
1124:
1120:
1116:
1112:
1108:
1104:
1093:
1081:
1074:
1069:
1065:
1058:
1053:
1049:
1042:
1037:
1036:
1035:
1033:
1029:
1025:
1021:
1017:
1016:Aileen Riggin
1013:
1012:
1007:
1006:
1001:
1000:
995:
981:
977:
976:Pierre Patout
970:
965:
961:
960:Pierre Patout
957:
956:
947:
942:
938:
934:
933:Pierre Patout
927:
922:
921:
920:
918:
914:
910:
905:
903:
899:
898:Pierre Patout
895:
894:
888:
882:
874:
864:
860:
853:
848:
844:
843:Henri Sauvage
837:
832:
828:
827:Henri Sauvage
821:
816:
812:
808:
807:Henri Sauvage
801:
796:
795:
794:
790:
788:
783:
782:Henri Sauvage
767:
762:
758:
751:
746:
742:
741:Henri Sauvage
735:
730:
726:
720:
715:
714:
713:
711:
706:
702:
701:Henri Sauvage
689:
682:
677:
670:
665:
658:
653:
649:
642:
637:
633:
629:
623:
618:
617:
616:
614:
610:
606:
605:Maurice Denis
602:
598:
594:
576:
571:
564:
559:
555:
548:
543:
542:
541:
539:
535:
534:Henri Sauvage
531:
527:
523:
510:
509:Pierre Patout
506:
502:
495:
490:
486:
485:Pierre Patout
482:
475:
470:
467:
463:
462:Henri Sauvage
459:
452:
447:
440:
435:
431:
424:
419:
412:
407:
400:
395:
394:
393:
391:
390:Les Invalides
387:
383:
379:
375:
374:Les Invalides
370:
368:
363:
357:
340:
335:
331:
327:
321:
316:
312:
308:
304:
298:
293:
292:
291:
289:
285:
281:
280:
274:
270:
265:
263:
259:
255:
251:
241:
239:
235:
234:Henri Sauvage
231:
227:
223:
222:Joseph Monier
217:
213:
211:
206:
204:
200:
196:
192:
188:
184:
180:
179:Louis Cartier
176:
172:
168:
167:Louis Vuitton
162:
158:
154:
152:
151:
146:
142:
137:
128:
126:
122:
118:
113:
109:
105:
95:
91:
86:
82:
81:Pierre Patout
78:
74:
62:
51:
40:
29:
22:
3079:
3061:
3042:
3023:
3012:. Retrieved
2997:
2987:
2962:
2953:
2931:
2928:Bibliography
2914:
2902:
2883:
2877:
2865:
2846:
2840:
2831:
2804:
2785:
2773:
2764:
2758:
2746:
2734:
2720:Base Mérimée
2715:
2688:
2676:
2664:
2648:
2643:
2631:
2619:
2614:, p. 7.
2607:
2595:
2584:. Retrieved
2577:the original
2564:
2552:
2508:
2499:
2495:
2491:
2468:Moulin Rouge
2452:
2396:
2386:
2376:
2313:
2295:
2272:
2253:
2234:
2209:
2204:
2199:
2188:
2079:René Lalique
2027:René Lalique
2022:
2006:
2000:
1997:René Lalique
1994:
1953:lapis lazuli
1913:lapis lazuli
1907:
1878:
1864:Edgar Brandt
1859:
1823:
1813:
1809:Edgar Brandt
1804:
1801:
1723:
1615:(about 1925)
1613:André Groult
1576:
1563:(about 1919)
1526:
1519:
1513:
1509:André Groult
1502:
1459:
1389:
1385:
1378:
1347:
1343:Le Corbusier
1328:
1318:
1278:
1251:ethnological
1248:
1201:
1107:Le Corbusier
1099:
1090:
1009:
1003:
997:
991:
979:
958:designed by
954:
912:
906:
901:
892:
886:
884:
872:
791:
780:
698:
632:Paul Tournon
609:Sainte-Odile
589:
519:
507:, design by
466:Georges Wybo
378:Grand Palais
371:
359:
306:
277:
266:
247:
218:
214:
207:
175:René Lalique
163:
159:
155:
148:
144:
140:
134:
108:World War II
101:
93:Years active
77:Edgar Brandt
72:
2751:Bony (2012)
2739:Bony (2012)
2728:(in French)
2453:Vanity Fair
2393:Paul Poiret
2379:Art Nouveau
2351:(1911–1912)
2241:(1910–1912)
1883:Jean Dunand
1816:Jean Dunand
1786:René Herbst
1750:Jules Leleu
1734:Jules Leleu
1597:Eileen Gray
1339:Alvar Aalto
1232:bas-reliefs
1191:Eileen Gray
1119:Eileen Gray
1028:Louis RĂ©ard
530:Art Nouveau
203:Paul Follot
3101:0500518319
3014:2015-05-15
2893:0500518319
2586:2019-09-13
2536:, Station
2493:function.
2488:Conclusion
2437:Paul Iribe
2421:Paul Iribe
2407:in Paris.
2383:Paul Iribe
1904:Silverware
1879:Fortissimo
1842:Screen by
1824:Fortissimo
1577:Les Faunes
1561:Paul Iribe
1505:Paul Iribe
1482:André Vera
1478:André Mare
1358:Léon Azéma
1224:LĂ©on Bazin
1214:, now the
1129:in Paris
913:Pacqueboat
505:Jean Dupas
171:Christofle
2540:Line Nine
2451:Cover of
2343:Model by
2324:in Moscow
2314:Les Girls
2273:The Fruit
2254:La France
2185:Sculpture
2165:Boucheron
2007:Normandie
1991:Glass Art
1772:(c. 1930)
1764:Salon by
1575:Paravent
1514:Normandie
1486:Paul Vera
1474:Louis SĂĽe
1177:(1929–31)
1173:Chair by
980:Pacquebot
962:(1934–35)
955:Normandie
939:(1927–28)
902:Normandie
893:Normandie
887:Pacquebot
873:Pacquebot
845:(1926–28)
705:Grand Rex
650:(1928–32)
458:Printemps
195:Louis SĂĽe
191:Printemps
183:Boucheron
96:1910–1939
3122:Art Deco
3116:Category
3062:Art DĂ©co
2796:Archived
2081:(1935) (
2029:(1922) (
2023:Firebird
2005:SS
1982:(1937),
1935:(1922) (
1790:Aga Khan
1330:Guernica
1281:fountain
953:SS
891:SS
586:Churches
376:and the
307:La Danse
136:Art Deco
123:and the
104:Art Deco
21:Art Deco
2279:at the
2222:(1937)
2218:at the
1963:(1922)
1820:lacquer
1798:Screens
1583:, Paris
1470:Fauvism
978:in the
528:in the
131:Origins
3099:
3089:
3068:
3049:
3030:
3005:
2969:
2890:
2853:
2655:
2439:(1912)
2423:(1908)
2367:(1937)
2330:Murals
2296:Tanara
2283:(1937)
2260:(1922)
2101:(1932)
1866:(1925)
1599:(1922)
1488:, and
1466:cubism
1405:(1937)
1279:Cactus
1117:, and
1066:(1929)
1024:bikini
865:(1929)
813:(1911)
743:(1920)
210:motifs
87:(1937)
2580:(PDF)
2573:(PDF)
2388:Vogue
2001:Paris
1957:ivory
1898:Paris
1860:Oasis
1805:Oasis
1352:, by
875:style
328:, by
73:Oasis
3097:ISBN
3087:ISBN
3066:ISBN
3047:ISBN
3028:ISBN
3003:ISBN
2967:ISBN
2888:ISBN
2851:ISBN
2653:ISBN
2403:and
1955:and
1732:and
1496:and
1476:and
1468:and
1417:The
1401:The
1348:The
1226:and
1202:The
1046:The
1018:and
1008:and
885:The
871:The
464:and
360:The
201:and
181:and
143:and
102:The
2316:by
2298:by
2275:by
2256:by
2025:by
1959:by
1694:by
1464:to
935:in
861:in
392:.
290:.
282:by
3118::
2816:^
2794:.
2722::
2700:^
2010:.
1919:.
1535:.
1517:.
1376:.
1341:.
1265:.
1222:,
1113:,
305:,
3080::
3074:.
3055:.
3036:.
3017:.
2975:.
2956:.
2896:.
2859:.
2589:.
2085:)
2065:)
2049:)
2033:)
1939:)
1309:,
487:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
