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Artificial intelligence and copyright

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402: 130: 367: 383: 496:, claiming that these companies have infringed the rights of millions of artists by training AI tools on five billion images scraped from the web without the consent of the original artists. The plaintiffs' complaint has been criticized for technical inaccuracies, such as incorrectly claiming that "a trained diffusion model can produce a copy of any of its Training Images", and describing Stable Diffusion as "merely a complex collage tool". In addition to copyright infringement, the plaintiffs allege unlawful competition and violation of their 79: 349:" (TDM) in their copyright statutes including the United Kingdom, Germany, Japan, and the EU. Unlike the EU, the United Kingdom prohibits data mining for commercial purposes but has proposed this should be changed to support the development of AI: "For text and data mining, we plan to introduce a new copyright and database exception which allows TDM for any purpose. Rights holders will still have safeguards to protect their content, including a requirement for lawful access." As of June 2023, a clause in the draft EU 444:(including his particular brush strokes, use of colour, perspective, and so on), and a user can engineer a prompt such as "an astronaut riding a horse, by Picasso" to cause the model to generate a novel image applying the artist's style to an arbitrary subject. However, an artist's overall style is generally not subject to copyright protection. 426:-series models) as variously over 1% for exact duplicates or up to about 7%. This is potentially a security risk and a copyright risk, for both users and providers. As of August 2023, major consumer LLMs have attempted to mitigate these problems, but researchers have still been able to prompt leakage of copyrighted material. 544:
against Meta and OpenAI, arguing that in addition to copyright infringement for training their engines on their works, that products produced from the AI engines were derivative works and also copyright infringements. The two suits against OpenAI were combined (during which Awad left the suit) and by
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for the Federal Circuit upheld this decision. In the subsequent rule-making, the USPTO allows for human inventors to incorporate the output of artificial intelligence, as long as this method is appropriately documented in the patent application. However, it may become virtually impossible as when the
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has interpreted this as being limited to works "created by a human being", declining to grant copyright to works generated without human intervention. Some have suggested that certain AI generations might be copyrightable in the U.S. and similar jurisdictions if it can be shown that the human who ran
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In July 2023, authors Paul Tremblay and Mona Awad filed a lawsuit against OpenAI, alleging that ChatGPT, OpenAI's language model, used their copyrighted books without permission. ChatGPT's accurate summaries of their works suggest unauthorized content use. Two separate lawsuits were filed by authors
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One such recent development is the use of sophisticated artificial intelligence ("AI") technologies capable of producing expressive material. These technologies "train" on vast quantities of preexisting human-authored works and use inferences from that training to generate new content. Some systems
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As noted by a lawyer and AI art creator, the challenge for intellectual property regulators, legislators and the courts is how to protect human creativity in a technologically neutral fashion whilst considering the risks of automated AI factories. AI tools have the ability to autonomously create a
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However, the computer generated work law under UK law relates to autonomous creations by computer programs. Individuals using AI tools will usually be the authors of the works assuming they meet the minimum requirements for copyright work. The language used for computer generated work relates, in
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Proponents of this view suggest that an AI model may be viewed as merely a tool (akin to a pen or a camera) used by its human operator to express their creative vision. For example, proponents argue that if the standard of originality can be satisfied by an artist clicking the shutter button on a
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inclined to dismiss most of the lawsuit filed by Andersen, McKernan, and Ortiz but allowed them to file a new complaint. Judge Orrick later dismissed all but one claim, that of copyright infringement towards Stability AI, in October 2023. However, after refiling on some of the eliminated claims,
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The resulting output may be textual, visual, or audio, and is determined by the AI based on its design and the material it has been trained on. These technologies, often described as "generative AI," raise questions about whether the material they produce is protected by copyright, whether works
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In so far as each composite frame is a computer generated work then the arrangements necessary for the creation of the work were undertaken by Mr Jones because he devised the appearance of the various elements of the game and the rules and logic by which each frame is generated and he wrote the
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The Board finds that the Work contains more than a de minimis amount of content generated by artificial intelligence ("AI"), and this content must therefore be disclaimed in an application for registration. Because Mr. Allen is unwilling to disclaim the AI-generated material, the Work cannot be
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the AI can analyze. A deep learning model identifies patterns linking the encoded text and image data and learns which text concepts correspond to elements in images. Through repetitive testing, the model refines its accuracy by matching images to text descriptions. The trained model undergoes
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The UK government has consulted on the use of generative tools and AI in respect of intellectual property leading to a proposed specialist Code of Practice: "to provide guidance to support AI firms to access copyrighted work as an input to their models, whilst ensuring there are protections on
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As AI is increasingly used to generate literature, music, and other forms of art, the U.S. Copyright Office has released new guidance emphasizing whether works, including materials generated by artificial intelligence, exhibit a 'mechanical reproduction' nature or are the 'manifestation of the
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that datasets are so large that "there is no plausible option simply to license all . So allowing copyright claim is tantamount to saying, not that copyright owners will get paid, but that the use won't be permitted at all." Other scholars disagree; some predict a similar outcome to the U.S.
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camera, then perhaps artists using generative AI should get similar deference, especially if they go through multiple rounds of revision to refine their prompts to the AI. Other proponents argue that the Copyright Office is not taking a technology neutral approach to the use of AI or
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Hans, Abhimanyu; Wen, Yuxin; Jain, Neel; Kirchenbauer, John; Kazemi, Hamid; Singhania, Prajwal; Singh, Siddharth; Somepalli, Gowthami; Geiping, Jonas; Bhatele, Abhinav; Goldstein, Tom (June 14, 2024). "Be like a Goldfish, Don't Memorize! Mitigating Memorization in Generative LLMs".
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Getty filed another suit against Stability AI in a U.S. district court in Delaware in February 2023. The suit again alleges copyright infringement for the use of Getty's images in the training of Stable Diffusion, and further argues that the model infringes Getty's
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Under U.S. law, to prove that an AI output infringes a copyright, a plaintiff must show the copyrighted work was "actually copied", meaning that the AI generates output which is "substantially similar" to their work, and that the AI had access to their work.
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succeed, this may shift the balance of power in favour of large corporations such as Google, Microsoft, and Meta which can afford to license large amounts of training data from copyright holders and leverage their proprietary datasets of user-generated data.
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Liu, Yang; Yao, Yuanshun; Ton, Jean-Francois; Zhang, Xiaoying; Guo, Ruocheng; Cheng, Hao; Klochkov, Yegor; Taufiq, Muhammad Faaiz; Li, Hang (August 10, 2023). "Trustworthy LLMs: a Survey and Guideline for Evaluating Large Language Models' Alignment".
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relevant computer program. In these circumstances I am satisfied that Mr Jones is the person by whom the arrangements necessary for the creation of the works were undertaken and therefore is deemed to be the author by virtue of s.9(3)
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Generative AI models may produce outputs that are virtually identical to images from their training set. The research paper from which this example was taken was able to produce similar replications for only 0.03% of training
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sued Microsoft and OpenAI in April 2024 over copyright infringement related to the use of their news articles for training data, as well as for output that creates false and misleading statements that are attributed to the
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is the emergent phenomenon of LLMs to repeat long strings of training data, and it is no longer related to overfitting. Evaluations of controlled LLM output measure the amount memorized from training data (focused on
596:, AI models that can take text input to create songs with both lyrics and backing music, in separate lawsuits in June 2024, alledging that both AI models were trained without consent with music from the labels. 66:'s exclusive right to control reproduction, unless covered by exceptions in relevant copyright laws. Additionally, using a model's outputs might violate copyright, and the model creator could be accused of 287:
involves making copies of copyrighted works, this has raised the question of whether this process infringes the copyright holder's exclusive right to make reproductions of their works, or if it falls use
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In the case of a literary, dramatic, musical or artistic work which is computer-generated, the author shall be taken to be the person by whom the arrangements necessary for the creation of the work are
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In the course of learning to statistically model the data on which they are trained, deep generative AI models may learn to imitate the distinct style of particular authors in the training set. Since
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Since most legal jurisdictions only grant copyright to original works of authorship by human authors, the definition of "originality" is central to the copyright status of AI-generated works.
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range of material that is potentially subject to copyright (music, blogs, poetry, images, and technical papers) or other intellectual property rights (patents and design rights).
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consisting of both human-authored and AI-generated material may be registered, and what information should be provided to the Office by applicants seeking to register them.
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using the prompt "an astronaut riding a horse, by Picasso". Generative image models are adept at imitating the visual style of particular artists in their training set.
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of the Northern District of California threw out all but one claim related to the use of the author's copyrighted works as part of the training data for the AI model.
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validation to evaluate its skill in generating or manipulating new images using only the text prompts provided after the training process. Because assembling these
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respect of AI, to the ability of the human programmers to have copyright in the autonomous productions of the AI tools (i.e. where there is no direct human input):
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Valinasab, Omid, "Big Data Analytics to Automate Patent Disclosure of Artificial Intelligence’s Inventions." U.S.F. Intell. Prop. & Tech. L.J. 133 (2023).
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author's own creative conception'. The U.S. Copyright Office published a Rule in March 2023 on a range of issues related to the use of AI, where they stated:
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further claimed that fair use claims made by these AI companies were invalid since the generated information around news stories directly competes with the
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Orrick agreed in August 2024 to include some of these additional claims against the AI companies, which included both copyright and trademark infringements.
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In some cases, deep learning models may replicate items in their training set when generating output. This behaviour is generally considered an undesired
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Well-constructed AI systems generally do not regenerate, in any nontrivial portion, unaltered data from any particular work in their training corpus
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in the U.S. and other jurisdictions, an AI may also produce infringing content in the form of novel works which incorporate fictional characters.
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or limited human creativity. For works using AI tools, the Copyright Office has made the test a different one i.e. whether there is no more than
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before releasing new generative AI systems. These companies would have to file these documents 30 days before publicly showing their AI tools.
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from the Internet, often utilizing copyrighted material. When assembling training data, the sourcing of copyrighted works may infringe on the
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large data sets from the Internet such as publicly available images and the text of web pages. The text and images are then converted into
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This difference in approach can be seen in the recent decision in respect of a registration claim by Jason Matthew Allen for his work
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U.S. machine learning developers have traditionally believed this to be allowable under fair use because using copyrighted work is
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would require generative AI to "make available summaries of the copyrighted material that was used to train their systems".
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Other jurisdictions include explicit statutory language related to computer-generated works, including the United Kingdom's
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James Vincent "AI art tools Stable Diffusion and Midjourney targeted with copyright lawsuit" The Verge, 16 January, 2023.
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has sued Microsoft and OpenAI in December 2023, claiming that their engines were trained on wholesale articles from the
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A generative image model such as Stable Diffusion is able to model the stylistic characteristics of an artist like
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Comment Regarding Request for Comments on Intellectual Property Protection for Artificial Intelligence Innovation
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inner workings and the use of AI in inventive transactions are not adequately understood or are largely unknown.
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generated output to support right holders of copyrighted work". The U.S. Copyright Office recently published a
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the AI program exercised sufficient originality in selecting the inputs to the AI or editing the AI's output.
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Artificial Intelligence and Intellectual Property: copyright and patents: Government response to consultation
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tools. For other creative expressions (music, photography, writing) the test is effectively whether there is
1218:"Heuristic Analysis for Security, Privacy and Bias of Text Generative AI: GhatGPT-3.5 case as of June 2023" 762:"Popular A.I. services for creating images are legal minefields for artists seeking payment for their work" 546: 1614: 1044:
Henderson, Peter; Li, Xuechen; Jurafsky, Dan; Hashimoto, Tatsunori; Lemley, Mark A.; Liang, Percy (2023).
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of a model by AI developers, and has in previous generations of AI been considered a manageable problem.
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of patents credits solely to AI authors in February 2024, following an August 2023 ruling in the case
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in April 2024. If passed, the bill would require AI companies to submit copyrighted works to the
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Copyright Registration Guidance: Works Containing Material Generated by Artificial Intelligence
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Internet Court issued a decision recognizing copyright in AI-generated images in a litigation.
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The United States Copyright Office has declared that works not created by a human author, like
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Several jurisdictions have explicitly incorporated exceptions allowing for "text and
1590:"Getty Images suing the makers of popular AI art tool for allegedly stealing photos" 806:
Second Request for Reconsideration for Refusal to Register Théâtre D'opéra Spatial (
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Murray, Michael (2023). "Generative AI Art: Copyright Infringement and Fair Use".
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in relation to AI tools' ability to create works in the style of the plaintiffs
1642:"Getty sues Stability AI for copying 12M photos and imitating famous watermark" 541: 477: 473: 466: 1856: 1177: 441: 183: 152:
created using Midjourney and an upscaling tool. The Copyright Office stated:
24: 513: 485: 314: 300: 275: 59: 1157: 1080:"The scary truth about AI copyright is nobody knows what will happen next" 1045: 722:"The scary truth about AI copyright is nobody knows what will happen next" 388:
An image generated by Stable Diffusion using the prompt "Anne Graham Lotz"
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for using its images in their training data without purchasing a license.
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operate in response to a user's textual instruction, called a "prompt."
1489:"Artists file class-action lawsuit against AI image generator companies" 1258:"Stable Diffusion copyright lawsuits could be a legal earthquake for AI" 1132:"Stable Diffusion copyright lawsuits could be a legal earthquake for AI" 1106:"Stable Diffusion copyright lawsuits could be a legal earthquake for AI" 820: 493: 489: 139: 117: 1562:"Artists' lawsuit against Stability AI and Midjourney gets more punch" 194:
due to the lack of a "natural person" on the patents' authorship. The
1815: 1733: 1705: 1701:"Sarah Silverman is suing OpenAI and Meta for copyright infringement" 1566: 1432: 525: 521: 454: 319: 1333: 982:"Beijing Internet Court Recognizes Copyright in AI-Generated Images" 969:
https://www.govinfo.gov/content/pkg/FR-2023-08-30/pdf/2023-18624.pdf
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Getting the Innovation Ecosystem Ready for AI: An IP policy toolkit
1783:"Eight newspapers sue OpenAI, Microsoft for copyright infringement" 1390: 289: 250:
and request for comments following its 2023 Registration Guidance.
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Popular deep learning models are trained on mass amounts of media
615:"Artificial Intelligence Copyright Challenges in US Courts Surge" 589: 259: 48: 20: 35:
occurs when the generative AI is trained or used. This includes
1757:"New York Times and authors on 'fair use' of copyrighted works" 1508:"US judge finds flaws in artists' lawsuit against AI companies" 462: 458: 350: 1729:"Sarah Silverman's lawsuit against OpenAI partially dismissed" 1275: 588:(RIAA) and several major music labels sued the developers of 423: 191: 1043: 807: 593: 1449:"The lawsuit that could rewrite the rules of AI copyright" 945:
The UK government's code of practice on copyright and AI.
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Peng, Zhencan; Wang, Zhizhi; Deng, Dong (June 13, 2023).
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2023 IEEE International Conference on Computing (ICOCO)
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How copyright law applies to the training and use of AI
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and held responsible for that copyright infringement.
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and impacts the newspaper's commercial opportunities.
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In January 2023, Stability AI was sued in London by
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fictional characters enjoy some copyright protection
269: 640:"Primer: Training AI Models with Copyrighted Work" 356: 299:, and limited. The situation has been compared to 1660:"The copyright battles against OpenAI have begun" 1001:"Model validation techniques in machine learning" 1854: 1274:See for example OpenAI's comment in the year of 808:SR # 1-11743923581; Correspondence ID: 1-5T5320R 1841:Getty Images (U.S.), Inc. v. Stability AI, Inc. 565:considers infringement of their copyright. The 182:(USPTO) similarly codified restrictions on the 1424: 979: 1440: 1251: 1249: 702:Zirpoli, Christopher T. (February 24, 2023). 453:A November 2022 class action lawsuit against 102:protects "original works of authorship". The 1607: 1370: 1322:Proceedings of the ACM on Management of Data 1312: 933:Nova Production v MazoomaGames EWHC 24 (Ch) 86:, are not eligible for copyright protection. 1754: 1155: 376:included in Stable Diffusion's training set 31:models are raising questions about whether 1246: 1073: 1071: 785: 783: 1633: 1581: 1559: 1431: 1389: 1215: 950: 895:"USPTO says AI models can't hold patents" 821:"Federal Register :: Request Access" 586:Recording Industry Association of America 1639: 1505: 1376: 741: 576:Eight U.S. national newspapers owned by 400: 128: 84:this "selfie" portrait taken by a monkey 77: 1486: 1482: 1480: 1446: 1077: 1068: 780: 744:"Artificial intelligence and copyright" 719: 715: 713: 701: 480:, and Karla Ortiz—filed a class action 224:Copyright, Designs and Patents Act 1988 1855: 1466: 1279: 1156:Lemley, Mark A.; Casey, Bryan (2020). 1024: 998: 737: 735: 208:Generative AI Copyright Disclosure Act 74:Copyright status of AI-generated works 1780: 1726: 1698: 1640:Belanger, Ashley (February 6, 2023). 1216:Mitsunaga, Takuho (October 9, 2023). 1027:SMU Science and Technology Law Review 880: 878: 697: 695: 693: 691: 689: 687: 685: 1808: 1672: 1587: 1477: 1405: 1351:from the original on August 27, 2024 1078:Vincent, James (November 15, 2022). 1050:Journal of Machine Learning Research 1005:LeewayHertz - AI Development Company 980:Aaron Wininger (November 29, 2023). 720:Vincent, James (November 15, 2022). 710: 504:. In July 2023, U.S. District Judge 303:'s scanning of copyrighted books in 1727:David, Emilla (February 13, 2024). 1588:Korn, Jennifer (January 17, 2023). 1531: 1447:Vincent, James (November 8, 2022). 1255: 1129: 1103: 732: 306:Authors Guild, Inc. v. Google, Inc. 13: 1755:O'Brien, Matt (January 10, 2024). 1560:Robertson, Adi (August 13, 2024). 1487:Edwards, Benj (January 16, 2023). 999:Takyar, Akash (November 7, 2023). 875: 682: 524:by generating images with Getty's 29:generative artificial intelligence 14: 1879: 1834: 1532:Cho, Winston (October 30, 2023). 1506:Brittain, Blake (July 19, 2023). 1256:Lee, Timothy B. (April 3, 2023). 1130:Lee, Timothy B. (April 3, 2023). 1104:Lee, Timothy B. (April 3, 2023). 754: 742:Guadamuz, Andres (October 2017). 706:. Congressional Research Service. 270:Training AI with copyrighted data 217: 1230:10.1109/icoco59262.2023.10397858 1046:"Foundation Models and Fair Use" 791:Copyright, AI And Generative Art 381: 365: 180:U.S. Patent and Trademark Office 93: 1802: 1781:Allyn, Bobby (April 30, 2024). 1774: 1748: 1720: 1692: 1666: 1652: 1553: 1525: 1499: 1399: 1364: 1306: 1294: 1268: 1209: 1184: 1149: 1123: 1097: 1037: 1018: 992: 973: 962: 938: 926: 901: 887: 850: 838: 813: 357:Copyright infringing AI outputs 1406:Hays, Kali (August 15, 2023). 800: 657: 632: 607: 472:In January 2023 three artists— 1: 600: 447: 1673:Kris, Jimmy (July 6, 2023). 142:, prompted by Jason M. Allen 7: 1809:Sato, Mia (June 24, 2024). 1699:Davis, Wes (July 9, 2023). 847:, US Copyright Office 2023. 825:unblock.federalregister.gov 126:technological involvement. 10: 1884: 1371:Peng, Wang & Deng 2023 1224:. IEEE. pp. 301–305. 258:On November 27, 2023, the 1619:newsroom.gettyimages.com/ 327:scholars Bryan Casey and 1615:"Getty Images Statement" 253: 157:registered as submitted. 1863:Artificial intelligence 1162:SSRN Electronic Journal 986:The National Law Review 547:Araceli MartĂ­nez-OlguĂ­n 149:Théâtre D'opĂ©ra Spatial 135:Théâtre D'opĂ©ra Spatial 1361:Citing Lee et al 2022. 482:copyright infringement 410: 405:An image generated by 243: 233: 212:Register of Copyrights 176: 159: 143: 138:, 2022, created using 87: 33:copyright infringement 959:. UK Government 2023. 545:February 2024, Judge 404: 318:, argues that if the 274:Deep learning models 238: 228: 196:U.S. Court of Appeals 164: 154: 132: 104:U.S. Copyright Office 81: 45:large language models 1170:10.2139/ssrn.3528447 897:. February 14, 2024. 862:New York Law Journal 619:www.natlawreview.com 188:Thaler v. Perlmutter 37:text-to-image models 947:UK Government 2023. 913:amp.theguardian.com 789:Peter Pink-Howitt, 312:Timothy B. Lee, in 68:vicarious liability 1621:. January 17, 2023 1539:Hollywood Reporter 578:Tribune Publishing 554:The New York Times 538:Christopher Golden 498:right of publicity 411: 144: 88: 19:In the 2020s, the 1239:979-8-3503-0268-4 285:training datasets 248:notice of inquiry 98:In the U.S., the 21:rapid advancement 1875: 1828: 1827: 1825: 1823: 1806: 1800: 1799: 1797: 1795: 1778: 1772: 1771: 1769: 1767: 1761:Associated Press 1752: 1746: 1745: 1743: 1741: 1724: 1718: 1717: 1715: 1713: 1696: 1690: 1689: 1687: 1685: 1670: 1664: 1663: 1656: 1650: 1649: 1637: 1631: 1630: 1628: 1626: 1611: 1605: 1604: 1602: 1600: 1585: 1579: 1578: 1576: 1574: 1557: 1551: 1550: 1548: 1546: 1529: 1523: 1522: 1520: 1518: 1503: 1497: 1496: 1484: 1475: 1470: 1464: 1463: 1461: 1459: 1444: 1438: 1437: 1435: 1422: 1420: 1418: 1412:Business Insider 1403: 1397: 1395: 1393: 1380: 1374: 1368: 1362: 1360: 1358: 1356: 1350: 1319: 1310: 1304: 1301:Hans et al. 2024 1298: 1292: 1291: 1286: 1272: 1266: 1265: 1253: 1244: 1243: 1213: 1207: 1206: 1204: 1202: 1188: 1182: 1181: 1153: 1147: 1146: 1144: 1142: 1127: 1121: 1120: 1118: 1116: 1101: 1095: 1094: 1092: 1090: 1075: 1066: 1065: 1063: 1061: 1041: 1035: 1034: 1022: 1016: 1015: 1013: 1011: 996: 990: 989: 977: 971: 966: 960: 954: 948: 942: 936: 930: 924: 923: 921: 919: 905: 899: 898: 891: 885: 882: 873: 872: 870: 868: 854: 848: 842: 836: 835: 833: 831: 817: 811: 804: 798: 787: 778: 777: 775: 773: 758: 752: 751: 739: 730: 729: 717: 708: 707: 699: 680: 679: 677: 675: 669:www.linkedin.com 661: 655: 654: 652: 650: 636: 630: 629: 627: 625: 611: 484:lawsuit against 407:Stable Diffusion 385: 374:Anne Graham Lotz 372:A photograph of 369: 334:Texas Law Review 226:, which states: 64:copyright holder 41:Stable Diffusion 1883: 1882: 1878: 1877: 1876: 1874: 1873: 1872: 1853: 1852: 1837: 1832: 1831: 1821: 1819: 1807: 1803: 1793: 1791: 1779: 1775: 1765: 1763: 1753: 1749: 1739: 1737: 1725: 1721: 1711: 1709: 1697: 1693: 1683: 1681: 1671: 1667: 1662:. 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Index

rapid advancement
deep learning
generative artificial intelligence
copyright infringement
text-to-image models
Stable Diffusion
large language models
ChatGPT
fair use
scraped
copyright holder
vicarious liability

this "selfie" portrait taken by a monkey
Copyright Act
U.S. Copyright Office
algorithmic
de minimis

Théâtre D'opéra Spatial
Midjourney
Théâtre D'opéra Spatial
U.S. Patent and Trademark Office
patentability
DABUS
U.S. Court of Appeals
Adam Schiff
Generative AI Copyright Disclosure Act
Register of Copyrights
Copyright, Designs and Patents Act 1988

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